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A biographical register of Australian colonial musical personnel–R (Ro-Rz)
Dr GRAEME SKINNER (University of Sydney)
THIS PAGE IS ALWAYS UNDER CONSTRUCTION
To cite this:
Graeme Skinner (University of Sydney),
"A biographical register of Australian colonial musical personnel–R (Ro-Rz)",
Australharmony (an online resource toward the early history of music in colonial Australia):
https://sydney.edu.au/paradisec/australharmony/register-R-2.php;
accessed 21 November 2024
- R - (Ro-Rz)
Introductory note:
The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.
Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.
A major upgrade of the contents of this page was completed in July 2021, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.
Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibliographic and biographical records.
The texts given in gold aim for the most part to be diplomatic transcriptions, wherever practical retaining unaltered the original orthography, and spellings and mis-spellings, of the printed or manuscript sources. Occasionally, however, some spellings are silently corrected (for instance, of unusual music titles and composers, to assist identification), and some orthography, punctuation and paragraphing, and very occasionally also syntax, editorially altered or standardised in the interests of consistency, clarity, and readability.
ROACH, Charles (Charles ROACH)
Musician, teacher of pianoforte and singing
Active Adelaide, SA, 1859
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROACH-Charles (shareable link to this entry)
Documentation:
[Advertisement], South Australian Register (23 June 1859), 1
http://nla.gov.au/nla.news-article49903197
MR. CHARLES ROACH, a Pupil of F. Rees [sic] and Mendelssohn-Bartholdy, in Dresden,
is the honour to inform the Ladies and Gentlemen of Adelaide and vicinity of his intention to give LESSONS in PIANOFORTE-PLAYING and SINGING.
For particulars, apply to Mr. C. Gries, bookseller, 39, Rundle-street.
ASSOCIATIONS: ? Ferdinand Ries (teacher, musician; but died 1838)
ROACHE, John Smyly (John Smyly ROACHE; ROCHE)
Musician, cornet and cornopean player, bandsman (band of the 99th Regiment)
Born ? Ireland, c. 1825
Active Dublin, Ireland, 1841
Regiment active Australia, from 1843
Died Hobart, VDL (TAS), 29 September 1848, aged 23
https://trove.nla.gov.au/search?l-publictag=John+Smyly+Roache+d1848 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROACHE-John-Smyly (shareable link to this entry)
ASSOCIATIONS: Band of the 99th Regiment
Documentation:
Pay-list, 99th Regiment, 1 April to 30 June 1845; Australian Joint Copying Project, from Records of the UK War Office
https://nla.gov.au/nla.obj-1688495572 (DIGITISED)
1499 / Roache, Smyly . . . [band not indicated]
[Advertisement], The Australian (29 November 1845), 1
http://nla.gov.au/nla.news-article37154101
UNDER VERY DISTINGUISHED PATRONAGE. GRAND CONCERT. Mr. MARSH begs to announce that
his Concert, will take place on WEDNESDAY EVENING, DECEMBER 3RD, AT THE ROYAL VICTORIA THEATRE . . .
with Chorus and Orchestra, which will be full and complete, consisting of the following instruments in two New Overtures: -
. . . Cornet de Piston - Mr. J. Roche . . .
ASSOCIATIONS: Stephen Hale Marsh (pianist, harpist, composer); the orchestra list in this advertisment includes by name most if not all of the band of the 99th regiment
"MRS. BUSHELLE'S FAREWELL CONCERT", The Australian (18 June 1846), 3
http://nla.gov.au/nla.news-article37154914
. . . Having cursorily glanced at the performances of the fair sex, we must now do justice to the rougher portion of humanity - and first, the Band of the 99th Regiment. Their performances fully sustained their already well-earned reputation. The Railway Gallope was however the climax; but before we dismiss the subject we must make mention of the Solo on the Cornopean, by a Bandsman named Roach, which was beautifully executed, and which displayed a mastery over the instrument seldom equalled, if ever excelled . . .
"CONCERT", The Sydney Morning Herald (19 June 1846), 2
http://nla.gov.au/nla.news-article12887947
On Wednesday evening, the performance announced as Mrs. Bushelle's farewell Concert, took place in the Saloon of the Royal Hotel. It was attended by about 400 persons, among whom we observed His Honor Mr. Justice Therry, the Honorable Mr. Plunkett, Colonel Despard, and the officers of H. M. Ship Castor. The Saloon of the Royal Hotel is peculiarly unfitted for music, and the effect of an entertainment like that of Wednesday is considerably marred by this circumstance. It is equally unfitted for the expansion of sound, and for the accommodation of visitors. Indeed, a good music room is a desideratum in Sydney. The instrumental performances were under the direction of Mr. S. W. Wallace, the brother of the talented beneficiare, and were assisted by the splendid band of the 99th Regiment. The Overtures from La Fiancee (Auber) and Beethoven were well played, particularly the latter, but were lost in the long low room of the hotel . . . A solo by Mr. Wallace, on the violin, by Mr. Ellard on the pianoforte, by Mr. Hill (of the band of the 99th) on the flute, were all deserving of high commendation, but the gem of the evening as far as instrumental music goes, was a solo on the cornopeian, from Koenig, by a bandsman of the 99th Regiment. The perfect mastery displayed over his difficult instrument, even in the most rapid variations, in the beautiful air selected; the purity of the melody, and the rich depth of tone and expression, with which he wrapt the audience were a marvel to those acquainted with the difficulty of adapting this instrument to a solo performance in a concert room. Rapturous applause was the well-merited reward of the performer, not perhaps a little increased by the evident and becoming modesty with which he made his "first appearance." The whole of the performances closed with Julien's famous Railway Galope by the band of the 99th Regiment. As a specimen of art, of what music may be perverted to, this said galope is certainly very curious - the station bell rings - the engines begin to hiss and sputter - the shrill, discordant whistles scream, you almost fancy you hear the gentleman in the red coat coming round, "tickets, gentlemen, tickets;" - and then, as the full band breaks into music - away you go with the long train - first, second, and third class carriages, all in a line - "with a short uneasy motion" till you are half bewildered into a dream of Rugby, Wolverton, Weedon, or some well remembered station where you once intended to be set down. The Galope was performed to perfection - it pleased the multitude, and made us smile; but it certainly does not come under our definition of music . . .
ASSOCIATIONS: Eliza Bushelle (soprano vocalist); Spencer Wellington Wallace (conductor, violin); Frederick Ellard (piano); Arthur Silvester Hill (flute, 99th Regiment)
Pay-list, 99th Regiment, 1 April to 30 June 1846; Australian Joint Copying Project, from Records of the UK War Office
https://nla.gov.au/nla.obj-1688832227 (DIGITISED)
1499 / Roache, Smyly / . . . Band
Pay-list, 99th Regiment, 1 April to 30 June 1847; Australian Joint Copying Project, from Records of the UK War Office
https://nla.gov.au/nla.obj-1687795407 (DIGITISED)
1499 / Roche, S. John / . . . [band not indicated]
"DEATHS", Launceston Examiner (4 October 1848), 6
http://nla.gov.au/nla.news-article36255737
On Friday, 29th September, at the Military Hospital, Hobart Town, John Smyly Roche, musician, 99th regiment of foot, in the 24th year of his age, deeply regretted by all his comrades.
Bibliography and resources:
Tablet commemorating John S. Roache and William J. A. Bromley, Anglesea Barracks Memorial Wall, Davey Street, Hobart; Monuments Australia
Sacred to the memory of John S Roache
Late of the band 99th Regt.
Who died on the 29th Septr 1848
Aged 23 years.
This stone was erected by his brother musicians as a tribute of respect.
Also Wm. Ja. Bromley Musician in the same Corps who departed this life
30th July 1855 aged 33 years.
Affection weeps heaven rejoices
B. & M. Chapman, Private John Smiley Roach (Roache), 99th Regiment, Australia's red-coat regiments
[Memorial plaque at Anglesea Barracks, Hobart]: Sacred to the memory of John S. ROACHE Late of the band 99th Regt. Who died on the 29th Septr 1848 Aged 23 years.
ROBBIO, Agostino (Agostino ROBBIO; Signor ROBBIO)
Musician, violinist ("pupil of the immortal Paganini")
Born c. 1820
Arrived Melbourne, VIC, 12 October 1862 (per Mary Ann Wilson, from Manilla, 9 July)
Departed Sydney, NSW, March 1863 (per Bogatyr, for New Caledonia)
Died London, England, 1898 (2nd quarter), aged "78"
https://trove.nla.gov.au/search?l-publictag=Agostino+Robbio (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBBIO-Agostino (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Summary:
Having left Australia in 1863, Robbio was the first concert violinist to visit Japan. He had visited Brazil as early as 1845. Later in life he was court violinist to the queen of Spain.
Documentation:
Before Australia (to 1862):
"NIZZA", Il Pirata (Giornale di letteratura, belle arti . . . ) 4/48 (14 December 1838), 197
http://books.google.com.au/books?id=gc5IAAAAcAAJ&pg=PA197
"ROYAL ITALIAN OPERA", London Evening Standard (18 August 1854), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000183/18540818/029/0003 (PAYWALL)
Mr. A. Harris, the stage manager at the Royal Italian Opera, had a benefit concert last night . . . The only novelty of the night was the debut of Signor Robbio, a new violinist, who is described as being a pupil of Paganini. He played twice, a concerto on themes by Bellini, and a "Valse Diabolique." Signor Robbio affects the ultra-illegitimate school. He has no other end in view than the whimsical and the absurd. In exploits of this class he is an undoubted master; and he performed feats upon the instrument which in fantastic and senseless extravagance have probably never been equalled. The air from the Sonnambula and other operas of Bellini he caricatured as they have never been caricatured before; though it was in the "valse" that the full extent of his facility in the arts of grimace was developed. He squeaked, moaned, grinned, sighed, and scratched with inconceivable dexterity. Few could refrain from laughing at the antics which he realised, the acquisition of which must have exacted toil ineffable. Music was never in our experience exposed to such varied and grotesque mockery, and with popular audiences Signor Robbio would be pronounced a god. His cleverness, no doubt, is unsurpassable, but so wilful and unrelieved a prostitution of talent we are glad to say is unique.
"M. JULLIEN'S CONCERTS", Morning Post [London] (31 October 1854), 5
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18541031/021/0005 (PAYWALL)
Drury-lane Theatre was crowded in every part last night by M. Jullien's admirers, who hailed their idol and his extraordinary music with a vociferous, fanciful, and exuberant enthusiasm peculiar to promenade concert audiences. Nearly two years have passed since M. Jullien quitted England to win fresh laurels in America, and that period has certainly served to increase his energy, and strengthen those powers of gesticulation for which he has long been notorious . . . but we must protest strongly against the introduction of Signor Robbio as a solo violinist, for he is a mere pretender, utterly beneath criticism, and well deserved to be hissed out of the orchestra . . .
ASSOCIATIONS: Louis Jullien (conductor)
[News], Liverpool Mercury (16 January 1855), 4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000081/18550116/006/0004 (PAYWALL)
The numerous amateurs of good music will no doubt learn with satisfaction the arrival in this town of the favourite performer on the violin Signor Agostino Robbio. This excellent artiste, after having attracted the most enthusiastic ovations in all the capitals of Europe and America, has lately met the greatest applause, on his appearance at Mons. Jullien's concerts in Drury-lane. Signor Robbio, pupil of the late Signor Paganini, is known to be initiated into those extraordinary means with which that wonderful genius produced such magic effects. There is no doubt but our dilettanti will gladly attend the concerts which, at the earnest request of his friends, Signor Robbio intends to give in Liverpool.
"ISLE OF FRANCE", The Sydney Morning Herald (17 March 1860), 5
http://nla.gov.au/nla.news-article13037928
WE translate the following monthly summary of local intelligence at the Mauritius from the Mauricien newspaper of Tuesday, the 7th ultimo . . . A violinist of great merit, Il Signor Robbio, is at present giving concerts, which attract crowds of persons and afford great pleasure. The last of these concerts is to take place on Thursday next, and will not be less brilliant than those which have preceded it. M. Ali-Ben-Sou-Alle gave his farewell concert on Saturday . . .
ASSOCIATIONS: Ali-Ben Sou-Alle (musician)
Australia (October 1862 to March 1863):
SHIPPING . . . ARRIVED", The Age (13 October 1862), 4
http://nla.gov.au/nla.news-article154967568
OCTOBER 12. Mary Ann Wilson, ship, 944 tons. J. H. Smith, from Manilla 9th July. Passengers - cabin: Messrs. A. Robbio and Edward Evanson. Michaelis, Boyd and Co, agents.
[News], The Argus (20 October 1862), 5
http://nla.gov.au/nla.news-article6480464
A musical celebrity has recently arrived in this Colony, on a professional visit, whose credentials are of the highest order. We refer to Signor Robbio, a violinist, who may be remembered as having been introduced to a London audience by Mr. Harris, at the Royal Italian Opera, in 1851 [recte 1854]). A number of the Gazzetta di Genova, for March, 1838, is lying before us, in which Signor Robbio's successful début at the Genoese Academy is recorded; and it is added that he was the favourite pupil of Paganini, by whom his musical genius was regarded with so much approbation that the maestro presented young Robbio with a medal, and, what was of still greater value, devised him the master's own violin. Since then, Signor Robbio has visited every part of the civilized world, and seems to have been everywhere hailed as a great artiste . . .
"SIGNOR ROBBIO'S CONCERT", The Argus (29 November 1862), 5
http://nla.gov.au/nla.news-article6481504
"SIGNOR ROBBIO'S CONCERT", The Sydney Morning Herald (20 December 1862), 13
http://nla.gov.au/nla.news-article13071343
"MUSIC AND THE DRAMA", The Sydney Morning Herald (19 February 1863), 9
http://nla.gov.au/nla.news-article13074476
. . . Coming to events of a more pretentious character, we have to note in the first place a concert given jointly by Messrs. Boulanger and Robbio. This took place in the Masonic Hall on the evening of the 10th instant, in the presence of a very numerous and fashionable audience. The performance commenced with a grand trio by Beethoven in C minor (for piano, violin, and violon cello), a beautiful and elaborate composition in which the united talent of M. Boulanger on the piano-forte, Signor Robbio on the violin, and Mr. Edward Deane on the violoncello, was made conspicuous, and hailed with well deserved applause . . . The concert terminated with the "Valse Diabolique", by Signor Robbio, the composition [his own] being most effectively rendered. . . . At the present time, Signor Robbio is fulfilling a short engagement at the Lyceum Theatre, the management of that establishment having conceived the idea that they would be doing good service by familiarising the humbler classes with performances at once so refined and elevating as those which have placed the name of Robbio so high upon the scroll of distinguished musicians.
ASSOCIATIONS: Edward Boulanger (piano); Edward Deane (cello)
"NEW SOUTH WALES", The Cornwall Chronicle [Launceston, TAS] (1 April 1863), 5
http://nla.gov.au/nla.news-article72196609
The Russian screw corvette Bogatyr has sailed for New Caledonia. Signor Robbio is on board, a guest of Admiral Popoff.
"THE WEEK", Leader [Melbourne, VIC] (18 April 1863), 11
http://nla.gov.au/nla.news-article197290021
. . . The Bogatyr carried with her from Sydney two distinguished musicians - Signor Robbio, the violinist; and Monsieur Boulanger, the pianist. The latter, we understand, took French leave of his wife, with whom he was upon uncomfortable terms.
After Australia (1863-98):
"EPISODES OF A VOYAGE ROUND THE WORLD BY MARQUIS CHISHOLM", Greenock Advertiser [Scotland] (11 July 1868), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000970/18680711/004/0001 (PAYWALL)
. . . A few days after arriving in Nagasaki, I gave a return concert (where I was again joined by Signor Robbio, who bad been the guest of the Russian admiral during my absence at Yokohama), and was somewhat sorry to perceive that may audience were all armed with swords and pistols. In this disturbed state of the community, I resolved to spend the winter in China . . .
ASSOCIATIONS: Marquis Chisholm (pianist)
"MUSIC", Pall Mall Gazette (20 June 1884), 3-4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000098/18840620/004/0002 (PAYWALL)
. . . By the way, we [4] hear that Signor Robbio, once a favourite violinist, now, through money losses (as usual) is again before the public, and has come to London. He is seventy years old. Few people are likely to remember one of the most poetic artists of his day, who received the usual quantity of snuff-boxes and diamond pins from crowned heads - "long, long, ago." . . .
[News], The Queen [London] (25 April 1896), 41
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002627/18960425/266/0041 (PAYWALL)
The third assembly of the Ladies' League of Kindness was held by Mrs. Farmer at Gloucester-gardens, Hyde Park, W., on the 20th inst. . . . Signor Robbio (pupil of Paganini) played the opening morceau, accompanied by Mlle. Van Noorden, from "Lucrezia Borgia," with the purity of tone and continuous cantabile which that style of music requires, and in "La Prière de Moise" (arranged by Paganini) the powerful notes he produced were equally remarkable, and it was difficult to realise that it was on one string, and on a violin that had been given by the great maestro to his pupil, Agostino Robbio, when only fourteen. The climax of enthusiasm was reached by the audience they heard the marvellous technique with which the "Carnival of Venice" was rendered . . .
Bibliography and resources:
Francesco Regli, Storia del violino in Piemente (Torino: Enrico Dalmazzo, 1863), 192
http://books.google.com.au/books?id=V08pAAAAYAAJ&pg=PA192 (DIGITISED)
Un fiore ad Agostino Robbio, allievo dell'Istituto musicale di Genova. Fornito di molta facilità e di flessibile ingegno, intraprese di buon'ora la carriera dei Concerti. Comò luminose vittorie nella Spagna, ed ora miete allori in America.
ROBERTS, Arthur R. (Arthur Robert Edwards Philpott ROBERTS; A. R. ROBERTS)
Musician (pupil of Hullah), bandmaster
Born Maidstone, Kent, c. 1838; son of David and Sarah ROBERTS
Arrived Auckland, NZ, 26 September 1857 (per Motoaka, from London)
Arrived Sydney, NSW, 20 June 1861 (per Lord Ashley, from Nelson, New Zealand, 12 June)
Died Maitland, NSW, 21 February 1898, aged 60
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-Arthur-Robert (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Documentation:
"Death of Mr. A. R. Roberts", The Maitland Daily Mercury (22 February 1898), 2
http://nla.gov.au/nla.news-article123674948
. . . The deceased gentleman, who was 60 years of age last May, was an old colonist. Born in Maidstone, Kent, England, he was educated at Chelsea College, London, where he was fortunate in receiving personal instruction in mathematics from the noted Dr. Colenso, and in music from Hullah. Passing a competitive examination required by the New Zealand Government, he landed in that colony in 1857. After some three years of teaching in New Zealand, Mr. Roberts came over to New South Wales in 1861, and for 34 years he was connected with the Education Department, in the capacity of head master at various schools on the South Coast, in New England, and in this district. While stationed at Scone, Mr. Roberts was correspondent for the Mercury. . . . He was very fond of music, and was a good performer on different instruments. He was for some time an organist in England, and he initiated a band in Inverell and in Walcha, and personally instructed the members.
ASSOCIATIONS: John Hullah (singing master); John Colenso (mathematician)
"Death of Mr. A. R. Roberts", The Maitland Weekly Mercury (26 February 1898), 10
http://nla.gov.au/nla.news-article126322411
ROBERTSHAW, Richard (Richard ROBERTSHAW; Richard ROBERSHAW [sic])
Musician, ininerant musician, fiddler, violinist, convict, police constable (VDL)
Born Somers Town, London, England, 1814; baptised St. Pancras, 16 January 1814; son of William and Elizabeth ROBERTSHAW
Convicted Old Bailey, London, 6 January 1831 (sentenced to death, commuted to life transportation)
Arrived Hobart Town, VDL (TAS), 15 November 1831 (convict per Strathfieldsay, from London, 2 August)
Active Adelaide, SA, 1850; Melbourne, VIC, 1852
https://trove.nla.gov.au/search?l-publictag=Richard+Robertshaw+b1814 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTSHAW-Richard (shareable link to this entry)
Documentation:
Baptisms solemnized in the parish of St. Pancras in the county of Middlesex in the year 1814; register 1813-20, page 103; London Metropolitan Archive
https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_194988-00059 (PAYWALL)
No. 819 / January 16th / Richard Son of / William and Elizabeth / Robertshaw / Somers Town / Piano forte maker / . . .
Trial of Richard Robertshaw, housebreaking, 6 January 1831; Old Bailey online
https://www.digitalpanopticon.org/life?id=obpt18310106-3
https://www.oldbaileyonline.org/browse.jsp?div=t18310106-3
https://www.oldbaileyonline.org/images.jsp?doc=183101060004 (DIGITISED)
275. RICHARD ROBERTSHAW was indicted for feloniously breaking and entering the dwelling-house of Edward Pritchett,
on the 22nd of December, at St. Martin in the Fields, and stealing therein 48 pairs of gloves, value 6l.,
the goods of the said Edward Pritchett . . . One witness gave the prisoner a good character.
GUILTY - DEATH. Aged 16. Recommended to Mercy by the Prosecutor, on account of his youth.
Convict record, Robertshaw Richard, per Strathfieldsay, 1831; Tasmanian names index; NAME_INDEXES:1429951; CON27/1/5
https://stors.tas.gov.au/NI/1429951
https://stors.tas.gov.au/CON31-1-37$init=CON31-1-37P78 (DIGITISED)
746 / Robertshaw Richard / Strathfieldsay 15 Nov'r 1831 / Middlesex 6 january 1831 Life / . . .
Free Pardon . . . 8 June 1843
[Notice], The Courier [Hobart, TAS] (9 June 1843), 2
http://nla.gov.au/nla.news-article2952590
GOVERNMENT NOTICE. No. 139. Colonial Secretary's Office, 8th June, 1843.
Memorandum of Free Pardon has been ordered for 746 Richard Robertshaw, per Strathfieldsay, until Her Majesty's pleasure be known.
By His Excellency's command, J. E. BICHENO.
"SUPREME COURT. CRIMINAL SIDE . . . Friday, March 15", South Australian Gazette and Mining Journal (16 March 1850), 3
http://nla.gov.au/nla.news-article195939584
Richard Robershaw was charged with stealing a waistcoat and gold breast-pin, the property of Ludwig W. Watemath, on the 27th of November last The prisoner pleaded not guilty. It appeared that the prisoner, who was an itinerant fiddler, called with a companion at the public-house kept by Waltemath. He went through the bar into a room adjoining the prosecutor's bedroom. When he returned he said he was taken very ill. He was very polite, shook hands, and looked particularly friendly. After he was gone the robbery was discovered, and Sergeant Lorymer found the waistcoat and pin in a bundle of clothes belonging to the prisoner in his bed room at the Launceston Hotel. A free pardon after sentence of transportation for life, and several testimonials as to character, were in the bundle. The owner of the stolen property had since gone to California, but his father swore to the same facts as deposed by him at the Police-office. Prisoner, in defence, said he never saw the articles till Sergeant Lorymer produced them in Court. The jury found the prisoner guilty, and his Honor sentenced him to imprisonment for four months with hard labour, remarking that the testimonials found upon him alone saved him from transportation.
"SUPREME COURT - CRIMINAL SITTINGS. Friday March 15th", Adelaide Observer (16 March 1850), 4
http://nla.gov.au/nla.news-article159532891
Richard Robershaw was indicted for steeling one waistcoat and one gold pin, value 3Os, the property of Ludwig W. Waltermath, on the 27th November.
Mr Stephen for the prisoner.
_ Waltermath, sen., father of the private prosecutor, deposed that his son kept a public-house in Gouger-street, on the 27th November last.
Prisoner applied for permission to play the fiddle there; he began to talk about old tunes, the wars of Napoleon, and suchlike;
he afterwards said he was not well, and must go out into the yard; he held his hands before his stomach.
After a little he came back, and appeared to be well; he had before been drinking nobblers, but afterwards called for ginger-beer.
Prisoner insisted on shaking hands all round. Was immoderately friendly at leaving.
Witness's son wanted his waistcoat, but it was gone, identified as vest produced as the property of his son.
Never saw the pin produced before; did not like his son to wear such things.
The prisoner had ample opportunity to go unobserved into the bed-room.
By the prisoner - There were several people drinking in the house after you left. You remained about half an hour,
but he (witness) would not exactly say how long you went away about dinner time.
William Raven, landlord of the Launceston Hotel, stated that the prisoner, who had formerly lodged with him, returned again on the 27th November;
he brought a bundle with him; next day the police came and overhauled the bundle; a person who was with them identified the waistcoat produced as his property.
By the prisoner - Other persons could have had access to the bde-room, but you were the only person that slept there that night.
Police Sergeant Lorymer stated that Waldemar, the younger, reported a robbery to him (witness) and described a person whom be suspected.
Witness recognised the prisoner's descrjption, and took him into custody shortly after.
In his bundle, at the last witness's house, the waistcoat and gold pin produced were found;
also several documents consisting of letters, testimonials of character, and a certificate of freedom from the authorities in Van Dieman's Land.
The prisouer said it was not at all likely that he should have announced his profession at the public-house, if he had an intention to rob it.
His Honor repeated the evidence, directing the jury that there was no proof as to the ownership of the gold pin;
and the only question for them was if the prisoner had stolen the waistcoat.
The jury, after a short consultation, returned a verdict of guilty of stealing a waistcoat.
His Honor asked the prisoner if he had anything to say.
The prisoner again protested his innocence. In reply to his Honor he said that some of the written testimonials of characters produced were obtained from situations he filled since he became free.
His Honor, in consequence of the proofs of good conduct, sentenced the prisoner to four months' imprisonment with hard labour.
His Honor added that he had some misgivings that the prisoner was scarcely deserving of such leniency, but he (his Honor) took into consideration the length time he had been imprisoned previous to trial.
[Advertisement], The Argus (18 March 1852), 3
http://nla.gov.au/nla.news-article4783864
TO CAPTAIN WOOD, Of the Barque Sea Queen.
SIR, - We, the undersigned, steerage passengers on board your vessel, from Adelaide to this Port,
beg most respectfully by this means to testify our sense of the hospitable treatment we have received on board . . .
We are, Sir, Yours respectfully, . . . Richard Robertshaw . . .
ROBERTS, Annie (Annie Emma ROBERTS; Annie Eugenie ROBERTS; Mrs. Patrick O'CONNER)
Pianist
Born Brisbane, QLD, 31 March 1864; daughter of William Barker ROBERTS (d. 1865) and Asenath ELWORTHY (d. 1922)
Active Sydney, NSW, by 1878
Married Patrick O'CONNOR, Sydney, NSW, 21 April 1887
Died Rose Bay, NSW, 16 March 1944
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-Annie (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Documentation:
[Advertisement], The Sydney Morning Herald (4 December 1878), 2
http://nla.gov.au/nla.news-article28391729
"AMUSEMENTS", The Sydney Morning Herald (7 December 1878), 5
http://nla.gov.au/nla.news-article28391158
[Advertisement], The Sydney Morning Herald (13 December 1882), 2
http://nla.gov.au/nla.news-article13522790
[Advertisement], The Sydney Morning Herald (17 November 1883), 2
http://nla.gov.au/nla.news-article13545647
"MUSICIAN OF FORMER DAYS DEAD", The Sydney Morning Herald (25 March 1944), 12
http://nla.gov.au/nla.news-article17874403
Mrs. Annie O'Connor, a prominent musician in the Sydney of the 1880's, has died at her Rose Bay home. Born in Brisbane 78 years ago, she was the daughter of William Roberts, manager of Christopher Newton's warehouse, and of Asenath Elworthy, niece of George Elworthy, of Sydney, and granddaughter of Major-General Elworthy, of Exeter, England. She studied the piano under Charles Packer and Sydney Moss, and showed such marked promise that at the early age of nine she played at a concert given by Madame Ilma Di Murska. Later she was among those who played at the Garden Palace Exhibition in 1879. Mrs. O'Connor is survived by a son and two daughters.
ASSOCIATIONS: Charles Sandys Packer (teacher); Sydney Moss (teacher); Ilma de Murska (vocalist)
ROBERTS, David (David ROBERTS; Mr. D. ROBERTS)
Bookbinder
Born London, England, 9 December 1811; baptised St. Leonard's, Shoreditch, 5 January 1812; son of Robert ROBERTS (1771-1847) and Mary SMITH (b. 1775)
Married Harriet WOLFE (d. 1872), St. Mary, Islington, 8 October 1836
Active Sydney, NSW, by 1863
Died (suicide) Sydney, NSW, 18 April 1875, aged "62"
https://trove.nla.gov.au/search?l-publictag=David+Roberts+1811-1875 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-David (shareable link to this entry)
Documentation:
Register of baptisms, St. Leonard's, Shoreditch, 1810-12; London Metropolitan Archives
https://www.ancestry.com.au/imageviewer/collections/1624/images/31281_a101340-00086 (PAYWALL)
David Roberts S. of Robert & Mary Roberts of Holywell row, born Dec'r 9th / [baptised] 5 [January 1812]
Marriages solemnized in the parish of St. Mary, Islington, in the year 1836; register 1831-36, page 295; London Metropolitan Archives
https://www.ancestry.com.au/imageviewer/collections/1623/images/31280_199049-00157 (PAYWALL)
No. 883 / David Roberts of this parish bachelor and Harriet Wolfe of the same parish spinster
were married in the church by banns this [8 October 1836]
England census, 6 June 1841; St. Luke, City Road, Middlesex; UK National Archives, HO 107 / 666 / 6
https://www.ancestry.com.au/imageviewer/collections/8978/images/MDXHO107_665_666-0543 (PAYWALL)
Galway Street / David Roberts / 29 / J. Bookbinder / [born Middlesex]
Harriet [Roberts] / 25 / - [born Middlesex] // Harriet [Roberts] / 2
England census, 30 March 1851, St. Leonard, Shoreditch; UK National Archives, HO 107 / 1534
https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1533_1534-0558 (PAYWALL)
5 Old Street Road / David Roberts / Head / 39 / Bookbinder / [born] London
Harriet [Roberts] / 37 // Harriet / 12 // Robert / 7 // John / 5 // Henry / 2
List of Emigrants per ship Hanover . . . Sent by the Family Colonization Loan Society, 1854; State Records Authority of NSW
https://www.ancestry.com.au/imageviewer/collections/1204/images/32091_223789__0001-00021 (PAYWALL)
Robert Davie / 41 / Bookbinder // Harriet / 43 / Bookfolder // Harriet / 13 // Robert / 10 // John / 8 // Henry / 6 // Emily / 6 mths
Sands's Sydney directory 1863
Roberts, David, bookbinder, 284 Pitt-street
"COLONIAL INDUSTRY. No. VIII. BOOKBINDING AND ACCOUNT BOOK MAKING", Empire (30 July 1864), 5
http://nla.gov.au/nla.news-article60557075
. . . The business of Mr. Roberts, of 284, Pitt-street, which has been carried on for ten years in the colony, employs eight persons in the various departments. There are two standing presses, five laying presses, a guillotine, boarding-machine, paging-machine, a small punching press. A great deal is done here in the way of account book making . . .
"DEATH THROUGH FALLING FROM A WINDOW", The Sydney Morning Herald (20 April 1875), 5
http://nla.gov.au/nla.news-article13354727
The City Coroner held an inquest at his office, yesterday morning, concerning the cause of death of a man named David Roberts, who died at the infirmary on Sunday morning from injuries which he received by falling from a window. Robert Roberts, the son of the deceased, deposed that he was a bookbinder and lived at No. 284, Pitt-street; the deceased was aged 62 years, a bookbinder by trade, and a native of London; he had been in the colony between twenty-one and twenty two years; he was a widower, and has left three sons and two daughters; previous to last Tuesday he resided at Bourke St, Surry Hills . . . The jury found that the deceased came by his death in consequence of injuries occasioned by him throwing himself from the top story window of his son's residence while in a state of temporary insanity.
"DEATHS", The Sydney Morning Herald (20 April 1875), 1
http://nla.gov.au/nla.news-article13354712
ROBERTS. - April 16, David Roberts, aged 62 years.
"FUNERALS", The Sydney Morning Herald (20 April 1875), 8
http://nla.gov.au/nla.news-article13354735
THE FRIENDS of the late Mr. DAVID ROBERTS, Bookbinder, Pitt-street, are respectfully invited to attend his Funeral; to move from his residence, Bourke-street, Surry Hills, opposite the Iron Church, THIS AFTERNOON, at 3 o'clock. R. STEWART, Undertaker, Bathurst-street.
Works:
The Australian musical album for 1863 (Sydney: J. R. Clarke, 1863)
https://trove.nla.gov.au/work/12718246
http://nla.gov.au/nla.mus-an5350560 (DIGITISED)
"THE AUSTRALIAN MUSICAL ALBUM FOR 1863", Freeman's Journal (21 January 1863), 3
http://nla.gov.au/nla.news-article115429087
This publication has just been issued by Mr. J. R. Clarke, of George-street, and it in every way reflects the highest credit on the colony; as being able to produce works, well able to bear comparison with the London publications . . . But that which displays most the progress of the colony in its ability to turn out work equal to home manufactures is the style in which Mr. D. Roberts, of Pitt-street, has bound the volumes. They are in cloth lettered and gilt edges, and in style and finish far surpass the way in which works are prepared for the colonial market. They are equal in every respect to any cloth volume we have seen issued from any London House, and while such is the case, we can congratulate the public in being able to have their works turned out in the creditable manner in which Mr. Roberts has done the Musical Album for the current year.
ASSOCIATES: Jacob Richard Clarke (music publisher)
ROBERTS, Edith Annie (Edith Annie ROBERTS)
Amateur composer, pianist
Born London, England, 1847; baptised St. Philip, Islington, 14 December 1847; daughter of William George Roberts (c. 1814-1876) and Margaret ?
Arrived Melbourne, VIC, December 1854 (per Sussex, aged "7")
Died East Melbourne, VIC, 15 February 1924, aged "76"
https://trove.nla.gov.au/search?l-publictag=Edith+Annie+Roberts+1847-1924 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-Edith-Annie (shareable link to this entry)
Summary:
She was a daughter of William George Roberts (c. 1814-1876) and his wife Margaret (d. 1901), who arrived in Victoria with their family on the Sussex in December 1854.
Her parents, who were proprietors of a Ladies Institute in Hotham Street, East Melbourne, published her The royal Galatea waltz, which first appeared in November 1867, celebrating the visit of prince Alfred, the duke of Edinburgh. It went into several "editions" (in fact, reprints), including (as advertised) a third, a fourth, and, by February 1869, a sixth.
Documentation:
Baptisms solemnized in the parish of St. Philip, Clerkenwell, in the county of Middlesex in the year 1847; register, 1834-84, page 88; London Metropolitan Archives
https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_198578-00057 (PAYWALL)
No. 697 / 1847 Dec 17th / Edith Annie / [daughter of] William George [and] Margaret / Roberts / 21 Granville Square / Merchant . . .
England census, 30 March 1851, Clerkenwell; UK National Archives, HO 107 / 1517
https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1517_1517-0044 (PAYWALL)
21 Granville Sq're / Wm. Geo. Roberts / Head / 37 / Wholesale Silk Warehousman / [born] Prussia . . .
Margaret [Roberts] / Wife / 28 / School Mistress / [born] St. Paul's Church Yard
Edith Annie / 3 // Lillian Margaret / 1 . . .
[Advertisement], The Argus (28 December 1859), 7
http://nla.gov.au/nla.news-article5694418
LADIES' INSTITUTE, Sydenham House; Hotham-street, East Melbourne. Principals - Mr. and Mrs. WILLIAM GEORGE ROBERTS. Established 1855 for first-class education. Vacancies for two boarders.
[Advertisement], The Argus (31 October 1867), 3
http://nla.gov.au/nla.news-article5782135
ROYAL GALATEA WALTZ, by Edith Annie Roberts, Ladies' Institute, East Melbourne, now ready musicsellers, 3s.
[News], The Argus (1 November 1867), 4
http://nla.gov.au/nla.news-article5782280
A waltz, entitled "The Royal Galatea Waltz," has been published for the composer, Miss Edith Annie Roberts, a young lady of Melbourne. It was written in honour of the Duke of Edinburgh, under whose grandfather (the Duke of Kent) the composer's father served as surgeon in the 1st Regiment, or "Royal Scots". On this occasion we shall only acknowledge receipt of the publication.
[News], The Argus (4 November 1867), 5
http://nla.gov.au/nla.news-article5782479
The arrival at Adelaide of H.R.H. Prince Alfred has forwarded the "Duke of Edinburgh fever" - which, of course, is only a natural consequence of extreme loyalty - another stage. The "crisis" is close at hand. Amongst others, the musical world seems to be breaking out all over in a rash of loyal compositions, variously named after the expected Royal visitor, or the noble frigate that is conveying him to our shores. A "Duke of Edinburgh Galop" we had occasion to notice before, and the receipt of "The Galatea Waltz," by Miss Roberts, was acknowledged in our columns a few days ago. Since then a copy of "The Prince Alfred Waltz," by Mr. G. Loder, has reached us, and these are, doubtlessly, but the forerunners of many more. Miss Roberts's composition lays, of course, no claim to superiority. Being the first effort of a young lady of "sweet seventeen," who, moreover, has received her education in Melbourne, the "Galatea Waltz" may be pronounced a very creditable beginning, entitling its young composer to a well-deserved word of praise. An attentive study of the better class of dance-music, as for instance Strauss, Labinsky's [Labitzky], or Gungl's would, however, teach Miss Roberts, if it is her intention to cultivate her talent in that direction, to invest her composition with some pleasing but distinctive air, worked out appropriately in dancing-time. From Mr. Loder, who is a well-known professional musician, we expected something better than the meaningless, wishy-washy stuff he has strung together, and invested with the somewhat pretentious title of "Australia's Greeting; the Prince Alfred Waltz." It is to be regretted that Mr. Loder has not, in honour of the distinguished visitor, thought fit to put his best foot foremost, and produce something more worthy of the occasion and the musical talent of Australia.
ASSOCIATIONS: George Loder (composer), and his The prince Alfred waltz
[Advertisement], The Argus (30 January 1868), 6
http://nla.gov.au/nla.news-article5789914
LADIES' INSTITUTE, Sydenham-house, Hotham-street, East Melbourne. Principals, Mr. and Mrs. W. G. Roberts, established 1855, to impart a polite and superior education on enlightened principles, comprising pure elocution, composition, languages (continental accent), music, drawing, dancing.
[Advertisement], The Argus (1 February 1869), 4s
http://nla.gov.au/nla.news-article5826960
ROYAL GALATEA WALTZ, sixth edition, by Edith Annie Roberts. "Fresh, sparkling, lively;" see Australasian. Musicsellers, 3s.
[News], The Argus (11 March 1869), 5
http://nla.gov.au/nla.news-article5832119
The following is the programme to be played by the band of the 14th Regiment in the Botanical-gardens, this afternoon, from four to six o'clock: Quadrille, "Macbeth," Huzog ; selection, "Romeo et Juliet," Gounod; Overture, "Norma," Bellini; waltz, "Royal Galatea," Edith Roberts; selection, "Gemma de Vergy," Donizetti; galop, "Gleam of Sunshine," Miller.
ASSOCIATIONS: Band of the 14th Regiment
[Advertisement], The Argus (1 November 1870), 8
http://nla.gov.au/nla.news-article5837175
ABBOTSFORD MAGDALEN ASYLUM.
A GRAND CONCERT, Under the direction of HERR L. COLLIN,
Will take place in ST. GEORGE'S HALL, THURSDAY EVENING, NOVEMBER 3,
In aid of the ABBOTSFORD MAGDALEN ASYLUM.
Principal Vocalists - Mrs. Smythe (Miss Amelia Bailey); Mrs. S. Gibbons; Miss Bassett; Mrs. Schaw; Mr. E. Amery; Mr. H. Hallam; Mr. D. A. Beaumont/
Solo Clarionet - Herr Lundberg (by kind permission of Messrs. Harwood and Co.)
Solo Pianists, Miss Pauline Terlechi and Herr L. Collin,
Accompanists, Miss Edith Roberts and Mr. F. Towers.
Overture to "Semiramide," arranged for Eight Pianos, and will be performed by 10 young lady amateurs.
Offenbach's comic Opera, ORPHEE AUX ENFERS, By select band and chorus of 60 performers . . .
Leader of the Orchestra - Mr. E King . . .
ASSOCIATIONS: Leopold Collin (conductor); Frederick Wilson Towers (piano); Amelia Bailey (soprano vocalist); Edwin Amery (vocalist); Daniel Beaumont (vocalist); John William Lundborg (clarinet); Edward King (violin, leader)
"SHIPPING AND COMMERCE", Leader (19 June 1875), 14
http://nla.gov.au/nla.news-article197941523
Northumberland, s., 2342, Henry Herbert Shinner, for London. Passengers - saloon: . . . Miss Edith Roberts . . .
"DEATHS", The Argus (18 February 1924), 1
http://nla.gov.au/nla.news-article1936481
ROBERTS - On the 15th February Edith Annie, dearly beloved eldest daughter of the late William George Roberts, of Sydenham House, Hotham-street, East Melbourne (Interred privately, Boroondara Cemetery, February 16.)
Musical works:
The royal Galatea waltz composed by Edith Annie Roberts (Melbourne: W. G. Roberts, Ladies Institute, [1867]
https://trove.nla.gov.au/work/13527191
ASSOCIATIONS: Charles Troedel (lithographer, cover and ? music)
ROBERTS, George (George ROBERTS)
Amateur musician, carpenter, coach builder
Born Donhead, Wiltshire, England, 1815; baptised St. Mary, Donhead, 14 November 1815; son of Richard ROBERTS and Charlotte MAIDMENT
Married Eliza MAIDMENT (1818-1865), St. Mary, Donhead, 29 September 1839
Arrived Melbourne, VIC, ? by c. 1841
Died Collingwood, VIC, September 1879, aged 78
https://trove.nla.gov.au/search?l-publictag=George+Roberts+1815-1879 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-George (shareable link to this entry)
Documentation:
1839, marriage solemnized Sept. 29th in the church of Donhead in the county of Wilts; register 1837-1903, page 9; Wiltshire Council
https://www.ancestry.com.au/imageviewer/collections/61189/images/45582_263021009496_1159-00018 (PAYWALL)
No. 17 / September 29 / George Roberts / 21 / Batchelor / Carpenter / Donhead / [son of] Richard Roberts / Farmer
Eliza Maidment / 21 / Spinster / Dressmaker / Donhead / [daughter of] John Maidment / Carpenter . . .
"Deaths", The Age (30 September 1879), 1
http://nla.gov.au/nla.news-article199369036
ROBERTS. - On the 29th of September, at his residence, Dorset House, No. 37 Hoddle-street, Collingwood, Mr. George Roberts, for many years of the firm of Roberts and Ferguson, wheelwrights and blacksmiths, aged sixty-three years. He leaves a large circle of friends to deplore his loss.
"OLD TOWN BANDS", The Herald (23 June 1883), 3
http://nla.gov.au/nla.news-article241140145
. . . A second and more select band was organised in 1841, of which the Messrs. Middlemiss, Mr. Stainsby and Mr. Roberts of a well-known firm Roberts and Fergusson were members, but though less eventful than Tickle's, it came to an end by the removal of members to the country and other causes . . .
ASSOCIATIONS: Robert Stainsby (musician); Mr. Middlemiss (musician); John Tickle (musician)
ROBERTS FAMILY, DANCING MASTERS AND MUSICIANS
ROBERTS, Henry (Henry ROBERTS)
Dancing master, musician, violinist, cellist
Born London, England, 1816; baptised St. Marylebone, 16 October 1816; son of George ROBERTS and Jane WATERS
Active Bathurst, NSW, by January 1845
Married Ellen Munton STANBROUGH (1811-1890), Kelso, NSW, 1845
Arrived Launceston, TAS, 28 March 1850 (per William, from Sydney)
Died Melbourne, VIC, 26 July 1898, aged "82"
https://trove.nla.gov.au/search?l-publictag=Henry+Roberts+1816-1898 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-Henry (shareable link to this entry)
ROBERTS, George Thomas (George Thomas ROBERTS; G. T. ROBERTS; Mr. ROBERTS junior)
Dancing master, musician, violinist, cellist
Born Bathurst, NSW, 1845; son of Henry ROBERTS and Ellen Munton STANBROUGH
Arrived Launceston, TAS, 28 March 1850 (per William, from Sydney)
Married Clara Pauline DEAKIN (d. 1936), Ballarat, VIC, 1881
Died Ringwood, VIC, 1928, aged "83"
https://trove.nla.gov.au/search?l-publictag=George+Thomas+Roberts+1845-1928 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-George-Thomas (shareable link to this entry)
ROBERTS, William Henry (William Henry ROBERTS; W. H. ROBERTS)
Dancing master, musician, composer
Born Abercrombie, NSW, 1849; son of Henry ROBERTS and Ellen Munton STANBROUGH
Arrived Launceston, TAS, 28 March 1850 (per William, from Sydney)
Died Carlton, VIC, 1927
https://trove.nla.gov.au/search?l-publictag=William+Henry+Roberts+1849-1927 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-William-Henry (shareable link to this entry)
ROBERTS, Frank (Francis Stanbrough ROBERTS; Frank ROBERTS)
Dancing master, teacher of dancing
Born Launceston, TAS, 3 July 1851; baptised St. John's, Launceston, 11 January 1851; son of Henry ROBERTS and Ellen Munton STANBROUGH
https://trove.nla.gov.au/search?l-publictag=Frank+Roberts+1851-1928 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-Frank (shareable link to this entry)
ROBERTS, Caroline (Caroline Elizabeth ROBERTS; Miss Caroline ROBERTS; Miss ROBERTS)
Dancing master, teacher of dancing
Born Launceston, TAS, 1853; daughter of Henry ROBERTS and Ellen Munton STANBROUGH
Died East Melbourne, VIC, 1929
https://trove.nla.gov.au/search?l-publictag=Caroline+Roberts+1853-1929 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-Caroline (shareable link to this entry)
Documentation:
Baptisms solemnized in the parish of St. Mary-le-bone, in the county of Middlesex, in the year [1816]; register 1816-19, page 252; London Metropolitan Archives
https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_194654-00145 (PAYWALL)
No. 2016 / [October 16] / Henry / [son of] George & Jane / Roberts / Trade . . .
Bathurst, NSW (1845-49):
"BATHURST . . . SCHOOLS", The Sydney Morning Herald (15 April 1845), 3
http://nla.gov.au/nla.news-article12878752
Mr. Roberts, who in January last, opened school in the premises, before occupied by Mr. Mead, has relinquished scholastic business, and, we understand, intends in future to devote himself to teaching dancing and music; thus a favourable opportunity is open for any clever and well qualified person: Mr. Mead was all this, and looked the schoolmaster of the old school; his merits were soon duly appreciated, and he met with very liberal patronage and support; and it was a subject of much regret with the parents of youth, who had been placed under his tuition, when this gentleman relinquished the school; many boys were sent to Sydney, and we know with much reluctance by their parents, who would be most anxious to avoid sending their children this distance from home, and we are quite satisfied that any really well qualified and clever person could not fail of success.
[News], The Sydney Morning Herald (21 November 1846), 3
http://nla.gov.au/nla.news-article12900283
On Monday evening, another party was invited by Mr. Lawson to meet his Excellency [Fitzroy], which was numerously attended; after which a ball Dancing was kept up until a late hour-the party did not separate until four A.M. The music was provided by Mr. Roberts, of the town of Bathurst, and did him much credit, and gave general satisfaction.
"NEWS FROM THE INTERIOR. BATHURST . . . RELIEF OF THE DISTRESSED IRISH AND SCOTCH", The Sydney Morning Herald (9 August 1847), 3
http://nla.gov.au/nla.news-article12890919
We are glad to find that a stir has at length been made to get up a public meeting . . . Independent of the above meeting, other means are in contemplation for adding to the fund - active measures are taking to get up a ball, many of the publicans and confectioners having offered to provide refreshments. Mr. Popelara has promised to give the use of his long room, and Mr. Roberts, music and dancing master, has volunteered to attend gratuitously with his band. The whole proceeds of such tickets as may be sold will be contributed to the fund; a concert is also on the tapis with the same object.
"BATHURST . . . MUTUAL IMPROVEMENT SOCIETY", The Sydney Morning Herald (5 August 1845), 3
http://nla.gov.au/nla.news-article12881335
A Society under this denomination bus lately been set on foot by some respectable individuals in our town . . . there are already several members enrolled, who at present hold their meetings in the Scotch school-room; several lectures have been delivered, and amongst others one by Mr. W. K. Hull, on the Life and Character of Cardinal Wolsey . . . Another was delivered by R. Machattie, Esq., Surgeon, on Chemistry . . . Mr. Roberts delivered a lecture on music, but was not very successful.
"BATHURST", Bell's Life in Sydney and Sporting Reviewer (12 September 1846), 3
http://nla.gov.au/nla.news-article59765545
The art of dancing is becoming familiar to the young people of Bathurst, under the tuition of Mr. H. Roberts. We are happy to hear of his success, considering an easy and graceful deportment most essential. We understand that his style gives great satisfaction among the elite of this vicinity. We would suggest a juvenile ball, which would tend much to their improvement.
"BATHURST. THE GOVERNOR'S ARRIVAL", The Sydney Morning Herald (21 November 1846), 3 supplement
http://nla.gov.au/nla.news-article12900283
On Friday, the 13th, about two P.M., His Excellency the Governor and Lady Mary Fitz Roy . . . came in sight of our splendid plains, and in about an hour after reached the residence of William Lawson, Esq., jun., who had provided for their comfort, convenience, and accommodation during their temporary sojourn at Bathurst . . . On Monday evening, another party was invited by Mr. Lawson to meet his Excellency, which was numerously attended; after which a ball. Dancing was kept up until a late hour - the party did not separate until four A.M. The music was provided by Mr. Roberts, of the town of Bathurst, and did him much credit, and gave general satisfaction . . .
ASSOCIATIONS: Charles and Mary Fitzroy (governor and wife)
"BATHURST . . . RELIEF OF THE DISTRESSED IRISH AND SCOTCH", The Sydney Morning Herald (9 August 1847), 3
http://nla.gov.au/nla.news-article12890919
We are glad to find that a stir has at length been made to get up a public meeting . . . to be held at Popelara's Inn, on Wednesday, the 11th instant, at one o'clock, which we trust will be numerously attended, and that liberal subscriptions will testify that the Bathurstonians and Kelsonians have some sympathy for the sufferings of their fellow-creatures. Independent of the above meeting, other means are in contemplation for adding to the fund - active measures are taking to get up a ball, many of the publicans and confectioners having offered to provide refreshments. Mr. Popelara has promised to give the use of his long room, and Mr. Roberts, music and dancing master, has volunteered to attend gratuitously with his band. The whole proceeds of such tickets as may be sold will be contributed to the fund; a concert is also on the tapis with the same object.
"THE ANNIVERSARY", Bathurst Advocate (5 February 1848), 3
http://nla.gov.au/nla.news-article62045217
It is seldom that there is much notice taken here of this holiday [26 January], and there was less this, than some former years. A few of the public houses displayed flags, and in the evening two or three of them had music. Mr. Roberts, music and dancing master, attempted to get up a ball at Mrs. Black's Inn, but this proved a failure, as he could not dispose of a sufficient number of tickets to justify venturing on the necessary expenses; in fact, to attempt to get up an amusement of the kind here, it will be found necessary to confine the affair to a certain class - for instance, if a tradesman's ball is intended, let persons of that description only be admitted, this course departed from, and a "ball" of brandy would be more currently attended. At Popelara's Inn a mock ball was got up, a dance a la "Dusty Bob." From 150 to 200 individuals assembled; and, taking a glance over the room about 10 p.m., we could discover no person of particular note, except a certain celebrated poet, and embryo-editor of a comical newspaper, which, to use an aboriginal phrase, will appear "by-and-bye."
ASSOCIATIONS: "a certain celebrated poet", perhaps Joseph Gordon
[Advertisement], Bathurst Advocate (15 April 1848), 3
http://nla.gov.au/nla.news-article62045608
DANCING.
MR. H. ROBERTS avails himself of this opportunity to express his thanks to the Gentry of Bathurst and its Vicinity, for their liberal Patronage during the past Two Years;
at the same time, begs to remind them of the approaching Season, when he shall be happy to resume his professional attendance.
Bathurst, April 14, 1848.
"THE BALL", Bathurst Advocate (1 July 1848), 3
http://nla.gov.au/nla.news-article62045019
On Monday evening a Ball will take place in Mr. Patrick White's Saloon, for the benefit of Mr. H. Roberts, Dancing Master, and from what we can learn, the music and arrangements, which are under his management, promise a treat to the lovers of dancing.
"CONCERT", Bathurst Advocate (21 October 1848), 3
http://nla.gov.au/nla.news-article62045812
A Concert will take place on Monday Evening, 22nd instant, at Mr. P. White's Saloon. Mr. Bray, from the Theatre Royal, Dublin, having made arrangements with Mr. Roberts, enables him to offer a treat to the public.
"DANCING", Bathurst Advocate (30 June 1849), 2
http://nla.gov.au/nla.news-article62045646
Mr. Roberts, professor of the polite accomplishment of dancing, has been practising the duties of his profession in this town and district for a considerable length of time. He has instructed nearly 200 young people in his art, and has, we understand, given great satisfaction to his employers. We regret, that owing to the social peculiarities of Bathurst, he has not met, and is not meeting, that degree of support which is necessary to enable him to follow his profession. As he is a young man deserving encouragement, and fully competent to discharge the duties of his office, we think the public ought to give him support. And considering that he has a wife and family, we would strongly recommend a public ball to be got up for his benefit, in which undertaking we will render him all the assistance our means will afford.
Launceston, TAS (1850 to 1873):
"Shipping Intelligence . . . PORT OF LAUNCESTON. ARRIVALS", Colonial Times [Hobart, TAS] (2 April 1850), 2
http://nla.gov.au/nla.news-article8766929
March 28 - William, brig, 124 tons, Thom, from Sydney. Passengers . . . Mr. and Mrs. Roberts and two children . . .
[Advertisement], The Cornwall Chronicle (10 April 1850), 230
http://nla.gov.au/nla.news-article65975285
DANCING. THE Dancing Classes will be resumed at York House Establishment,
under the direction of MR. ROBERTS, Professor of Dancing, late of Sydney, who has brought high recommendations.
Further particulars will be announced, and Mr. Roberts will have the honor of waiting personally on the principal families, to request their patronage.
April 9.
"Mr. Roberts' Advertisement", The Cornwall Chronicle (10 April 1850), 229
http://nla.gov.au/nla.news-article65975287
We recommend attention to the advertisement of Mr. Roberts, Professor of Dancing whose recent arrival from Europe secures competent tuition in the most fashionable dances. Local references is offered by Mr. Roberts, who has connections in Launceston.
"Dancing", The Cornwall Chronicle (20 April 1850), 252
http://nla.gov.au/nla.news-article65976090
Mr. Roberts has arranged to open classes for dancing at the Cornwall Hotel, at the convenient hours for those engaged in the day, and who have neglected to acquire this accomplishment, of from seven till nine, and on moderate terms. Mr. Roberts is an excellent violinist.
"DANCING", The Cornwall Chronicle (14 August 1850), 532
http://nla.gov.au/nla.news-article65976202
We were the first to congratulate the families of Launceston on the arrival of Mr. Roberts, whose success as a teacher of dancing has fully realized our prognostications. The singular and gouche style, which, in the absence of proper tuition, prevailed with the juvenile community, has been superseded; and we may now hope to witness that easy carriage which characterizes true breeding, whether in the drawing-room or the public promenade. We understand that several families of high standing contemplate a juvenile ball for the purpose of affording the younger branches an opportunity of displaying their advancement.
[Advertisement], The Cornwall Chronicle (2 January 1851), 965
http://nla.gov.au/nla.news-article65574682
LAUNCESTON ASSEMBLY ROOMS, JOHN-STREET.
(Under the Sanction of His Excellency the Lieutenant-Governor.)
THESE ASSEMBLY ROOMS will be opened on Wednesday, the 1st January, 1851.
H. ROBERTS, Teacher of Dancing . . .
MR. ROBERTS begs to intimate that these Rooms, which have been handsomely decorated,
are available for Public Meetings, Concerts, and Lectures, and also for Public and Private Balls and Assemblies . . .
TWELFTH NIGHT BALL. A BALL will he held at the Assembly Rooms, on TWELFTH NIGHT . . .
MR. ROBERTS, Teacher of Dancing, has the honour to announce that his Classes will Re-assemble on Tuesday, the 7th of January, 1851.
The Class for Adults will meet on Tuesdays and Fridays, at 7 o'clock.
Terms: One guinea per quarter, payable in advance . . .
JUVENILE CLASS. IN order to meet the wishes of parents, Mr. Roberts will open a Class at his Assembly Rooms for Juvenile Pupils . . .
[Advertisement], The Cornwall Chronicle (26 November 1851), 757
http://nla.gov.au/nla.news-article65575464
In the matter of the insolvency of Henry Roberts, of Launceston, in the island of Van Diemen's Land, Teacher of Dancing. To the creditors of the said insolvent or their agents . . .
1853, births in the district of Launceston; Tasmanian names index; NAME_INDEXES:995084; RGD33/1/31 no 496
https://stors.tas.gov.au/NI/995084
https://stors.tas.gov.au/RGD33-1-31$init=RGD33-1-31P165 (DIGITISED)
4007 / 10 June [1853] / [Caroline Elizabeth] / Female / [father] Henry Roberts / [mother] Ellen Roberts formerly Stanboroug [sic] / Teacher of Dancing . . .
Baptisms solemnized in the Parish of St. John's, Launceston, in the county of Cornwall in the year 1854; Tasmanian names index; NAME_INDEXES:1091304; RGD32/1/3/ no 4459
https://stors.tas.gov.au/NI/1091304
https://stors.tas.gov.au/RGD32-1-3$init=RGD32-1-3-P695 (DIGITISED)
No. 1611 / [baptised] 11th January 1854 / [born] 3rd July 1851 [sic] / Frederick Stanborough / [son of] Henry and Ellen Munton / Roberts / Launceston / Gentleman . . .
"POLICE OFFICE. FRIDAY . . . AN ALDERMAN CHARGED WITH ASSAULT", Launceston Examiner (7 February 1857), 2
http://nla.gov.au/nla.news-article36300416
Mr. Henry Roberts, dancing master, charged Mr. Alderman Allison with assaulting him by pushing him off the verandah at the residence of R. B. Miller, Esq. Complainant conducted his own case, and Mr. Rocher appeared for the defendant . . .
"ASSAULT", The Cornwall Chronicle (11 February 1857), 4
http://nla.gov.au/nla.news-article65725378
On Friday, the Mayor. Captain Reid, James Robertson, and J. C. Weedon, Esqrs., Justices of the Peace, were engaged for a long time at the Police-office, investigating a charge of assault preferred by Mr. Henry Roberts, professor of dancing, against Mr. Henry Allison. The Rev. R. K. Ewing, Messrs. R. B. Miller, Wm. Johnstone, and George Thomas Roberts (a boy aged twelve years, son of the plaintiff), were examined and cross-examined at considerable length; the facts elicited, however, were but few. It appeared that Mr. Rocher had obtained a verdict against plaintiff, in the Court of Requests, but on receiving a portion of the debt, gave Mr. Roberts to understand, he would not issue an execution for the balance. The bailiff of the Court of Requests went on Thursday night, the 29th ult. to the Cornwall Assembly Room, where Mr. Roberts was engaged with his pupils, and producing some paper, informed Mr. Roberts of the amount for which he was liable; this mode of proceeding gave much annoyance to the plaintiff, who immediately went to Mr. Rocher's residence, and from thence to Mr. Miller's, where Mr. Rocher was at a party, at half-past 10 o'clock; Plaintiff went on the verandah, and demanded in a loud tone of voice, to see Mr. Rocher and the Rev. Mr. Kane, and thus gave much annoyance to Mr. Miller and his guests. Mr. Rocher explained to him that he had merely placed the papers with the Registrar of the Court of Requests, and had nothing whatever to do with the issue of an execution against plaintiff. Mr. Miller endeavored to persuade Mr. Roberts to leave his premises, when the latter resisted, and Mr. Allison seeing that, pushed the plaintiff over the verandah, and he fell on a flower-bed four feet and a-half below. This was the assault complained of; but the plaintiff asserted that he was pushed to the distance of ten or twelve feet, and fell on a gravel walk. That statement was corroborated by his son. The bench were of opinion that the plaintiff had no right on Mr. Miller's premises, and that no more force had been used than he himself had rendered necessary to eject him. They therefore dismissed the case, and directed the plaintiff to pay costs of the information, as they considered it ought never to have been laid in that Court.
ASSOCIATIONS: Robert Kirkwood Ewing (clergyman)
"ACCIDENT", Launceston Examiner (6 October 1857), 3
http://nla.gov.au/nla.news-article36302552
A son of Mr. Roberts, the teacher of dancing, was thrown out of a gig on Thursday and seriously hurt.
[Advertisement], The Cornwall Chronicle (29 May 1858), 5
http://nla.gov.au/nla.news-article65731391
In the matter of the Insolvency of Henry Roberts, of Launceston, in Tasmania, Professor of Dancing . . .
"DANCING", Launceston Examiner (3 August 1858), 3
http://nla.gov.au/nla.news-article38992608
Mr. Roberts, who for eight years has zealously devoted himself to the teaching of dancing in Launceston and its neighbourhood, has erected a saloon on his premises in St. John-street, where he will have increased facilities for imparting a knowledge of his art, and where his well known skill will doubtless ensure him a large share of success.
"NEW INSOLVENTS DURING THE MONTH", Launceston Examiner (11 June 1859), 2
http://nla.gov.au/nla.news-article38996293
. . . Henry Roberts, dancing master. Liabilities, £170. Assets, £18.
H. W. Loveday. Assets, nil . . .
ASSOCIATIONS: Henry William Loveday (musician, piano tuner)
"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (18 August 1860), 4
http://nla.gov.au/nla.news-article65989830
. . . The events of the week have been few and far between. The cheerful faces at Mr. Roberts' dancing party on Thursday evening, and the distracted features of the creditors of the absquatulated Vallentine, are in great contrast . . .
ASSOCIATIONS: Probably Henry Vallentine
"ASSAULT CASE", The Cornwall Chronicle (15 October 1862), 5
http://nla.gov.au/nla.news-article72193357
On Friday the case of Solomon v. Burton was heard, which caused considerable amusement. Mr. Hookey appeared on behalf of the defendant. Frederick Solomon, on oath, said - I know the defendant John Burton: I was at Mr. Roberts' dancing class at the Queen's Arms on Monday evening last; Mr. Roberts gave me orders to shut the door of the dancing room; defendant was standing there; when on my way home after the dancing was over, defendant crossed over the street and came up to me and said "What did you shut the door of the room in my face for?" . . .
"MUNICIPAL COUNCIL", Launceston Examiner (18 January 1866), 2
http://nla.gov.au/nla.news-article36632246
. . . A letter from Joseph Roberts [sic], dancing master, was read applying for the use of the Town hall for two nights during the Champion Race week for the purposes of balls. Referred to Town Hall Committee . . .
"TERRIFIC CONFLAGRATION!", Launceston Examiner (9 May 1866), 3
http://nla.gov.au/nla.news-article36634591
. . . the massive wall of the timber manufactory fronting on the latter street, fell with a fearful crash, and immediately, the flames spread to the next building, occupied by Mr. Roberts as a dancing room. The exertions of the firemen were then used to stop the spread in this direction, but however this room was in a few minutes destroyed; and fire was observable on the adjoining premises occupied by Mr. Roberts as a dwelling house, and from which most of the furniture was at once removed . . .
"WESTBURY", The Cornwall Chronicle (3 March 1869), 3
http://nla.gov.au/nla.news-article66466802
A vocal and instrumental concert, advertised by Messrs. Linly Norman, J. H. Melvyn, and Bent - engaged, I understand, by Mr. Roberts, dancing master, Launceston - took place in the Public Library here on Friday evening last. The audience, although limited, was a very considerate one. The programme was not so attractive as I should have expected, complaints being very general of the preponderance of instrumental music. The vocal pieces by Messrs. J. H. Melvyn and Bent were rendered in a style that we seldom have an opportunity of hearing, and elicited the loudest demonstrations of approval. The orchestra consisted of Messrs. Linly Norman, J. H. Melvyn, Biggs, Roberts, senior, and Roberts, junior. The overtures and symphonies were very fairly performed, considering the few players. A violin and pianoforte duet, by Messrs. Norman and Roberts, jun., and trio, violin, violoncello, and pianoforte, by Messrs. Roberts, sen., Roberts, jun. and Linly Norman, were most imperfectly rendered, causing considerable surprise. Without wishing in any way to detract from the merits of the Messrs. Roberts, I must be pardoned for remarking that although their performance on the violin may be all that is required for the purposes of their business as proprietors of a dancing saloon, it falls far short of what is actually necessary in the successful rendering of such pieces as the audience in the Public Library were inflicted with on Friday evening. The very brilliant execution of Mr. Linly Norman, however, succeeded admirably in carrying through what must otherwise have been an utter failure.
ASSOCIATIONS: Linly Norman (pianist); James Hadock Melvyn (vocalist)
"THE CONCERT AT THE MECHANICS' INSTITUTE ON FRIDAY LAST", The Cornwall Chronicle (3 January 1872), 2
http://nla.gov.au/nla.news-article66029232
In our notice of this concert in Monday's issue, the overture to each part of the concert is attributed to the string band of the Messrs. Roberts. Our reporter was not present when the first overture was performed, but we are informed on good authority it was a brilliant performance. It was the overture to "Guy Mannering" by Mr. McIver, leader (first violin), Mr. Chick (second violin), Mr. J. M. Davies (flute), Mr. Harris (cornet), Mr. A. Day (cornet), Mr. Charles Galvin (clarionet), and Mr. Hanchett (pianoforre). A correspondent also thinks the mention of the quartetto by the Messrs. Roberts and Hanchette "calculated to mislead." Our reporter refers to two violins, a violoncello, and piano, and our correspondent says "the all important feature of the contrabass is entirely ignored." We are sorry for it, and can only attribute it to our reporter's very pardonable ignorance of the distinction between a violoncello and contra-bass.
Melbourne and Geelong, VIC (by April 1873):
[Advertisement], The Argus (18 April 1873), 8
http://nla.gov.au/nla.news-article5852139
DANCING - Messrs. Roberts PROFESSORS of DANCING "Maintien et de bonne tenue."
Terms £1 1s. Address Lee and Kaye, Collin-st. east.
ASSOCIATIONS: David Lee and Samuel Kaye (musicsellers)
"TOPICS OF THE DAY", The Herald (17 May 1875), 2
http://nla.gov.au/nla.news-article244174648
We have received from Messrs. Roberts, professors of dancing and calisthenics, "Roberts' Manual of Fashionable Dancing and Vade Mecum for the Ball-room." The work, which is very nicely got up, is published by Mr. George Robertson, and should have an extensive circulation among the votaries of Terpsichore, as well as among those who but seldom partake of the fascinating influences of the ball-room.
ASSOCIATIONS: George Robertson (publisher, bookseller)
"NEW INSOLVENTS", The Argus (4 February 1879), 5
http://nla.gov.au/nla.news-article5931017
George Thomas Roberts, of St. Kilda, teacher of music and dancing. Causes of insolvency - Losses in business as a soap and candle manufacturer, adverse judgment by creditors, and depression in professional business. Liabilities, £628 3s.; assets, £1 10s.; deficiency, £621 13s [sic]. Mr. Cohen, assignee.
"A DANCING-MASTER'S FAUX PAS", The Argus (16 September 1880), 6
http://nla.gov.au/nla.news-article5984129
When the first edition of the Messieurs and Miss Roberts' Manual of Fashionable Dancing came under our notice, we had a vague impression that its contents were not wholly new to us, and that we had met with something very like the introductory chapters in some other work. Still, as the nominal authors of the volume acknowledged in the introduction to it their indebtedness "to one of the ablest and most eminent members of the profession who has taken the trouble to write on this subject," we charitably concluded that there was merely a general resemblance between this handbook and some one of those which have preceded it. Since then, however, a copy of "The Drawingroom Dances," by Cellarius, a well known teacher in London, and the inventor of the waltz which bears his name, has fallen in our way, and a comparison of this with the Manual of the Messrs. Roberts proves that the latter is, to a very great extent, a barefaced plagiarism of the former, which was published as far back as 1847. Whole pages have been taken without acknowledgment, and with only a word or two altered here and there . . .
ASSOCIATIONS: Henri Cellarius (French dancing teacher); author of La danse des salons (1847), English translation as The drawing-room dances
"CITY COURT", The Australasian (25 December 1880), 21
http://nla.gov.au/nla.news-article142173932
At the City Police Court on Wednesday, Mr. W. H. Roberts, dancing-master, proceeded against Mr. J. E. Lowe, who is also a teacher of dancing, on a charge of malicious libel. The alleged libel consisted of the publication in the Lorgnette of a paragraph extracted from The Argus referring to the literary larceny committed by the "Messieurs Roberts" in publishing extracts from a work of "Cellarius," a writer upon dancing, as their own composition. During the cross-examination of the plaintiff the plagiarism was fully established, and the Bench, without calling upon Mr. Lowe for any defence, dismissed the case.
"ROYAL COLLEGE OF MUSIC. TO THE EDITOR", The South Australian Advertiser (18 August 1882), 7
http://nla.gov.au/nla.news-article33621676
Sir, In your columns of yesterday you drew attention to the meeting which is called by His Worship the Mayor
for the purpose of discussing on Friday evening the mode of dealing with the communication received from His Royal Highness the Prince of Wales re the establishment of a Royal College of Music.
As an Australian born, a member of the musical profession, and the descendant of a pupil of the late distinguished musician Mr. G. F. Anderson,
(Her Majesty's private bandmaster), I take a deep interest in the cause.
In this letter it will be impossible for me to enlarge upon the subject as I should like to do, but I desire to point out, and it is my most earnest wish that we,
as Australians, should make it a national matter, and take the subject in hand unitedly.
It is possible (although I hope it may never occur) we may be called upon to shoulder arms in our own defence and show our loyalty to our Queen and the Crown,
which we shall undoubtedly do; but in this matter we can distinguish ourselves as a nation,
and show that we are possessed of a sentiment and a desire to promulgate the art of music.
It has always been my wish that we should establish a national college of music in Australia, but I think the time has not yet arrived for doing so.
We have many distinguished professors of the divine art in the colonies, but none sufficiently qualified to be placed in the premier position.
Those who have established themselves in the colonies have done good service, but they are wanting in the abilities of high class instructors.
As Australians we are noted for possessing an extraordinary ability for appreciating musical talent.
Madame Anna Bishop and Madame A. Goddard have both told me that in no part of the world did they ever meet with such severe and sincere critics as in Australia.
We have had amongst us most of the world's celebrities as vocalists and instrumentalist, but when we think of the humble origin of many of the stars of great brilliancy,
undoubtedly there is a great future for Australia, and I think by uniting in this matter we shall be able to distinguish ourselves, and show that our heart is in the cause.
I may state, as far as this city is concerned, that the A.Y.M.S. Orchestra will assist in any movement that may be approved of by the committee. -
I am, &c., GEO. ROBERTS, Leader of the A.Y.M.S. Orchestra.
ASSOCIATIONS: George Frederick Anderson (master of the queen's music); Anna Bishop (soprano vocalist); Arabella Goddard (pianist); A.Y.M.S. orchestra conducted by Charles Cawthorne
"FANCY DRESS REUNION", The South Australian Advertiser (14 December 1882), 5
http://nla.gov.au/nla.news-article33628809
The annual reunion of the pupils of Messieurs Roberts, of the Dancing Academy, Victoria-square, took place at the Town Hall on Wednesday evening, December 13. The proceeds are to be devoted to the "Samaritan fund." At half-past 7 o'clock the numerous pupils of both sexes, ranging in age between seven and seventeen, and attired in either plain or fancy dress, began to arrive, and were each received at the entrance of the great hall by Mr. George Roberts. In a very short time the room was comparatively full, and at 8 o'clock dancing commenced to the strains of the Adelaide Orchestra, which was ably led by Mr. Cawthorne . . .
"PUBLICATIONS RECEIVED", The Australasian (11 October 1884), 24
http://nla.gov.au/nla.news-article138096271
. . . We have "The Fatinitza Lancers," arranged by W. H. Roberts, of Messrs. and Miss Roberts, on airs from Von Suppe's comic opera, and with a full description of the latest manner of dancing the "Lancers" . . .
"Deaths", The Argus (6 September 1890), 1
http://nla.gov.au/nla.news-article8433318
ROBERTS. - On the 1st inst., at 41 Dundas-place, Albert-park, Ellen Munton, beloved wife of Henry Roberts, teacher of dancing, aged 78, a colonist of 52 years. "She did what she could." Burial service 3rd September at All Saints' Church, St. Kilda.
"DEATHS", The Argus (28 July 1898), 1
http://nla.gov.au/nla.news-article9844332
ROBERTS. - On the 26th July, at West Melbourne, Henry Roberts, of 195 Collins-street (teacher of dancing and calisthenics, 45 years in Australia), aged 82 years, the dearly beloved father of William Henry and Caroline Elizabeth Roberts.
"CURRENT TOPICS. Obituary", Launceston Examiner (28 July 1898), 4
http://nla.gov.au/nla.news-article39772931
A private cable was received in the city yesterday announcing the death of Mr. Henry Roberts in Melbourne. Deceased, who was over 80 years of age, was a well-known dancing master, and was a resident of Launceston for upwards of a quarter of a century. About 30 years ago he occupied premises close to the establishment of Messrs. Ditcham and Button, in York-street. Mr. Roberts was a native of England, but he was educated in France for the musical profession.
"Miss Caroline Roberts", Table Talk (28 September ), 9
http://nla.gov.au/nla.news-article146120141
"THE CORRECT WALTZ", Sunday Times (20 July 1913), 2
http://nla.gov.au/nla.news-article126316451
"HOW TO DANCE THE ONE STEP", Sunday Times (6 July 1913), 30
http://nla.gov.au/nla.news-article126307245
Position for the waltz and all round dances, from Roberts' manual of fashionable dancing (1875), 54
https://www.loc.gov/resource/musdi.147.0/?sp=64 (DIGITISED)
Published works:
Roberts' manual of fashionable dancing and vade mecum for the ball-room: containing a review and full description of all the modern dances, &c. (Melbourne: G. Robertson, 1875)
https://trove.nla.gov.au/work/8694349/version/45255061
Digitised copy at the Library of Congress
https://www.loc.gov/resource/musdi.147.0/?sp=1 (DIGITISED)
[second edition] (Melbourne: G. Robertson, 1876)
https://trove.nla.gov.au/work/8694349/version/28277624
[third edition] (Melbourne: G. Robertson, 1876)
https://trove.nla.gov.au/work/8694349/version/22251162
ASSOCIATIONS: George Robertson (publisher, bookseller)
The Fatinitza lancers, arranged by W. H. Roberts, (Messieurs & Miss Roberts), teachers of dancing (Melbourne: William Ingliss and Co., printers, [1884])
https://trove.nla.gov.au/work/12305144
https://nla.gov.au/nla.obj-164610251 (DIGITISED)
"PUBLICATIONS RECEIVED", The Australasian (11 October 1884), 24
http://nla.gov.au/nla.news-article138096271
We have "The Fatinitza Lancers," arranged by W. H. Roberts, of Messrs. and Miss Roberts, on airs from Von Suppe's comic opera, and with a full description of the latest manner of dancing the "Lancers."
[Advertisement], The Age (27 September 1884), 12
http://nla.gov.au/nla.news-article191466743
JUST PUBLISHED.
THE FATINITZA LANCERS, Arranged by MESSIEURS ROBERTS,
And Containing the Most approved mode Of Dancing the Figures.
Obtainable of the Music Sellers And Messers. and Miss Roberts,
Teachers of Dancing, 178 Collins-street east.
ROBERTS, Robert (Robert ROBERTS)
Drummer (2-14th Regiment)
Active Adelaide, SA, March to May 1869
https://trove.nla.gov.au/search?l-publictag=Robert+Roberts+14th+Regiment (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTS-Robert (shareable link to this entry)
ASSOCIATIONS: Band of the 14th Regiment
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Documentation:
"LAW COURTS . . . BURGLARY", The South Australian Advertiser (20 May 1869), 3
http://nla.gov.au/nla.news-article31989465
Henry Martin Irwin, aged 37, was charged with burglariously entering the house of Thomas Yeo, publican, at Port Adelaide, on May 8, and stealing therefrom a cash-box containing £17 in money, a cheque for £4 6s., and an American coin value 1s. The prisoner pleaded not guilty . . .
Robert Roberts, drummer in the 14th Regiment, said the prisoner came with the detachment of the 14th from Tasmania in the Racer. . . . He asked witness to get the cheque produced cashed for him, but he refused. Thomas Murray, Sergeant in the 14th Regiment, stated that the Racer arrived here about the 1st of March. The prisoner came in her from Tasmania as assistant carpenter . . .
. . . This was the case for the prosecution, and the prisoner called Sergeant Cherry, of the 14th Regiment . . .
ROBERTSON, Mr. (Mr. ROBERTSON)
Orchestral musician, member of theatrical band
Active Sydney, NSW, 1842
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBERTSON-Mr (shareable link to this entry)
Documentation:
[Advertisement], The Sydney Gazette and New South Wales Advertiser (17 February 1842), 3
http://nla.gov.au/nla.news-article2555784
Royal Victoria Theatre. FIRST NIGHT OF THE SEASON.
Stage Manager, MR. SIMMONS. Acting-Manager, MR. SIMES . . .
THE ORCHESTRAL DEPARTMENT WILL CONSIST OF MR. S.W. WALLACE, LEADER,
Mr. Deane, Master Deane, Mr. Leggatt, Mr. Wallace, Senr., Mr. Walton, Mr. Portbury, Mr. Pappin, Mr. Sippe, Mr. Robertson, Master Strong, Mr. Boyle, &c, &c. . . .
ON MONDAY FEB. 21 The Theatre will Re open . . .
ASSOCIATIONS: Joseph Simmons (actor, manager); Thomas Simes (actor, manager); Spencer Wellington Wallace (violin, leader); Royal Victoria Theatre Sydney
ROBERTSON, George (George ROBERTSON; Mr. Geo. ROBERTSON)
Bookseller, stationers, musicseller, publisher (including some music)
Born Glasgow, Lanarkshire, Scotland, 5 July 1825; son of William ROBERTSON and Sarah STEE
Arrived Melbourne, VIC, 12 November 1852 (per Great Britain)
Married (1) Lavinia Lydia BAXTER (d. 1879), St. Paul's, Melbourne, 4 July 1857
Married (2) Nora PARSONS (HARDING), VIC, 3 February 1881
Died St. Kilda, VIC, 23 March 1898
https://trove.nla.gov.au/search?l-publictag=George+Robertson+1825-1898 (TROVE tagged by Australharmony)
http://nla.gov.au/nla.party-599208 (NLA persistent identifier)
https://sydney.edu.au/paradisec/australharmony/register-R-1.php#ROBERTSON-George (shareable link to this entry)
Documentation:
[Advertisement], The Argus [Melbourne, VIC] (3 July 1855), 8
http://nla.gov.au/nla.news-article4810894
CHURCH PSALMODY. - Brown's Robertson's Sacred Music, New Edition, with Supplement, by Campbell, now on Sale.
George Robertson, 85 Collins-street east, nearly opposite the office of this paper.
MUSIC: Brown's Robertson's selection of sacred music (with John Campbell's supplement)
[Advertisement], The Argus (7 July 1855), 7
http://nla.gov.au/nla.news-article4811419
MUSIC. - A Fine Collection kept always on hand by George Robertson, 85 Collins-street east.
[Advertisement], The Argus (23 July 1855), 8
http://nla.gov.au/nla.news-article4812907
MUSIC! Music! - Just Opened by the Undersigned an Assortment of Standard Songs, Polkas, Waltzes, &c., including the following -
Immortellen Waltz - (Gung'l)
Traeum auf dem Ocean (Dreams of the Ocean) Waltz - Gung'l
Donna Sabine Waltz - Henrion
The Mary Callinack Polka, by the author of the Fire Fly Polka
The King Pippin Polka, composed by D'Albert
Songs, Duets, etc.
Primroses Deck the Green Banks Side - Linley
Constance - Linley
Ruth (sacred song) - Miss Davis
Childhood's Happy Hours - Miss Davis
Good Bye, Sweetheart, Good Bye - Hatton
Happy Birdling, as sung by Miss Catherine Hayes
The Irish Emigrant, as sung by Miss Catherine Hayes
Kathleen Mavourneen
I'm Leaving Thee, Annie
Hearts and Homes - Lockley
I'm a Merry Laughing Girl
Four-Leaved Shamrock - Lover
The Blind Man's Bride
The Blind Girl to her Harp
I Love the Merry Sunshine
I Know a Bank (duet)
The Two Cousins (duet)
Longfellow's Songs set to music by Miss Davis, viz.:-
The Old Clock upon the Stairs
The Reaper and the Flowers
Footsteps of Angels.
GEORGE ROBERTSON, Bookseller and Stationer, 85 Collins-street east, opposite the office of this paper.
[Advertisement], The Argus (9 August 1855), 8
http://nla.gov.au/nla.news-article4814680
Music and dance prints:
The New melodeon, a collection of hymns and tunes, original and selected, adapted to all occasions of social worship by J. W. Dadmun (Melbourne: George Robertson, 1869)
https://trove.nla.gov.au/work/18152781
http://nla.gov.au/nla.obj-170298713 (DIGITISED)
Robertson's "edition" was in fact a London edition of Dadmun's US original, set and printed by Henderson, Rait, and Fenton, printers, Oxford Street, but sold under his own titlepage
Roberts' manual of fashionable dancing and vade mecum for the ball-room: containing a review and full description of all the modern dances, &c. (Melbourne: G. Robertson, 1875); and later editions
https://trove.nla.gov.au/work/8694349
Digitised copy at the Library of Congress
https://www.loc.gov/resource/musdi.147.0/?sp=1 (DIGITISED)
Bibliography and resources:
J. P. Holroyd, "Robertson, George (1825-1898)", Australian dictionary of biography 6 (1876)
https://adb.anu.edu.au/biography/robertson-george-4489
Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 302
http://ro.uow.edu.au/theses/2926 (DIGITISED)
ROBINS, William (William ROBINS)
Musician, bandsman (band of the 96th Regiment; St. Joseph's Band), serpent player, shoe maker
Born ? England, c. 1805/06
Married Sarah Emily HICKS (d. 1877), by c. 1835
Arrived Sydney, NSW, ? with regiment, c. 1841
Arrived Launceston, VDL (TAS), ? with regiment, 1843
Died Launceston, TAS, 13 January 1867, aged "61"
https://trove.nla.gov.au/search?l-publictag=William+Robins+d1867 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINS-William (shareable link to this entry)
ASSOCIATIONS: Band of the 96th Regiment (military band); St. Joseph's Band Launceston (temperance band)
Summary:
Robins appears to have arrived in NSW with the 96th Regiment in 1841, and followed it to Launceston in 1843, although by the end of that year, if not earlier, he had taken his discharge, and was working as a shoemaker, though perhaps still as a civilian employee of the regiment. Whether he was ever still a member of the band of the regiment in NSW and TAS, , officially or unofficially, is not clear. However, as a former bandsman of the 96th, he was an important foundation member of the St. Joseph's Band.
Documentation:
Baptism, St. James's (CoI), Dublin, 1838; Irish church records
https://churchrecords.irishgenealogy.ie/churchrecords/details/1c13a30080423
[Baptised] 30 September 1838 / James Robins / [born] 24 August 1838 / [son of] William Robins soldier private 96th / [and] Sarah / [residence] Richmond . . .
Pay-list of the 96th Regiment, [Manchester], 1 April to 30 June 1839; Australian Joint Copying Project, from Records of the UK War Office
https://nla.gov.au/nla.obj-1663041504 (DIGITISED)
22 [sic] / Robins William / 1 April to 30 June / Band
Pay-list of the 96th Regiment, [Manchester], 1 April to 30 June 1840; Australian Joint Copying Project, from Records of the UK War Office
https://nla.gov.au/nla.obj-1663101794 (DIGITISED)
22 / Robins William / 1 April to 30 June / Band
Baptisms solemnized in the parish of St. Philip's church, Manchester in the county of Lancaster, in the year 1840; Manchester Archives
No. 784 / [1840] July 5 / Thomas / [son of] William and Sarah Emily / Robins / Salford Barracks / Private in the 96th Regt . . .
1844 [sic], births in the district of Launceston; Tasmanian names index; NAME_INDEXES:1105894; RGD33/1/23/ no 106
https://stors.tas.gov.au/NI/1105894
https://stors.tas.gov.au/RGD33-1-23$init=RGD33-1-23-P754 (DIGITISED)
[No.] 106 / [born] 2 December 1843 / Mary Jane / [daughter of] William Robins / [and] Sarah Emily Robins formerly Hicks / Shoe Maker . . .
"DEATHS", Launceston Examiner (14 January 1867), 2
http://nla.gov.au/nla.news-article36641156
ROBINS.- On 13th January, at his residence, Cimitiere-street, Mr. William Robins, late of H. M. 96th Regiment, aged 61 years. The funeral will leave his late residence on Tuesday, 15th instant, at half-past three o'clock. Friends will please accept this invitation. -T. J. DOOLAN Undertaker.
"AN OLD-TIME MUSICIAN. HALF A CENTURY'S EXPERIENCE", Examiner (29 December 1905), 6
http://nla.gov.au/nla.news-article38813158
One of the regular daily visitors at Elphin this week is Mr. Wm. Walker, of Deloraine, who first played in a brass band in England at the age of eight years. He is keenly interested in the competitions, but between whiles yesterday he chatted with an "Examiner" reporter, to whom he gave some interesting particulars of band music here in the early days. He is one of very few now left who can relate any incidents of the bands that were of note half a century ago.
"I landed in Launceston," said Mr. Walker, "on March 25, 1855, and immediately joined what by old residents is now occasionally known as the "old teetotal band," of which my brother, the late G. W. Walker, was bandmaster. My brother George won the first contest at Werribee encampment, in Victoria, many years ago, at which Geordy Chapman was the judge of music . . .
Has there been much advance made in band instruments since then?
"Yes, undoubtedly. The bass instrument called the serpent was then very much in vogue. Old Mr. Robins, who came out with the band of the 99th Regiment [sic], played one for years, and a Mr. Allen, who was a fellow-bandsman in the 99th [sic], also performed on the same instrument. The flat saxe bass now takes its place, and the valve trombone has come into existence, but it is not by any means the equal of the slide trombone . . .
ASSOCIATIONS: George and William Walker (civilian bandsmen); James Allen (former drum-major, 96th Regiment)
"Worlds Oldest Band Celebrates Its Centenary", Examiner (25 August 1945), 11 (with photo of Williams)
http://nla.gov.au/nla.news-article91940840
[St. Joseph's Band] . . . The first bandmaster was the late Mr. John Agnew, of the 96th Regiment, and the original members were: Messrs. Charles Galvin, John McKenzie, William Mainsbridge, William Robins, Andrew Skafe, Arthur McIver, Francis Mclver, Morgan O' Meara, William O'Meara, David O'Keefe, Thomas Keogh, Thomas Leary, John Leary, John Murphy, and Bernard Lynch. The first president was the late Rev. Dean Thomas Butler. Subsequently Mr. Joseph Galvin, John Galvin, Thomas J. Doolan, John L. Doolan, James Doolan, and Michael Doolan became members of the band . . .
ROBINSON, Mr. (Mr. ROBINSON)
Vocalist
Active Sydney, NSW, 1843
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-Mr (shareable link to this entry)
Documentation:
[Advertisement], The Australian (11 January 1843), 3
http://nla.gov.au/nla.news-article37117838
MR. and MRS. GIBBES' First Appearance at a Concert in Sydney.
A GRAND Evening Concert will take place at the Royal Hotel, on Wednesday, January 11th, 1843, for the Benefit of the Juvenile Pianist,
(Miss Forsythe,) eight years of age, who will, upon this occasion, appear as a Vocalist, (under the tuition of Miss Hinckesmann and Madame Gautrot).
She will be assisted by the following eminent Performers:
Mrs. Bushelle, Madame Gautrot, Mrs. Gibbes, (who will sing a Duet with Miss Forsythe.)
The Debutante (pupil of Mrs. Bushelle,) who was so favourably received at Mrs. Bushelle's last Concert;
Mr. Griffiths and Mr. Robinson.
Instrumental Performers - Miss Hinckesmann, Miss Forsythe, Monsieur Gautrot, and Mr. Gibbes, who has kindly consented to play a Solo . . .
and by the kind permission of Colonel Baker, the Band of the 80th Regiment will perform during the evening . . .
ASSOCIATIONS: Sophia Maria Forsythe (pianist, vocalist, beneficiare); John and Eliza Gibbs (violinist and vocalist); William Griffiths (bass vocalist)
ROBINSON, Charles Edward (Charles Edward ROBINSON; C. E. ROBINSON)
Amateur musician, composer
Born Essex, England, 1822; baptised St. Mary's, Walthamstowe, 1 June 1822; son of Charles ROBINSON and Harriet CAYLEY
Married Mary RUSSEL, St. Mary's in the Castle, Hastings, Sussex, England, 3 June 1847
Arrived Sydney NSW, by 1852
Departed Sydney, NSW, 1868
? Died Radipole, Dorset, England, August 1887 (buried 18 August), aged "65"
https://trove.nla.gov.au/search?l-publictag=Charles+Edward+Robinson+b1822 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-Charles-Edward (shareable link to this entry)
Summary:
Charles Edward Robinson was a appointed secretary of the Denominational School Board of NSW in April 1853.
Robinson's song No jewell'd beauty is my love, a setting of words by Gerald Massey, and "published expressly in aid of the Building Fund of the Hunter's Hill School, June 3rd, 1861", was published in Sydney by W. J. Johnson.
His simple Christmas hymn, for unison children's voices and piano, was published by Gibbs, Clarson, and Shallard in their Illustrated Sydney News in November 1864.
A Bridal ode, words and music both by Robinson, was sung by the principals of the Lyster Opera Company after their performance of Wallace's Maritana on 11 June 1863, to mark the marriage of Edward, prince of Wales to Alexandra of Denmark. The words only of survive; however, those set for the chorus suggest that they were adapted to the melody of God save the queen. Also on that program were two other new commemorative local compositions, Anthony Reiff's The poet laureate's welcome to Alexandra, and Henry Marsh's Australia's wedding march.
Robinson was paid out for his 15 years of service to the school board in March 1853, and sold up his household goods, including a piano, prior to sailing home to Britain.
Documentation:
"MARRIAGES", London Evening Standard (7 June 1847), 4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000183/18470607/047/0004 (PAYWALL)
On the 3d inst., at St. Mary's in the Castle, Hastings, Charles Edward Robinson, Esq., to Mary, daughter of the late Robert Brown Russel, Esq., of Streatham, Surrey.
[Advertisement], The Sydney Morning Herald (7 April 1853), 1
http://nla.gov.au/nla.news-article12944900
DENOMINATIONAL SCHOOL BOARD.
NOTICE is hereby given that Mr. William Dawes has resigned the office of Secretary to the Denominational School Board,
and that the appointment has been conferred upon Mr. Charles Edward Robinson . . .
By order of the Board. Old Barrack-square, April 6.
"PARRAMATTA", Empire (31 May 1861), 5
http://nla.gov.au/nla.news-article60489344
Parramatta is again very dull, and we hear that it is the intention of our good folk to get up another concert. Should such be the case, I trust they will not forget to obtain the valuable services of C. E. Robinson, Esq., who, by his comical talent, has left an impression upon those who had the good fortune to hear him, not easily to be forgotten. As we are informed, that it is for a charitable purposes, we are sure Mr. Robertson will lend a helping hand.
[Advertisement], The Sydney Morning Herald (11 June 1863), 1
http://nla.gov.au/nla.news-article13079847
LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA COMPANY. PRINCE OF WALES THEATRE . . .
Musical Director and Conductor - Mr. A. REIFF, jun.
Grand performance in honour of the Royal Marriage, THURSDAY and FRIDAY, June 11th and 12th,
will be given Wallace's romantic opera of MARITANA . . .
After the opera will be sung a BRIDAL ODE,
words and music by C. E. Robinson, Esq., which will be succeeded by
THE POET LAUREATE'S WELCOME TO ALEXANDRA,
composed expressly for this occasion by A. Reiff, Jun.
Soles by Madame Lucy Escott, Misa Georgia Hodson, Mr. Henry Squires, Mr. J. E Kitts, and Mr. Farquharson.
Between the second and third acts,
AUSTRALIA'S WEDDING MARCH, by the orchestra, composed expressly for this occasion by Henry Marsh, Esq. . . .
"COMMEMORATION ODE", The Sydney Morning Herald (11 June 1863), 4
http://nla.gov.au/nla.news-article13079888
COMMEMORATION ODE IN CELEBRATION OF THE MARRIAGE OF THE PRINCE OF WALES AND THE PRINCESS ALEXANDRA OF DENMARK.
TO BE SUNG AT THE PRINCE OF WALES THEATRE , BY LYSTER'S OPERA COMPANY, THIS EVENING, COMPOSED AND ARRANGED AS A QUARTETT BY C. E. ROBINSON . . .
1. Hail ! all hail to the sway of Victoria!
Long may she reign o'er the flow'r of the Earth;
Voices from far join the prayer of her people,
Australia is true to the land of its birth.
Thousands of miles between
Us and our gracious Queen,
We'll not forget, I ween,
Our gracious Queen.
. . . [2 more verses] . . .
"A CHRISTMAS HYMN", The Sydney Morning Herald (17 November 1864), 4
http://nla.gov.au/nla.news-article13103558
A hymn, dedicated to the children attending the public schools of New South Wales, has been composed by Mr. C. E. Robinson, and published by Clarson, Shallard, and Co. The music is of course simple, and thus adapted for singing by a large number of children in unison. There is also an accompaniment in chords. The composition is set in G Major. Copies of this composition are to be sent to the different schools.
"MUSIC AND DRAMA", The Sydney Morning Herald (21 November 1864), 5
http://nla.gov.au/nla.news-article13110354
There has been but little stir in the musical world during the month, save the publication of a few compositions of unpretending but yet useful character. A chromatic rondo, by Mr. Rea, intended as a study for the pianoforte; and a simple arrangement of a Christmas Hymn, by Mr. C. E. Robinson, are among the most prominent . . .
England census, 1871, Godstone, Surrey; UK National Archives, RG 10 / 837
https://www.ancestry.com.au/imageviewer/collections/7619/images/SRYRG10_836_839-0206 (PAYWALL)
Hunter's Hill / Charles E. Robinson / Head / 48 / Secretary to Board of Education N. S. Wales Australia & retired civil service / [born] Walthamstowe Essex
Mary Robinson / Wife / 49 . . . [and 4 daughters 19-11 born in "Cumberland, N. S. Wales"] . . .
Extant musical works:
No jewell'd beauty is my love, ballad, set to music and published expressly in aid of the Building of the Hunter's Hill School, June 3rd 1861 [Words by Gerald Massey; music by C. E. Robinson] (Sydney: W. J. Johnson & Co., 1861)
https://trove.nla.gov.au/work/19492981
https://nla.gov.au/nla.obj-181785636 (DIGITISED)
"CHRISTMAS HYMN. COMPOSED AND DEDICATED TO THE CHILDREN ATTENDING THE PUBLIC SCHOOLS IN NEW SOUTH WALES, By C. E. ROBINSON", Illustrated Sydney News (16 November 1864), 13
http://nla.gov.au/nla.news-article63512180 (DIGITISED)
ROBINSON, George Augustus (George Augustus ROBINSON; G. A. ROBINSON)
Amateur musician, flute player, Indigenous culture recorder and reporter (including language, music, song, and dance)
Born London, England, 22 March 1791; son of William ROBINSON and Susannah PERRY
Married (1) Maria Amelia EVANS (d. 1848), London, England, 28 February 1814
Arrived Hobart Town, VDL, 20 January 1824 (per Triton, from Leith, 7 September 1823)
Departed Melbourne, VIC, 30 May 1852 (per Medway, for London)
Married (2) Rose PYNE, London, England, 4 June 1853
Died Bath, England, 18 October 1866
https://trove.nla.gov.au/search?l-publictag=George+Augustus+Robinson (TROVE tagged)
http://nla.gov.au/nla.party-577296 (NLA persistent identifier)
https://en.wikipedia.org/wiki/George_Augustus_Robinson (Wikipedia)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-George-Augustus (shareable link to this entry)
Mr. Robinson's first interview with Timmy, by Benjamin Duterrau; National Gallery of Australia
ASSOCIATIONS: Benjamin Duterrau (artist)
Sources:
George Augustus Robinson papers, 1818-1924; State Library of New South Wales
https://archival.sl.nsw.gov.au/Details/archive/110319172
Microfilm copies of some of the journals have been digitised and uploaded to individual catalogue records, by are currently (2021) not available for general viewing
Editions of sources:
N. J. Brian Plomley, Friendly mission: the Tasmanian journals and papers of George Augustus Robinson, 1829-1834 (Hobart : Tasmanian Historical Research Association, 1966)
https://trove.nla.gov.au/work/8477354
N. J. B. (Brian) Plomley (ed.), Weep in silence: a history of the Flinders Island Aboriginal settlement with the Flinders Island journal of George Augustus Robinson, 1835-1839 (Hobart: Blubber Head Press , 1987)
https://trove.nla.gov.au/work/9658451
Ian D. Clark (ed.), The journals of George Augustus Robinson, chief protector, Port Phillip Aboriginal Protectorate [volumes 1-6, 1 January 1839 - 30 September 1852] (compilation: Melbourne: Clarendon, 2014)
https://trove.nla.gov.au/work/7588068
Bibliography and resources:
"Robinson, George Augustus (1791-1866)", Australian dictionary of biography 2 (1967)
https://adb.anu.edu.au/biography/robinson-george-augustus-2596
ROBINSON, I. W. (I. W. ROBINSON, ? J. W. ROBINSON; ? T. W. ROBINSON)
Music copyist, lithographer
Active Sydney, NSW, 1842
https://trove.nla.gov.au/search?l-publictag=I+W+Robinson+Script (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-I-W (shareable link to this entry)
Summary:
"I. W. Robinson" (or J. W. Robinson, or perhaps T. W. Robinson), drew the music on stone ("sculpsit") for the 1842 first edition of Isaac Nathan's ensemble song, Koorinda braia, printed lithographically by Thomas Liley.
He is not yet positively identifiable, although perhaps some connection may be surmised with either the engraver Thomas Robinson (below) or Thomas Wilkie Robinson (below).
Musical prints:
Koorinda Braia, an Aboriginal native song, put into rhythm, harmonised, and inscribed to Mrs. E. Deas Thomson, by I. Nathan (Sydney: [n.p.], 1842)
https://trove.nla.gov.au/work/21236841
http://nla.gov.au/nla.obj-168218284 (DIGITISED)
Page 4, beneath bottom staff, has "I. W. Robinson. Script." [or "J. W. . . ."; or perhaps "T. W. . . ."]
ASSOCIATIONS: Isaac Nathan (composer)
ROBINSON, Mary Ann (Mary Ann CLARK; Mrs. A. B. ROBINSON)
Choral singer (pupil of F. A. Packer)
Born Hobart, TAS, 26 January 1851; daughter of Alexander CLARK and Elizabeth QUINT
Married Alfred Bingley ROBINSON, Hobart, TAS, 25 December 1873
Died Hobart, TAS, 10 April 1944, aged "93"
https://trove.nla.gov.au/search?l-publictag=Mary+Ann+Clark+Robinson+1841-1944 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-Mary-Ann (shareable link to this entry)
Documentation:
1851, births in the district of Hobart; Tasmanian names index; NAME_INDEXES:954886; RGD33/1/4/ no 118
https://stors.tas.gov.au/NI/954886
https://stors.tas.gov.au/RGD33-1-4$init=RGD33-1-4-P341 (DIGITISED)
No. 118 / January 26th / Mary Ann / [daughter of] Alexander Clark / Elizabeth Clark formerly Quint / Cabinet Maker
"MARRIAGE", The Mercury (30 December 1873), 1
http://nla.gov.au/nla.news-article8919137
ROBINSON - CLARKE. - On the 25th December, at her residence, by the Rev. W. Simmons, Alfred Bingley Robinson, to Mary Ann Clark, third daughter of Mr. Alexander Clark, of Collins-street. Melbourne papers please copy.
"DIAMOND WEDDING . . . Governor's Wife as Sunday School Teacher", Examiner (23 December 1933), 9
http://nla.gov.au/nla.news-article51850576
. . . Mrs. Robinson is the third daughter of the late Mr. and Mrs. Alexander Clark, of 132-136 Collins-street, Hobart. She was born at Hobart in January, 1851, and was educated at Beauland House, Collins-street, when Mrs. Searle was head mistress. She joined the Church of England old St. David's Sunday School at the age of six years, when Lady Gore Brown, the wife of the Governor of Tasmania, was the teacher. At the age of twelve years Mrs. Robinson became a member of the church choir, when Mr. F. A. Packer was the organist and her music teacher. At the age of fourteen years she sang her first anthem in the church. When she married she joined the Union Chapel with her husband, and afterwards joined the choir, Mr. A. J. Dentith being the organist. She became the leader of the choir, and continued so for 25 years. She sang at the opening of the new Town Hall at Hobart. When H.M.S. Galatea arrived with the Duke of Edinburgh on board there was a grand concert given in his honour, at which Miss Sarah Sherwin, Mrs. Propsting, Mrs. A. W. Haume, and Mrs. Robinson sang the principal parts. Mr. Packer held the concerts in aid of the organ fund at Del Sarte's Rooms (now called the Tasmanian Hall), which was purchased by Mr. John Davies, sen., and committee. For some years Mrs. Robinson assisted Mr. Arnold at the Bethel on Sunday afternoons, and when the English traders were in port there was a good attendance. She also assisted by singing on several occasions at concerts in St. Peter's Hall, Lower Collins-street, in aid of St. Mary's Cathedral, Mr. McCann, sen., being conductor.
ASSOCIATIONS: Frederick Augustus Packer (organist); prince Alfred (duke of Edinburgh); Alfred Jackson Dentith (organist); James Robert McCann (organist)
"DEATHS", The Mercury (21 April 1944), 8
http://nla.gov.au/nla.news-article26020706
ROBINSON. - On April 20, 1944, at the residence of her son-in-law (Mr. W. Muir sen.), 12 McGregor St., Battery Pt., Mary Ann, widow of Capt A. V. [sic] Robinson, in her 94th year. Peace, perfect peace. Funeral in Saturday's "Mercury."
"OBITUARY. Mrs. M. A. Robinson", The Mercury (24 April 1944), 4
http://nla.gov.au/nla.news-article26022636
Mrs. Mary Ann Robinson, widow of Capt. A. B. Robinson, died at the residence of her son-in-law, Mr. W. Muir sen., Battery Pt., on Thursday, in her 94th year. Born at Hobart, she was the third daughter of the late Mr. and Mrs. Alexander Clark. Mrs. Robinson was a member of St. David's Choir when Mr. Fred Parker [sic] was organist, and when HMS Galatea arrived in Hobart with the Duke of Edinburgh she sang at a concert given in his honour. She also sang at many concerts given in aid of St. Mary's Cathedral. After her marriage she resided in Hobart and Launceston. Three sons were Anzacs in the First World War . . .
ROBINSON, Michael (Michael ROBINSON)
Musician, fiddler
Born ? c. 1756
Died Parramatta, NSW, 20 November 1826, aged "70"
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-Michael (shareable link to this entry)
Documentation:
"DIED", The Australian (25 November 1826), 2
http://nla.gov.au/nla.news-article37072492
At Parramatta, on Monday the 20th November, aged 70, Michael Robinson, a fiddler. - An Inquest was held on the 21st instant. Verdict, died by the visitation of God. Michael was a free man, and had neither friends nor money; and it was not until Thursday that his remains were interred. Charity was at its lowest ebb, and the common-wealth did not take the expense upon itself. Application was made to the Rev. Samuel Marsden, he referred the applicants to the Police Magistrate, Dr. Harris, who gave no orders. Mr. Aird, the Superintendent, said he could not order a coffin. The Clergyman at last paid for one; and all that was left of the poor object, was enclosed in it, and removed from the house where he had died.
ASSOCIATIONS: Samuel Marsden (clergyman)
Bibliography and resources:
Robert Jordan, "Music and civil society in New South Wales, 1788-1809", Journal of the Royal Australian Historical Society 98/2 (December 2012), (193-210), 202
http://search.informit.com.au/documentSummary;dn=060857840144157;res=IELHSS (PAYWALL)
. . . The obscurity in which the poorest of musicians lived is nicely caught in a mood piece in the Australian . . . As Robinson was aged 70 at his death in 1826 he could well have been in the colony since the I 8th century, but he appears in none of the musters, not even those for 1823-25 . . .
ROBINSON, Michael Massey (Michael Massey ROBINSON; Michael ROBINSON)
Singer, songwriter, convict, public servant ("first Australian Harmonist")
Born England, 12 February 1757; baptised Chipping Barnet, Hertford, 23 February 1757; son of James and Rachel ROBINSON
Convicted Old Bailey, London, 15 February 1796, aged "45" (recte 39)
Arrived Sydney, NSW, 18 May 1798 (convict per Barwell, from Portsmouth, 6 November 1797)
Married Elizabeth ROBLEY (1782-1827), Norfolk Island, 1806
Died Sydney, NSW, 22 December 1826, aged "79" / "92" (recte 69)
https://trove.nla.gov.au/search?l-publictag=Michael+Massey+Robinson (TROVE public tag)
https://www.digitalpanopticon.org/life?id=obpt17960217-71-defend917 (Old Bailey online digital panopticon)
http://nla.gov.au/nla.party-573230 (NLA persistent identifier)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-Michael-Massey (shareable link to this entry)
"Mich[ae]l Robinson" "The Poet Laureat", Edward Charles Close, sketchbook from c. 1817, State Library of New South Wales, SAFE / PXA 1187
http://archival.sl.nsw.gov.au/Details/archive/110339254
http://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?dps_pid=FL3271533 (DIGITISED)
ASSOCIATIONS: Edward Charles Close (1790-1866, soldier, magistrate, artist)
Summary:
Robinson, twice a transported convict (first from England to NSW, second from NSW to Norfolk Island), had become, by early in the Macquarie years, the unofficial colonial bard. He recited, rather than sang, his annual odes for the king's and queen's birthdays, as is made clear in the report (20 January 1816) below. Their texts were regularly reprinted in the press, as were the words of original songs that he himself sang at anniversary dinners and similar occasions.
According to his obituary in the Gazette, it was not Barron Field, but Robinson who was the "first Austral Harmonist".
Documentation:
Births in the parish of Chipping Barnet, 1724-1812, fol. 21v; Hertfordshire parish registers
February 25d 1757 / Michael Massey Robinson of James & Rachel Baptiz'd / born Feb'y 12th
ASSOCIATIONS: St. John the Baptist church (Chipping Barnet, now in Greater London)
Register of duties paid for apprentices' indentures, 1710-1811; UK National Archives, PRO IR 1/26
https://www.ancestry.com.au/imageviewer/collections/1851/images/32422_236908-00829 (PAYWALL)
[1771] Thursday 3 Jan'y / 14 / Jno. Bewley Rish [sic, Rich] of Gray's Inn London / Attorney / Michael Massey Robinson
ASSOCATIONS: John Bewley Rich (1747-1775), attorney, was a nephew of John Rich (actor, theatrical manager), original producer of John Gay's The beggar's opera
Michael Robinson, 15 (? 17) February 1796, Old Bailey online
https://www.oldbaileyonline.org/browse.jsp?div=t17960217-71
225. MICHAEL ROBINSON was indicted for that he, on the 12th of January, knowingly, unlawfully, maliciously, and feloniously, did send a certain letter, in writing, directed to James Oldham Oldham, Esq. therein demanding a certain valuable thing, that is to say, a Bank note, contrary to the statute . . .
. . . GUILTY, Of writing and sending a letter to the prosecutor, threatening to publish a libel,
imputing to him the murder of his master, for the purpose of extorting money.
Death (Aged 45 [sic].) Judgment respited, the case being reserved for the opinion of the Judges.
See also "THE KING AGAINST MICHAEL ROBINSON", Cases in crown law: determined by the twelve judges, by the Court . . . Volume 2 (London: J. Butterworth and Son, &c., 1815), 749
http://books.google.com.au/books?id=Gow0AAAAIAAJ&pg=PA749
Ode for the king's birth-day, 1811 [colophon: "New South Wales, June 4, 1811"] ([Sydney: George Howe], 1811)
https://trove.nla.gov.au/work/34643360
https://trove.nla.gov.au/work/34643360 (DIGITISED)
"Sydney", The Sydney Gazette and New South Wales Advertiser (20 January 1816), 2
http://nla.gov.au/nla.news-article2176514
. . . At one o'clock His Majesty's armed brig Emu fired a Royal Salute; and His EXCELLENCY held a Levee at Government House, and received the Congratulations of the Civil and Military Officers, and other Gentlemen of the Colony. The LAUREAT BARD (for so we may venture to call him, from the frequency of his tributes on such occasions) presented his offering of an Ode, which, at the instance of His EXCELLENCY, he recited in an emphatic and appropriate style; the distinguished approbation of those who had the satisfaction to hear it, will best convey the high opinion entertained of the merits of this production . . .
ASSOCIATIONS: Lachlan Macquarie (governor)
"ROYAL BIRTH-DAY ODES, WRITTEN IN NEW SOUTH WALES, AND RECITED AT THE LEVEES AT GOVERNMENT-HOUSE, SYDNEY", The Sydney Gazette and New South Wales Advertiser (22 December 1821), 2
http://nla.gov.au/nla.news-article2180692
AT the earnest Solicitation of many respectable Characters in the Colony, the AUTHOR of these Productions has revived his Intention to publish A COMPLETE SERIES, commencing in 1810, and continued to the Year 1821, inclusive, comprising Twenty-one Odes, together with some hitherto unpublished Pieces of Poetry, forming One Volume in large 8vo. and, accompanied with an Engraving of the Author, from an original Painting by Mr. Reid, sen. and allowed to be a Chef D'Ouvre of that Artist. The Title Page will also be engraved. The Paper will be of the first Quality, and the Book delivered, handsomely half-bound in red or green Leather, in the Month of March next . . .
ASSOCIATIONS: Richard Read (artist)
"DEATH", The Australian (23 December 1826), 2
http://nla.gov.au/nla.news-article37072644
After gradually declining for this some time back, Mr. Michael Robinson, many years principal clerk in the Police Office at Sydney, breathed his last. The night previous to his death he spent very restlessly; towards morning he fell into a doze; at six o'clock he awoke, and appeared cheerful; before another hour had elapsed he was found lifeless. He appeared to be in such unusual good spirits and spoke with so much freedom at six o'clock, that it was thought the day of dissolution was yet distant. The deceased was 92 years of age [sic].
"Death", The Sydney Gazette and New South Wales Advertiser (23 December 1826), 3
http://nla.gov.au/nla.news-article2187170
Yesterday morning, at his residence in Castlereagh street, Mr. MICHAEL ROBINSON. Mr. R. had been an inhabitant of this Colony for the last 20 or 30 years, in the whole of which period he had studiously cultivated a desire to render himself respected - not merely on account of his literary acquirements, but from his exemplary deportment as a member of Society, which has been deprived of one of its useful ornaments. Mr. R. had been employed in all the principal Public Departments in the Colony in his time, and no man was more intimately acquainted with the political state of our Country than himself. He had the happiness to enjoy the friendship of some of the most respectable men in the Colony, and under Governor MACQUARIE his talents as the Poet Laureate of Australia occasionally shone with peculiar lustre. Mr. Robinson, and not Mr. Justice Field, was the "first Austral Harmonist." For the last 20 years he has been in the service of the Colonial Government, and not having any other dependence than that which might arise from the proceeds of his office, and being altogether of an un-business turn, his wife and family, as may be supposed, are by no means independent of external circumstances. This, however, we trust, will be considered worthy of attention by the Colonial Government, who will duly regard the family of an individual that had served the Crown up to the 80th year of his age [sic] - dying in his post. After saying so much it is needless to add, that the deceased was much respected.
Published songs:
[Song, anniversary dinner], 1813 (unattributed, no tune indicated)
"POETRY", The Sydney Gazette and New South Wales Advertiser (30 January 1813), 3
http://nla.gov.au/nla.news-article628623
Effusions of Gratitude
FROM Albion's blest Isle have we cross'd the wide Main,
And brav'd all the Dangers of Neptune's Domain -,
The Hurricane's Whirlwind, the Tempest's loud Roar,,
An Asylum to find on Australia's rude Shore,
For the Genius of Britain sent forth a Decree,,
That her Sons should be exil'd - once more to be free!
. . . [5 more verses] . . .
Song; anniversary dinner, 1820 (no tune indicated)
[News], The Sydney Gazette and New South Wales Advertiser (5 February 1820), 3
http://nla.gov.au/nla.news-article2179245
We regret, that by an unforeseen circumstance, we had not the pleasure of introducing to our Readers the following Song, which was given with great effect by the Author on the last Anniversary of the Commemoration of the Establishment of this Colony, held at Hankinson's Rooms in George street, the 26th ult. and which our Readers will perceive is the production of no common pen.
SONG, FOR THE COMMEMORATION DINNER, JANUARY 26, 1820. Presented by Mr. Robinson.
ALIVE to the strain that gay fancy inspires,
We cherish its impulse, and glow with its fires;
Whilst wit, mirth, and harmony, blended together,
Resound with the toast, Boys - "OLD ENGLAND FOR EVER!"
. . . [4 more verses] . . .
Song, anniversary dinner, 1822 (no tune indicated)
[News], The Sydney Gazette and New South Wales Advertiser (8 February 1822), 3
http://nla.gov.au/nla.news-article2180809
. . . A Song, from the pen of our favourite Laureat-Bard, Mr. Robinson, was given amidst loud and reiterated acclamations. We are glad to have an opportunity of introducing it to our Readers.
SONG.
Philosophers say, and experience declares,
That life is a medley of pleasures and cares; -
That the sunshine which smiles on our prospects to-day,
May be chas'd by the gloom of to-morrow away.
. . . [6 more verses] . . .
Song, anniversary day, 1824 (no tune indicated)
"SONG FOR THE COMMEMORATION DINNER", The Sydney Gazette and New South Wales Advertiser (5 February 1824), 2
http://nla.gov.au/nla.news-article2182628
. . . The first Song, sung in the course of the evening, was, our Reporter upon this occasion says, from the pen of the old favorite Australian Bard, and was given by himself with the most gratifying effect. Loud and reiterated shouts of applause followed the close of every verse. - Of its merits, as an original and fanciful production, our Readers will judge for themselves from the following copy:-
SONG, FOR THE COMMEMORATION DINNER, 1824.
Whilst the gay Sons of Harmony socially join
To pour their oblations at Bacchus's shrine,
Their rosy-fac'd god lends a charm to the board,
When our chairman presides as his deputy-Lord.
. . . [10 more verses] . . .
Song, anniversary dinner, 1825 (tune: Derry Down)
"COMMEMORATION DINNER", The Sydney Gazette and New South Wales Advertiser (3 February 1825), 3
http://nla.gov.au/nla.news-article2183684
. . . We ought, however, to have noticed that previous to Mr. Wentworth's speech, the company were highly gratified by a song on the same subject, the production of our old favourite Bard, a copy of which we have been favored with, and is subjoined . . .
SONG, FOR THE COMMEMORATION DINNER, 1825.
The annals of London's emporium have told,
That a fire broke out in that city of old;
And raging around, with insatiate fury,
Swept her Corn-hill - her Poultry - and smote her "Old Jewry."
. . . [11 more verses] . . .
"ANNIVERSARY MEETING", The Australian (3 February 1825), 3
http://nla.gov.au/nla.news-article37073278
. . . A variety of songs were given in the course of the evening, two of which were composed expressly for the occasion the one by "Avec Franchase," the other by Mr. Robinson . . . Mr. Robinson's song was delivered with much humour, to the tune of "derry down," and excited a good deal of merriment. As it relates to an occurrence of the day, we give it insertion . . . [as above]
MUSIC CONCORDANCE: Derry Down (tune; as in Midas, a comic opera, arr. Kane O'Hara, c. 1760)
Song, dinner to Thomas Brisbane, 1825 (no tune indicated)
"PUBLIC DINNER TO HIS EXCELLENCY", The Sydney Gazette and New South Wales Advertiser (10 November 1825), 3
http://nla.gov.au/nla.news-article2184661
. . . Several songs were in the course of the evening sung by Messrs. Hindson, Pitman, and B. Levey; as well as the following, which was written for the occasion, by Mr. M. Robinson: -
SONG.
The trophies of Freedom transcendent have shone,
In graceful reflection from Britain's bright throne;
And the star she diffus'd - with munificent smile,
Has glimmer'd at last on Australia's Isle.
. . . [8 more verses] . . .
"Sydney Intelligence", Colonial Times (2 December 1825), 4
http://nla.gov.au/nla.news-article2446678
. . . Many excellent songs were given, and one in particular, composed and sung by that old Son of he Muses, Mr. Michael Robinson, which we shall endeavour to make room for in our next . . .
Song, anniversary dinner, 1826 (no tune indicated)
"ANNIVERSARY DINNER", The Sydney Gazette and New South Wales Advertiser (1 February 1826), 3
http://nla.gov.au/nla.news-article2185167
In the hurry of our report of this festival, we omitted to make any allusion to the Song prepared for the occasion. We now present it to our Readers as the production of our venerated Bard, whose witty, gay, and Classical muse has so often been the subject of general admiration and praise.
SONG, BY MR. M. ROBINSON.
In Olympus we're told
The celestials of old,
In spite of morality's lecture,
Would steal a sly sup
From the festival cup,
And sometimes get mellow with nectar.
. . . [9 more verses] . . .
Doubtful:
The old viceroy, for the anniversary dinner, 1824, but not sung (no tune indicated)
"Original Poetry", The Colonist (5 February 1835), 6
http://nla.gov.au/nla.news-article31716180
[We insert the following colonial production, which, we have reason to believe, has never been published before . . . It was the recollection of the vigorous administration of Governor Macquarie, contrasted with the inefficiency of that of his successor, Sir T. Brisbane, that occasioned the following production; which, we have been informed, was intended to have been either said or sung at the colonial anniversary dinner of the 26th of January, 1824. Whether it was the production of the late Michael Robinson, poet laureat of New South Wales during the government of Major General Macquarie, who must naturally have bewailed the discontinuance of his honours and emoluments under the reign of that most unpoetical Governor Sir Thomas Brisbane, we cannot pretend to say. At all events its political feelings were somewhat too strong for the anniversary dinner, and it was consequently neither said nor sung, on the occasion. It can now be regarded merely as a good old colonial jeu d'esprit.]
THE OLD VICEROY.
OUR gallant Governor has gone,
Across the rolling sea,
To tell the king on England's throne,
What merry men are we;
CHORUS.
Macquarie was the prince of men!
Australia's pride and joy!
We ne'er shall see his like again;
Here's to the old Viceroy!
. . . [4 more verses] . . .
Bibliography and resources:
J. H. M. Abbott, "Macquarie's Laureate. The Genius of Michael Robinson", The World's News (2 April 1927), 12
http://nla.gov.au/nla.news-article130602038
ASSOCIATIONS: John Henry Macartney Abbott (journalist)
Odes of Michael Massey Robinson, first poet laureate of Australia (1754-1826), with an introduction by George Mackaness . . . with four illustrations (Sydney: D. S. Ford, 1946)
https://trove.nla.gov.au/work/12448455
https://nla.gov.au/nla.obj-2198326818 (DIGITISED)
ASSOCIATIONS: George Mackaness (editor); also includes, at end (96-107), editions of 5 songs
Donovan Clarke, "Robinson, Michael Massey (1744-1826)", Australian dictionary of biography 2 (1967)
http://adb.anu.edu.au/biography/robinson-michael-massey-2598
ASSOCIATIONS: Donovan Clarke (author)
ROBINSON, Thomas (Thomas ROBINSON; T. ROBINSON; T. E. ROBINSON)
Copperplate engraver and printer, engraver of sheet music covers, ? lithographer
Born Huddersfield, England, c. 1817
Arrived ? Hobart Town, VDL, 12 December 1840 (free per Egyptian, from England, 19 August)
Active Sydney, NSW, c. 1842 to January 1844
Tried and convicted (1) Sydney, NSW, 6-23 January 1844
Imprisoned Norfolk Island, 1844-47
Arrived Hobart Town, VDL (TAS), 6 August 1847 (convict per Lady Franklin)
Tried and convicted (2) Hobart Town, TAS, 6 September 1855
Imprisoned TAS, 1855-57
Active TAS, from 12 February 1857
https://trove.nla.gov.au/search?l-publictag=Thomas+Robinson+engraver (TROVE tagged by Australharmony)
https://nla.gov.au/nla.party-1485155 (NLA persistent identifier)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-Thomas-engraver (shareable link to this entry)
? See also above I. W. Robinson
Documentation:
[Advertisement], The Sydney Morning Herald (27 September 1842), 3
http://nla.gov.au/nla.news-article12418941
. . . Mr. Robinson, Engraver, Pitt-street, Sydney . . .
[Advertisement], The Sydney Morning Herald (26 August 1843), 3
http://nla.gov.au/nla.news-article12410637
. . . Mr. Thomas Robinson, Engraver and Copperplate Printer, Park-street, next door to Pettit's Hotel, Sydney . . .
"FORGED NOTES", The Weekly Register of Politics, Facts and General Literature (30 September 1843), 140
http://nla.gov.au/nla.news-article228134001
On Monday evening, a little boy named Charles McCutchin, aged about nine years, entered Grays, Light-house Tavern, corner of Bathurst and Sussex-streets, with a bottle for a gill of rum, in payment of which he tendered a one pound note of the Bank of New South Wales, received the change, and left the premises. Mr. Gray, on the following day paid the note into the Bank, when it was pronounced to be a forgery . . . The note is executed with a pen, and requires a close inspection to distinguish it from the genuine document. It is numbered 90,039. Mr. Pearce, the acting Chief Constable, succeeded on Thursday evening in securing an engraver named Thomas Robinson, who has since been identified by the boy McClutchin [sic] as the man who sent him . . .
Convict record (1), Thomas Robinson, per Lady Franklin, 1847; Tasmanian names index; NAME_INDEXES:1430298; CON37/1/3 Page 967
https://stors.tas.gov.au/NI/1430298
https://stors.tas.gov.au/CON37-1-3$init=CON37-1-3p366
Robinson, Thomas / Tried Sydney from 6 to 23 Jan'y 1844. Life com't to 15 yrs / Arrived V.D.L. 6 Aug't 1847 / Transported for Uttering a Forgery . . . / Married / Trade: Copper plate printer / Height 5' 4" / Age: 30 . . . / Native Place: Huddersfield . . .
"TASMANIA . . . STABBING", The Sydney Morning Herald (18 July 1855), 3
http://nla.gov.au/nla.news-article12971805
One of those cowardly instances of ferocity with which, we regret to feel compelled to state, the name of Englishmen has of late years been too frequently associated, occurred on the evening of Thursday last, in Elizabeth-street. The victim in this case is William Graham, lately a constable in the district of Port Cygnet; the perpetrator, Mr. T. E. Robinson, an engraver, living near the Rock Hotel, in the above locality. Some quarrel appeared to have occurred between Robinson and his wife, with which Graham attempted to interfere, and was, consequently stabbed with a bowie-knife in two places, in the leg and thigh . . .
Convict record (2), Thomas Robinson, 1855; Tasmanian names index; NAME_INDEXES:1430284; CON37/1/8 Page 2763
https://stors.tas.gov.au/NI/1430284
https://stors.tas.gov.au/CON37-1-8$init=CON37-1-8p360 (DIGITISED)
[Advertisement], The Hobart Town Mercury (7 September 1856), 2
http://nla.gov.au/nla.news-article3244981
T - E- Robinson. Writing and Historical Engraver, COPPER-PLATE PRINTER, &c.,
160, Liverpool-street, 4 doors from Harrington street, Hobart Town . . .
Musical prints:
Presumably during 1843 and at most a few months earlier and later, Robinson signed engraved covers for the following extant Sydney sheet music editions by Francis Ellard (presumably among otherss):
The daughter of Israel. music and poetry by Charles Sloman
https://trove.nla.gov.au/work/14834195
https://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?embedded=true&toolbar=false&dps_pid=IE3748153 (DIGITISED)
The fairy boy, written & composed by Samuel Lover
https://trove.nla.gov.au/work/33166190
https://nla.gov.au/nla.obj-176341658 (DIGITISED)
The light bark (composed expressly for Madame Vestris by J. T. Craven
https://trove.nla.gov.au/work/24304418
https://nla.gov.au/nla.obj-168744766 (DIGITISED)
Long time ago; or, Near the lake where drooped the willow . . . adapted & arranged by Charles E. Horn
https://trove.nla.gov.au/work/19271809
https://nla.gov.au/nla.obj-165714670 (DIGITISED)
Rise gentle moon . . . written by J. R. Planche, composed by John Barnett
https://trove.nla.gov.au/work/6370842
https://nla.gov.au/nla.obj-176256381 (DIGITISED)
He also engraved the cover for Ellard's series, The Hibernian wreath . . . arranged by . . . Francçois Bernard, as see no. 3:
https://trove.nla.gov.au/work/193401415
https://nla.gov.au/nla.obj-120635781 (DIGITISED)
Bibliography and references:
"Thomas E. Robinson", Design & Art Australia Online (DAAO)
https://www.daao.org.au/bio/thomas-e-robinson
ROBINSON, Thomas Wilkie (Thomas Wilkie ROBINSON; T. W. ROBINSON)
School teacher, schoolmaster, amateur vocalist, lecturer on music
Born England, 4 March 1804; baptised St. John's, Newcastle Upon Tyne, 25 June 1804; son of John ROBINSON and Jane WILKIE
Married (1) Jane HARVEY (d. 1837), St. Cuthbert's, Edinburgh, 8 June 1832
Arrived Sydney, NSW, 3 December 1837 (per Portland, from Greenock, 24 July)
Married (2) Mary KEDDIE (1812-1891), Maitland, NSW, 1843
Departed Sydney, NSW, mid 1861 (for Scotland)
Died Edinburgh, Scotland, 20 April 1875
https://trove.nla.gov.au/search?l-publictag=Thomas+Wilkie+Robinson+1804-1875 (TROVE tagged by Australharmony)
http://nla.gov.au/nla.party-1656305 (NLA persistent identifier - AustStage)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-Thomas-Wilkie (shareable link to this entry)
? See also above I. W. Robinson
Documentation:
"ARRIVAL", The Colonist (7 December 1837), 3
http://nla.gov.au/nla.news-article31720120
ON Sunday the 3rd instant, the barque Portland, 541 tons, James Coubro, Esq., commander, arrived from Greenock, in the west of Scotland, from whence she sailed on the 24th July, having touched at King George's Sound. Passengers: the Rev. Dr. Lang . . . Robinson . . .
ASSOCIATIONS: John Dunmore Lang (clergyman)
"DEATH", The Colonist (7 December 1837), 7
http://nla.gov.au/nla.news-article31720115
At Sea, suddenly, on board the ship Portland, on the 11th of September, Jane Henry, the wife of Mr. T. W. Robinson, teacher, formerly of 28, Greenside Street, Edinburgh.
[Advertisement], The Colonist (3 January 1838), 4
http://nla.gov.au/nla.news-article31720211
PRESBYTERIAN SCHOOLS . . . a Presbyterian Juvenile School, in connexion with the Synod of New South Wales, will be open in the Gallery of the Scots Church, Jamison-street, on Monday the 8th current, for the Education of Children of both sexes, under the superintendence Mr. T. W. Robinson, from Edinburgh . . .
"EVENING SCHOOLS", The Colonist (24 February 1838), 3
http://nla.gov.au/nla.news-article31720511
We have heard repeated complaints as to the want of Evening Schools in Sydney, made by young men, who are engaged during the whole day at their trade or business, and who feel desirous to improve their education by attending some qualified teacher during their spare evening hours . . . Perhaps Mr. Robinson, of the Presbyterian Norman [sic, Normal] Schoo1, may take this matter into consideration; and if he takes it in hand, we consider him highly qualified for the task.
[Advertisement], The Maitland Mercury and Hunter River General Advertiser (6 January 1844), 3
http://nla.gov.au/nla.news-article664055
Patrick's Plains Institution.
MR. T. W. ROBINSON (for many years Assistant Teacher in Mr. Knight's Establishment, Edinburgh, and a Licentiate of the Normal Institution, Glasgow,)
and MRS. T. W. ROBINSON beg respectfully to announce that this Institution, heretofore conducted under the superintendence of the Rev. J. Hetherington,
will be Opened by them on the 15th instant, for the Board and Education of Young Ladies and Gentlemen.
Arrangements have been made for conducting the departments separately.
The branches taught will comprehend . . . for Young Ladies . . . French, Music, and Drawing . . . are charged extra.
Singleton, 3rd January, 1844.
"MAITLAND SCHOOL OF ARTS", The Maitland Mercury and Hunter River General Advertiser (21 September 1858), 4
http://nla.gov.au/nla.news-article18655959
The opening lecture of the session was delivered on Thursday evening by Mr. T. W. Robinson on "Music." The President, Dr. Scott, occupied the chair. The attendance upon the occasion was very large and respectable. Mr. Robinson, before taking up the subject of his lecture, alluded to the alterations which were about to be made in the delivery of lectures, whereby they would be given less frequently. He called upon his audience to show that twenty lectures during the year were not too many. The lecturer stated that it was not his intention to treat the subject scientifically or theoretically, and ended by enquiring - What was music? He remarked upon the powerful effect of music in affording relaxation to a mind or body harassed, troubled, or wearied, and asserted that that man must be wrongly constituted who was not pleased with music. He divided his subject into the following classification - the music of the nursery; music of the fireside; music of the bower; music of the assembly, whether of the hall or temple; martial music, or music of the battle-field; and the music of Comus, or comic music. Time did not permit the lecturer to enter into all these divisions and his lecture was therefore confined to the three first.
He spoke of the exhilirating influence of music and in allusion to the music of the nursery, which was noticeable for the tenderness of its tone, he made some touching and feeling remarks upon the duties of a mother. To her was to be attributed the character of the future man. She it was who taught him his first lessons. As an instance of the intensity of a mother's love, the lecturer sang a song entitled the "Angels Whisper." The music of the fireside was characterised by love fidelity sympathy and co operation and was generally in the minor key. The cultivation of this branch of music rendered home superlatively happy. To illustrate this branch of music the lecturer sang "John Anderson my Joe," and "Maggie Lauder," in the latter of which he was encored.
In treating of the music of the bower the lecturer gave the palm of excellence in this branch to the Scotch, the Irish, and the Welsh. The English, though fond of music, had not displayed much talent for composition. Their love songs were far below in tenderness, expression, and sweetness, those of the other three races. The lecturer here sang Rory O'More, and the Laird of Cockpen. Mr. Robinson concluded his lecture by speaking of the progress made by the members of the Philharmonic Institute. Their concerts he said were well attended, and their efforts were praiseworthy and creditable. He trusted to see it well supported. He hoped all would join it and become members. It would be the means of improving the taste and habits of many who now, from that absurd exclusiveness which prevailed, were obliged to have recourse for amusement to places of doubtful respectability. The cultivation of music, he argued, would increase happiness and would be the means of imparting higher and more lofty expressions of feeling. At the conclusion of the lecture which was one of much literary merit and one admirably calculated to amuse and rivet the attention of an audience, a vote of thanks was accorded to Mr. Robinson, who announced his intention of continuing the subject on a future occasion, and the meeting separated. We must not omit to mention that Mr. Hitchins presided at the pianoforte and played with much skill good taste and ability.
ASSOCIATIONS: Fortescue Hitchins (pianist); Maitland Philharmonic Institute (society)
MUSIC: The angel's whisper (by Samuel Lover)
"MAITLAND SCHOOL OF ARTS", The Maitland Mercury and Hunter River General Advertiser (19 March 1859), 2
http://nla.gov.au/nla.news-article18650784
The monthly lecture of the Maitland School of Arts was delivered on Thursday evening by Mr. T. W. Robinson. It was a continuation of the lecture on music delivered by that gentleman on a previous occasion, when he treated of the music of the nursery, the music of the fireside and the music of the bower. On this occasion he spoke of martial music, principally, of national music, and of "the music of Comus," or "of Momus," as he remarked might be the more appropriate appellation. In delivering this series of lectures elsewhere, Mr. Robinson had included "music of the temple amongst the divisions of his subject; but he now reserved it for a future opportunity, when he said, he hoped to illustrate it by means of a harmonium, and by the assistance of several friends.
In his opening observations he alluded to the lecture recently delivered by Mr. Plunkett, at the Lyceum on a kindred subject, and quoted the sentiments of the lecturer with respect to the high position of music as the sister art with poetry and painting, and the handmaid of religion, as the most delightful and spiritual of recreations, and as a great purifier of taste. Referring, also, to the remarks of Mr. Plunkett upon the spread of vocal music in England through the introduction of Hullah's system, he expressed the hope that a similar impetus might be given to the study of it in this colony and in this part of it. After reciting the lines of the poet Collins in praise of music and briefly recapitulating the former lecture he proceeded to resume the consideration of the subject at the point where that lecture left it, and first he spoke of the characteristics of martial music, and its striking effects in the field of battle. The possession by almost every nation of a national music was then noticed, and the influence of that music when at a distance from home, it revived home recollections and associations, was illustrated by several anecdotes. Australia, the lecturer said, had as yet no national music, though, he felt the hope, expressed by the poet Campbell, that this would not continue to be the case; but one song, he remarked had been written - the words by Mr. G. W. Allen [sic], of Sydney, and the music by Mr. Mackenzie, also of Sydney. The youth of the colony were very patriotic, and where the love of country existed, the other feeling, resulting in the production of national music, would follow. National music, the lecturer observed, required no language but its own, it had no need of words, it was the direct voice of passion even more than poetry itself. It had much to do with patriotism, and powerful were its influences when the harmonies of a Weber and the burning words of a Korner were united. The lecturer concluded this part of his subject by inferring from the old Greek allegories the power of music in early days, by pointing out its influence in the days of chivalry, as indicated by the respect then paid to the minstrel; and by some remarks upon the peculiarly national music of the bagpipes. Amongst his illustrations of martial music was "Scots wha hae," the remarkable circumstances connected with the composition of the words of which, he related.
Comic music was then referred to by the lecturer, who remarked that it did not illustrate any particular phase of human character, and that much of it was by some said to be but an exemplification of the degree of debasement, of which the human intellect was capable. With this opinion he differed, for, whilst admitting that it was of varying quality - good, bad, and indifferent, he held that the better kinds had their use in dispelling care. He touched on the question whether there was really in music alone an inherent power of exciting risibility, and he inclined to the belief that there was not any such power, for pathetic airs rendered ridiculous words sung to them doubly ridiculous. The lecture was illustrated abundantly by Mr. Robinson, and also by Mr. Hitchins, who accompanied on the piano, and to both gentlemen a vote of thanks was passed at its close.
ASSOCIATIONS: John Hubert Plunkett (musical amateur, lecturer on music); John Hullah (English vocal class instructor); Harry Mackenzie (composer); the promised third lecture on sacred music was apparently never delivered
MUSIC: Such is life (music by Harry Mackenzie; words by Walter B. Allen)
"MAITLAND PHILHARMONIC INSTITUTE", The Maitland Mercury and Hunter River General Advertiser (5 April 1859), 2
http://nla.gov.au/nla.news-article18640713
The adjourned annual meeting of the members of the Maitland Philharmonic Institute was held on Saturday evening . . . for the election of officers . . . The Rev. J. R. Thackeray, President of the Institute, occupied the chair . . . The two motions, for the election of Mr. H. Vindin as president, and of Mr. T. W. Robinson as vice-president, were then put and carried . . .
ASSOCIATIONS: James Robert Thackeray (president, clergyman)
"MAITLAND PHILHARMONIC INSTITUTE (From the Ensign of yesterday)", The Maitland Mercury and Hunter River General Advertiser (9 May 1861), 2
http://nla.gov.au/nla.news-article18681775
The half-yearly general meeting of this institute was held in the Hall of the School of Arts on Monday evening . . . The committee of the Maitland Philharmonic Institute deeply regret having to report that the institute has, during the past half-year, suffered very much from a combination of unfavourable circumstances . . . Mr. Hitchens, the musical conductor, recently resigned, in consequence of the indisposition of some, and the absence of others, of the performing members, having rendered it improbable that he would be able to give the required number of concerts within the prescribed time in a satisfactory manner; and Mr. T. W. Robinson, the president, resigned to prepare for his contemplated voyage to Scotland . . .
"SOIREE AT THE SCHOOL OF ARTS", The Maitland Mercury and Hunter River General Advertiser (7 June 1862), 2
http://nla.gov.au/nla.news-article18688747
On Thursday evening a soiree was given at the School of Arts, West Maitland, for the second time in the history of the institution. It will be remembered that the first attempt of the kind was, as to the attendance of the public and the spirit with which it was conducted, eminently successful . . . Mr. Hitchins having played a solo on the pianoforte, various members of the institution came forward with recitations and songs . . . The band also played at intervals . . . The Chairman [J. R. Thackeray] then rose, and alluded to the changes that had taken place since the last soiree. There were some familiar voices, he said, which they had often heard within that hall, but which they might never hear again, and be could not help thinking of one whose absence they would all regret - (he meant Mr. T. W. Robinson) - and feeling how delighted he would have been had he been present at this soiree . . .
"DEATH", The Maitland Mercury and Hunter River General Advertiser (29 June 1875), 1
http://nla.gov.au/nla.news-article18796087
At Rosebank Villa, Wardie Road, Edinburgh, on the 20th April, Thomas Wilkie Robinson, Esq., late of East Maitland, New South Wales. Relatives and friends are requested to accept this intimation.
"DEATH OF MR. T. W. ROBINSON", The Maitland Mercury and Hunter River General Advertiser (29 June 1875), 3
http://nla.gov.au/nla.news-article18796119
Many men who are now actively engaged in the battle-field of life were when boys pupils of a gentleman who has at last gone to his long home. Mr. T. W. Robinson, who kept a high-class school in East Maitland many years ago, died in Edinburgh on the 20th April last, after suffering three years from paralysis. During the time of his illness he was tended with loving and constant care by his wife. Mr. Robinson was something more than a schoolmaster - and he was a good schoolmaster - while he dwelt amongst us: he was one of the presidents of the Maitland School of Arts during its first years, and was a frequent lecturer on its behalf, uniting in that task a strong commonsense, a cultivated literary taste, an extensive learning, with much genuine humour. He also took part in many local public movements, and his intelligence and readiness of intellect made him a very useful assistant in any public capacity. For ten years he has been residing in retirement in Edinburgh, having been ten years or thereabouts absent from New South Wales. He enjoyed a well earned competence as the solace of his declining years.
ROBINSON, W. (W. ROBINSON; ? William; Mr. ROBINSON)
Musician, handbells player, bellringer
Active Ballarat, VIC, by 1856
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-W (shareable link to this entry)
Documentation:
"HAND BELLS", The Star [Ballarat, VIC] (22 November 1856), 4
http://nla.gov.au/nla.news-article250439184
"A NOVELTY", The Star (25 December 1856), 2
http://nla.gov.au/nla.news-article66040205
ROBINSON, William Charles (William Charles ROBINSON; Rev. W. C. ROBINSON)
Amateur musician, choir leader, composer, hymn writer, Congregational clergyman
Born London, England, May 1820; baptised Ebenezer Chapel, Shadwell, August 1820; son of William ROBINSON and Margaret FORD
Arrived Melbourne, VIC, 8 September 1857 (per Adelaide, from London, 22 May)
Active Hobart, TAS, 1862; 1863-82
Died Ashfield, Sydney, NSW, 2 July 1904, aged 84
https://trove.nla.gov.au/search?l-publictag=William+Charles+Robinson+1820-1904 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-William-Charles (shareable link to this entry)
Summary:
Robinson was born in London, trained at Hackney Congregational College, and entered the Independent ministry in 1845. After serving his first pastorate near Bedford, his health broke down, and, in consequence, in 1857 he sailed for Victoria, where in November he became pastor at Williamstown.
Robinson visited Hobart in November 1862, and returned in January to become pastor of the Brisbane Street Congregational Church, where he remained until 1882.
He was both a hymn writer and composer. In August 1863, he advertised that at a special Sunday school service "Hymns, composed for the occasion, will be sung", and at a missionary farewell in 1866, it was reported:
Another hymn composed and printed for the occasion, read by the Rev. W. C. Robinson, was then sung.
His Anthem: Hundredth psalm, published by J. Walch and Sons in Hobart in March 1864, had been:
Composed for the Bible and singing class meeting at Brisbane Street Chapel, Hobarton by the Rev. W. C. Robinson, and presented to the members of the class at their social meeting, January 1864.
His publisher, James Walch, was a deacon in Robinson's Hobart congregation.
Documentation:
Register of baptisms, Ebenezer Chapel Shadwell, 1824-37; UK National Archives, non-conformist registers, RG 4 / 4411
https://www.ancestry.com.au/imageviewer/collections/2972/images/40612_B0151721-00017 (PAYWALL)
[Baptised] August 1820 / William Charles Robinson / Vinegar Lane Saint George / [born] May 1820 / [son of] William & Margaret Robinson [formerly] Margaret Ford
"CONGREGATIONAL HOME MISSION", The Age (12 September 1857), 5
http://nla.gov.au/nla.news-article154836112
This society, which was commenced at the latter end of last year, for the purpose of procuring from England, and locating in suburban and country districts, ministers of the Congregational order, and which raised in November last the sum of £1000, to bring out six missionaries, under the auspices of the Rev. J. L. Poore, who was their delegate to England, has just received, in the person of the Rev. W. C. Robinson, late of Ampthill, Bedfordshire, their first selected minister, who arrived on Tuesday last per ship Adelaide. This gentleman has been warmly received by his Christian brethren and the society, which was the means of bringing him to these shores. Mr. Robinson is appointed to preach his introductory sermon to-morrow, in the morning, at the Richmond Independent Chapel; and in the evening at Oxford street Independent Chapel, East Collingwood. The locale of Mr. Robinson's labors will, in all probability, be Williamstown. A public reception is intended to be given to him in Melbourne in the course of the next fortnight.
[Advertisement], Williamstown Chronicle (29 December 1860), 1
http://nla.gov.au/nla.news-article68570215
SYLLABUS OF THE SUMMER COURSE OF LECTURES
IN connection with the WILLIAMSTOWN MECHANICS' INSTITUTE . . .
April 10. - Rev. W. C. Robinson, on "The History of Music" . . .
"HOBART TOWN AND THE SOUTH, Brisbane-Street Congregational Church", Launceston Examiner (8 November 1862), 4
http://nla.gov.au/nla.news-article41456964
The Rev. W. C. Robinson who with Mrs. Robinson arrived on Wednesday, by the Royal Shepherd, has been invited to officiate at Brisbane-street Congregational Church for a few weeks, on trial for the pastorate, in succession to the late Rev. F. Miller. - Advertiser.
"CONGREGATIONAL CHURCH BRISBANE STREET", The Mercury (17 January 1863), 2
http://nla.gov.au/nla.news-article8814521
The Rev. W. C. Robinson, the new pastor of this church, arrived yesterday, by the Tasmania, and will preach to-morrow morning, and evening, in Brisbane-street chapel.
[Advertisement], The Mercury (8 August 1863), 1
http://nla.gov.au/nla.news-article8819799
SPECIAL SERVICE, at the Berea Sabbath School, Liverpool-street, on SUNDAY afternoon, August 9th.
The Rev. W. C. Robinson will preach. Hymns, composed for the occasion, will be sung, and a collection made on behalf of the new class rooms.
Service to commence at 3 o'clock.
NEIL LUMSDEN, Secretary.
[Advertisement], The Mercury (11 March 1864), 1
http://nla.gov.au/nla.news-article8825001
THIS DAY IS PUBLISHING, PRICE-HALF A CROWN,
AN ANTHEM ON THE 100TH PSALM, Composed by the Rev. W. C. ROBINSON,
and presented by him to the Singing and Bible Classes connected with Brisbane-street Chapel.
As only a limited number is printed, early application will be necessary.
The profits (if any) will be devoted to the above Classes.
To be had of Messrs. Walch & Sons, Publishers, Hobart Town and Launceston, and George Rolwegan, Hobart Town.
"SACRED MUSIC", The Mercury (11 March 1864), 2
http://nla.gov.au/nla.news-article8825012
We have been favored with a copy of an anthem based upon the music of the authorised version of the hundredth psalm described as having bean composed for the Bible and singing class meetings at Brisbane-street Chapel, Hobart Town, by the Rev. W. C. Robinson, and presented to the members of the class at their social meeting held in January 1864. The anthem is produced in lithograph by M. L. Hood, and is a very creditable specimen in this branch of workmanship.
ASSOCIATIONS: Major Lloyd Hood (lithographer)
"ANNIVERSARY BRISBANE-STREET SUNDAY SCHOOL", Tasmanian Morning Herald (27 April 1866), 2
http://nla.gov.au/nla.news-article169044438
. . . In the course of the evening, a collection was set on foot, and several choice pieces of sacred music were sung by the choir of the Chapel to the accompaniment of the harmonium, played by Mrs. Dear, the choir being under the leadership of the Rev. Mr. Robinson . . .
"FAREWELL SERVICE ON BOARD THE JOHN WILLIAMS MISSIONARY SHIP", The Mercury (26 June 1866), 2
http://nla.gov.au/nla.news-article8840102
Yesterday morning at 10 o'clock, a farewell service took place on board the Missionary ship John Williams. A number of ministers of various denominations, and a large assemblage of members of different churches and congregations was present on the occasion. The Rev. W. C. Robinson gave out a hymn which was sung by the audience . . . Another hymn composed and printed for the occasion, read by the Rev. W. C. Robinson, was then sung . . . The proceedings ended by the singing of the doxology . . .
"OUR PREACHERS. No. XIII. REV. W. C. ROBINSON", The Mercury (22 April 1882), 3
http://nla.gov.au/nla.news-article9008522
The pastor of the Congregational Memorial Church, the Rev. William Charles Robinson, is a native of London, was educated at Hackney Congregational College, and entered the ministry in 1845. His first pastorate was at Mauldon and Ampthill, about eight miles from Bedford, where he had charge of a cause initiated by the author of "Pilgrim's Progress;" his congregation, including some whose forefathers had listened to John Bunyan's teaching, and loved and reverenced the inspired tinker. Mr. Robinson laboured for several years in this district, until at length his health completely broke down, and in consequence he, in the year 1857, left England and came out to Victoria. Arrived in that colony, he commenced the present Congregational cause at Williamstown . . . Mr. Robinson remained at Williamstown for over five years. On the death, in 1862, of the pastor of the Brisbane street Congregational Chapel in this city the Rev. F. Miller - he came to Hobart, commencing his regular ministry as successor to the pioneer of Australasian Congregationalism in January, 1863 . . .
"DEATHS", The Sydney Morning Herald (4 July 1904), 6
http://nla.gov.au/nla.news-article14629994
ROBINSON. - July 2, 1904, at his residence, 50 Arthur-street, Ashfield, Reverend William Charles Robinson, aged 84 years
"OBITUARY", The Mercury (28 July 1904), 5
http://nla.gov.au/nla.news-article9686947
In a recent New South Wales paper is a notice of the death of the Rev. W. C. Robinson, who for twenty years, dating from 1863, was the zealous and kindly pastor of the Congregational Church, Brisbane-street . . . Mr. Robinson was a man of wide sympathies and untiring energy . . .
Musical works:
Anthem, hundredth psalm, composed for the Bible and singing class meeting at Brisbane Street Chapel, Hobarton by the Rev. W. C. Robinson, and presented to the members of the class at their social meeting, January 1864 (Hobarton and Launceston: J. Walch & Sons; Hobarton: G. Rolwegan, [1864])
https://trove.nla.gov.au/work/9854296
https://stors.tas.gov.au/AI/NS663-1-72
https://stors.tas.gov.au/ILS/SD_ILS-538371 (DIGITISED)
ASSOCIATIONS: James Walch (publisher and musicseller); George Rolwegan (musicseller); Major Lloyd Hood (lithographer)
ROBINSON, William Cleaver Francis (William Cleaver Francis ROBINSON; W. C. F. ROBINSON; Sir William ROBINSON)
Amateur musician, composer, pianist, colonial governor
Born, Rosmead, Westmeath, Ireland, 13 January 1834
Governor Western Australia (1), January 1875-September 1877
Governor Western Australia (2), from April 1880
Governor South Australia, from February 1883
Acting Governor of Victoria, March-November 1889
Governor Western Australia (3), October 1890-March 1895
Died London, England, 2 May 1897
http://nla.gov.au/nla.party-808294 (NLA persistent identifier)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBINSON-William-C-F (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Summary:
His comic opera Predatoros played in Melbourne in November 1894. At the time of his death he was working on a new opera The nut-brown maid, which was to have been staged in Melbourne.
According to his obituary:
Sir William Robinson was a musician of some eminence, and he composed a number of popular songs, among which the best known are Remember Me No More, I Love Thee So, Imperfectus, Severed, and Thou Art My Soul.
Documentation:
"PREADTOROS, OR THE BRIGAND'S BRIDE", The Argus (12 July 1894), 6
http://nla.gov.au/nla.news-article8684491
"PREDATOROS IN MELBOURNE", The West Australian (14 November 1894), 5
http://nla.gov.au/nla.news-article3068983
"THE WEST AUSTRALIAN OPERA", The West Australian (1 January 1895), 6
http://nla.gov.au/nla.news-article3071028
"SIR W. F. C. ROBINSON AT HOME", The West Australian (23 February 1897), 10
http://nla.gov.au/nla.news-article3107861
"MUSIC AND DRAMA", The Sydney Morning Herald (20 March 1897), 4
http://nla.gov.au/nla.news-article14097985
"THE LATE SIR WILLIAM ROBINSON. A BIOGRAPHICAL SKETCH", South Australian Register (4 May 1897), 5
http://nla.gov.au/nla.news-article54495791
"DEATH OF SIR WILLIAM ROBINSON", The Sydney Morning Herald (4 May 1897), 5
http://nla.gov.au/nla.news-article14125449
Other works:
A garland of roses (words from the German), in The Illustrated Australian News and Musical Times (2 September 1889), 12-13
http://nla.gov.au/nla.news-page5975477
Dear faded flower (song) (Sydney: W. H. Paling & Co., [18-?])
https://trove.nla.gov.au/work/32578111
Palace of dreams (new song; words: J. P. Douglas) (London: Wickins & Co.; Melbourne: W. H. Glen & Co., [189-?])
https://trove.nla.gov.au/work/35385331
If I only knew (words: Mary L. Pendered) (Melbourne: W.H. Glen, [18--?])
https://trove.nla.gov.au/work/24650313
Unfurl the flag (patriotic song; words: Francis Hart) (Melbourne: W. H. Glen, [18-?])
https://trove.nla.gov.au/work/5492814
Predatoros, or, The brigand's bride [libretto only] (serio-comic romantic opera, in two acts written by Francis Hart; composed by Sir W. C. F. Robinson) [Melbourne, November 1894]
https://trove.nla.gov.au/work/22271998
Bibliography and resources:
F. K. Crowley, "Robinson, Sir William Cleaver Francis (1834-1897)", Australian dictionary of biography 6 (1976)
http://adb.anu.edu.au/biography/robinson-sir-william-cleaver-francis-4494
ROBSON, John (John ROBSON)
Amateur musician, instrumentalist, choral conductor
Born Newcastle, Northumberland, England, 1838; baptised All Saints, Newcastle, 1 March 1838; son of Matthew ROBSON (c. 1800-1876) and Hannah SPROAT (c. 1802-1891)
Arrived Melbourne, VIC, 1854
Died Ballarat, VIC, 14 January 1910, aged "72"
https://trove.nla.gov.au/search?l-publictag=John+Robson+1838-1910 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBSON-John (shareable link to this entry)
John Robson (photograph: George Willetts, Ballarat); from Doggett 2006, 212
ASSOCIATIONS: George Willetts (photographer)
Documentation:
England census, 30 March 1851, St. Andrew, Newcastle upon Tyne, Northumberland; UK National Archives, HO 107 / 2405
https://www.ancestry.com.au/imageviewer/collections/8860/images/NBLHO107_2404_2404-0197 (PAYWALL)
Clayton St. No. 10 / Matthew Robson / HEad / 51 / House Carpenter / [born] Shields
Hannah Robson / Wife / 49 / - / Rothberry
William Robson / Son / 19 / House Carpenter / Newcastle
Hannah / 17 // Matthew / 15 // John / 13 // James / 10 // Margaret / 6
[Advertisement], The Star (22 February 1861), 3
http://nla.gov.au/nla.news-article66337560
BALLARAT PHILHARMONIC SOCIETY.
A GRAND CONCERT will be given in the Large Hall of the Mechanics' Institute, on Friday Evening, 22nd February, 1861.
Proceeds for the benefit of the Hospital and Benevolent Institutions,
when will be performed selections from the Oratorios of "St. Paul," "Judas Maccabeus," "The Creation," and "Mozart's 12th Mass."
Principal Vocalists - Mrs. A. T. Turner, Master H. Nicholls, Mr. D. Oliver, and Mr. P. Cazaly, with an efficient Band and Chorus.
Conductor - Mr. A. T. Turner; Leader - Mons. Fleury . . .
J. ROBSON, Hon. Sec. B.P.S.
ASSOCIATIONS: Austin and Charlotte Turner (conductor and vocalist); Daniel Oliver (vocalist); Peter Cazaly (vocalist); Achille Fleury (violin, leader); Ballarat Philharmonic Society
[Advertisement], The Star (28 March 1861), 3
http://nla.gov.au/nla.news-article66338215
BALLARAT PHILHARMONIC SOCIETY.
FIRST GRAND SUBSCRIPTION CONCERT, AT THE MECHANICS' INSTITUTE, ON GOOD FRIDAY NIGHT.
THE CREATION, Principal Vocalists: MISS OCTAVIA HAMILTON, MRS. TURNER, AND MESSRS. OLIVER, CAZALY, AND LAKE.
Hon. Conductor - A. T. TURNER, Esq. Leader - MONS. FLEURY . . .
J. ROBSON, Hon. Sec.
ASSOCIATIONS: Octavia Hamilton (vocalist); John Lake (vocalist)
[Advertisement], The Star [Ballarat, VIC] (17 August 1861), 3
http://nla.gov.au/nla.news-article66341412
BALLARAT PHILHARMONIC SOCIETY.
GRAND CONCERT to take place on FRIDAY, 30th AUGUST,
When will be performed the Oratorio of "Judas Maccabeus."
For particulars see future advertisement.
JOHN ROBSON, Hon. Sec.
"BALLARAT PHILHARMONIC SOCIETY", The Star (17 January 1862), 2
http://nla.gov.au/nla.news-article66330815
[News], The Star (23 May 1861), 2
http://nla.gov.au/nla.news-article66324275
There was a general meeting of the members of the Philharmonic Society held on Thursday evening, in the Warden's Court, which was kindly lent for the purpose by Mr. Warden Sherard. Mr. D. Oliver having been voted to the chair, explained to the members that the meeting was called to take into consideration the resignation of their Hon. Conductor, Mr. A. T. Turner, and the financial position of the Society, and to take such steps as they might deem necessary for the continuation of the Society or its dissolution. Mr. Turner's resignation was accepted, and the Secretary requested to forward a copy of the resolution, at the same time to express to him the regret felt by the Society at his leaving them, and an expression of thanks for the very valuable aid afforded since the formation of the Society in March, 1858. From the financial statement made by the Treasurer, it appeared that the liabilities of the Society were 36s and the assets over £100. It was unanimously resolved that the Society should continue its rehearsals, Mr. Copeland having offered the use of his harmonium to the Society at a nominal rental. The meeting appointed Mr. Robson Hon. Conductor pro. tem., and determined on rehearsing Mozart's Twelfth Mass on Thursday next, the 29th instant. After the usual vote of thanks to the chair the proceedings terminated.
"LETTERS TO THE EDITOR. THE LATE SACRED CONCERT", The Star (9 November 1863), 3
http://nla.gov.au/nla.news-article72511282
"NEWS AND NOTES", The Star (14 November 1863), 2
http://nla.gov.au/nla.news-article72511435
A meeting of members of the new Philharmonic Society took place at St. Paul's schoolroom on Friday evening, for rehearsal and with the oratorio of "The Messiah." A discussion of plans of practice for the future also took place, and divers matters of details thereanent were arranged. Mr. Robson officiated as conductor.
"NEWS AND NOTES", The Star (23 November 1863), 2
http://nla.gov.au/nla.news-article72511660
"The Ballarat Harmonic Society" is the name of the musical society which aspires to be a fitting successor to the defunct Philharmonic Society of Ballarat. It has already nearly forty members, male and female, and it has attained to a certain organisation and with no small promise of efficiency. Mr. Robson, of the National Bank, has accepted office as conductor pro tem; Mr. Walker, of the London Chartered Bank, is the hon. secretary; Mr. White, of the Bank of New South Wales, is the hon. treasurer, and besides them, the committee includes Messrs. Nightingale, Heath, P. Cazaly, G. Coutts, and R. Wicking. Weekly subscriptions of sixpence are all the charges levied upon the members, as the society depends upon the public for liberal support at its concerts, and has, therefore, done away with entrance fees. Weekly rehearsals will be held in Christ Church school-room, in Lydiard street, and, as already reported, the "Messiah" will be performed on or about New Year's Day.
"BALLARAT HARMONIC SOCIETY", The Ballarat Star (26 October 1866), 2
http://nla.gov.au/nla.news-article112858942
The production of Haydn's "Seasons" by the Ballarat Harmonic Society is one more addition to the triumphs of that body . . . Mr. Robson, as usual acted as conductor, Mr. T. King, as leader, and Miss Binder as harmoniumist . . .
ASSOCIATIONS: Thomas King (violin, leader); M. A. Binder (harmonium)
"THE FAILURE OF 'ERNANI.' MR. JOHN ROBSON'S CHAGRIN. RESIGNATION OF ALL CONDUCTORSHIPS. To the Editor", The Ballarat Star (6 August 1900), 5
http://nla.gov.au/nla.news-article206972710
Sir, - The extraordinary neglect manifested by the community towards the Ballarat Liedertafel on the occasion of its fine production of "Ernani"
seems to me an unmistakable indication that the time has arrived for a change of some sort.
I therefore beg to intimate that I have resigned all my public musical appointments, viz.: -
Conductorship of the Lyric Orchestra, conductorship of the Ballarat Liedertafel, and conductorship of the Champion Choir,
leaving it to others to fight for the musical honor of Ballarat.
After 40 years' conducting and trying my utmost to maintain a high standard of musical excellence in our midst,
I relinquish the effort thoroughly disheartened.
I have done my best, and, doubtless, accomplished much; but I have failed to reach my goal, i.e., the elevation of the musical taste of the people.
- Yours. &c., JOHN ROBSON. 30th July, 1900.
"DEATH OF MR. JOHN ROBSON. ANOTHER PIONEER GONE. AN EXTREMELY VERSATILE MAN", The Ballarat Star (15 January 1910), 1
http://nla.gov.au/nla.news-article216043823
General regret was expressed at the death yesterday morning at Miss Garbutt's private hospital, of Mr. John Robson, musician and elocutonist and one of Ballarat's oldest, best known and most respected citizens. Mr. Robson had been ailing for a few weeks, and his medical adviser, Dr. Wionarski, diagnosed his complain as appendicitis, which afflicted him in such a severe form that an operation was deemed to be absolutely necessary. He was removed to Miss Garbutt's private hospital, and about a week ago he was operated upon. Mr. Robson, being a man of robust constitution, stood the shock of the operation well, and he was making good headway towards recovery when the spell of hot weather set in, and caused exhaustion. Heart failure followed, and despite the attention of his medical adviser, and the careful nursing he received, the end came peacefully at the time stated above.
Mr. John Robson was born at Newcastle, Northumberland, England, in 1838, and he was therefore 72 years of age. Mr. Robson's father, who was a contractor, had much to do with the building of the City of Newcastle. After passing through minor schools, Mr. John Robson entered the academy of Professor Ross, and soon rose to a foremost position in the classes. When his studies were completed he was apprenticed to an architect and for a time studied the technique of this important branch of his father's calling. His adaptability for the work was great, and hopes were entertained that he would rise to a high position in the profession. Then came glowing reports of the wonderful Australian gold discoveries. Mr. Robson's father decide to migrate to these parts, and he sent a son to prepare the way. Believing that tools and timber might not be procured in Australia, Mr. Robson, senr., constructed a portable wooden residence, which was shipped in pieces on the White Star liner Arabian which brought the family over. In 1854 Mr. John Robson, who was then nearly 17 years of age, landed at Port Phillip, and with the other members of the family came on to Ballarat, which place he made his home to the end. When he first reached Ballarat, Mr. Robson joined in the search for gold, but not being strong enough for this rough work, he turned his attention to carpentering. This he did not care much about, and in 1858 he was appointed a teacher in St. Paul's Day School, Ballarat, but in the following year he relinquished this position and became exchange clerk in the local branch of the National Bank. Being adapted to the work he quickly made himself acquainted with the details of a banker's profession, and his rise was rapid. In the year I871, about 12 years after he joined the bank, he was appointed manager, and for four years occupied that position with conspicuous success. He was connected with the National Bank for eighteen years, and in 1875 he entered business on his own account. With his brother, Mr. Wm. Robson, he erected red-gum sawmills at Gunbower, on the River Murray. Subsequently he was offered the management of the Australian and European Bank in [?] mills. In 1886, he accepted the position and held it until the bank was absorbed by the Commercial Bank of Australia. For a time he lived privately, still, how ever, holding his interest in the sawmills. In 1886, he accepted, the position of manager of the Ballarat branch of the Mercantile Bank of Australia. This bank was closed in 1892, and Mr. Robson retired, altogether from commercial circles. In the meantime his brother died, and the saw-mills were sold.
Mr. Robson held a very important position in music, in fact he for many years was looked upon as the leading musician in Ballarat, he being master of quite a variety of instruments. In 1864, he was appointed conductor of the old Harmonic Society in this city, and subsequently conductor of the Ballarat Liedertafel. Under his leadership this society attained a high state of efficiency, which has since been-well-maintained. Many years ago Mr. Robson formed an operatic company from amongst Ballarat residents, and such beautiful operas as "Lucrezia Borgia," "Lucia di Lammermoor," "Ernani," "La Sonnambula," and others were successfully rendered. As an elocutionist, Mr. Robson attained much prominence, he being recognised as one of the most capable teachers in Ballarat. He was president of the one-time Ballarat Shakespearian Dramatic Club, which under his direction, from time to time produced Shakespeare's masterpieces. In this, too, he took the chief characters, the roles of Macbeth, Othello, Hamlet, and Shylock, all being powerfully represented by him. For some years prior to his demise Mr. Robson, acted as a teacher of music, and elocution, and many of his pupils competed with great success at the Ballarat and other competitions. Some years ago he acted as adjudicator at the South street competitions, when he gave every satisfaction, and his services were frequently secured to judge at competitions in other parts of the State and in other states of the Commonwealth. At the Ballarat band contests every year, he was a conspicuous figure, and he always acted as leader of the massed bands, by whom his appearance was always enthusiastically greeted.
In his younger days he took a keen interest in several forms of sport, was a successful oarsman, one of the best amateur boxers of his weight, and as a billiard player was able to hold his own with professionals. Mr. Robson was an earnest adherent of the Church of England, and in social and other organisations he from time to time held important positions. As a Anglican churchman, he was widely respected, being the official principal and lay Canon of the Cathedral, a member of the Bishop's Council, and a prominent member of St. Paul's Church, Ballarat East. He was also a prominent member of the Masonic order, and was a Past Grand Junior Warden of the Grand Lodge of Freemasons of Victoria, an office which he filled with the greatest credit. He was also a member of the Old Colonists' Association and the Mechanics' Institute, was at one time vice-president of the Art Gallery, was once a member of the School of Mines Council, and was many years ago made a Justice of the Pence. On many occasions he was asked to stand for Parliament, as a representative of Ballarat, and on one occasion he consented to do so, but subsequently retired without going to the poll in favor of the late Mr. Daniel Brophy. He was also often pressed to stand for both the Ballarat East and City Councils, but he declined to allow himself to be nominated.
Mr. Robson was an active gentleman, and a brilliant conversationalist. His courtesy, high mental and moral endowments, and warm open-heartedness, made him a most interesting and congenial companion. During his long residence in Ballarat, which city he declined to sever his connected with, he was well known and much courted, and was looked upon as one of the most prominent citizens, and his loss will be very severely felt. Some years ago a portrait of Mr. Robson, in full Masonic regalia, was painted by the late Mr. Stanton Bowman, and was presented by Mr. Robson to the citizens, and it was hung in the City Hall, where it is always admired by visitors.
The late Mr. John Robson never married, and with his brother, James, lived for many years in Eureka street, Ballarat. The two brothers were nearly always together, and as they walked the streets with arms linked, they were frequently referred to as the Siamese twins. The only Australian relative of the late Mr. John Robson is his brother, Mr. James Robson, who hardly left the bedside during John's illness, and to him the blow has been a very severe one. In his bereavement he will have the heartfelt sympathy not only of the whole of the residents of Ballarat, but of people in all parts of the State. When the news of Mr. Robson's death became known the flags were flown at half-mast at the City and Town Halls, and the Old Colonists' Hall, out of respect to the memory of the deceased. The interment will take place at the Old Cemetery this afternoon. The cortege will leave "Rothbury," Eureka street, Mr. Robson's late residence, at 3 o'clock, for St. Paul's Church, where there will be a short service, conducted by the vicar, the Rev T. A. Colebrook.
"PERSONAL", The Ballarat Star (22 September 1915), 7
http://nla.gov.au/nla.news-article154481682
The death occurred yesterday, at his residence, Mair street, of a very old and well known resident of Ballarat, in the person of Mr. James Robson, who years ago was a member of the local Stock Exchange. He was a brother of the late Mr. John Robson, and for many years they were practically inseparable, the two being almost always together. When Mr. John Robson died a few years ago, Mr. James Robson broke down completely, and he was in failing health for a long period before his death. Mr. James Robson, who was 75 years of age, shared his brother's literary, musical, and artistic attainments. He was a very old colonist, and lived in Eureka street, Ballarat East, for many years prior to the death of his brother, the pair residing together. Mr. James Robson had many friends locally, and all will learn with regret of his demise. The funeral will be private.
ASSOCIATIONS: James Robson was baptised at All Saints', Newcastle, 4 October 1840
Bibliography and resources:
Anne Doggett, "And for harmony most ardently we long": musical life in Ballarat 1851-1871 (Ph.D thesis, University of Ballarat, 2006), 208-14, and passim
https://trove.nla.gov.au/work/32008523
http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/36298 (DIGITISED)
ROBSON, W. (W. ROBSON)
Minstrel, serenader
Active Sydney, NSW, 1863
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBSON-W (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Documentation:
? "TOWN TALK", The Herald (22 July 1862), 5
http://nla.gov.au/nla.news-article244229028
Melbourne will remember "Boley's Minstrels," who about twelve months since left Australia on a professional visit to Mauritius. After playing a far from successful engagement at Port Louis, they embarked on board a schooner for the Cape of Good Hope, and, we regret to add, were wrecked off Cape St. Mary. The passengers, including the troupe, with Mrs. Boley and children, were fourteen in number, and have all perished, with the exception of Mr. Robson, who with three sailors succeeded in returning to Port Louis. Two other passengers reached the shore but died shortly afterwards of the fever . . . From another source we learn that Robson and White (not W. W. White of Rainer's Serenaders) succeeded in getting on shore by swimming half a mile, and that the latter died a few weeks afterwards. Robson, at the date of our letter (8th May, 1862), was ill of the Madagascar fever, with but slight hopes of a recovery. A melancholy termination to a speculation of which, at its commencement, the most sanguine expectations were formed.
ASSOCIATIONS: Dorrel Fair Boley (minstrel serenader)
"THE COURT MINSTRELS", The Sydney Morning Herald (24 February 1863), 4
http://nla.gov.au/nla.news-article13074744
The company of Ethiopian performers, known as the Court Minstrels, made their debut in Sydney, last night, at the Lyceum Theatre. The reports of their successful career in Victoria had preceded their arrival here, and they were welcomed on their opening night with a full house, every part of the theatre being crowded. The Court Minstrels, who were seven in number besides accompanyists, appeared in the first part in full Court costume of the time of George II - Bones (Leslie) and Tambourine (Cowan) having the distinguishing shirt collar and necktie characteristic of the Ethiopian school . . . The second part of the entertainment commenced with a burlesque medley dance by W. Robson . . .
ROBY, Mr. (Mr. ROBY)
Vocalist
Active Sydney, NSW, 1853
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROBY-Mr (shareable link to this entry)
Documentation:
[Advertisement], The Sydney Morning Herald (2 September 1853), 5
http://nla.gov.au/nla.news-article12948579
ROYAL HOTEL. MR. SINCLAIR has the honor to announce that he intends giving a Vocal and Instrumental Concert,
at the above Hotel, on THURSDAY, September 8th, when he will be assisted by the following artistes:
Mrs. St. John Adcock, Miss Flora Harris, Mr. Roby, Mr. Ford, and Herr Hoffman.
A. F. FORD, Agent.
ASSOCIATIONS: Mr. Sinclair (vocalist); Marianne Adcock (vocalist); Flora Harris (vocalist); A. F. Ford (agent, vocalist)
[Advertisement], The Sydney Morning Herald (12 September 1853), 1
http://nla.gov.au/nla.news-article12948790
ROYAL HOTEL. GRAND CONCERT. THIS EVENING, Monday, September 12th, 1853.
Miss Flora Harris, Mr. Sinclair (from the London and Provincial Theatres, his first appearance in this colony.)
Mr. John Howson, Mr. Roby, Mr. A. Ford, and Mr. Ferdinand Rosenstein, the celebrated Pianist . . .
Programme: - PART I . . . Ballad - In Happy Moments - Wallace - Mr. Roby . . .
PART II . . . Pestal - Mr. Roby . . .
ASSOCIATIONS: John Howson (vocalist); Ferdinand Rosenstein (pianist)
ROCHE, Teresa (Teresa / Terressa / Teresea Elizabeth ROCHE; Mrs. Edward Murphy LANGHORNE)
Musician, pianist, organist, teacher of music
Born Sydney, NSW, 2 October 1845; daughter of Joseph W. ROCHE (d. 1858) and Jane WINSTANLEY (1828-1923)
Married Edward Murphy LANGHORNE (1845-1902), St. Mary's, Geelong, VIC, 5 April 1869
Died Melbourne, VIC, 1926
https://trove.nla.gov.au/search?l-publictag=Teresa+Roche+Langhorne+1845-1926 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROCHE-Teresa-LANGHORNE (shareable link to this entry)
ASSOCIATIONS: Roche was a niece of Eliza Winstanley (actor) and Ann Winstanley (actor, vocalist); and granddaughter of William Winstanley
Documentation:
"MARRIED", The Australian (23 November 1844), 2
http://nla.gov.au/nla.news-article37119785
ROCHE, Mr. J. W., eldest son of W. Roche, Esq., of Bristol, to Jane, youngest daughter of the late Mr. Winstanley, of Elizabeth-street, Sydney, at St. Mary's Church, Hyde Park, on the 20th instant.
"BIRTH", The Sydney Morning Herald (4 October 1845), 5
http://nla.gov.au/nla.news-article12882599
On Thursday, 2nd instant, at her residence, 296, Pitt-street, Mrs. J. W. Roche, of a daughter.
[Advertisement], The Argus [Melbourne, VIC] (5 January 1867), 7
http://nla.gov.au/nla.news-article5782811
MISS ROCHE (pupil of the late Mr. Wilkinson) TEACHER of the PIANOFORTE, 20 Smith-street, Collingwood.
ASSOCIATIONS: William Augustus Wilkinson (organist, d. 1864)
[News], The Argus (6 May 1867), 5
http://nla.gov.au/nla.news-article5766034
Mr. Albert Richardson's first pupils' concert, given on Saturday evening last at St. George's-hall, for the benefit of the Orphanage of St. Vincent de Paul, was as successful as was expected. There was an appreciative audience, and the performers acquitted themselves with credit. Their names were not published in the programme, and are, therefore, not to be mentioned here, save and except those of Mr. Richardson himself, who sang in the duet "The moon has raised her lamp above," from the "Lily of Killarney," and Miss Roche, a pianist, who was encored in her performance of a piano solo, entitled "La Cascade."
ASSOCIATIONS: Albert Richardson (vocalist)
MUSIC: La cascade (Pauer)
[Advertisement], Geelong Advertiser (28 January 1868), 1
http://nla.gov.au/nla.news-article147776948
[A CARD.] MISS ROCHE, Organist of St. Mary's Church, and articled pupil of the late Mr. W. Wilkinson, is now prepared to give lessons in Pianoforte Playing, and Singing, at her residence, Great Myers-street.
"CURRENT TOPICS", Geelong Advertiser (11 November 1868), 2
http://nla.gov.au/nla.news-article150642517
Miss Roche, whose name as a talented musician is well and favourably known throughout the district, announces her intention, in conjunction with Mr. H. Thomas, violoncellist and violinist (late principal violin and leader of the Philharmonic Society's concerts, Melbourne), and assisted by other artistes of ability, intends shortly to give two grand classical concerts, one on the 24th instant, the other on the 1st proximo. . . .
[Advertisement], Geelong Advertiser (1 December 1868), 4
http://nla.gov.au/nla.news-article150642917
"CURRENT TOPICS", Geelong Advertiser (2 December 1868), 2
http://nla.gov.au/nla.news-article150642943
Miss Roche's Grand Classical Concert took place last evening, at the Mechanics' Institute . . . The entertainment commenced by a grand trio composed by Beethoven, and arranged for the pianoforte, violin, and violoncello. From the manner in which this was executed by Miss Roche, Mr. Gabb, and Mr. Thomas, the audience soon became aware that a rich treat was in store for them . . .
ASSOCIATIONS: John Gough Gabb (musician); Herbert Thomas (musician)
"ENTERTAINMENTS", Geelong Advertiser (7 December 1868), 3
http://nla.gov.au/nla.news-article150643027
During the month we have been favoured by very few visits from professionals, and notedly, from professionals of any standing. To make up for this a new feature has been introduced by our local talent, which, in the interests of high class music, it is to be hoped will be kept up. We refer to the classical concerts given under the direction of Miss Roche, organist of St. Mary's Catholic Church, and a very talented young lady. For some time past the taste for the description of music discoursed at these two concerts - there were only two of them - has decidedly been on the decline, but there is reason to hope that it has been revived and awakened to fresh life by the pabulum afforded on the two evenings when these really enjoyable concerts took place. Miss Roche was assisted by Messrs. Gabb and Thomas, violinists; and Mrs. J. H. Fox and Mr. J. F. Levien, vocalists . . .
ASSOCIATIONS: Jonas Felix Levien (vocalist); Sarah Hannah Fox (vocalist)
"MARRIED", Geelong Advertiser (24 April 1869), 2
http://nla.gov.au/nla.news-article148880825
Langhorne - Roche - On the 5th instant, at St. Mary's Church, Geelong, by the Rev. B. H. Power, Edward Langhoume to Theresa E. Roche, both of Geelong.
ASSOCIATIONS: Bartholomew Hyacinth Power (priest, musician)
[Advertisement], Geelong Advertiser (17 July 1869), 4
http://nla.gov.au/nla.news-article148882958
MECHANICS' INSTITUTE. GRAND CONCERT, IN AID OF THE GEELONG HOSPITAL,
GIVEN BT THE GEELONG GERMAN' MUSICAL SOCIETY, ON MONDAY EVENING, JULY 19th, 1869.
PROGRAMME: PART I . . . Piano Duet - Symphony in C (Beethoven) - Mrs. Langhorne and Mr. Ascherberg . . .
Duet - Violoncello and Piano - Mrs. Langhorne and Mr. Thomas . . .
PART II . . . Piano Solo - Mrs. Langhorne . . .
The grand piano, the use of which has been kindly granted by Mr. Ascherberg for this evening is from the celebrated firm of Breitkopf and Haertel, Leipzig.
ASSOCIATIONS: Eugene Ascherberg (piano, musicseller)
"CURRENT TOPICS", Geelong Advertiser (20 July 1869), 2
http://nla.gov.au/nla.news-article148883035
The concert given by the newly formed German Musical Society at the Mechanics' Institute last evening, attracted one of the largest audiences any public entertainment given in the hall has assembled together for some time . . . As to the concert itself we cannot in justice say that it has realized all expectations. In the first place allowances must undoubtedly be made for a new society organised only within the last few weeks, and secondly owing to the sudden indisposition of Mrs. Langhorne and Mrs. G. Bartlett, it was shorn of some of its principal attractions . . .
[Advertisement], Geelong Advertiser (17 November 1869), 3
http://nla.gov.au/nla.news-article150435444
BAZAAR! BAZAAR! MECHANICS' INSTITUTE.
THE BAZAAR in Aid of the Funds of ST. AUGUSTINE'S ORPHANAGE.
Open this Day, FBOM 2 P.M. TILL 10 P.M. Admission - One Shilling.
During the evening Mrs. Lupton will preside at the Harp; Mrs. Langhorne at the Pianoforte.
"TOWN TALK", Geelong Advertiser (30 August 1870), 2
http://nla.gov.au/nla.news-article150655554
We regret to learn that Mrs. Langhorne has sent in her resignation of the position she has so long filled as organist of St. Mary's Church, here.
"TOWN TALK", Geelong Advertiser (14 October 1870), 2
http://nla.gov.au/nla.news-article150655940
Mr. Spring's concert on Thursday evening, for the children connected with his school, was a complete success in every way . . . Mrs. Langhorne, who was to have presided at the piano, was, on account of her delicate state of health, not able to do so . . .
[Advertisement], Geelong Advertiser (12 July 1871), 4
http://nla.gov.au/nla.news-article148765427
[A CARD.] MRS. E. M. LANGHORNE having resumed her professional duties, is now prepared to give instruction to a limited number of Pupils in Vocal and Instrumental Music, having had sixteen years study under some of the most eminent professional musicians, besides being organist of two choirs for a number of years, pupils can rely upon her efficiency and attention. The terms, which are moderate, may be obtained on application at her private residence, Yarra-street, opposite St. Mary's new Church, 5th July, 1871.
"TOWN TALK", Geelong Advertiser (4 March 1872), 2
http://nla.gov.au/nla.news-article150417548
A Requiem Mass for the repose of the soul of the Right Rev. Dr. Shiel was celebrated on Saturday, in St. Mary's . . . The grand altar was draped in black, the church was well filled, and the choir sang portions of Webbe's Requiem Mass, being accompanied with rare skill by Mrs. Langhorne, whose playing on the organ was much admired.
"TOWN TALK", Geelong Advertiser (2 September 1872), 2
http://nla.gov.au/nla.news-article147372706
Mr. Goodall, who supersedes Mrs. Langhorne as organist at St. Mary's Church, performed there for the first time yesterday . . .
[News], The Argus (3 November 1877), 7
http://nla.gov.au/nla.news-article5943647
W. T. Daley, landlord of the Colonial Hotel, Little Bourke-street, and Teresa E. Langhorne, landlady of the Star of the East Hotel, Lonsdale-street, were charged at the City Police-court yesterday with Sunday trading, and evidence having been adduced, they were found guilty, and sentenced to pay a fine of 40s. each.
"NEW INSOLVENTS", The Argus (17 August 1881), 5
http://nla.gov.au/nla.news-article5974976
Teresa Elizabeth Langhorne, of 236 Brunswick street, Fitzroy, married woman. Causes of insolvency - All her property having been sold under a bill of sale by a creditor, the business of an hotel she occupied having fallen off, and being sued for debts incurred two years and a half ago. Liabilities, £84, assets, £11, deficiency, £73. Mr. Cohen, assignee.
[Advertisement], The Argus (8 October 1926), 19
http://nla.gov.au/nla.news-article3813799
. . . that PROBATE of the WILL, dated the sixth day of July, 1926, of TERESA ELIZABETH LANGHORNE, late of 409 Malvern road, South Yarra, in the said State, widow, deceased, may be granted to Edward Ernest Paul Langhorne . . .
ROCHLITZ, Julius Albert (Julius Albert ROCHLITZ; Bela ROCHLITZ; RICHLITZ; von ROCHLITZ)
Musician, pianist, composer, music teacher, photographer, "daguerrean artist"
Born Rozsnyo, Hungary, 1824
Arrived Geelong, VIC, by October 1853
Departed Melbourne, VIC, May 1863 (per Great Britain, for England, aged "40")
Died Budapest, Hungary, 1886
https://trove.nla.gov.au/search?l-publictag=Julius+Albert+Rochlitz+1824-1886 (TROVE tagged by Australharmony)
http://nla.gov.au/nla.party-1486873 (NLA persistent identifier)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROCHLITZ-Julius-Albert (shareable link to this entry)
ASSOCIATIONS: Koloman von Rochlitz (brother)
Summary:
Rochlitz first advertised his "Daguerreotype Rooms" at Geelong in late October 1853. He was on the Ballarat diggings by early 1855, and by October 1856 was at Beechworth, where he settled for the remainder of his time in the colony. At Beechworth in 1861, Rochlitz sold off photographic equipment and music books, possibly to fund more lucrative horticultural ventures, only advertising his musical services again in 1863, perhaps as a last resort.
Having been naturalised as a British subject in a certificate dated 26 May 1862, a year later Rochlitz sailed for London. There, through the presses of Schott and Co. in London, Rochlitz ("late Captain Hungarian General Staff") published The Geelong-Melbourne Railway polka, "dedicated to his friends in Australia", perhaps having originally written it for the inauguration of the Geelong railway project in September 1853, or its opening in 1857.
Among the seven other works musical works listed on the cover of the Railway polka, the Evening bouquet polka also survives in a published copy at the British Library.
Another work listed, the Lady Mac Donnell schottisch was probably composed at Beechworth in September 1856, during the visit there by Richard and Blanche Macdonnell (governor of South Australia and wife), when Rochlitz and his then business partner R. H. Acley reportedly took daguerreotype portraits of them.
From early 1860, Rochlitz's brother Koloman von Rochlitz, a surgeon and medical practitioner, was also in Victoria.
Documentation:
[Advertisement], Geelong Advertiser and Intelligencer (26 October 1853), 2
http://nla.gov.au/nla.news-article86413593
DAGUERREOTYPE ROOMS, MOORABOOL-STREET . . . J. A. ROCHLITZ begs to inform the public of Geelong that he has opened the above Rooms . . . Busts, paintings, miniatures, &c., copied with the greatest accuracy . . .
"ST. PAUL'S CHURCH, BAKERY HILL, BALLARAT", The Age (12 March 1855), 3
http://nla.gov.au/nla.news-article154852744
This church was opened on Sunday last, March 4th, for Divine service. The Rev. J. R. Thackeray, M.A., incumbent, of. the parish, preached in the morning . . . and in the evening . . . There was an able choir, presided over by Capt. Rochlite [sic] with his usual ability. Great credit is due to our worthy incumbent and those who assisted him, as a short time ago such a building upon Bakery Hill as St. Paul's was not even thought of, and now, by their energy and perseverance, and the support they received from miners, storekeepers, and others, we have a nice suitable building, with tower and a good bell - quite an ornament to the place . . .
ASSOCIATIONS: James Robert Thackeray (clergyman, musical amateur)
"THE GOVERNOR'S PROGRESS", South Australian Register [Adelaide, SA] (13 October 1856), 3
http://nla.gov.au/nla.news-article49757881
. . . During their brief sojourn in Beechworth, Sir Richard and Lady MacDonnell visited the Woolshed and some of the other gold-fields of the Ovens district, enquiring very particularly into all the varied features which the several localities present. Both Sir Richard and her ladyship honoured Messrs. Aclay and Rochlitz with a sitting for daguerreotypes, both of which were considered excellent specimens of this popular art . . .
ASSOCIATIONS: R. H. Acley (business partner); Richard and Blanche Macdonnell (governor of South Australia and wife)
Diary of John Buckley Castieau, Beechworth, VIC, 13 and 27 December 1856; original MS, National Library of Australia; transcribed and edited by Mark Finnane, online at Centre for 21st Century Humanities, University of Newcastle
https://trove.nla.gov.au/work/21875533
https://c21ch.newcastle.edu.au/textmaptext/castieaudiaries (TRANSCRIPT)
[Saturday 13 December 1856] . . . Received an invitation to attend a meeting for the purpose of forming a Garrick Club. Went and met Twelve Gentlemen who were desirous to establish such a club . . . I was voted to Chair . . . . After the meeting we all adjourned to the Rooms of Mr. Rocklitz, this gentleman plays well and has a fine piano in capital tune, we had several songs . . .
[Saturday 27 December 1856] . . . Went into the Star with Beasley, met Morrison there heard a song or two from Madame Schluter & then as there were no women to dance, saw that it was useless waiting for the Casino. Went up to Mr Rocklitz's Room and had a little music then went home . . .
ASSOCIATIONS: John Buckley Castieau (diarist, theatrical amateur); Alwine Schluter (vocalist); Star Hotel (Beechworth venue)
"MISS HAMILTON'S BENEFIT", Ovens and Murray Advertiser [Beechworth, VIC] (11 February 1857), 2
http://nla.gov.au/nla.news-article113014004
The complimentary benefit to Miss Hamilton was attended last night by a very numerous audience. Notwithstanding the state of the weather, and the miserable condition of our roads, a very large portion of Messrs. Mackay, Miller and Mackay's store, which was set apart for seats, was inconveniently crowded, while a number of gentlemen found standing and lounging room round the counters which Mr. Winter had converted into temporary bars. Miss Hamilton's singing was warmly applauded, and vociferously encored. The several ballads with which she delighted the audience were well and clearly rendered. Mr. Coulon and Mr. Pierce lent efficient aid in the vocal, and Mr. Rochlitz kindly assisted in the instrumental part of the programme. We understand that from Beechworth this party intend visiting Albury. We trust that they may be more successful there than they have been in Beechworth.
ASSOCIATIONS: Octavia Hamilton (vocalist); Emile Coulon (vocalist); John Ottis Pierce (vocalist)
[Advertisement], Ovens and Murray Advertiser (21 April 1863), 3
http://nla.gov.au/nla.news-article112893307
TUITION, on the PIANO - Six Guineas per Quarter, of 24 Lessons. J. A. ROCHLITZ.
VEGETABLES, - wholesale and retail, sold at and under market prices at my Garden. J. A ROCHLITZ.
TUITION, on the PIANO - Six Guineas per Quarter, of 24 Lessons. J. A. ROCHLITZ.
After Australia (from 1863):
[Advertisement], Islington Gazette [London] (9 April 1867), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000438/18670409/028/0001 (PAYWALL)
"Evening Bouquet" and "Melbourne-Geelong Railway" Polkas, to be had, free by post each for 15 stamps, of the author, Mr. Rochlitz, 19, John-street, Penton-street, N.
[Advertisement], Islington Gazette [London] (27 August 1867), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000438/18670827/023/0001 (PAYWALL)
Professor J. A. Rochlitz, a naturalised British subject, Protestant Non-Republican, is prepared to show the highest College Testimonial for Theological, Political, and Law Sciences, Mental and Moral Philosophy, Natural Sciences, Mathematics, Mechanics, Technology, Survey and Perspective, Freehand and Linear Drawing (for civil and military engineers, architects, surveyors, mechanics, decorators), landscape and figures, for the theory, practice, and method of teaching Singing, Piano, and Harmonium (His compositions at Messrs. Mills', Bond-street.) Teaches besides according to his own new method, the Latin, Greek, English, German, Hungarian, French, and Italian Languages. Settled in England permanently establish anti-hierarchic and anti-Jesuitical private College in thorough English Protestant, loyal spirit, as leaven, to bring light and balm against the present Egyptian darkness and its social plagues. He is ready to open for the working (anti-Fenian) classes, high or low. Evening Classes, the easiest terms. Apply personally daily, between 8 and 3, at 19, John-street, Penton-street, N.
[Advertisement], Islington Gazette [London] (8 March 1870), 4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000438/18700308/033/0004 (PAYWALL)
Glee Clubs. - Mr. J. A. Rochlitz, Professor of Singing and Music, has opened three distinct Glee Clubs, for the encouragement of rational and tasteful amusement, for the English, Hungarian, and German residents of the Londoners. His method is excellent, and the expenses reduced below the moderate. For aristocratic parties Mr. R. is ready to open on liberal terms. Separate lady or gentleman choirs, sacred or social. 19, John-street, Penton-street, N.
Musical works:
Melbourne-Geelong railway polka (composed ? Geelong, 1853 / 1857; publ. London, by c. 1865)
The Geelong-Melbourne railway polka, composed and dedicated to his friends in Australia by Julius Albert von Rochlitz, late captain Hungarian generalstaff (London: Schott & Co., [c. 1865])
https://trove.nla.gov.au/work/16432042
http://nla.gov.au/nla.obj-165914350 (DIGITISED)
The National Library of Australia's copy was already in Australia when it was signed and dated "Blanche R. Baxter, Mornington, Feb. 12th / 66", indicating it must have been published in London no later than the last quarter of 1865; the cover lists, in addition to the Evening bouquet polka (below), 6 other works composed by Rochlitz: [1] Marianna quadrilles; [2] Lady Mac Donnell Schottisch; [3] Lady Louisa Valses; [4] Life's pleasures concert valses; [5] La cascade impromptu; [6] Ismene polka
ASSOCIATIONS: [Mary] Blanche Rosalie Baxter (1846-1927; from 1869, Mrs. John James Courtney)
Evening bouquet polka (publ. London, by c. 1865)
Copy at the British Library
https://discover.libraryhub.jisc.ac.uk/search?q=Rochlitz+Evening+Bouquet+polka
Bibliography and resources:
"Bela Rochlitz", Design & Art Australia Online (DAAO)
http://www.daao.org.au/bio/bela-rochlitz/
Australian railways songs, blogspot; archived at Pandora
http://pandora.nla.gov.au/pan/102803/20100929-0017/railwaysongs.blogspot.com/search80b4.html
RODEMANN, Maximillian Louis (Maximillian Louis RODEMANN; Lewis RODEMAN [sic])
Amateur bass vocalist, grocer
Born ? Lippe, Germany, c. 1822
Arrived Adelaide, SA, 15 December 1847 (per Hermann von Beckerath, from Bremen)
Died Bückeburg, Germany, 22 March 1872
https://trove.nla.gov.au/search?l-publictag=Maximillian+Louis+Rodemann+d1872 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RODEMANN-Maximillian-Louis (shareable link to this entry)
ASSOCIATIONS: Deutsche Liedertafel (Adelaide, early 1850s; secretary, singing member)
Documentation:
"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register (18 December 1847), 4
http://nla.gov.au/nla.news-article48546438
Wednesday, Dec. 15th . . . The barque Hermann von Beckerath, 580 tons, Kahle, master, for Bremen and Rio de Jeneiro. Passengers . . . W. O. Gerke, M. L. Bodemann [sic] . . .
[Advertisement], South Australian Register (24 February 1849), 2
http://nla.gov.au/nla.news-article50246956
NOTICE. GERKE & RODEMANN beg leave to inform the public of Adelaide and its vicinity, that they have this day opened as grocers, and Italian warehousemen, their shop situated in Rundle-street, opposite the South Australian printing office. By advantageous purchases, they are enabled to sell good articles at a reasonable price, and hope by prompt attention to business, to obtain a portion of public patronage. Adelaide, Feb. 24th, 1849.
ASSOCIATIONS: Wilhelm Ottomar Gerke (died Bückeburg, Germany, 1883)
[Advertisement], South Australian Register (5 February 1851), 2
http://nla.gov.au/nla.news-article38445901
FIRST ANNUAL GENERAL MEETING of the Members of the DEUTSCHE LIEDERTAFEL, WEDNESDAY, February 5th, at 8 o'clock.
L. RODEMANN, Secretary.
ASSOCIATIONS: Deutsche Liedertafel (Adelaide)
[Advertisement], South Australian Register (5 March 1851), 1
http://nla.gov.au/nla.news-article38442481
DEUTSCHE LIEDERTAFEL. THE Members of the above Society are respectfully invited to attend at 8 o'clock This Evening.
L. RODEMANN, Hon. Secretary. Wednesday, 5th March, 1851.
[Advertisement], Adelaider Deutsche Zeitung (2 April 1851), 3
http://nla.gov.au/nla.news-article84203915
SAEMMTLICHE Mitglieder sind hiermit zu der heutigen Versammlung, von 8 Uhr an, eingeladen.
L. Rodemann, Secr.
"MADAME CRANZ'S CONCERT", Adelaide Times (16 April 1853), 3
http://nla.gov.au/nla.news-article207011728
Oh Thursday evening last this Concert came off at the Exchange. The room was crowded to excess, the whole of the seats being occupied, and the intermediate spaces densely packed. His Excellency and Lady Young, with a great number of the Government coterie, were present, as were also many of the principal city families . . . Madame Cranz, whose appearance upon the platform was hailed with loud applause, gave the difficult scene from the Freischutz with her accustomed ability, and was well accompanied by M. Linger . . . Several German chorusses were given by the Liedertafel, with their usual spirit and precision; the corps however appeared to be rather weak in the middle voices, and the crowded state of the room, by preventing any reverberation, greatly marred the effect of their performance. The training of this little band of true musicians is admirable, there is no "bolting," and their ensemble is generally all that can be wished for. There are some splendid voices among them, and we may include in this category the brilliant singing of M. Rodemann, and the rich bass of M. Weiner. The selection of chorusses was not as a whole fortunate. Although the conductors of the Concert had so far provided for the enlightenment of the English section of the audience, as to have caused translations of the German libretti to be published, yet the music of Berner and Kuken which is totally destitute of originality, palls on ears accustomed to receive with delight the beautiful and ever fresh melodies of the glee composers of their native land. The repertoire of the Liedertafel no doubt contains the standard chorusses of the great German musicians, and it would be a much greater treat to an English audience to occasionally hear a selection from them. The wild melody of Weber, the grandeur of Beethoven, the voluptuous strains of Mozart, the serene and plaintive beauty of Mendelssohn, and the richly organized harmonies of Spohr, would be sure to be fully appreciated; and we fearlessly assert that the German chorus are equal to the rendering of what we ask of them. We trust, therefore, that at the next public performance of the Liedertafel, we shall find that our hint has not been thrown away, and that the programme will not be choked up with the titles of pieces of so meretricious a character as those which were announced for performance on Thursday . . .
ASSOCIATIONS: Mathilde Cranz (vocalist); Carl Linger (piano)
"DEATHS", Evening Journal (1 June 1872), 2
http://nla.gov.au/nla.news-article196740458
RODEMANN. - On the 22nd March, at Bückeburg, Germany, Mr. M. L. Rodemann, late of the firm of Gerke and Rodemann.
"OBITUARY", Chronicle [Adelaide, SA] (30 June 1906), 40
http://nla.gov.au/nla.news-article88121143
The death occurred on Friday of Mr. Wilhelm Heinrick Christoff Dittmar, the well-known baker and confectioner, of Freeman-street. Mr. Dittmar was a native of Germany and arrived in South Australia in May, 1856. He was born on April 27, 1830. On his arrival he was employed by Messrs. Gerke & Rodemann, of Rundle-street, and after, three years with them went to Tanunda . . . Mr. Dittmar never entered into public life, but was an original member of the German Club and the liedertafel.
ASSOCIATIONS: Wilhelm Dittmar (amateur vocalist)
Bibliography and resources:
Barque Hermann Von Beckerath (15 Dec 1847), Adelaide Hills, local wiki
https://localwiki.org/adelaide-hills/Barque_Hermann_Von_Beckerath_(15Dec1847)
RODEMANN, Maximilian Louis (c1822 - 22/3/1872). Died Bückeburg, Germany. From Lippe. Merchant; Adelaide (Gerke & Rodemann 87 Rundle St). Lutheran. To the Vic goldfields. Returned to SA Amicus 17/7/1852.
RODENBOUT, Heinrich (Heinrich RODENBOUT)
Musician, bandsman (Burton's Band)
Active Mount Barker, SA, 1856
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RODENBOUT-Heinrich (shareable link to this entry)
Documentation:
"MOUNT BARKER", South Australian Register (7 November 1856), 3
http://nla.gov.au/nla.news-article49761874
Jacob Young, Jacob Düne, Conrad Sander, Heinrich Rodenbout, Carl Leonhardt, Daniel Müller, and Christian Prothenbuck, known as "Burton's Band", appeared to answer the complaint of Mr. Henry Burton, for that they having contracted to serve the said Henry Burton as musicians, and having entered into his service, did neglect and refuse to fulfil the same.
ASSOCIATIONS: Jacob Young (musician); Henry Burton (employer, musician, circus proprietor)
RODIUS, Charles (Charles RODIUS; Mr. RODIUS; RHODIUS)
Amateur vocalist, tenor / baritone vocalist, artist, convict
Born Cologne, Germany, 1802
Arrived Sydney, NSW, 6 December 1829 (convict per Sarah, from the Portsmouth hulks, 15 August)
? Married (1) Maria BRYAN, Sydney, NSW, by 1834
Married (2) Harriet ? (c. 1821-1838), Sydney, NSW, by 1838
Married (3) Elizabeth Harriet ALLEN, St. Philip's, Sydney, 1 April 1841
Died Liverpool, NSW, 7 April 1860, aged 56
https://trove.nla.gov.au/search?l-publictag=Charles+Rodius (TROVE tagged by Australharmony)
http://nla.gov.au/nla.party-493356 (NLA persistent identifier)
https://en.wikipedia.org/wiki/Charles_Rodius (Wikipedia)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RODIUS-Charles (shareable link to this entry)
Summary:
Transported for seven years for stealing a reticule outside the Royal Opera House in London, Charles Rodius (also regularly "Rhodius") was assigned on arrival to the Department of Public Works, but came to public note in his own right as early as March 1830 with his lithographic portrait of Bungaree, elder of the north shore people.
He was perhaps singing in St. Mary's cathedral choir by mid 1836, if not earlier, and was the un-named amateur who appeared as soloist in an unidentified "German song", and in the duet La ci darem la mano, with Marian Chester at her concert on 31 August 1836.
He next appeared, and was identified, singing at William Vincent Wallace's concert and oratorio on 14 and 21 September 1836, and appear with the Wallaces on several other occasions later that year and during 1837.
In July 1838, Rodius, who suffered from "paralytic" attacks, sold up as he was "leaving Sydney for the benefit of his health". However, in December, his 17-year-old wife, Harriet, died in Sydney.
He was back in Sydney, recovered, in December 1839. In June 1849, at the second exhibition held by the Society for Promoting the Fine Arts in Australia, one of the pictures on show was his portrait of the violinist Joseph Gautrot.
His Gautrot portrait is not known to survive. However, that of another musician does, that of Joshua Frey Josephson:
http://archival.sl.nsw.gov.au/Details/archive/110327367
Documentation:
"POLICE. QUEEN-SQUARE", Morning Chronicle [London] (19 February 1829), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18290219/019/0003 (PAYWALL)
A young foreigner, dressed in the most fashionable style, who said his name was CHARLES RODIUS, of 80, Charlotte-street, Portland-place, and who described himself as an artist and teacher of languages, was charged with robbing Lady Laura Meyrick, lady of Colonel Meyrick, of Berkeley-square, of a reticule, containing sundry articles, as she was leaving the King's Theatre, on the previous evening. When Lady Meyrick was quitting the Opera House, with the Colonel, about 12 o'clock, she discovered that she had lost her reticule, and, having suspected the prisoner, who had been following her, the assistance of Handley, an officer, was obtained, and the prisoner was secured, while he was endeavouring to rob another lady. On his person were found the contents of Lady Meyrick's reticule, and he had a penknife in his hand. A ring, a bracelet, and a purse, containing a half-sovereign and six shillings, were also found in his pocket. At his residence several ladies' handkerchiefs, opera-glasses, pieces of purses, and the clasps of reticules, and a purse, containing four sovereigns, were found. The prisoner protested he was innocent, and said the handkerchiefs, &c. had been given him by ladies who had been his pupils. He was committed for trial.
"QUEEN-SQUARE - ROBBERY AT DRURY-LANE THEATRE", Morning Post [London] (2 March 1829), 4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18290302/031/0004 (PAYWALL)
Charles Rodius, who stands committed for robbing Lady Laura Meyrick of her reticule, as she came out of the King's Theatre, was brought up from Tothill-fields prison, and placed at the bar before G. W. Marriott, Esq., charged with robbing Mrs. Heatley, of Hertford-street, May-fair, of her reticule, as she was coming out of Drury-lane Theatre. Mr. Heatley stated that his wife was so ill that she could not attend, but he could swear to an opera glass and smelling bottle, which were produced by Handley, the officer, who found them at the prisoner's lodgings . . .
"MULTUM IN PARVO", Cambridge Chronicle and Journal [England] (10 April 1829), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000420/18290410/001/0001 (PAYWALL)
Charles Rodius, a German, was sentenced Saturday at Westminster Sessions to seven years' transportation for stealing from Lady Meyrick a reticule containing various articles . . .
[News], Public Ledger and Daily Advertiser [London] (21 August 1829), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001255/18290821/011/0003 (PAYWALL)
On Saturday, 200 male convicts were embarked on-board the Sarah transport, Captain Columbine, for New South Wales (100 from the York, and the same number from the Leviathan, convict bulks in Portsmouth harbour), under the charge and superintendence of Mr. Alexander Osborne, surgeon. Among the number, was Charles Rodius, a foreigner, and teacher of languages, who, it will be remembered, was convicted of stealing a lady's reticule at the Opera.
New South Wales (1829-60):
"Domestic Intelligence", The Sydney Monitor (6 March 1830), 2
http://nla.gov.au/nla.news-article32073313
Mr. C. Rhodius uses the lithographic Press with great skill. He has executed front and profile likenesses of Bungaree, in a most superior style.
ASSOCIATIONS: Bungaree (Aboriginal elder)
[Advertisement], The Sydney Herald (25 August 1836), 3
http://nla.gov.au/nla.news-article12855020
. . . MRS. CHESTER RESPECTFULLY announces to her Friends, and the public generally, that her
CONCERT OF Vocal and Instrumental Music Will take place on WEDNESDAY EVENING, August, 31st, 1836,
in the Saloon of the Royal Hotel, on which occasion she will be assisted by MR. W. WALLACE, MR. DEANE AND TWO SONS, MR. JOSEPHSON, MR. CAVENDISH, AND MISS DEANE.
ALSO, A Gentleman Amateur has kindly consented to sing a German Song and in an Italian Duett . . .
Programme Concert. PART I . . . Duett - "La Ci darem la mano," - MOZART - MRS. CHESTER and AMATEUR . . .
[News], The Australian (2 September 1836), 2-3
http://nla.gov.au/nla.news-article36855247
Mrs. Chester's Concert took place on Wednesday evening last [31 August], and we were sorry to see the room rather thinly attended . . . We have so often expressed our admiration of Mr. Wallace's performance on the violin, that [3] it is needless for us to do so now. There was an amateur sung a German song, in which he displayed a most pleasing voice and a great knowledge of music . . .
"Mrs. Chester's Concert", The Sydney Monitor (3 September 1836), 3
http://nla.gov.au/nla.news-article32152108
. . . We cannot speak in too favorable terms of the taste with which the German song was executed by an amateur. His voice is manly, and at the same time very mellow, and he modulated well. This was loudly encored . . .
ASSOCIATIONS: Marian Maria Chester (vocalist)
[Advertisement], The Sydney Monitor (14 September 1836), 1
http://nla.gov.au/nla.news-article32152195
. . . MR. W. WALLACE . . . BEGS to announce that his Concert of Vocal and Instrumental Music will take place on
THIS EVENING, September 14, 1836, in the Saloon of the ROYAL HOTEL,
on which occasion he will be assisted by Mrs. Chester, Miss Deane, Miss E. Wallace, Mr. Josephson,
Mr. S. W. Wallace, Mr. Cavendish, and the Amateur who was received so favourably at Mrs. Chester's Concert.
Programme Concert. PART I . . . 5. French Song - BOILDEAU [sic, Boieldieu] - AMATEUR . . .
PART II . . . 2. Trio and Chorus - Viva Enrico - PUCITTA - MRS. CHESTER, MISS WALLACE, AMATEUR and Chorus . . .
6. Duet - La ci darem la mano (by desire) - MOZART - MRS. CHESTER & AMATEUR . . .
"THE CONCERT", The Australian (16 September 1836), 2
http://nla.gov.au/nla.news-article36858596
. . . The Amateur, Mr. Rhodius, was an object of some attraction, in consequence of his performance upon a recent occasion. He sung a pleasing little French song, by Boildeau, in a very plaintive style, without any attempt at display, either of compass of voice or power of execution, and was rapturously encored. He possesses neither of the latter great requisites, but the absence of these qualifications is well supplied by an uncommon sweetness of voice and flexibility of intonation . . . Mrs. Chester we never heard sing better . . . The duet of La ci darem she sung with Mr. Rhodius very sweetly . . .
"MR. WALLACE'S CONCERT", The Sydney Gazette and New South Wales Advertiser (17 September 1836), 2
http://nla.gov.au/nla.news-article2206672
. . . The principal novelty was Mr. Rhodius, who sang sweetly, a French song. This gentleman's voice is weak, but particularly soft and pleasing, but without pretensions to compass or execution, he was scarcely heard in the Trio and chorus Viva Enrico, but this may be accounted for by Mrs. Chester and Miss Wallace's voices being both very powerful . . .
ASSOCIATIONS: William Vincent Wallace (violinist, pianist); Eliza Wallace (soprano vocalist)
"THE ORATORIO", The Australian (23 September 1836), 2
http://nla.gov.au/nla.news-article36854491
. . . He was despised and rejected of men was sung with great sweetness by Mr. Rhodius. His cadences were soft and sweet, and quite delightful. He possesses more power than he displayed: and were he to sing more boldly he would sing more successfully. In the duet of Graceful consort by thy side, with Mrs. Chester, he evinced the correctness of his taste and judgment; but here, as in his other songs, an apparent timidity had the influence of inducing him to suppress rather than to put forth the fulness of his very fine voice . . .
"ORATORIO", Commercial Journal and Advertiser (24 September 1836), 2
http://nla.gov.au/nla.news-article226458595
. . . The manner in which Mr. Rhodius sung "He was despised," with his usual sweet and tasteful style and baratone voice, made a great impression, and left no regret that in this part other music had been substituted for Handel's [sic] . . .
"THE ORATORIO", The Sydney Gazette and New South Wales Advertiser (24 September 1836), 2
http://nla.gov.au/nla.news-article2206796
. . . Mr. Rhodius, we are glad to see, is appearing oftener in public; he has a particularly sweet voice, but wants nerve. His duet of Graceful consort by thy side, was the happiest of his efforts, and he sang it with much taste and judgment. This gentleman has no male competitor in the Colony. Mr. Gordonovitch sang Of Stars the fairest in good tone, but he does not come up to Mr. Rhodius . . .
ASSOCIATIONS: George Gordonovitch (vocalist)
"The Oratorio", The Sydney Monitor (24 September 1836), 2
http://nla.gov.au/nla.news-article32152283
. . . Messrs. Rhodius and Gordonovitch sang well; but there is a delicacy of intonation in Mr. R.'s voice which is universally admired . . .
"THE ORATORIO", The Sydney Herald (26 September 1836), 2
http://nla.gov.au/nla.news-article12864654
. . . Mr. Rhodius stands pre-eminent amongst his brethren in the profession, and sung with much expression "He was despised," and also in a Duet with Mrs. Chester. If Mr. R. will but throw off a little timidity he would appear to much greater advantage . . .
"THE ORATORIO", The Colonist (29 September 1836), 2
http://nla.gov.au/nla.news-article31718544
WE insert the following critique on the performances at the Oratorio in the Roman Catholic chapel, from the pen of a talented correspondent: . . .
. . . Mrs. M. Yes: I think you are perfectly right. What have you to say with respect to the amateurs Messrs. Rhodius and Gordonovitch?
Mr. T. I much admire Mr. R.'s style of singing, he does sing feelingly, but he sadly wants power; I think, by exerting himself, he might in a great measure obviate this difficulty. Mr. G. sang "Of stars the first pledge of day," with a great deal of taste and an evident knowledge of music; but, I prefer Mr. R.'s style of singing, as expressive of much more feeling and study of nature . . .
[Advertisement], The Sydney Gazette and New South Wales Advertiser (6 December 1836), 1
http://nla.gov.au/nla.news-article2208149
. . . Mr. W. Wallace BEGS to ANNOUNCE that his CONCERT . . .
WILL TAKE PLACE ON WEDNESDAY EVENING, 7th DEC, 1836, AT MR. NASH'S HOTEL.
On this Occasion be will be assisted by Miss E. Wallace, Mrs. W. Wallace, Mr. S. W. Wallace, and the Gentlemen amateur who was so favourably received at Mr. Wallace's last Concert in Sydney.
PROGRAMME CONCERT . . . 4. La Sentinelle - French Air - Amateur . . .
7. Duet - O Pescator del Onda - Mozart - Miss E. Wallace & Amateur . . .
PART SECOND . . . 12. Quel Plaisir de Soldat - Boildieu - Amateur . . .
14. Duet - La ci darem la Mano - Mozart - Miss E. Wallace & Amateur . . .
[Advertisement], The Australian (3 January 1837), 1
http://nla.gov.au/nla.news-article36855950
. . . MR. W. WALLACE . . . HIS CONCERT . . .
Will take place on WEDNESDAY, January 4th, 1837, IN THE COURT HOUSE, WINDSOR . . .
PROGRAMME CONCERT. PART I . . . 4. FRENCH AIR - La Sentinelle - Boildieu [sic] - AMATEUR . . .
7. VOCAL DUET - O Pescator dell'Onda - Mozart - MISS E. WALLACE and AMATEUR . . .
PART II . . . 2. IRISH MELODY - Believe me if all those endearing young charms - AMATEUR . . .
14. VOCAL DUET - La ci Darem la Mano - Mozart - MISS E. WALLACE and AMATEUR . . .
MUSIC: La sentinelle (A. Choron)
ASSOCIATIONS: The "amateur" on both occasions above was, again, Rodius
[Advertisement], The Sydney Gazette and New South Wales Advertiser (31 January 1837), 3
http://nla.gov.au/nla.news-article2209118
CONCERT. Postponed to the 1st Proximo. MR. W. WALLACE & MR. J. P. DEANE . . . in the Saloon of the Royal Hotel . . .
PROGRAMME CONCERT. PART I . . . 5. SONG - Portrait Charmant - French Melody - Amateur . . .
PART II . . . 10. GLEE - Viva Enrico . . .
11. Duet - O Pescator dell'Onda - Mozart - Miss E. Wallace and Amateur . . .
MUSIC: Portrait charmant (French)
[News], The Colonist (2 February 1837), 2
http://nla.gov.au/nla.news-article31719000
The Concert given by Messrs. Wallace and Dean last night, was numerously and respectably attended . . . Mr. Rhodius distinguished himself as usual by the sweetness of his voice and purity of style . . .
"Concert", The Sydney Monitor (3 February 1837), 3
http://nla.gov.au/nla.news-article32154755
. . . An amateur was greatly admired in the French melody Portrait Charmant and encored . . . O Pescator dell'Onda was very sweetly sung by Miss E. Wallace and an Amateur . . .
"CONCERT", The Australian (7 February 1837), 2
http://nla.gov.au/nla.news-article36856309
. . . Portrait Charmant was beautifully sung by the gentleman amateur, who has lately made his debut at our Sydney concerts . . . O Pescator dell'Onda was sung as a duett by Miss E. Wallace and the Amateur, in a manner both tasteful and harmonious . . .
[Advertisement], The Sydney Monitor (29 September 1837), 1
http://nla.gov.au/nla.news-article32157519
. . . MR. WILLIAM WALLACE . . . HIS CONCERT . . .
On Friday Evening Sept. 29, 1837, IN THE THEATRE ROYAL,
On which occasion he will be assisted by . . . the Amateur, who so kindly assisted at Mr. Wallace's previous Concert.
PROGRAMME CONCERT. PART I . . . 4 - Song from the Opera of Preciosa - WEBER - Amateur . . .
PART II . . . 12 - Song - From the Opera, of La Dame Blanche - BOILDIEU - Amateur . . .
"Mr. Wallace's Concert", The Sydney Monitor (2 October 1837), 2
http://nla.gov.au/nla.news-article32157526
. . . Mr. Rhodius sang well, the want of volume being compensated by the sweetness of his tones . . .
[Advertisement], The Sydney Herald (2 July 1838), 3
http://nla.gov.au/nla.news-article12860885
TO BE SOLD BY AUCTION, BY W. HEBBLEWHITE,
On THURSDAY next, the 5th July, at eleven o'clock precisely,
at the residence of Mr. Rhodius, Elizabeth-street, three doors from Liverpool-street,
THE whole of that Gentleman's Household Furniture, Works of Art, &c. . . .
The above will be positively sold in consequence of Mr. Rhodius leaving Sydney for the benefit of his health.
"Death", The Sydney Herald (17 December 1838), 3
http://nla.gov.au/nla.news-article12856294
On Friday last, at her residence, Elizabeth-street, Harriett, the wife of Mr. Charles Rhodius, aged seventeen years.
[Advertisement], The Colonist (7 December 1839), 3
http://nla.gov.au/nla.news-article31724157
MR. C. RODIUS, WHO for some time past has suffered under a paralytic attack,
begs to notify, that being now recovered, he intends to renew his occupation as Teacher of Drawing and Perspective,
in which capacity he has been engaged in this colony for the last nine years.
December 7, 1839.
"MARRIED", The Sydney Herald (2 April 1841), 2
http://nla.gov.au/nla.news-article28652018
Yesterday, by Special License, at St. Phillip's Church, by the Rev. W. Cowper, Mr. Charles Rhodius, to Miss Elizabeth Harriet Allen, both of Sydney.
"CERTIFICATES OF FREEDOM", The Australian (17 March 1842), 3
http://nla.gov.au/nla.news-article36851021
Principal Superintendent of Convicts' Office, Sydney, 10th March, 1842.
Certificates of Freedom have been prepared in favour of the undermentioned persons: . . .
Rodius Charles, Sarah . . .
"SOCIETY FOR PROMOTING THE FINE ARTS IN AUSTRALIA. SECOND EXHIBITION", The Sydney Morning Herald (2 June 1849), 3
http://nla.gov.au/nla.news-article12910294
. . . No. 171. - Portrait of Monsieur Gautrot. Rodius. - Property of Mr. Rodius. - A free, light, loose sketch, full of artistical talent, and a very striking likeness . . .
ASSOCIATIONS: Joseph Gautrot (musician, violinist)
"FINE ARTS", Bell's Life in Sydney and Sporting Reviewer (26 July 1850), 2
http://nla.gov.au/nla.news-article59772899
We have been favored with a view of a portrait of Miss Sara Flower, from the pencil of Mr. Charles Rodius, who has lately returned from an artistic exploration of Port Phillip. The likeness of the celebrated cantatrice is admirable, her joyous expression is felicitously hit off, and the drawing of the figure accurately preserved. A careful lithograph of the portrait would meet a ready sale amongst the numerous admirers of this talented songstress.
ASSOCIATIONS: Sara Flower (vocalist)
? [Advertisement], The Sydney Morning Herald (5 September 1854), 2
http://nla.gov.au/nla.news-article12954104
MONSIEUR and MADAME HERWYN'S Last Concert at the ROYAL HOTEL,
THIS EVENING, 6th September, under the immediate patronage of His Excellency the Governor General.
PROGRAMME. - PART I . . . 7. "Battle" song from "The Huguenots" - sung by Mr. R----- (amateur) - MEYERBEER . . .
ASSOCIATIONS: Henry and Celestine Herwyn (musicians)
"DEATHS", The Sydney Morning Herald (10 April 1860), 1
http://nla.gov.au/nla.news-article13038986
On the 7th of April, aged 56 years, after a long and lingering illness, at his late residence, Mr. Charles Rodius, artist, for many years a resident in this colony.
Roger Therry, Reminiscences of thirty years' residence in New South Wales and Victoria . . . (London: S. Low, Son, and Co., 1863), 110-11
https://books.google.com.au/books?id=RikXAAAAYAAJ&pg=PA110
A German artist, whose name I withhold, as he lived creditably and married respectably in the colony, served his sentence in the country, and on coming to Sydney enjoyed the general reputation of being an emigrant. He arrived, though in a different ship, on the day of my own arrival in 1829. Both ships had also sailed from England on the same day, about three months and a half previously. I happened to be present at his trial at the Middlesex Sessions, where he had a good chance of a favourable verdict, until he put an injudicious question to the principal witness. The charge against him was for snatching a reticule from Lady Laura Meyrick's hand, on her coming out of the Opera-house. In the reticule was a small scent-bottle, which the witness said she believed was her property. The evidence as to the identity of the stolen bottle, however, was weak, until, unfortunately for himself, the prisoner put a question, inquiring the grounds of her ladyship's belief. The [111] reply was, "Because, as you may see, my husband's crest and the initials of my name are engraved upon the stopper of the bottle." The adage that "when a man is his own counsel he has a fool for a client," could not be more completely illustrated. He was immediately found guilty, and sentenced to transportation for seven years. This person had taught drawing in several high families in England. He cultivated his art in the Colony with some success.
ASSOCIATIONS: Roger Therry (lawyer, judge)
Bibliography and resources:
Jocelyn Gray, Rodius, "Charles (1802-1860)", Australian dictionary of biography 2 (1967)
http://adb.anu.edu.au/biography/rodius-charles-2599
"Charles Rodius", Design & Art Australia Online (DAAO)
http://www.daao.org.au/bio/charles-rodius
ROECKEL, Armand (Armand ROECKEL, jeune; Mons. ROECKEL)
Musician, pianist, accompanist, composer
Born Paris, France, c. 1832/33
Arrived London, England, 14 July 1852 (per Albion, from Boulogne, 13 July)
Arrived Sydney, NSW, by 4 January 1856
Departed Sydney, NSW, ? by July 1857
Active Paris, France, c. 1863
https://trove.nla.gov.au/search?l-publictag=Armand+Roeckel (TROVE tagged by Australharmony)
http://worldcat.org/identities/viaf-295609518 (WorldCat identities)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROECKEL-Armand (shareable link to this entry)
Summary:
Identification and background:
On a French passport issued to one Armand Roeckel, bound for Mauritius in 1863, the holder's age was given as 30, and his place of birth as Paris. Assuming that this was the Armand Roeckel in question here, he was first certainly heard of appearing in a concert in Cork, Ireland, on 18 April 1853, and therefore aged around 20. His Souvenir de Corck was first published in Paris the following year.
The most plausible explanation for Armand's visit to Cork was a connection - probably a close family connection - to Monsieur Joseph Roeckel, described as late repetiteur from the Paris Conservatoire, who had established himself professionally in Cork after first appearing there with a small French company of singers and dancers in April 1851. Later he and his vocalist wife, and latterly their daughter Nina, also assisted in concerts and musical performances in local Catholic churches. Joseph Roeckel and his family finally left Cork in September 1863, and in June the following year he was reported in the Cork press to have settled in Port Louis, Mauritius.
Armand Roeckel, was, presumably, somehow related to this Joseph Roeckel, of Cork (for more on him, see Other references below), whether or not either or both of them were sons of Joseph August Roeckel (1783-1870), as one family historian has proposed. This is not impossible; Roeckel senior was director of the German theatre in Paris around the time of Armand's birth; however, there is no record of Armand living with Joseph August in England.
Since Armand was also described as "jeune" on several of his Paris publications, might it suggest that there was an elder Armand Roeckel (as yet unidentified), who was his father, or a close relative?
That there must, however, have been some important connection between Armand Roeckel and Joseph Roeckel and his wife of Cork (and their young daughter Nina), is confirmed by the placement in two Cork papers in May 1863 of a notice of the birth in Paris on 19 April of Armand's son, Armand (died Madagascar 1892). And shortly afterward, both Armand (from Paris) and Joseph (from Cork) were bound for Mauritius. Perhaps also significant, one of Joseph's compositions (published in London by Wessel) was sold in Paris by Armand's publisher, Richault, as reported in the Cork Examiner on 15 January 1858 (page 2):
Under the title of "Poesies Musicales," a former pupil of the Conservatoire de Paris, M. Roeckel, professor of the piano at Cork, has written and published four pieces, in which inspiration goes hand in hand with science . . . These various pieces, published in London - Wessel Co. - may be had at Paris from M. Richault, Editor and Music Seller, Boulevard Poissonniere . . . Revue et Gazette des Theatres, (Paris paper). Felix Bandillon.
Meanwhile, it remains uncertain whether or not Joseph Roeckel of Cork was the Joseph Roeckel below
Australia (1856-57):
Roeckel is probably most likely to have arrived in Sydney direct from Mauritius at the very end of 1855. He was first billed to appear as piano accompanist for Frank Howson and John Winterbottom's concert at the Royal Hotel on 3 January 1856.
He probably left Sydney later that month and sailed north to Moreton Bay. By April, he was in Ipswich, where he was elected as conductor of the newly formed Ipswich Choral Society. In July and August he advertised as teacher of a beginners' music class, and in October and November gave two concerts with the Choral Society.
Having reportedly found fewer professional openings than he hoped in the north, he returned to Sydney from Brisbane in December 1856.
In February he made his second Sydney debut as accompanist for the touring French soprano, Clarisse Cailly, in Sydney Philharmonic Society subscription concert, and again as accompanist for Cailly's own concert in March.
Late that month, the Sydney music publisher J. R. Clarke advertised that he had in preparation "new dance music, by M. Armand Roeckel, viz, a Polka Mazurka, and La Varsoviana (The Favourite Varsoviana) (La Favourite)". The first of these, The Australian polka mazurka appeared from the presses in May 1857 (despite the title, substantially the same work as his Souvenir de Corck [Cork], previously published in Paris and London).
Roeckel himself is last certainly documented as being in Sydney for another concert on 28 March, and though he may still have been in the city to see the first of his Australian publications released in May, he had almost certainly moved on - perhaps back to Mauritius - by the end of July.
Ultimately, Clarke did not release Roeckel's promised varsoviana, entitled La favourite until February 1859, when the composer himself was long gone and probably largely forgotten. No copy has yet been identified, but it was perhaps based on a theme from Donizetti's La favorita.
in July 1859, Clarke advertised a "3rd edition" of the varsoviana and "4th edition" of the polka mazurka, and later still included the latter in his Australian musical album for 1863.
In a single advertisement in April 1858, Clarke also attributed to Roeckel the Iris varsoviana (otherwise unattributed, no copy of which has been identified). It had been first released in September 1857, apparently named after the ship H.M.S. Iris, then in port.
Documentation:
England and Ireland (1852-53):
A list of aliens . . . [per] Albion bound from Boulogne in the Port of London . . . 14 July 1852; UK National Archives
https://www.ancestry.com.au/imageviewer/collections/1587/images/31161_A003066-00159 (PAYWALL)
Armand Roeckel / Artiste / Vaugirard, Seine
"HERR HOFFMAN'S CONCERT", Cork Examiner (20 April 1853), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000425/18530420/013/0002 (PAYWALL)
The concert announced by Herr Hoffman came off on Monday night in the Great Room of the Imperial Hotel. The audience was very large and fashionable, the room being crowded in every part. The band of the 89th Regiment was in attendance, and opened the entertainments with a splendid overture. From the hour when the concert commenced - half-past eight - until its termination shortly after 11 o'clock, the interest of the audience was kept constantly alive, and the frequent and enthusiastic applause which burst from all parts the room repeatedly testified to their approbation. The piano-forte was presided over by M. ARMAND ROECKEL, whose talents as an accompanyist received the highest admiration. Herr WALLERSTEIN performed on the violin in the most brilliant style the well-known "Pre aux Clercs" and the "Carnival de Venise," which were enthusiastically encored . . . The vocalists were Herr HOFFMAN and Mr. CHAPPELL. Herr HOFFMAN sang several of the native airs of the Tyrol with the most beautiful effect, displaying the greatest sweetness and flexibility of voice. Mr. CHAPPELL is a singer of much power and taste. Both singers were frequently encored . . .
Australia (1856-57):
[Advertisement], Empire [Sydney, NSW] (2 January 1856), 1
http://nla.gov.au/nla.news-article60171850
GRAND EVENING CONCERT will take place on THURSDAY next [3 January], at the Royal Hotel,
when the following artistes will have the honour of appearing:
Mrs. H. T. Craven, Mrs. Frank Andrews, Mrs. Bridson, Mr. F. Howson, and M. Winterbottom, who will perform four solos on the bassoon.
Mons. Armand Roeckel has most kindly consented to preside at the pianoforte . . .
PROGRAMME. PART FIRST
Duet - Mrs. H. T. Craven and Mr. F. Howson
Ballad - Mrs. Frank Andrews
Solo, bassoon - "Fra poco" (Opera, "Lucia di Lammermoor"), Donizetti - M. Winterbottom
Cavatina - Opera, "Don Pasquale" - Mrs. H. T. Craven
Song - "Der Sclave," Keiser - Mr. F. Howson
Solo, bassoon - "Cujus Animam" (Stabat Mater), Rossini - First time, Mr. Winterbottom
Song - " A Soldier's Life" (New Opera, "Berta"), H. Smart - First Time, M. F. Howson
Ballad - "'Tis I, 'tis I," Auber - Mrs. H. T. Craven.
PART SECOND
Duet - Mrs. Frank Andrews and Mr. F. Howson
Song - "There's a Path by the River," Loder - Mrs. H. T. Craven
Solo, bassoon - "Una Voce, poco fa" (Opera, "Barbiere de Sevilla"), Rossini - M. Winterbottom
Song - "Happy Birdling of the Forest" - Mrs. Bridson
Song - " The Wanderer," Schubert - Mr. F. Howson
Cavatina - "Roberto," Mrs. H. T. Craven
Solo, bassoon - "Credeasi misera de me tradita" (finale polacca, "I Puritani"), Bellini - M. Winterbottom
Marseillaise Hymn - Mr. F. Howson
God Save the Queen - Mrs. H. T. Craven. Mrs. Frank Andrews, Mrs. Bridson, Mr. F. Howson, and M. Winterbottom.
Conductor - Mons. ARMAND ROECKEL.
ASSOCIATIONS: Eliza Craven (vocalist); Mrs. Frank Andrews (vocalist); Frank Howson (vocalist); Sarah Bridson (vocalist); John Winterbottom (bassoon)
[Advertisement], The North Australian, Ipswich and General Advertiser [Ipswich, NSW (QLD)] (29 April 1856), 1
http://nla.gov.au/nla.news-article78850127
IPSWICH CHORAL SOCIETY.
THE First Meeting of the Subscribers of the proposed Ipswich Choral Society, was held at the Court House, on Thursday Evening last,
when the following gentlemen accepted office.
VICE-PRESIDENT - John Panton, Esq. COMMITTEE: Messrs. Wm. Craies, SECRETARY,
George Faircloth, TREASURER, Rev. J. Mosely, Dr. Rowlands,
And the CONDUCTOR, Mr. Armand Roeckel.
The practice of the Society will commence this week;
and parties desirous of becoming members are requested to make application to any of the Committee.
ASSOCIATIONS: William Craies (d. 1863, honorary secretary); Ipswich Choral Society
[Advertisement], The North Australian, Ipswich and General Advertiser (8 July 1856), 1
http://nla.gov.au/nla.news-article78849204
MUSIC CLASS On the Continental System, for Beginners.
MONS. ARMAND ROECKEL Desires to inform Parents and Guardians that he intends forming the above Class,
for the purpose of giving instructions in the PIANOFORTE and SINGING to the younger members of families.
Mr. R.'s design in opening this class is to enable parents to have their children properly taught at the beginning (without going to the more expensive way of private lessons) -
a circumstance which has the greatest influence on their future progress.
The Class will assemble twice a-week, in the afternoon, at Mr. R.'s residence.
Part of the time will be devoted to Musical Instruction and the other part to the study of the Instrument.
By instructing the Class together in the rudiments of Music and Singing, it will have the real advantage of creating a spirit of emulation among the young pupils,
and enable them to go easily through the first part of the study, which is generally so monotonous.
Mr. R. having been himself educated at the Imperial "Conservatoire de Musique" of Paris,
and having had to direct similar institutions on the Continent, hopes he will meet with general support and approbation.
Terms for the Musical Class, including Pianoforte and Singing, Three Guineas a quarter; to be paid either monthly or quarterly, in advance.
Persons desirous of availing themselves of the above will please apply,
to M. ARMAND ROECKEL North Australian Cottage, near the Scotch Church.
TERMS OF PRIVATE LESSONS.
PIANOFORTE - Two Lessons a week, of half-an-hour each. Six Guineas a quarter.
SINGING - The same as the Piano.
PIANOFORTE AND SINGING- Nine Guineas a quarter.
HARMONIUM - Two Lessons a week, of half-an-hour each, Six Guineas a quarter.
HARMONY - (Thorough Bass and Composition), Half-Guinea a Lesson of an hour.
To be paid either monthly or quarterly, in advance.
NOTE. - In consequence of the difficulty of having Pianos properly tuned, M. R. is willing to tune them when requested to do so.
[Advertisement], The North Australian, Ipswich and General Advertiser (26 August 1856), 1
http://nla.gov.au/nla.news-article78849890
MUSIC CLASS. Mons. ARMAND ROECKEL HAVING completed his arrangements, intends to open his CLASS on WEDNESDAY, the 20th instant.
The Class will meet twice a week, at half-past Three, P.M., on WEDNESDAYS and SATURDAYS, at Mr. R's. Residence.
Terms, Three Guineas per Quarter n advance.
Further particulars can be learned on application to Mr. A. Roekel, North Australian Cottage, near the Scotch Church.
18th August, 1856.
[Advertisement], The North Australian, Ipswich and General Advertiser (21 October 1856), 1
http://nla.gov.au/nla.news-article78850548
Ipswich Choral Society.
THE FIRST VISITORS' NIGHT will take place at the Subscription READING ROOM, East Street, on WEDNESDAY EVENING, the 22nd instant, at 8 o'Clock.
Programme.- Part I.
1. God Save the Queen. - Solo, duet, trio, and Chorus.
2. The Merry Month of May. - Chorus - C. M. Weber.
3. Sol Fa. - Chorus, without accompaniment.
4. Come into the Summer Woods. - Andante. - Boieldieu.
5. Fantasie on the Harmonium. - A. Roeckel.
6. The Curfew's Solemn Sound. - Trio and Chorus. - Attwood.
Part II.
1. The Marseillaise Hymn. - Solo and Chorus. Rouget de Lisle.
2. Harvest Home. - Pastoral.
3. Green Hills of Tyrol. - Chorus. Rossini.
4. Overture to Masaniello. - Auber.
5. God Save the Queen.
CONDUCTOR, MONS. ARMAND ROECKEL.
WILLIAM CRAIES, Secretary. Ipswich, 18th October, 1856.
"THE CHORAL SOCIETY", The North Australian, Ipswich and General Advertiser (28 October 1856), 3
http://nla.gov.au/nla.news-article78850705
We understand that this Society now numbers upwards of forty members; and, considering the short time it has been in existence, great proficiency has been attained. A strong muster of the members took place on Wednesday evening last, at the Subscription Reading Room, when a large and highly respectable audience assembled, on the invitation of the managers, to enjoy the musical treat announced in their programme. Several of the pieces were rapturously encored, and the able and spirited manner in which Mons. Roeckel conducted the performances elicited repeated bursts of applause. The whole affair went off very well, and it is but fair to state that the non-professional members sang with great spirit on the occasion. We regret to learn that Monsieur Roeckel intends leaving the district in a few weeks, in consequence of his not having met with sufficient encouragement to induce him to remain here, where the range of the profession, of which he is a talented member, is necessarily so much circumscribed. The musical amateurs will probably experience some difficulty in finding a suitable successor to this gentleman.
"THE CHORAL SOCIETY", The North Australian, Ipswich and General Advertiser (25 November 1856), 4
http://nla.gov.au/nla.news-article78849856
The complimentary benefit tendered by the residents of the town and its vicinity to Mons. Roeckel, the accomplished musician, took place at the hour appointed on Friday evening last. The. Subscription Reading Room, where the concert was held, was soon filled to overflowing, and many persons were unable to obtain admission. A great number of ladies graced the room with their presence, and the number of both sexes probably amounted to 200. The performances went off in the most spirited manner, eliciting frequent bursts of applause; in a word, it was one of the most agreeable concerts ever held in Ipswich.
"SHIPPING INTELLIGENCE", Empire (20 December 1856), 5
http://nla.gov.au/nla.news-article64981606
December 29. - Boomerang, steamer, 400 tons. Captain O'Reilly, from Moreton Bay 17th instant. Passengers . . . Roeckel . . .
[Advertisement], The Sydney Morning Herald (23 February 1857), 1
http://nla.gov.au/nla.news-article12992425
SYDNEY PHILHARMONIC SOCIETY . . .
The fifth Concert of the season will take place at the
CONCERT HALL, ROYAL HOTEL, THIS EVENING, (Monday) February 23rd, 1857,
on which occasion the following artistes have kindly Volunteered their services:
- Madame C. CAILLY, Lady Amateur, Monsieur Armand Roeckel, Mr. Wheeler.
The Concert to commence at 8 o'clock precisely,
PROGRAMME. PART I . . . 3. Airs from Meyerbeer's Opera Robert le Diable (Va-dit-elle) -
Madame CLARISSE CAILLY, who will be accompanied on the pianoforte by M. Armand Roeckel . . .
PART II . . . 4. Air from Puccini's Opera Niobe ("I tuoi frequenti") -
Madame CLARISSE CAILLY; who will be accompanied on the pianoforte by M. Armand Roeckel . . .
Conductor - Mr. C. W. F. STIER.
Leader - JOHN DEANE . . .
JOHN DEANE, Secretary, 10, Jamison-street.
ASSOCIATIONS: Clarisse Cailly (vocalist); Charles Stier (conductor); John Deane (leader); Sydney Philharmonic Society
"SYDNEY PHILHARMONIC SOCIETY", The Sydney Morning Herald (24 February 1857), 4
http://nla.gov.au/nla.news-article12992510
The fifth concert of the season was given by this Society, last evening, at the Concert Hall of the Royal Hotel. Although the evening was wet the room was well filled, though the performances somehow or other seemed to flag, and there evidently was not that spirit of enjoyment prevalent that we have witnessed on former occasions . . . Madame Cailly with the beautiful aria " "Va-dit-elle," got up a little excitement, and obtained a recall, substituting the charming little rondo of Maretzeti's . . . Madame Cailly, in the second part, sang an aria from Paccini's "Niobe," but the rain rain was pouring down too strongly for a recall, and the moment she had concluded the company - at least the fairer portion of it - began to disperse, in their anxiety to find their carriages, or to be the first to employ whatever vehicles might be in attendance. We should be doing injustice to a gentleman of talent did we forget to mention M. A. Roeckel, a clever pianist, and certainly a most finished accompanyist, who accompanied Madame Cailly in the difficult morceaux selected for yesterday evening. If we mistake not, it is the first time he has appeared in public, but we trust it may not be the last, for he promises to be an acquisition to our musical circles . . .
[Advertisement], The Sydney Morning Herald (9 March 1857), 1
http://nla.gov.au/nla.news-article12992992
CONCERT HALL, ROYAL HOTEL . . .
Madame CLARISSE CAILLY'S Last Grand Vocal and Instrumental CONCERT will take place THIS (Monday) EVENING, March 9.
Mr. E. D. Boulanger, Mr. A. Roeckel, Mr. E. Deane, Mr. Wheeler, Mr. W. H. Stephens, and an Amateur, have kindly volunteered their very valuable assistance . . .
Programme. Part I.
Cavatina, "Ernani," (Verdi) Madame Clarisse Cailly.
Solo, cornet-a-piston, Capricio on the favourite song, "Fading away, (A. Roeckel) Mr. Wheeler.
Solo pianoforte, "March Funebre," by request, (S. Thalberg) Mr. E. D. Boulanger.
By desire, "Rode's variations," (Rode) Madame Clarisse Cailly.
Solo, violincello, (Muntzberger) Mr. E. Deane.
By particular request, the Buffo Scona "Aloneo ye Brave," Mr. W. H. Stephens.
An intermission of ten minutes.
Part II. Aria, Opoea Bettby, (Donizetti) Madame Clarissa Cailly.
Solo, flute, introduction and air, "Swiss Boy," (Boehm) an Amateur.
Andante and Rondo Final, "Sonnambula," (Bellini) Madame Clarisse Cailly.
Solo, pianoforte, "Galop de Bravoura," by request, (Schulhoff) Mr. E. D. Boulanger.
"La Marseillaise," first time (Rouget do Lisle) Madame Clarisse Cailly.
Conductor, Mr. A. Roeckel . . .
ASSOCIATIONS: Edward Boulanger (solo piano); Edward Deane (cello); William Henry Stephens (actor, vocalist); Stephen Wheeler (cornet)
[Advertisement], The Sydney Morning Herald (21 March 1857), 5
http://nla.gov.au/nla.news-article12993251
In preparation, new dance music, by M. Armand Roeckel, viz , a "Polka Mazurka," and "La Varsoviana" . . .
J. R. CLARKE, publisher, 205, George-street.
ASSOCIATIONS: Jacob Richard Clarke (music publisher)
[Advertisement], The Sydney Morning Herald (26 March 1857), 1
http://nla.gov.au/nla.news-article12993403
CONCERT HALL, ROYAL HOTEL . . .
MASON'S SHAKSPERIAN ENTERTAINMENT. On THURSDAY, March 26th, 1857, will be presented on entirely new
MUSICAL and POETICAL ENTERTAINMENT, derived solely from the works of Shakspere,
with introduction, notes, and extracts, by A. J. MASON, A.N.A. (Original Lecturer on the Art of Wood Engraving).
The vocal portion by the following talented artistes;
Mrs. Andrews. Madame Lamont, Mr. Walcot, Mr. Howson, and Mr. Wheeler.
Musical Conductor, Mons. Roeckel.
PROGRAMME. PART I. Introduction.
Glee - "Hark the Lark."
Ballad - "Under the Greenwood Tree," Mr. Howson.
Song - "When Daisies Pied," Mrs. Andrews.
Glee - "What shall he have that killed the deer."
Glee - "Come unto these Yellow Sands."
Duet - "As it fell upon a Day," Madame Lamont and Mrs. Andrews.
Glee - "Full Fathom Five."
Solo and Chorus - "Speak, Sister, Speak," &c.
(Interval of ten minutes.)
PART II.
Trio - "When shall we three meet again."
Ballad - "Bid me Discourse," Mrs. Andrews.
Song - "Blow, Blow, thou Wintry Wind," Mr. Howson.
Glee - "Ye Spotted Snakes."
Ballad - "Where the Bee Sucks," Madame Lamont.
Glee - "Sigh no more, Ladies."
Duet - "Tell me where is Fancy Bred," Mrs. Andrews and Madame Lamont.
Solo and Chorus - "Hecate, Hecate, come away," &c. . . .
ASSOCIATIONS: Abraham Mason (lecturer); Maria Lamont (vocalist); Robson Walcot (vocalist); John Howson (vocalist)
[Advertisement], The Sydney Morning Herald (18 May 1857), 12
http://nla.gov.au/nla.news-article12995759
NEW MUSIC - PUBLISHED THIS MORNING.
The Australian Polka Mazurka, by Roeckel, elegantly illustrated, 2s 6d, post free 2s 8d . . .
J. R CLARKE, music seller, 205, George-street, Sydney.
"LIST OF UNCLAIMED LETTER FOR THE MONTH OF JULY" New South Wales Government Gazette (14 August 1857), 1607
http://nla.gov.au/nla.news-article229174133
37 Roekel A., musician
[Advertisement], The Sydney Morning Herald (1 September 1857), 1
http://nla.gov.au/nla.news-article13000056
THE FASHIONABLE DANCE! Published THIS DAY - THE IRIS VARSOVIANA, price 2s. 6d., post free 2s. 8d. . . . J. R. CLARKE, music seller, 205, George street, Sydney.
[Advertisement], The Sydney Morning Herald (10 April 1858), 2
http://nla.gov.au/nla.news-article13008552
. . . "Irish" [Iris] Varsoviana, by Roeckel. 2s. 6d. . . . J. R. CLARKE . . .
[Advertisement], The Sydney Morning Herald (28 February 1859), 2
http://nla.gov.au/nla.news-article13017106
. . . also, a new Varsoviana by Roeckel, entitled, "La Favourite." J. R. CLARKE, Music Seller, George-street.
[Advertisement], The Sydney Morning Herald (25 July 1859), 1
http://nla.gov.au/nla.news-article13028239
NEW MUSIC. - Just published . . .
New edition of . . . Iris Varsoviana, 2s. 6d.; and La Favorite Varsoviana, 2s. 6d., by Roeckel . . .
J. R. CLARKE, music publisher, 356, George-street.
[Advertisement], The Sydney Morning Herald (30 July 1859), 10
http://nla.gov.au/nla.news-article13028547
. . . The Australian Polka Mazurka (known also as the "Souvenir du Cork Polka Mazurka), by Roeckel (4th edition), 2s. 6d.
The Favourite Varsouviana [sic], by Roeckel (3rd edition). 2s. 6d . . .
J. R. CLARKE, Music-seller and Publisher, 356, George-street, Sydney.
"MUSIC AND DRAMA", The Sydney Morning Herald (19 February 1863), 9
http://nla.gov.au/nla.news-article13074476
. . . In connection with musical matters, it may not be out of place to notice a very elegant publication, "The Colonial Musical Album," which has recently been issued from the well-known, establishment of J. R. Clarke . . . A "Caprice di Salon," and other compositions by M. Boulanger, the pretty Australian "Polka Mazurka," by Roeckel, and the "Lurline Polka," form the instrumental portion . . .
Paris, by 1863:
"BIRTHS", Cork Examiner [Ireland] (26 May 1863), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000425/18630526/053/0002 (PAYWALL)
On the 18th inst., the wife of Mons. Armand Roeckel, Batignolles, Paris, of a son.
Musical works:
Graciella (varsoviana) (1854)
Graciella! varsoviana pour piano par Armand Roeckel jeune (Paris: S. Richault, [1854, 1863])
Copies at Bibliothèque nationale de France, Paris
http://catalogue.bnf.fr/ark:/12148/cb43238183k
http://catalogue.bnf.fr/ark:/12148/cb43238184x
Copy at the British Library, London
http://www.worldcat.org/oclc/497243963
Souvenir de Corck [Souvenir de Cork] (polka-mazurka) (1854) = Australian polka mazurka (1857)
Souvenir de Corck, polka-mazurka pour le piano par Armand Roeckel jeune, dédiée (sic) á Miss Annie Marcel (Paris: S. Richault, [1854, 1858, 1863])
Copy at Sydney Living Museums
https://trove.nla.gov.au/work/245993389
Copies at Bibliothèque nationale de France, Paris
http://catalogue.bnf.fr/ark:/12148/cb43238186m
http://catalogue.bnf.fr/ark:/12148/cb43238187z
http://catalogue.bnf.fr/ark:/12148/cb432381889
Copy at the British Library, London
http://www.worldcat.org/oclc/497243975
Les seéduisantes (1855)
Les seéduisantes, deux morceaux pour le pianoforte (1. Graciella; 2. Souvenir de Cork) (London, 1855)
Copy at the British Library, London
http://www.worldcat.org/oclc/497243943
Capricio on Fading away (March 1857)
Capricio on the favourite song, "Fading Away," - A. Roeckel [MS, unpublished]
NO COPY IDENTIFIED
Australian polka mazurka (1857) = Souvenir de Corck (1854)
The Australian polka mazurka by Roeckel (Sydney: J. R. Clarke, [1857; 1863])
Copies at the National Library of Australia (digitised)
https://trove.nla.gov.au/work/12840664 (DIGITISED 4 copies)
https://nla.gov.au/nla.obj-164720462 (DIGITISED)
Copies in Australian libraries
http://www.worldcat.org/oclc/219985306
Copy at the British Library, London
http://www.worldcat.org/oclc/497243956
La favourite varsoviana (1857; published 1859)
La favourite varsoviana ([Sydney: J. R. Clarke, 1859])
NO COPY IDENTIFIED
Harmonies du soir (1863)
Harmonies du soir, poésies musicales pour piano, op. 5 (Paris: S. Richault, [1863])
Copy at Bibliothèque nationale de France, Paris
http://catalogue.bnf.fr/ark:/12148/cb432381858
Rosheim polka mazurka (1863)
Rosheim, polka mazurka pour piano (Paris: S. Richault, [1863])
Copy at the British Library, London
http://www.worldcat.org/oclc/497243967
Souvenir de l'Ile Maurice (caprice mazurka) (1863)
Souvenir de l'Ile Maurice, caprice mazurka pour Piano (Paris: S. Richault, [1863])
Copy at the British Library, London
http://www.worldcat.org/oclc/497243984
Other references (family of Joseph August Roeckel):
William Barclay Squire, "ROECKEL" [family], in A dictionary of music and musicians edited by George Grove . . . vol. 3 (1883), 143-144
https://en.wikisource.org/wiki/A_Dictionary_of_Music_and_Musicians/Roeckel,_Joseph
Joseph August Röckel, Wikipedia
https://en.wikipedia.org/wiki/Joseph_August_Röckel
August Röckel, Wikipedia
https://en.wikipedia.org/wiki/August_Rockel
Other references (Joseph Roeckel, Cork, Ireland, 1851-63):
ASSOCIATIONS: ? = Joseph Roeckel (below)
"THEATRE", Cork Examiner [Ireland] (28 May 1851), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000425/18510528/026/0002 (PAYWALL)
Some half dozen French artistes made their bow on Monday evening. The entertainment given by them consists of music, vocal and instrumental, and dancing. The first part consists of selections from various popular operas, either solos or duos, besides ballads. There are two gentlemen singers, and one lady. Monsieur Littee possesses a very sweet and cultivated tenor, and he sings with taste, feeling and expression. Mousieur Jogand has more dramatic action and fire, and sings with great energy. Madame Bovenni is an excellent singer, and fully understands the art of stage vocalism. In fact, these concerts have all the character of undress rehearsals, for every expression is perfectly given as if in an acted opera. Monsieur Roeckel is one of the best pianists we have heard, and excels as an accompanist. His solos are very brilliant, but his accompaniments are far better - in fact, they could not be surpassed for judgment . . .
"LAST NIGHT'S CONCERT", Cork Examiner [Ireland] (11 June 1851), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000425/18510611/016/0003 (PAYWALL)
The concert of last evening was most successful. In point attendance, was quite cheering to all who sympathised with the French strangers, whom the dishonesty of an associate had place in a position the most painful embarrassment. And the concert itself . . . M. Littee sang charmingly; Madame Boveni was well received, and vehemently encored; M. Jogand rattled off the Largo Factotum in admirable style; and all three were obliged repeat the Marseillaise. M. Roeckel's performance on the piano was highly applauded . . . We may add that M. Roeckel is about establishing himself in Cork, as a professor of music, instrumental and vocal.
[Advertisement], Cork Examiner (28 April 1852), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000425/18520428/067/0002 (PAYWALL)
THEATRE ROYAL . . . MR. ALFRED PHILLIPS will have the honour of presenting his VOCAL and PICTORIAL ENTERTAINMENT . . . The Celebrated Pianist, Monsieur Roeckel, Repetiteur, from the Conservatoire of Music, Paris, will accompany Mr. Phillips in his Songs . . .
ASSOCIATIONS: Alfred Phillips (actor, vocalist)
[Advertisement], Southern Reporter and Cork Commercial Courier (2 August 1853), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000876/18530802/010/0001 (PAYWALL)
THE SISTERS OF MERCY, QUEENSTOWN . . . also return thanks to Mrs. Roeckel and Miss McAuliffe, to Mr. Roeckel, Mr. Fleming, and Mr. M. Sullivan, for their gratuitous services in the Choir . . .
[Advertisement], Cork Constitution (29 August 1863), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001646/18630829/019/0001 (PAYWALL)
. . . SUBSCRIBERS have been instructed by Mons. Joseph Roeckel, who is leaving Ireland, to Sell by UNRESERVED AUCTION, on the Premises, 59, SOUTH MALL, (corner of Marlboro'-street), on MONDAY, 31st August, at the hour Twelve o'Clock, the very excellent and useful Furniture and Effects, which comprise . . . a splendid and powerful-toned Harmonium by ALEXANDRE of Paris, containing 15 stops with percussion action, by which intricate piano forte music is performed with ease, and which produces the tones of nearly every musical instrument, as well as those of the human voice . . .
"MONS. JOSEPH ROECKEL. THE EDITOR OF THE . . .", Cork Constitution (17 August 1864), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001646/18640817/038/0002 (PAYWALL)
SIR - The following extracts translated and abridged from "Le Cernèen" and "Gazette" of Port Louis, Mauritius,
may possess interest for those among your readers who were friends of M. Joseph Roeckel during his residence in Cork . . .
"We should have wished to describe at length the last Concert given by Mons. J. Roeckel, but though time and space fail us for this,
we cannot withhold a brief notice of that delightful evening . . . M. Roeckel has every reason to be satisfied with his success.
His talents, both as pianist and musician, are now fully recognised, and we shall henceforth, with much pleasure, reckon him amongst our own. -
("Le Cernèen" June 15, 1864 . . .
ROECKEL, Joseph (? Jean-Guillaume ROECKEL; advertised as Joseph REKEL)
Pianist, composer (accompanist and manager of Jenny Claus)
Born c. 1824/31
Arrived (1) Melbourne, VIC, 19 March 1873 (per Racer, from Mauritius)
Departed (1) Melbourne, VIC, February 1874 (per Otago, for New Zealand, age "50")
Arrived (2) Sydney, NSW, 25 May 1874 (per Wonga Wonga, from Auckland, 16 May)
Departed (2) Sydney, NSW, 26 August 1874 (per Egmont, for Noumea)
Arrived (3) Sydney, NSW, 15 October 1874 (per Egmont, from Noumea)
Departed (3) Brisbane, QLD, 19 June 1875 (per R.M.S. Brisbane, for Batavia)
Active San Francisco, CA, USA, until 1880
? Died San Francisco, CA, USA, 15 August 1906
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROECKEL-Joseph (shareable link to this entry)
ROECKEL, Jeanne (? Christiana ROECKEL; Jeanne ROECKEL; advertised as Jeanne REKEL)
Vocalist
Born Paris, France, 4 March 1850; daughter of ? Jean-Guillaume ROECKEL
Arrived (1) Melbourne, VIC, 19 March 1873 (per Racer, from Mauritius)
Departed (1) Melbourne, VIC, February 1874 (per Otago, for New Zealand, age "28")
Arrived (2) Sydney, NSW, 25 May 1874 (per Wonga Wonga, from Auckland, 16 May)
Departed (2) Sydney, NSW, 26 August 1874 (per Egmont, for Noumea)
Married Vital-Constant RICHARD, Noumea, New Caledonia, 7 September 1874
Died Noumea, New Caledonia, 2 August 1881
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROECKEL-Jeanne (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Summary:
It is uncertain whether or how this pair was related to Armand Roeckel above. However, it is not impossible that the father was the Joseph Roeckel, reported above, active in Cork, Ireland.
However, this Joseph Rekel/Roeckel was certainly not the English-born composer and pianist Joseph Leopold Roeckel (1838-1923), who was active in Bristol during 1873, and, anyway, too young to have a marriageable daughter in 1874.
Entirely coincidentally, Joseph Leopold Roeckel's nephew (son of his half-brother Edward Roeckel), Waldemar Roeckel, a medical practitioner, served in Ballarat, Victoria, and died in Melbourne in 1894, in his early 40s, of a suspected drug overdose.
Documentation:
[News], The Argus (20 March 1873), 5
http://nla.gov.au/nla.news-article5850343
A fresh addition to the musical talent of the colony has just been made by the appearance of M. Rekel and Miss Rekel, and Miss Claus, who arrived from Mauritius yesterday, in the barque Racer. Each of the three has a specialty, Miss Claus having a reputation as a violinist, Miss Rekel as a vocalist, and M. Rekel as a pianist and composer; and from journalistic records in their possession, their performances in London, Paris, and elsewhere seem to have been meritorious.
[Advertisement], The Sydney Morning Herald (8 April 1873), 10
http://nla.gov.au/nla.news-article13312638
MADEMOISELLE JENNY CLAUS, the Violinist; Mademoiselle JEANNE REKEL, Vocalist;
and Monsieur JOSEPH REKEL, Pianist and Composer, intend giving CONCERTS in a short time.
For particulars apply to Messrs. ELVY and CO.
[Advertisement], The Sydney Morning Herald (17 April 1873), 8
http://nla.gov.au/nla.news-article13309921
"A crowded and fashionable audience . . .", Empire (18 April 1873), 2
http://nla.gov.au/nla.news-article63229426
"ARRIVALS", The Sydney Morning Herald (26 May 1874), 4
http://nla.gov.au/nla.news-article13342937
MAY 25. Wonga Wonga (s.), 1000 tons, Captain lake, from Auckland l6th instant. Passengers . . . Madlle. Claus and Rekel, Signor Cecchi, Mons. Rekel, Signor Biscaccianti . . .
[News], Empire (25 August 1874), 2
http://nla.gov.au/nla.news-article60991618
Mdlle. Jeanne Rekel, who, it will be remembered, came to this country with Mdlle. Claus, and appeared at several concerts in a selection of ballads and operatic selections, with much success, returns to-day in the Egmont to New Caledonia, where she has a more permanent engagement than any yet accepted by her. Mdlle. Rekel, when on her last professional tour in the island, was wooed and won by a young notary of good family, and equally good position and prospects, and in every way un bon parti. M. Rekel accompanies his daughter to Noumea; but Mdlle. Claus remains, and will probably go to Victoria shortly.
[News], Empire (17 October 1874), 2
http://nla.gov.au/nla.news-article60993535
M. Rekel, the pianist, arrived by the Egmont from New Caledonia, on Thursday [15 October], and leaves for Melbourne to-day to join Mdlle. Claus, who will probably soon return to New South Wales.
"MARRIED", The Argus (25 November 1874), 1
http://nla.gov.au/nla.news-article5883122
On the 7th inst., at the residence of the bridegroom, Noumea, New Caledonia, by the Rev. Ray, Vital Richard, to Christiana Roeckel (Jeanne Rekel), daughter of Joseph Roeckel, the musical composer.
[Advertisement], The Sydney Morning Herald (4 May 1875), 8
http://nla.gov.au/nla.news-article28403893
MASONIC HALL, THURSDAY EVENING, May 6th, 1876, at 8 o'clock,
GRAND RECITAL given by Mademoiselle JENNY CLAUS . . .
kindly assisted by THE FAVOURITE AMATEUR PIANISTE, Mademoiselle * * * * * *,
who will perform BEETHOVEN'S CELEBRATED SONATA in G with Mademoiselle JENNY CLAUS,
and THALBERG'S Grand Duet on Norma, for two pianos, with Monsieur JOSEPH REKEL . . .
"DEPARTURES", The Queenslander (26 June 1875), 12
http://nla.gov.au/nla.news-article18336706
June 19. - R.M.S. Brisbane, E. and A. Co.'s, 894 tons, Captain R. Balfour, for Keppel Bay, Bowen, Townsville, Cooktown, Somerset, Batavia, Singapore, and Hongkong. Passengers . . . For Batavia . . . Mademoiselle Jenny Claus, Herr Rekel . . .
"Mdlle. Jenny Claus", Evening News (27 July 1876), 2
http://nla.gov.au/nla.news-article107192542
The Melbourne Argus hears direct from M. Rekel that Mdlle. Jenny Claus, the distinguished Violinist, intends returning to Australia by the mail steamer that leaves San Francisco in July.
The San Francisco directory for the year 1879 (San Francisco: Commercial Steam Presses, 1879)
https://archive.org/details/sanfranciscodire1879lang/page/734/mode/2up (DIGITISED)
Rekel Joseph, teacher vocal music, 514 Stockton
[News], Daily Alta California [San Francisco, CA, USA] (13 May 1880), 1
https://cdnc.ucr.edu/?a=d&d=DAC18800513.2.11
The entertainment and ball given last evening by the Improved Order of Bed Men, in honor of "Tammany Day," was very largely attended . . . Prof. Joseph Rekel acted as Musical Director . . .
US census, 3 June 1880, San Francisco, California; C, 148
https://www.ancestry.com.au/imageviewer/collections/6742/images/4239986-00732 (PAYWALL)
516 / 54 Stockton Street / Roeckel Joseph / Boarder / 50 [sic] / Singing Teacher / [born] Germany / [father born] Germany / [mother born] Germany
Langley's San Francisco directory for the year commencing . . . 1881 (San Francisco: Francis, Valentine & Co, 1881)
https://archive.org/details/langleyssanfranc1881sanfrich/page/790/mode/2up (DIGITISED)
Rekel Columbus / . . .
Rekel Joseph / teacher music, r. 26 1/2 Kearny
Bibliography and resources:
Christiana ROECKEL, Geneanet
https://gw.geneanet.org/aderriennvenard?lang=en&iz=2&p=christiana&n=roeckel
Joseph Jean Roeckel, Find a grave
https://www.findagrave.com/memorial/37793016/joseph-jean-roeckel
ROEDIGER, Carl Gustav (Carl Gustav RÖDIGER; Gustav ROEDIGER; C. G. ROEDIGER)
Amateur vocalist, composer, merchant
Born Berlin, Prussia, 22 March 1832; baptised 27 Mary 1832; son of Johann Gottfried RÖDIGER (d. SA, 1875) and Amalie Friederike REDSLOB (d. SA, 1881)
Arrived Adelaide, SA, [?] 30 August 1849 (per Wilhemina Maria, from Hamburg, with parents)
Died Gawler, SA, 24 September 1898, aged "66"
https://trove.nla.gov.au/search?l-publictag=Carl+Gustav+Roediger+1832-1898 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROEDIGER-Carl-Gustav (shareable link to this entry)
Documentation:
[Advertisement], The South Australian Advertiser (7 October 1859), 1
http://nla.gov.au/nla.news-article1197898
NOTICE is hereby given that the PARTNERSHIP lately subsisting between us, in the Town of Gawler, as CORNDEALERS, is this day DISSOLVED by mutual consent; as witness our hands this sixth day of October, 1859. GUSTAV ROEDIGER; ERNST LIEBMANN . . .
"GAWLER AGRICULTURAL AND HORTICULTURAL SOCITEY", South Australian Register (1 March 1861), 3
http://nla.gov.au/nla.news-article50021777
At 7 o'clock, above 70 gentlemen assembled at the Oddfellows' Hall . . .
Mr. Clement here sung a haymaker's song, the burden of which was -
"Then a song and a cheer to the bonny green stacks,
Climbing up to the sun wide and high;
To the pitchers and rakers, and the merry hay makers,
And the beautiful midsummer sky."
The song was very loudly applauded . . .
Dr. Nott proposed the next toast,- "The Parent Society and the other Agricultural Societies in the Colony!" . . .
Song - Mr. Clement . . .
. . . Mr. RUDIGER sang a colonial song, the chorus of which wound up with a hearty commendation of "Our new home, our loved home, our children's native land" . . .
"THE DINNER", South Australian Weekly Chronicle (2 March 1861), 2
http://nla.gov.au/nla.news-article90035510
. . . Mr. ROEDEGER sung a new "Song of Australia;" words by Dr. Nott, music by Schrader [sic, Draeger]. It was much applauded . . .
"THE GAWLER DINNER. To the Editor of the . . .", South Australian Weekly Chronicle (9 March 1861), 3
http://nla.gov.au/nla.news-article90036458
Sir - In your report of the dinner on the occasion of the Gawler Agricultural Society's Show on Wednesday last,
it is said that a new "Song of Australia" was sung by me, the words being by Dr. Nott, the music by Schrader.
This, however, is a mistake in the name of the composer, who is Herr C. W. Draeger, of Gawler.
C. G. ROEDEGER.
Gawler, March 2, 1801.
[We were informed by a gentleman, resident in Gawler, that Dr. Nott was the author of the words. Editor.]
MUSIC: A song for Australia (words by George Nott; music by Carl Wilhelm Draeger)
[Advertisement], The South Australian Advertiser (15 November 1861), 1
http://nla.gov.au/nla.news-article879869
GAWLER TOWN.-TO be LET, on the 4th of December next, those Two SHOPS and PREMISES in Murray-street, now in occupation of G. Roediger & Co., where a good Business (German and English) has been done for the past three years . . .
"GAWLER TESTIMONIAL TO DR. SCHOMBURGK", Bunyip [Gawler, SA] (30 December 1865), 2
http://nla.gov.au/nla.news-article97205397
. . . The Song for Australia followed, admirably sung by Mr. ROEDIGER . . .
ASSOCIATIONS: Moritz Richard Schomburgk (clergyman, botanist; a Gawler resident, he had recently been appointed curator of the Adelaide Botanic Gardens)
"EASTER GATHERINGS . . . ENTERTAINMENT AT THE ODDFELLOWS' HALL, GAWLER", The Express and Telegraph (24 April 1867), 3
http://nla.gov.au/nla.news-article207593022
. . . A duet - "What are the Wild Waves saying," was next given by Mrs. Lane and Mr. Roediger . . . Mozart's " Don Juan," a duet, was next rendered by Messrs. Cranz and Roediger . . . Mr. Roediger next followed with a solo, "Then you'll remember me" . . .
"GAWLER", Adelaide Observer (15 June 1867), 5
http://nla.gov.au/nla.news-article159511123
An amateur evening entertainment in connection with the Oddfellows' Lodge, Gawler, was held in the Oddfellows' Hall on Tuesday Last (11th) . . . The overture by the band was followed by a chorus - "The Song of Australia" (Linger). Dr. Nott then recited "Virginia," a lay of ancient Rome, by Macaulay . . . A duet - "Come o'er the Moonlit Lea" (Deveraux) - by Mrs. Lane and Mr. W. Malcolm, and a song - "Do they Think of Me at Home" (Glover) - by Mr. C. G. Roediger, were then sung . . .
ASSOCIATIONS: Elizabeth Peryman Tozer Lane (amateur vocalist); August Georg Cranz (vocalist, violinist)
[Advertisement], South Australian Register (13 November 1867), 1
http://nla.gov.au/nla.news-article39178472
NEW SONG. Ready on Wednesday, 6th inst.,
HURRAH FOR PRINCE ALFRED, HURRAH.
Words by George Nott; Music by C. G. Roediger.
W. C. RIGBY, Publisher; and all Music and Book Sellers.
Price 2s., per Post 2s. 2d.
"NEW MUSIC", South Australian Register (13 November 1867), 2
http://nla.gov.au/nla.news-article39178489
A song and chorus, entitled "Huzzah for Prince Alfred, Huzzah," has just been published by Rigby, of Hindley-street. The words are by George Nott, the music by C. G. Roediger, and both have been lithographed by Penman & Galbraith. The composition has but few faults, but it is equally deficient in excellencies. The melody maintains the even tenor (or soprano) of its way, with a turn, turn, turn accompaniment, but unfortunately it does not fit the poetry. Thus we have such words as "people," "distance," and "victory" accented on the second syllable, with several other anomalies of this kind. For these, however, the poet is mainly responsible. We hope to see them corrected in future editions.
"COUNTRY CORRESPONDENCE. LYNDOCH", South Australian Register (14 June 1871), 5
http://nla.gov.au/nla.news-article39253300
. . . Mr. Roediger, another Gawler celebrity, produced two German songs, which were well received. Dr. Nott recited in capital style "The Burial March of Dundee" . . .
"THE LATE MR. C. G. ROEDIGER", South Australian Register (27 September 1898), 3
http://nla.gov.au/nla.news-article54401036
On Saturday morning, September 24, there passed away at his residence, Murray-street, Gawler, an old and interesting identity of that town in the person of Mr. Carl Gustav Roediger. The deceased gentleman arrived in South Australia with his mother, two brothers, and sisters in 1849, his father, the late Mr. J. G. Roediger, having preceded them by a year or so. After staying in Adelaide for a while Mr. C. G. Roediger and two brothers left for the Victorian gold fields, and were fairly successful in their search for the precious metal. On their return to South Australia they and their parents took up land at Buchsfelde on the Gawler River, and began farming operations. After four or five years of agricultural life Mr. C. G. Roedicer decided to enter into commercial pursuits. Joining the late Mr. Liebmann, he carried on the business of wheatbuying in Gawler, and subsequently that of storekeeping. He was possessed of exceptional shrewdness and accuracy of foresight, and was moreover enterprising and energetic. Business prospered, and the deceased gentleman added to his other undertakings that of pastoral occupation. A series of dry seasons brought disaster, and the losses of Mr. Roediger were heavy. Latterly he had carried on the business of hay and chaff merchant . . . Thoroughly straightforward and honourable, he commanded the respect of all who were associated with him. Mr. Roediger possessed musical gifts of no mean order, and when a boy was in great demand as a singer in his native city in Germany . . . The remains were conveyed to Buchsfelde, and interred in the burying-ground of St. Paul's, which Church his late brother, the Rev. Julius Roediger, presided over for so many years . . . The deceased gentleman had attained the age of sixty-six years.
"THE LATE MR. C. G. ROEDIGER", Bunyip (30 September 1898), 2
http://nla.gov.au/nla.news-article97579542
. . . The late gentleman was a native of Germany, and in his youthful days his capabilities as a singer narrowly escaped leading him to the adoption of a professional career. His parents, however, were not altogether in favor, of this course, and a little later the family came to Australia. Mr. C. G. Roediger arrived in South Australia with his mother, sisters, and two brothers on October 17, 1850 [sic]. After staying in Adelaide for a time Mr. Roediger and his two brothers went to the Victorian diggings . . . The deceased gentleman, who had reached the age of 66, leaves two brothers (Mr. Edward Roediger of Adelaide, and Mr. Hermann Roediger of Buchsfelde) and two sisters (Mrs. Kneese of Kent Town and Mrs. Lellman of Adelaide.) Another sister (the late Mrs. G. Schwann) died about three years. The eldest brother (the late Rev. J. Roediger) died in November last.
Musical works:
Huzzah for Prince Alfred, huzzah, welcome song, words by G. Nott, music by C. G. Roediger (Adelaide: W. C. Rigby, [1867])
https://trove.nla.gov.au/work/34874173
https://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?embedded=true&toolbar=false&dps_pid=IE3748995 (DIGITISED)
ASSOCIATIONS: George Nott (1820-1872)
ROGERS, Edwin John (Edwin John ROGERS)
Musical memorialist, singer, bell-ringer (mayor of Hobart 1926-27)
Born Hobart, TAS, 18 September 1858; son of Richard John ROGERS and Anna Maria COLBECK
Married Ada Alice BELBIN, Hobart, TAS, 9 April 1884
Died Hobart, TAS, 23 February 1951, aged 92
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROGERS-Edwin-John (shareable link to this entry)
ROGERS, Ada Alice (Miss BELBIN)
Pianist
Born Hobart, TAS, 18 October 1862; daughter of William BELBIN and Rebecca DOWDELL
Married Edwin John ROGERS, Hobart, TAS, 9 April 1884
Died Sandy Bay, TAS, 14 December 1945, aged 83
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROGERS-Ada-BELBIN (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Documentation:
[Advertisement], The Mercury (9 November 1878), 3
http://nla.gov.au/nla.news-article8970124
"THE ORPHEUS CLUB CONCERT", The Mercury (18 November 1879), 2
http://nla.gov.au/nla.news-article8983443
"MUSIC AND MUSICIANS Alderman E. J. Rogers A Chat About Old Times", The Mercury (28 August 1929), 5
http://nla.gov.au/nla.news-article24284290
The young folks of to-day fail to understand that in earlier days people in Hobart enjoyed the same productions as Melbourne and Sydney, because of the direct connection which then existed between the mainland, Tasmania, and New Zealand. We had a weekly service from Melbourne by way of Hobart to New Zealand, and also a steamer the other way about. It followed from this that all the noted operatic and theatrical artists who were travelling between Melbourne and New Zealand called at Hobart, and stayed a week or a fortnight. We had all Lyster's grand operas with magnificent Italian companies . . . I first saw [Armes] Beaumont with Alice May in a whole series of English operas, such as "Maritana" and "The Bohemian Girl". Simonsen's Opera Company came here. He was a magnificent violinist and his wife was one of the finest sopranos ever heard on the Australian stage. She was well over 50 years old, and yet would play a girl's part quite charmingly . . . Other visiting companies were the Grace Plaister Opera Company, the Emily Melville Opera Company, the German Opera Company, with "Tannhauser" and "Lohengrin", and the Gonsalez Italian Opera Company, the last to come. Amy Sherwin made her first appearance as an operatic singer in a little opera that used to be produced by the late W. Russell, "Zillah". It was given at Delsarte's Rooms, later called the Tasmanian Hall, and now the home of the Royal Yacht Club. She then decided to go on the stage, and joined Lyster's Opera Company . . . Lempriere Pringle, the famous bass, is another Tasmanian . . . He became Carl Rosa's leading bass, and one of the finest Mephistopheles on the stage. At one time he sang with the Hobart Orpheus Club . . .
Turning to players of Instruments, Mr. Rogers recalled such artists as Sir Charles Halle, the pianist, his wife, the violinist [Wilma Neruda], and Levy, the great cornetist, and W. H. Jude, organist and composer. Speaking of Herr Schott, the German musician who came to Hobart to organise the Artillery Garrison Band, Mr. Rogers said that he was one of the finest all-round musicians that ever came to Tasmania. He could pick up the instrument of almost any player and show him what to do. He was the finest oboist in Australia, and conducted the Orchestral Union almost until his dying day. He never had a failure in all that he produced. Outstanding members were the Misses Barclay, Hunt, Foster, Hogg, Henry, Reichenberg (the organist), Mrs. E. J. Rogers, formerly Miss Belbin (the pianist), and Mr. James Dear. Mr. Rogers was one of the founders of the Hobart Orpheus Club, and is now the president, but aside from his work as a singer in this and other bodies and in private life, with the help of Mrs. Rogers, a born musician, he had as manager of the Theatre Royal for 20 years . . .
ASSOCIATIONS: Armes Beaumont (vocalist); Amy Sherwin (vocalist); William Wilkins Russell (musician); James Arthur Schott (musician)
"GOLDEN WEDDING", Examiner (9 April 1934), 8
http://nla.gov.au/nla.news-article51864082
"ENGLISH BELLRINGERS ANNIVERSARY AT HOBART", Examiner (16 September 1937), 7
http://nla.gov.au/nla.news-article52160299
"DEATHS", The Mercury (15 December 1945), 21
http://nla.gov.au/nla.news-article26143636
"MR. E. J. ROGERS' DEATH ENDS LONG CAREER", The Mercury (26 February 1951), 19
http://nla.gov.au/nla.news-article27023202
"Funeral of Prominent Hobart Businessman", The Mercury (27 February 1951), 8
http://nla.gov.au/nla.news-article27021133
ROGERS, Emma = Mrs. George Herbert ROGERS
ROGERS, Fannie (Fannie ROGERS; Mrs. Ishmael ROGERS)
Music teacher, pianist
Arrived Fremantle, WA, 1887
Died Sutton, Surrey, England, 15 December 1920, aged 79 years
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROGERS-Fannie (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Documentation:
"DEATHS", Western Mail (23 December 1920), 19
http://nla.gov.au/nla.news-article37474898
"OLD TIME MEMORIES", Western Mail (30 December 1920), 30
http://nla.gov.au/nla.news-article37475198
The news of the death of Mrs. Ishmael Rogers, which occurred at the family home near London, a few days ago, at the age of 79, will be received with widespread regret by her many friends in Western Australia. Mr. and Mrs. Rogers, with their family, arrived at Fremantle by the steamer Australind's first voyage from London, among their fellow passengers being Mr. and Mrs. John Hurst and family, one of whom is Lady Hobbs. Sir Talbot also came by the same vessel. Mr. and Mrs. Rogers resided at Claremont, where Mrs. Rogers controlled a musical academy in which many of Western Australia's matrons of to-day received their early training upon the pianoforte. Among the late Mr. and Mrs. Rogers's surviving family circle are Mrs. Henry Trigg, of Henley Beach, near Adelaide, Mrs. Moody, of Osborne, and Mrs. Bernard Gidley, of North Perth.
ROGERS, George Herbert (George Herbert ROGERS; G. H. ROGERS; Mr. ROGERS)
Actor, vocalist, comic vocalist, musician, ophicleide player
Born St. Albans, England, 11 July 1820; baptised 29 October 1820; son of Thomas ROGERS (d. 1820) and Emma CONDER
Enlisted 51st Regiment, Chatham, Kent, 5 September 1838
Arrived (with detachment of regiment) Hobart Town, VDL (TAS), ? early 1839
Discharged 51st Regiment, Hobart Town, VDL (TAS), 30 November 1840
Married (1) Emma YOUNG, St. David's, Hobart Town, VDL (TAS), 2 March 1844
Married (2) Anne MEHAN, NSW, 1863
Died Fitzroy, Melbourne, 13 February 1872, aged "54"
https://trove.nla.gov.au/search?l-publictag=George+Herbert+Rogers+1820-1872 (TROVE tagged by Australharmony)
http://en.wikipedia.org/wiki/George_Herbert_Rogers (Wikipedia)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROGERS-George-Herbert (shareable link to this entry)
ROGERS, Emma (Emma YOUNG; Miss YOUNG; Mrs. George Herbert ROGERS; Mrs. G. H. ROGERS; Mrs. ROGERS)
Dancer, vocalist, actor
Born Devonport, England, 1815; baptised St. Andrew, Plymouth, 15 October 1815, daugher of James YOUNG and Isabella Marshall FRISBY
Arrived Hobart Town, VDL (TAS), 28 January 1842 (per Sydney, from the Downs, 3 October 1841)
Married George Herbert ROGERS, St. David's, Hobart Town, VDL (TAS), 2 March 1844
Died Coogee, NSW, 15 October 1862, aged 47
https://trove.nla.gov.au/search?l-publictag=Emma+Young+Rogers+1815-1862 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROGERS-Emma-YOUNG (shareable link to this entry)
Summary:
George Rogers to 1844:
George Herbert Rogers was born in St. Peter's-street, St. Alban's, Hertfordshire, on 11 July 1820, the only child of Thomas Rogers by his second wife, Emma Conder. His father, a surgeon, died only a fortnight later, and in 1829 his mother married Joseph Ravenscroft Elsey, a Bank of England official. Their only son, George's half-brother, was the surgeon, explorer, and naturalist Joseph Ravenscroft Elsey (the younger). The Congregational minister and writer, Henry Rogers, was his half brother by his father's first marriage.
According to his own later account, he left home as the result a family dispute. At Chatham, Kent, on 5 September 1838, aged 18, he enlisted as a soldier in 51st Regiment, bound for Australia. The regimental headquarters having already sailed for Sydney, NSW, en route to Hobart, he followed in a later detachment, probably direct to Hobart, arriving sometime early in 1839. Though only ever appearing in the paylists as a private, he may well have been promoted to corporal around the time of his discharge, which he purchased, after 2 years' service, for the sum of £20, at Hobart on 30 November 1840.
Having, according to later reports, participated in garrison theatrical performances while still in the regiment (probably those reported in winter 1840) he may well have immediately joined Anne Clarke's company at the Royal Victoria Theatre for summer season. However, Clarke having meanwhile sailed for England to recruit new talent, his name only first appeared on a theatrical bill towards the end of the winter season under Feltham Watson's management, when, on 30 June 1841, he played Johnnie Howie in Barrymore's Gilderoy; or, The bonnie boy. A week later, at Charles Jones's benefit, he was billed to sing a comic song, and when he took his own first benefit on 22 July, his former commanding officer, William Elliott, and the officers of the regiment, paid him the double honor of attending the theatre, and allowing him the services of the regimental band.
With comic songs one of his specialities, Rogers continued with Hobart company (now under the joint management of Watson and Samson Cameron) into 1842, and then, when they transferred for almost a year from May 1842, at the Olympic Theatre in Launceston. It wasn't until the autumn of 1843 that he finally joined Anne Clarke's Hobart company, first billed to sing the comic song, The beautiful boy, "in character", between the pieces, on 29 March.
Emma Young to 1844:
The actors James Young (c. 1787-c. 1851) and Isabella Marshall Frisby (1788-1849) were married at St. Leonard's, Deal, Kent, on 23 June 1810. Emma Young, their second surviving child, was born at Plymouth in 1815. Two of her younger siblings would also have theatrical careers in Australia, Charles Young, born in 1823, and Fanny Young, born in 1835. Having been recruited in London for the Hobart Theatre by Anne Clarke, Emma arrived in Hobart Town on board the Sydney on 28 January 1842, with Clarke and the other new recruits, members of the Howson family, the vocalist and actor Theodosia Stirling, and the dancer Gerome Carandini.
George Herbert Rogers, Melbourne, c. 1870
Documentation:
Baptisms solemnized in the parish of Saint Andrew in Plymo'h in the County of Devon in the year 1815; Devon Archives
[1815 October] 15 / Emma da. of / James [and] Isabella Marshall / Young / Plymo'h / Comedian / . . .
Copy of a register of baptisms kept by Rev'd Mr. Phillips of Harponden; registers, Spier Street Independent chapel, St. Albans, Hertfordshire, 1796-1837, fol. 25; UK National Archives
https://www.ancestry.com.au/imageviewer/collections/2972/images/40612_B0147914-00027 (PAYWALL)
104 - George Herbert Rogers, Son of Thomas and Emma Rogers, of the Parish of St. Peter's, St. Albans, Herts., was born July 11, 1820, and baptized October 29, 1820, by me G. Browne
"DIED", Sun [London] (27 July 1820), 4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002194/18200727/024/0004 (PAYWALL)
On the 25th inst., at his house, in St. Peter's street, St. Alban's, Thomas Rogers, Esq., surgeon.
PAY-LIST of the 51st or King's Own Regiment of Light Infantry, from the 1st of July to the 30th of September 1838; (Australian Joint Copying Project, from Records of the UK War Office)
https://nla.gov.au/nla.obj-1649446958
RECRUITS who have joined during the Quarter . . .
1234 / Duly Abraham P. / Enlisted by special [?] / No Bounty / [Enlisted] [1838] 12 July / Chatham . . .
- / Rogers Geo. H. / [From] 5 September [1838] / Enlisted at Chatham 5 Sept. / . . .
Australia (? by early 1839):
Paylist of the 51st Regiment, 30 April to 30 June 1840; Australian Joint Copying Project, from Records of the UK War Office
https://nla.gov.au/nla.obj-1649848533/view (DIGITISED)
[Privates] . . . 1271 / Rogers / Geo. Herbert / 30 April to 30 June [1840] / Reg't Duty . . .
Paylist of the 51st Regiment, 1 October to 31 December 1840; Australian Joint Copying Project, from Records of the UK War Office
https://nla.gov.au/nla.obj-1649943351 (DIGITISED)
[Privates] . . . 1271 / Rogers / George Herbert / [1 October to] 30 November [1840] / £ 20 per [?] / Reg't duty / Discharged 30 November paying £ 20 / . . .
[Advertisement], Colonial Times (29 June 1841), 3
http://nla.gov.au/nla.news-article8751828
ROYAL VICTORIA THEATRE . . . WEDNESDAY NEXT, the 30th instant . . .
the celebrated Scottish melodrama, in two acts, entitled GILDEROY, OR THE BONNIE BOY . . .
Gilderoy - Mr. Thomson; Walter Logan - Mr. Chapman; Andrew Cloutem - Mr. Harrold;
Bailie McNabem . Mr. Searle; Stephen Hearthard - Mr. F. B. Watson . . .;
Johnnie Howie - Mr. Rogers; Charlie - Mrs. Harrold; Dick - Master Earle; Jessie Logan - Mrs. G. Thompson . . .
ASSOCIATIONS: Mr. and Mrs. Harrold (actors, vocalists); Feltham Bold Watson (actor); Martha Thomson (actor)
[Advertisement], The Courier (2 July 1841), 1
http://nla.gov.au/nla.news-article2956070
ROYAL VICTORIA THEATRE . . . For the BENEFIT of Mr. C. JONES . . .
MONDAY EVENING NEXT . . . a Comic Duet by Mrs. Harrold and Mr. C. Jones; Comic Song, Mr. Rogers . . .
ASSOCIATIONS: Charles Edward Jones (actor, vocalist)
"THE THEATRE", The Courier (16 July 1841), 3
http://nla.gov.au/nla.news-article2955989
. . . We perceive by advertisement in another portion of our paper, that Colonel Elliott and the Officers of the 51st Regiment intend again honouring the Theatre with their presence next Thursday evening, on the occasion of Mr. Rogers' Benefit, who was formerly a corporal in the 51st, and an amateur performer at the Barrack Theatre, but who has latterly obtained his discharge. Mrs. O'Flaherty will positively make her appearance, (for that night only,) and the Regimental Band has also been kindly permitted to attend.
[Advertisement], The Courier (16 July 1841), 3
http://nla.gov.au/nla.news-article2955988
ROYAL VICTORIA THEATRE.
UNDER THE DISTINGUISHED PATRONAGE OF COLONEL ELLIOTT AND THE OFFICERS OF THE 51ST REGIMENT,
GREAT ATTRACTION. MRS. O'FLAHERTY, (late Miss Winstanley) from the Theatre Royal, Sydney,
will make her first appearance on THURSDAY NEXT, 22d July, 1841.
MR. G. H. ROGERS begs to inform his friends and the public generally,
that his BENEFIT is fixed for the above Evening, when he respectfully solicits their kind patronage and support.
Opening Overture, "Cheval de Bronze," Regimental Band.
The Evening's Entertainment will commence with the Romantic Drama, in Two Acts, of ZARAH. Zarah, Mrs. O'Flaherty.
After which, a variety of Singing and Dancing.
The whole to conclude with (for the first time this season) the admired Vaudeville of THE SENTINEL. Linda, Mrs. O'Flaherty . . .
F. B. WATSON, Manager.
ASSOCIATIONS: Eliza Winstanley O'Flaherty (actor)
[Advertisement], Colonial Times (20 July 1841), 1
http://nla.gov.au/nla.news-article8751899
ROYAL VICTORIA THEATRE . . . THURSDAY, JULY 22 . . .
MR. G. H. ROGERS (late of the Regimental Theatre) begs to inform his Friends and the Public generally,
that his BENEFIT is fixed for the above Evening . . .
Overture, "Tam o'shanter," and a variety of National and other Airs, Regimental Band . . .
Song, "Some Love to Roam," Mr. Thomas. Hornpipe, A Gentleman Amateur.
Comic Duet, "Provincial Engagements," Mr. Watson & Mr. Rogers . . .
"SHIPPING INTELLIGENCE . . . Arrivals", The Courier (28 January 1842), 2
http://nla.gov.au/nla.news-article2954943
28 - the Sydney, from London, last from the Downs on the 3rd October - passengers . . . Mr. and Mrs. Clark and child . . . J. Carandini, F. Howser [sic], wife, and child, Henry and John Howser [sic], S. Macintosh and child, Emma Young.
ASSOCIATIONS: Anne and Michael Clarke (theatrical managers); Gerome Carandini (dancer); Frank Howson (actor, vocalist); Emma Howson (dancer); Henry Howson (musician); John Howson (actor, vocalist); Theodosia Macintosh (Mrs. Stirling, actor, vocalist, later Mrs. Guerin)
[Advertisement], The Courier (18 February 1842), 3
http://nla.gov.au/nla.news-article2954817
MUSICAL ENTERTAINMENT, TUESDAY, February 22, 1842, at the ARGYLE ROOMS, Liverpool Street.
Mrs. CLARKE bogs most respectfully to acquaint her friends and the public, that,
in consequence of having been disappointed in obtaining the Theatre in Campbell-street,
she has taken the above Rooms, which she purposes fitting up as a THEATRE as soon as possible;
and, meanwhile, intends to give twice a-week a Theatrical Olio and Musical Mélange . . .
PROGRAMME. PART I . . . Song - "The Lass o' Gowrie," - Miss Young . . .
the celebrated DOUBLE HORNPIPE from the Ballet of "Nina," by Miss Young and Mrs. F. Howson.
PART II. The whole of LOCKE'S celebrated MUSIC TO "MACBETH" . . . Fourth Witch - Miss Young . . .
To conclude with (for the first time in this Colony) the celebrated MAZURKA,
from the Ballet of "Beniowski," as danced at the Italian Opera House, London. - Miss Young, Mrs. F. Howson, and Signor Carandini . . .
"THE ALBERT THEATRE", The Courier (18 March 1842), 2
http://nla.gov.au/nla.news-article2954678
. . . This place of amusement has, during the last week, met with its usual support . . . The Pas de Trois, composed by Signor Carandini, and danced by him with Mrs. Howson and Miss Young, is a composition rather intended for grace of posture than any aim at character, and certainly in the former full justice was done to the intention, and reflected great credit on the performers . . .
"THE THEATRE", The True Colonist Van Diemen's Land Political Despatch . . . (7 October 1842), 3
http://nla.gov.au/nla.news-article202419837
. . . Miss Young's benefit is this evening, we hope she will have a bumper house, for she is a most deserving young woman, and a most industrious and useful actress . . . We believe Miss Young, although a very agreeable singer, and a splendid dancer, does not profess to teach music, and Mrs. Clarke has too much to do otherwise.
[Advertisement], The Courier (20 January 1843), 1
http://nla.gov.au/nla.news-article2953269
"THE THEATRE", Colonial Times (7 February 1843), 3
http://nla.gov.au/nla.news-article8753313
The exertions of Mrs. Clarke, in catering for the amusement of the public, appear now to be better appreciated, if we may judge from the respectability and number of the Audience last evening, and the manner in which the various pieces were performed must ensure a continuance of this patronage. We have not room for particulars, but will remark in passing, that a little more animation would have considerably improved Miss Young in "Why don't she marry," - and we have no doubt this will be the case on a repetition of the piece, which is extremely amusing. The appearance of Mrs. Howson and Miss Young, in the Sylphide, was quite enchanting, and their dancing admirable . . .
[Advertisement], Colonial Times (28 March 1843), 1
http://nla.gov.au/nla.news-article8753450
VICTORIA THEATRE, CAMPBELL STREET. WEDNESDAY, MARCH 29 . . .
a Drama, in Three Acts, by J. B. Buckstone, Esq., entitled
THE DREAM, AT SEA; Or, THE WRECKER'S HAUNT.
After which, the celebrated TARENTELLA, by Mrs. F. Howson and Signor Carandini.
Comic Song (in character,) "The Beautiful Boy," by Mr. Rogers . . .
[Advertisement], The Courier (31 March 1843), 1
http://nla.gov.au/nla.news-article2952941
ROYAL VICTORIA THEATRE . . . ON MONDAY, APRIL 3 . . .
a FURLANA, by Miss Young and Signor Carandini.
Comic Song, "The Gravesend Steamer," Mr. Rogers.
Comic Duet, (in character,) Miss Young and Mr. F. Howson . . .
"THE THEATRE", The Courier (1 September 1843), 2
http://nla.gov.au/nla.news-article2952217
The Victoria will be opened on Monday evening next for the general benefit of the ladies and gentlemen belonging to that establishment. On this occasion Mrs. Bushelle, who is desirous of making a return to the corps dramatique for their services on a former occasion, and also is about to depart hence for Sydney, will make her farewell appearance. The evening's performances are to commence with a Miscellaneous Musical Melange, in which several favourite songs, ballads, and duets will be given. This petite concert will be followed by a Pas de Deux, by Mrs. Howson and Signor Carandini; and the Guaracha Dance, from the Opera of Massaniello, by Miss Young Mrs. Howson, and the Signor.
ASSOCIATIONS: Eliza Bushelle (vocalist)
"THE THEATRE", The Courier (5 January 1844), 2
http://nla.gov.au/nla.news-article2951625
On Wednesday evening, agreeably to announcement, Captain Blackwood and the Officers of H.M.S. Fly patronised the Theatre . . . The first piece was "The Mountaineers," in which Mr. Nesbitt played Octavian in very good style. The Double Naval Hornpipe, by Miss Young and her brother, was very prettily danced and rapturously encored . . .
ASSOCIATIONS: Francis Nesbitt (actor); Charles Young (brother, dancer, vocalist, actor)
Marriages in the district of Hobart, 1844; Tasmanian names index; NAME_INDEXES:831162; RGD37/1/3 no 1169
https://stors.tas.gov.au/NI/831161
https://stors.tas.gov.au/RGD37-1-3$init=RGD37-1-3P297 (DIGITISED)
1169 / 2nd March / George Herbert Rogers / 24 / Writer [sic] / [Bachelor] . . .
Emma Young / 28 / Spinster / were married in the Parish Church . . . [by] P. Palmer . . . in the presence of Theodosia Stirling and Charles Young
ASSOCIATIONS: Philip Palmer (clergyman); Theodosia Stirling (actor, vocalist); Charles Young (actor, Emma's brother)
[2 advertisements], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (8 March 1844), 1
http://nla.gov.au/nla.news-article232482425
Royal Victoria THEATRE . . . MR. LEE'S BENEFIT, Monday 11th MARCH . . .
AN ENTIRE NEW INDIAN DANCE, By Mrs. Rogers (late Miss Young), Messrs. Lee, Young, Stubbs, and Wilks . . .
To conclude with (first time) and entire new COMIC PANTOMIME . . . HARLEQUIN; AND THE FAIRY OF THE SILVER STAR . . .
Princess Pe-ke (afterwards Columbine) - MRS. ROGERS . . .
ORATORIO at ST. JOSEPH'S CHURCH, MACQUARIE STREET,
ON WEDNESDAY, THE 13th INSTANT . . . FOR THE BENEFIT of Mons. and Madame Gautrot,
assisted by the principal musical talent of Hobart Town, who have charitably come forward on this occasion gratuitously.
Colonel Elliott has kindly offered the assistance of the Band . . .
PROGRAMME: PART I . . ."The Hymn of Eve" - Mrs. Rogers . . .
PART II . . . "Sound an alarm" - Mrs. Rogers . . .
LEADERS - MR. LEFFLER & MONSIEUR GAUTROT . . .
ASSOCIATIONS: John Herman Selwyn Lee (actor); Joseph Gautot (violinist) and wife (vocalist); Edmund Leffler (violinist)
"THE THEATRE", Colonial Times (24 September 1844), 3
http://nla.gov.au/nla.news-article8755318
To those persons who are fond of a good opera, well performed, our Theatre last night presented a high treat, Bellini's Somnambula being represented in a style which would have done infinite credit to even the English Opera House . . . Mrs. Rogers as Lisa, gave the air, "Sounds so joyful," with great spirit and fine expression - indeed this latter quality is very conspicuous in this lady's singing, and it is a quality, in our opinion, of great merit . . .
[Advertisement], Port Phillip Gazette [Melbourne, NSW (VIC)] (19 July 1845), 3
http://nla.gov.au/nla.news-article224809697
Queen's Theatre Royal . . . FOR THE BENEFIT OF MRS. CAMERON,
Who . . . is happy to announce that the has entered into arrangements with
MR. COPPIN and the LAUNCESTON COMPANY to perform upon this occasion. Tuesday Evening, July 22.
The entertainments will commence with Sheridan's celebrated Comedy, THE RIVALS . . .
END OF THE PLAY - Grand pas Seul - Mrs. Young
Song - "Lass o'Gowrie" - Mrs. Rogers
Comic Song - "Regent Street" - Mr. Rogers . . .
Comic Medley Duet - Mr. and Mrs. Rogers
Double Highland Fling - Mr. and Mrs. Young
Song - "Swiss Toy Girl" - Mrs. Cameron . . .
ASSOCIATIONS: George Coppin (actor, manager); Cordelia Cameron (actor, vocalist); Jane Young (dancer)
"THINGS THEATRICAL", The Melbourne Courier (24 December 1845), 2
http://nla.gov.au/nla.news-article226363634
We observe it stated in the Sydney papers received by yesterday 's overland mail, that Mr. and Mrs. Rogers of the Melbourne Theatre were engaged for the coming season at the Sydney Victoria. We apprehend that this is a mistake, Mr. and Mrs. Rogers are engaged for the season here . . .
"THE DRAMA", Bell's Life in Sydney and Sporting Reviewer (8 January 1848), 2
http://nla.gov.au/nla.news-article59765078
THE company at the Victoria have at length received an accession in the persons of MR. and MRS. ROGERS, lately arrived from Hobart Town. The gentleman made a most successful debut on Monday evening, as Sir Abel Handy, in Morton's admirable comedy of SPEED THE PLOUGH . . . Mrs. ROGERS will make her first appearance on Monday evening in the character of Biddy Nutts, in Buckstone's drama of THE DREAM AT SEA, and we doubt not but she will meet with a cordial reception, as rumour speaks highly of her professional talents and acquirements.
"MR. JOHN HOWSON'S BENEFIT", The Australian [Sydney, NSW] (31 March 1848), 3
http://nla.gov.au/nla.news-article37129449
We have much pleasure in reminding our readers of the attractive affiche put forth by Mr. John Howson for Monday evening next . . . Loder's classical Opera of the Night Dancers . . . will be produced . . . and with the additional aid of Mr. and Mrs. Rogers, who are now included in the cast . . . and Mr. Rogers will sing the buffo song of "Manager Strut" . . .
[Advertisement], The Sentinel (6 April 1848), 3
http://nla.gov.au/nla.news-article226465084
ROYAL VICTORIA THEATRE. THURSDAY EVENING, APRIL 6th, 1848;
MR. & MRS. ROGERS, IN announcing their FIRST BENEFIT to the Public of Sydney and its vicinity,
rely with confidence on receiving a liberal share of patronage and support.
First night of the highly interesting Drama of GIL BLAS. -
Grand Pas de Deux. Mrs. Rogers and Signor Carandini.- And a great variety of Novel Entertainments . . .
Song, "The Lass O' Gowrie," Mrs. Rogers.
Medley - Pas Seul, England, Scotland, Ireland, and Wales, Mrs. Torning.
Comic Duet, (first time) by Barnet, "Sol Fa," Singing; Lesson, Mr. and Mrs. Rogers.
Celebrated [REDACTED] Medley, as sung by Mrs. Keeley, in the "Magic Horn," "Sun do down, up come de Moon," Mrs. Gibbs.
Comic Song, Mr. Rogers.
Grand Pas de Deux, first time, Mrs. Rogers and Signor Carandini . . .
ASSOCIATIONS: Eliza Torning (dancer); Eliza Gibbs (vocalist, actor)
[Advertisement], Bell's Life in Sydney (22 March 1851), 3
http://nla.gov.au/nla.news-article59772238
Royal Victoria Theatre, MONDAY 24th MARCH. FOR THE BENEFIT OF MR. ROGERS.
Comic Song (first time). Country Fair, introducing the Cries of Sydney, with a great variety of other novel entertainments . . .
Duet, "Two Forest Nymphs," (first time.) Mrs. Guerin and Mrs. Rogers . . .
Comic Song, " Country Fair," Mr. Rogers, in which he will attempt imitations of the most well-known Sydney Cries! . . .
"THE DRAMA. THE BENEFIT SEASON", Bell's Life in Sydney (29 March 1851), 2
http://nla.gov.au/nla.news-article59772256
Mr. Rogers, we are glad to find, despite the threatening aspect of the evening, received the greetings of a well-filled and fashionable house on Monday. The performances were more than usually varied, and elicited cordial approval. The "Cries of Sydney," introduced by Mr. Rogers in a comic song, were inimitably faithful, and were unanimously encored . . .
"Royal Victoria Theatre", Bell's Life in Sydney (12 April 1851), 2
http://nla.gov.au/nla.news-article59772350
This Evening . . . Comic Song, "Sydney Cries." Mr. Rogers . . .
"VICTORIA . . . THEATRE ROYAL [MELBOURNE]", The Tasmanian Daily News (12 October 1855), 4
http://nla.gov.au/nla.news-article203387421
. . . Mr. G. H. Rogers executed a fantasie upon the ophicleide a la John Parry, and went mad a la King Lear . . .
"DEATHS", Empire (17 October 1862), 1
http://nla.gov.au/nla.news-article60517732
ROGERS - On the 15th October, at Coogee, after a long and painful illness, Emma, the beloved wife of Mr. George Rogers, of the Victoria Theatre, aged 47 years. Melbourne papers please copy.
:OBITUARY", Bell's Life in Sydney and Sporting Chronicle (18 October 1862), 2
http://nla.gov.au/nla.news-article59791982
It is our mournful duty to announce the decease on Wednesday last, at her residence, Coogee, of Mrs. G. H. Rogers, after a long and painful illness. This estimable lady will long live in the memory of her friends, as having materially contributed towards the advancement of the drama in the colonies, and we most deeply sympathise with her bereaved husband and family. The funeral took place at Randwick yesterday morning, and was attended by almost every member of the profession, independently of Mr. Rogers's numerous personal friends.
"DEATH OF MR. G. H. ROGERS", The Herald [Melbourne, VIC] (13 February 1872), 2
http://nla.gov.au/nla.news-article245694955
We regret to announce the death of this very, genial and popular comedian, at his residence, 46 Napier-street, Fitzroy, last night, somewhat suddenly. For a long time past the health of Mr. Rogers had been failing. He suffered greatly from gout, and his whole system was so shaken by the severity of the pains he endured that his rapidly decaying condition was painfully noticeable. His illness culminated in a fit of great severity yesterday, from which he never recovered. Mr. Rogers was the son [sic, brother] of an English clergyman, and was liberally educated; but preferring a roving life to one of study, he gained a regiment of the line - the 51st, we believe - when very young, and with his regiment arrived in Hobart Town some thirty years ago. He had never been within the walls of a theatre in England, but while in the regiment his natural talents as a comedian displayed themselves, and he played a prominent part in the garrison theatricals of the day. The lessee of the theatre of Hobart Town at that time was Mrs. Clarke, an enterprising and popular manageress. She availed herself of Rogers' talents from time to time, and at last he was bought out of the regiment by a subscription raised for the purpose, and then joined Mrs. Clarke's company. Soon afterwards he was seen by Mr. George Coppin, who was not slow in recognising his abilities, and by whom Rogers was engaged for the Adelaide [sic, Melbourne] theatre. Since then his professional life has been passed on the colonial boards, on which he was one of the best "old men" the colonies have ever possessed. His professional teaching came entirely by imitation, but it raised him to a rank that would not have discredited the English stage in its best day. It is needless to recount his favorite characters, or those in which the public most liked to see him, for those would be much too numerous to recount. The deceased may be said to have died in harness, for he played the small but important part of the banker in "Snare" until within the last two or three nights. He leaves a widow and a family of several children, some "men and women grown," but some still young. The funeral takes place from the residence of the deceased to-morrow at 3 o'clock p.m.
"THE LATE MR. G. H. ROGERS", The Age [Melbourne, VIC] (14 February 1872), 2
http://nla.gov.au/nla.news-article197448413
. . . Mr. Rogers was a clergyman's son, and the brother of Professor Rogers, of Birmingham, author of the Eclipse of Faith. He received a good education, but he chose to enlist, while very young, as a soldier, and came out as such to Hobart Town about thirty years ago. He never was in a theatre until he arrived there; but accident disclosed his comic powers, and he speedily became the here of the garrison theatricals. From a private he advanced to the rank of corporal. It is said that once, when engaged with his rank and file in superintending some convicts, the Governor, Sir John Franklin, caught him reciting to the soldiers and prisoners as his audience. Of course this style of thing would never do, but Rogers appears to have got lightly over the scrape. A subscription was afterwards raised, by means of which, his friends bought him out of the regiment, and he became a professional, joining the company at the theatre in Hobart Town. Mr. Coppin saw him perform, and, being at once struck by him talent, engaged him to appear in Adelaide [sic, Melbourne], which he did, and subsequently in Victoria. Since then he has passed his time chiefly in Melbourne or Sydney. He has been twice married, and leaves a family. His first wife was a sister of Mrs. [sic, Mr.] Charles Young . . .
ASSOCIATIONS: John Franklin (governor)
[News], The Argus [Melbourne, VIC] (14 February 1872), 5
http://nla.gov.au/nla.news-article5859738
Mr. G. H. Rogers, whose death at his private residence at an early hour yesterday morning we regret to have to announce, was one of the oldest and most honoured members of the theatrical profession in Australia. Mr. Rogers was the son [recte, stepson] of a cashier in the Bank of England. He was also connected by family ties with Josiah Conder, who may be remembered as one of the minor poets of the beginning of the century. While very young he quarrelled with his family, and joined the army in the capacity of a private soldier. About 30 years ago he came out to Tasmania with the 51st Regiment (Colonel Elliott), having risen to the rank of corporal. At this time his performances in some private theatricals attracted attention. It was soon discovered that he had high qualifications for the stage, and his friends purchased his discharge from the army in order that he might follow the bent of his genius. Mr. Rogers quickly displayed rare abilities as a comedian, and soon achieved a reputation which he never lost. At an early period of his theatrical career Mr. Coppin gave him an engagement in Adelaide [sic, Melbourne], and he subsequently played in nearly all the principal towns of Australia. He was always a favourite on the boards, and in what are termed the palmy days of the drama he was in the receipt of an enormous income. His friends many times urged him to go to London, being fully persuaded that he would have made his mark there, but family reasons prevented this plan from ever being put into execution. His greatest successes on the stage were in old English comedy and some of Charles Mathews's light pieces, in which he played the old men admirably. Sir Peter Teazle was a fine example of his best manner. In characters of this class he was unrivalled in these colonies. Mr. Roger was undoubtedly an actor of great original powers, and he may be called an Australian actor, for though he had reached manhood before touching these shores he was never inside a theatre in any other country. Subjected to the vicissitudes of theatrical life Mr. Rogers did not escape "the slings and arrows of outrageous fortune." They told upon him greatly, and he became prematurely old at an age when other men are in their prime. In private life he was a genial kind-hearted man, and gained the affection of all with whom he came in contact. His health had been very precarious for the last two years, but he was able to fill his engagements at the Theatre Royal until Friday night. The immediate cause of his death was the bursting of a blood vessel. Mr. Rogers has left six children, four of whom are grown up. One daughter is in India, and two of his sons hold very respectable positions, one in New South Wales and the other in Queensland. The funeral will take place this afternoon, the procession leaving the residence of the deceased, 46 Napier-street, Fitzroy, at 3 o'clock.
ASSOCIATIONS: Josiah Conder (author, poet, George's uncle, his mother's brother)
"MUMMER MEMOIRS. DEATH OF MRS. EMMA GRIFFITHS - EMMA ROGERS THAT WAS - GEORGE HERBERT ROGERS - COMEDIAN - A ROMANTIC HISTORY. No. 173 (By "Hayseed"), Sydney Sportsman (28 June 1911), 3
http://nla.gov.au/nla.news-article168597555
Obituary Notice. - Griffiths. - On 13th June, at Melbourne, Emma Isabella, relict of the late Minton Naylor Griffiths, daughter of the late George Herbert Rogers, comedian . . .
The father, George Herbert Rogers, in whose death the Australian stage lost one of its most brilliant ornaments, was one of but a few of his stamp who have appeared upon the colonial stage. In London he would have ranked with the elder Farren, who is said to have left no successor, and who died in 1861. Mr. Rogers was the son of a physician, whose widow married Major Elsey, of the Bank of England. His family was connected with that of Joseph Rogers [sic, Josiah Conder], whose name appears frequently in volumes of poetry, chiefly of a religious character, and also with the poet, Herbert Rogers, from whom he took his second name. As brothers, he had Professor Henry Rogers and John Rogers, and a half-brother, Dr. Elsey, of the Port Essington expedition. An unfortunate family squabble threw young Rogers from home, and in a wild moment he enlisted as a private soldier in the 51st Regiment, then stationed at Chatham. Before his friends could take steps to purchase his discharge - or effect a reconciliation, the regiment was ordered to Van Diemen's Land, and Mr. Rogers went with his company. Though repeatedly requested to return home, Sergeant Rogers, as he had become, steadily refused. He had not forgotten, and I believe never did forget, the domestic trouble that had driven him from home, and from the probabilities of a distinct position in the best circles in England.
In connection with private theatricals in Hobart Town, Mr. Rogers showed marked ability, even amongst the professionals with whom he frequently appeared. The colonel of the regiment, a patron of the drama, gave Mr. Rogers every latitude in following his hobby, and the lady lessee of the theatre attached to the Freemasons' Hotel in Harrington-street, Mrs. Clarke, was eager on all occasions to obtain his services. The colonel was a frequent visitor behind the scenes, and the fair lessee worked her point very adroitly. Though enlisted for 21 years - the then term of service - and though unwilling that the regiment should lose the services of so steady a man as Sergeant Rogers, the colonel admitted that there was nothing to prevent the sergeant buying himself out of the service, and Sergeant Rogers became Mr. Rogers, of the Theatre Royal, Hobart Town.
. . . Mr. Rogers married a sister of Charles Young, the eminent comedian, and at his death left a family of six - three sons and three daughters. Two of the latter adopted their father's profession, but did not continue on the stage. On her marriage, Emma retired from the profession. One of the sons, Mr. Horace Rogers, is the doyen of the literary staff of the "Sydney Morning Herald." Mr. G. H. Rogers died at Melbourne, February 13, 1872, the cause of death being the bursting of a blood vessel, his age being given as 53, which I think was under the mark. - The genial actor, good citizen, and staunch friend, was buried in the Melbourne General Cemetery, in close proximity to a number of players who had "crossed over" . . .
ASSOCIATIONS: Joseph Ravenscroft Elsey (the younger, explorer, half-brother); Henry Rogers (clergyman author, half-brother)
Bibliography and resources (to 1950 only):
P. Mennell, The dictionary of Australasian biography, comprising notices of eminent colonists . . . (London: Hutchinson & Co, 1892), 395
https://books.google.com.au/books?id=vFsHAQAAIAAJ&pg=PA395 (DIGITSIED)
F. C. Brewer, The drama and music in New South Wales *Sydney: Charles Potter, 1892), 13, 16
https://archive.org/details/dramamusicinnews00brew/page/16/mode/2up (DIGITISED)
James Smith, The cyclopedia of Victoria . . . vol. 3 (Melbourne: The Cyclopedia Company, 1905), 2-3, 6
The romance of the Sydney stage by "Osric" [Alfred J. Crips and Humphrey Hall]; MS, c. 1911, National Library of Australia
https://trove.nla.gov.au/work/21492116
Published edition as The romance of the Sydney stage by Osric (Sydney: Currency Press in association with National Library of Australia, 1996), passim
"Rogers, George Herbert", Dictionary of Australian biography 2 (1949)
http://gutenberg.net.au/ebooks15/1500721h/0-dict-biogR.html#rogers1
"George Herbert Rogers", Wikipedia
http://en.wikipedia.org/wiki/George_Herbert_Rogers
ROGERS, John (John ROGERS)
Amateur musician, vocal leader, choral conductor
Born England, 1833; baptised Odiham, Hampshire, 23 October 1833; son of William ROGERS and Ann HOLLANDS
Arrived (1) Melbourne, VIC, 1853
Married Frances MERCER (1830-1872), St. Paul's church, Geelong, 17 April 1856
Departed Melbourne, VIC, after April 1856 (for England)
Arrived (2) Brisbane, QLD, 5 November 1864 (immigrant per Fiery Star, from Gravesend, 27 July)
Died Sydney, NSW, 22 March 1883, aged 49
https://trove.nla.gov.au/search?l-publictag=John+Rogers+1833-1883 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROGERS-John (shareable link to this entry)
Documentation:
England census, 30 March 1851, parish of St. Helen's, City of London; UK National Archives, HO 107 / 1532
https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1531_1532-0587 (PAYWALL)
48 Bishopgate St. / Henry Hamer / Head / 28 / Tailor // Mary A. / Wife / 24
John Rogers / Lodger / 17 / Gen'l Clerk / [born] Hampshire Odiham
[Advertisement], Geelong Advertiser and Intelligencer (16 November 1853), 5
http://nla.gov.au/nla.news-article86412949
MASONIC HALL. GRAND MONSTER CONCERT.
On FRIDAY, NOVEMBER 18th, A GRAND CONCERT will be given at the above Hall,
at which the following eminent Artists will assist:
Tenor - MR. DE COURCY.
Baritone - MR. ROGERS.
Baritone - MR. ALLAN.
Basso - MR. LENCH.
Comic - MR. LABERNE.
Pianist - MR. SWIFT.
This is one of those Entertainments which can only be appreciated when heard,
and one to which the heads of families can take their children without fearing any outrage to propriety or decorum,
and where they may enjoy an hour's amusement both profitable and select.
PROGRAMME - PART I.
Overture - Pianoforte - M. Swift.
Glee - Red Cross Knight - Messrs. De Courcy, Rogers & Lench.
Song - I woo'd thee, my love - Mr. De Courcy.
Sony - Far, far upon the sea - Mr. Rogers.
Comic Song - New Chum's Digging-Party - Mr. Laberne.
Trio - Jolly Red Nose - Messrs. Rogers, Allan, and Laberne.
Trio - In this old chair my father sat - Mr. Lench.
Scena - The Maniac (H. Russell) - Mr. Allan.
Comic Song - Betsy Baker - Mr. Laberne.
Song - Merry Maids of England - Mr. De Courcy.
Glee - Mynheer Vandunk - Messrs. De Courcy, Rogers, and Lench.
Interval of Ten Minutes.
PART II.
Quartette - See our oars with feather'd spray - Messrs. De Courcy, Rogers Lench, and Laberne.
Descriptive Scena - Man the life-boat (H. Russell) - Mr. Rogers.
Duet (Cornet) - Mr. Allan and Gentleman Amateur.
Song - I'd be a Gipsy - Mr. De Courcy.
Comic Song - Bill Stubbins, or the License Fee - Mr. Laberne.
Glee - Dame Durden - Messrs. De Courcy, Rogers, and Lench.
Song - Old Folks at Home - Mr. Allan.
Song - Gipsy Prince - Mr. Lench.
Song - A friend in distress - Mr. Rogers.
Comie Song (by desire) - The lively Flea - Mr. Laberne.
Finale - National Anthem - By the Company.
Tickets of admission, 3s. each. A few reserved seats.
Single tickets, 5s., double tickets, for a lady and gentleman, 8s.
Concert to commence punctually at 9 o'clock.
Tickets may be obtained, either of Mr. Laberne, at the Queen's Head Hotel, or at Mr. Mercer's, Stationer, Moorabool-street, Market square.
ASSOCIATIONS: George Laberne (vocalist); David De Courcy Lawson (vocalist); Mr. Lench (vocalist); Mr. Swift (pianist); the Mr. Allan was probably not, but may have been George Leavis Allan
"THE CHRISTMAS CONCERTS AT THE CIRCUS", Geelong Advertiser and Intelligencer (30 December 1853), 8
http://nla.gov.au/nla.news-article86415719
The promenade concerts at the Olympic appear to suit the taste of our fellow-townsmen better than any of the musical entertainments that have hitherto been prepared for their recreation. On Monday last, the number of the audience must have been sufficiently large to encourage the talented artistes to give us more than one repetition of their performances, although we heard some express their disappointment at finding they were not to witness the surprising equestrian feats of Mr. Noble, and his justly celebrated troupe; and this may account forn somewhat thinner attendance on Wednesday last. The various performers acquitted themselves much to our satisfaction. Of Mrs. Hancock's singing it would be superfluous for us to give any opinion, as she has long ago taken her place as one of the brightest ornaments of the concert-rooms of Victoria. Perhaps we may, however, remark that her quiet and tasteful style reminds us more of an accomplished lady, presiding at her drawing room piano, than of one striving to gain the popular ear. Mr. Laberne has not appeared so frequently amongst us; but we have still been able to remark that he is possessed of talents of no mean order, and we venture to say that his popularity as a buffo singer, will increase when he has become better known to us. The applause which he elicited was hearty and unfeigned. Mr. Rogers has a good voice, and sings with spirit, but he does not appear quite able to modulate it sufficiently for a concert room. The canvass roof, however, had a softening effect upon his notes, that made them very agreeable, and the song of the "True-born Englishman" found an echo in every heart. Mr. Weston's solos on the violin were executed with precision and taste. We thought the fineness of his tone was not sufficiently appreciated, and considering the excellence of the orchestra, although small in numbers, it seemed a pity that he should have preferred a piano accompaniment. The solo on the cornet was far from good; but, on the whole, the concerts have gone off very well, and we can only add a wish that the denizens of Corio may for the future meet their entertainers half way, and out of the abundance they are enjoying, through the prosperity of the times, devote a portion to the support of that sublime art, of which we may say with the poet, "emollit mores, nec sinet esse feros."
ASSOCIATIONS: Mary Ellen Hancock (vocalist); John Weston (violin)
"THE GEELONG SACRED HARMONIC SOCIETY", Geelong Advertiser and Intelligencer (17 February 1855), 2
http://nla.gov.au/nla.news-article91861808
A society under this title has been in existence for some little time past, and the members meet for practice every Thursday evening, in the Independent Chapel, McKillop-street, under the direction of Mr. J. Rogers. The society at present numbers about fifty members, and on or visiting the chapel on Thursday evening, some twenty-five of the society were practising on violins, violincellos, flutes, &c., and singing sacred music. It afforded us great pleasure to perceive that the softer sex contribute their assistance towards attaining proficiency in religious harmony. Different portions of Handel's Oratoria of the Messiah, such as "For unto us a child is born;" "Glory to God in the Highest," and "O thou that tellest," were performed in a very creditable manner. We sincerely trust that a society which seeks to occupy the time of the young people of our town in such a laudable manner, may soon be able to boast of a large number of supporters.
ASSOCIATIONS: Geelong Sacred Harmonic Society
"THE GEELONG SACRED HARMONIC SOCIETY", Geelong Advertiser (24 February 1855), 2
http://nla.gov.au/nla.news-article91862142
The usual weekly meeting of this class was held at the Independent Chapel, McKillop-street, Mr. J. Rogers acting as conductor. Some thirty members were present. Several choruses were performed in a manner that reflects much credit upon the class, considering the short time that it his been in existence. A chorus of "The Heavens are telling," from Haydn, was gone through for the first time, in which a lady, well known in the private musical circles of Geelong, rendered the treble part of the trio in a very neat manner. The second quarter of the class commenced on Thursday, thus affording that portion of the public who have a taste for sacred music an opportunity of becoming members. When it is borne in mind how desirable it is that the youth of both sexes in this colony should choose amusements of an elevating character, we sincerely trust that this class will be well suggested by the Geelong public.
"THE GEELONG SACRED HARMONIC SOCIETY", Geelong Advertiser (3 March 1855), 2
http://nla.gov.au/nla.news-article91858882
The quarterly meeting of this Society was held at the Independent Chapel, McKillop-street, on Tuesday evening last, Mr. Jones in the chair. The Secretary, Mr. Waters, read the following report, together with a financial statement of the affairs of the Society.
THE REPORT OF THE COMMITTEE OF THE GEELONG SACRED HARMONIC SOCIETY, for the quarter ending February 22nd, 1855.
The committee have great pleasure in presenting this their first report to the members, and congratulate them on the present condition of the Society. The Society was first established in the year 1853, under the title of the Geelong Harmonic Society. It continued for some months in a very flattering position, but gradually the attendance decreased, when Mr. John Rogers, the then leader and our present conductor, (feeling the want of a musical society based on popular principles, and being desirous of seeing a taste for music more earnestly cultivated,) did suggest at a weekly meeting that the Harmonic Society resolve itself into a Sacred Harmonic Society, for the practice of sacred music only. The suggestion was immediately responded to by the ladies and gentlemen present. A committee, pro tem, was appointed to carry on a correspondence with the members of the society who were not present, and with others who were likely to become members. The committee then appointed the first meeting of the Geelong Sacred Harmonic Society to take place on the 23rd November, 1854, from which time the Society gradually increased; so much so that (the Scotch Schoolroom in which the weekly meetings were then held being found too limited) it was considered absolutely necessary to obtain a more commodious building to assemble in. The trustees of the Independent Chapel, McKillop-street, were then applied to, who very generously gave us permission to hold our weekly meetings in their chapel. The committee, during the past quarter, have had many difficulties to contend with, but, spite of those difficulties, and of any which may present themselves, they will not lax in their endeavours to forward the interests of the Society. The committee have the pleasure, also, in informing the members that several of the leading gentlemen of the town have become honorary members, among whom we may mention his Worship the Mayor. The Society now comprises upwards of 40 members.
FINANCIAL STATEMENT OF THE TREASURER OF THE GEELONG SACRED HARMONIC SOCIETY
Receipts to February 23rd, 1855 - Cash on hand from previous quarter, 11l. 10s 6d;
Subscriptions from performing members, 18l 7s 6d; Subscriptions from honorary do,, 5l 5s 6d; Total receipts 35l 3s.
EXPENDITURE - Cash paid conductor's salary for quarter ending Nov 23rd, 1854, 10l;
cash paid to Mr. Hunt, for copying and arranging music as per receipts, 6l 15s;
cash paid for incidental expenses, 2l 7s 10d - 19l 2s 10d; balance on hand, 16l 0s 2d.
Mr. C. GREY moved and Mr. Moss seconded the motion, "That the report now read be adopted." The motion was carried. Some new members of the committee were then appointed, as also were some fresh members of the society, and the meeting then separated.
"CHORAL SOCIETY. To the Editor of the . . .", Geelong Advertiser (9 June 1855), 2
http://nla.gov.au/nla.news-article91870636
Sir, - I regret being compelled to place my name in your valuable columns under the present circumstances,
viz., to contradict a statement made by the Rev. Mr. Goodman, at the meeting, on Thursday evening, and which appeared in your columns of to-day,
to the effect that "the late Christ Church Choir had disbanded itself for want of money."
Now I, as conductor of that choir, cannot allow such an impression to remain on the minds of the public.
The facts are these: the choir having sung at Christ Church for about nine months,
made an application to the present minister, on his arrival, by a deputation, amongst other things,
for a collection to be made once or twice a year, by way of encouragement, as is generally done in cases of amateur choirs at home,
when the application was refused, as the church was then involved in debt, but promised that it should be reconsidered at Easter (about three months hence).
In the meantime the choir, with the organist, requested that the trustees and minister should recognise their conductor,
and not the organist, which was also refused, on the grounds that the organist, being the only paid member, was the only person they could possibly recognise;
when Mr. Goodman suggested that the conductor should receive a salary, in order that such requisition might be complied with,
which was not only refused by the trustees, but objected to by the majority of the choir,
and in consequence of the refusal of such request the choir dissolved.
I beg to remain, your obedient servant,
JOHN ROGERS.
ASSOCIATIONS: Christ Church (Geelong)
[Advertisement], Geelong Advertiser (26 June 1855), 2
http://nla.gov.au/nla.news-article91866295
GRAND CONCERT by the Geelong Sacred Harmonic Society, consisting of Fifty Performing Members,
in aid of the Funds of the GEELONG HOSPITAL, On THURSDAY, JUNE 29TH, 1855,
At the Independent Chapel, McKillop-street,
For which occasion the services of Mrs. Testar, have been secured, and Mr. Ewart, Mr. Kawerau, Herr Lundborg,
Herr Berry, and Mr. Thom have kindly volunteered to assist.
Principals - Mrs. Testar, Mr. Ewart, Mr. Kawerau.
Leader - Mr. Thom. Principal Clarionet - Herr Lundborg. Trombone and Bass Tuba - Herr Berry [sic, Berg].
Conductor - Mr. John Rogers.
PROGRAMME: [part I, excerpts from Messiah, Handel; part 2, excerpts from The creation, Haydn]
ASSOCIATIONS: Elizabeth Testar (soprano vocalist); Thomas Ewart (tenor vocalist); Theodore Kawerau (bass vocalist); Bream Thom (violin, leader); John William Lundborg (clarinet); Charles Berg (trombone, tuba)
[Advertisement], Geelong Advertiser and Intelligencer (30 July 1855), 3
http://nla.gov.au/nla.news-article91869524
NOTICE. - GEELONG SACRED HARMONIC SOCIETY. -
An elementary singing class, in connection with the above Society, will be formed on TUESDAY evening next,
at half-past seven o'clock, in the Scotch School-room, Yarra-street.
Persons desirous of joining are requested to attend.
Teacher, Mr. JOHN ROGERS, Conductor of the above Society.
WALTER M. HITCHCOCK, Hon. Sec.
Geelong Advertiser and Intelligencer (22 September 1855), 3
http://nla.gov.au/nla.news-article91868360
GRAND SACRED CONCERT. 70 Performers.
The members of the Geelong Sacred Harmonic Society respectfully announce they will give their second Grand Concert
(in aid of the funds of the Society) in the McKILLOP-STREET CHAPEL, on THURSDAY, 27th instant,
on which occasion they will perform (assisted by talented musicians from Melbourne),
Haydn's magnificent Oratorio THE CREATION.
The services of MRS. TESTAR Have again been secured,
Mr. Ewart (member of the Melbourne Philharmonic Society),
Mr. Kawerau, and others have kindly volunteered their assistance on this occasion.
Conductor - Mr. J. Rogers. Leader - Mr. J. Gabb.
Great care has been taken to render the band and chorus thoroughly efficient,
and it is confidently hoped that the public of Geelong will heartily support the Society's endeavours in providing concerts of this elevating character.
Admission, 5s. Reserved Seats, 7s 6d. Tickets and books containing the words of the Oratorio, to be had . . .
WALTER M. HITCHOCK, Hon. Sec . . .
"SACRED HARMONIC SOCIETY", Geelong Advertiser (4 February 1856), 2
http://nla.gov.au/nla.news-article91870992
At the annual meeting of the members of this Society, held on the 3rd Dec., 1855, a testimonial of which the following is a copy, was presented to Mr. John Rogers on the occasion of his retiring from the post of Conductor to the Society:
Geelong, January 4th, 1856. To Mr. John Rogers, Geelong, Victoria.
Sir, - To convey to you the feelings expressed by the members of the Geelong Sacred Harmonic Society,
at a late general meeting, is the special duty of the undersigned by appointment of the committee.
The position you held amongst us as conductor was ably supported by the musical talents with which you are so eminently endowed.
Tie interest you have manifested in the promotion of the society, and the energy you brought to bear on all occasions,
when the welfare of the society was at stake, are unanimously appreciated by the members and praiseworthy in the extreme.
We must also bear testimony to the affability and forbearance which have pervaded your general deportment,
thereby cementing an union, the dissolution of which has caused general regret.
In the estimation of the members, your capabilities are such as to induce them to offer you a PROFESSIONAL CARD,
the employment of which will give every satisfaction, and afford proof positive that the interests of the Geelong Sacred Harmonic Society are still near unto you.
We are, sir, yours, &c.
F. W. TOWLE, President; GEO. W. BARKER, Hon. Sec. CHAS. ANDREWS, WALTER M. HITCHCOCK, Sub-committee.
The meeting was held at the Scotch School Room, in Yarra-street; and a testimonial similar to the above was also presented to Mr. Rogers,
by the lady members of the society accompanied by a handsome gold chain, as a token of their regard.
ASSOCIATIONS: Frederick William Towle (member, president)
"THE GEELONG SACRED HARMONIC SOCIETY'S CONCERT (To the Editor of the . . .)", Geelong Advertiser (27 February 1856), 2-3
http://nla.gov.au/nla.news-article91864649
SIR, - Having read your report, as also, "Critic's" letter upon this concert,
I am induced to make a remark or two in connection therewith.
The public will be kind enough to remember that not more than two months and a half since,
I had the honor of occupying the office of Conductor of the above Society, and that from the 1st October, 1855, the members have been practising the Messiah;
you will, therefore, perceive that the "training" alluded to in Critic's letter, this morning,
was performed by myself for a space of three months previous to Mr. I'erson taking office;
this fact, ignored by Critic, coupled with the remembrance that half the chorusses were performed at our first concert, now eight months since,
fairly entitles me to some share of the praise and credit so bountifully heaped upon the present Conductor,
both by your report and Critic's letter, in my favor;
notwithstanding great credit is due to Mr. I'erson [3] for so ably conducting the concert,
as also the vocalists, both soloists and choristers, for their execution was remarkably good;
but I cannot refrain from stating that the cause in a very great measure was the invaluable assistance rendered by ten or twelve of the Melbourne Philharmonic Society's best performers.
The steam boat proprietors having given twelve free passages for the occasion, a generous act, that deserves great comment.
As to the instrumentalists, there was a wide field for improvement; I think, perhaps, a little more practices would have sufficed.
The violincello player from the Philharmonic Society, in my opinion, sustained the accompaniments to the whole of the solos.
I must now conclude by just reminding Mr. Critic, that his statements were all upon the effective side tending to show that he was an interested person rather than a true critic,
as we all know there are defects and imperfections as well as effects in all concerts, and many I could mention in connection with the last, but from myself it would come with bad grace;
notwithstanding, it went off extremely well, and received the approbation of all present, I believe.
Before concluding, I would remind Mr. Critic, that Mrs. Testar sang "Then shall the eyes of the blind" and not Mr. Ewart,
and that the Messiah was composed by Handel and not Haydn.
With these few remarks, I remain, &c.,
JOHN ROGERS.
20, Ryrie-street, 22nd February, 1856.
ASSOCIATIONS: Thomas William I'Erson (conductor)
"MECHANICS' INSTITUTE SOIREE", Geelong Advertiser and Intelligencer (20 March 1856), 2
http://nla.gov.au/nla.news-article91870753
The soiree to celebrate the opening of the Mechanics' Institute was held last evening in the Town Hall . . . The programme of the evening's entertainments was very well arranged, consisting of vocal and instrumental musical performances, under the direction of Mr. J. Rogers, late conductor of the Geelong Sacred Harmonic Society, Mr. Plumstead presiding at the pianoforte, and interspersed with addresses from many well-known and influential friends of the Institution . . . The musical portions of the entertainment was then commenced by Mr. Plumstead's performance of the Overture to William Tell on the pianoforte. This was followed by the Glee, "Come Bounteous May," sang by Messrs. J. and W. Rogers, Niemitz, I'erson and held [sic], and the part song, "The War Cry is Sounding," by the Company. These performances were much applauded . . . The Trio, "St. Martin's Bells" was next performed by Messrs. J. Rogers, Niemitz and I'erson, the glee - "Who comes so dark," by the Company, and the duet - "Oh Albion" by Messrs. Niemitz and J. Rogers . . . The Duet and Chorus, "Marked you her eye," was then sung by Messrs. Rogers and Niemitz, the Chorus by the company. Mr. Plumstead then executed the Nocturne, "The Bells of the Monastery" on the pianoforte . . . Glee. - "Peace to the Souls of the Heroes." By Messrs. J. Rogers, and Field; Glee. - "Health to My Dear," (Company); Round. - "Hark 'tis the Indian Drum," Messrs. Niemitz, J. Rogers, and Field . . .
ASSOCIATIONS: Henry Plumstead (piano)
"MARRIED", Geelong Advertiser and Intelligencer (18 April 1856), 3
http://nla.gov.au/nla.news-article91866248
Yesterday, by special license, at St. Paul's Church, by the Rev. the Archdeacon, Mr. John Rogers, of Geelong, son of Mr. William Rogers, of Odiham, Hants, to Frances, youngest daughter of Robert Mercer, Esq., of Geelong, late of Litherland, near Liverpool.
"MUSIC [TO the editor]", The North Australian [Brisbane, QLD] (17 January 1865), 5
http://nla.gov.au/nla.news-article77437605
SIR, - I, with my family were passengers per the Fiery Star, and consequently have not been in the colony two months,
still sufficiently long to be astonished at finding no Musical Society, except the Band, of any description, at least so far as I can ascertain.
Now, Mr. Editor, I have no doubt you, as every other person in Brisbane, will admit that this is somewhat of a disgrace to the capital of Queensland,
in fact a great sin lies at our door, by allowing to lie dormant the talents Nature has endowed us with,
and I doubt not there are a number of ladies and gentlemen in Brisbane who are not only greatly gifted,
but would be delighted in joining a well formed sacred, philharmonic choral, or other society.
I shall, therefore, be very happy indeed, if any or all of the lovers of music, will call upon me, at my residence, next door to Keys' Hotel, Edward-street,
on Monday evening next, the 16th instant, at 7 o'clock, to consult as to the advisability of, and the best course to be adopted in commencing so delightful and desirable an object.
I may mention, Mr. Editor, which many respectable inhabitants can affirm, that in 1853 I founded and was conductor of the Geelong (Victoria) Sacred Harmonic Society,
with but only nine members, and in three months we gave a concert having fifty members, and presented the Hospital with £100,
the profits of the proceeds, after paying £30 for expenses, &c.
In three months after, being only six from the commencement, we numbered one hundred members, and upon my leaving for England in 1856,
there was a very flourishing society, in fact to quote the words of the Geelong Advertiser, - "It was second to Exeter Hall."
Now, if such a success was accomplished in Geelong, what might we hope to be the result of a similar movement in Brisbane, with double its population.
By inserting this in your next paper, you will confer a favor upon your humble and obedient servant,
JOHN ROGERS.
[News], The Brisbane Courier (6 June 1865), 2
http://nla.gov.au/nla.news-article1273326
A VOCAL and instrumental concert was given in the Hall of the South Brisbane Mechanics' Institute, yesterday evening, by a number of amateurs, headed by the energetic secretary, Mr. Rogers; and assisted by Mr. Rosenstengel, whose musical powers are well known . . .
ASSOCIATIONS: Ferdinand Rosenstengel (musician)
"News of the Week", The Queenslander (12 May 1866), 5
http://nla.gov.au/nla.news-article20307547
IN order to raise funds for the establishment of a library in connection with the Spring Hill Mechanics' Institute, a miscellaneous concert will be given in the Town Hall on the evening of her Majesty's birthday. The large hall will be opened then for the first time, and as many will be anxious to see it by night, and as under the direction of Mr. Rogers, of South Brisbane, there is every probability of a musical treat being afforded, we hope there will be a "good house." His Excellency the Governor and Lady Bowen have kindly promised their patronage.
"CONCERTS. THE NEW SCHOOL OF ARTS", The Queenslander [Brisbane, QLD] (7 July 1866), 7
http://nla.gov.au/nla.news-article20308499
ON Friday evening the amateur musical entertainment connected with the opening of the North Brisbane School of Arts took place . . . We must not omit to mention the spirited duett, "Sound the trumpet boldly," by Messrs. Pike and Rogers, the applause with which it was greeted testifying to the excellent way in which it was rendered. The glees, by several members of the Orpheus Society, were sung with much precision and an evident regard to the beauties of the compositions. Mr. Diggles very kindly and effectively presided at the piano - a splendid instrument - the qualities of which the performer fully displayed. The thanks of the public are, we think, due to Mr. John Rogers and the committee of the institute for the really pleasant evening's amusement afforded . . .
ASSOCIATIONS: Silvester Diggles (piano)
"THE BALLARAT TRAGEDY. To the Editor of . . .", The Sydney Morning Herald (30 May 1870), 5
http://nla.gov.au/nla.news-article13206016
SIR, - It is possible that many residents of New South Wales, and I am certain of many in Queensland,
who having resided in Geelong in 1853-4-5, and 1856, would not be aware that the unfortunate Mrs. Moss was the Miss Claxton of the Sacred Harmonic Society -
a circumstance with others, mentioned in the Melbourne Herald's report - but as I was the originator and conductor of that Society for several years,
I can vouch for the truths expressed in the said report.
I thought perhaps by using my name in connection with any further report might be of service to many in Victoria.
Yours, &c., JOHN ROGERS,
Secretary School of Arts.
ASSOCIATIONS: Catherine Ann Claxton Moss (amateur vocalist, contralto)
"DEATH OF MR. JOHN ROGERS", The Sydney Daily Telegraph (23 March 1883), 3
http://nla.gov.au/nla.news-article238495719
It is our painful duty to record the death of Mr. John Rogers, well known as the secretary and librarian of the Sydney Mechanics' School of Arts since the year 1867. Mr. Rogers was born in Bracknell, Berkshire, England, and emigrated to Australia in 1853. For several years he resided in Geelong, Victoria, from whence he proceeded to Brisbane, where he filled the office of secretary of the North Brisbane School of Arts for about three years. He was then appointed secretary of the kindred but larger institution in South Brisbane, where he stayed about two years, when he obtained the appointment of secretary and librarian of the Sydney institution. On leaving Brisbane, he was presented with several testimonials and addresses from the committees and members of the two institutions and his numerous friends. During his tenure of the office of secretary and librarian of the School of Arts, a period of 15 years, his whole time was devoted to the interests of the institution. He watched it grow beneath his fostering care. He took an active part in establishing the Working Men's Technical College, and superintended its working until the period of his resignation - March 9th, 1882 - and those who attended the jubilee held yesterday and the day before can form a better judgment of the effect of his work than could be gleaned from any description. Since his resignation of the secretaryship he has been in business in King-street. For some months past he has been complaining of lassitude, and during the past fortnight his illness has increased gradually, his death being accellerated by a carbuncle on the back of the neck. He was attended by Drs. Harwood and Fortescue, and everything was done that skill could suggest to relieve his sufferings. On Monday last he went to the doctor's in a cab, and on returning home took to his bed, which he never left again. During a great part of Wednesday and Thursday he was unconscious, but rallied a short time previous to his death, which took place between 4 and 5 yesterday afternoon, his end being described as calm and peaceful in the extreme. He leaves a wife, a sister, two sons, and a nephew; the latter, Mr. W. Rogers, being at present assistant librarian at the School of Arts. During his residence in Sydney he was a regular attendant at the Pitt-street Congregational Church, from which place, as well us at his other haunts, he will be missed by numerous friends. The funeral will take place on Saturday morning, when his remains will be removed from his late residence, Dowling-street, and interred in the Waverley Cemetery.
"Deaths", The Sydney Morning Herald (24 March 1883), 1
http://nla.gov.au/nla.news-article13530970
ROGERS. - March 22nd, at his residence, Shetland House, 70, Dowling-street, Moore Park, Mr. John Rogers, in his 50th year. During the last 15 years he filled the Secretaryship of the Sydney School of Arts. He was dearly beloved and is deeply regretted by his family, and highly esteemed by all who knew him. His end was peace. Home papers please copy.
ROGERS, William Edward (William Edward ROGERS; Mr. W. E. ROGERS)
Musical amateur, member, secretary, and president, Cecilian Society, clerk in the convict office
Born London, England, 13 June 1810; baptised St. Margaret, Westminster, 13 August 1810; son of John Warrington ROGERS (d. 1830) and Harriet HAWKES (d. 1830)
Arrived Sydney, NSW, by 1834
Married Mary Ann TROOD, St. James, Sydney, NSW, 23 June 1840
Died Temuka, Canterbury, New Zealand, 15 September 1875
https://trove.nla.gov.au/search?l-publictag=William+Edward+Rogers+1810-1875 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROGERS-William-Edward (shareable link to this entry)
Documentation:
Baptized, St. Margaret's, Westminster, August 1810; Westminster Abbey Archives, MA/01/02/001
[August] 13 / William Edward Rogers S'n of John Warrington by Harriet / [born] 13 June ult.
[Advertisement], The Sydney Monitor and Commercial Advertiser (21 January 1839), 3
http://nla.gov.au/nla.news-article32162606
CECELIAN SOCIETY [sic].
THE Professional, Amateur, and Honorary Members of this Society are informed,
that in consequence of Mr. Deane's Concert taking place on Wednesday next, their Meeting will not be held that until day se'night.
The Committee has much pleasure in announcing that on St. Cecelia's Day, Handel's celebrated Ode will be performed,
with all the original choruses and accompaniments, particulars of which be duly announced.
W. E. ROGERS,
Honorary Secretary,
Sydney, January 17, 1839.
ASSOCIATIONS: Cecilian Society (association)
[Advertisement], The Sydney Gazette and New South Wales Advertiser (9 July 1839), 3
http://nla.gov.au/nla.news-article2547707
CECILIAN SOCIETY.
THE Subscribers to the said Society are requested to attend a General Meeting on
FRIDAY, July 19th, at 7 o'Clock in the Evening, at the Roman Catholic School Room, Castlereagh-street,
to audit the accounts of, and to transact other business belonging to the said Society.
W. E. ROGERS.
Sydney July 8, 1839.
"MARRIED", The Australian (25 June 1840), 3
http://nla.gov.au/nla.news-article36850389
By special license, at St. James's Church, on the 23rd instant, by the Rev. J. Allwood, Mr. William Edward Rogers of London, to Mary Anne, only daughter of A. S. Trood Esq., of York street, in this city.
ASSOCIATIONS: Matilda Levien, sister of Joseph Levien, was a witness; Abel Salter Trood (school teacher)
"THE CECILIAN SOCIETY", Australasian Chronicle (16 February 1841), 3
http://nla.gov.au/nla.news-article31730879
In consequence of a requisition from the leading members of this institution,
a public meeting was held on Friday, in the society's temporary concert rooms,
when after the report had been read, the following resolutions were moved, seconded, and adopted by the meeting:
1. That the report of the committee now read be adopted and received by the meeting.
2. That as the expenses at present incurred in carrying on the operations of this society considerably exceed its income,
some other arrangement with regard to performing members is imperatively called for.
The committee therefore earnestly and respectfully urge all those persons possessed of musical talents,
and who are anxious for the promotion of so delightful a science,
to come forward and support this society with their abilities at a time when it so much requires their aid.
3. That as the operations of this society are much impeded by the irregular attendance of the members of the committee,
that it shall be a standing rule of this society that any member of the committee absenting himself for three nights consecutively shall be ineligible for re-election.
4. That the thanks of this meeting he presented to the Right Reverend Dr. Polding, through the Rev. Francis Murphy,
for his kindness in allowing the use of the Catholic school room to the society,
and for his uniform kindness in furthering the interests of the society upon every occasion which presented itself.
5. That the thanks of this meeting be given to the gentlemen and officers of the committee for their very efficient services during the last meeting,
and that the following gentlemen be requested to act for the ensuing year, namely,
Mr. W. E. Rogers, treasurer; Mr. Joseph Levien, secretary; committee - Messrs. Bradridge, Thomson, Le Britton,
Barnett, James Johnson, Leggatt, Greville, Challis, Tomlins, and R. Johnson.
6. That the thanks of this meeting be tendered to the chairman for his kind attention to the business of the meeting.
ASSOCIATIONS: John Bede Polding (Catholic bishop, musical amateur); Joseph Levien (member); William Bradridge (member); James Johnson (member); Thomas Leggatt (member); Richard Johnson (member)
[Advertisement], The Sydney Herald (12 March 1841), 2
http://nla.gov.au/nla.news-article12868229
CECILIAN SOCIETY. - The members of this society are respectfully informed him consequence of their arrangements not being complete,
their Concert will not take place until the latter end of this month of which due notice will be given in all the papers.
W. E. ROGERS, Acting Honorary Secretary. Sydney, March 12.
"CECILIAN SOCIETY", The Sydney Herald (25 March 1841), 2
http://nla.gov.au/nla.news-article12868426
Yesterday Mr. W. Ward appeared at the Police office before Mr. Windeyer, for having in his possession books belonging to the Cecilian Society, alleged to have been stolen from the Society's press. Mr. Deane appeared for the prosecution and identified about ten volumes of music as being his property which he had lent to the Cecilian Society, and which had been to his knowledge kept with the property of the society in a press in the old Court House, and had been abstracted from that place of safety about the 17th instant. In consequence of information a search warrant was issued for the house of Mr. Curtis, but the property was ultimately found in the house of Mr. Ward, who immediately gave up the property, and also gave every information as to how the property claimed came into his possession. Mr. Rogers the secretary of the society also identified some of the properly as belonging to the society and said that about twenty pounds worth of the same had been purchased from Mr. Curtis.
Mr. James Johnson proved that on Tuesday evening the 16th instant the books in question were lodged in the society's press in the old Court House, Mr. Allen proved
that he had locked the press in which the society's music was contained,
and also that when he locked the press on last Tuesday night there was a wide space vacant from the lock having been forced.
Mr. Josephson proved that on Friday, morning Mr. Cosgrove called him in for the purpose of seeing the press in which the society's books were contained,
as it had fallen down, and he was afraid some of the books were missing, and when he examined the press he immediately discovered that the lock had been wrenched off,
which was subsequently found on one of the shelves of the press;
and also, that a great portion of the music books were missing.
Sergeant Brodie of the Sydney police produced the lock and a nail, which in his opinion had been employed in wrenching off the lock; and said, that he having got some information, procured a warrant and proceeded to Mr. Curtis' house, and not finding him at home, he went to a person of the name of Roach, a bird-stuffer, residing in Hunter-street, and asked for him repeatedly but it was denied that Mr. Curtis was at home; that he afterwards obtained assistance, and was prepared to force an entrance, when a female avowed herself as being Mrs. Curtis, and told him he was welcome to make a search of the house, which he did, but found none of the property; he afterwards saw the defendant speaking to a person, and from his seeing his portrait in Mr. Curtis' house, he thought he might in some way be connected with the family of the latter, and asked him if he knew when Mr. Curtis would be at home, when he told him that he did not know as he had just seen Mr. Curtis at Canterbury gate going out. He also told Mr. Ward that he had information of some books being left at a certain house (which referred to Mr. Cunningham's) when Mr. Ward said he knew nothing about the matter; he also deposed that a man named Anderson, a servant of Mr. Cunningham told him that a parcel of books of the description he was in search of, had been left at his master's house on the Wednesday, and had been removed on the following day, and that Mr. Cunningham told him that Mr. Curtis was the party who had left the books in question.
W. Anderson, servant to Mr. Cunningham, proved that Mr. Curtis left the books at his master's on the forenoon of St. Patrick's Day, and that on the following day the defendant's servant was brought by Curtis and removed the books which had been, by Curtis' request securely placed in a room, and covered up until they were removed on the following day. In cross-examination this witness proved that the defendant called on Mr. Cunningham and asked him about a paragraph which had appeared in the Herald newspaper, respecting some books which had been stolen, and said that he should immediately see Mr. Curtis and go to the Herald Office; this he said openly.
Mr. Nichols said he had two other witnesses to examine, but perhaps the defendant might give such an explanation as would render their examination unnecessary.
Mr. Ward after being cautioned, made a statement to the following purport: - On the 17th instant, he saw Mr. Curtis, a friend of his, who visited his house whenever he came to Sydney, when he told him he had been in the room looking at the preparations making for St. Patrick's dinner, when he saw the press open and thought it was a rare chance to getting music, and took it and left it at Mr. Cunningham's house, as the Society was indebted to him £5 18s. and he should stick to it till he got his money: that on the following day, he (Mr. Ward) went to the races, and on the day after he saw the paragraph in the Herald of the music being stolen. He then went to Cunningham and spoke to him about the matter and told him to look out about the music, as it was represented in the Herald as being stolen, it being then in his (Ward's) house. After going to his own residence he spoke to Mrs. Ward on the subject, as to how the music came to his house, and told her that as he suspected that the paragraph referred to the music which had been left at his house, if any of the police, or any of the Committee of the Society called, that whatever they claimed they were to take; and on Monday last he saw Mr. Curtis and spoke to him on the matter, when the latter told him not to give up the books as the Society was indebted to him £5 18s. He also stated that Mrs. Ward had informed him that the music had been brought into the house by his own servant for Mr. Curtis, he said it was a common thing for his servant to be employed in going with and for music for Mr. Custis, which was generally either left at, or taken from, his (Ward's) house. Mr. Ward called his servant, William Rea, who proved that Mr. Curtis had employed him to remove the books.
Mr. Windeyer said, after the straight forward statement which had been made by the defendant, coupled with the evidence he had heard in support of its truth, he had only one course to pursue, and that was to dismiss the case, at the same time he considered it but fair to say, that there was not a tittle of evidence in all that he had heard, which went to implicate Mr. Ward, and he very much doubted whether there was any evidence at all of a felony having been committed; it was possible that Mr. Curtis, having a claim, in his own opinion, on the society, might, however wrongfully, have removed the books in order to secure payment of his legal demand, and, besides, Mr. Deane had not supplied him with any evidence, that his books were marked in any way so as to be distinguished from those of the society, and therefore, until that was made out, he had no evidence that even, in his case, a felony had been committed, and therefore, until he had an information from Mr. Deane, or from some some member of the committee of the Cicilian Society, he should forebear issuing a warrant against Mr. Curtis.
The case occupied the Court for nearly three hours, and from the great number of musical gentlemen that were present it evidently excited great interest among the profession.
ASSOCIATIONS: Richard Gill Curtis (musicseller);
John Philip Deane (musician);
Joshua Frey Josephson (lawyer, musical amateur); ?
Edward Allen (member);
see also "CECILIAN SOCIETY", The Sydney Herald (20 March 1841), 2
http://nla.gov.au/nla.news-article12868341
And see also "THE CECILIAN SOCIETY'S MUSIC", Australasian Chronicle (25 March 1841), 2
http://nla.gov.au/nla.news-article31731268
"Births", The Temperance Advocate and Australasian Commercial and Agricultural Intelligencer (9 June 1841), 12
http://nla.gov.au/nla.news-article228131518
Yesterday morning [recte, 3 June], at her residence, Elizabeth-street, North, the wife of Mr. W. E. Rogers, of the Principal Superintendent of Convicts Office, of a son.
"DEATHS", Timaru Herald [NZ] (24 September 1875), 3
https://paperspast.natlib.govt.nz/newspapers/THD18750924.2.7
ROGERS, - On September 15, 1875, at his son's residence, Temuka, Canterbury, New Zealand, William Edward Rogers, Esq., youngest son of the late John Warington Rogers, sen., solicitor, London, and uncle to Judge Rogers, Melbourne. Sydney and home papers please copy.
ROGERSON, Henry (Henry ROGERSON; H. ROGERSON; Mr. ROGERSON)
Musician, cornet and cornopean player, bandmaster, stone mason
Born Brierly, Yorkshire, England, 1835; baptised Felkirk, 5 April 1835; son of Thomas ROGERSON (1804-1883) and Mary CUSWORTH (1803-1875)
Married (1), VIC, 1859
Active Kyneton, VIC, by 1860
Married (2) NSW, 1870
Died Forbes, NSW, 24 October 1909, aged "68" [sic]
https://trove.nla.gov.au/search?l-publictag=Henry+Rogerson+1835-1909 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROGERSON-Henry (shareable link to this entry)
Documentation:
Baptisms solemnized in the parish of Felkirk [with Brierly] in the county of York in the year 1835; register 1835, page 104; West Yorkshire Archive Service, Wakefield, WDP179/6
https://www.ancestry.com.au/discoveryui-content/view/5040808:2252 (PAYWALL)
No. 829 / [1835] April 5th / Henry [son of] / Thomas & Mary / Rogerson / Brierly / Mason . . .
England census, 30 March 1851, Brierly, Yorkshire; UK National Archives, HO107/2331/135/4
https://www.ancestry.com.au/discoveryui-content/view/14028668:8860 (PAYWALL)
Brierly / Thomas Rogerson / Head / 44 / Mason // Mary / Wife / 45 / [both born] Yorkshire Felkirk //
Thomas / Son / 23 / Mason // Joseph / 21 / Mason // Isabella / 18 // Henry / 16 / Mason . . . [all born] Yorkshire Felkirk
[Advertisement], The Kyneton Observer [VIC] (6 December 1860), 3
http://nla.gov.au/nla.news-article240850674
CONCERT By Special Desire, at the DUKE OF KENT HOTEL
THE MALMSBURY GLEE CLUB Will give a GRAND VOCAL AND INSTRUMENTAL ENTERTAINMENT
MONDAY, 10TH DECEMBER, Assisted by MR. BARLOW, the celebrated Comic and Negro Singer.
Pianiste - Madame FRANCIS
Violinist - Mr. LEECH
Cornet-a-Piston - Mr. ROGERSON . . .
"CORRESPONDENCE", Mount Alexander Mail [Castlemaine, VIC] (9 January 1865), 2
http://nla.gov.au/nla.news-article207000983
"WATER POLICE COURT", The Sydney Morning Herald [NSW] (28 May 1870), 5
http://nla.gov.au/nla.news-article28419917
"CENTRAL CRIMINAL COURT. - WEDNESDAY", Empire [Sydney, NSW] (4 August 1870), 2
http://nla.gov.au/nla.news-article63109851
"THE MONTH", Mount Alexander Mail (13 August 1870), 2
http://nla.gov.au/nla.news-article198849295
Henry Rogerson, formerly of the Chewton band, and of which he was bandmaster, a stone-mason by trade, and a skilful workman, as also a first-class cornopeanist, has been convicted at Sydney of bigamy, and sent to two years hard labour. His baseless desertion of his wife and family has left him without a single friend.
"DEATH OF FORBES RESIDENT", The Bathurst Times [NSW] (27 October 1909), 2
http://nla.gov.au/nla.news-article130905103
Henry Rogerson, a stonemason, died suddenly at Forbes on Sunday morning. He was 68 years of age [sic], and was at one time band master of the Forbes band.
Bibliography and resources:
Henry Rogerson, Find a grave
https://www.findagrave.com/memorial/230341797/henry-rogerson
ROITZSCH, Ignaz (Ignaz ROITZSCH)
Musician, pianist
Active Adelaide, SA, 1859, 1861
https://trove.nla.gov.au/search?l-publictag=Ignaz+Roitzsch+c1859 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROITZSCH-Ignaz (shareable link to this entry)
ASSOCIATIONS: ? Freidrich August Roitzch (of Leipzig, 1805-1899)
Documentation:
[Advertisement], South Australian Register (19 May 1856), 1
http://nla.gov.au/nla.news-article49903657
HAMBURG HOTEL. - A MUSICAL ENTERTAINMENT, at which Mr. Roitzsch will preside at the Piano, will be held at the Hamburg Hotel every Wednesday and Thursday evening, when Mr. H. W. Wedemeyer will be glad to meet as many of his friends as can conveniently attend.
[Advertisement], South Australian Register (14 July 1859), 1
http://nla.gov.au/nla.news-article49825795
WHITE'S ASSEMBLY ROOMS.
MISS TOZER has the honour to announce that she will give a Grand CONCERT of VOCAL and INSTRUMENTAL MUSIC on Thursday evening,
the 14th July, under the immediate patronage of His Excellency the Governor-in-Chief.
Principal Performers - Miss Tozer, Miss C. A. Tozer, Miss Polhill, Master Watson, Mr. R. B. White,
Herr Ignaz Roitzsch (Pupil of the Leipzig Conservatorium), Mr. H. Christen. Conductor - Mr. J. W. Daniel . . .
PROGRAMME, PART I . . . 4. Solo, piano, "Fantasie sur un Theme," original - Herr Ignaz Roitzsch, pupil of the Leipzig Conservatorium. - Moscheles . . .
"MISS TOZER'S CONCERT", Adelaide Observer (16 July 1859), 5
http://nla.gov.au/nla.news-article158128642
On Thursday last, Miss Tozer gave a grand concert at White's Rooms, under the immediate patronage of His Excellency the Governor-in-Chief. Coming on the evening between the Tradesmen's Ball and the Quarterly Soiree of the South Australian Institute, it might have been safely predicted that the attendance would not be large, and when the evening turned out to be showery a thin audience became a positive certainty. The room was not more than a third full - a circumstance calculated to throw a damp upon both singers and audience. We must, however, do the former the justice to say that they exerted themselves to the utmost to please, and rendered the several pieces with great spirit and effect. The first part of the concert, with the exception of a fantasia on the piano by Herr Ignaz Roizsch, very creditably performed, consisted of vocal music . . .
ASSOCIATIONS: Caroline and Elizabeth Tozer (vocalists); Victoria Polhill (vocalist); Richard Baxter White (violin, piano); Hugo John Christen (vocalist); Josiah Wyke Daniel (piano, conductor)
[Advertisement], South Australian Register (28 July 1859), 1
http://nla.gov.au/nla.news-article49825162
SALISBURY VOCAL AND INSTRUMENTAL CONCERT, at Mr. W. N. Wauchope's Store. - Mr. H. CHRISTEN will have the honour to give a CONCERT on Thursday, the 23th July, when he will be assisted by Misses Tozer, Mr. J. W. Daniel, Mr. Ignaz Roitzsch, Messrs. Schrader and Heidecker . . .
ASSOCIATIONS: Heinrich Schrader (musician); Theodor Heydecke (musician)
"POLICE COURTS . . . Adelaide: Monday, March 4 . . . Indecency", Adelaide Observer (9 March 1861), 4
http://nla.gov.au/nla.news-article158179619
Ignatius Reutzschce was brought up, on the information of Alexander John Thomas, accused of acting with indecency towards Alice Thomas and Ida Numme, little girls under 10 years of age, at North Adelaide, on the 3rd inst. Mr. Andrews conducted the prosecution. The evidence was taken in the Magistrate's private room, but it is entirely unfit for publication. The prisoner was committed for trial at the Local Court. Bail allowed in two sureties of £25 each.
"LOCAL COURT - ADELAIDE. FRIDAY, APRIL 5 . . . INDECENCY", The South Australian Advertiser (6 April 1861), 3
http://nla.gov.au/nla.news-article832532
Ignasius Roitzsche was charged with indecently assaulting Eda Mumme and Alice Thomas, both being under the age of 10 years. The evidence in this case is unfit for publication. The prisoner was sentenced to six months imprisonment.
ROLFE, Thomas (Thomas ROLFE; Thos. ROLFE; T. ROLFE, jun.; Mr. ROLFE)
Musician, organist, pianist, pianoforte maker, piano tuner, music publisher, music seller, agent for William Rolfe and Sons pianos
Born 6 May 1820; baptised All Hallows, Honey Lane, London, England, 4 June 1820; son of Nicholas ROLFE (1784-1858) and Elizabeth LINNETT (c. 1789-1832)
Arrived Sydney, NSW, 10 January 1842 (per Duke of Roxburgh, from Cork, 4 September 1841)
Married Rachael/Rosetta MEARS (COHEN), Sydney, NSW, 23 August 1842
Active Launceston, VDL (TAS), until April 1847
Departed Melbourne, VIC, ? after November 1847
https://trove.nla.gov.au/search?l-publictag=Thomas+Rolfe+musician+c1842-47 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROLFE-Thomas (shareable link to this entry)
Summary:
Thomas Rolfe junior, who in Australia in the 1840s was "agent for William Rolfe and Sons, Cheapside, London", was a son of Nicholas Rolfe and his wife Elizabeth Linnett, born in London in 1820. William Rolfe (1756-1829) was his grandfather, and Thomas Rolfe senior (1787-1847, Thomas Hall Rolfe) his uncle, both of them originally glovers by trade. When Thomas Rolfe senior died in London in the spring of 1847, his brother Nicholas (Thomas junior's father) was appointed his executor. Within a couple of months after posting a death notice for his uncle in the Melbourne press on 22 September, Thomas junior disappeared from the colonial record, presumably having sailed meanwhile for London.
Rolfe first advertised new music for sale and pianos tuned in Sydney in February 1842. As early as April 1842 he was printing music locally, advertising the publication of The Eagle Chief and The Aboriginal mother for Isaac Nathan, and a (pirate) local edition of Prince Albert's band march, as arranged for the pianoforte by Stephen Glover.
This latter drew adverse comment from the Herald, which noted:
Our music press has again been to work, and has issued, not an Australian composition calculated to undeceive those who imagine that we can only deal and barter, but a reprint of a very trashy piece for the pianoforte, called Prince Albert's Band March - the catchpenny title of which would be sufficient to deter any common-sensed amateur . . . But are these the things we are to have reprinted in Australia? Certainly not.
Perhaps to atone for this, a fortnight later Rolfe advertised that he would publish "all the songs" from Charles Nagel's "Sham Catalani", or Mock Catalani, and four songs were issued: "A sensitive Plant", "It was but a dream", "The pretty bark hut in the bush", and "Wellington".
In June he released no. 1 of a projected series, The Australian musical bijou, which contained imported songs by Knight, Russell, and Bellini and which W. A. Duncan in the Chronicle judged "far superior to any lithographed music yet produced in the colony" despite several errors.
In 1843, Rolfe was offering to supply the instrumental needs of both military ensembles and "Teetotal, and other Bands", a section of the musical economy that George Hudson would later also target.
In July 1843 his wife, variously Rachael or Rosetta Mears, whom he had married in Sydney on 23 August 1842, was charged and tried for bigamy.
Having moved first to Pitt-street and then to George-street, Rolfe continued trading through the first half of 1844. But between July and September he relocated his business to Hobart, and by early 1845 to Launceston, VDL.
There in September 1845 he was appointed organist of St. John's church, and in 1846, along with James Henri Anderson, was one of the pianists assisting at Madame Gautrot's Launceston concert. He disappears from record after leaving Launceston for Melbourne in August 1847.
The novelist Frederick Rolfe ("Baron Corvo") (1860-1913) was born at the family firm's then address, 61 Cheapside, London, son of James Rolfe (1827-1902), who was Thomas's younger brother.
Documentation:
Baptisms solemnized in the parish of All Hallows, Honey Lane, in the city of London, in the years 1819 and 1820; London Metropolitan Archives
https://www.ancestry.com.au/imageviewer/collections/1558/images/31281_a100761-00008 (PAYWALL)
No. 26 [born] 26 Jan'y 1819 [baptised] 28 Feb'y / Thomas Hall Son of / Nicholas & Elizabeth / Rolfe / Cheapside / Music Seller . . .
No. 32 [born] May 6 [baptised] 1820 June 4 / Thomas Son of / Nicholas & Elizabeth / Rolfe / 112 Cheapside / Music Seller . . .
ASSOCIATIONS: Entry 25 registers the baptism on 21 February of Charlotte, daughter of Thomas Tegg, bookseller, Cheapside, sister of James and Samuel Tegg; Thomas Hall Rolfe died on 4 November 1819
England census, 6 June 1841, St. John Zachary, City of London; UK National Archives, HO 107 / 721 / 9
https://search.findmypast.co.uk/record?id=GBC%2F1841%2F0721%2F0160&parentid=GBC%2F1841%2F0007961815 (PAYWALL)
Noble St. No. 7 / Thomas Rolfe / 21 / Piano forte m[aker] / [born in County/City ] Yes . . .
"ARRIVED", Australasian Chronicle (11 January 1842), 3
http://nla.gov.au/nla.news-article31734711
JANUARY 10. - From Cork, having left the 4th September, the barque Duke of Roxburgh, 416 tons, Captain Collard, with 229 bounty immigrants. Passengers - . . . Rolfe . . .
[Advertisement], The Sydney Herald (21 February 1842), 2
http://nla.gov.au/nla.news-article12873825
T. ROLFE Agent for William Rolfe and Sons, Pianofortemakers, Cheapside, London.
No. 11, O'Connell-street, near the Union Bank.
The newest music received from London as soon as published.
Pianofortes tuned, repaired and let on hire.
[Advertisement], Australasian Chronicle (8 March 1842), 3
http://nla.gov.au/nla.news-article31735226
TO THE CLERGY AND TRUSTEES OF PLACES OF WORSHIP.
Mr. ROLFE (from William Rolfe and Sons, pianoforte makers, London), having brought with him to this colony a splendid Seraphine,
with pedals, will present either it or an organ permanently to any place of worship, on being appointed its organist.
- May be seen at his residence, 11, O'Connell-street.
"ORGANIST", Australasian Chronicle (8 March 1842), 2
http://nla.gov.au/nla.news-article31735229
We call the attention of clergymen and others to a very liberal offer on the part of Mr. Rolfe, of O'Connell-street, announced an our advertising columns. The instrument alluded to is of excellent quality.
[Advertisement], The Sydney Herald (29 March 1842), 3
http://nla.gov.au/nla.news-article12874409
T. ROLFE, JUNIOR. Agent for W. Rolfe and Sons, Pianoforte makers, Cheapside,
London, respectfully announces his removal from O'Connell-street to more commodious premises, No. 4, Regent-terrace, Hunter-street.
On Thursday next, a small consignment of new Pianoforte Music, ex London, will be opened and ready for inspection.
"NEW PERIODICAL", Sydney Free Press (14 April 1842), 2
http://nla.gov.au/nla.news-article226357305
We have seen the prospectus of a new musical periodical, to be entitled the "Austrlian Musical Bijou," which is intended should sufficient inducement offer to be published by Messrs. T. Rolfe and Co., of Hunter-street. To use the words of the prospectus itself - "The numbers will appear monthly, inclosed in a wrapper, at the very small price of 2s. 6d. to subscribers, and 3s. 6d. to non subscribers. Each number will contain twelve pages of music, consisting of songs, duets, glees, waltzes, quadrilles, &c., &c., selected from the most popular writers; twelve of which numbers will form a volume, to which a title page and index will be published, which will appear with the twelfth number." - We can only say that for the sake of such of our friends as love music, we hope the undertaking will be carried out.
1[Advertisement], The Sydney Herald (18 April 1842), 3
http://nla.gov.au/nla.news-article12874737
To the Musical Public.
T. ROLFE, Jun. (from Wm. Rolfe & Son's, Cheapside, London,) having been in the manufactory of his relatives for eleven years,
is fully competent to undertake the repairing of any Pianoforte entrusted to him.
Pianofortes tuned, lent on hire, and taken in exchange.
New London Music, Violins, Strings, &c.
[Advertisement], Australasian Chronicle (28 April 1842), 3
http://nla.gov.au/nla.news-article31735736
This day is published, by T. Rolfe, 4, Hunter-street,
THE EAGLE CHIEF and THE ABORIGINAL MOTHER,
Australian Melodies, Nos. 1 and 2: Poet, Mrs. Dunlop; Composer, I. Nathan.
Where may be had "Jephtha's Daughter," and "When we two parted,"
with all the ornaments for expression and execution, engraved as originally written by the composer for Madame Malibran and Mr. Braham.
Also, the celebrated "Prince Albert's Band March," as played by the military bands, arranged for the pianoforte by Stephen Glover.
ASSOCIATIONS: Isaac Nathan (composer)
"NEW MUSIC", Australasian Chronicle (3 May 1842), 2
http://nla.gov.au/nla.news-article31735794
Prince Albert's Band March, arranged for the pianoforte by Stephen Glover. - Sydney, Rolfe, 1842. This is a reprint of a piece which has had "a great run" in England, and which being a very pleasing composition, and within the power of any performer, is likely to become popular in the colony. The music is lithographed, and is the beat specimen of this kind of printing we have seen for some time.
"NEW MUSIC", The Australian (5 May 1842), 2
http://nla.gov.au/nla.news-article37115003
Mr. Rolfe, of Hunter-street, has just published "Prince Albert's Band March," arranged for the piano-forte, by Stephen Glover. It is of course only a reprint from the English work; but as a colonial production, the manner in which it is sent forth to the world, shews that we have no mean artists in that particular line of printing now at our command. We trust Mr. Rolfe's spirited adventure will prove a source of profit to him as it can scarcely fail to do in this musical metropolis.
"Music", The Sydney Herald (5 May 1842), 3
http://nla.gov.au/nla.news-article12875009
It has lately been our good fortune to notice several pieces of excellent music, of not only colonial "getting up," but of composition, by musicians resident amongst us; and our duty has, in many instances, been the most agreeable that a reviewer can have, viz.: - that of awarding praise - praise being due. Our music press has again been to work, and has issued, not an Australian composition calculated to undeceive those who imagine that we can only deal and barter, but a reprint of a very trashy piece for the pianoforte, called "Prince Albert's Band March" - the catchpenny title of which would be sufficient to deter any common-sensed amateur (unless, like us, he was destined at review,) from looking beyond. The originator of these "band marches" in England was an industrious provincial musician, named Edwin Merriott; and the catching titles were exposed to public gaze in the window of a respectable music publisher in Old Bond street. Now we can easily imagine a party of juvenile visitors to the great capital, returning from St. James' Park - how they would be struck by the title "BAND MARCH," especially when cognomened "Victoria's," "Albert's," or "The Guards." Independently of the illustrious names attached, the bare possibility of being able, with nature's scanty allowance of fingers, to impart to country cousins an idea of the effects produced by the numerous instruments of a London military band, and only for 2s. or 2s. 6d., was irresistible. The march was bought, and so were dozens besides, for they increased and multiplied astonishingly. The title of those "Band Marches" (the only mark of talent connected with them) was pirated in all quarters. Glover's and other gentlemen's band marches appeared in such numbers, and "questionable shapes," that purchasers were appalled, music shelves literally groaned under the superincumbent weight of the trash, and music sellers found out when too late that they had pampered the taste of the public, even ad nauseam. But are these the things we are to have reprinted in Australia? Certainly not. There are too many amongst us who understand and appreciate music that is really good, having heard the best in England, and on the European continent, and these persons if we mistake not, will influence the progress of those whose taste has yet to be formed. If European music is to be reprinted here, it must not be the catch-penny trash of the day. Good music is wanted, and will be purchased, and if Mr. Rolfe, or any other enterprising person will reprint it at a moderate price, he may be sure of abundant support, and of none more cordial than our own.
ASSOCIATIONS: Edwin Merriott (c. 1814-1843); see in WorldCat; Stephen Glover (composer, arranger)
[Advertisement], Australasian Chronicle (10 May 1842), 3
http://nla.gov.au/nla.news-article31735875
MUSIC.- In the course of a few days, the Original Music of the New Burletta, entitled, The "Mock Catalani in Little Puddleton," will appear at ROLFE'S Musical Warehouse, Regent Terrace, Hunter-street.
[Advertisement], Australasian Chronicle (12 May 1842), 3
http://nla.gov.au/nla.news-article31735883
NEW MUSIC. - The Original Music of the New Burletta, by Charles Nagel, Esq., entitled "The Mock Catalani," is to be had at ROLFE'S, 4, Regent-terrace, Hunter-street.
"NEW MUSIC", Australasian Chronicle (12 May 1842), 2
http://nla.gov.au/nla.news-article31735901
Mr. Rolfe, of Hunter-street, has, we perceive, published the music of the new and original little burletta entitled the "Sham Catalani;" from the celebrity the piece has already gained no doubt the publisher of the music will meet with encouragement.
"NEW MUSIC", The Sydney Herald (13 May 1842), 2
http://nla.gov.au/nla.news-article12875148
The publication of music in this colony is becoming almost an every-day matter in Sydney: we have had three notices of colonial publications in the Herald within the last few days, and we perceive that Mr. Rolfe is advertising the music in the colonial drama of The Mock Catalani.
"NEW MUSIC", Australasian Chronicle (14 May 1842), 2
http://nla.gov.au/nla.news-article31735908
No. 1. A Sensitive Plant. Aria, sung in the new Burletta entitled "The Mock Catalani." Words by Shelly; music by Charles Nagel, Esq.
No 2. It was but a dream. From the same. Words and music by Charles Nagel, Esq.
No. 3. The pretty bark hut in the bush. From the same. By the same. Sydney, Rolfe, 1842.
We generally take up every colonial production of art or literature with a determination to speak well of it when we can, and to be as lenient as possible when obliged to condemn. In the present case there is something in the very idea of a new Australian opera which strongly tends to disarm criticism; and yet we must confess there are a sufficient number both of beauties and defects in the work itself to provoke a discriminating discussion of its merits as a musical composition. Of the poetry we cannot speak very highly. The words "a thrill that no language can give expression" require the addition of a monosyllable which would destroy the rhyme in order to reduce them to reason; and "lingered on fancy's revision" is not a very intelligible expression, in our opinion. But to come to the music.
No. 1 opens with a few bars of very pleasing melody, which afterwards becomes a very jumble of modulations and chromatic progressions, which defy our skill to decypher them. This song forcibly reminded us of the preface of the eccentric Dr. Worgan to his book of psalm tunes. "Whereas," said the learned contrapuntist, "the following work is full of errors in harmony, the reader, it is hoped, will pardon them for the sake of the effect." What the effect intended in the present instance may have been we cannot exactly say.
No. 2 is a melody of a more simple kind, and it is almost unnecessary to say it is very much superior. The harmony of this piece is also less objectionable, although in page 2 we meet most unexpectedly with double fifths and consecutive octaves of a very objectionable kind. Upon the whole, however, "It was but a dream" is a very pretty little song, and we wish it every success.
No. 3 is a genuine Australian song, and the subject of it is neither more nor less than a pretty maid who wants to run away with her sweetheart to a hut in the "far bush," and leave her father and mother, a step which we think few of our Sydney lasses will be inclined to follow. There is a frontispiece, presenting to view the identical bush hut, with a tribe of black fellows, and their gins, in front, the execution of which does the spirited publisher and artist much credit. The melody partakes much of the character of No. 2, to which, however, we give the preference. In No. 3, as well as in No. 1, there is a continual recurrence of doubled thirds, unresolved discords, and other objectionable progressions, but, notwithstanding these blemishes, which are very pardonable in an amateur, and often disfigure the works of a professor, we consider the songs in "Mock Catalani" very creditable to the publisher and to the colony, and deserving of the patronage of the musical public. Captain Nagel is undoubtedly a very clever amateur, and we shall be glad to hear of a speedy sale, and to welcome into the world his opera seconda.
ASSOCIATIONS: William Augustine Duncan (editor, Chronicle); John Worgan (English musician and composer)
[Advertisement], The Sydney Herald (19 May 1842), 3
http://nla.gov.au/nla.news-article12875245
MUSIC. This day is published, by T. ROLFE, 4, Regent-terrace, Hunter-street,
ALL the SONGS in the Musical Burletta, The Mock Catalani, as sung at the Royal Victoria Theatre.
Pianofortes of every description on hand tuned, repaired, and taken in exchange.
Newest Music received from Loudon as soon as published.
[Advertisement], The Sydney Herald (6 June 1842), 3
http://nla.gov.au/nla.news-article12875568
THE following Songs in the Musical Burletta, "The Mock Catalani," may be had at Rolfe's Music and Musical Instrument Warehouse, No. 4, Regent Terrace, Hunter-street, "The sensitive Plant," "The pretty Bark-hut in the Bush," "It was but a Dream," and "Wellington."
Register of the Australia Lodge, No. 548, Sydney, NSW, ; United Grand Lodge of England, registr of admissions, 1837-62, fol. 199; Museum of Freemasonry
https://www.ancestry.com.au/imageviewer/collections/60620/images/43970_ugl%5Ecf%5Ee%5E1837-00209 (PAYWALL)
[Initiation] 1842 July 19 / [18]43 July 11 / Oct 10 / Rolfe / Thomas / [Sydney] / Music Seller / 28/2/45 . . .
ASSOCIATIONS: On the same page, John Lazar (silversmith, initiated 8 march 1839); Thomas Simes (actor, initiated 25 January 1842); and Francis Ellards [sic] (music seller, initiated 4 May 1841)
[Advertisement], The Sydney Herald (2 June 1842), 3
http://nla.gov.au/nla.news-article12875499
JUST PUBLISHED, price One Shilling and Sixpence, The Mock Catalani in Little Puddleton; a Musical Burletta, in One Act, by Charles Nagel, Esq., as performed at the Royal Victoria Theatre, Sydney, New South Wales. Sold by James Tegg, Printer, George-Street, and Thomas Rolfe, music-seller, Hunter-rtreet.
ASSOCIATIONS: James Tegg (publisher, bookseller)
"NEW MUSIC", Australasian Chronicle (18 June 1842), 2
http://nla.gov.au/nla.news-article31736253
The Australian Musical Bijou. No. 1. Sydney. Rolfe. 1842.
WE have long wished to see a colonial publication upon a plan similar to the present. There being no copyright restrictions in force in the colony, a great facility is afforded to publishers in reprinting popular music, and it is surprising so little advantage has been taken of this circumstance. No sooner does a literary or other publication of character make its appearance in England than it is immediately reproduced in America; and, although the great expense of printing, and perhaps the uncertain demand, hardly warrants any extensive adoption of this system here, we hope the day is not distant when a similar spirit of enterprise will guide the music sellers and booksellers of Australia. The present undertaking will deserve thg patronage of every lover of music and every friend of art in the colony, if, as we are inclined to hope, a proper taste shall be exercised in the selection of the pieces; but our recommendation must depend entirely upon the character of the music that may be selected. The present number contains the following songs: Knight's "She wore a wreath of roses," Russell's " Woodman, spare that tree," and Bellini's "Still so gently o'er me stealing," from the opera of Somnambula; all of which (although they are not exactly what we should have started with) are pieces of different degrees of merit, and have been too long before the public to require detailed criticism. The getting up of the work is very creditable to the enterprising publisher, being, indeed, far superior to any lithographed music yet produced in the colony. We have, however, noticed a good many trifling mistakes and omissions of the artist, to whose operations Mr. Rolfe would do well to direct a keen eye in the subsequent numbers. Upon the whole, we can with strict justice recommend this periodical to the patronage of all our musical readers.
[Advertisement], The Sydney Morning Herald (19 December 1842), 3
http://nla.gov.au/nla.news-article12427138
New Music, ex Helvellyn.
THE Undersigned respectfully announces the receipt of a large quantity of the newest and most fashionable Music of every description, for cash only.
THOMAS ROLFE, 26, Pitt-street, near Theatre.
*** Pianofortes tuned and repaired, &c.
[Advertisement], The Sydney Morning Herald (3 February 1843), 3
http://nla.gov.au/nla.news-article12420065
ROYAL VICTORIA THEATRE . . . Tickets to be had, and Boxes engaged . . . of Mr. Rolfe, Cigar Divan, adjoining the Theatre . . .
"TO THE EDITOR OF . . .", The Satirist and Sporting Chronicle (4 February 1843), 3
http://nla.gov.au/nla.news-article228065281
FRIEND SATIRIST, Do inform me whether it be Mrs. Mears who sells the music and Mr. Rolfe the tobacco,
at the shop near the Theatre, or is it vice versa? Or is it a JOINT CONCERN? Your answer will oblige
THE TOWN.
[Advertisement], The Sydney Morning Herald (21 July 1843), 3
http://nla.gov.au/nla.news-article12409014
NEW MUSIC.
THE undersigned respectfully announces the receipt of a large case of the newest songs,
quadrilles, waltzes, overtures, &c, from his relatives William Rolfe and Sons, of London, also pianofortes of every description,
THOMAS ROLFE. Removing to his former residence, Regent Terrace, Hunter-street.
"CHARGE OF BIGAMY", Australasian Chronicle (22 July 1843), 2
http://nla.gov.au/nla.news-article31740620
Yesterday at the Police office, Rachael Rolfe, wife of Mr. Rolfe, music-seller, of Pitt street, appeared on a summons to answer a charge of bigamy preferred against her by Lewis Cohen, lately arrived from Hobart Town, and who represented himself to be her lawful husband. It appeared in evidence that the complainant and defendant arrived at Hobart Town about ten years ago, and lived as man and wife at the house of a witness named Hart; shortly afterwards Cohen was transported to a penal settlement for seven years, and in his absence she, having occasion to give evidence before the police and supreme courts, swore she was his wife; she subsequently came to Sydney, and on the 23rd of August, 1842, was married to the above named Rolfe. Personal witnesses who had known the parties in England and elsewhere, spoke to the fact of their always having been considered as man and wife, but none of them were present when the ceremony of marriage was performed. It further appeared that about two years ago Mr. J. J. Barnett knowing Cohen was free, asked the defendant, then known by the name of Meyers, if Cohen was at her house in Pitt street, upon which she answered in the negative, and requested the witness to say nothing about her name being Cohen. She described her husband as being a very bad man, expressed a fear that he would come and take what property she had from her children, and requested the witness to become trustee for them, which he did. Some time afterwards, however, Cohen arrived in Sydney, and on receiving 20l. promised to leave the colony and not trouble the defendant any more. The complainant having stated that be could produce parties from a distance who were present at the marriage at a synagogue in London, the case was remanded for a fortnight.
"CHARGE OF BIGAMY", The Sydney Morning Herald (22 July 1843), 2
http://nla.gov.au/nla.news-article12425242
It will be seen by our Police Report that there is a case of bigamy at present under investigation before that Court. The hearing of the case commenced yesterday, before Mr. Windeyer and Alderman Broughton; it occupied the Court for upwards of two hours, and was then adjourned for a fortnight, to allow the complainant time to produce a witness residing at Goulburn, named Myers, a cousin of the defendant, who, it is alleged, saw the first marriage celebrated in London. The parties are Lewis Cohen, a man who had been transported for seven years from Van Diemen's Land to a penal settlement, where he became free about the year 1841. The defendant is a Mrs. Rolfe, late Myers, whose present husband keeps a music-shop in Pitt-street. From the evidence given yesterday, it appears that the complainant and defendant were married in London, after the Hebrew form, about twenty years ago, and while in London the defendant bore complainant two children. They afterwards went to Van Diemen's Land, where the complainant was convicted, and transported to a penal settlement for seven years. After his conviction, a robbery took place, when some shoes belonging to one of the complainant's children were stolen, and on the discovery of the robber, the defendant appeared before the Police Bench there, and afterwards before Mr. Justice Montagu, and swore, in both instances, that she was married to the complainant; that the shoes, &c., were her property; and on the conviction of the party then tried, the shoes were given up to her. During the time the complainant was at the penal settlement, the defendant came to Sydney and carried on business under the name of Mrs. Myers, until about eighteen months ago, when the complainant also come to Sydney, but, he being very poor, she refused to have anything to say to him, on the ground that while they were living together he had used her very ill; and to protect the property she had accumulated, she, by the intervention of Mr. Barnett, the agent, got an assignment made of the whole to her children. After a short time spent in fruitlessly endeavouring to make a reconciliation, the complainant agreed to take £20, out of which his passage was to be paid to Van Diemen's Land, while he in consideration of the said sum, agreed that he would not at any future period trouble, annoy, or in any way interfere with the defendant. On the 13th [sic] of August, 1842, the defendant again married a person named Rolfe, with whom she is at present living. It was also given in evidence by the Rev. B. Lewis Watson, minister of St. Andrew's parish, here, that he solemnised the said marriage by a special license, in which the defendant stated that she was a widow named Meurs; that soon after the marriage had been celebrated, Mr. Watson having been given to understand that the defendant had gone by the name of Myers, and was not a resident in his parish, called on her and Rolfe for an explanation, but none was given him. The Court, so far as the case had gone, did not see that there was even evidence sufficient to justify it in holding the defendant to bail; but, as there were strong points for suspicion, the case was postponed for a fortnight, for the reason already mentioned.
[Advertisement], The Sydney Morning Herald (31 July 1843), 3
http://nla.gov.au/nla.news-article12408689
PIANOFORTES.
A large assortment of the above direct from the relatives of the undersigned,
William Rolfe and Sons ex Rachel, from London, T. ROLFE respectfully announces to Teetotal and other Bands,
that he can supply or repair brass and other Instruments of every description in the best manner, and at the lowest remunerative terms.
Removing to his former residence, Hunter-street, near the Union Bank.
"COMMITTAL FOR BIGAMY", The Sydney Morning Herald (5 August 1843), 2-3
http://nla.gov.au/nla.news-article12423173
Yesterday, Rachel Mears, late Cohen, now Rolfe, appeared at the Police Office, before Mr. Windeyer and Alderman Broughton, having appeared about ten days ago at the same place, to answer a charge of bigamy, preferred against her by her first husband, a freed man, for having lately married a music-seller of Sydney, named Rolfe, with whom she is now living . . . [3] . . . The Court considered that as it had doubts on the case, she ought to be allowed bail, herself in £80, and two sureties in £40 each, which being put in, she left the Court.
[Advertisement], The Sydney Morning Herald (11 August 1843), 1
http://nla.gov.au/nla.news-article12424092
NEW MUSIC AND PIANOFORTES, JUST RECEIVED EX RACHEL & EUPHRATES,
From the relatives of the undersigned, WILLIAM ROLFE & SONS, LONDON,
To be followed by Consignments by every Ship.
THOMAS ROLFE respectfully announces that the above will be ready for public inspection, by Thursday, the 10th instant.
He will receive a small case of Music by every ship from London, which will ensure a constant supply of the newest Music,
suited to the demands of the Colony.
Having made arrangements with the only manufacturer of Military and other instruments in the Colony,
T. R. particularly calls to attention of Military, Teetotal, and other Bands,
to a splendid assortment of Brass Instruments, which will be ready for inspection in the course of the ensuing week.
All instruments of the kind will be made of the best possible materials, and at the very lowest remunerative prices.
All repairs entrusted to his care, whether Military, Orchestral, or in his own particular branch as a Pianoforte maker,
will be done in the best possible manner, and should any reasonable fault be found, no charge will be made.
Regent-terrace, Hunter-street.
[Advertisement], The Sydney Morning Herald (12 September 1843), 3
http://nla.gov.au/nla.news-article12413287
MUSIC AT HALF-PRICE.
JUST PUBLISHED, Jullien's celebrated Nightingale Waltzes.
T. ROLFE, Hunter-street.
Every description of Pianofortes tuned for 5s.
SUPREME COURT. CRIMINAL SIDE. THURSDAY [12 October]", The Australian (14 October 1843), 3
http://nla.gov.au/nla.news-article37116995
The following prisoners were discharged: - . . . Rachael Rolfe, for bigamy, no case . . .
[Advertisement], The Sydney Morning Herald (16 October 1843), 3
http://nla.gov.au/nla.news-article12423097
MUSIC AT HALF PRICE. JULLIEN'S Nightingale Waltzes, and Quadrilles from Auber's Opera "Le Fiance." Dos Santos's Quadrilles, "Les Etoiles," "Les Portugaises," "Les Pappillons." Pianos tuned for 5s. ROLFE, Hunter-street.
"NEW MUSIC", The Australian (9 April 1844), 3
http://nla.gov.au/nla.news-article37124141
(1.) Prince Albert Quadrilles. The Royal Eleventh Huzzars. Adapted to the figures of the Lancers, and arranged for the piano-forte by John Weippert.
(2). "I'll speak of thee, I'll love thee too." Written by Maurice M. C. Dowling, Esq. The Music composed and dedicated, to the Countess of Essex by Miss M. B. Hawes.
Mr. Rolfe, of George-street, has just published two exceedingly well got-up reprints of the above popular compositions. The first will be purchased by the votaries of Terpsichore with somewhat of melancholy interest, it being one the latest of poor John Weippert's offerings to the quadrillists' shrine. The set is arranged in his usual graceful and effective style. The second is a delicious ballad from the pen of a fair, though far-distant friend, of ours, Miss Maria B. Hawes, whose musical rendering of Maurice Dowling's charming poetry, partakes nothing of the mystical romanticism but too often found in modern music wedded to the verses of our more florid poets, but forcibly tells of the excellent school in which she has studied. Very appropriately, indeed, has it been dedicated to the "songstress of old," the Countess of Essex, to whom the extreme legitimacy of its outline, will prove its highest recommendation. We cordially recommend both of the above pieces to the lovers of dance and song.
ASSOCIATIONS: John Weippert (composer); Catherine Stephens (countess of Essex, vocalist)
[Advertisement], The Sydney Morning Herald (25 July 1844), 1
http://nla.gov.au/nla.news-article12426016
MUSIC at HALE-PRICE.
Pianofortes tuned at Five shillings each; Removed, Repaired, and Let on Hire.
THOMAS ROLFE'S CHEAP MUSIC WAREHOUSE, George-street, near Hunter-street.
Hobart Town, VDL (TAS) (by September 1844):
[Advertisement], The Courier [Hobart, VDL (TAS)] (7 September 1844), 1
http://nla.gov.au/nla.news-article2950607
MUSIC-PIANOFORTES of every description TUNED for 5s each,
by THOMAS ROLFE, from William Rolfe & Sons, London.
Communications, for the present, to be left at Mr. Tegg's, Stationer, Elizabeth-street.
ASSOCIATIONS: Samuel Tegg (bookseller)
[Advertisement], The Courier (21 September 1844), 1
http://nla.gov.au/nla.news-article2950538
MUSIC of every description, consisting of Songs, Waltzes, Quadrilles, Overtures,
Pianoforte Tutors, and easy Pianoforte Music, constantly on hand.
Pianofortes repaired. Tuning at 5s. each.
THOMAS ROLFE, From Wm. Rolfe and Sons, London.
Murray-street, nearly opposite St. David's Church.
[Advertisement], The Courier (22 October 1844), 1
http://nla.gov.au/nla.news-article2950378
WILL be Published, November 1st, and to be continued monthly,
a New Musical Periodical, entitled THE TASMANIAN MUSICAL MISCELLANY, Price 2s.,
Combining QUANTITY, Ten pages, allowing sufficient space for two songs or pieces.
QUALITY, Nothing but really sterling music will be admitted.
CHEAPNESS, The price to subscribers being less than is ordinarily given for a single song, &c., which seldom exceeds five pages.
Subscribers' names received at Rolfe's, Music Seller, Murray-street, and at the office of the Courier.
[Advertisement], The Courier (12 November 1844), 1
http://nla.gov.au/nla.news-article2950280
TUNING at LONDON PRICES. - For the future the undersigned will TUNE every description of PIANOFORTES, in town, at 3s 6d each. Nov. 8. THOMAS ROLFE.
[Advertisement], The Sydney Morning Herald (9 December 1844), 3
http://nla.gov.au/nla.news-article12410357
CORNET A PISTONS - Two brilliant toned instruments for sale. For particulars apply to Mrs. Rolfe, 500, George-street.
[Advertisement], The Courier (31 December 1844), 1
http://nla.gov.au/nla.news-article2950093
THE undersigned respectfully announces his REMOVAL to Elizabeth-street, NEAR DAVIS'S LATE STATIONERY WAREHOUSE.
Musical instruments of every description repaired Pianofortes tuned, in town, at 3s 6d each.
THOMAS ROLFE, Music Seller, From Wm. Rolfe & Sons, London.
"PIANOFORTES", The Cornwall Chronicle (29 January 1845), 3
http://nla.gov.au/nla.news-article66268005
A Mr. Thomas Rolfe, from the house of William Rolfe & Sons, of London, advertises [at Hobart] to tune pianofortes at 3s. 6d. each. The usual charge made here, a year or two back was two guineas.
[Advertisement], The Observer (5 June 1845), 1
http://nla.gov.au/nla.news-article62137448
T. ROLFE, FROM WILLIAM ROLFE & SONS, LONDON,
PIANOFORTE MAKER, 27, ELIZABETH STREET.
Pianofortes tuned, in Town, at 3s. 6d. each.
Launceston, VDL (TAS) (by September 1845):
"ORGANIST OF ST. JOHN'S CHURCH", The Cornwall Chronicle [Launceston, VDL (TAS)] (24 September 1845), 186
http://nla.gov.au/nla.news-article66268905
This appointment has been given to Mr. T. Rolfe, who is the son of Mr. Rolfe the Piano-forte maker, of Cheapside in London. Mr. T. Rolfe purposes establishing himself in the town, as a Tuner and Repairer of Piano-fortes.
[Advertisement], Launceston Examiner (4 October 1845), 4
http://nla.gov.au/nla.news-article36241775
T. ROLFE, from WM. ROLFE & SONS, LONDON,
PIANOFORTE MAKER, TUNER, and REPAIRER,
Elizabeth-street, opposite St. John's Church Schools.
*** COUNTRY TUNINGS according to distance. Oct. 3.
"SAINT JOHN'S CHURCH SUNDAY AND DAY SCHOOLS", The Cornwall Chronicle (1 November 1845), 294-95
http://nla.gov.au/nla.news-article66269625
. . . [295] . . . We understand that considerable exertions are being made by the new organist of the Church, for the improvement of the children in Sacred Psalmody; but as Mr. Rolfe has only been in Launceston a few weeks, it would be unfair to give an opinion about their proficiency. Great pains are always necessary to maintain discipline, where there is a large number of ; and in no place are the beauty and comfort of order more apparent, than at Church. Where the young ones are trained to take an active part in the chants and responses of our sublime service, with becoming reverence and devotion, it is truly delightful, and eminently calculated to inspire in the minds of the congregation, those sacred feelings which should be entertained at Divine Service. We have heard that the Bishop was pleased to compliment Mr. Rolfe on the performance of Sunday. The voluntary played at the commencement (selected from one of Casalis' Masses) was truly grand and soul-inspiring, and was executed in a manner highly creditable to the performer.
ASSOCIATIONS: Francis Russell Nixon (bishop)
MUSIC: Giovanni Battista Casali (composer)
"MADAME GAUTROT'S CONCERT", The Cornwall Chronicle (18 February 1846), 132
http://nla.gov.au/nla.news-article66268551
Thanks to Madame Gautrot (not forgetting her patrons, the Brethren of St. John's Lodge) for an agreeable musical treat last evening, at the Olympic Theatre . . . Besides the military band, whose services merit much praise, we have pleasure to advert to the professional talents of Messrs. Anderson and Rolfe, both residents, and known as skilful pianists. These rendered able assistance last evening, and their perseverance and success as musical men, are known to many ladies and gentlemen of the neighbourhood. Mr. Howson, senior, performed several pieces on the violin, accompanied by Mr. Rolfe on the piano forte. Of these performances we cannot speak too highly, and next to Madame's enchanting vocalism, Mr. Howson's exertions were highly applauded . . .
ASSOCIATIONS: Madame Gautrot (vocalist); James Henri Anderson (pianist); Francis Howson (violin); Band of the 96th Regiment
[Advertisement], Launceston Examiner (29 August 1846), 1
http://nla.gov.au/nla.news-article36246157
T. ROLFE (from Wm. Rolfe & Sons, London), PIANOFORTE TUNER and REPAIRER,
Elizabeth-street, between St. John's School and Church. Country tunings according to distance.
Music provided for quadrille parties. August 27.
"THE ST. ANDREW'S BALL", The Cornwall Chronicle (28 November 1846), 921
http://nla.gov.au/nla.news-article65941622
This entertainment is fixed for Tuesday evening, to take place at Mr. Gee's large new Building, in Charles street. The whole of the music is to be got up by Mr. Rolfe, the talented organist of St. John's Church, assisted by Mr. John Howson, and from the extensive preparations being made, and the well appointed list of stewards, the ball may be expected to go off with much eclat.
"THE ST. ANDREW'S BALL", The Cornwall Chronicle (5 December 1846), 941
http://nla.gov.au/nla.news-article65941607
The Anniversary Ball took place on Tuesday, at the stores of Messrs. Borrodaile, Gore & Co., in St. John-street, and owing to the excellent arrangements of the Stewards went off with much satisfaction to the numerous company assembled; nearly 300 persons were present, including the elite of the northern side of the island, and many ladies and gentlemen from the interior districts. The Ball was opened by a reel at ten - after which, dancing was kept up with great spirit till half-past twelve. Supper was then announced . . . Dancing was resumed, and kept up till a late hour next morning, the ball being closed by a reel . . . We cannot forbear noticing the orchestral arrangements, which, under the direction of Mr. Rolfe, comprised all the musical talent of Launceston, and amply compensated by their judicious exertions for their paucity of numbers. Led by Mr. A. Howson, and ably sustained by Messrs. Howson, senior, and Rolfe, and the intermediate instruments, we were truly astonished at the pretty effect produced by the united exertions of the above gentlemen, on considering the disadvantages under which they laboured through their platform being at least three feet too high, and being surrounded by evergreens. The general satisfaction evinced, shows the propriety of engaging a private band, instead of the military - not only in justice to them as professional men - but from their more perfect knowledge of the proper effect to be produced in a ball-room by their respective instruments, of which the military necessarily cannot be so cognizant.
ASSOCIATIONS: Alfred Howson (violinist, not John Howson as reported earlier)
"ANOTHER BLOW", The Cornwall Chronicle (9 December 1846), 951
http://nla.gov.au/nla.news-article65942003
Dr. Browne has given another blow to the St. John's Church affairs, by ordering the chanting to be discontinued, much to the disappointment of the few remaining members of the congregation. Does the Reverend. Doctor aim at destroying the interests of this Church altogether - or what earthly motive can dictate this insane policy? The young men associated for improving psalmody, under Mr. Rolfe's able management appear to be quite disheartened at this new freak of Dr. Browne's, and it is really time that the friends of the Church interfered, to prevent the entire desertion of the pews.
ASSOCIATIONS: William Henry Browne (clergyman)
"NEW YEAR'S DAY", The Cornwall Chronicle (2 January 1847), 6
http://nla.gov.au/nla.news-article65943823
This once-merry season of the year has come, and gone almost like ordinary days - the only difference being a few family gatherings - a pigeon match or two, a voyage down the Tamar, and a ball and supper given by the officers of the 11th, at their rooms in Cameron-street. The latter affair was, we are told exceedingly well got up, the tables plentifully and tastefully laid out, the company select, and the dancing kept up until a respectable hour this morning. Messrs. Howson and Rolfe gave much satisfaction by the excellence of the musical arrangements.
"To the Editor of . . .", The Cornwall Chronicle (23 January 1847), 65
http://nla.gov.au/nla.news-article65942868
MR. EDITOR, - We observe in Wednesday's number of that most canting and truckling print, the Xaminer, a paragraph headed "Concert,"
in which our attempts to benefit a charitable institution are grossly impugned;
we are charged with using the "name of God to induce respectable people to become spectators of disgusting buffoonery;"
so atrocious a statement is precisely what might be expected from the foulest concentration of sordid hypocrisy,
blasphemy, and malevolence that ever produced a fetid Fungus in the shape of a Newspaper;
the Fungus, alias the Xaminer, is too notorious for its lies to gain belief in anything that appears in it;
still, we feel it due to ourselves to cast back in the teeth of the writer of the paragraph alluded to, his foul and cowardly slander;
we defy him to point out in the amateur performance the most distant approximation to "disgusting buffoonery" of that we ever irreverently mentioned the name of God.
We were influenced by the purest motives in getting up the amateur performances;
the object failed because they were not supported as their should have been, and the loss has been paid by us;
what have the dastaerd scriblers of the Fungus Examiner to do with it?
We recommend the presiding or responsible genius of the Fungus to take a proper care of it, that it,
if the living death it enjoys in the family of disgusting excrescences be deemed worthy to be retained,
otherwise it may suffer the penalty of the saimese tumour and become incorporated with the dunghill filth from which it was spawned.
Had the contemptible wretch who penned the paragraph been present at the amateur performances, instead of sotting
his time away in tap-rooms, gambling, on in brothels, it would be more creditable to him. -
We are Sir, yours, &c.
M. L. GOODWIN.
THOS. ROLFE.
[In the belief that it is a folly to cast pearls before swine, we approve of the manner in which the cowardly cur-like paragraph of the "Fungus," is answered;
the dirty snobs are industrious in calumny, and lies, and are fairly entitled to the execration of the community;
but what other than hypocrisy and all uncharitableness can be expected from such a source? - ED. C. C.]
ASSOCIATIONS: The concert in question, in which Rolfe apparently took part,
was presented by Edmund Leffler; see the Examiner's review,
"CONCERT", Launceston Examiner (20 January 1847), 3
http://nla.gov.au/nla.news-article36251126
"TO THE EDITOR . . . LITERARY DISTINCTION", Launceston Examiner (30 January 1847), 5
http://nla.gov.au/nla.news-article36251200
SIR. - Perceiving by your last paper, that you are disposed to encourage colonial aspirants to -
literary fame, I beg to introduce to your notice, as well as to the notice of your readers, the name of Mr. Thomas Rolfe, a musical gentleman of this Town,
whose signature, attached to a production distinguished by classical taste of no ordinary character, appears in the Chronicle of the 23rd instant.
It would be encroaching too much on your good nature, or I would request you to transfer the letters to your columns.
It is a pity Mr. Rolfe should lose any position of credit and notoriety to which the production so eminently entitles him.
As a professional candidate for public favour, Mr. R. will no doubt feel much indebted to you, for the admission of this notice into your paper.
In order to guarantee the respectability of the production to which I have invited attention, it is only necessary to observe that Mr. Medmar Goodwin is associated with Mr. Rolfe,
and that every line indicates that the fertile brain, ready wit, and classical knowledge of the elder Goodwin have been tasked to the full.
- Yours &c., &c.
JUBAL.
"CHURCH MUSIC", The Cornwall Chronicle (3 March 1847), 175
http://nla.gov.au/nla.news-article65942298
We are pleased to find a disposition in the minister and Congregation of Trinity Church to promote and encourage the improvement of Sacred Harmony, which has ever been found so useful an auxiliary in the Celebration of Divine Service. The Chaunting on Sunday evening was not discreditable to the singers, and shews what can be done by a little united and kindly attention to the duties of the Sanctuary. Every one must regret the disagreements connected with St. John's Church and the causes which it is said induced the Organist (Mr. Rolfe) to throw up his situation in disgust. We should not be surprised if the spirited congregation of Trinity were to set about procuring an Organ for that Church which is an important desideratum, and would induce many persons to attend, for whom music has its charms.
"TRINITY CHURCH", The Cornwall Chronicle (24 April 1847), 324
http://nla.gov.au/nla.news-article65944120
We understand the Revd. Mr. Reibey has procured a Seraphine for the above Church, on which Mr. Rolfe has undertaken to perform during the remainder of his stay in Launceston. We need not comment on the acquisition such an instrument will prove not only to the choir, but to the congregation generally. Mr. Rolfe commences his duties on Sunday evening.
"MRS. MERETON'S BENEFIT", The Cornwall Chronicle (15 May 1847), 2
http://nla.gov.au/nla.news-article65943137
In the programme for Monday evening's performances . . . an act of the play of "the Stranger" will be given, Mrs. Mereton taking the celebrated part of Mrs. Haller. A comic song by Mr. Mereton, and several well-selected dances, will be followed by a farce . . . We ought not to omit, that under the new management Mr. Rolfe is conductor, and Mr. Howson leader of the orchestra, assisted by several of the band of the 11th regiment.
ASSOCIATIONS: Olympic Theatre (Launceston), briefly under the management of John Herman Selwyn Lee (actor); Thomas Mereton (actor, vocalist) and wife; Band of the 11th Regiment (master, Charles Stier)
"DEPARTURES", Launceston Examiner (21 August 1847), 6
http://nla.gov.au/nla.news-article36252780
August 20. - Brig Raven, 170 tons, Bell, master, for Melbourne; J. Haven, agent. Passengers . . . Mr. Mrs. and Miss Clarke . . . Mr. Rolfe . . .
ASSOCIATIONS: Anne and Michael Clarke (actor and vocalist, and theatrical manager) and daughter
Melbourne, NSW (VIC) (August to October 1847):
"DIED", The Port Phillip Patriot and Morning Advertiser (22 September 1847), 2
http://nla.gov.au/nla.news-article226514105
On the 13th April last, aged 61, Mr. Thomas Hall Rolfe, of the firm of William Rolfe and Sons, Pianoforte Makers, Cheapside, London, and Uncle of Mr. T. Rolfe, of this place.
[Advertisement], The Port Phillip Patriot and Morning Advertiser (19 October 1847), 3
http://nla.gov.au/nla.news-article226515613
MR. ROLFE, PIANO-FORTE REPAIRER AND TUNER.
APPLICATIONS to be made at Mr. Pullar's Stationery Warehouse, Great Collins-street;
or at Mr. Getten's, Mechanics' Arms Hotel, Little Collins-street, near St. Peter's Church, private entrance.
October 18, 1817.
England (from c. 1848):
? England census, 30 March 1851, St. Pancras Soper Lane, City of London; UK National Archives, HO 107 / 1530
https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1529_1530-0399 (PAYWALL)
Cheapside 75 / Thomas Rolfe / Head / Mar. / 30 / Gentleman / [born] City of London St. Mary Le Bow
Augusta [Rolfe] / Wife / Mar. / 25 / - / Surry
"PARTNERSHIPS DISSOLVED", Morning Advertiser [London] (17 October 1855), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18551017/041/0002 (PAYWALL)
N. Rolfe, J. Rolfe, and T. Rolfe, Cheapside and Regent-street, piano-forte-maniufacturers
"PROVISIONAL PROTECTIONS", The mechanics' magazine (16 May 1857), 476
https://books.google.com.au/books?id=B_lYAAAAYAAJ&pg=PA476
Dated April 9, 1857 . . . 1000. Thomas Rolfe, of Regent-street, London, pianoforte-manufacturer. Improvements in pianofortes . . .
"CERTIFICATES", The jurist (27 November 1858), 489
https://books.google.com.au/books?id=pVAwAAAAIAAJ&pg=PA489
. . . Thomas Rolfe, Regent-street, and Marshall-street, Golden-square, pianoforte maker . . .
[Report], The law times (6 February 1864), 159
https://books.google.com.au/books?id=MhlCAQAAMAAJ&pg=PA159
. . . In the first case before Mr. TYRWHITT, from the year 1855 THOMAS ROLFE carried on in Regent-street the business of a pianoforte-maker, using the trade-mark "Rolfe," or "Rolfe and Co." (which of the two, was not proved), "pianoforte-makers, Regent-street;" while his late partners carried on a like business in Cheapside, using the trade-mark "William Rolfe and Sons, Cheapside." In 1858 Thomas Rolfe became bankrupt. The Assignees gave him back his trade-mark plate (according to the reply of Mr. BRADLEIGH, from the office of Mr. LEVERSON, Great St. Helens, for the complainant). After 1858 THOMAS ROLFE carried on his business in Manchester under his own name, and made many pianofortes there, using his former trade mark. In June last he gave up his business there. He was not in business at the time of the hearing of the case. In the course of his business he applied his trade-mark to some pianofortes for hire which he did not make, and put it on one which he bought.
KELLY, an auctioneer, entered in his catalogue for sale by him in January last at his rooms in two lots, two pianofortes as having been made by ROLFE and Co. of Regent-street. Each bore on its fall-board the mark "ROLFE and Co., piano-forte makers, Regent-street," without authority from THOMAS ROLFE. The lots were put up for sale, and knocked down as sold. THOMAS ROLFE, when looking at them afterwards, was told by KELLY that they were sold. ROLFE demanded under the 6th section from KELLY information, which KELLY failed to give. Upon this ROLFE applied under the same section to Mr. TYRWHITT.
For the defendant, Mr. CROUCH, of the firm of CHAUNTLER and CROUCH, contended, first, that no trade-mark had been proved in a legal way, the mere assertion of the possession of a trade-mark not being proof enough; secondly, assuming that there was a trade-mark, it was deceptive, inasmuch as ROLFE admitted that he has placed it on pianofortes made by him at Manchester, and on other pianofortes not made by him; thirdly, that the property in the trade-mark was vested in the assignees. Mr. BRADLAUGH, in reply, first, produced the trade-mark plate, as evidence of ROLFE's property in it; secondly, contended that the trade-mark did not mean that the pianofortes were manufactured in Regent-street, but was a mark to which his talent had attached a certain reputation; thirdly, that the assignees, in handing back the plate, admitted they had no right to the mark. As to the improper use of the mark by ROLFE, the most respectable makers used their trade-marks on pianos which, though not of their manufacture, were of sufficient excellence to justify them in doing so.
Mr. TYRWHITT's judgment, given Feb. 2, after time for full consideration, was as follows, according to an apparently verbatim report in the Standard:
A system has long prevailed of affixing the names and trade-marks of first-rate manufacturers of all kinds of articles of trade to articles of the same kind, vamped up with inferior materials and workmanship. The fair trader thus lost credit in the market, while the expense of a suit in equity precluded any real remedy in a great majority of cases. It has been now attempted by the Legislature, by the 25 & 26 Vict. c. 83, to meet this evil. In this case the complainant is a pianoforte maker and the defendant an auctioneer. The offence charged is, in plain terms, selling two pianos bearing what is said to be a trade-mark of the complainant on them without lawful authority or excuse, and their not giving him full information in writing of the name and address of the person from whom the defendant obtained them, and of the time when he obtained them, as requierd by sect. 6 . . .
Colonial musical publications (see complete list here):
https://sydney.edu.au/paradisec/australharmony/checklist-sheet-music-1834-c1850.php#Rolfe
Trading at:
Sydney, NSW, O'Connell Street, until March/April 1842
Sydney, NSW, Regent Terrace, Hunter Street, from April 1842 until November/December 1842
Sydney, NSW, 26 Pitt Street, November/December 1842 until July 1843
Sydney, NSW, Regent Terrace, Hunter Street, from July 1843 until December 1843/January 1844
Sydney, NSW, George Street, from December 1843/January 1844 until August/September 1844
Hobart Town, VDL (TAS), Murray Street, from September to December 1844
Hobart Town, VDL (TAS), Elizabeth Street, from December 1844 until mid 1845
Launceston, VDL (TAS), Elizabeth Street, by October 1845 to ? August 1847
England, London, "Thomas Rolfe, piano-forte maker, Regent Street, and Marshall Street", 1858
See also Rolfe & Sons pianos in colonial Australia:
https://trove.nla.gov.au/search?l-publictag=Rolfe+and+Sons+pianos (TROVE tagged by Australharmony)
Bibliography and resources:
Martha Novak Clinkscale, Makers of the piano, volume 2, 1820-1860 (Oxford: Oxford University Press, 1999), 312-13
http://books.google.com.au/books?id=iqK3FPhQm5gC&pg=PA312 (PREVIEW)
Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 228
http://ro.uow.edu.au/theses/2926/ (DIGITISED)
John Levi, These are the names: Jewish lives in Australia, 1788-1850 (Melbourne: Melbourne Univeristy Publishing, 2013), 156
https://books.google.com.au/books?id=QyJLDwAAQBAJ&pg=PA1879-IA37 (PREVIEW)
. . . on 27 July 1843, an embittered [Lewis] Cohen charged his wife with bigamy. While Cohen was in prison, Rachel had formed a relationship with a musician named Rolfe who lived in Pitt Street, Sydney. She had left Hobart Town, and on 23 August 1842, had married Mr. Rolfe. Cohen promptly arrived in Sydney, accepted £20 to keep quiet about her status, and then changing his mind, charged her with bigamy . . .
Exeter working papers in British book trade history; the London book trades 1775-1800: a preliminary checklist of members. Names R
http://bookhistory.blogspot.com.au/2007/01/london-1775-1800-r.html
ROLFE, William, music seller and publisher and pianoforte maker, 112, Cheapside 1797-1830. Trading: alone 1797-1807; as William Rolfe and sons 1808-1816; as William Rolfe and Co. 1817-1826; as William Rolfe and sons 1827-1830. Previously partner in Culliford, Rolfe and Barrow. Humphries and Smith.
ROLFE, William (William ROLFE; W. ROLFE; Mr. ROLFE; also ROLF)
Musician, pianist, organist, professor of music, teacher of music
Born London, England, 19 May 1828; baptised St. Mary, Islington, 15 June 1828; son of Uriah ROLFE and Sarah OVERTON
Married Marianne Jane LUCKETT (1834-1901), St. James's, Bermondsey, Surrey, England, 12 September 1852
Arrived Melbourne, VIC, November 1853 (per Blackwall, from London, 1 August)
Died Sandridge (Port Melbourne), VIC, 31 July 1877, aged "48/49"
https://trove.nla.gov.au/search?l-publictag=William+Rolfe+1828-1877 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROLFE-William (shareable link to this entry)
DISAMBIGUATION: William Rolfe and Sons (English pianoforte makers, unrelated, whose instruments were advertised and sold in Australia; see Thomas Rolfe above)
Documentation:
Baptsisms, St. Mary, Islington, Middlesex, 1828; register 1827-35; London Metropolitan Archives, P83/Mry1/1278
https://www.ancestry.com.au/discoveryui-content/view/4683313:1558 (PAYWALL)
[Born] 1828 19 May / [baptised] [1828 June] 15 / [no.] 2311 / William S. of / Uriah & Sarah / Rolfe / Chapman St. / Clerk . . .
ASSOCIATIONS: Uriah Rolfe (d. VIC, 1858) and Sarah Overton (d. VIC, 1858) married at St. George's Bloomsbury, London, on 20 September 1814
England census, 30 March 1851, Trinity, Finsbury, Islington; UK National Archives, HO107/1499/407/33
https://www.ancestry.com.au/discoveryui-content/view/1860917:8860 (PAYWALL)
10 Francis Street / Uriah Rolde / Head / Mar. / 59 / Barrister's Clerk / [born] Wilts Hackelston
Sarah / Wife / 59 / - / [born] Sussex Worthing
William / Son / 22 / Unm. / Barrister's [Clerk] / [born] Middlesex Islington
Daniel / Son / 20 / Unm. / General Clerk Solicitor's Office / [born Middlesex Islington]
Charlotte / Daur. / 12 / Scholar / [born Middlesex] Chelsea
ASSOCIATIONS: His parents (both died Sandridge, VIC, 1858) and two siblings listed above (along with Daniel's wife and infant child) arrived in Melbourne on the Henry Reed on 25 August 1857, all travelling under the name of Overton:
https://prov.vic.gov.au/archive/3B05F129-F96C-11E9-AE98-27F6998F8082?image=203 (DIGITISED)
1852, marriage solemnzied at St. James's church in the parish of Bermondsey in the county of Surrey; register 1837-66, page 223; London Metropolitan Archives, P71/JS/021
https://www.ancestry.com.au/discoveryui-content/view/2752185:1623 (PAYWALL)
No. 445 / September 12th, 1852 / William Rolfe / of full age / Bachelor / Barrister's Clerk / Grange Road / [son of] Uriah Rolfe / Barrister's Clerk
Marianne Jane Luckett / of full age / Spinster / - / [Grange Road] / [daughter of] Henry Luckett / Sheriff's Officer . . .
Names and descriptions of passengers per Blackwall, from London, 1 August 1853, for Port Phillip, November 1853; Public Record Office Victoria
https://prov.vic.gov.au/archive/3404E19C-F96C-11E9-AE98-FBBBD63BD0BC?image=788 (DIGITISED)
. . . Rolfe William / 24 / [Miner] // Mary Ann / 19 / Wife / [English] / [for Port Phillip]
"BIRTHS", The Argus [Melbourne, VIC] (17 April 1855), 4
http://nla.gov.au/nla.news-article4806831
On the 13th inst., at Sandridge, Mrs. William Rolfe, of a son.
ASSOCIATIONS: William Wharton Rolfe (died Brunswick, VIC, 9 November 1933)
[Advertisement], The Argus (3 November 1856), 8
http://nla.gov.au/nla.news-article7139429
SANDRIDGE COFFEE HOUSE, Sandridge.
Messrs. OAK and BAPTISTE respectfully inform the public that their
Splendid New Concert Hall will be Opened on Monday next, with the following Company:
Madame Naej, Mrs. Pendleton, and Mr. Pendleton.
Pianist and Conductor - Mr. W. Rolfe.
ASSOCIATIONS: Madame Leon Naej (vocalist); John and Emma Pendleton (vocalists)
[Advertisement], The Argus (5 March 1857), 8
http://nla.gov.au/nla.news-article7145616
MUSIC HALL, Ship Hotel, Sandridge - The finest Entertainment in the colonies.
Triumphant Success of Mr. HOUSTON, the unrivalled comic and characteristic vocalist,
from the principal concerts of London and Edinburgh, accompanied by the following talented artistes -
Mrs. Oakey, the much admired soprano. Mr. J. Taylor, the favourite tenor.
Mr. C. Legrew, violinist.
Mr. W. Rolf, pianist, and conductor.
WILSON and LAMOND, Proprietors.
ASSOCIATIONS: James Houston (vocalist); Eliza Oakey (vocalist); John Taylor (vocalist); Charles Legrew (violin); Ship Hotel (Sandridge / Port Melbourne venue)
[Advertisement], The Argus (20 June 1857), 8
http://nla.gov.au/nla.news-article7133881
FREEMASONS' HOTEL. - Engagement of Mr. W. ROLFE, Pianist, from Tilke's Hotel, &c. . . .
Miss MORTIMER, the Geelong Favourite, will sing "Bonnie Dundee" To-night . . .
Mr. and Mrs. NEWMAN'S First Appearance To-night. Come early. New Duet, &c. . . .
First Night of the "Virginian Dentist," Mr. LEGREW and W. HOWSON . . .
ASSOCIATIONS: Margaret Mortimer (Mrs. Newman) (vocalist); George Newman (vocalist); Walter Howson (musician); William Tilke (venue proprietor); Tilke's City Hotel (Melbourne venue)
Assessment to the Borough Rate, 8 November 1865, Borough of Sandridge; Public Record Office Victoria, 2333/P, VPRS 586
https://www.ancestry.com.au/discoveryui-content/view/records?recordId=3240130 (PAYWALL)
No. 1299 / Rolfe William / Musician / O[wner] O[ccupier] / 3 rooms Wood & Land . . . Graham Street . . .
[Advertisement], Record [Emerald Hill, VIC] (22 October 1868), 4
http://nla.gov.au/nla.news-article108478380
SHIP HOTEL. FREE CONCERT HALL, BAY STREET, SANDRIDGE.
MORE ATTRACTION! . . . Pianist, W. ROLFE, M.R.A.M.
Violinist, Mr. G. MANSFIELD. SOLE PROPRIETOR, C. C. SHARP.
[Advertisement], Record (20 May 1869), 8
http://nla.gov.au/nla.news-article108478912
SHIP HOTEL. FREE CONCERT HALL,
BAY STREET, SANDRIDGE. MORE ATTRACTION!
The proprietor has much pleasure in informing the public that
ON EASTER MONDAY, MARCH 29TH, and every evening till further notice, will be produced,
on a scale of magnificence never before attempted out of Melbourne,
with all the scientific and startling effects, the Tragical, Comical, Demonical, and whatever you like to call it Burlesque,
uniting in its construction the romantic pathos of the well-known ballad "Alonzo and Imogene"
with the THRILLING HORRORS of Goethe's FAUST!
with entire New Scenery by Mr. OPIE.
Also, an entire NEW BURLESQUE COMPANY!
[manicule] Farce, Comedy, Singing, and Dancing Every Evening!
Pianist, Mr. W. ROLFE.
SOLE PROPRIETOR, CHAS. C. SHARP.
ASSOCIATIONS: Edward Andrew Opie (scenic artist)
"THE NEWS OF THE DAY", The Age (14 March 1871), 2
http://nla.gov.au/nla.news-article203009644
The ball and concert got up by the lumpers and other working men of Sandridge for the benefit of Morris Carroll, came to a very successful issue on Thursday evening last, over 1100 people being present . . . Mr. W. Rolfe, pianist, and Mr. Faulkner's band supplied the music . . .
[Advertisement], Record (29 June 1871), 1
http://nla.gov.au/nla.news-article108480616
MR. W. ROLFE, Teacher of the Pianoforte,
(Twenty-five years' experience).
Pupils attended at their own residence,
or at MR. ROLFE'S, ESPLANADE, SANDRIDGE.
Terms (moderate) on application.
[News], Record (13 June 1872), 5
http://nla.gov.au/nla.news-article108481302
A very pleasant little re-union took place in the Town Hall, Sandridge, last Thursday evening, on the occasion of Mr. W. Rolfe's pupil concert. The several performers, both vocal and instrumental, were loudly applauded, which must have been extremely gratifying to Mr. Rolfe. It would be invidious for us to particularise one more than another, unless we except the excellent singing of Miss H. Doyle in the song of "Kathleen Mavourneen," which was enthusiastically received. Several ladies and gentlemen assisted, amongst whom were Mrs. Power, Messrs. E. Stewart, Glennon, Donovan, &c. After the concert, a quadrille assembly took place, at which Mr. Faulkner's well-known quadrille band took part.
[News], Record (4 July 1872), 5
http://nla.gov.au/nla.news-article108481351
There was a large attendance at the concert and ball held in the Emerald Hill Orderly-room last Friday evening, celebrating the second anniversary of the S.S. Peter and Paul's branch of the Hibernian-Australasian Catholic Benefit Society, and no doubt the new Catholic church will receive a substantial addition to their building fund. Madamo Sanderson favored the audience with some choice ballads in her well-known pleasing manner. Amongst the other lady contributors, the most successful was Miss M. Doyle's "Kathleen Mavourneen," (which song we had occasion to notice recently at Mr. Rolfe'e concert at Sandridge) . . . A flute solo was artistically played by Mr. Adam Clerke . . . Mr. T. Ewart was in exccllont voice, and gave "Let me like a soldier fall" successfully . . . The accompanist on the occasion was Mr. M. O'Gorman, who we believe intends taking more closely to the profession . . . Mr. C. P. Denning officiated as M.C., and his well-known quadrille band was in attandance, consisting of Mr. J. F. Jones, violin; Brothers Faulkner, harp and flute; Mr. Denning, drum and bells. We noticed a valuable addition to this band, in the introduction of an harmonium, played by Mr. W. Rolfe, which has a most pleasing effect in the dance music hitherto unknown.
ASSOCIATIONS: Adam Clerke (flute); Thomas Ewart (vocalist); Michael O'Gorman (pianist); Cornelius Peter Denning (dancing master)
[Advertisement], The Record and Emerald Hill and Sandridge Advertiser (17 April 1873), 2
http://nla.gov.au/nla.news-article108496787
LADIES AND GENTLEMEN desirous of becoming Members of the
Sandridge GLEE and MADRIGAL SOCIETY will please meet at the
Royal Hotel, Bay-street, on WEDNESDAY evening next, at Eight p.m.
W. ROLFE, Pianist.
Probate and administration, William Rolfe, teacher of music, died 31 July 1877, Sandridge; Public Record Office Victoria
https://prov.vic.gov.au/archive/0BEB9553-F1D4-11E9-AE98-9D023EC35E7B?image=1 (DIGITISED)
https://prov.vic.gov.au/archive/E25733BF-F1DE-11E9-AE98-1D1DD4AAA8FA?image=1 (DIGITISED)
"IN THE EARLY DAYS. A Reminiscence. By 'AUTOLICUS'", Standard [Port Melbourne, VIC] (9 January 1904), 3
http://nla.gov.au/nla.news-article164440599
. . . At the old Ship in the evening crowds used to assemble, attracted by the programme, which was always good . . . The stock company at the Ship about this time was a very strong one, including the names of the Misses Emma Stafford, Letitia Riley, Alice Feley, Nora Huxley, Jenny and Agnes Glen and others, Messrs. Edward Farley, Sam Holdsworth, Alf. Massey, R. Alexander, John Riley, Bill Wells, Tom Gill, Billy West, Jack May, and two gentlemen known as "Big Fred", and "Flash Fred". A. Opie was the scenic artist and W. Rolfe, father of the present W. W. Rolfe, leader of the orchestra. Edward Farley, I think, made his first appearance here . . .
ASSOCIATIONS: Edward Farley (vocalist)
"AT POVERTY POINT", The bulletin (30 March 1916), 9
https://trove.nla.gov.au/work/233432189
"Old 'Un": I am reminded by "Ami's" par. (B. 23/3/16) that the late Ted (or Ned) Farley owed his career to the education he got from a musical curiosity named Rolfe, the pianist and conductor of the sailors' "free and easy" music-hall at the Ship Inn, Sandridge, an old-time pub recently delicensed. Rolfe was also organist to the local Anglican church, and used to slip his favorite boys from the choir into the show as a treat. The performance was on the lines of modern vaudeville. Every Christmas they put on a pantomime, at which a charge was made for admission. Farley was billed as "The Sydney Lion Comique," and sang such things as "Why Shouldn't Paddy be a Gentleman?" in a raucous baritone voice. Rolfe's tuition altered this and pushed Farley up. A large number of the early Minstrel favorites graduated from the "Ship." Some, like Farley, climbed higher. Tom Rainford sang there immediately prior to joining the Weston and Hussey Minstrels.
Bibliography and resources:
Enid N. Matthews, Colonial organs and organ builders (Melbourne: Melbourne University Press, 1969), 143
https://trove.nla.gov.au/work/32617107
Port Melbourne (Sandridge) HOLY TRINITY CHURCH . . . Organists: 1861, Mr. Rolfe; 1866, Mr. Williamson . . .
William Rolfe, Find a grave
https://www.findagrave.com/memorial/192564179/william-rolfe
ROLLAND, Madame (Madame ROLLAND)
Vocalist
Active Melbourne and Beechworth, VIC, 1857
https://trove.nla.gov.au/search?l-publictag=Madame+Rolland+vocalist (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROLLAND-Madame (shareable link to this entry)
Summary:
[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (27 July 1857), 3
http://nla.gov.au/nla.news-article113016152
FREE CONCERT, EVERY Monday, Wednesday, and Saturday Evenings, EL DORADO HOTEL,
Mdle. ROLLAND, From Melbourne.
Mdle. SCHLUTER, Pianist and Vocalist.
Herr KRAMER, From the Royal Concert Rooms, Budah and Pesth, Hungary.
Mr. and Mrs. PENDLETON, In their Comic Scenes.
ALSO, MR. PENDLETON In his Unequalled Performance on the Bones and Three Tambourines.
ADMISSION FREE.
ASSOCIATIONS: Alwine Schluter (vocalist, pianist); John and Emma Pendelton (vocalists); Herr Kramer (alias of Lazarus Grosse, vocalist), the real "Herr Kramer", Julius Haimberger was also performing in Beechworth at that time
[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (1 September 1857), 4
http://nla.gov.au/nla.news-article113016575
EL DORADO CONCERT HALL . . . On Tuesday, September 1st, AND EVERY EVENING During the week.
In addition to the Astounding Performances of the Wizard, there will be a CONCERT Supported by the following talent: -
Miss Juliana King, Mr. Percival, Madame Rolland and Mr. John Black, And Mr. Thompson.
Admission, 2s 6d; Reserved Seats, 5s . . .
ASSOCIATIONS: Juliana King (vocalist); Charles Percival (vocalist); John Black (comic vocalist)
ROLWEGAN, George (George ROLWEGAN; G. ROLWEGAN)
Music publisher, bookbinder
Born Glasgow, Scotland, 11 December 1812
Married Maria LAMONT (C. 1811-1882), Glasgow, Scotland, 7 June 1831
Arrived Hobart Town, VDL (TAS), 18 February 1834 (per Othello, from Liverpool, 26 August 1833)
Died (at sea) Bay of Biscay, 10 January 1866 (in wreck of the London)
https://trove.nla.gov.au/search?l-publictag=George+Rolwegan+1812-1866 (TROVE tagged by Australharmony)
https://stors.tas.gov.au/AI/NG1326 (TAS Archives)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROLWEGAN-George (shareable link to this entry)
Summary:
A Scot himself, Hobart bookbinder and occasional publisher probably only issued this single lithographed musical print, Caller herrin ("The Celebrated Scotch Song . . . as sung by Mr. J. R. Black, with symphony from Knapton's variations") on 31 December 1861. Notably, he made no mention of the fact that his fellow townswoman, Augusta Packer, was daughter of the song's composer, Nathaniel Gow, though her son Frederick Augustus Packer did deputise as pianist for John Reddie Black on one occasion.
Documentation:
[Advertisement], The Hobart Town Courier (17 November 1837), 1
http://nla.gov.au/nla.news-article4168823
BOOKBINDING. GEORGE HOWARD, BEGS leave . . . to intimate, that he has removed from his late residence in Harrington street, to Elizabeth street, (opposite Mr. Wilkinson's, Druggist), where being joined by Mr. GEORGE ROLWEGAN, the Bookbinding business will in future be carried on under the firm of HOWARD AND ROLWEGAN . . .
[Advertisement], The Mercury (31 December 1861), 3
http://nla.gov.au/nla.news-article8803285
"NEW MUSIC", The Mercury (31 December 1861), 2
http://nla.gov.au/nla.news-article8803292
We have received a copy of the celebrated Scotch song "Caller Herrin," which Mr. Black, the Vocalist, rendered so popular in Hobart Town, It is published by Mr. Rolwegan, of Collins Street, having been lithographed by J. Alvarez, of Warwick Street. The frontispiece is a beautiful specimen of illuminated lithography, and contains a vignette of St. Giles', Edinburgh, whilst in another vignette is a "Scotch lassie," vending " Caller Herrin." As a specimen of colonial art, it is highly creditable, and we can only hope that both the publisher and the lithographer may meet with that success which their enterprise deserves.
ASSOCIATIONS: John Alvarez (lithographer); John Reddie Black (vocalist)
[Advertisement], The Mercury (1 January 1862), 1
http://nla.gov.au/nla.news-article8803317
Now Ready,
THE CELEBRATED SCOTCH SONG "CALLER HERRIN,"
(With beautifully Illustrated Title Page,)
As sung by Mr. J. R. BLACK,
With an Introduction from KNAPTON'S VARIATIONS.
Published by GEORGK ROLWEGAN, Collins-street; and may be had of all Booksellers.
Price 2s., or by Post, 2s 6d.
"THE FOUNDERING OF THE STEAMSHIP LONDON", The Mercury (19 March 1866), 2
http://nla.gov.au/nla.news-article8838292
The news of the calamitous foundering of the steamship London in the Bay of Biscay on her voyage to Melbourne, as noticed in our extra on Saturday, produced a profound impression in this city, the sensation being enhanced by the fact that of the two hundred and twenty souls that perished, several were locally known here. To testify the public sympathy, not only were the flags of the ships in port half-masted, but a great number of shops were partially closed. Among the unfortunate deceased persons might be mentioned Mr. George Rolwegan, a colonist of many years' standing, who carried on business as a bookseller and stationer in Collins-street. He went home by the Great Britain, twelve months ago, to obtain the benefit of surgical skill for cataract, with which he had been afflicted for several months previously. He was at all times much respected as a man of strict probity in his commercial transactions, for his amiable disposition, and his public spirit. For many years Mr. Rolwegan was actively engaged as a Sabbath School teacher in connection with the Independents, and part of the time as Superintendent of the Battery Point School. When his affliction necessitated his resigning that position, a very flattering and substantial testimonial of esteem was presented to him . . .
ASSOCIATIONS: Also among the dead, John Woolley (professor, University of Sydney)
Musical sources:
The celebrated Scotch song, Caller herrin, as sung by Mr. J. R. Black, with symphony from Knapton's variations (Hobart Town: published by G. Rolwegan, [1861/62]; printed by J. Alvarez)
https://trove.nla.gov.au/work/9854497
https://stors.tas.gov.au/ILS/SD_ILS-538799 (DIGITISED)
SOURCE (symphony): Caller Herring . . . with variations (Philip Knapton)
Owner bound album of sheet music; half-bound in leather by G. Rolwegan, Hobart Town; State Library Tasmania
https://trove.nla.gov.au/version/48063786
This book of mostly imported music also contains copies of colonial works by Joseph Reichenberg, John Howson, and Francis Hartwell Henslowe.
Other resources:
[Records] [manuscript] George Rolewegan; Archives Office of Tasmania, NG 1326
https://trove.nla.gov.au/work/157373078
https://stors.tas.gov.au/AI/NG1326
Diary kept by George Rolwegan during a voyage to Tasmania in the Othello, 1833-34
ROMBO SOMBO (also ROMBO SOBO; RAMBO SAMBO)
Black-face character, delineator, dancer, vocalist
Active Sydney, NSW, 1844; Adelaide, SA, 1847
https://trove.nla.gov.au/search?l-publictag=Rombo+Sombo (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROMBO-SOMBO (shareable link to this entry)
Summary:
Rombo Sombo (or Rombo Sobo) was a blackface character associated with the circle of the actor and entertainer George Coppin in Sydney in 1844 and Adelaide in 1847. The name is probably derived from the character Rambo Sambo, developed by the American entertainer Ned Harper in the late 1830.
It is not clear who first adopted the character in Sydney in 1844; however, in Adelaide in 1847, it was identified with a "Mr. Macdonald", perhaps Alexander McDonald.
In both Sydney and Adelaide, it was associated with dancing and singing of the song Lucy Long.
As late as 1851, at Geelong, William Evans also briefly sustained the character.
Documentation:
[Advertisement], Southern Reporter and Cork Commercial Courier [Cork, Ireland] (24 March 1838), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000876/18380324/012/0002 (PAYWALL)
ROYAL VICTORIA THEATRE. COOK-STREET . . .
On Monday Evening, March 26 . . . First Appearance of the Celebrated American Comedian MR. HARPER -
The real originator of the JIM CROW SCHOOL, from the New York, Boston, and Philadelphia Theatres, who is engaged for a few nights only . . .
To conclude with the New American Drama, called RAMBO SAMBO.
Rambo Sambo - the Free [REDACTED] - Mr. E. Harper.
In which he will Sing "Sick a getting up Stairs,"
with the inimitable Virginian [REDACTED] Dance, and with Miss VILLARS, the Duet of "Zip Coon,” and "Air the Cachuca" . . .
ASSOCIATIONS: Ned Harper (American [? English] blackface entertainer)
[Advertisement], The Sydney Morning Herald (29 June 1844), 3
http://nla.gov.au/nla.news-article28651534
COPPIN'S LARGE SALOON. EXTRA ATTRACTION.
THIS Evening (Saturday), June 29, and the following week . . .
THE THREE RIVAL [REDACTED],
Yankee Phillips - Jim Brown, and Rombo Sobo, will screech their celebrated [REDACTED] Melodies,
accompanied by their Break-down healum-tonium grape-vine-twists.
Conductor, Mr. Phillips. Pianist, Mr. Fillmore, who will contribute to the evening's amusement,
assisted by many gentlemen amateurs.
ASSOCIATIONS: George Coppin (proprietor, entertainer); S. Phillips (vocalist); Henry William Fillmore (pianist)
[Advertisement], The Sydney Morning Herald (30 September 1844), 2
http://nla.gov.au/nla.news-article12425601
COPPIN'S LARGE SALOON. ADMISSION FREE.
THIS EVENING, MONDAY, SEPTEMBER 30, 1844.
Mr. COPPIN having disposed of his business to Mr. G. Skinner, most respectfully announces his FAREWELL NIGHT.
Upon which occasion he solicits the patronage of his friends and the public generally.
Jim Brown, Rombo Sobo, Mr. Caldwell, the Scotch vocalist; Mr. Fillmore, and several amateurs, will contribute to the amusement of the evening.
ASSOCIATIONS: George Skinner (proprietor)
[Advertisement], The Sydney Morning Herald (26 October 1844), 3
http://nla.gov.au/nla.news-article12422427
LARGE SALOON-CLOWN HOTEL. Opposite the THEATRE.
TREMENDOUS ATTRACTION ! ! ! THIS PRESENT SATURDAY EVENING, OCT. 26 . . .
ROMBO SOMBO will astonish those who have seen him before,
and annihilate the "unfortunate critters" that never witnessed his LONG ISLAND EXTRAVAGANZAS.
To commence at half-past seven o'clock. ADMISSION FREE.
[Advertisement], The Sydney Morning Herald (28 October 1844), 1 supplement
http://nla.gov.au/nla.news-article28650217
SKINNER'S LARGE SALOON! CLOWN HOTEL. OPPOSITE THE THEATRE.
THIS EVENING, OCTOBER 28, 1844. RENEWED AND INTERESTING ATTRACTION ! ! ! . . .
ROMBO SOMBO Having nearly annihilated all the "critters" on Saturday night,
will endeavour to resuscitate those who are not past all hope of recovery from the effects of his late "Trip to Old Virginity" . . .
[Advertisement], The Sydney Morning Herald (1 November 1844), 2
http://nla.gov.au/nla.news-article12421250
REMEMBER! ELECTION NIGHT!! ADMISSION FREE.
SKINNER'S LARGE SALOON, CROWN HOTEL, PITT-STREET,
ON Friday Evening, 1st November, 1844, the above place of entertainment will be opened, as an extra night,
for a variety of Singing, Music, and Recitations, by Messrs. Caldwell, Fillmore, Thomson, Taylor, Skinner, Farren, and Rombo Sombo,
assisted by numerous Amateurs, who have promised their talented services on the occasion . . .
ROMBO SOMBO will, in his peculiarly "light fantastic toe"-talism,
go through the whole of his popular pirouettes and charming Circassian Circles, and warble off his LUCY LONG . . .
MUSIC: Lucy Long (song); see also on Miss Lucy Long (Wikipedia)
[Advertisement], Adelaide Observer (6 March 1847), 8
http://nla.gov.au/nla.news-article158923958
NEW QUEEN'S THEATRE.
First appearance of Mr. Macdonald, the celebrated singer, from the Royal Victoria Theatre, Sydney . . .
THIS EVENING, March 6, 1847 . . . Mr. Macdonald will then sing "Poor Little Mo."
To be followed by the musical farce, entitled THE WATERMAN.
Mr. Macdonald will then appear as Rombo Sombo, and sing his unequalled edition of" Miss Lucy Long" . . .
G. COPPIN.
ASSOCIATIONS: Mr. Macdonald ? = Alexander McDonald; New Queen's Theatre (Adelaide)
[News], South Australian Register (20 March 1847), 2
http://nla.gov.au/nla.news-article48545438
The performances of the new Queen's Theatre, on Thursday evening, were under the immediate patronage of the mine proprietors of the colony, who attended in considerable strength upon the occasion . . . The intervening songs and dances were passable - Rombo Sombo doing all he could to cimbalise his tin platters, and to signalise his powers of locomotion . . .
[Advertisement], South Australian (13 April 1847), 2
http://nla.gov.au/nla.news-article71607935
Royal Adelaide Theatre. Thursday, April 15th, 1847 . . .
First appearance at this theatre of the celebrated "Rombo Sombo," in conjunction with [REDACTED] Howard . . .
Song, by [REDACTED] Howard.
Song, by [REDACTED] Rombo Sombo . . .
Stage Manager - Mr. Deering.
ASSOCIATIONS: Henry Shinton Deering (actor, manager)
[Advertisement], Geelong Advertiser (4 April 1851), 4
http://nla.gov.au/nla.news-article91913973
Theatre Royal, GEELONG . . . On FRIDAY, APRIL 4th, 1851 . . .
The Interlude will consist of MR. W. EVANS, the celebrated Congo Minstrel, will sing one of his Rombo Sombo [REDACTED] Melodies, with Bone Accompaniments . . .
Leader of the Orchestra, - Mr. Stainsby. Pianist, Mr. Finster . . .
W. LOCK, Lessee. J. H. S. LEE, Manager.
ASSOCIATIONS: William Evans (comedian, vocalist); Robert Stainsby (violinist, leader); Arthur Guido Finster (pianist); John Herman Selwyn Lee (actor, manager); Theatre Royal (Geelong)
RONCOVIERI, Alfred (Alfred Pierre RONCOVIERI; Alfred RONCOVIERI; Signor RONCOVIERI; often RONCOVERI)
Musician, vocalist, member of Lyster Opera Company
Born France, 1819
Active (1) Melbourne, VIC, November-December 1862
Active (2) Melbourne, VIC, April-May 1864
Died San Francisco, California, USA, 20 November 1874, aged "55"
https://trove.nla.gov.au/search?l-publictag=Alfred+Roncovieri+1819-1874 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RONCOVERI-Alfred (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Documentation:
"CONCERT OF HENRI HERTZ", Daily Alta California (2 April 1850), 2
https://cdnc.ucr.edu/?a=d&d=DAC18500402.2.3
The first concert of the composer and pianist, in California, will be given at the National Theatre this evening. He will be assisted by M. Roncovieri, a very agreeable vocalist, who sang a few weeks since on one occasion at the National . . .
ASSOCIATIONS: Henri Herz (pianist, composer)
[Advertisement], Sacramento Daily Union [CA, USA] (3 August 1860), 1
https://cdnc.ucr.edu/?a=d&d=SDU18600803.2.3.3
METROPOLITAN THEATER. Stage Manager - W. Lloyd . . .
GRAND ITALIAN and ENGLISH OPERA COMPANY!
Director - W. S. Lyster. Conductor - A. Reiff, Jr.
FRIDAY EVENING, AUGUST 3d, Will be given Verdi's Grand Opera, LA TRAVIATA.
Alfredo - Mr. Henry Squiers . . . Doctore - Sig. Roncoveri . . . Violetta - Mme. Lucy Escott . . .
ASSOCIATIONS: Anthony Reiff (conductor); Lyster Opera Company (troupe)
[Advertisement], The Age [Melbourne, VIC] (15 November 1862), 1
http://nla.gov.au/nla.news-article154970295
LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA. SUBSCRIPTION SEASON.
THEATRE ROYAL. Lessee and Director - Mr. W. S. Lyster . . .
LES HUGUENOTS . . . The music produced under the entire direction of Mr. A. Reiff, jun. . . .
Thore - Mr. Roncoveri . . .
[Advertisement], Daily Alta California [San Francsico, CA, USA] (24 January 1863), 4
https://cdnc.ucr.edu/?a=d&d=DAC18630124.2.30.3
AMERICAN THEATRE, Sansome street . . . .
Positively Last Night of the Season. Italian Opera. THIS EVENING - JANUARY 24,
Will be presented the beautiful Opera of MASANIELLO.
Elvira, betrothed to Alfonso - Signora Bianchi . . .
Masaniello, a fisherman - Signor Bianchi . . .
Pietro, a fisherman . . . Mons. Roncoveri.
Selva, an officer of the Duke . . . Mr. John Gregg . . .
ASSOCIATIONS: Eugenio and Giovanna Bianchi (vocalists); John Gregg (vocalist)
[Advertisement], The Argus [Melbourne, VIC] (4 May 1864), 8
http://nla.gov.au/nla.news-article5748460
LYSTER'S ROYAL ITALIAN and ENGLISH OPERA COMPANY.
ROYAL HAYMARKET THEATRE . . . FAREWELL SEASON . . .
Musical Director and Conductor, Mr. G. LODER.
THE CHORUS . . . Second Basses - Mr. H. Benham, Mr. Kaible, Signor Roncoveri, Mr. Levison . . .
ASSOCIATIONS: George Loder (conductor); Henry Benham (vocalist); Charles Kaible (vocalist); John Leveson (vocalist)
[Advertisement], Daily Alta California (12 July 1870), 4
https://cdnc.ucr.edu/?a=d&d=DAC18700712.2.48.4
MAGUIRE'S OPERA HOUSE . . . WEDNESDAY EVENING - JULY 13 . . .
LA FAVORITA! . . . SIG. RONCOVERI . . . MR. GEORGE T. EVANS - Conductor . . .
"PACIFIC COAST ITEMS", Sacramento Daily Union (23 November 1874), 3
https://cdnc.ucr.edu/?a=d&d=SDU18741123.2.19
Alfred Pierre Roncovieri, the well known basso singer, died in San Francisco November 20th, after a brief illness.
Bibliography and resources:
Alfred Pierre Roncovieri, Find a grave
https://www.findagrave.com/memorial/105254313/alfred-pierre-roncovieri
ROOKE, F. (Miss F. ROOKE) = Fanny ROOKE (Mrs. PAINE)
ROPER FAMILY (family of Joseph Francis Roper)
ROPER, Alban Joseph (Alban ROPER; Alban Joseph ROPER; A. J. ROPER; A. ROPER)
Musician, choirmaster, choral conductor
Born Nottingham, England, 1841; son of Joseph ROPER (1813-1889) and Mary MASSEY (d. 1851)
Arrived Melbourne, VIC, 12 September 1851 (per Agnes, from Liverpool, 6 June)
Arrived Hobart, TAS, 4 October 1851 (per Victoria Packet, from Melbourne)
Married Mary Ann REYNOLDS (d. 1923), Hobart, TAS, 15 October 1863
Died Evandale, TAS, 17 April 1911, aged "69"
https://trove.nla.gov.au/search?l-publictag=Alban+Joseph+Roper+1841-1911 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROPER-Alban-Joseph (shareable link to this entry)
ROPER, Edmund Alphonsus (Edmund ROPER; Edmund Alphonsus ROPER; E. A. ROPER)
Organist, pianist, arranger
Born Nottingham, England, 1846 (registered 3rd quarter); son of Joseph ROPER (1813-1889) and Mary MASSEY (d. 1851)
Arrived Melbourne, VIC, 12 September 1851 (per Agnes, from Liverpool, 6 June)
Arrived Hobart, TAS, 4 October 1851 (per Victoria Packet, from Melbourne)
Married Sarah Ann MARSHALL, 15 August 1868
Died Glebe, NSW, 28 March 1874, aged 27
https://trove.nla.gov.au/search?l-publictag=Edmund+Alphonsus+Roper+1846-1874 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROPER-Edmund-Alphonsus (shareable link to this entry)
ROPER, Alfred Francis (Alfred ROPER; A. F. ROPER)
Musician, organist
Born Hobart, TAS, 27 August 1859; son of Joseph ROPER (1813-1889) and Letitia MCDOWELL
Died Melbourne, VIC, 21 March 1940, aged "81"
https://trove.nla.gov.au/search?l-publictag=Alfred+Francis+Roper+1859-1940 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROPER-Alfred-Francis (shareable link to this entry)
ROPER, Osmund (Osmund ROPER; Osmund Julian ROPER; Mr. O. J. ROPER)
Amateur musician, choirmaster
Born Hobart, TAS, 21 November 1861; son of Joseph ROPER (1813-1889) and Letitia MCDOWELL
Married (1) Emily Leslie BURKE (d. 1892), Deloraine, TAS, 20 November 1889
Married (2) Elizabeth Ann LILLEY (1874-1942), 1900
Died Hobart, TAS, 30 October 1932
https://trove.nla.gov.au/search?l-publictag=Osmund+Roper+1861-1932 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROPER-Osmund-Joseph (shareable link to this entry)
ROPER, Letitia Mary (Letitia Mary ROPER; Miss Lettie ROPER; Sister Mary Theresa Joseph ROPER)
Musician, pianist, music teacher
Born Hobart, TAS, 22 August 1863; daughter of Joseph ROPER (1813-1889) and Letitia MCDOWELL
Died Sydney, NSW, 12 August 1939
https://trove.nla.gov.au/search?l-publictag=Letitia+Mary+Roper+1863-1939 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROPER-Letitia-Mary (shareable link to this entry)
Summary:
Joseph Francis Roper (1813-1889) was raised a Quaker, but was converted to Roman Catholicism in Nottingham in the 1830s by the priest Robert William Willson. Wilson arrived to take up his appointment as first bishop of Hobart in 1844, and in 1851 Roper agreed to follow him to the colony to become Catholic schoolmaster in Hobart. With his wife and four children, Roper sailed from Liverpool in June 1851, bound first for Port Phillip, and then for Hobart. His first wife, Mary Massey, died in childbirth on the voyage, and in Hobart in 1856 he married Letitia McDowell. Several children by both marriages were active as musicians, and his daughter-in-law, Elizabeth Ann Lilley, was also a vocalist, organist, and composer. In particular, his eldest sons by his first marriage, Alban and Edmund, were almost certainly active in the musical life of St. Joseph's parish during the 1850s. The extent of Roper senior's musical interests is not documented; however, it is likely given his family's strong association that music was important to him. Fellow Catholic convert, Thomas Arnold junior, who was inspector of Tasmanian schools in the early 1850s, deemed Roper, with his eleven years' experience as a schoolmaster in England, to be one of Hobart's best teachers.
REFERENCES: Thomas Kelsh (ed.), Personal recollections of the Right Reverend Robert William Willson, D.D (Hobart: Davies Bros., 1882), 69
https://books.google.com.au/books?id=M5GwhE5H1-wC&pg=PA69 (DIGITISED)
P. A. Howell, Thomas Arnold, the younger in Van Diemen's Land (Hobart: Tasmanian Historical Research Association, 1964), 45
Anthony Alan Leclerc, The episcopate of Daniel Murphy, first Archbishop of Hobart, 1866-1907 (Master thesis, University of Tasmania, 1994), 28, passim
https://eprints.utas.edu.au/20162 (DIGITISED)
Documentation:
England census, 30 March 1851, St. Mary, Nottingham; UK National Archives, HO 107 / 2131
https://www.ancestry.com.au/imageviewer/collections/8860/images/NTTHO107_2130_2131-0539 (PAYWALL)
Toll Street / Joseph Roper / Head / Mar. / 37 / Schoolmaster / [born] Nottingham
Mary [Roper] / Wife / Mar. / 42 / - / [born] [Nottingham]
Emma Roper / Dau. / 12 / Scholar / [born] [Nottingham]
Alban [Roper] / Son. / 9 / Scholar / [born] [Nottingham]
Edmund [Roper] / Son / 4 / Scholar / [born] [Nottingham]
"PUBLIC SCHOOLS. PRIZES TO PUPIL TEACHERS", The Mercury [Hobart, TAS] (24 January 1862), 2
http://nla.gov.au/nla.news-article8803840
. . . Promoted Pupil Teachers of the Second Class: . . . Edmund Roper . . .
"BOARD OF EDUCATION", The Mercury [Hobart, TAS] (19 April 1865), 2
http://nla.gov.au/nla.news-article8832264
From Mr. Roper, Harrington-street, applying for the appointment of his son, Edmund Roper, as assistant teacher at his school.
"Board of Education . . . THE SINGING CLASSES", The Tasmanian Times (12 December 1867), 3
http://nla.gov.au/nla.news-article232856769
A letter from Mr. Roper, on the report of Mr. Reynolds, as to Mr. Roper, jun., a pupil teacher, explaining that Mr. Roper was not only a proficient in music, but also organist and teacher, and, therefore, he did not consider that it was necessary that he should attend the singing classes. It would also, he said, be a degradation for his son as such to stand up amongst children.
The Board decided that the rule for pupil teachers to attend the classes must be adhered to, as although Mr. Roper might be a thorough musician, and capable of teaching one person, it was to learn how to impart instruction to a body of children that his attendance was required.
"READING AT NEW TOWN", The Mercury (9 June 1868), 2
http://nla.gov.au/nla.news-article8852710
Last night Mr. J. Betts repeated his reading at New Town, when there was a good attendance. Mr. E. A. Roper presided at the piano, and the entertainment was a very agreeable one . . .
"MARRIAGES", The Mercury (17 August 1868), 1
http://nla.gov.au/nla.news-article8854013
ROPER - MARSHALL. - On the 15th inst., at St. Joseph's Church, by the Rev. Phillip Hennebrey, Edmund Alphonsus, son of Mr. Joseph Roper, Hobart Town, to Sarah Ann, fifth daughter of Mr. Henry Marshall, of Lansdowne Crescent.
"RESIGNATION OF MRS. E. A. ROPER", The Cornwall Chronicle (3 October 1868), 3
http://nla.gov.au/nla.news-article66466327
The resignation of Mrs. E. A. Roper, at the St. George's Hill School, was accepted, and a certificate of her competency and services ordered to be forwarded; Mrs. Roper leaving by the City of Hobart, to join her husband at Sydney.
[Advertisement], The Sydney Morning Herald (21 December 1871), 8
http://nla.gov.au/nla.news-article13249514
PRINCE OF WALES OPERA HOUSE. CHRISTMAS NIGHT, MONDAY, 25th instant.
THE MESSIAH will be performed by the Sydney Choral Society.
Principal Vocalists - Mrs. Conduit, Miss James, Mrs. J. B. C. Miles, Mr. H. Ackland, and Mr. Andrew Fairfax, Chorus and Orchestra number 200.
Conductor - Herr Carl Schmitt.
Pianist - Mr. E. A. Roper.
Leader of the Orchestra - Dr. Chas. Horn . . .
ASSOCIATIONS: Carl Schmitt (conductor); Ellen Miles (vocalist); Andrew Fairfax (vocalist); Charles Horn (violin, leader)
"SYDNEY CHORAL SOCIETY", The Sydney Morning Herald (19 June 1873), 4
http://nla.gov.au/nla.news-article13319076
Last night the annual meeting of this society was held in St. Andrew's schoolroom Pitt-street, Mr. C. J. Jackson in the chair . . . Thanks were awarded to Herr Carl Schmitt, the conductor, and to Mr. E. A. Roper, the organist, for services they had rendered for a considerable time without remuneration . . .
"MOZART'S TWELFTH MASS", The Sydney Morning Herald (26 December 1873), 4
http://nla.gov.au/nla.news-article13329032
Of all the musical performances yesterday in honour of Christmas Day, that of the grand conception of Mozart, given at St. Patrick's Church, was the finest. Some of the best voices in Sydney formed part of a large vocal corps, and a very creditable orchestra, and the tones of a fine organ, gave forth with grand effect this splendid composition. To Mr. Roper, the talented organist and conductor, great credit is due for having succeeded in producing so fine a rendering of the Twelfth Mass after a single rehearsal. It may be mentioned that there were no less than four basso, or low baritone voices, that came out finely in the glorious "Hallelujah" chorus from the "Messiah," with which the services terminated.
"ST. PATRICK'S CHURCH", Freeman's Journal (7 February 1874), 2
http://nla.gov.au/nla.news-article128807354
On Sunday last, the congregation of this church had a most agreeable treat. Since the days of the late Mr. Cordner, when the musical performances of the good old choir (as it is now familiarly called at St. Mary's) were so much admired, there have been very few opportunities of hearing our grand Masses performed as it was intended they should be by their composers. Last Sunday was one of these rare occasions. At 11 o'clock at St. Patrick's, Haydn's No. 16 Mass was performed with full orchestral accompaniment, Mr. E. A. Roper, the organist presiding at the fine old instrument. Mr. Fisher performed the duties of conductor with his accustomed ability. The singing of Miss Moon and Mr. Rainford was much admired, the Quoniam of Haydn's No. 5 being very artistically rendered by Miss Moon. Great praise is clue to Mr. Roper for the high state of efficiency the choir has attained of late, and it is to be hoped that we may have the pleasure of often hearing such splendid music.
ASSOCIATIONS: William John Cordner (conductor); James Churchill Fisher (conductor); Elizabeth Anne Moon (vocalist); Thomas Rainford (vocalist)
"DEATHS", The Sydney Morning Herald (30 March 1874), 1
http://nla.gov.au/nla.news-article28411739
ROPER. - March 28, at his residence, Derwent-street, Glebe, after a brief illness, Mr. Edmund Alphonsus Roper, organist, St. Patrick's Church, second son of Mr. Joseph Roper, Hobart Town, and grandson of Captain George Roper, 10th Hussars, aged 27 years, leaving an affectionate wife and three children to mourn their loss.
"DEATH OF MR. ROPER", The Sydney Morning Herald (30 March 1874), 4
http://nla.gov.au/nla.news-article28411770
The musical profession has lost a very promising young member in the death of Mr. Roper, the late organist of St. Patrick's Church, who died on Saturday evening after an illness of only a few days. Mr. Roper was well known in connection with the popular concerts given in Sydney, more particularly those of a sacred character.
"COMPLIMENTARY TEA PARTY", The Mercury (26 August 1874), 2
http://nla.gov.au/nla.news-article8931876
The complimentary tea party, tendered to the choir of St. Joseph's Church, came off in due course last evening, notwithstanding the very inclement weather . . . The Catholics of Hobart Town took this opportunity of presenting Mr. Henry Hunter with an address and valuable testimonial, as a mark of their appreciation of the services rendered by him to the Church, in the capacity of conductor of St. Joseph's choir . . . Mr. HUNTER, in reply, said that he would first express his thanks for the very kind and flattering manner in which the churchwardens had been pleased to refer to the services of the choir, and of himself individually. During the period that he had been connected with the choir they had undergone many vicissitudes, and on many occasions it had been a struggle. One of the heaviest blows that had fallen upon them was the loss of an organist. He alluded to Mr. Edmund Roper, who left the colony for Sydney, where he died only a few weeks since, much respected. The loss of such an accomplished organist proved a heavy blow to the choir, from which it was thought they would never rally. However, a friend in need was amongst their little ranks, in the young lady who at present occupies the position of organist, Miss J. Reichenberg had most courageously undertaken the duty, and done immense credit to herself by the efficiency attained by her . . .
ASSOCIATIONS: Henry Hunter (choirmaster); Jane Reichenberg (organist)
"CHURCH OF THE APOSTLES", Weekly Examiner [Launceston, TAS] (1 January 1876), 10
http://nla.gov.au/nla.news-article233669338
On Christmas Day the usual number of masses (five) were said at the above church,
and the sacred edifice was thronged with worshippers.
At 11 o'clock mass was celebrated by the Rev. P. Gleeson, and the pulpit was occupied by the Very Rev. Dean butler, who preached an eloquent and impressive sermon.
The choir, under the able conductorship of Mr. Alban Roper, rendered with great effect the following solemn and grand selections: -
Haydn's No. 2 Mass - Kyrie Eleison Gloria, Sanctus and Benedictus, and Agnus Dei - and offertory piece, Adeste fidelis (Novello's arrangement).
MUSIC: Mass in C (Haydn, Novello edition No. 2)
"NEWS OF THE DAY", The Sydney Morning Herald (25 November 1878), 5
http://nla.gov.au/nla.news-article13417199
WE have received from Mr. J. R. Clarke, the publisher, a copy of "O Salutaris Hostia", as sung by Miss E. A. Moon. It was arranged by the late E. A. Roper (sometime organist of St. Patrick's Church). Many of our readers will no doubt be glad to obtain this arrangement of a much-admired air by Mercadante.
[News], Freeman's Journal (30 November 1878), 15
http://nla.gov.au/nla.news-article111096098
We have received from the publisher (Mr. J. R. Clarke) the Offertorium O Salutaris Hostia as sung by Miss E. A. Moon, in the church of St. Patrick's, Sydney. The piece has been arranged by the late Edwin A. Roper [sic] (some time organist of that church) from an air by Mercadante. The music is neatly printed, and the cover bears a well executed photograph of Miss Moon.
[Advertisement], The Sydney Morning Herald (3 December 1878), 3
http://nla.gov.au/nla.news-article13425686
OFFERTORIUM. - O Salutaris Hostia. Music from Mercadante; arranged by late E. A. Roper. 2s 6d. Clarke; 68, Pitt-street.
ASSOCIATIONS: Jacob Richard Clarke (music publisher); no copy of the work has been identified in public collections
"MUSICAL", The Mercury (9 August 1894), 2
http://nla.gov.au/nla.news-article9332797
On Monday next Miss Lettie Roper leaves Hobart for Sydney, whither she goes to enter the Order of the Sisters of Charity. Miss Roper is the daughter of the late Mr. Joseph Roper, who was attached to the journalistic staff of the Catholic Standard for many years, and was a respected citizen and a zealous Catholic. The subject of this notice has been identified with classical music in Hobart for a long period, and always acquitted herself with great credit in her expositions of the divine art.
"THE CHOIR AND MUSIC", The Mercury (15 November 1894), 3 (Tasmanian International Exhibition Supplement)
http://nla.gov.au/nla.news-article9311810
It was early decided that music should be a special feature of attraction to the Exhibition. St. Mary's Cathedral having arranged to purchase a large and powerful organ, the directors seized the opportunity and secured the loan of the instrument for use in the concert hall. The organ is considered to be a very fine one, and was built by Messrs. Fincham & Hobday, of Melbourne. In the middle of 1893, Mr. A. J. Mills was appointed musical conductor, and with the assistance of an energetic committee he soon organised a choir of 400 voices and an orchestra. Several concerts were given during the ensuing twelve months, large audiences assembling to hear "Festgesang" (Mendelssohn), "Messiah " (Handel), "Israel in the Wilderness" (Gaul), and "The Creation" (Haydn), which were the chief productions. Mr. F. H. Stevens was organist and Miss Lettie Roper was pianist for Mr. Mills' choir . . . Mr. Mills' engagement terminated at the end of June, 1894 but was extended for a month, and then Mr. Otto Linden was contracted with to supply the whole of the music for the Exhibition. He reorganised the choir, and whilst some members of the original combination were not readmitted, about 60 new voices were added. Mr. F. A. Packer undertook to compose the opening cantata for the Exhibition, and to personally conduct the rehearsals and performance of the work, which he named "The Land of Beauty" . . . The internal management of the choir is invested in an executive committee . . . The other officials are the choir librarian, Mr. Nat Oldham ; orchestra secretary, Mr. O. J. Roper . . .
ASSOCIATIONS: Frederick Augustus Packer (composer, conductor); Otto Linden (musical director)
"ABOUT PEOPLE", Examiner (19 April 1911), 5
http://nla.gov.au/nla.news-article50471057
Quite a gloom was cast over Evandale (writes our correspondent) when it became known that Mr. Alban Roper had died suddenly. The deceased has been schoolmaster here for a number of years, and was loved and respected by all. Much sympathy is felt for his sorrowing wife and family. Deceased was born in 1841 at Nottingham, England, and was the eldest son of the late Mr. Joseph Roper, who arrived in Tasmania in 1851 to take charge of St. Joseph's School, Hobart, a position he held until his death in 1889. Educated under his father, he won a special prize in 1859 for passing most successfully the examination held for pupil teachers. He began his teaching career at the Bellerive state school. In 1861 he was appointed to the staff of the Hutchins School; in 1803 to the Margaret-street state school, Launceston; and in 1889 assumed the headmastership of the Evandale state school. Under Mr. Roper the school has flourished. Mr. Roper was a well-known musician, among the musical appointments he held being conductor of the Launceston Choral Society, choirmaster of the Evandale Roman Catholic Church, and conductor of the Church of Apostles choir, Launceston. He was married in 1803 to Miss Mary Reynolds, a daughter of the late Mr. Loughlin Reynolds, of Hobart, who came to Tasmania in 1824.
"OBITUARY. Mr. O. Roper. Lengthy Government Service", The Mercury (31 October 1932), 8
http://nla.gov.au/nla.news-article24705043
The death of Mr. Osmund Roper, who until his retirement a year ago was chief draftsman of the Mines Department, occurred yesterday at Bellerive, where he resided. Mr. Roper was for nearly 53 years in the Public Service of Tasmania . . . Mr. Roper was well-known in musical circles. For a number of years he was choirmaster at St. Joseph's Church, and later occupied a similar position at St. Mary's Cathedral. Mr. Roper is survived by his widow and a family of five sons . . .
"GOLDEN WEDDING. Mr. and Mrs. A. F. Roper, of Warrnambool", The Mercury (14 April 1937), 7
http://nla.gov.au/nla.news-article25391415
Mr. and Mrs. A. F. Roper, Caulstock St., Warrnambool (V.) celebrated their golden wedding anniversary yesterday. Unfortunately Mrs. Roper has been seriously ill for some time, and is a patient in St. John's Hospital, Ballarat. The marriage took place at St Joseph's Church, Warrnambool, on April 13, 1887. The ceremony was performed by the late Monsignor O'Dowd assisted by the Rev. J. Moriarty. Mr. Roper Is a native of Hobart, and after conducting the Roman Catholic Church choirs at New Town (T.), Coburg, and Stawell (V.), he went to Warrnambool at the age of 26 years and was appointed organist and choirmaster at St. Joseph's Church. That was 53 years agro, when an Estey organ did service, and Mr. Roper is still at his post as organist and choir leader, though he now plays (and has done so since 1892) the largest pipe organ in any church outside Melbourne. Mr. Roper gained his first lessons on the pipe organ from Miss Reichenberg at St. Joseph's Church, Hobart, and later from Mr. F. A. Packer (City Organist at Hobart), on St. David's Cathedral organ. He continued his musician training under Herr Schott on the Hobart Memorial Church organ. For some time he was organist for the Hobart Philharmonic Society. Mr. Roper belongs to a musical family. His brother Edmund was organist at St. Patrick's Church, Sydney. Another brother Alban, was for 11 years conductor of the Church of Apostles choir at Launceston, and his brother Osmund was until shortly before his death two years ago, conductor of St. Mary's Cathedral choir, Hobart. A sister, Lettie, was elected pianist for the Hobart International Exhibition and played through rehearsals but left to enter the Sisters of Charity Convent, Potts Point, Sydney. Mr. Roper has been closely associated with the musical history of Warrnambool for 50 years and as conductor of the City Orchestra, assisted in raising large sums of money during the Great War for the Red Cross Society, and for other patriotic purposes. He has been ably assisted by Mrs. Roper, who has always been prominent in charitable circles in the Warrnambool district. She is a life governor of the Warrnambool Base Hospital, and also St. Vincent's Hospital, Melbourne, and was for some time President of the Warrnambool branch of the Women's Benevolent Society. Their eldest son, the Rev. J. B. Roper, is parish priest at Warracknabeal (V.).
ASSOCIATIONS: James Arthur Schott (teacher)
"The Late Sister Mary Teresa Joseph Roper", Catholic Freeman's Journal (24 August 1939), 19
http://nla.gov.au/nla.news-article146381239
On the 12th inst. the late Sister Mary Teresa Joseph, of St. Vincent's Convent, Pott's Point, passed away. She was a daughter of the late Mr. Joseph Francis Roper, of Hobart, the well-known educationist and for a time Editor of the "Catholic Standard" - one of a large and talented family, whose education was directed with great care by her father. She was exceptionally gifted and versatile, excelling both in music and literary work, also a teacher of Latin, French, German and Italian . . .
"DEATHS", The Sydney Morning Herald (22 March 1940), 6
http://nla.gov.au/nla.news-article17666873
ROPER. - March 21, at St. Vincent's Hospital, Melbourne, Alfred Francis, Warrnambool, Victoria, husband of the late Julia Edith and father of Basil (Bishop of Toowoomba), Inez (Mrs. Higham), Harold (Burwood), Muriel (Coonamble), Enid (deceased), Eric (Canberra), Leo (Melbourne), and Ida (Mrs. Gough). R.I.P.
ROSEMANN, Anna (Mrs. ROSEMANN) = Anna GOULD
ROSENGREN, Carl Gustav (Carl Gustav ROSENGREN; Gustav ROSENGREN)
Pianoforte maker, repairer, and tuner, woodworker
Born ? Sweden, c. 1825
Arrived Melbourne, VIC, c. 1853/54
Married (1) Julia Maria HICKEY (1840-1867), Melbourne, VIC, 1861
Married (2) Margaret ROY (d. 1889), Melbourne, VIC, 1868
Died Melbourne, VIC, 23 April 1889, aged "63/64"
https://trove.nla.gov.au/search?l-publictag=Carl+Gustav+Rosengren+c1825-1889 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSENGREN-Carl-Gustav (shareable link to this entry)
ROSENGREN, Oscar (Oscar Gustav ROSENGREN; Oscar ROSENGREN)
Musician, pianoforte tuner and dealer, pianist, composer
Born Melbourne, VIC, 4 December 1862
Died Cheltenham, VIC, 1919
Documentation:
[Advertisement], The Age (19 January 1856), 1
http://nla.gov.au/nla.news-article154867169
COLONIAL FURNITURE Cheap, and Pianofortes Repaired and Regulated by Rosengren, Little Bourke-street east, next Astley's Theatre.
[Advertisement], The Argus (14 March 1857), 3
http://nla.gov.au/nla.news-article7146194
PIANOFORTES in any condition Repaired, Furniture and Picture Frames, in blackwood and cedar, on SALE and Made to Order by ROSENGREN, 220 Bourke-street east.
[Advertisement], The Age (5 July 1859), 8
http://nla.gov.au/nla.news-article154826663
IN the Supreme Court of the Colony of Victoria. - Insolvency Jurisdiction. -
In the Insolvent Estate of Gustav Rosengren, late of Collingwood, now of Lonsdale street, in the city of Melbourne, in the colony of Victoria . . .
[Advertisement], The Argus (18 August 1860), 3
http://nla.gov.au/nla.news-article5688156
PIANOFORTE, semi-grand, in splendid tone, for £27. Rosengren, 104 Lonsdale-street east, opposite Wesley Church.
"POLICE . . . DAMAGING PROPERTY", The Argus (20 July 1861), 6
http://nla.gov.au/nla.news-article5702160
Richard Burke was charged with breaking a window, and damaging some pictures in the shop of a Mr. Rosengren, a dealer, in Lonsdale-street. The damage done amounted to £2. The man was "three parts drunk at the time." The Bench fined him in the amount of damages; in default, fourteen days' imprisonment.
[Advertisement], The Argus (23 July 1861), 7
http://nla.gov.au/nla.news-article5702238
PIANOFORTE, cottage, nearly new, full compass, great bargain, £24 . . .
PIANOFORETS, - secondhand, grand, Broadwood's, £20; grand, Weina, £18; square, £8 . . .
PIANOFORTES. - Five square PIANOS WANTED, for ready cash. Pianos repaired.
Rosengren, Lonsdale-street, opposite Wesley Church.
[Advertisement], The Argus (8 August 1861), 1
http://nla.gov.au/nla.news-article5702833
PIANOFORTE, elegant piccolo, by D'Almaine, splendid tone, great bargain, £25. Rosengren, 164 Lonsdale-street east.
"NEWS AND NOTES", The Star [Ballarat, VIC] (17 November 1862), 2
http://nla.gov.au/nla.news-article66328758
. . . Another proof, says the Argus, of the adaptability of our colonial woods to cabinet work has been given by Mr. Rosengren, of Lonsdale street east, who has just completed the manufacture of a pianoforte of handsome appearance and fine tone. The instrument is of the kind known as half-cottage, and the greater portion of the wood used in its construction is native cedar. Perhaps the most remarkable part of the affair is, that there has been no division of labor in connexion with it - the pianoforte is entirely the work of Mr. Rosengren's own hands . . .
"BIRTHS", The Argus (6 December 1862), 4
http://nla.gov.au/nla.news-article6481656
ROSENGREN. - On the 4th inst., at Melbourne, Mrs. Rosengren of a son.
"DEATHS", The Argus (17 July 1867), 4
http://nla.gov.au/nla.news-article5772494
ROSENGREN. - On the 16th inst., at her residence, No. 29 Lonsdale-street east, Julia, the beloved wife of Gustaf Rosengren, aged twenty-seven years.
"NEW INSOLVENTS", The Argus (28 September 1870), 5
http://nla.gov.au/nla.news-article5833187
Gustaf Rosengren, of Melbourne, piano maker. Causes of insolvency - Falling off in business, illness in family, and high rate of interest for money borrowed. Liabilities, £120 13s. 5d.; assets, £16; deficiency, £104 13s. 5d. Mr. Shaw, official assignee.
"THE UNEMPLOYED BOARD", The Argus (13 August 1879), 3
http://nla.gov.au/nla.news-article5952897
A sitting of this board was held yesterday, at the Public Offices, Mr. Lavater in the chair . . .
Gustave Rosengren, piano maker, said he had been in business in Melbourne since 1862 [sic].
There were, or had been, 400 [sic] journeymen pianomakers in the colony, but many of them could not find work at their trade, and had to take to others cabinetmaking, carpentering, &c.
About 100 had gone back to England. There were some eight factories in Victoria.
If a 50 per cent duty was put on pianos there would be work for 500 men.
Pianos as good as Erard's could be made here if the manufacturers got a fair chance.
The raw matetrial - wood, ivory, strings, &c. - must be admitted free as raw material.
Steel wires could not be made here, and until people came forward and said they could manufacture steel wires, no duty ought to be put on them.
If a man wanted to buy a foreign piano let him pay through the nose for it - it would serve him right.
Witness had never been out of work since he came to the colony.
He sometimes employed a few hands, but at present all his work was done by himself and his sons.
'CASUALTIES AND OFFENCES", The Argus (7 January 1886), 7
http://nla.gov.au/nla.news-article6079452
At about a quarter to 2 o'clock yesterday morning a fire occurred in the two-storied brick premises at 21 Lonsdale-street west, occupied by Mr. Gustave Rosengren, dealer in and manufacturer of musical instruments. Mr. Rosengren's two sons resided on the premises, and retired to rest at 11 o'clock on Tuesday evening. They were awakened at the time mentioned by smoke, which was then too dense to allow them to get downstairs. The alarm was raised, and several persons in the street below held a blanket for the young men. The first jumped safely, but the second (Oscar) was let fall on the pavement, receiving injuries to his hip which necessitated his removal to the hospital. Meanwhile the Insurance, Carlton, and Albion Brigades arrived, and the fire, which originated in a workroom at the back of the front shop, was soon subdued. The stock in the shop, consisting of pianos and other musical instruments, was slightly damaged, but the injury done is fully covered by policies in the Colonial and New Zealand Companies, to the amount of £800. The occupants could give no explanation as to how the fire originated.
"PIANOFORTE MAKING IN VICTORIA. ROSENGREN'S PIANO WAREHOUSE, GERTRUDE-STREET", Fitzroy City Press (17 July 1886), 3
http://nla.gov.au/nla.news-article65648777
That Victoria is a music-loving community is instanced in many ways, musical instruments forming no small part of our imports. Amongst these the piano is pre-eminent; it is to be found in every household of any pretension, and though its capacities are seldom developed to their full extent, still it adds much to the pleasures of a home. At present almost all of these instruments sold are of foreign make, but young as the colony is, it already at has had its piano factory. In 1854 Mr. G. Rosengren, after considerable experience in the piano factories of England, Germany, France and Russia, landed in Melbourne, bringing with him a large plant for the express purpose of manufacturing pianos. He was laughed at by wiseacres, who suggested that he should utilise his plant in making mangles, as much more suited to the requirements of the colony. However, he got to work, but found numberless difficulties in his way. Not a bit of seasoned or suitable wood was to be got in the colony; and he had to wait patiently to procure some.
The first Victorian piano was completed in 1862. It was built of Spanish mahogany and had a range of 6 3/4 octaves. It had a fine, sweet tone, and was generally admired. It represented an immense amount of labor, as every part had to be made and fitted entirely by Mr. G. Rosengren himself. So much was this achievement thought of at that time that the Argus referred to it, in its leading columns, in very complimentary terms, and musicians were liberal in their praise of the instrument. It is now highly valued by its possessor, and will undoubtedly in the future be of special interest to all musical Australians. In England, indeed, a very high reward is offered for the production of the first piano made there, which it is supposed will prove to be over 100 years old. As one result of Mr Rosengren's difficulties and experiments, he found that we have in Kauri pine a most valuable timber for musical instruments. It is unrivalled for the sounding boards of pianos, and it gives to violins great purity and depth of tone.
Since the, success of his first effort Mr. Rosengren has made many pianos which have given great satisfaction to their possessors, but he has had the misfortune to be burnt out twice. The last fire occurred about the beginning of this year, and resulted in such serious loss of plant, material and appliances, that, coupled with the reduced price and large importation of foreign pianos, he decided to confine his operations in future to the selling of these and to repairs. At his Gertrude-street premises he has a large stock of these instruments by the well known makers, Ronisch, Lipp, Gore, Kallmann, and others. Besides these he has violins,banjos, 'cellos, and every description of wind and string instruments and cabinet organs by the "Standard Organ Co.," which are admitted to be amongst the best. Customers may therefore rely on obtaining what they require with very little trouble, as well as getting the benefit of Mr. Rosengren's practical experience as a maker.
Amongst his appliances is a machine for covering bass strings for the piano with the necessary copper wire, whilst another ingenious apparatus cuts out seel notes [sic] for reed instruments, concertinas, etc. A special branch is the re-felting of piano hammers which is done by machinery, therby effectirg a large saving in the cost as well as ensuring greater uniformity. Fret-work designs are also made and cut in the greatest variety by machinery, so that damaged pieces in the front of pianos can easily be replaced. Mr. Rosengren is the only one in the colony in the possession of many of these appliances, and consequently he not only is largely patronised by the general public, but does a great deal of work for the trade as well; so that anyone entrusting him with instruments for repair may feel the utmost confidence that the result will prove satisfactory.
Competent tuners are engaged by this firm, Mr. Oscar Rosengren giving personal attention to this department of the firm's business. From this it will be seen that Messrs Rosengren and Co. offer exceptional advantages to the purchasing public. The handling of musical instruments requires a special technical knowledge, which can only be gained by years of experience. Some times valuable and rare instruments are ruined by those who undertake their repair, but lack the requisite technical knowledge. Here there is the safe-guard of a life-time spent in making and repairing, which should be sufficient guarantee. There is little more to add, except that the stock is worth an inspection, and intending buyers should be amply repaid by a visit to Messrs. Rosengren's establishments.
"NEW INSOLVENTS", The Argus (19 October 1886), 5
http://nla.gov.au/nla.news-article11576541
Carl Gustaf Rosengren, of 139 Gertrude-street, Fitzroy piano importer (Compulsory sequestration.)
Causes of insolvency - Illness, losses by fire, depression in trade and compulsory sequestration of his estate.
Liabilities, £1,847 11s 3d , assets, £1,252 13s. 6d.; deficiency, £594 17s. 3d. Mr. Danby, trustee.
"Deaths", The Argus (24 April 1889), 1
http://nla.gov.au/nla.news-article6241057
ROSENGREN. - On the 23rd inst., at his residence, Swanston-street, opposite Hospital, Carl Gustave Rosengren, pianoforte maker, aged 63 years. Old colonist for 36 years.
"Deaths", The Age (10 May 1889), 1
http://nla.gov.au/nla.news-article197323285
ROSENGREN. - Margaret Rosengren, relict of the late C. G. Rosengren, pianoforte manufacturer, after a short and painful illness, aged 45 years.
[Advertisement], The Age (12 June 1889), 8
http://nla.gov.au/nla.news-article197332729
PIANOFORTE Tuning, Repairing Workshops, established 1854; workmanship unequalled, satisfaction guaranteed.
Rosengren Bros., piano makers, Swanston-street, opposite Hospital.
"NEW INSOLVENTS", The Argus (5 August 1891), 5
http://nla.gov.au/nla.news-article8619134
Oscar and Frederick Rosengren, trading as Rosengren Brothers, of 317 Swanston-street, pianoforte importers and manufacturers.
Causes of insolvency - Losses by fire, illness and deaths in family, and depression of trade.
Liabilities, £275 11s. 1d.; assets, £221 17s. 6d.; deficiency, £53 13s. 7d. Mr. Jacomb, assignee.
Musical works (Oscar):
Melbourne by night, schottische, composed by Oscar Rosengren, dedicated to the Melbourne Deutscher Turn Verein (Melbourne: [O. Rosengren], [1889])
https://trove.nla.gov.au/work/12300621
http://nla.gov.au/nla.obj-164590049 (DIGITISED)
"BRIEF MENTION", The Herald (5 September 1889), 2
http://nla.gov.au/nla.news-article241360904
We have received from Mr. Oscar Rosengren, the composer and publisher, a pretty schottische, entitled, Melbourne by Night, which should become popular. It is lively and melodious, with well marked rhythm, and has the merit of being easy to play. It has a beautifully lithographed view of Melbourne by moonlight on the title page.
ROSENSTEIN, Ferdinand (Ferdinand ROSENSTEIN)
Musician, flautist, pianist, music teacher, singing instructor, composer
Arrived Adelaide, SA, 15 December 1850 (per Australia, from Hamburg, 7 September)
Active Bathurst, NSW, by January 1853
Married Marian RUTTER, VIC, 1855
Active VIC, 1856-57
https://trove.nla.gov.au/search?l-publictag=Ferdinand+Rosenstein (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSENSTEIN-Ferdinand (shareable link to this entry)
Summary:
He was perhaps the "F. Rosenstein" who arrived in Adelaide from Hamburg in December 1850. He served as an interpreter in the trial of a German at Bathurst in February 1853. In Sydney in September 1853, Ferdinand Rosenstein, "The celebrated pianist . . . from Hamburgh", advertised as a quadrille pianist, appeared in concert with Flora Harris and John Howson, and saw his lost The remembrance polka ("dedicated with permission to the Hon. Mrs. Keith Stewart") published by Woolcott and Clarke.
In December he was in Bathurst, advertising as local agent for Woolcott and Clark. He was in Melbourne by December 1854.
He married Marian Rutter in Victoria in 1855, and a son, Ferdinand Oscar, was born in Collingwood in September 1856 but died in 1857. Ferdinand and his wife both disappear from colonial record thereafter.
In 1861, Caroline Schroeder (Mrs. Caroline Rosenstein, d. VIC, 1867) of Hamburg arrived in South Australia, and in Januaray 1862 she advertised in Melbourne to ascertain the whereabouts both of Ferdinand, and her brother, Henry Schroeder.
Documentation:
"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register (17 December 1850), 2
http://nla.gov.au/nla.news-article38438639
Passengers per Australia, arrival reported yesterday - For Adelaide and Sydney . . . F. Rosenstein . . . in the intermediate . . .
"BATHURST ASSIZES . . . INDECENT ASSAULT", Bathurst Free Press and Mining Journal (26 February 1853), 2
http://nla.gov.au/nla.news-article62051897
Adam Amelhaing, a German, was indicted for committing an indecent assault upon the persons of two young girls also Germans, named Elizabeth and Margaret Berg, of the respective ages of 10 and 4 years, daughters of Anton Berg, in November last. He pleaded not guilty and was undefended. The details of this case are of so grossly indecent a character as to unfit them for publication, but they betray a degree of depravity in the accused of a most awful and detestable character. Although both prosecutors and the prisoner could speak tolerably plain English, Mr. Ferdinand Rosenstein was employed as interpreter. The offence was clearly proved as committed upon the eldest girl, and the jury found him guilty without leaving the box.
[Advertisement], The Sydney Morning Herald (24 August 1853), 8
http://nla.gov.au/nla.news-article12948334
PIANIST. MR. F. ROSENSTEIN, from Hamburgh, may be engaged as Quadrille Pianist, on application to D. BUIST AND SONS, pianoforte makers, 6, Bridge-street.
[Advertisement], The Sydney Morning Herald (10 September 1853), 7
http://nla.gov.au/nla.news-article12948758
Published This Day. The Remembrance Polka, price 2s. 6d., by F. Rosenstein,
dedicated with permission to the Hon. Mrs. Keith Stewart . . .
WOOLOOTT AND CLARKE, Music Sellers, 555, George-street, Sydney, next Bank of Austalasia.
ASSOCIATIONS: Jacob Richard Clarke (music publisher); Mrs. Keith Stewart (dedicatee, daughter of governor Charles Fitzroy)
[Advertisement], The Sydney Morning Herald (12 September 1853), 1
http://nla.gov.au/nla.news-article12948790
ROYAL HOTEL. GRAND CONCERT. THIS EVENING, Monday, September 12th, 1853.
Miss Flora Harris, Mr. Sinclair (from the London and Provincial Theatres, his first appearance in this colony,)
Mr. John Howson, Mr. Roby, Mr. A. Ford, and Mr. Ferdinand Rosenstein, the celebrated Pianist . . .
Programme: - PART I: Overture - Mr. Ferdinand Rosenstein . . .
PART II. Overture - Mr. Ferdinand Rosenstein . . .
ASSOCIATIONS: Mr. Sinclair (vocalist); Flora Harris (vocalist); John Howson (vocalist)
[Advertisement], Bathurst Free Press (10 December 1853), 1
http://nla.gov.au/nla.news-article62047027
Ferdinand Rosenstein, AGENT FOR WOOLCOTT AND CLARKE, SYDNEY.
Just received: the now published, brilliant UNDINE POLKA.
THE newest Compositions always on hand; likewise Preceptors, for Piano, Violin, Flutina, Flute, &c.
MUSIC: The celebrated Undine polka (Mackinlay)
[Advertisement], The Argus [Melbourne, VIC] (5 July 1854), 1
http://nla.gov.au/nla.news-article4794747
MR. HORACE SIDNEY will please address Ferdinand Rosenstein, at Mr. Strebinger's, 18 Queen's Arcade, Melbourne.
ASSOCIATIONS: Horace Sidney (magician, alias "The fakir of Ava", "The great wizard, Sydney" [sic], active NSW and VIC, 1854-56; he was presumably looking for a pianist for his performances); Frederick Strebinger (musician)
[Advertisement], The Argus (6 July 1854), 8
http://nla.gov.au/nla.news-article4794779
HERR STREBINGER'S Concert, Prince Albert Hotel, Prahran, assisted by Mrs. Testar, Miss Edwards, Madame Strebinger, Monsieur Krome, and Mr. Ferdinand Rosenstein.
ASSOCIATIONS: Elizabeth Testar (vocalist); Miss Edwards (vocalist); John Herman Krom (musician)
[Advertisement], The Argus (23 December 1854), 8
http://nla.gov.au/nla.news-article4802211
CHRISTMAS Parties - Mr. Rosenstein, the favorite Quadrille Pianist. Newest music; Address Mr. Hackett's, Watchmaker, Elizabeth-street.
[Advertisement], The Argus (29 December 1854), 3
http://nla.gov.au/nla.news-article4802422
DIGBY HOTEL Stephen street, corner of Little Lonsdale street, JOHN BYNG, Proprietor.
The Proprietor begs to inform his numerous friends and customers,
that he has re-opened the above establishment in a style equal to any in the colony, and trusts to merit a continuance of their favors.
A concert every evening at eight o'clock precisely Conductor, W. Morris, Pianist, Herr Rosenstein.
"DUELLING EXTRAORDINARY", The Argus (18 June 1855), 6
http://nla.gov.au/nla.news-article255613249
Since the days when a certain eccentric gentleman of the press was concerned in a duel with an actor in Sandhurst, we have had no excitement in that way to speak of. Rumor, however, states that yesterday morning another of these extraordinary affairs, in which a couple of fools are made the laughing stock of fun-seeking friends, came off at the Back Creek. The parties were Messrs. Tucker and Morgan, musicians, who, it is said, quarrelled ever a bagatelle board, and agreed to settle their bagatelle quarrel by deadly arbitrament. The persons who kindly officiated on the occasion were Messrs. Gregg, Rosenstein, and Minor. After a few shots were exchanged, Tucker fell; and the others thinking that the affair had come to a serious termination, turned and fairly bolted. One of them was seen rushing in hot haste to the residence of a doctor, perspiration pouring down his face with physical exertion and mental excitement combined. Dr. Kranz was sent to the place, but his exertions to find the wounded man were unavailing, for he, too, it appeared, had got up and gone away. The fact was that the pistols were loaded merely with powder, - a secret to most of the parties. Last evening all of them were apprehended and brought before Mr. M. Lachlan, who read them a lecture and let them go. - Bendigo Advertiser.
ASSOCIATIONS: Edward Tucker (violinist); ? J. W. Morgan (vocalist); John Gregg (vocalist)
"BENDIGO. THE WIZARD JACOBS", The Age (16 October 1855), 6
http://nla.gov.au/nla.news-article154895212
This celebrated nicremancer [sic, necromancer] is continuing to give his wonderfully clever performances every evening, in Burrall's Assembly Rooms, to crowded audiences. Mr. Jacobs's assistant, known as Sprightly, is almost as clever as the Wizard himself, and plays his part well. I must notice, also, the very superior manner in which Mr. Rosenstein plays on the piano. He is the ablest and most accomplished pianist that we have had on Bendigo for a long time, and plays with far greater effect than Mr. Poling [sic, Paling] did, who accompanied Miska Hauser. Mr. Rosenstein has been favored with several encores.
ASSOCIATIONS: Joseph Jacobs (magician); William Henry Paling (pianist); Miska Hauser (violinist)
"BIRTHS", The Argus (27 September 1856), 4
http://nla.gov.au/nla.news-article7137329
On the 25th inst., at Young-street, Collingwood, Mrs. Ferdinand Rosenstein, of a son.
[Advertisement], The Argus (23 January 1862), 1
http://nla.gov.au/nla.news-article5708927
MR. HENRY SCHROEDER and F. ROSENSTEIN, from Hamburg, are requested to communicate with Madame Caroline Rosenstein. Address office of this paper.
ROSENSTENGEL, Ferdinand (Ferdinand Nikolaus ROSENSTENGEL; Ferdinand Nicholas ROSENSTENGEL; Mr. ROSENSTENGEL; ROSENSTENGLE)
Musician, pianist, teacher of singing and German, professor of music, flute player
Born ? Prussia, ? c. 1828; son of John Christopher ROSENSTENGEL (Johann Christoph)
Arrived (1) Melbourne, VIC, by April 1853
Married (1) Margaret BLACK, VIC, 1855
Departed VIC, c. 1861
Arrived (2) Brisbane, QLD, 30 December 1862 (per Duke of Newcastle, from Queenstown, [Ireland], 16 September)
Married (2) Delia FITZGERALD, St. Stephen's cathedral, Brisbane, QLD, 17 March 1879
Died Towong, Brisbane, QLD, 26 February 1890
https://trove.nla.gov.au/search?l-publictag=Ferdinand+Nicholas+Rosenstengel+d1890 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSENSTENGEL-Ferdinand (shareable link to this entry)
ROSENSTENGEL, Ludwig (Ludwig ROSENSTENGEL; Th. L. ROSENSTENGEL; Mr. ROSENSTENGEL, junior)
Musician, oboist, pianisr, violinist, teacher of music, composer
Active Brisbane, QLD, 1883-91
https://trove.nla.gov.au/search?l-publictag=Ludwig+Rosenstengel (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSENSTENGEL-Ludwig (shareable link to this entry)
Summary:
A Mr. Rosenstengel played the flute in the band of the newly formed Melbourne Philharmonic in April 1853. He was probably Ferdinand Nicholas Rosenstengel, who married Margaret Black in Victoria, two years later in 1855. He was teaching music and languages at Geelong in 1858 and 1860, and appeared in a concert there in 1859, at which a glee attributed to him, entitled The bushmen, was also performed.
F. N. Rosenstengel advertised as a "Professor of Music" in Brisbane in January 1863, having arrived at Moreton Bay on board the ship Duke of Newcastle (from Cork and Liverpool); so either he had returned to Europe briefly in the interim, or he had merely joined the ship at another Australian port.
At his concert in Brisbane in July 1864 the band played an unattributed Bendigo polka, and his own Neptune schottische.
As conductor he collaborated with pianist Silvester Diggles in the Brisbane Philharmonic Concerts in 1867. A review of his Our Nellie's schottische (Brisbane: Gordon & Gotch, [1885]) imputing plagiarism prompted him to defend himself in print.
Ludwig Rosenstengel (? Theodor Ludwig), Ferdinand's nephew and "a pupil of Herr Ton [or Tou], chef d'orchestre of the private orchestra of H.R.H. the grand Duke of Saxe-Weimar" was recently arrived from Germany when he made his first Brisbane appearance at his uncle's concert in May 1883.
Documentation:
Passengers per Countess of Lonsdale from Hamburg, to the port of London, 24 May 1860; UK National Archives
https://www.ancestry.com.au/imageviewer/collections/1587/images/31161_A003056-00513 (PAYWALL)
Ferdinand Rosenstengel / Student / Prussia
[Advertisement], The Argus (20 April 1853), 12
http://nla.gov.au/nla.news-article4791806
OPEN EVERY EVENING. COLLINGWOOD Harmonic Hall,
Studley Arms, Wellington-street, Collingwood, open every evening.
Principal Singers:
Mr. Cummings - Ballad Singer.
Mr. Charles Hill - Alto.
Mr. Levison - Bass.
Mr. F. N. Rosenstengel - do.
Mr. Graham - Comic.
Mr. Trevor - Pianist.
Concert to commence each evening at half-past 7 o'clock,
Admission, one shilling
ASSOCIATIONS: John Leveson (bass vocalist); Joseph Robinson Trevor (pianist)
[Advertisement], The Argus [Melbourne, VIC] (27 April 1853), 12
http://nla.gov.au/nla.news-article4792040
SECOND GRAND CONCERT. MELBOURNE PHILHARMONIC SOCIETY,
Protestant Hall, THIS EVENING, WEDNESDAY, 27th April. Principal Vocal Performers -
Miss Graham (her second appearance); Mr. Moran. Leader - Mr. F. Fischer. Director - Mr. G. Chapman.
THE Band will consist of the following talented performers:
Violins - Mr. A. Fischer, Mr. Strebinger, Mr. Thomson; Viola - Mr. Thomas; Basso - Mr. C. Elza and Mr. Hardman;
Cornet-a-Piston - Mr. G. Chapman; Clarionet and Oboe - Sig. Blume;
Flute - Mr. Rosenstengel. Pianoforte - Mr. Hertz and Mr. Thomson . . .
ASSOCIATIONS: George Chapman (director, cornet); Frederick Strebinger (violin); Herbert Thomas (viola); Daniel Hardman (double bass); Melbourne Philharmonic Society
[Advertisement], Geelong Advertiser and Intelligencer (31 July 1856), 3
http://nla.gov.au/nla.news-article93143033
MR. ROSENSTENGEL begs lave to acquaint his friends and the public in general, that he continues to teach music; also, French, German and Italian. For particulars apply at his residence No. 122 Yarra-street.
[Advertisement], The Star (7 July 1858), 4
http://nla.gov.au/nla.news-article66049040
GEELONG NATIONAL GRAMMAR SCHOOL . . .
Head Master: Gilbert Wilson Brown, Esq., B.A. . . .
Singing and German, M. Rosenstengel . . .
"CURRENT TOPICS", Geelong Advertiser (4 October 1859), 2
http://nla.gov.au/nla.news-article146567240
Yesterday evening's concert was another great success, so far as a crowded hall, an attractive programme, and on the whole an admirable rendering of it, were concerned. Miss Hamilton was in excellent voice, and sang with all that chastened effect for which she is so justly admired . . . Mr. Rosenstengle's performance on the piano was also much admired. The various accompaniments by Mr. Pringle were faultless, and Mr. Stoneham's solo on the flute, "'Twere vain to tell thee," deserves mention.
ASSOCIATIONS: Octavia Hamilton (vocalist); George Pringle (piano accompanist); William Stoneham (flute)
[Advertisement], Geelong Advertiser (14 November 1859), 4
http://nla.gov.au/nla.news-article146566331
GEELONG RECREATIVE SOCIETY . . .
WEEKLY GRAND CONCERT FOR THE PEOPLE, AT THE MECHANICS' INSTITUTE,
MONDAY EVENING, NOVEMBER 14, 1859.
PROGRAMME. PART I. Grand Overture - "Il Barbiere di Seviglia" - Band - Rossini.
The Commemoration Ode (written by W. Stitt Jenkins) - Select Juvenile Class - Conductor - Mr. I'Erson.
Song - "Beautiful Bells" - Miss Octavia Hamilton - Salaman . . .
Glee - "The Bushmen" - Messrs. Shepherd, Buchan, Glennister and Denholm - Rosenstengel . . .
PART II . . . Duet - (Violin and Piano) - Messrs. Andrews and Rosenstengel - L. Shuberth . . .
W. S. JENKINS, Hon. Secretary.
ASSOCIATIONS: William Stitt Jenkins (secretary); Thomas William I'Erson (conductor)
[Advertisement], The Argus (2 January 1861), 2
http://nla.gov.au/nla.news-article5696317
GEELONG NATIONAL GRAMMAR SCHOOL . . .
Principal, GEORGE MORRISON, Esq., M.A. . . .
Singing and French, Mr. F. Rosenstengel . . .
"ARRIVALS AT McCORMICK'S ROYAL VICTORIA HOTEL, CORK", Cork Examiner [Ireland] (6 September 1862), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000425/18620906/024/0003 (PAYWALL)
. . . F. N. Rosenstengel, Cahir . . .
[Advertisement], The Courier [Brisbane, QLD] (30 January 1863), 3
http://nla.gov.au/nla.news-article3161193
MR. ROSENSTENGEL, Professor of Music and Modern Languages,
begs to announce to the inhabitants of Brisbane and the public in general,
that he is prepared to GIVE LESSONS in the above branches. Terms moderate. Schools attended.
For particulars, call at the office of Messrs. BONAR & Co., Queen-street, from 3 to 5 p.m.
"PRESENTATION TO THE REV. W. J. LARKIN", The Courier (5 February 1863), 2
http://nla.gov.au/nla.news-article3161319
SIR, You would oblige the whole of the passengers who came out by the Duke of Newcastle,
and probably do a service to a most worthy member of society -
the Rev. W. J. Larkin if you could find space in your columns for some notice of the enclosed testimonial . . .
Yours respectfully, F. N. ROSENSTENGEL.
. . . Signed by the committee on behalf of the passengers on shipboard, off the coast of Australia, the 23rd day of December, 1862.
William Smith, M.D., Chairman; Matthew Quinn, Secretary; F. N. Rosenstengel, Treasurer . . .
[Advertisement], The Courier (8 June 1863), 3
http://nla.gov.au/nla.news-article3163726
A Night with Shakspeare and other Poets,
Under the Distinguished Patronage of His Excellency Sir G. F. BOWEN, Governor, and LADY BOWEN.
MR. P. C. CUNNINGHAME, the Celebrated Dialect Actor, from the principal Theatres in America and New South Wales . . .
in the SCHOOL OF ARTS, North Brisbane, on THURSDAY EVENING, June 11th . . .
assisted by a GENTLEMAN AMATEUR, who will sing the far-famed humorous Song, "Any Oder Man,"
written expressly for the occasion, which will contain new local and political hits and general whimsical allusions . . .
Mr. ROSENSTENGEL will preside at the Pianoforte . . .
"MR. P. C. CUNNINGHAME'S entertainment", The Courier (12 June 1863), 2
http://nla.gov.au/nla.news-article3163808
. . . Mr. Rosenstengel played several choice pieces on the pianoforte by way of interlude . . .
[Advertisement], The North Australian (26 September 1863), 4
http://nla.gov.au/nla.news-article77436450
MR. ROSENSTENGEL, Professor of Music, Vocal and Instrumental, and the Languages, respectfully announces to the public that he still continues to give instructions in the above branches, at his Offices, next door to Flavelle Brothers, Queen-street.
"CENTRAL POLICE COURT. THURSDAY, OCTOBER 8 . . . NATURALISATION", The Courier (9 October 1863), 2
http://nla.gov.au/nla.news-article3166159
Ferdinand Nicholas Rosenstengel took the oath of allegiance to her Majesty Queen Victoria, and obtained papers of naturalisation.
"NOTES AND NEWS", The North Australian (19 July 1864), 2
http://nla.gov.au/nla.news-article77435511
The concert last night, in aid of the Temperance Cause, was not as well attended as the last, although in point of merit we observed a decided improvement over the last . . . "La Fille du Regiment," by Mr. H. Cramer on the flute, accompanied by Mr. Rosenstengel, the conductor, on the piano, was excellently rendered, the time especially being faultless . . .
[News], The Brisbane Courier (6 June 1865), 2
http://nla.gov.au/nla.news-article1273326
A VOCAL and instrumental concert was given in the Hall of the South Brisbane Mechanics' Institute, yesterday evening, by a number of amateurs, headed by the energetic secretary, Mr. Rogers; and assisted by Mr. Rosenstengel, whose musical powers are well known . . .
ASSOCIATIONS: John Rogers (musical amateur)
"THE NORMAL SCHOOL", The Brisbane Courier (29 August 1865), 2
http://nla.gov.au/nla.news-article1277655
Yesterday his Excellency the Governor and Lady Bowen, and some of the members of the Legislature, inspected the Normal School, Adelaide-street, and witnessed a portion of an examination which was conducted by Mr. B. McDonnell, Inspector of National Schools . . . The singing was also very much admired by the visitors - the boys and girls, with the assistance of the pupil-teachers, sang several pieces, under the direction of Mr. Rosenstengel, in a manner that showed the instructions they had received from that gentleman were well applied . . .
"News of the Week", The Queenslander (18 August 1866), 5
http://nla.gov.au/nla.news-article20309092
ON Thursday evening a meeting of the Brisbane Deutchen Liedertafel was held at Lenneberg's Cafe de Paris, about twenty-five members being present. Some of the old members tried to bring into new life what was so unfortunately lost through the lamented death of Mr. Kopp. The meeting was opened by Mr. Eisel, and Mr. Boldeman was voted to the chair. Mr. Rosenstengel was elected musical director; Mr. Falkner, president; Mr. Boldeman, secretary, and Mr. Eisel, treasurer.
ASSOCIATIONS: Julius Kopp (musician)
"THE PHILHARMONIC CONCERTS", The Queenslander (30 March 1867), 12
http://nla.gov.au/nla.news-article20312499
The Philharmonic Society gave their second concert on Tuesday evening, at the School of Arts, and attracted, as was expected, a numerous and appreciative audience . . . The programme for the evening presented many points of interest, and consisted of two parts, the first containing selections from Handel's Oratorio of "Judas Maccabeus," and the second comprised selections from popular operas, songs, and duetts . . . The most excellent feature of the evening's performance was a solo pianoforte, "Caprice de Concert Traviata," which was exquisitely played by Madame Malalieu . . . Mr. Rosenstengel conducted admirably throughout, and the accompaniments, which were for the most part played by Mr. Diggles, left nothing to be desired. The second concert of the Philharmonic Society proved as great a success as their first, notwithstanding the absence of the accomplished artistes who on that occasion assisted them. Since that time the society has perceptibly improved under the careful tuition of Messrs. Rosenstengel and Diggles, and if they continue as they have commenced their quarterly concerts will be eagerly looked forward to by the inhabitants of Brisbane.
ASSOCIATIONS: Silvester Diggles (accompanist); Henrietta Mallalieu (pianist)
"LADIES IN PARLIAMENT. TO THE EDITOR OF . . .", The Brisbane Courier (23 April 1870), 5
http://nla.gov.au/nla.news-article1315851
SIR, - I find that "Our Queensland Girl," in your issue of this day,
hints at a probability of the speeches of our members of Parliament being set to music.
If such a thing is to be done, I would suggest that every member at once follow the example of Caius Gracchus (not Tiberius this time),
and engage the services of a piper to give the proper key-note with his pitch-pipe.
It would be a fine sight to see every member thus in the House with his piper standing behind him.
And then the tuning up of every piper before his patron begins to speechify!
"O, what a joyful noise!"
If this arrangement was curried out, it would assist the musician who is to set the speeches to music materially.
Yours, &c.,
F. N. ROSENSTENGEL.
Brisbane April 22.
* Cui concionanti consistens post eum musicus, fistula, quam tonarion vocant, modos, quibus deberet intendi, ministrabat. -
Quintiliani Inst. Orator. Lib. I. 10, 27.
"MARRIAGES", The Queenslander (29 March 1879), 385
http://nla.gov.au/nla.news-article19779815
ROSENSTENGEL - FITZGERALD. - On the 17th March, at St. Stephen's Cathedral, by the Rev. P. Capra, Ferdinand Nikolaus, second son of the late John Christopher Rosenstengel, captain in the 32nd Prussian Regiment of Infantry, to Delia, fourth and youngest daughter of Edward Gustave Fitzgerald, Esq., of Drumcore-house, Kilshanny, Clare, Ireland.
[Advertisement], The Brisbane Courier (28 May 1883), 1
http://nla.gov.au/nla.news-article3418488
MR. F. N. ROSENSTENGEL has much pleasure in announcing to his friends and the public in general
that he intends giving a GRAND CONCERT, on which occasion he will be assisted by superior professional talent.
Mr. L. ROSENSTENGEL, Oboe Soloist, will then appear for the first time.
This young artist is a pupil of Herr Ton, chef d'orchestre of the private orchestra of H.R.H. the Grand Duke of Saxe-Weimar.
[News], The Brisbane Courier (29 June 1883), 5
http://nla.gov.au/nla.news-article3419567
THE extremely limited attendance at the Albert Hall last night at the Herren Rosenstengel's concert will not, it is hoped, be accepted as any gauge of the appreciation of the high ability of both those gentlemen by the musical public. Herr F. N. Rosenstengel, who has resided in Brisbane for many years, is known as a musician of a high order, but his nephew, Herr L. Rosenstengel, practically made his debut in this city last night. He is a young musician, formerly a pupil of Herr Tou [sic], chef d'orchestre to the Grand Duke of Saxe Weimar, and is possessed of no small ability and skill in performing on more than one instrument. Although his capabilities as a pianist and violinist are great, the oboe appears to be his favourite instrument. Two oboe solos were included in the programme, and they were undoubtedly the best items. Movements of a very difficult character were performed with perfect case and delicacy of tone. He also played a "solo on bars of steel." The selection performed was, a pretty polka, composed by Herr F. N. Roscnstengel. The soloist, who was accompanied by full orchestra, did well and produced several melodious strains from the small pieces of steel laid in rotation upon a board, but so clever an artist should surely rise superior to musical eccentrics at a grand concert. Herren Rosentengel were assisted by Miss Fanny Atkinson and Messrs. Simmonds and Barrington, all of whom wore suffering from colds . . . The orchestra of five performers, exclusive of the beneficiaires, was really a good one, and their overtures and marches were not the least acceptable items in the programme. Special mention must also be made of a rondo by Farmer, on "Oh, Charming May," which was admirably performed as a quintette by Signor Benvenuti (violin), F. N. Rosenstengel (piano), L. Rosenstengel (violin and oboe), Seal (cornet), Seal (double bass). The accompanists were Herr F. N. Rosenstengel and Mr. Atkinson.
ASSOCIATIONS: Paul Atkinson (piano); Antonio Benvenuti (violin); Andreas and August Seal (double bass and cornet)
[Advertisement], The Brisbane Courier (5 September 1883), 1
http://nla.gov.au/nla.news-article3421642
MR. TH. L. ROSENSTENGEL, Jun.
Teacher of MUSIC. LESSONS on Piano, Violin, Oboe, Clarionet, Bassoon, &c.
Terms on application to 50 Queen-street.
[News], The Brisbane Courier (16 June 1885), 5
http://nla.gov.au/nla.news-article3443028
WE have to acknowledge the receipt from the publishers, Messrs. Gordon and Gotch, of a new schottische, entitled "Our Nellie's Schottische" and composed by Herr F. N. Rosenstengel. It is rather above the average of most of the recent local productions, the introduction being pleasing, and the rhythm in the schottische proper, being well marked for dancing. At the same time, whilst playing the first movement in the schottische, the performer is haunted by a vague sense of playing alternately odd bars from "Prince Albert's Polka," composed by Jullien, which is to be found in one of Chappell's books (No. 8); and also of "Der Robold," [sic] composed by Scotson Clark; though of course the latter is written in a different key, A flat major, whilst the schottische is in G major. In the second page, the transition from the key of G major to that of C major, is rendered unpleasantly abrupt owing to the necessary preparatory modulation being omitted. We cannot help noticing the above defects, but still on the whole, we can recommend the schottische to average performers who are not disposed to be hypercritical.
MUSIC: ? Der Kobold (by Scotson Clark)
"OUR NELLIE'S SCHOTTISCHE. TO THE EDITOR", The Brisbane Courier (18 June 1885), 5
http://nla.gov.au/nla.news-article3443082
SIR, - Concerning the local notice in your issue of last Tuesday containing a critique of my composition,
allow me a little space to say a few words on the subject.
I have no objection to any fair criticism in any shape or form.
But as for the alleged similarities to a composition by Jullien, I beg to state that I do not know it,
never saw it, nor ever knew anything of its existence.
As for the composition "Der Kobold," which I with others have compared with my schottische, I fail to discover any similarities.
Moreover, I beg to inform you that, although only recently published, my composition has been in existence for nearly ten years in manuscript.
Four years ago I arranged it for a small orchestra.
This I can easily prove, as it has been played within that period on many occasions, and has always been admired even by hypercritical people.
It is simply a question whether the "Kobold" or my schottische is the older composition of the two.
The exceedingly sapient remark about the "abruptness" caused by the transition from G major to C major is certainly one sui generis.
It speaks for itself, and undoubtedly does not impress any musician with the fact that the writer's knowledge of harmony, counterpoint,
and composition is very extensive.
- I am, sir, &c.
F. N. ROSENSTENGEL.
[Mr. Rosenstengel has a right to his reply. His composition and our criticism are before the musical public of Brisbane.
They are the judges. - ED. B. C.]
"NEW MUSIC", Queensland Figaro and Punch (12 February 1887), 3
http://nla.gov.au/nla.news-article84119815
The "Moonlight Promenade Waltz," by F. N. Rosenstengel, published by H. J. Pollard & Co., Brisbane . . .
"NEW MUSIC", Queensland Figaro and Punch (14 January 1888), 11s
http://nla.gov.au/nla.news-article84108283
"Reminiscence of the Ruins of Pompeii." Nocturne, for piano, by Ludwig Rosenstengel, junior. Gordon & Gotch, publishers, Brisbane.
The latest candidate for public favor in the shape of local musical composition is the nocturne, by our townsman, Herr Rosenstengel, the well-known oboe player. The general character of the piece is in strict keeping with its title, being a graceful idyll phrased in simple, dreamy style. The melody is clear and well marked, and within the reach of the veriest tyro on the keyboard, and, barring a few clerical errors, is worth including in every music portfolio. Herr Rosenstengel, I believe, makes his first bow to a Queensland audience as a composer in this instance, and from such a promise I think he will issue yet something of a more ambitious and enduring nature. The frontispiece is hardly up to the best productions of the publishers, otherwise the get-up is passable. For the benefit of the beginner, I ought to mention that the nocturne is written throughout in six-eight time, in E flat major, with a brief modulation in the relative key of B flat after the orthodox rule.
[News], The Brisbane Courier (27 February 1890), 4
http://nla.gov.au/nla.news-article3517461
A large circle of musical friends will read with regret of the death of Herr Rosenstengel, the clever pianist and teacher of music, who has practised and taught in Brisbane for something like a quarter of a century. Among other positions which he filled was that of teacher to the choirs of St. Stephen's Cathedral and St. Patrick's Church, Fortitude Valley. The deceased gentleman's funeral took place yesterday afternoon and was largely attended. The procession was headed by a band composed of those anxious to do honour to so old a musician. At the Toowong General Cemetery the service was read by the Rev. Father Fouhy.
[Advertisement], The Brisbane Courier (29 March 1890), 2
http://nla.gov.au/nla.news-article3510646
IN the SUPREME COURT of QUEENSLAND. - ECCLESIASTICAL JURISDICTION.
In the WILL of FERDINAND NICHOLAS ROSENSTENGEL, late of Toowong, near Brisbane, in the Colony of Queensland, Licensed Victualler, Deceased . . .
ROSINCRANTZ, Mr. (Mr. ROSINCRANTZ) (? pseudonym)
Pianist
Active Sydney, NSW,
https://trove.nla.gov.au/search?l-publictag=Mr+Rosincrantz+pianist (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSINCRANTZ-Mr (shareable link to this entry)
Summary:
Rosincrantz was almost certainly a pseudonym, probably inspired by plans, then underway, for a production of Hamlet, with Albert Spencer in the title role and for his benefit, at Sydney's Theatre Royal, on 18 September. Whether significant or not, an actor called Riley was advertised to play Rosencrantz.
Documentation:
[Advertisement], The Australian [Sydney, NSW] (1 August 1837), 2
http://nla.gov.au/nla.news-article36853894
Mr. Buckingham's Glee Club.
THE next MEETING takes place THIS EVENING at 8 o'clock,
Mr. B., President. Mr. L., Vice-President.
[manicule] Mr. Rosincrantz will preside at the Pianoforte.
ASSOIATIONS: George Buckingham (president); ? Barnett Levey or John Herman Selwyn Lee (vice-president)
Theatre Royal, SYDNEY. SPENCER'S BENEFIT.
A. SPENCER has much pleasure in announcing to his Friends and the Public, that on the above occasion he will be enabled to produce Shakspeare's admired Tragedy of HAMLET,
in which Mr. S. will, for the first time, attempt that arduous character . . .
ON MONDAY EVENING, September 18,1837, will be presented Shakspeare's admired Play of HAMLET . . .
HAMLET - MR. SPENCER
Rosencrantz - Mr. Riley
1st Gravedigger - Mr. Lee
2nd Gravedigger - Mr. Buckingham . . .
AFTER WHICH . . . A COMIC SONG, (in character,) BY MR LEE.
SONG - "A Bachelor leads an easy life," MR. BUCKINGHAM . . .
ROSLEIN, Carl (Carl ROSLEIN, pseudonym)
Musician, composer
Active Sydney, NSW,
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSLEIN-Carl (shareable link to this entry)
Musical work:
Un ballo in maschera quadrille [The masked ball quadrilles] (1868)
Un ballo in maschera quadrille by Carl Roslein [The masked ball quadrilles from Verdi's opera arranged by Carl Röslein] (Sydney: J. R. Clarke, [1868])
https://trove.nla.gov.au/work/15409345
https://nla.gov.au/nla.obj-168467158 (DIGITISED)
[Advertisement], The Sydney Morning Herald (12 November 1868), 1
http://nla.gov.au/nla.news-article28422819
PUBLISHED THIS DAY. - "UN BALLO IN MASCHERA" QUADRILLES, by Carl Roslein, price 3s. . . .
J. R. CLARKE, Musicseller and Publisher, 23, Hunter-street.
"NEW MUSIC", Empire [Sydney, NSW] (14 November 1868), 4
http://nla.gov.au/nla.news-article60829232
Mr. J. R. Clarke of Hunter-street, is now displaying a commendable activity in the line of publishing new music, and his enterprise should meet the approbation of connoisseurs. The last production is the "Un Ballo in Maschera Quadrilles," arranged by a gentleman who has chosen to adopt as his nom-de-plume the designation of "Carl Roslein." The engraving of the music has been executed by Mr. Fischer, a clever German; the printing and illuminated title page, the latter a very unique design, by Messrs. W. H. Wigley and Co., of George-street. The arrangement in no wise detracts from the well-known talent of the author, whoso real patronymic it would be a breach of confidence to disclose.
ASSOCIATIONS: Jacob Richard Clarke (musicseller, publisher); John N. Fischer (engraver); William Hankinson Wigley (lithographer, printer)
ROSNATI, Ferante (Ferante ROSNATI)
Tenor vocalist
Arrived Melbourne, VIC, April-May 1871
Died Milan, Italy, 1884
https://trove.nla.gov.au/search?l-publictag=Ferante+Rosnati+d1884 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSNATI-Ferante (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
ROSS, James (James ROSS; Dr. ROSS)
Printer, engraver, newspaper editor
Active Hobart Town, VDL (TAS), 1827
http://nla.gov.au/nla.party-559526 (NLA persistent identifier)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSS-James (shareable link to this entry)
Documentation:
[Advertisement], The Hobart Town Gazette [VDL (TAS)] (18 August 1827), 3
http://nla.gov.au/nla.news-article8791907
COPPER-PLATE PRINTING And Engraving of Cards, Invoices, Bills of Lading, Music, &c. neatly executed by the undersigned.
JAMES ROSS, Gazette office, Aug. 9. 1827.
ASSOCIATIONS: Thomas Bock (engraver)
ROSS, Thomas Andrew (Thomas Andrew ROSS; Thomas A. ROSS; T. A. ROSS)
Musician, singing master (late Organist of St. Nicholas Church, Dundalk), teacher of vocal and instrumental music
Born Londford, Ireland, 26 August 1814 (date on gravestone)
Married Anne Jane ATKINSON (1818-1895), Mullabrack church, Ireland, 23 June 1834
Arrived Brisbane, QLD, November 1865
Died Brisbane, QLD, 29 June 1892
https://trove.nla.gov.au/search?l-publictag=Thomas+Andrew+Ross+1814-1892 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSS-Thomas-Andrew (shareable link to this entry)
ROSS, Anna Jane (Anna Jane ROSS; Mrs. A. J. CHETWYND; Mrs. CHETWYND)
Musician, music teacher, school teacher
Born Armagh, Ireland, c. 1837; daughter of Thomas Andrew ROSS and Anne Jane ATKINSON
Arrived Brisbane, QLD, November 1865
Married John Talbot CHETWYND (d. 1869), Sydney, NSW, 16 September 1869
Died North Sydney, NSW, 19 July 1925
https://trove.nla.gov.au/search?l-publictag=Anna+Jane+Ross+Chetwynd+d1925 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSS-Anna-Jane-CHETWYND (shareable link to this entry)
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Documentation:
"MARRIED", Belfast Commercial Chronicle [Northern Ireland] (30 June 1834), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001287/18340630/015/0003 (PAYWALL)
At Mullabrack Church, on the 23d inst. by the Rev. Robert G. Atkinson, Mr. Thomas Ross, to Ann Jane, eldest daughter of Benjamin Atkinson, of Turner's Grove, Esq.
[Advertisement], Newry Telegraph [Ireland] (30 March 1847), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000998/18470330/011/0001 (PAYWALL)
MUSICAL INSTRUCTION. MR. THOMAS ROSS,
Formerly Member of the Armagh Cathedral Choir, and now Organist of St. Nicholas', Dundalk.
PURPOSES giving INSTRUMENTAL and VOCAL INSTRUCTION, in DUNDALK and its surrounding neighborhood,
and pledges himself to all that persevering attention (added to long experience a successful Teacher)
can do for the permanent improvement of those Pupils entrusted to his care.
References of the highest order given, to character and ability.
PIANO-FORTE TUNING.
Mr. R. will contract for TUNING PIANOS, at £1 each, per annum, and trusts from his experience in that branch of his profession,
for the last twelve years, (which his testimonials from sone of the most respectable Families in the North fully bear witness to),
to merit a share of public patronage.
St. Helena Quay, Dundalk.
"MADAME HAYES'S CONCERT", Dundalk Democrat, and People's Journal [Scotland] (9 March 1861), 4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001448/18610309/049/0004 (PAYWALL)
On Tuesday last Madame Hayes gave concert the Assembly Room, Dundalk, which was attended by very fashionable audience. The voice of Madame Hayes was splendid, and delighted all present, which was evinced by the enthusiastic applause which she was greeted. Her singing of "The last Rose of Summer," "The Harp that once through Tara's Halls," and "Home sweet Home" was most exquisite . . . The piano used on the occasion, and also in Newry, was suppled from the establishment of Mr. Thomas Ross of Dundalk; and its beautiful tone added much to the flood of song which was heard by, and charmed all, who were present. It is creditable to Mr. Ross have such instruments in his establishment, which elicited the admiration of even the gifted Catherine Hayes.
ASSOCIATIONS: Catherine Hayes (vocalist)
[Advertisement], Newry Examiner and Louth Advertiser [Ireland] (22 April 1865), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000830/18650422/012/0001 (PAYWALL)
AUCTION OF SUPERIOR HOUSEHOLD FURNITURE, NEW AND SECOND-HAND PIANOS & HARMONIUMS.
TO BE DOLD BY AUCTION, without Reserve, at the Residence of Mr. THOMAS A. ROSS, (who is about to Emigrate)
Pianoforte Warehouse, Seatown Place, Dundalk, on TUESDAY, the 25th day of APRIL, the Entire Household Furniture . . .
Brisbane, QLD (by November 1865):
[Advertisement], The Brisbane Courier (9 November 1865), 1
http://nla.gov.au/nla.news-article1281816
BRISBANE SCHOOL OF ARTS.
SINGING CLASSES on the Hullah System
will be opened on WEDNESDAY Evening, the 15th instant, at 8 p.m., under the Management of Mr. THOS. A. ROSS,
late Organist of Dundalk Church, and Member of the Armagh Cathedral Choir. -
Further particulars may be had on application to GEO. H. CARTER, Secretary.
MR. THOMAS A. ROSS, Teacher of Vocal and Instrumental Music, late Organist of Dundalk Church,
and Member of the Cathedral Choir, Armagh, begs to call attention to his System of Instruction,
and also that of his daughter MISS A. J. ROSS,
by which their Pupils are enabled to continue the Study of Music without the continuous aid of a teacher.
Mr. Ross bears the highest testimonials from the Nobility and Gentry of the locality
he has come from as a VOCAL AND INSTRUMENTAL TEACHER, as well as a PIANOFORTE TUNER.
Letters promptly attended to. - Address, Montague street, South Brisbane.
[Advertisement], The Brisbane Courier (6 December 1865), 1
http://nla.gov.au/nla.news-article1283480
LADIES' COLLEGIATE SCHOOL, HAMPTON HOUSE, MARGARET-STREET.
THE Classes are conducted by Mrs. UNSWORTH, assisted by a thoroughly competent Staff of Teachers . . .
Music Teacher, Miss Ross
Singing Master, Mr. Ross, late Organist of St. Nicholas Church, Dundalk . . .
[Advertisement], The Brisbane Courier (26 December 1865), 1
http://nla.gov.au/nla.news-article1284604
LADIES' COLLEGIATE SCHOOL, HAMPTON HOUSE . . .
Music Teacher, Miss Ross, who for some years studied on the Continent;
Singing Master, Mr. Ross, late Organist of St. Nicholas Church, Dundalk . . .
"COURT OF REQUESTS. WEDNESDAY, DECEMBER 4", The Brisbane Courier (5 December 1867), 2
http://nla.gov.au/nla.news-article1288971
Thomas A. Ross v. Churchwardens of St. John's Church. - Action for £20, salary as organist to the church. Mr. Shaw, for defendants, applied for, and obtained, leave to amend the plea. A defence was attempted to be set up that the plaintiff was incompetent for his duties, and therefore his salary had been withheld. Mr. Paul, for plaintiff, applied for a verdict, which was given, for the full amount, with costs.
MARRIAGE . . . DEATHS", The Brisbane Courier (27 September 1869), 2
http://nla.gov.au/nla.news-article1297100
CHETWYND - ROSS. - On the 16th September, at the residence of his cousin, South Head-road, Sydney, by the Rev. Noel Chetwynd, John Talbot Chetwynd, of Pendrillyon, near Truro, England, to Anna Jane, eldest daughter of Thos. A. Ross, Bowen-terrace, Brisbane, and Erindale, Albert River.
CHETWYND. - On the 19th September, suddenly, at the residence of his cousin, South Head-road, Sydney, John, second surviving son of the late Herbert Talbot Chetwynd, of Hawley, Monmouth, England. [Maryborough papers please copy.]
[Advertisement], The Brisbane Courier (5 April 1870), 1
http://nla.gov.au/nla.news-article1314181
LOST, yesterday, between Ann-street, Valley, and Bowen-terrace, a TUNING HAMMER. Any person returning it to Mr. T. A. Ross, Piano Tuner, will be rewarded.
"IN INSOLVENCY. IN RE JANE CHEYWYND, WIDOW, AN INSOLVENT . . .", The Queenslander (6 March 1875), 9
http://nla.gov.au/nla.news-article18335098
This was an application . . . requiring that the title deeds and interest in a piece of land which the insolvent had made over to her father, Thomas Andrew Ross . . . Anna Jane Talbot-Chetwynd deposed: I am a widow, and commonly go by the name of Anna Jane Chetwynd . . .
"BEENLEIGH", The Queenslander (22 June 1878), 359
http://nla.gov.au/nla.news-article19767118
Old residents in this district will regret to hear of the death of Mr. Thomas A. Ross, jun., which occurred recently on board the May Queen, when that vessel was on her voyage from the South Sea Islands to Moreton Bay. Mr. Ross was one of the pioneers of the sugar industry in this district, having been for some years engaged in prosecuting sugar-planting at the Tauronga estate, Albert River. He possessed considerable musical talents, and, being of genial temperament, the deceased gentleman was, when resident amongst us, always to the fore with assistance in carrying out concerts and other entertainments of a like nature. All who knew the many excellent qualities he possessed cannot but deeply sympathise with his relatives in their bereavement.
"MRS. CHETWYND'S SCHOOL", The Telegraph [Brisbane, QLD] (17 December 1881), 5
http://nla.gov.au/nla.news-article175545727
The usual midsummer concert by the pupils at Mrs. Chetwynd's school was given in the Albert Hall, Adelaide Street, yesterday afternoon and was attended by upwards of 200, mostly ladies, anxious to see what progress had been made . . .
"DEATH", Logan Witness (9 July 1892), 2
http://nla.gov.au/nla.news-article163895583
ROSS. - On the 29th June, at his residence, Rostrevor, near Beenleigh, Thomas A. Ross, aged 77 years 10 months.
"The Death of Mr. T. A. Ross", Logan Witness [Beenleigh, QLD] (2 July 1892), 2
http://nla.gov.au/nla.news-article163896545
Many old settlers will learn with regret the death of Mr. T. A. Ross, which took place Wednesday afternoon last. Mr. Ross had been unwell for some time past, and latterly had suffered from attacks of faintness, accompanied by difficulty of breathing. These becoming worse, medical aid was called in, and it was found he was suffering from heart disease, but, from his great age, 78 years, little could be done for him. However, he rallied a good deal, but on Wednesday quietly passed away without a moan while sitting in his chair. Mr. Ross landed on the Albert in 1865 and has resided there during the last 27 years, visiting Brisbane weekly teaching music for many years. Mr. Ross hailed from the county of Longford, Ireland, and was organist for some years in the parish church of which Sir George Bowen's father was the clergyman.
ASSOCIATIIONS: George Bowen (former governor of QLD; his father Edward Bowen, was rector of Taughboyne, County Donegal)
[Advertisement], The Brisbane Courier (16 July 1892), 7
http://nla.gov.au/nla.news-article3545027
In the WILL of THOMAS ANDREW ROSS, late of Rostrevor, near Beenleigh, in the Colony of Queensland, Esquire, Deceased . . . that PROBATE of the last WILL and TESTAMENT of the abovenamed Thomas Andrew Ross, Esquire, deceased, may be granted to ANN JANE ROSS, of Rostrevor, near Beenleigh, in the Colony of Queensland, Widow, the sole Executrix . . .
"DEATHS", The Daily Telegraph [Sydney, NSW] (20 July 1925), 4
http://nla.gov.au/nla.news-article245253880
CHETWYND. - July 19, 1025, at her late residence, Lane Cove Road, North Sydney, Madam Ann Jane Chetwynd, beloved sister of B. A. Ross. Esq., of Townsville, and aunt of Mrs. W. G. McCourt, of Naremburn, aged 89 years. Private Interment.
"DEATH OF MRS. A. J. CHETWYND", The Brisbane Courier (21 July 1825), 19
http://nla.gov.au/nla.news-article20944883
Many old pupils, some of them now grandmothers, will learn with regret of the death in Sydney last Monday, at an advanced age, of Mrs. A. J. Chetwynd. For years she was a well-known personality in Brisbane in the early days. She arrived in Brisbane with her parents, Mr. and Mrs. T. A. Ross, in 1865. Having been trained in the College of Preceptors, Dublin, and at Lausanne, Switzerland, she engaged in teaching music for some years . . .
"The School of Yesterday", Sunday Mail [Brisbane, QLD] (10 December 1839), 31
http://nla.gov.au/nla.news-article98010349
. . . MRS. Chetwynd was born in Armagh, Ireland, and was educated there and in Lausanne, Switzerland. Later she gained a diploma of education at the College of Praeceptors, Dublin, and after some experience as a governess she accompanied her parents, the late Mr. and Mrs. Thomas Ross, to Australia, arriving in Brisbane in November, 1865. She was a gifted musician, and for a year or two she taught music, riding on horseback to the homes of her pupils. About 1870 she opened a private school on Bowen Terrace. There was not at that time a Grammar School for Girls In Brisbane, nor had the late Mrs. Janet O'Connor established her first school, which she opened in 1877 on Wickham Terrace. In 1875 Mrs. Chetwynd moved to Herschel Street, off North Quay. So successful was the school that the premises became too small, in spite of additions, and a second move was made to Corinda, on the North Quay. Mrs. Chetwynd conducted her school there till 1886, when, thinking a sea-side school would appeal to country parents, she moved to Southport. But as the only means of transport was a small steamer which took a day on the journey from Brisbane, the venture was not successful. She retired at the beginning of this century and went to live in Sydney, where she died in 1925, aged 88 years . . .
ROSSI, Elena (Elena ROSSI; Madame ROSSI)
Contralto vocalist
Active Melbourne, VIC, January to June 1854
https://trove.nla.gov.au/search?l-publictag=Elena+Rossi+c1854 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROSSI-Elena (shareable link to this entry)
Summary:
Madame Elena Rossi, who was advertised as a pupil of Manuel Garcia and Domenico Crivelli, "just arrived from England", first appeared in concert in Melbourne for John Winterbottom on 30 January 1854, singing a scene from Ernani, and again for him in concerts in Geelong in February and Prahran in June.
Rossi appeared and disappeared from record, all in the space of six months. Otherwise undocumented elsewhere, and therefore practically unidentifiable, it is perhaps of some slight significance that she explained that her teacher Garcia had also taught Henriette Sontag, Sontag's married name being Rossi (Sontag, coincidentally, died in Mexico in June 1854)
Documentation:
[Advertisement], The Argus (23 January 1854), 8
http://nla.gov.au/nla.news-article4802295
MADAME ELENA ROSSI has just arrived from England, and will make her first appearance at M. Winterbottom's Grand Musical Festival, on Monday, January 30th, at the Mechanics' Institution.
ASSOCIATIONS: John Winterbottom (conductor, musical director); Mechanics' Insitution (Melbourne)
[Advertisement], The Argus (26 January 1854), 8
http://nla.gov.au/nla.news-article4802438
MADAME ELENA ROSSI, pupil of Signor Garcia, singing master to Jenny Lind and Madame Sontag,
will make her first appearance at Mr. Winterbottom's Musical Festival on Monday . . .
PARTIES obtaining tickets to hear Madame Elena Rossi can have their seats reserved . . .
TICKETS to hear Madame Elena Rossi on Monday next to be had at Mr. Wilkie's pianoforte saloon, Collins street, and the Institution.
ASSOCIATIONS: Joseph Wilkie (musicseller)
[Advertisement], The Argus (28 January 1854), 8
http://nla.gov.au/nla.news-article4802560
MECHANICS' INSTITUTION - Monday, January 30th, 1854.
Mr. Winterbottom's GRAND MUSICAL FESTIVAL
M. Winterbottom has much pleasure in announcing to his patrons and the public that he will have the honor of introducing to a Melbourne audience
Madame Elena Rossi, Pupil of Signora Garcia and Crevelli, who has just arrived from England, and will make her first appearance on Monday, January 30th . . .
Pianist - M. Salaman. Conductor - M. Winterbottom.
PROGRAMME. Part I . . . Grand Scene - Ernani Ernani Volimi [sic, involami], Madame Elena Rossi - Verdi . . .
Part II . . . Grand Duetto - Lasciami non t'ascolto, Mrs. Testar and Madame Elena Rossi - Rossini . . .
English Ballad - Oh! do not chide me, Madame Elena Rossi - H. Smart . . .
ASSOCIATIONS: Elizabeth Testar (soprano vocalist); Edward Salamon (pianist, accompanist)
MUSIC: Ernani Ernani involami (Verdi, from Ernani); Lasciami non t'ascolto (Rossini, from Tancredi); Oh! do not chide me (Henry Smart)
[Advertisement], Geelong Advertiser and Intelligencer (11 February 1854), 3
http://nla.gov.au/nla.news-article86412128
MASONIC HALL. For one Night only.
MONDAY, FEBRUARY 13TH, 1854,
MADAME ELENA ROSSI'S AND MR. WINTERBOTTOM'S GRAND EVENING CONCERT.
MADAME ELENA ROSSI, the celebrated contralto, and M. WINTERBOTTOM, beg to announce to the public of Geelong,
that they will have the honour of giving a Grand Evening Concert at the above institution, on Monday, February 13th,
when the following eminent artistes will appear.
VOCALISTS. MRS. TESTAR, MR. W. F. SAYER, M. WINTERBOTTOM,
AND MADAME ELENA ROSSI, (Pupil of Signors Garcia and Crivelli) who has just arrived from Europe.
SOLO INSTRUMENTALISTS. Bassoon - Mr. Winterbottom.
Piano Forte - Mr. C. Elasser [Elsasser] . . .
ASSOCIATIONS: Charles Elsasser (pianist, accompanist); W. F. Sayer (vocalist)
"THE CONCERT AT THE MASONIC HALL", Geelong Advertiser and Intelligencer (14 February 1854), 4
http://nla.gov.au/nla.news-article86414942
The evening concert, at which Madame Elena Rossi, and M. Winterbottom, made their first "debut" to a Geelong audience, was successful; and the re-appearance of Mrs. Testar amongst us, was hailed with greetings [?], which we trust was gratifying to that amiable and talented lady. Madame Elena Rossi has a fine contra-alto voice, and evoked applause in "La Somnanbula." The syren voice of Mrs. Testar, has been so often the subject of eulogy, that praise is exhausted. Mr. W. F. Sayer sang very correctly and simply. The Solo on the bassoon, "The last Rose of Summer," with variations, was loudly encored, and Mr. Winterbottom, we should think, pretty well exhausted. The Bill of Fare was rather meagre, there being only two concerted pieces. Before the next concert, it would be well to call in the services of the piano forte tuner.
[Advertisement], The Argus (7 June 1854), 3
http://nla.gov.au/nla.news-article4809034
A GRAND Concert, under the Patronage of His Excellency the Acting Lieutenant-Governor,
will be given by Mr. Winterbottom, in aid of the Building Fund of the Prahran Mechanics' Institute, on Thursday,
June 8th, in the Royal George Assembly Room, Chapel street, Prahran.
The following artistes have kindly given their services for this occasion: -
Madame Rossi, Miss Octavia Hamilton, and Mr. and Mrs. Winterbottom.
Tickets of admission to be had from the Secretary, Mr. ROMANIS, Chapel-road, South Yarra, or from any of the Committee.
ASSOCIATIONS: Octavia Hamilton (soprano vocalist); Maria Margaret Winterbottom (actor, pianist, vocalist); Prahran Mechanics' Institute; the Argus review of the concert makes no mention of Rossi
ROW, John and Edward (John and Edward ROW)
Song publishers, ? song writers
Active Sydney, NSW, by 1860
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROW-John-and-Edward (shareable link to this entry)
Summary:
John Row (1820-1887), a native of Devon recently married in London, was newly arrived in Sydney in 1843. His brother Edward Row (1829-1900) arrived by 1851/52 or possibly earlier. From 1857 they were in partnership in Sydney as J. and E. Row, of Bank Court, off King-street, druggists and chemists. Beginning in late 1860, they widely advertised their "Row's Embrocation, or Farmer's Friend", a lotion for horses and cattle, in country papers, spruiking their product with three songs, plausibly of their own composition, and roughly set to probably the same un-identified tune or ditty - "Song of a sore-backed horse", "The song the old cow sung", and "Rowe's Embrocation; or, Song of a mail-coach horse".
Documentation:
[Advertisement], Illawarra Mercury (20 November 1860), 3
http://nla.gov.au/nla.news-article132223384
SONG OF A SORE-BACKED HORSE
TAKE that! There's a "burster," to bruise all your bones,
Neighed my spirited nag, and he grinned like a boar,
As he buck-jumped me over his head on the stones
Then kicked up his heels in the air as he swore . . .
When the price of your dinner (Odds! gripes and starvation -
You grudge three-and-sixpence to heal my poor back!)
Would purchase a bottle of ROWS' EMBROCATION
And that would cure all my bad spots in a crack . . .
And, J. and E. ROW, may your fame last for ever
May you never grow gouty, or ugly or thin
May you never be galled by misfortune, no, never,
But live till ye die within sound healthy skin!
[Advertisement], The Yass Courier (24 November 1860), 3
http://nla.gov.au/nla.news-article263881358
SONG OF A SORE-BACKED HORSE . . .
[Advertisement], Bathurst Free Press and Mining Journal (28 November 1860), 4
http://nla.gov.au/nla.news-article63596307
SONG OF A SORE-BACKED HORSE . . .
[Advertisement], Examiner [Kiama, NSW] (1 December 1860), 1
http://nla.gov.au/nla.news-article102519158
SONG OF A SORE-BACKED HORSE . . .
[Advertisement], Maryborough Chronicle, Wide Bay and Burnett Advertiser [QLD] (5 December 1860), 1
http://nla.gov.au/nla.news-article150314081
SONG OF A SORE-BACKED HORSE . . .
[Advertisement], The Maitland Mercury and Hunter River General Advertiser (8 December 1860), 4
http://nla.gov.au/nla.news-article18679212
SONG OF A SORE-BACKED HORSE . . .
[Advertisement], Illawarra Mercury (4 January 1861), 3
http://nla.gov.au/nla.news-article132227835
Song of a Mail-coach Horse.
WITH whips, oaths, goads, and thundering loads
I am whacked, worked, and cursed on the great southern roads -
Though from Roberts' stud, with breed, bone, and blood,
I've to drag all my days, through an ocean of mud . . .
I'm as' stiff as a post, though I once was your boast,
Good master look sharp, or I'll soon be a ghost;
Send to J. and E. ROW, for a bottle, or so -
That stuff cured my stringhalt a long time' ago.
Row's Embrocation, or Farmer's Friend, prepared
by J. and E. Row, Bank Court, Sydney, and sold by all respectable storekeepers.
Beware of Counterfeits.
[Advertisement], The Maitland Mercury and Hunter River General Advertiser (16 February 1861), 1
http://nla.gov.au/nla.news-article18680291
THE SONG THE OLD COW SUNG.
I SIGH for those days which have vanished alas!
When I roam'd free as air amidst thistles and grass
(A handsome young heifer), o'er mountain and dale.
With my heart free from dread of the stockyard or bail . . .
ROW'S EMBROCATION OR FARMERS FRIEND;
prepared by J. & E. ROW, Bank Court, Sydney, and sold by all respectable Storekeepers.
Beware of Counterfeits.
[Advertisement], Rockhampton Bulletin and Central Queensland Advertiser [QLD] (3 December 1863), 3
http://nla.gov.au/nla.news-article51560062
THE SONG THE OLD COW SUNG . . .
"LATEST NEWS (BY ELECTRIC TELEGRAPH) . . . NEW SOUTH WALES", The Herald [Melbourne, VIC] (27 June 1868), 3
http://nla.gov.au/nla.news-article244954662
Mr. John Rowe, chemist and druggist, has been declared insolvent. His liabilities amount to nearly L34,000, and his assets are set down at L32.
[Advertisement], The Sydney Mail and New South Wales Advertiser (13 May 1882), 749
http://nla.gov.au/nla.news-article162029883
ROW'S EMBROCATION OR SONG OF A MAIL COACH HORSE.
As sung Twenty Tears Ago.
With whips, oaths, and goads, and thundering loads,
I am whack'd, work'd, and curs'd on the Great Southern roads;
Though from Roberts' s stud, with breed, bone, and blood,
I've to drag all my days through an ocean of mud . . .
"COUNTRY NEWS . . . BURROWA; THURSDAY", The Sydney Morning Herald (18 March 1887), 7
http://nla.gov.au/nla.news-article28355705
Mr. John Row, chemist, brother to Mr. Edward Row, of Sydney, died last night [16 March]. He had been ailing for the past nine months. Mr. Row had been a resident of Burrowa for the past 11 years, and was held in high estimation by all classes.
"DEATHS", The Daily Telegraph (22 May 1900), 1
http://nla.gov.au/nla.news-article237314592
ROW. - May 21st, at "Erith Villa," Little-st., Balmain East, Edward Row, aged 71 years. No flowers.
ROWE BROTHERS OF ADELAIDE
ROWE, William (William James ROWE)
Amateur musician, vocalist, choral singer, bandsman, brass instrumentalist
Born Truro, Cornwall, England, 11 February 1821; baptised Wesleyan Chapel, Kenwyn, 25 March 1831; son of William ROWE (1790-1861) and Philippa WALES (c. 1785-1870)
Married (1) Mary ? , c. 1843
Arrived SA, 1855 (from Victoria)
Married (2/3) Susan ALLEN (d. 1910), 6 April 1881
Died North Kensington, SA, 20 March 1910, in his "90th" year
https://trove.nla.gov.au/search?l-publictag=William+Rowe+1821-1910 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROWE-William (shareable link to this entry)
ROWE, John (John ROWE)
Amateur musician, vocalist, choral singer, bandsman, brass instrumentalist
Born Truro, Cornwall, 12 November 1824; baptised Wesleyan Chapel, Kenwyn, 9 June 1825; son of William ROWE (1790-1861) and Philippa WALES (c. 1785-1870)
Arrived SA, ? by c. 1857
Died Reading, PA, USA, 1917, in his "92nd" year
https://trove.nla.gov.au/search?l-publictag=John+Rowe+1824-1917 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROWE-John (shareable link to this entry)
ROWE, Richard (Richard ROWE)
Amateur musician, vocalist, choral singer, precentor (Presbyterian), brass instrumentalist
Born Truro, Cornwall, England, c. 1833/34; baptised, Kenwyn, 27 February 1848 [sic]; son of William ROWE (1790-1861) and Philippa WALES (c. 1785-1870)
Arrived SA, 1857
Married (1) Hannah Elizabeth HILL, North Adelaide (1838-1867), 9 May 1859
Married (2) Elizabeth LE SAUVAGE (c. 1836-1922), Wesleyan church, Pirie Street, Adelaide, 28 December 1868
Died East Adelaide, SA, 17 May 1897, aged 64
https://trove.nla.gov.au/search?l-publictag=Richard+Rowe+c1833-1897 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROWE-Richard (shareable link to this entry)
Summary:
The three Rowe brothers of Adelaide were the two eldest and the youngest surviving son of William Rowe, a coach smith, and his wife Philippa (or Phillis) Wales, who had married at Truro on 11 November 1810.
In Adelaide from the late 1850s they were active as both vocalists and instrumentalists, as members of the Adelaide Choral Society, the choir of Pirie Street Wesleyan Church, and of Heinrich Schrader's band.
Documentation:
Register of baptisms, Wesleyan chapel, St. Mary's, Truro, 1810-37; UK National Archives, RG 4 / 853
https://www.ancestry.com.au/imageviewer/collections/2972/images/40612_B0148147-00008 (PAYWALL)
William James Son of / William & Phillis [sic] Rowe / Coach Smith / Kenwyn / [born] Feb'y 11 1821 / [baptised] March 25 1821 . . .
https://www.ancestry.com.au/imageviewer/collections/2972/images/40612_B0148147-00011 (PAYWALL)
John / [son of] William and Phillis Rowe / Coach Smith / Kenwyn / [born] 12th November 1824 / [baptised] 19th June 1825 / . . .
England census, 30 March 1851, Kenwyn, Cornwall; UK National Archives, HO 107 / 1910
https://www.ancestry.com.au/imageviewer/collections/8860/images/CONHO107_1910_1910-1062 (PAYWALL)
Ferris Town / Wm. Rowe / Head / Ma. / 61 / Coach Smith / [born] Truro [Cornwall]
Tho. Rowe / Son / U. / 19 / Painter / [born] [Truro Cornwall]
Rich'd [Rowe] / Son / U. / 17 / Builder / [born] [Truro Cornwall]
England census, 30 March 1851, Truro St. Clement, Cornwall; UK National Archives, HO 107 / 1910
https://www.ancestry.com.au/imageviewer/collections/8860/images/CONHO107_1910_1910-0233 (PAYWALL)
Raymonds Place / William Rowe / Head / Mar. / 30 / Coach Smith / [born] Cornwall Truro
Mary [Rowe] / Wife / Mar. / 26 / - / [born] [Cornwall Truro]
Mary / 8 // James / 4 // Phillipa / 2 // William / 9 mo. // [all born Cornwall Truro]
"GILBERT-STREET Schoolroom", Adelaide Observer [SA] (17 October 1857), 1 supplement
http://nla.gov.au/nla.news-article158116625
On Monday last a tea-meeting was held at the Wesleyan Chapel, Pirie-street, for the purpose of raising funds for the enlargement of the Gilbert-street School room . . . After the tea a public meeting was held, when, notwithstanding the inclemency of the weather, not less than 800 persons were present . . . Several choruses from the "Messiah," and also some of Mozart's, were executed in a masterly manner by the Pirie-street choir, led by Mr. J. Rowe, and accompanied on the organ by Mr. Daws. The thanks of the meeting having been presented to the organist and choir, Mr. Carvosso replied in suitable terms . . . After a vote of thanks to the chairman (Rev. W. Ingram), the meeting broke up, having spent an evening with delight and profit; and many were the wishes that the sublime strains of Handel's sacred music could oftener be heard and enjoyed.
ASSOCIATIONS: Robert Daws (organist) Samuel Carvosso (choir leader); Music in Wesleyan churches (general)
"MUSICAL TREAT", Adelaide Times (18 February 1858), 3
http://nla.gov.au/nla.news-article207159439
Yesterday we made mention of a concert, to take place this evening, and having been at some of the rehearsals, we can confidently predict that, from the amalgamation of talent, comprising the best vocalists and instrumentalists in South Australia, that it will be the most successful of any concert of the season. The enormous contra-basse just imported by Herr Weydenhafer, from Germany, which will be used for the first time on this occasion, will surprise all who hear it. Mr. Chapman has been most indefatigable in bringing the instrumental pieces to perfection; and the Messrs. Rowe will take the glee parts. An amateur gentleman, considered the best in South Australia, will sing some of Russell's songs and the Polka (new original) by Mrs. Paine, is arranged for the orchestral accompaniment of 20 instrumentalists. Parties from the country, attending the Agricultural Show, should seize this opportunity of hearing such a combination of resident talent.
"MRS. PAINE'S CONCERT", Adelaide Times (19 February 1858), 3
http://nla.gov.au/nla.news-article207159458
This concert commenced under most inauspicious circumstances, inasmuch that the storm was quite a double dose of the previous evening. We noticed the early arrival of Lady Macdonnell, and then followed such an influx of visitors that the few collected were taken by surprise. The overture commenced well worthy of its title, "The King's Command," and was very successful. Mrs. Paine was rapturously encored in that beautiful ballad "Kathleen Mavourneen," and the next piece, a glee well known and much admired, "Mynheer Van Dunck," was rendered efficiently by the Messrs. Rowe . . . Miss Petman was, at usual, well received . . . Mr. Chapman has shown his efficiency as a conductor . . . Herr Heyleck's [sic] performance on the clarionet elicited most rapturous applause . . . Mrs. Wallace, a lady well known on previous occasions, was also well received. His Excellency and suite arrived from the dinner at the conclusion of the first part and met with his usual warm reception. Altogether we consider this to have been the most successful concert of the season.
ASSOCIATIONS: Fanny Rooke Paine (vocalist); Richard and Blanche Macdonnell (governor and wife); Mary Ann Pettman (vocalist); William Chapman (violin, leader); Theodor Heydecke (clarinet); Maria Wallace (vocalist)
MUSIC: Mynheer Van Dunck (Henry Bishop, in The law of Java)
"GAWLER INSTITUTE", South Australian Register (20 December 1859), 5
http://nla.gov.au/nla.news-article49823833
The concert given at the Oddfellows' Hall, Gawler Town, on Monday evening, the 12th instant, in celebration of the second anniversary of the Gawler Institute, was a great success . . . The vocal performers were Mrs. Perryman, Miss Rowe, Mr. Daniel, and Mr. Oehlman; the instrumentalists included the Messrs. Schrader, Rowe, Waite, and the other members of the Brunswick Band. The orchestral arrangements were under the direction of Herr Linger, who also presided at the piano. The performances commenced with an overture by Adam, the elaborate passages of which were executed with so much spirit and precision as to convince the audience, at the very commencement, that the band was fully competent to the performance of compositions of a high order . . . The first part of the entertainment was concluded with "The Song of Australia." Lithographed copies of the words and music had been presented to each person in the hall at the commencement of the concert, but the audience were scarcely prepared for the musical treat which its performance presented. Herr Linger, being himself the composer of the air, and having the arrangements of the concert under his control, appears to have determined to add to his fame as a contrapuntist on the occasion . . . In addition to the compositions already referred to, the second part of the programme included Verdi's magnificent Overture to Nebuchadnezzar, performed by the band . . .
ASSOCIATIONS: The occasion of the first public performance of The song of Australia (Linger); Caroline Peryman (vocalist); Louisa Jane Rowe (vocalist); Josiah Wyke Daniel (vocalist); Hermann Oelmann (vocalist)
"PORT ADELAIDE INSTITUTE, South Australian Register (1 February 1860), 3
http://nla.gov.au/nla.news-article49893705
The quarterly soiree of this Institute was held in the Port Theatre, on Monday evening, January 30. The boxes and pit were crowded to overflowing - an evidence of the interest taken in the welfare of the Institute . . . The President, Mr. A. W. Gliddon, occupied the chair . . . He then introduced the Deutsche Liedertafel, consisting of 20 vocal performers, who sang during the evening six choruses with remark able precision, and were rewarded with the applause they merited. The Messrs. Rowe also sang four well known glees, but we cannot say much for the manner in which they were performed. The first part of the entertainment was concluded with the prize Song of Australia, sung by the Liedertafel, Herr Linger accompanying them in the piano. It was creditably produced, and encored. The lecture was by Mr. John Howard Clark, and was illustrative of Irish wit and humour . . . After the lecture the entertainment consisted, like the first part, of a musical performance, including a Divertissement from "Somnambula," executed by Herr Linger and Schraeder in a masterly manner on the cornopean and piano . . .
ASSOCIATIONS: Carl Linger (pianist, composer); Adelaide Liedertafel (ensemble); Heinrich Schrader (cornopean)
"MAGILL INSTITUTE", Adelaide Observer (4 August 1860), 3
http://nla.gov.au/nla.news-article158176301
The third anniversary of the establishment of this Institute was held last Friday evening . . . During the evening several glees and choruses were very effectively sung by Messrs. Carvosso, Rowe Brothers, and about a dozen ladies and gentlemen from Adelaide, who had kindly complied with the request of the Committee by rendering their gratuitous assistance. This very pleasing meeting, at which above 180 persons were present, terminated, shortly after 10 o'clock, by "God Save the Queen."
ASSOCIATIONS: Samuel Carvosso (amateur vocalist)
"NORTH ADELAIDE WESLEYAN CHAPEL", South Australian Weekly Chronicle (22 December 1860), 6
http://nla.gov.au/nla.news-article90248888
. . . A vote of thanks to the Chairman, the ladies, and the choir was then passed, after which several gentlemen addressed the meeting. The choir, under the direction of Mr. J. Rowe, during the evening performed the following pieces of sacred music: - "Jehovah's awful throne," "Lift up your head, O Zion," "When the Lord shall build up Zion," also Handel's "Hallelujah Chorus," from the Messiah. A solo by Miss Tozer, "Eve's lamentation," was beautifully sung and deservedly applauded. The meeting separated at 10 o'clock.
ASSOCIATIONS: Elizabeth Peryman Tozer (vocalist)
"SOUTH AUSTRALIAN INSTITUTE", The South Australian Advertiser (21 December 1861), 3
http://nla.gov.au/nla.news-article881176
The quarterly soiree in connection with the South Australian Institute came off on Friday evening at White's Assembly Room. His Excellency the Governor presided, and there was a very large attendance of subscribers . . . He would now at once call upon their friends of the choir to commence the programme. The choir was a very powerful one, comprising the following array of amateur talent: - Mr. Dawes (Leader) and Messrs. Rowe (3), Carvosso, Brenton, (2), Cornish, Fox, Allen. Farmer, Broadbent, Wayman, Wheatley, Ball, Palmer, Taylor (2), Woods, Wright, Lecorn, Scrymgour, and Goode. Mesdames Fox and Taylor, and the Misses Pretty, Broadstraw, Herbert, Lambswood, and Taylor. They now executed in a very creditable manner, Handel's magnificent chorus, "The Earth is the Lord's." This effort was loudly applauded. At its conclusion, His Excellency introduced the lecturer of the evening. The Rev. JOHN GARDNER, who delivered his lecture upon "The Cultivation of Sacred Music." The discourse was a very lengthy and eloquent one, and embraced many able arguments in favour of the study of this particular branch of music. It was divided into four parts, between each of which the choir performed the various pieces set down in the programme . . . During the progress of the lecture the following beautiful pieces were executed by the choir: - "Worthy is the Lamb" (Messiah), Handel; "Vital spark," Harwood; " For auto us a child is born" (Messiah), Handel; "Hallelujah to the Father" (Mount of Olives), Beethoven. It would, of course, be unfair to enter into a minute criticism of the performance of an amateur choir, and therefore, in one word, we may say that the efforts of the ladies and gentlemen composing it last evening were creditable in the extreme, and the audience failed not, at the conclusion of each, to evince their appreciation by the most hearty and genuine plaudits . . . The choir now performed the beautiful " Hallelujah Chorus," from the Messiah, which concluded the proceedings.
ASSOCIATIONS: John Gardner (clergyman, lecturer); Robert Daws (choir leader); Ebenezer Cornish (vocalist); Charles Scrymgour (vocalist)
"DEATHS", The Express and Telegraph (18 May 1897), 2
http://nla.gov.au/nla.news-article209090507
ROWE. - On the 17th May, after a painful illness, at Guernsey Villa, St. Peters-street, East Adelaide, Richard Rowe, of Truro, Cornwall, and late of Rundle-street, Adelaide, the beloved husband of Elizabeth Rowe, aged 04 years, leaving a sorrowing wife and daughter to mourn their loss.
"THE LATE MR. RICHARD ROWE", The Advertiser (18 May 1897), 6
http://nla.gov.au/nla.news-article35079115
Old colonists and others will regret to learn of the death at the age of 64 of Mr. Richard Rowe, which occurred at his residence, St. Peters-street, East Adelaide, on Monday. The deceased, who came from Truro, Cornwall, arrived in the colony in 1857, and soon identified himself with the leading musical circles of the time. With two elder brothers, William and John, who survive him, he took part in most of the choral productions presented under the conductorship of the late Herr Carl Linger. He also sang in oratorio music with the Pirie-street Wesleyan Church choir, of which the three brothers were prominent members for a long time. His latest public appearance was as precentor at St. Andrew's Church, Wakefield-street. Mr. Rowe entered business as a fancy goods importer in Rundle-street, and for 30 years be successfully carried on. He then retired into private life, and took up his residence in St. Peters-street, East Adelaide, where he passed quietly away, leaving a wife and daughter to mourn their loss.
"THE LATE MR. RICHARD ROWE", Evening Journal (18 May 1897), 2
http://nla.gov.au/nla.news-article207895711
Old colonists and others will regret to learn of the death of Mr. Richard Rowe, in his sixty fourth year, which occurred at his residence, St. Peters-street, East Adelaide, on May 17. The deceased, who hailed from Truro, Cornwall, arrived in the colony in 1857. He soon identified himself with the leading musical circles of the time, and uniting with two elder brothers, William and John, who survive him, and who together were familiarly known as the Rowe Brothers, took part in most choral productions under the able conductorship of the late Carl Linger. He was also associated with oratorio music given by the Pirie-street Wesleyan Church choir, of which the three brothers were prominent members, when such music was considered an innovation. In other musical centres, such as White's Rooms, the trio were frequently heard in the lighter music. When Mr. Schrader's popular band was formed (which, by-the-way, is now only represented by William and John Rowe) Mr. R. Rowe was enlisted into its ranks. His latest public appearance was as precentor at St. Andrew's Church, Wakefield-street. Mr. Rowe entered business as a fancy goods importer, &c., in Rundle-street, and for thirty years successfully carried it on. Retiring into private life he took up his residence in St. Peters-street, East Adelaide. A widow and one daughter survive.
"DEATHS", The Register (17 February 1910), 6
http://nla.gov.au/nla.news-article60155132
ROWE - On the 13th February, at Truro Villa, Kensington, Susan, beloved wife of William Rowe, in her 84th year. No flowers.
"DEATHS", The Register (21 March 1910), 6
http://nla.gov.au/nla.news-article57370795
ROWE. - On the 20th March, at Truro Villa, Salop street, North Kensington, William Rowe, in his 90th year, formerly of Britannia Foundry, Strathalbyn. No flowers.
"Mr. William Rowe", Observer (26 March 1910), 36
http://nla.gov.au/nla.news-article164694044
In our obituary columns is announced the death in his ninetieth year, of Mr. William Rowe, of North Kensington, and formerly of Britannia Foundry, Strathalbyn. Mr. Rowe was an early South Australian. He arrived in 1855 from Victoria, where he spent a few months on the gold diggings without success. On arrival in South Australia an engagement was secured at the coachbuilding establishment of the late Mr. Samuel Carvosso, then the leading maker in Adelaide, and after many years' service Mr. Rowe transferred to the late Mr. Crimp. In 1867 he took over the Strathalbyn Foundry from the late Hon. J. G. Ramsay, and in a few years was able to retire into private life. Eventually a branch was opened in Adelaide. At the southern town when municipal powers were obtained Mr. Rowe was among its first Councillors. The musical fraternity will recall how in the early days the three brothers - William, John, and Richard - were famous for their oratorio and glee performances, being associated with the leading societies of the day, and afterwards instrumental music under the late Herr Schrader. The deceased was born in Truro, Cornwall, in 1821. He had lived in retirement at his late residence since 1883. The surviving members of Mr. Rowe's family are: - Mrs. M. J. Barry, widow, and Mr. William Rowe, Government Printing office. His wife recently predeceased him.
"PERSONAL NEWS", The Express and Telegraph (8 February 1917), 2
http://nla.gov.au/nla.news-article209751667
Word has just been received from Reading, Pa., U.S.A., of the death, in his 92nd year, of Mr. John Rowe, formerly of Adelaide, who, like his brothers, Messrs. William and Richard Rowe, was an accomplished musician, and rendered good service especially, in church choral work, to the community. The three brothers were largely self-taught, but received their early training in music in their native town of Truro, Cornwall. With others, the Rowe family introduced oratorio work in this State, and the fine rendering of selections from the "Messiah" and other masterpieces, given at the Pirie-street Methodist Church and elsewhere, as far back as 1858, still gives pleasant memories to many old colonists. For glee and part singing the brothers were equally well noted. They were also members of Herr Schrader's brass band, the leader, it is claimed, being one of the most gifted cornet players who ever performed in South Australia. Mr. John Rowe spent many years in the United States as a professional musician, and on retiring settled in Reading, amidst a circle of friends. The only surviving member of the family of Mr. John Rowe is his daughter, Miss Annie Rowe, who lives at Reading.
ROWE, Louisa Jane (Louisa Jane ROWE; Miss ROWE; Mrs. John William PARKIN; Mrs. J. W. PARKIN)
Musician, vocalist, pianist (pupil of Carl Linger)
Born Port Adelaide, SA, c. 1843; daughter of Joseph ROWE (d. 1884) and Selina RODD (d. 1887)
Married John William PARKIN (1842-1882), Trinity church, Adelaide, SA, 2 June 1866
Died Adelaide, SA, 29 November 1919, aged "76" years, "a colonist of 76 years"
https://trove.nla.gov.au/search?l-publictag=Louisa+Jane+Rowe+Parkin+d1919 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROWE-Louisa-Jane (shareable link to this entry)
Summary:
She was, according to her marriage announcement, the fifth daughter of early colonists Joseph Rowe, a "Plumber, Brazier, and Tin-plate worker", and his wife Selina Rodd, arrived in South Australia from Truro, Cornwall, with their three eldest children, 2 daughters and a son, in April 1840. There is no known record of Louisa's birth; however, her younger sister, Angelina, was born on 25 May 1844, placing her own birth most probably in 1843 or the later part of 1842.
The family were active Anglicans, and appear to be unrelated to the Wesleyan Rowe brothers.
A pupil of Carl Linger, Rowe notably sang in the first public performance of Linger's Song of Australia at Gawler in December 1859, and on the same program gave the first performance on the piano of Linger's lost Fantasia on the Song of Australia.
Documentation:
[Advertisement], South Australian Register (11 July 1854), 1
http://nla.gov.au/nla.news-article207016588
GRAND EVENING CONCERT.
Under the Patronage of His Excellency the Governor and Lady Young.
MRS. YOUNG begs to announce that her first CONCERT of Vocal and Instrumental Music . . .
will take place on TUESDAY, the 18th instant, at the Pantheon, King William-street.
PROGRAMME. PART I . . . Variations, Pianoforte, with accompaniments - Miss Rowe (pupil of Mr. Linger) - Herz . . .
ASSOCIATIONS: Rebecca Cash Young (pianist); Carl Linger (pianist); Henry and Augusta Young (governor and wife)
"GRAND CONCERT", South Australian Register (17 July 1854), 2
http://nla.gov.au/nla.news-article49201203
Great expectations have been formed as to the musical treat which Mrs. Young is proposing for her patrons on Tuesday evening at the Pantheon . . . Mr. Linger will introduce one of his pupils, Miss Rowe, who, although only 12 years of age, has, under his skilful tuition attained remarkable proficiency . . .
"MRS. YOUNG'S CONCERT", South Australian Register (19 July 1854), 2
http://nla.gov.au/nla.news-article49201372
The grand concert announced for last evening was not only honoured by the attendance of His Excellency and Lady Young, but the intimation of their patronage seemed to have been remarkably successful, in aid of professional inducements, in securing a highly respectable and very numerous attendance . . . Miss Rowe (a pupil of Mr. Linger's) only in her twelfth year, gave many gratifying proofs of the successful culture of musical talent; her performance on the pianoforte, with accompaniments, having been greatly admired . . .
"MRS. YOUNG'S CONCERT", Adelaide Times (20 July 1854), 3
http://nla.gov.au/nla.news-article207016744
. . . A pupil of Mr. Linger's, Miss Rowe, who made her debut, as a pianiste, gave considerable and satisfactory proofs of her own cleverness and of the excellence of her teacher's system of tuition . . .
[Advertisement], Adelaide Times (10 February 1855), 1
http://nla.gov.au/nla.news-article207021799
GRAND CONCERT . . . Mrs. MITCHELL begs to inform her friends and the public in general that she purposes giving a
GRAND CONCERT, at Neales's Exchange, King William-street, on WEDNESDAY Evening, the 14th instant.
PROGRAMME. PART I. 1. Overture, "Figaro," Mr. Linger and his pupil, Miss Rowe - Mozart . . .
6. Divertissement for Piano, with Quartette, Miss Rowe - Herz . . .
PART II. 7. Overture, "The Combat with the Dragon," Miss Rowe and Mr. Linger - Linger . . .
"MRS. MITCHELL'S CONCERT", South Australian Register (15 February 1855), 3
http://nla.gov.au/nla.news-article49304932
The attendance last evening at Neales's Exchange was very large, and the spacious room was well filled . . . Miss Rowe, a very young lady, and one of Mr. Linger's pupils, was greeted with considerable applause during her performance on the pianoforte with her accomplished tutor. Her execution is remarkably even and correct; but some of the finest passages in the first part were scarcely heard, having been overpowered by the more vigorous touch of Mr. Linger . . .
ASSOCIATIONS: Madelina Forbes Mitchell (vocalist)
[Advertisement], Adelaide Times (15 November 1855), 4
http://nla.gov.au/nla.news-article207075423
CONCERT OF SACRED MUSIC . . .
in aid of the ST. LUKE'S CHURCH BUILDING FUND, will take place on
Thursday, the 15th instant, at NEALES'S EXCHANGE . . . PROGRAMME . . . PART II . . .
10. Sonate for four hands (andante and allegro) - Mr. Linger and his pupil, and Miss F. Rowe [sic] - Mozart . . .
"CONCERT IN AID OF ST. LUKE'S CHURCH BUILDING FUND", South Australian Register (16 November 1855), 3
http://nla.gov.au/nla.news-article49297776
Last evening this concert was given at Neales's Exchange, under the patronage of His Excellency the Governor and Lady MacDonnell and the conductorship of Herr Linger; Mr. Chapman leading. The attendance was select rather than numerous - a circumstance for which we can scarcely account, except, perhaps, because the programme was not so suited to English tastes as it should have been . . . We must not omit to mention the sonato [sic] by Mozart for the pianoforte, performed by Herr Linger and his pupil, Miss Rowe, which reflected the highest credit on master and student . . .
"THE CONCERT LAST NIGHT", Adelaide Times (16 November 1855), 3
http://nla.gov.au/nla.news-article207075440
. . . A sonata of Mozart's for four hands was executed by Herr Linger and his pupil, Miss R. Rowe [sic] - a young lady of about sixteen years of age - in a very efficient manner, and we predict a very successful and brilliant career for this young lady, who already possess great rapidity of execution, combined with a natural and easy touch . . .
[Advertisement], South Australian Register (30 June 1856), 1
http://nla.gov.au/nla.news-article49746145
PUBLIC OPENING OF WHITE'S CONCERT AND ASSEMBLY ROOMS, KING WILLIAM-STREET.
MADAME C. CAILLY has the honour to announce to her friends and the public at large, that she will give
a GRAND VOCAL and INSTRUMENTAL CONCERT, THIS EVENING (Monday), June 30 . . .
PROGRAMME . . . PART II . . .
Duet for Piano - "Zampa" (by desire), Miss L. J. Rowe and Herr Linger . . .
ASSOCIATIONS: Clarisse Cailly (vocalist); White's Rooms (Adelaide)
[Advertisement], Adelaide Times (25 February 1858), 1
http://nla.gov.au/nla.news-article207159615
MR. R. B. WHITE (from the Royal Academy of Music) begs to announce his
FIRST GRAND CONCERT, On Thursday, February 25, 1858.
PROGRAMME. PART I. Overture - "La Dame Blanche," Miss Rowe and Herr Linger - Boildieu . . .
Fantasia Piano, "The Last Rose of Summer," Miss Rowe - Rosellen . . .
PART II. Overture - "Zampa," Miss Rowe and Herr Linger - Herold . . .
ASSOCIATIONS: Richard Baxter White (violinist, pianist)
"MR. R. B. WHITE'S CONCERTS", South Australian Register (11 March 1858), 4
http://nla.gov.au/nla.news-article49771142
This young gentleman having recently returned from Europe, where he had for some years engaged in the study of music under the best masters, has drawn large and respectable audiences to witness his debut as a professional musician in his native city . . . Those old favourites of the musical public, Messrs. Linger and Daniel, Miss Tozer, and also Miss Rowe, a native musician, who, under the able tuition of Mr. Linger, has attained great proficiency, added much to the attractions of Mr. White's entertainments.
[Advertisement], Adelaide Times (3 April 1858), 1
http://nla.gov.au/nla.news-article207160591
A GRAND VOCAL AND INSTRUMENTAL CONCERT WILL be held,
in connection with the Salisbury Literary Society and Reading Rooms, on Tuesday, April the 6th, 1858,
in the Large Hall adjoining Scott's Hotel . . .
VOCALISTS - Mrs. Paine, Miss Petman, Mr. Pounsett, Mr. Edwards, and the Members of the Society.
Pianist, Miss Rowe, and the beautiful and efficient Band of seven performers, under the direction of Herr Schrader . . .
"CONCERT AT SALISBURY", South Australian Register (13 April 1858), 2
http://nla.gov.au/nla.news-article49773282
A correspondent has sent us the following: - On the evening of Easter Tuesday a grand vocal and instrumental concert was given in connection with the Salisbury Literary Institute. Mr. Scott's large room was well filled on the occasion, which excited great interest throughout the township and neighbourhood generally, since it is seldom that so large an amount of professional ability is collected in a rural district . . . Miss Rowe executed some brilliant fantasias on the piano in a manner very creditable to so young a lady, and in particular some Irish airs, with variations, seemed to please the popular taste . . .
ASSOCIATIONS: Fanny Rooke Paine (vocalist); Mary Ann Pettman (vocalist); Henry Pounsett (vocalist); Solomon Nicholas Edwards (vocalist); Heinrich Schrader (musician)
[Advertisement], The South Australian Advertiser (19 July 1858), 1
http://nla.gov.au/nla.news-article781307
WHITE'S ASSEMBLY ROOMS - SIGNOR GROSSI'S BENEFIT.
MONDAY NIGHT, the 27th July, 1858 . . .
PROGRAMME . . . PART II . . . 4. Solo Piano - "La Rose de Peronne," Miss Louisa Rowe - Henry Rosellen . . .
Conductors - Herr Linger and Herr Kunze . . .
"SIGNOR GROSSI'S BENEFIT CONCERT", South Australian Register (20 July 1858), 2
http://nla.gov.au/nla.news-article49779195
There was a good but not a crowded attendance on Monday evening at the concert given by Signor Grossi. As had been announced the orchestra was most complete, and the vocal department unusually strong . . . Mr. Cobbin again surprised and delighted his hearers by his masterly performance on the violin, with Herr Linger on the piano, of the duet "Torquato Tasso," and Miss Rowe extorted an enthusiastic encore by her brilliant instrumentation of the solo "La Rose de Peronne." S
"GROSSI'S BENEFIT CONCERT", The South Australian Advertiser (20 July 1858), 3
http://nla.gov.au/nla.news-article781338
. . . Miss Louisa Rowe, a young pianist, born in the colony and chiefly self-educated, elicited deserved encomiums for the brilliancy of her execution on the pianoforte . . .
ASSOCIATIONS: Enrico Grossi (vocalist); Carl Julius Kunze (pianist); William Cobbin junior (violinist)
MUSIC: Fantaisie brillante sur La rose de Péronne (Rosellen)
[Advertisement], The South Australian Advertiser (27 September 1858), 1
http://nla.gov.au/nla.news-article783696
WHITE'S ASSEMBLY ROOMS. MONDAY, 27th SEPTEMBER, 1858.
COMPLIMENTARY BENEFIT TO MONS. LAGLAISE . . . The following persons will appear:
MISS ROWE, Mons. Laglaise's pupil; her first appearance in singing . . .
HERR KUNZE, Will Preside at the Pianoforte.
PROGRAMME. FIRST PART . . .
"Ah, Morir" (Duet from "Ernani") Miss Rowe and Mons. Laglaise - Verdi.
"La Rose de Perone" Pianoforte Solo) - Miss Rowe - H. Rosellen
PART SECOND . . .
Duet on the Pianoforte - Miss Rowe and Herr Kunze - Cartaruga [sic] . . .
Carnival of Venice" (Pianoforte Solo) - Miss Rowe - T. Oesten . . .
"Hearts and Souls" (English Song, composed in Adelaide by Mons. Laglaise) sung for the first time by Miss Rowe . . .
"MONDAY EVENING'S CONCERT", South Australian Register (28 September 1858), 2
http://nla.gov.au/nla.news-article49782102
The concert of vocal and instrumental music, given on Monday evening to Mons. Laglaise, under the patronage of His Excellency and Lady MacDonnell, was attended by a large and very fashionable audience. The accomplished vocalist, for whose benefit the entertainment was given, was assisted by Miss Rowe, Mrs. Wallace, Herr H. Christen, and Herr Kunze; and the pieces selected for performance included a choice variety of operatic, ballad, and other music by some of the most celebrated composers. Miss Rowe has frequently appeared in public as a pianist; but on Monday evening this accomplished young lady made her debut as a vocalist, in which she gives fair promise of rising to considerable excellence. Her voice, though not powerful, is flexible and extremely sweet, particularly in the upper range; and her execution, though occasionally indistinct, is strictly correct. Her performance with Mons. Laglaise of Verdi's' "Ah Morir," from Ernani, was particularly pleasing . . .
"FAREWELL CONCERT OF MONS. LAGLAISE", The South Australian Advertiser (28 September 1858), 2
http://nla.gov.au/nla.news-article783744
The complimentary benefit to this renowned vocalist took place last evening at White's Assembly Room, on which occasion a very numerous and distinguished audience was assembled. The entertainment was under the patronage of His Excellency the Governor, the Executive Council, and many members of both Houses of the Legislature, in addition to which there was a brilliant attendance of the beauty and fashion of Adelaide . . . A duet, "Ah, Morir," by Miss Rowe and Mons. Laglaise, enchanted the audience, who enthusiastically called for an encore. A pianoforte solo by Miss Rowe succeeded, and that accomplished performer won golden opinions by her masterly execution and exquisite taste. In the second portion of the entertainment Mons. Laglaise gave an air from "Lucia di Lammermoor" in a thrilling and exquisite style. This was followed with a pianoforte solo by Miss Rowe, after which Herr Christen gave a recitative and air from the "Bohemian Girl" . . . Miss Rowe then sung "Hearts and Souls," in a manner which delighted the audience, who rapturously demanded an encore, when "Beautiful Bells" was substituted, and seemed to afford even more pleasure than its predecessor. We may safely congratulate Miss Rowe on her successful debut as a vocalist. Her voice is everything that could be wished her taste and execution are admirable, and perhaps the only defect perceptible last evening was a want of power, which might be attributable to the natural diffidence consequent on a first appearance . . .
ASSOCIATIONS: Jean-Baptiste Laglaise (vocalist, composer); Hugo Christen (vocalist)
MUSIC: Le carnaval de Venise (Theodor Oesten, op. 37);
"ST. PAUL'S CHURCH CONVERSAZIONE", The South Australian Advertiser (23 October 1858), 2
http://nla.gov.au/nla.news-article784659
This pleasing and successful reunion took place yesterday evening, in White's Assembly Room . . . to aid the funds for the building of St. Paul's Church . . . The magnificent chorus, "How beautiful on the mountains" was sung by a large orchestra composed of the combined choirs of various churches in town. There was afterwards, a glee, in which Miss Rowe took a part and a duet, "What are the wild waves saying?" in which Miss Rowe and Miss Calcott elicited a rapturous encore . . . Miss Rowe then sung "Beautiful Bells" with exquisite voice and taste, which pleasing ballad was enthusiastically encored. An excellent glee followed, succeeded by a chorus of the full orchestra . . .
"EAST TORRENS INSTITUTE", The South Australian Advertiser (18 November 1858), 2
http://nla.gov.au/nla.news-article785559
A lecture on "Ghosts, Spectral Illusions, and Prophetic Dreams" was delivered last night by Dr. Campbell, at the Kensington Institute, to a respectable but not very numerous auditory. The lecture was prefaced by a performance on the pianoforte by Miss Rowe - "The Last Rose of summer," with variations - which was excellently played, and loudly applauded . . . Some amusing representations of spectral figures exhibited by the aid of the magic lantern, succeeded the lecture, and the proceedings of the evening were brought to a termination by some very agreeable music and singing, in which Miss Rowe, Mr. Gouge, and another gentleman took a part. Everybody seemed to be well pleased with the entertainment.
[Advertisement], South Australian Register (13 December 1858), 1
http://nla.gov.au/nla.news-article49785544
WHITE'S ROOMS. - A GRAND COMPLIMENTARY BENEFIT,
under the Patronage of HIS EXCELLENCY THE GOVERNOR-IN-CHIEF, will be given to
SIGNOR CUTOLO, on MONDAY EVENING, the 13th instant . . .
PROGRAMME. PART I . . . 2. Song, "I strive to forget thee," Miss Rowe . . .
PART II . . . 5. Song, "Like the song of birds in summer," Miss Rowe . . .
ASSOCIATIONS: Cesare Cutolo (pianist, vocalist, composer)
"SACRED HARMONIC SOCIETY", The South Australian Advertiser (31 December 1858), 2
http://nla.gov.au/nla.news-article787154
A grand concert of sacred music, consisting principally of selections from the splendid oratorio of "Joshua" by Handel, took place last evening (Thursday.) There was a large muster of orchestral and vocal performers on this occasion . . . The next piece was a solo by our popular favorite Miss Rowe, being a selection from the "Messiah," "He was cut off." The delivery of this piece reflects honour upon Miss Rowe, and developed the excellent tones of voice, for which her performances have been distinguished. The chorus "To long posterity" succeeded, and secured approbation from the audience. Miss Rowe then sung the magnificent solo "But thou did'st not leave," with excellent effect, and received a well deserved encore . . . A grand chorus from Handel, "The Great Jehovah," was excellently sung by the choir; and a quartette from Mozart's "Requiem Mass," "Benedictus qui venit," executed by the Misses Rowe and Pettman, and Mr. Pounsett, preceded the final chorus from "Samson," "Let their celestial concerts all unite," in which the entire orchestra took part. This piece closed the performance, without exception the most successful exhibition the Sacred Harmonic Society has yet made.
ASSOCIATIONS: Adelaide Sacred Harmonic Society (organisation)
[Advertisement], The South Australian Advertiser (13 January 1859), 1
http://nla.gov.au/nla.news-article787655
SIGNOR CUTOLO will give a CONCERT, assisted by MISS ROWE, at GAWLER TOWN, on TUESDAY next, January 18; and at KAPUNDA, on WEDNESDAY, January 19.
[Advertisement], The South Australian Advertiser (17 February 1859), 1
http://nla.gov.au/nla.news-article789171
WHITE'S ASSEMBLY ROOMS.
SIGNOR CUTOLO'S GRAND VOCAL and INSTRUMENTAL CONCERT . . . THURSDAY EVENING, FEBRUARY 17.
PROGRAMME. PART I . . . 2. Song, "The Reconciliation," Miss Rowe . . .
6. Duet, "Slowly and Softly," (Glover), Miss Rowe and Mr. Daniel . . .
PART II . . . 2. Song, "Good News from Home," Miss Rowe . . .
4. Duet, "The Syren and Friar" (Emanuel), Miss Rowe and Mr. Daniel . . .
ASSOCIATIONS: Josiah Wyke Daniel (vocalist)
"THE GAWLER INSTITUTE RURAL FETE", The South Australian Advertiser (10 March 1859), 3
http://nla.gov.au/nla.news-article790177
The Gawler Holiday Picnic has been a decided hit a complete success and well deserves to be imitated in other parts of the colony. It came off on Tuesday, 8th March, on Captain Lawson's grounds, at Cockatoo Valley . . . A numerously attended concert was given in the evening, in Mr. James Martin's large store, upwards of 300 persons being present. The Committee of the Institute secured the services of Miss Rowe and Miss Pettman, together with Mr. Daniels, Mr. R. B. White, from Adelaide, and the brass band . . . Miss Rowe was, however, suffering from a very severe cold, and was unable to take that full part in the programme which had been allotted to her . . . The "Laughing Chorus," or, as rendered in the Italian, "Vandasia via de qua," was very effectively given by Miss Pettman, Miss Rowe, and Mr. Daniels, and was honored with a hearty encore. Miss Rowe substituted a fantasia on the pianoforte, on that beautiful ballad, "Happy the heart" . . .
"THE HANDEL FESTIVAL", South Australian Register (14 April 1859), 3
http://nla.gov.au/nla.news-article49902126
All who were at White's Room last evening . . . must have enjoyed no inconsiderable treat. The very occasion - an In Memoriam to the genius of Handel . . . some of the airs and choruses were very sweetly and effectively rendered - as for instance "O Thou that tellest," by Miss Tozer; "He shall feed His flock," by Miss Pettman; and "But Thou didst not leave," by Miss Rowe; "The people that walked in darkness," by Mr. Daniel; and "The trumpet shall sound," by Mr. Ball . . .
"THE HANDEL COMMEMORATION FESTIVAL", The South Australian Advertiser (15 April 1859), 3
http://nla.gov.au/nla.news-article791585
. . . Miss Rowe sung two recitatives and the air, "Behold and see." This talented young lady was in excellent voice, and acquitted herself with her usual success . . .
"THE HANDEL FESTIVAL, SECOND EVENING", The South Australian Advertiser (15 April 1859), 3
http://nla.gov.au/nla.news-article791585
The second performance of the Handel commemoration festival, came off on Thursday evening, April 14, at White's Rooms . . . The performance consisted of "Alexander's Feast" . . . The power of music, represented by the recitative, "Soothed with the sound," was given by Mr. Daniel, and immediately followed by "He chose a mournful music," sung by Miss Rowe, a young lady fast rising into musical celebrity, but who has not yet had sufficient experience in the style of singing called "recitative," inasmuch as she actually sings the music instead of semi-speaking it; and commits a fault in the use of the grade an embellishment in the vocal art not required in recitatives. The aria, "He sung Darius, great and good," was very effectively given by Miss Rowe . . . Miss Rowe then gave "The prince unable to conceal his pain" tastefully, and the chorus "The Many read the skies" concluded the first part of the ode . . .
ASSOCIATIONS: Caroline Tozer (vocalist); Mr. Ball (vocalist); commemoration of the centenary of the death of George Frideric Handel
[Advertisement], South Australian Register (17 May 1859), 1
http://nla.gov.au/nla.news-article49903453
WHITE'S ASSEMBLY ROOMS. GRAND CONCERT . . .
Mr. R. B. WHITE begs to announce he will give a Grand Concert of VOCAL and INSTRUMENTAL MUSIC on Tuesday, the 17th Inst . . .
PROGRAMME. PART I . . . Ballad - "Irish Emigrant," Miss Rowe - Barker . . .
Duet, two Grand Pianos - "Hugenots" (first time in Adelaide), Miss Rowe and Mr. White - Osborne.
Duet - "The Cousins," Miss Rowe and Miss Tozer - Glover.
PART II . . . Duet - The Master and Scholar" - Mr. Daniel and Miss Rowe, (Fioravante's celebrated Singing Lesson, first time in Adelaide) . . .
Trio - "The Rural Elves" - (Elfin Crew) - Glover . . .
MUSIC: Grand duo on Les huguenots (Osborne, after Meyerbeer); The master and scholar (Fioravante, arranged Charles Edward Horn);
"GRAND CONCERT AT WHITE'S ROOM", South Australian Register (18 May 1859), 2
http://nla.gov.au/nla.news-article49903070
. . . The most taking performances of the earlier part of the concert were the "Soldier's Return," sung in operatic style by Mr. Daniel and Miss Tozer; and the "Huguenots," a duet on two grand pianos, played by Miss Rowe and Mr. R. B. White . . . The "Huguenots," a favourite piece in England, was announced to be played the first time in Adelaide, and it was well played, Miss Rowe doing great credit to herteacher and herself in her accuracy, taste, and execution. The effect of the two instruments, the one thundering to the dulcet sweetness, or rattling brilliance of the other, or both taking by turns the refrain of the piece, evidently surprised those present who had not enjoyed a similar treat on any previous occasion . . .
"ST. PAULS CHURCH CONVERSAZIONE", The South Australian Advertiser (19 May 1859), 3
http://nla.gov.au/nla.news-article792966
. . . Miss Rowe sung the beautiful solo, "Eve's Lamentation." Several portions of this song afforded full scope for the splendid tones of voice which this gifted young lady possesses, and those parts were properly and effectively rendered. There was however, a want of that expression and animation which should accompany a song of this description. However, it pleased the audience extremely, an encore was called for, and "Star of the Evening" was substituted, a ballad much more suited to Miss Rowe's styles of singing. This met with a warm reception . . .
[Advertisement], South Australian Register (20 May 1859), 1
http://nla.gov.au/nla.news-article49899256
SOUTH AUSTRALIAN INSTITUTE. LECTURE AND CONCERT . . .
in White's Assembly Room, THIS EVENING (FRIDAY), MAY 20, 1859 . . .
Mr. J. W. Daniel will conduct the Musical Entertainment.
PROGRAMME . . . Solo - Piano - Miss Rowe . . .
Song - "Somebody cares for me" - Miss Rowe - Foster . . .
Duet - "Syren and Friar" - Miss Rowe and Mr. Daniel - Emanuel . . .
Duet - Miss Rowe and Miss Tozer - Glover . . .
Laughing Trio - "Vadasi Via di Qua" - Martini . . .
NATHL. HAILES, Secretary.
[Advertisement], South Australian Register (13 June 1859), 1
http://nla.gov.au/nla.news-article49897924
SIGNOR CUTOLO'S CONCERT, AT WHITE'S ROOMS . . . On WEDNESDAY next, June 15 . . .
PROGRAMME. PART I . . . 4. Song - "I strive to forget thee," Miss Rowe - Maynard . . .
PART II . . . 3. Duet - "Slowly and Softly," Miss Rowe and Mr. Daniel - Glover.
4. Romanza - "Il Bravo," with Harp and Pianoforte Accompaniments, - Miss Rowe, Miss Horn, and Signor Cutolo - Mercadante . . .
"SIGNOR CUTOLO'S CONCERT", The South Australian Advertiser (16 June 1859), 2
http://nla.gov.au/nla.news-article794158
. . . We have to express our obligations to Signor Cutolo for having introduced to our notice Miss Bryan, a young lady who promises to be a great accession to the musical resources of South Australia. Possessed of a voice of great richness and of considerable power . . . she won the good favour of her audience . . . But while we were agreeably surprised and much gratified with Miss Bryan we must not forget Miss Rowe, who sang very sweetly "I strive to forget thee," and rendered "Il Brave," [sic] one of Mercandante's gems, with great distinctness. Her voice was also very clearly and sweetly heard in the trio with Mr. Daniel and Miss Bryan, as well as in Mendelssohn's quartette, "First Spring Day," which was sung without musical accompaniment of any sort, and was warmly encored . . .
ASSOCIATIONS: Jane Elizabeth Bryan (vocalist)
"SIGNOR CUTOLO'S CONCERT", South Australian Register (9 November 1859), 3
http://nla.gov.au/nla.news-article49830288
After an interval of nearly five months Signor Cutolo gave the public another opportunity on Tuesday evening last of listening to an excellent selection of the classic compositions of some of the great masters of an art in which the Signor himefelf is no mean proficient. The concert was extremely well attended . . . Mrs. Peryman and Miss Rowe also were very effective, both in the quintette from "Oberon," "Spirits advance," and in several glees, &c., in which they took parts . . . The entertainment was concluded with "The Song of the Volunteers," written by Mr. Smith, Inspector of Schools, and composed by Signor Cutolo. Miss Rowe presided at the piano: the air was sung alternately to the several verses by the Signor, Miss Bryan, Mr. Daniel, and Mrs. Peryman. In the chorus "the whole strength of the company" united, including several gentlemen who had kindly volunteered their services. The song is remarkable for its fire and spirit, and drew down a complete furor of applause. The last verse was repeated in full chorus . . .
ASSOCIATIONS: Mrs. Peryman = formerly Caroline Tozer (vocalist)
"GAWLER INSTITUTE", South Australian Register (14 December 1859), 3
http://nla.gov.au/nla.news-article49826768
The concert given at the Oddfellows' Hall, Gawler Town, on Monday evening last, in celebration of the second anniversary of the Gawler Institute, was a great success . . . The orchestral arrangements were under the direction or Herr Linger, who also presided at the piano . . . The performances commenced with an overture by Adam . . . Miss Rowe followed with a very pretty ballad, "I've loved thee long," which she sung with considerable effect, and which was further heightened by the introduction of a tastefully executed cadenza. The young and accomplished vocalist was warmly applauded . . . The first part of the entertainment was concluded with "The Song of Australia." Lithographed copies of the words and music had been presented to each person in the hall at the commencement of the concert, but the audience were scarcely prepared for the musical treat which its performance presented. Herr Linger, being himself the composer of the air, and having the arrangements of the concert under his control, appears to have determined to add to his fame as a contrapuntist on the occasion. The song was accordingly arranged and sung as follows: - Verse 1, soprano solo, by Miss Rowe; verses 2 and 4, quartette, by Miss Rowe, Mrs. Perryman, Mr. Oehlman, and Mr. Daniel; verse 3, tenor solo, by Mr. Oehlman; and verse 5, in chorus, with full band accompaniment. The effect was inspiring. The audience frequently gave indications of this during the performance of the song; and at its close their suppressed feelings broke forth in the most vehement applause. Nothing short of a repetition of the whole would satisfy them. At a later period in the evening the air was presented to the audience under other forms, as arranged by Herr Linger. These were a fantasia for the pianoforte, which was executed by Miss Rowe in as brilliant a style as could possibly be expected, seeing that the instrument was a cottage piano of second-rate tone, and which was evidently out of tune; and a somewhat novel arrangement for the full band of the national airs of various countries . . .
ASSOCIATIONS: The occasion of the first public performance of The song of Australia (Linger); Hermann Oelmann (vocalist)
"GRAND CONCERT AT THE GAWLER INSTITUTE", The South Australian Advertiser (14 December 1859), 3
http://nla.gov.au/nla.news-article1200209
. . . Miss Rowe performed a fantasia of the "Song of Australia," composed by Herr Linger. This, seemed to meet the popular taste, and was very warmly approved by the audience. As a musical composition it may claim almost greater merit than the original air itself. Miss Rowe played it very well, and accomplished the rapid passages with a degree of execution very few ladies possess . . .
"TRINITY CHURCH", South Australian Register (27 December 1859), 3
http://nla.gov.au/nla.news-article49825301
Considerable sensation was occasioned in Trinity Church on Christmas evening by the sudden illness of Miss Rowe, the well-known organist. The young lady had exerted herself during the day in an unusual decree, having sung in the course of the morning service a very beautiful solo called, we believe, "Christmas Chimes," and having in the evening led the solemn and appropriate anthem "Lord of all power and might." During both services the church was much crowded, and several persons were compelled to retire from a sensation of faintness. The heat in the organ-gallery was, no doubt, still greater than in the lower part of the church, and this, probably, combined with extra exertion, produced the effect we have mentioned. Miss Rowe was carefully attended by both her parents who were present in the church, and was almost immediately removed into the Deanery. We had the satisfaction of ascertaining on Monday that she had nearly recovered from her indisposition.
"CHURCH OF ENGLAND ENDOWMENT SOCIETY", South Australian Register (13 June 1860), 3
http://nla.gov.au/nla.news-article49889841
On Monday evening the inauguration meeting of this Society was held in White's Rooms, King William-street . . . On the platform behind the speakers was a choir of singers, under the leadership of Mr. Greenwood, who presided at the harmonium . . . The choir sang an anthem from the 93rd Psalm, the leading parts being taken by Miss Rowe, Mr. Hall, and Mr. Sanderson . . .
ASSOCIATIONS: Samuel Greenwood (organist)
"YOUNG MEN'S TRINITY MUTUAL IMPROVEMENT CLASS", South Australian Register (8 November 1862), 2
http://nla.gov.au/nla.news-article50168776
The second quarterly meeting of the Young Men's Trinity Mutual Improvement Class was held on Thursday evening, November 6, at the schoolroom adjoining Trinity Church, which was filled by a most respectable company, including a large proportion of ladies . . . The Misses Rowe then sang very sweetly a duet from "Norma" . . . "Slowly and softly," sung by the Misses Rowe, and a solo from "Il Trovatore" on the piano by Miss Rowe . . .
"MARRIAGES", South Australian Register (4 June 1866), 2
http://nla.gov.au/nla.news-article41021146
PARKIN - ROWE. - On the 2nd June, at Trinity Church, by the Very Rev. Dean Farrell, John William, only son of John Parkin, Esq., J.P., Prospect Villa, Mitcham, to Louisa Jane, fifth daughter of Mr. Joseph Rowe, Hindley-street, Adelaide.
[News], The Express and Telegraph (3 November 1886), 5
http://nla.gov.au/nla.news-article208496112
The last of the series of concerts under the auspices of the Glenelg Literary Society was given in the local Congregational lecture-hall on Tuesday evening to a good audience. An excellent programme opened with an organ and piano duet, "Nocturne," by Messrs. H. S. Richards and W. T. Stacy, which was followed by a song, "Evening echoes," by Mrs. John W. Parkin, with violin obligato by Herr A. Schrader, which narrowly escaped an encore . . . Mrs. Parkin in her second appearance sang "Meyerbeer's "Mercy for me" very correctly . . .
"DEATHS", The Advertiser (2 December 1919), 6
http://nla.gov.au/nla.news-article5646816
PARKIN. - On the 29th November at No. 25, Fourth Avenue, East Adelaide, Louisa Jane, widow of John William Parkin, aged 76 years. A colonist of 76 years.
"PERSONAL", The Advertiser (5 December 1919), 6
http://nla.gov.au/nla.news-article5647659
Mrs. Parkin died on Saturday at her residence, Fourth-avenue, St. Peters. She was 76 years of age, and was the widow of Mr. W. Parkin, and a daughter of the late Mr. Joseph Rowe, of Kent Town. Born at Port Adelaide, she was a resident of Glenelg for many years, and was married at Trinity Church, where she was organist, and at the age of 16 conducted the choral services. She was well known in musical circles in her younger days as a brilliant and accomplished musician. She left five daughters (Mrs. Charles W. Mart, Joslin; Miss Alice Parkin, St. Peters; Mrs. Percy D. Wood, Joslin; Mrs. Albert R. Day, Largs; and Mrs. S. B. Lightburn, Wayville), three sons (Messrs. A. J. H. Parkin, Fremantle; W. C. Parkin, Hawthorn; and A. E. Parkin, S. Peters), and 15 grandchildren.
"CHIT CHAT FOR WOMEN", The Advertiser (4 October 1927), 8
http://nla.gov.au/nla.news-article41339193
How curiously fascinating it is to look into the past, not so very long ago,
that it is buried in archaeological details of course, but comfortably far back enough for only old folk to be able to say, "I remember."
Some time ago I printed an old concert programme, and a correspondent writes to me as follows: -
"Dear Victoria Reynolds, - The concert you wrote about must have been a grand affair 70 years ago.
I was not, I think, quite old enough to have attended that concert,
though I have many pleasant memories of concerts in White's Assembly Rooms and other halls in the city,
and always the people, old or young, enjoyed them exceedingly.
I do not remember anything about Mon. Laglaise or Herr H. Christen.
Miss Howe was most likely a lady of that name very well known in Kapunda in later years. She was and excellent pianist.
As for the star pupil, Miss Rowe most probably she was a daughter of Mr. Rowe, who had a business place in Hindley-street.
His family and his wife were musical people.
Their third daughter, Louisa Jane, afterwards Mrs. Parkin, of Adelaide, was a very fine singer and pianist.
She was afterwards a pupil of Herr Linger, a most excellent teacher of the piano and the composer of the "Song of Australia."
She might have been too young to sing at this concert.
If so, it would be an elder sister, but most probably it was the young lady I have mentioned.
She had great ability, and was well taught, and was Herr Linger's best pupil.
The music taught to young pupils was very bright and cheerful in those days, as can be seen by looking through the old books.
This concert must have been a very bright particular one, quite an event in Adelaide.
It is nice to read the names of so many old Adelaideans, some of them very well remembered by this Old Adelaidean. -
Yours very sincerely,
M.J.L., Westbourne Park.
ASSOCIATIONS: For the "old concert programme" see "The Woman's World", The Advertiser (20 September 1927), 10
http://nla.gov.au/nla.news-article41335130
"OLD PUPIL OF CARL LINGER. Legacy Of Life-Long Love Of Music", The Advertiser (16 March 1936), 20
http://nla.gov.au/nla.news-article35416218
. . . Mrs. Cross is a member of a well-known Adelaide family, her father being Robert Stuckey, of Palmer place, North Adelaide. She modestly attempts to correct the idea that she, as Bessie Stuckey, was Linger's best pupil, saying that Mrs. John Parkin (nee Rowe) should have the honor . . .
ROWE, George Curtis Fawcett (George Curtis Fawcett ROWE) performed as George FAWCETT
Actor, vocalist, entertainer, artist
ROWE, Thomas Wright Fawcett (Thomas Wright Fawcett ROWE) performed as Tom FAWCETT
Actor, entertainer
ROWE, Sanford (Sanford ROWE) performed as Sanford FAWCETT
Actor, agent
ROWE, Joseph Andrew (Joseph Andrew ROWE; Mr. J. A. ROWE)
Circus proprietor, concert promoter
Born North Carolina, USA, 1819
Arrived (1) Melbourne, VIC, 10 May 1852 (per General Worth, from San Francisco, via Auckland, NZ)
Departed (1) Melbourne, VIC, February 1854
Arrived (2) Sydney, NSW, 27 April 1858 (per Leveret, from San Francisco, via Auckland 15 April)
Departed (2) Melbourne, VIC, after August 1859
Died San Francisco, CA, USA, 5 November 1887
https://trove.nla.gov.au/search?l-publictag=Joseph+Andrew+Rowe+1819-1887 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROWE-Joseph-Andrew (shareable link to this entry)
ASSOCIATIONS: Rowe's American Circus (Melbourne)
"Ye people of Australia proceedynge to enjoie themselves at Mister Rowe his circus", from a drawing by Samuel Thomas Gill, 1852; lithograph by Campbell & Fergusson; National Museum of Australia
http://collections.anmm.gov.au/objects/163206
ASSOCIATIONS: Samuel Thomas Gill (artist); Campbell & Fergusson (lithographers)
Summary:
In 1849, Rowe took the first circus ever to appear in San Francisco. Sailing from there via Auckland, NZ, he arrived in Melbourne, VIC, with his company on 10 May 1852, and on 28 June opened his circus on the corner of Lonsdale and Stephen (Exhibition) streets. Rowe left Melbourne in February 1854 to return to San Francisco, leaving the circus in the care of his wife, Eliza, but intending to return with new talent. Having meanwhile advise Eliza by letter that he was too ill to make the return voyage, in October 1854, however, she announced that the circus was closing. Simultaneously, Rowe himself was reported to have arrived back in Sydney from San Francisco, though since there is no other record of him being in Australia at this time, it may be that the local press merely reprinted an outdated passenger manifest.
Rowe did, however, return to Australia in 1858, staying on in Melbourne until as late as August 1859, when he was again reported to be in ill-health, and this time also in financial difficulty.
Documentation:
"SCENES IN CALIFORNIA", South Australian [Adelaide, SA] (26 July 1850), 4
http://nla.gov.au/nla.news-article71626790
We quote a brief passage from a letter just received from California, on the gambling and amusements at San Francisco. - "Mr. J. A. Rowe commenced operations last night with a circus company of very fair material, and took in the very snug sum of £3,000 dollars [sic] - a pretty good beginning. There are two or three sets of serenaders in the city who nightly lament the fate of Rosa Lee, inform the public that they have just arrived from Alabama, or request, in the most earnest manner, to be carried back to old Virginny . . .
[Advertisement], New Zealander [Auckland, NZ] (27 March 1852), 2
https://paperspast.natlib.govt.nz/newspapers/NZ18520327.2.6.1
ROWE'S OLYMPIC CIRCUS . . . MONDAY, MARCH 29, 1852 . . .
"SHIPPING INTELLIGENCE. ARRIVED", The Argus (13 May 1852), 4
http://nla.gov.au/nla.news-article4785032
May 12. - General Worth, brig, 200 tons, J. Lacey, master, from Auckland 22nd ult. Passengers, cabin - Mr. and Mrs. Rowe, and servant, Mrs. Lacey, child, and servant, Master Raphael, Messrs. Bell, Yeamans, Boscott, Stevens, Fuller, Withers, Mrs. Banks, and twenty-six in the steerage. David Moore, agent.
"NOVEL IMPORTATION", The Argus (14 May 1852), 3
http://nla.gov.au/nla.news-article4785057
By the General Worth, which arrived from Auckland on Monday night, her owner, Mr. Rowe, has brought with him a splendid stud of American horses together with an equestrian troupe, both male and female, who have been performing with great success at San Francisco, Tahiti, Honolulu, and Auckland. His intentions we believe, are at present to apply for a license for the same purpose in Melbourne . . .
[Advertisement], The Argus (9 June 1854), 8
http://nla.gov.au/nla.news-article4809174
ROWE'S CIRCUS. Saturday Evening. Concert Extraordinary!
A Band of seven eminent Italian performers on various Instruments,
aided by all the professional talent in the colony, will give a Concert at Rowe's Circus, on Saturday evening.
The new band has associated itself with the Fire Brigade, the members of which will attend on the occasion.
For further particulars see small bills and advertisements to-morrow.
[Advertisement], The Argus (28 June 1852), 5
http://nla.gov.au/nla.news-article4786101
ROWE'S AMERICAN CIRCUS, Corner of Lonsdale and Stephen Streets . . .
In order to render the performance more entertaining, the Saxe Horn Band of Mr. Hore has been engaged at a considerable expence . . .
"THE NEW CIRCUS", The Argus (29 June 1852), 3
http://nla.gov.au/nla.news-article4786104
Last night Mr. Rowe opened his new Amphitheatre . . . At 7 o'clock, the doors were opened, and in a few minutes the house was completely crammed - not less, at a moderate computation, than 1,500 persons having found admission, many hundreds less fortunate being obliged to return to their several homes . . . At the hour appointed the performance commenced with "A Grand Star and Waltz Entree," in which six of Mr. Rowe's splendid stud made their debut in this Colony . . . Mr. Hore's brass band contributed much to the completeness of the entertainment . . .
ASSOCIATIONS: Joseph Hore and family (musicians)
[Advertisement], The Argus (12 November 1853), 8
http://nla.gov.au/nla.news-article4799383
ROWE'S AMERICAN CIRCUS.
Grand Promenade Concert, Saturday Evening, 12th November, 1853.
Under the direction of Mr. Alfred Oakey.
In announcing to the inhabitants of Melbourne the first of a series of Saturday Evening Promenade Concerts,
Mr. Rowe begs to state that he feels great confidence in submitting the Evening's Entertainments to his patrons;
as a proof that he has spared no expense to provide for them as unsurpassed entertainment of its kind.
His desire to please all and to maintain the rich reputation of his establishment has induced him to avail himself, at whatever cost, of all the available talent of the first order which the colony can produce.
The names of several new debutantes will be seen among the list of performers, both vocal and instrumental.
Arrangements have been made, and are in progress, for the appearance of popular professionals from other countries, who will appear from time to time as the Concerts progress.
Among the other provisions which Mr. Rowe has made for the efficiency and excellence of these Concerts, he has erected a very large and elegant stage and Orchestra,
which extends to the centre of the arena, and is richly decorated and furnished with satin drapery, and brilliantly illuminated with Chandelier and other lights.
He has also procured for use at these Concerts the best tuned and most valuable grand Pianoforte which could be obtained in Australia.
In fine, every arrangement is and shall be of a character which shall merit and receive the kind approval of the visitors to the Promenade Concerts at Rowe's American Circus.
The Monster Band
will embrace all the available talent in Melbourne, assisted by several members of the Band of the 99th Regiment.
VOCALISTS : -
Miss Hartland, her first appearances.
Mr. Walsh
Mr. Forster (his first appearance)
Herr Rahm and Herr Gross.
INSTRUMENTAL ARTISTS : -
Grand Pianoforte - Mr. Alfred Oakey.
Violin Primo - M. Tucker and Mr. Peck.
Violin Secondo - Mr. Howson and Mr. Mathers.
Viol - Mr. Boullimeir.
Violoncello - Mr J. Chapman.
Contra Bass - Mr Tranter and Mr. Chate.
Flute - Mr. Hill and Mr. Thatcher.
Cornet Primo and Saxe Clavicore - Mr. P. C. Burke.
Saxe Horn - Mr. Hore and Sons.
Clarionet Primo - Mr. R. Martin.
Clarionet Secondo - Mr. J. Bull.
Ophecleide - Mr. Wigney.
Trombone - Mr. Freeman.
Tambour and Triangle - Mr. Sharp.
Gran Cassa Cymbals - Mr. Shottan.
Leader, Mr. Edward Tucker.
Conductor - Mr. Alfred Oakey.
[manicule] Madame Sara Flower is hourly expected.
For further particulars see small bills.
Doors open at a quarter past seven. Concert to commence at eight o'clock sharp.
Prices as Usual.
"MR. ROWE", The Banner [Melbourne, VIC] (7 February 1854), 9
http://nla.gov.au/nla.news-article179811707
This gentleman takes his leave of Victoria for a season sometime during next week, as, we understand, resolved upon a visit to America, with a view of enlisting Transatlantic talent. The performances, however, at the Circus, will be maintained with vigour, and the management devolves on Mrs. Rowe, assisted by the practical experience of Mr. Thomas Nunn.
"SHIPPING. ARRIVALS", The Sydney Morning Herald (12 October 1854), 4
http://nla.gov.au/nla.news-article12956720
OCTOBER 11. - M. A. Jones, American brig, 225 tons, Captain K. J. Barnet, from San Francisco August 1, Passengers . . . Miss Laura Keane [sic] . . . Messrs. J. A. Rowe, Edwin Booth . . .
ASSOCIATIONS: Laura Keene (actor); Edwin Booth (actor)
"SHIPPING INTELLIGENCE", The Argus (16 October 1854), 4
http://nla.gov.au/nla.news-article4799016
The M. A. Jones, from California, arrived at Sydney on the 11th instant, having on board as passengers for Melbourne, Mr. Rowe of the circus, and a troupe or artistes of celebrity in San Francisco and the United States.
"MELBOURNE (From our own Correspondent), Saturday, October 14", Geelong Advertiser and Intelligencer (17 October 1854), 4
http://nla.gov.au/nla.news-article91858682
An address by Mrs. Rowe, wife of Mr. Rowe, proprietor of the well-known place of amusement, Rowe's Circus, to the inhabitants of Melbourne, announces, after a most fortunate career of two years and a half, the final closing of that establishment. From a letter Mrs. Rowe has received it appears that her husband, who left Melbourne for California in February last, has been so indisposed that it is not deemed advisable that he should incur a sea voyage, and being consequently prevented from giving personal attendance to his establishment here has requested it to be broken up and sold. The career of Mr. Rowe, as proprietor of the circus, has been a most successful one, and cannot have realised less than £30,000 or £40,000. It is but justice to Mr. Rowe to state that he has been ever willing to lend a helping hand to any and every charitable institution connected with our city . . .
[Advertisement], The Argus (16 October 1854), 8
http://nla.gov.au/nla.news-article4798999
ROWE'S CIRCUS. Sole Proprietor, Mr. J. A. Rowe . . . Positively the last week. Joseph A. Rowe, Esq., the Proprietor, by his wife Mrs. Eliza Rowe, and by his attorney, in fact, and manager, Mr. Luther Bell, begs most respectfully to inform his many kind patrons in and about Melbourne, that after Friday next, the 20th October, the above popular establishment will be closed, for reasons which will appear at large in advertisements in the daily newspapers . . .
"Port of Auckland. SHIPPING INTELLIGENCE", New Zealander (27 March 1858), 2
https://paperspast.natlib.govt.nz/newspapers/NZ18580327.2.3
26 - Leveret, brigantine, 147, W. A. Benedict, from San Francisco and Honolulu with 5 horses, 2 ponies, 5 dogs, and furniture and fittings for a large circus - Passengers - Mr. and Mrs. J. A. Rowe . . .
[Ship news], The Sydney Morning Herald (27 April 1858), 4
http://nla.gov.au/nla.news-article13009287
The Leveret left San Francisco on the 1st January, touched at Honolulu on the 9th February, and, lastly, at Auckland, whence she sailed on the 15th instant. She has brought up Messrs. Rowe and Marshall's well-known circus troupe, with a splendid stud of eight horses. Mr. Rowe has already been before the Sydney public, while the joint proprietor, Mr. Marshall, has earned an enviable reputation in the United States as an equestrian of first rate ability. The company include the celebrated Mr. Hernandez, lately from England.
"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (21 June 1858), 5
http://nla.gov.au/nla.news-article154855507
Mr. Rowe, the former proprietor of Rowe's Circus, on the spot where the Olympic now stands, has returned via Sydney from a lengthened visit to California, and intends in a few days to exhibit his fine stud of horses and talented troupe in Melbourne. Among his company are Mons. Fernandez, of America, and Mons. Raphael. He has also secured the services of Mr. E. Totten, formerly agent of Rainer's Serenaders.
ASSOCIATIONS: Elbert Totten (agent); Rainer's Serenaders (minstrel troupe)
"THE HIPPODROME", The Age (12 August 1859), 5
http://nla.gov.au/nla.news-article154826163
In our last issue we briefly adverted to the cruelties that had been inflicted on Mr. Rowe, lately the proprietor of the Hippodrome in Lonsdale street, by a person who had been connected with the establishment . . . Mr. Rowe has been be long and so deservedly respected, his merits so fully appreciated, his misfortunes so sincerely regretted, and his honorable perseverance so well understood . . . Mr. Rowe took a benefit on Monday evening, at which all the company, except Mr. Worrell, gave their services, and malice was carried to such an extent, that Mr. Rowe was not allowed to sell his own tickets at the door. Mr. Rowe is without resources, in ill health, and deprived of his only means of living. We trust, therefore, he will find friends, and this time real friends, in the hour of need . . . - Collingwood Observer.
Bibliography and resources:
Albert Dressler (ed.), California's pioneer circus: Joseph Andrew Rowe, founder; memoirs and personal correspondence relative to the circus business through the gold country in the 50's (San Francisco: Printed by H. S. Crocker Co., 1926)
https://archive.org/details/californiaspione00unse/page/n7/mode/2up (DIGITISED)
Mark St. Leon, "Circus", eMelbourne
http://www.emelbourne.net.au/biogs/EM00348b.htm
"Joseph Andrew Rowe", Wikipedia
https://en.wikipedia.org/wiki/Joseph_Andrew_Rowe
Guide to the Joseph Andrew Rowe Papers, 1857-1861; California State Library
https://oac.cdlib.org/findaid/ark:/13030/tf1s2001c6
ROYAL, Creed (James Cread RYALL [sic]; James Creed ROYAL; Mr. Creed ROYAL, Mr. ROYAL)
Musician, flautist, flute player, composer
Born Weymouth, Dorset, England, 1807; baptised Wyke Regis church, 9 August 1807; son of James RYALL [sic] (d. 1846) and Sarah DEEPROSE (d. 1852)
Married (2) Mary SAYER, parish church, Cheltenham, England, 21 September 1840
Arrived Australia, 1853
Married (3) Frances JOHNSTONE, VIC, 1860
Died Fitzroy, VIC, 15 March 1876, in his 68th year
https://trove.nla.gov.au/search?l-publictag=Creed+Royal+1807-1876 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROYAL-Creed (shareable link to this entry)
ASSOCIATIONS: John James Ryall senior (elder brother)
ROYAL, Mary (Mary SAYER; Mrs. James Creed ROYAL (2); Mrs. Creed ROYAL)
Musician, contralto vocalist, dancer, teacher of music, singing, and dancing
Born Gloucestershire, England, c. 1822; daughter of John SAYER and Sarah BUTT
Married James Creed ROYAL, parish church, Cheltenham, England, 21 September 1840
Arrived Australia, 1853
Died Collingwood, VIC, 2 August 1856, aged "34"
https://trove.nla.gov.au/search?l-publictag=Mary+Sayer+Royal+d1856 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROYAL-Mary (shareable link to this entry)
ASSOCIATIONS: William Francis Sayer (younger brother)
ROYAL, Frances (Frances JOHNSTONE; Mrs. James Creed ROYAL (2); Mrs. Creed ROYAL)
Pianist
Married James Creed ROYAL, VIC, 1860
ROYAL, Eliza (Eliza ROYAL; Miss ROYAL; Miss Creed ROYAL, Miss Lizzie ROYAL; Elise; [1] Mrs. Thomas Wright ROWE; [2] Mrs. Daniel O'HARA)
Musician, vocalist, actor
Born Cheltenham, Gloucestershire, England, c. 1843; daughter of Creed ROYAL and Mary SAYER
Married (1) Thomas Wright Fawcett ROWE (1838-1870), New Zealand, 1864
Married (2) Daniel Briggs O'HARA (c. 1834-1900), Rockhampton, QLD, 1873
Died Rockhampton, QLD, 2 May 1876, aged "31" [sic]
https://trove.nla.gov.au/search?l-publictag=Lizzie+Royal+c1843-1876 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROYAL-Lizzie (shareable link to this entry)
ASSOCIATIONS: George Fawcett Rowe (brother-in-law)
ROYAL, Kate (Kate ROYAL; Miss Kate Creed ROYAL; Miss Kate ROYAL; Mrs. MORTON, comtesse DE LA CHAPELLE)
Musician, vocalist, actor
Born Brighton, Sussex, England, 20 January 1844; daughter of Creed ROYAL and Mary SAYER
Married Jean Joseph Xavier Alfred de MORTON comte DE LA CHAPELLE, 1830-1914), ? after April 1863
Died Paris, France, 8 April 1878
https://trove.nla.gov.au/search?l-publictag=Kate+Royal+1844-1878 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROYAL-Kate (shareable link to this entry)
ROYAL, Bessie (Bessie ROYAL; Miss Bessie Creed ROYAL)
Musician, vocalist, pianist, teacher of singing
Born Cheltenham, Gloucestershire, England, 1852 (3rd quarter); daughter of Creed ROYAL and Mary SAYER
Active Australia, by 1869, and until c. 1890
Committed to Fairfield Asylum, VIC, 26 September 1901, "actress" age "50"
Committed Ararat Asylum, VIC, 3 June 1902
Died Ararat Asylum, VIC, March 1930, aged "78" ("epithelioma", inquest 7 March)
https://trove.nla.gov.au/search?l-publictag=Bessie+Royal+1852-1930 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#ROYAL-Bessie (shareable link to this entry)
ROYAL, Harry Creed (Harry Creed ROYAL)
Piano tuner
Born Geelong, VIC, 1854; son of Creed ROYAL and Mary SAYER
Creed Royal; sketch by Gordon McCrae; National Library of Australia
http://nla.gov.au/nla.obj-139351803
ASSOCIATIONS: George Gordon McCrae (artist)
Summary:
James Creed Royal (originally Ryall) was born in Dorset in 1807, a son of James Ryall [sic], a musician, and his wife Sarah Deeprose; John James Ryall senior (below) was his elder brother.
Reportedly a pupil of Charles Nicholson, he is first on record appearing professionally in a concert for Henry Blagrove in Windsor in 1835, aged about 18. In 1839, he was in London, playing in the orchestra of the Lyceum Theatre, but the following year he settled in Cheltenham, where, on 21 September 1840, he married Mary Sayer, daughter of John Sayer, a local cook and caterer, and his wife Sarah Butt.
In 1842, the couple were in Brighton, where Royal was playing in the band of Theatre Royal, along with his future Australian colleague, the violinist Bream Thom. They next moved, by 1845, to Manchester, where Royal set up as a freelance teacher and dance band leader. By his own account, he played under Mendelssohn in the August 1846 premiere of Elijah in Birmingham. Having previously performed for Michael Balfe in Brighton, in summer 1847 Balfe engaged him as solo flute player for Jenny Lind's provincial tour.
Mary Royal made her debut as a public singer in Manchester in 1851.
On 1 September 1852, a family party of emigrants, consisting of Sayer siblings, left Liverpool on the Covenanter, bound for Melbourne. Creed and Mary Royal and three daughters were among the party, also three of Mary's brothers, including William Francis Sayer, also a musician, as well as Harriet Sayer (d. VIC, 1859) and her husband Louis Maillard (d. VIC, 1854) and their children.
The Royals first appeared in the Melbourne Thursday concerts in January 1853, before settling in Geelong, where Creed joined the orchestra of the Theatre Royal, then under the management of George Coppin, and where his former Brighton colleague, Bream Thom, was leader.
In Geelong in January 1854, Royal advertised several of his own compositions for sale, all apparently published in some printed from, but of which none are known to survive:
The Ben Bolt quadrilles, dedicated to the Ladies of Geelong, by Creed Royal, has arrived at last - now publishing.
The Corio waltzes, dedicated to Mrs. J. B. Hutton.
The Lunan Schottische, dedicated to Miss Strachan.
The Hermitage Scottische, dedicated to Miss Armytage.
The St. Helena Polka, dedicated to Mrs. Dr. Hickson, by Creed Royal.
In Melbourne in February 1857, a Splendid NEW SCHOTTISCHE ("Patronised by Lady Barkley"), also composed by him, was published by George Chapman, but again no copy has been identified. This leaves his The Governor Musgrave schottische, which appeared in Adelaide in October 1873 as his only known surviving composition.
Documentation:
Baptisms solemnized in the parish of Wyke Regis, Dorset, 1807, page 37; Dorset History Centre
https://www.ancestry.com.au/imageviewer/collections/2243/images/32435_239745-00542 (PAYWALL)
Ryall / James Creed / Son of James & Sarah / . . . christened on the 9th Day of August 1807 . . .
[Advertisement], Windsor and Eton Express [England] (24 October 1835), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000413/18351024/013/0001 (PAYWALL)
A GRAND CONCERT . . . WINDSOR, WEDNESDAY, October 28th . . .
Leader - Mr. H. BLAGROVE, (Violinist to her Majesty) . . .
Flute - Mr. Royal; Clarionet - Mr. Pickworth; Horns - Messrs. Catchpole and Stock; Bassoon - Mr. Snelling.
ASSOCIATIONS: Henry Blagrove (violin)
[Advertisement], Morning Post [London] (10 April 1839), 6
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18390410/020/0006 (PAYWALL)
THEATRE ROYAL, LYCEUM . . . PROMENADE CONCERTS A LA MUSARD.
Programme. - Overture, Fra Diavolo, Auber; Solo on the flute by Mr. Royal . . .
1840, marriage solemnized at the Parish Church in the Parish of Cheltenham in the County of Gloucester; Gloucestershire Archives
https://www.ancestry.com.au/imageviewer/collections/5156/images/43138_636897_2200-00192 (PAYWALL
No. 239 / Sept'r 21 1840 / James Royal / of full age / Widower / Musician / Cheltenham / [father] James Royal / Musician
Mary Sayer / Minor / Spinster / - / Cheltenham / [father] John Sayer / Cook . . .
[Advertisement], Cheltenham Examiner (18 November 1840), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002212/18401118/042/0003 (PAYWALL)
FASHIONABLE AMUSEMENTS. SIGNORI MARRAS & BORRANI'S CONCERT . . .
Mr. Royal, who has become a resident here, will perform two Fantasias on the flute,
and the whole is to be conducted by Pio Cianchettini . . .
"CONCERT", Cheltenham Examiner (7 April 1841), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002212/18410407/022/0003 (PAYWALL)
Mr. Royal's Concert took place at the Literary and Philosophical Rooms, on Thursday evening last, and our anticipations of its excellence were fully realized. Mr. R.'s fantasia on the flute was one of the most brilliant we have ever witnessed, - and of Uglow's violin performance, we cannot speak too highly. Our old friend, Sapio, acquitted himself in his usual style, and in the "Blighted Flour" was greeted with cordial encore. The gem of the evening, in our opinion, was Bishop's "Mocking Bird," sung by Miss Davis with great taste and sweetness. This young lady has only to acquit herself generally with equal credit to become a deserved favourite. Mr. Royal's flute obligato was excellent. Cianchettini presided at the piano forte with his accustomed eclat.
ASSOCIATIONS: Pio Cianchettini (pianist, conductor)
England census, 6 June 1841, Cheltenham, Gloucestershire; UK National Archives, HO 107 / 353 / 6
https://www.ancestry.com.au/imageviewer/collections/8978/images/GLSHO107_353_353-0819 (PAYWALL)
[Beaufort Building] / John Sayer / 50 / [not born in county]
Sarah Sayer / 40 / [born in county]
William [Sayer] / 13 / [born in county]
James Butt / 75 / Ind. / [not born in county]
James Royal / 30 / Musician / [not born in county]
Mary [Royal] / 20 / - / [born in county]
[Advertisement], Brighton Gazette [England] (18 August 1842), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000938/18420818/035/0002 (PAYWALL)
MISS ADELAIDE KEMBLE'S FAREWELL CONCERTS AT BRIGHTON AND WORTHING.
AT BRIGHTON . . . at the TOWN HALL, WEDNESDAY MORNING, 31st . . .
AT WORTHING, at the STEYNE HOTEL ROOM, on WEDNESDAY EVENING, August 31st . . .
VOCAL PERFORMERS . . . MISS RAINFORTH, MR. BALFE and MR. WEISS.
INSTRUMENTAL - Piano, MADAME DULCKEN . . . Concertina and Melophonic Guitar, SIGNOR GIULIO REGONDI;
Violin, MR. THOM. Flute, MR. CREED ROYAL, Pupil of the late Mr. Nicholson. Conductor, MR. BALFE . . .
ASSOCIATIONS: Adelaide Kemble (vocalist); Michael Balfe (pianist); Guilio Regondi (musician); Louise Dulcken (piano); Bream Thom (violin); Charles Nicholson (flautist, teacher)
"BENCH OF MAGISTRATES. TOWN HALL, BRIGHTON . . . NOVEMBER 17", Brighton Gazette [England] (24 November 1842), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000938/18421124/040/0003 (PAYWALL)
THOMAS ODDY, keeper of beer-shop the Western Road, was charged with assault on the wife of Mr. James Creed Royal, a musician, at the Theatre . . . From the evidence it appeared that Mr. Royal was lodging at Mr. Oddy's, on an agreement to pay weekly rent and 3s. a week for firing. On Monday night, at twelve o'clock, Mr. Oddy entered the apartment where Mrs. Royal and her child were sitting, and complaining that the fire was too large, proceeded to stir it out. Mrs. Royal interfered, on which Oddy abused and struck her. On her husband coming home at one o'clock from the Theatre, Mr. Oddy offered to fight him, and Mrs. Royal getting between him and her husband, to prevent mischief, Mr. Oddy struck her a violent blow, which would have knocked her down, had her husband not caught her. The defendant having cross-examined Mr. and Mrs. Royal, without eliciting any thing except that had promised to provide them a latch-key, in order prevent the necessity of his sitting up for them, and that he had not performed his promise, was fined £3, including costs.
[Advertisement], Manchester Courier and Lancashire General Advertiser [England] (12 July 1845), 1
MR. ROYAL, Professor of the Flute, Piano-Forte, and Singing, 26, Faulkner street. -
A FLUTE CLASS for the Practice of Quartetts, Trios, &c. - Terms moderate.
[Advertisement], Manchester Times [England] (12 December 1846), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000083/18461212/001/0001 (PAYWALL)
CREED ROYAL, Professor of the Flute and Piano Forte,
REMOVED to 21, Downing-street, Ardwick.
Bands provided for Quadrille parties.
[Advertisement], Coventry Herald (13 August 1847), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000384/18470813/021/0001 (PAYWALL)
TOWN HALL, BIRMINGHAM. FIRST APPEARANCE IN BIRMINGHAM OF MADEMOISELLE JENNY LIND,
IN A MISCELLANEOUS CONCERT, ON THURSDAY, AUGUST 26, 1847.
PRINCIPAL PERFORMERS - MADEMOISELLE JENNY LIND, MADAME SOLARI, SIGNOR GARDONI, AND SIGNOR F. LABLACHE.
MR. BALFE WILL PRESIDE AT THE GRAND PIANO FORTE.
PROGRAMME. PART I . . . Solo, Flute - Mr. Royal - Nicholson . . .
[News], Aris's Birmingham Gazette (30 August 1847), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000196/18470830/011/0003 (PAYWALL)
The long-expected Concert in which Mademoiselle Jenny Lind appeared for the first time in this town, took place in the Town Hall on the evening of Thursday last . . . after a few notes of prelude on the piano-forte, she commenced to sing the celebrated "Casta Diva," from Norma . . . This was succeeded by a solo on the flute from Mr. Royal, introducing the air of "Auld Robin Gray," played with fine execution and excellent taste . . .
ASSOCIATIONS: Jenny Lind (vocalist); Frederick Lablache (vocalist)
"GENTLEMEN'S GLEE CLUB", Manchester Courier and Lancashire General Advertiser (6 November 1847), 5
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000206/18471106/021/0005 (PAYWALL)
The press of other important matter compels us to be very short in our notice of this very agreeable meeting, at the Albion Hotel, on Thursday. The glees were sung With precision and good taste, and the selection was excellent. Amongst them was a new glee, presented in M.S. the society by the composer, T. Cooke, entitled "The Four Winds;" a beautiful composition for alto, two tenors, and bass voice. After supper, Mr. Creed Royal played a solo on the flute, in splendid style. This gentleman is now a resident in Manchester. The piece he played was an arrangement of his own, introducing "Auld Robin Gray" and "Malbrook," with several brilliant and grotesque variations . . .
"THE ATHENAEUM GRAND SOIREE", Manchester Courier and Lancashire General Advertiser (20 November 1847), 3
https://www.britishnewspaperarchive.co.uk/viewer/BL/0000206/18471120/004/0003 (PAYWALL)
. . . During the intellectual part of the entertainment an efficient band, under the direction of Mr. Creed Royal, flutist at the Theatre Royal, was stationed in the orchestra, and at intervals between the speeches played some favourite airs . . .
"NEWCASTLE . . . PROMENADE CONCERTS", Staffordshire Advertiser (14 July 1849), 4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000252/18490714/064/0004 (PAYWALL)
Monday and Tuesday evenings, Mr. J. Nunns gave a concert of instrumental music in the Institution Room, Newcastle, to highly respectable, though not numerous audiences . . . A fantasia composed by Richardson was brilliantly executed by Creed Royal, who is flautist of known celebrity . . .
[Advertisement], Manchester Times (11 August 1849), 8
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000502/18490811/026/0008 (PAYWALL)
WHEREAS a petition of CREED ROYAL, at present, and for twenty weeks past, residing at No. 16, Back King-street, Manchester . . . and for six months previous thereto, residing at No. 37, Peter-street, Manchester . . . in lodgings, and for eighteen months immediately previous thereto, residing at No. 30, Quay-street, Manchester . . . professor of music and musical instrument seller, an insolvent debtor . . .
"INSOLVENT DEBTORS", The jurist 13/658 (18 August 1849), 305
http://books.google.com.au/books?id=jqgDAAAAQAAJ&pg=PA305 (DIGITISED)
Who have filed their Petitions in the Court of Bankruptcy and have obtained an Interim Order for Protection from Process . . . Creed Royal, Manchester, professor of music, Aug. 24 at 1, County Court of Lancashire, at Manchester . . .
[Advertisement], Morning Post [London] (12 November 1849), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18491112/002/0001 (PAYWALL)
DIATONIC FLUTE - By Royal Letters Patent. -
This flute is acknowledged to be unrivalled in correctness of tune and brilliancy of tone,
and, although entirely new in its construction, retains the old system of fingering.
It is exclusively adopted by the following eminent solo players: - Mr. Richardson, Mr. Pratten (at M. Jullien's Concerts),
Mr. Nicholson in Leicester, Mr. Percival in Liverpool, Mr. Creed Royal in Manchester, and by Mr. Powell in Dublin, &c.
Description, with testimonials, &c., forwarded free on application to the Patentee. Manufactory, 135, Fleet-street. - A. SICCAMA, Patentee.
ASSOCIATIONS: Abel Siccama (flute maker)
"MANCHESTER . . . THE FREE TRADE HALL", The Era [London] (7 April 1850), 12
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18500407/030/0012 (PAYWALL)
Miss Shaw made a decided hit on Monday last, and established herself as a vocalist of considerable musical acquirements. We had Mr. Creed Royal as the solo flautist, and in his hands the flute discourses most eloquently. The professional talent of this gentleman ought to raise him to a higher status than the one he occupies. The attendance was so-so.
England census, 30 March 1851, Deansgate, Manchester, Lancashire; UK National Archives, HO107 / 2227
https://www.ancestry.com.au/imageviewer/collections/8860/images/30859_A008134-00177 (PAYWALL)
Peter Street / Creed Royal / Head / Mar. / 40 / Professor of Music / [born] [illegible]
Mary [Royal] / 28 // Eliza / 8 // Kate / 7 // Ellen / 4 // Frank Creed / 2 . . .
"MANCHESTER . . . MR. CREED ROYAL" The Era (20 April 1851), 11
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000053/18510420/029/0011 (PAYWALL)
An excellent attendance answered this splendid flute-player's appeal at the Free Trade Hall on Monday last, when his lady made a favourable appearance as a vocalist. Practice would make Mrs. Royal a favourite singer, and able to hold a good local position . . . Kohler's solo on the cornopean, Royal's flute solos, and Seymour's leading, and D. W. Banks's conducting, were all that a refined and cultivated ear could wish . . .
ASSOCIATIONS: Richard Wildblood Kohler (musician)
"MRS. CREED ROYAL'S CONCERT", Manchester Times (21 April 1852), 5
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000502/18520421/019/0005 (PAYWALL)
The music hall of the Albion Hotel was tolerably well filled on Monday evening, the occasion being a concert for the benefit of Mrs. Creed Royal . . . Mrs. C. Royal, the beneficiare, sang her two Songs in an unpretending manner, obtaining and encore in Loder's ballad, "He slumbers in his old arm chair," in which the rich tones of the lower range of her voice told with good effect. Miss Lucy Elton . . . has a pleasing voice . . . Mrs. C. Anthony . . . gave Bishop's "Echo song," with Mr. Royal's flute obligato, and was equally successful in that beautiful duet, "Oh Maritana," with Mr. Perring . . .
ASSOCIATIONS: James Perring (vocalist, composer)
List of passengers (assisted emigrants) per Covenanter, Liverpool, 31 August 1852; Public Record Office Victoria
https://www.ancestry.com.au/imageviewer/collections/1635/images/30796_125447__0023-01005 (PAYWALL)
Mr. Maillard / 40 / Farmer // Mrs. / 32 / Wife // Louis / 13 // Louisa / 11 / Ellen / inf't
Charles Roile [sic] / 40 / Farmer // Mrs. / 20 / Wife // Eliza / 11 // Kate / 8 // Celina / inf't
James Saier / 30 / Labourer // John [Saier] / 28 [Labourer] // William [Saier] / 25 / [Labourer]
Victoria, Australia (December 1853):
"THE CONCERT", The Argus (14 January 1853), 5
http://nla.gov.au/nla.news-article4788933
The reproduction of the Thursday evening concerts was attended with a remarkable degree of success. Besides Mrs. Testar and Mr. Gregg, we had vocal and instrumental talent, quite new to a Melbourne audience. Mr. Thom, as leader, deserves great credit for the manner in which he has got together his band at so short a notice, as well as for the masterly style in which all the instrumental performances were executed, not forgetting his own beautifully performed fantasia on the violin. Mr. Creed Royal, as a solo flautist is quite up to our idea of Richardson, and will, no doubt, be a great acquisition to our instrumental corps. Mr. Sayers is a very neat tenor singer, with a sweet voice, although perhaps with scarcely power sufficient for a crowded room. He was well received, and encored in one of his songs. Upon the whole we congratulate Messrs. Thom, Reid, and Co., upon the success attending their first attempt to cater for our music-loving people. The orchestra is first rate, both in strength and knowledge of their duties, and many of the instrumental pieces were, last night, given in a style quite worthy of an English concert-room. The room was well filled, but not one half as well as a very complete programme very creditably got through, deserved. On the next occasion we are strongly recommend our readers to make an effort to attend.
ASSOCIATIONS: Elizabeth Testar (vocalist); John Gregg (vocalist); Bream Thom (violinist, arrived November 1852); Joseph Richardson (English flautist); Thursday Concerts (Mechanics' Institution, Melbourne)
"THE WEEKLY CONCERTS", The Argus (20 January 1853), 5
http://nla.gov.au/nla.news-article4789071
Last week we had to apprise our readers that many of them had experienced a great loss
in omitting to be present at the first concert given under the auspices of the new management at the Mechanics the strength and efficiency of the band now organised,
are such as to give great perfection to the instrumental pieces, and they are now very well worth listening to, indeed.
The vocal department is, we perceive, still further strengthened this evening, by the addition of Mrs. Royal,
the lady, we presume, of the flautist who made his debut last Thursday;
and if Mrs. Royal sings one half as well as Mr. Royal plays the flute, she will be an acquisition indeed.
With a good programme, a moonlight night, and fine weather, a bumper audience may be anticipated. The programme is as follows:-
PART I. Overture - (full band) - Zauberflote.
Song - Whilst the lads of the Village, Mr. W. F. Sayer.
Ballad - By the sad sea waves, Mrs. Royal.
Grand March - (full band) - Camp of Silesia.
Canzonet - Estella - Mrs. Testar.
Grand Duet - Pianoforte and Violin - Mr. Buddee and Mr. Thom.
Duet - I've wandered in dreams, Mrs. Testar and Mr. Sayer.
PART II. Overture - Semiramide.
Grand Scena - Casta Diva from Norma, Mrs. Testar.
Solo - Flute - Mr. Royal, (on Siccama's Patent Diatonic Flute.)
Song - The Old Man's Dream, Mrs. Royal.
Ballad - My pretty Jane, Mr. W. F. Sayer.
Ballad - Should he upbraid, Mrs. Testar.
Finale - Pot Pourri, from Martha (full band).
ASSOCIATIONS: Julius Buddee (pianist, accompanist)
"THE WEEKLY CONCERTS", The Argus (2 February 1853), 5
http://nla.gov.au/nla.news-article4789418
. . . tomorrow night the usual concert is to be given, the programme containing many features of novelty . . .
Fantasia - Flute, Mr. C. Royal - Nicholson . . .
Duet - Clarionet and Flute, Mr. Johnson and Mr. C. Royal - Bishop . . .
ASSOCIATIONS: Henry Johnson (clarinet)
"MUSICAL", Geelong Advertiser and Intelligencer (14 February 1853), 1 supplement
http://nla.gov.au/nla.news-article94358889
At the Concert on Saturday Mr. Royal made a very creditable first appearance in Geelong. He is a flute player of great excellence, and his two solos were loudly encored. Mr. Thom's solos on the violin were also well received and deservedly applauded. Mrs. Fiddes had not fair scope for displaying her vocal talents, as her principal song, in the programme was without a word of explanation or apology, omitted, and the audience were, in consequence, too much out, of humour to listen complacently to the next duet in which she sung. The overture, Guy Mannering, was not very effective, no blame to the performers. Two violins, flute, tenor, tuba-basso, and piano-forte Costa himself, the prince of leaders, could not do much with. We cannot conclude this short critique without mentioning the very sweet singing of Mrs. Hancock, and the orchestral accompaniments to her songs, under Mr. Thom's leadership.
ASSOCIATIONS: Harriet Fiddes (vocalist); Mary Ellen Hancock (vocalist); George Coppin (promoter of the concert); Michael Costa (English conductor)
[Advertisement], The Argus (16 February 1853), 8
http://nla.gov.au/nla.news-article4789859
SELECT QUADRILLE ASSEMBLY, PROTESTANT HALL,
Open Monday Evening, 21st Instant, MR. DENNING, PROPRIETOR . . .
The new Quadrille Band will include Messrs. Creed Royal, Reed, W. F. Sayer, and other talented musicians . . .
ASSOCIATIONS: Cornelius Denning (dancing master)
[Advertisement], The Argus (22 February 1853), 8
http://nla.gov.au/nla.news-article4790047
MECHANICS' INSTITUTE. THURSDAY WEEKLY CONCERTS. FEB. 24TH . . .
GRAND Selections from Bellini's Opera NORMA . . .
Instrumentalists: Solo - Flute - Mr. Creed Royal.
Pianist - Mr. Coleman Jacobs . . .
ASSOCIATIONS: Coleman Jacobs (pianist)
[Advertisement], The Argus (26 February 1853), 3
http://nla.gov.au/nla.news-article4790159
ADMISSION ONE SHILLING . . . CIRCUS, Top of Bourke-street, east.
Open every Evening. Immense Success of the Grand Promenade Concerts, a la JULLIEN, every evening . . .
Conductor : Mr. J. Winterbottom, Who will perform a Solo on the Bassoon every evening . . .
Mr. Creed Royal will perform one of his celebrated Solos on the Flute, on, Wednesday next . . .
ASSOCIATIONS: John Winterbottom (conductor, bassoon); Louis Jullien (conductor, active in England)
[Advertisement], Geelong Advertiser and Intelligencer (5 March 1853), 2
http://nla.gov.au/nla.news-article94360577
MUSIC. MR. CREED ROYAL, Professor of the PIANO FORTE, FLUTE & SINGING,
begs to announce his intention of devoting his time to teaching music in the above branches.
Mr. Creed Royal has been fifteen years connected with the first concerts in London and Manchester.
Piano fortes tuned in the London style. Bellerine-street, 5 Doors below the Lord Nelson Hotel.
[Advertisement], Geelong Advertiser and Intelligencer (27 April 1853), 2
http://nla.gov.au/nla.news-article94358957
PIANO FORITES. FINE-TONED, full-sized Cottage Piano Fortes for sale at Creed Royal's Music Saloon,
Great Ryrie Street, opposite the Queen's Head Hotel.
Tuition, - Piano Forte, Flute, and Singing. Piano Fortes Tuned and Repaired.
[Advertisement], Geelong Advertiser and Intelligencer (25 June 1853), 3 supplement
http://nla.gov.au/nla.news-article94361837
THEATRE ROYAL. GRAND CONCERT, FOR THE BENEFIT OF THE SUFFERERS OF THE SHIPWRECK THE "EARL OF CHARLEMONT" . . .
"ARE WE TO BE A MUSICAL COMMUNITY", Geelong Advertiser and Intelligencer (31 August 1853), 2
http://nla.gov.au/nla.news-article86412242
There can be no doubt of a practical answer in the affirmative, if concerts continue to follow each other as they have done, and are announced to do. The people of Geelong have, until lately, been dependent upon the stray visits of talented musicians, but there is now a sufficient array of resident talent to enable us to get on respectably without them. On Saturday next, Mr. Creed Royal, who has become thoroughly domesticated here, will give his first concert, assisted by his talented family and several favorities of the public. On Monday, again, the third of the weekly concerts at the Masonic hall, will be held, with Mrs. Hancock as the chief attraction. Although we entertain the utmost liberality of feeling towards those wandering stars that shoot acrcss our atmosphere, still we think that the inhabitants of Geelong are bound to come forward with equal heartiness to gire encouragement to LOCAL TALENT, especially when that talent is quite as sterling as any that could be brought from a distance.
[Advertisement], Geelong Advertiser and Intelligencer (1 September 1853), 1 supplement
http://nla.gov.au/nla.news-article86414045
THEATRE ROYAL, GEELONG. SATURDAY EVENING, September 3.
UNDER DISTINGUISHED PATRONAGE HIS WORSHIP THE MAYOR AND BENCH OF MAGISTRATES.
MR. CREED ROYAL'S FIRST GRAND CONCERT, assisted by Mrs. Creed Royal, Miss Royal, Miss Kate Royal (their first appearance in public),
Mr. Thom, Mr. Tanner (who will perform on the wonderful and powerful "Ophleiclide"), and a good Orchestra.
Leader - Mr. Thom.
PROGRAMME: PART I. Overture - "Diavolo," Band - Auber.
Song - "The Orphan's Prayer," Mrs. Royal - Hobbs.
Ballad - "Kate O'Shane," Miss Kate Royal - Lover.
Solo - Violin - Mr. Thom - De Berriot.
Duet - "I've wandered in Dreams," Mr. and Mrs. Royal - Wade.
Ballad - "I'm a poor Shepherd Maid," Miss Royal - A. Lee.
Fantasia - Flute - Mr. Creed Royal, who will introduce an Air played with one hand on the Flute,
and accompanying himself with the other on the Piano-forte - C. Royal.
Corio Waltzes - Band - Dedicated to the Ladies of Geelong - C. Royal.
An interval of 10 minutes.
PART II. Overture - "Guillaume Tell" - Band - Rossini.
Duet - "Nelly Machree," Miss Royal and Miss Kate Royal - Fitzwilliam.
Grand Solo - Ophleiclide, Mr. Tanner - Bellini.
Song - "Woman," Mr. Royal - Phillips.
Ballad - "Kathleen Mavourneen," Mrs. Royal - Croutch.
Fantasia - Flute - "Auld Robin Gray" (by desire), Mr. C. Royal - C. Royal.
Song - "Marble Halls," Mrs. Royal - Balffe.
Solo - Violin, Mr. Thom - Paganini.
Ben Bolt Quadrilles - Band - C. Royal.
Tickets. - Reserved Boxes, 7s 6d; Boxes., 6s; Pit, 2s 6d; to be had at Mr. C. Royal's Music Mart, Gt. Ryrie-street,
and at his Music and Dancing Academy, top of Yarra-street, opposite the Scotch Church.
Doors open at half-past seven, the Concert to commence at eight precisely.
[Advertisement], Geelong Advertiser and Intelligencer (12 September 1853), 1
http://nla.gov.au/nla.news-article86413268
MR. CREED ROYAL, Professor of MUSIC, &c., &c., removed to Little Ryrie Street, West.
MRS. CREED ROYAL'S DANCING ACADEMY, removed to Little Ryrie Street, West.
[Advertisement], Geelong Advertiser and Intelligencer (16 September 1853), 1 supplement
http://nla.gov.au/nla.news-article86415269
THEATRE ROYAL, GEELONG. Saturday, September 17th, 1853. FULL MOON.
MR. CREED ROYAL'S Second GRAND CONCERT, assisted by Mrs. CREED ROYAL, Miss ROYAL, and Miss KATE ROYAL (the infant vocalist);
Miss EVANS (her first appearance in public); Mr. SAYER; Mr. THOM; and Mr. UNABINE.
PROGRAMME: PART I.
Duet. - "Nelly Machree" - Miss Royal & Miss Kate Royal
Song, - "I Love the Merry Sunshine - Miss Evans (her first appearance)
Cavatina. - "The Captive Greek Girl" - Mrs. C. Royal
Ballad. - "Molly Bawn" - Miss Royal
Duet. - From "Somnambula" - Violin and Flute - Messrs. Thom and Royal
Song. - "The Heart Bowed Down" - Mr. Sayer
Ballad. - "The Green Bushes" - Miss Kate Royal
Fantasia - Flute. - (Frist time.) - C. Royal - Mr. Creed Royal
An interval of ten minutes.
Trio. - "Well may the Keel Row" - Miss Royal, Miss Kate Royal and Mr. Royal
Song. - "The Sad Sea Waves" (by desire) - Mrs. Royal
Solo - Violin - Mr. Thom
Ballad. - "Will you Love me then as now" - Miss Evans
Ben Bolt - Mr. C. Royal (Performed by him with one hand on the Flute, the other on the Piano Forte)
Ballad. - "Nora McShane" - Mr. Sayer
Old Irish Ditty. - "Schula a Roon" - Mrs. C. Royal
Song - Grotesque. - "Ben Battle" - Mr. Royal
Tickets: Reserved Boxes, 7s 6d. Boxes, 52; Pit, 2s 6d; to be had at Mr. C. Royal's Music Mart, Great Ryrie-streert, and at the Theatre.
Door open at half-past Seven; Concert to commence at Eight precisely.
"MR. ROYAL'S CONCERT", Geelong Advertiser and Intelligencer (19 September 1853), 5
http://nla.gov.au/nla.news-article86411955
There was a rather thin attendance on Saturday night at the theatre, the Geelongites seeming to have reserved their powers of enjoyment for the festivities of the Railway week. Miss Evans made her first appearance, and promises to become an acquisition to our musical corps. Mrs. Royal was absent, from illness. The two Misses Royal were well received, and deservedly applauded. Mr. Thom's solo, from Norma, was perfect, and thoroughly appreciated by the audiences. Mr. Royal's execution on the flute was as usual - excellent; but the solo he played, albeit of his own composition, did not give scope enough to his peculiar powers as a flautist. We trust that the scant audience on this occasion will not deter Mr. Royal from again catering for the public; but, in future concerts, the public have a right to expect that all the available local talent will be concentrated. Then, and not till then, may a full house be ensured.
[Advertisement], Geelong Advertiser and Intelligencer (8 October 1853), 5
http://nla.gov.au/nla.news-article86412972
MUSIC MART, GREAT RYRIE-STREET.
MRS. CREED ROYAL'S Select Assembly, every THURSDAY Evening, at 7 o'clock.
Terms. - Gentlemen, £4 4s [sic]; Ladies, £3 3s. Tea and Coffee.
"THE DIGGINGS", Brighton Gazette [England] (3 November 1853), 7
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000938/18531103/122/0007 (PAYWALL)
A great number of letters from Brighton emigrants have lately been received here their friends . . . Mr. Henry Chate, tailor, has received a letter from his son. It appears that he has been with Winterbottom's musical corps in Sydney; and has done pretty well. They have latterly returned to Melbourne. Mr. Tucker, son of Mr. Tucker, Western Road, is the leader. He is called at Melbourne the English Paganini. Mr. Thom, who also went from Brighton, is engaged at the Theatre in Geelong. He leads the orchestra, and Mrs. Thom is engaged as an actress. Mrs. Thom took her benefit the Theatre, on July 16th, when nearly £100 was taken at the doors. Mr. Thom took his benefit the next night, and £107 was taken. The performances were Guy Mannering and a Concert. Many of our readers will doubtless remember Mr. Creed Royal, an excellent flute player. He is engaged in the same orchestra as Mr. Thom.
ASSOCIATIONS: Alfred Chate (musician); Edward Tucker (violin)
Music, Singing, &c. (Professors of)", The Geelong commercial directory and almanac for 1854 (Geelong: For the proprietors, 1854), 61-62, 165
https://books.google.com.au/books?id=8NoNAAAAQAAJ&pg=PA61
Hancock, Mrs. E. Myers-street, East
Royal, Mrs. Creed, Ryrie-street [62]
Royal, Mr. Creed do.
Thom, B, Malop-street
Swift, Mr. Yarra-street, South
ASSOCIATIONS: Mr. Swift (professor of music)
[Advertisement], Geelong Advertiser and Intelligencer (21 January 1854), 3
http://nla.gov.au/nla.news-article86415246
NEW MUSIC AND MUSICAL INSTRUMENTS FOR THE ENLIGHTENED.
MR. CREED ROYAL, Professor of Music and Music Dealer, would call the attention of the public to his newly arrived splendid stock of musical instruments,
comprising grand square and cottage Piano Fortes; harmoniums, very powerful, adapted for churches or chapels;
flutinas, accordeons, and concertinas, in great variety; musical boxes, guitars, violin, flutes, clarionets, french horns,
and trombones (a good substitute for the bell at sale rooms);
also, an elegant assortment of German dolls, in beautiful costumes.
The Ben Bolt quadrilles, dedicated to the Ladies of Geelong, by Creed Royal, has arrived at last - now publishing.
The Corio waltzes, dedicated to Mrs. J. B. Hutton.
The Lunan Schottische, dedicated to Miss Strachan.
The Hermitage Scottische, dedicated to Miss Armytage.
The St. Helena Polka, dedicated to Mrs. Dr. Hickson, by Creed Royal.
MUSIC MART, Ryrie-street, west. Piano Fortes carefully tuned and regulated.
God save the Queen!
[Advertisement], Illustrated Sydney News (15 April 1854), 8
http://nla.gov.au/nla.news-article63614188
MESSRS. H. MARSH & CO. trust that the extensive arrangements they have made with all the principal London Music Warehouses,
for the receipt of their latest publications and most approved instruments,
will ensure a continuance of the favours which they have, for the last four years, so liberally received from the Musical Public of the Australian Colonies . . .
Music sent by Post to all parts of the colony . . .
AGENTS, ETC. Melbourne - Mr. Joseph Wilkie . . . Geelong - Mr. Creed Royal.
H. MARSH & Co., 490 1/2, George-street.
ASSOCIATIONS: Henry Marsh (music and instrument importer, music publisher, Sydney); Joseph Wilkie (musicseller, Melbourne)
"THE GEELONG RIFLE CLUB BALL", Geelong Advertiser and Intelligencer (4 October 1854), 4
http://nla.gov.au/nla.news-article91859409
The members of this Club, which now musters very strong in number, and comprises many of our most respected at influential townsmen, have determined on holding a public ball, on Monday evening next, on a scale perhaps never before attempted in Geelong . . . Mr. Creed Royal, as director of the band, with Messrs. Sayers Brothers as purveyors for the refreshments, will leave little that can be desired in either of their respective departments . . .
"CATHERINE HAYES . . . THE CONCERT", Geelong Advertiser and Intelligencer (22 November 1854), 4
http://nla.gov.au/nla.news-article91858410
The large room at Hooper's has seldom displayed a gayer scene than last night, to do honor to the Swan of Erin . . . . Miss Hayes sang delightfully, and there was no want of appreciation on the part of the audience . . . Our old friend, Mr. Thom, played two short solos on the violin with his usual good taste. Mr. Saveru [sic, Lavenu] accompanied all the songs on the pianoforte in a subdued, yet brilliant manner. Mr. Creed Royal must be getting indolent; he positively played far better two years ago than he does now. As the only Geelong musician in the programme, we would it were not so, but we must be candid in our criticism.
ASSOCIATIONS: Catherine Hayes (vocalist); Lewis Henry Lavenu (pianist, accompanist)
"MUSICAL CRITICISM", Geelong Advertiser and Intelligencer (25 November 1854), 4
http://nla.gov.au/nla.news-article91861493
. . . We said that Mr. Royal did not play so well at the late concert as he was wont to do two years ago. The Spirit coincides with us. We attributed the falling off to "indolence;" the Spirit says it is from "want of practice," no very great difference. As to the praise of the Manchester Guardian, our contemporary need not have gone so far; the columns of the Geelong Advertiser have contained critiques quite as eulogistic. We have often said and still say that Mr. Royal is the best flutist in the colony . . .
[Advertisement], Geelong Advertiser and Intelligencer (21 December 1854), 1
http://nla.gov.au/nla.news-article91862197
MRS. CREED ROYAL begs to acqaint her friends and pupils,
that she has recommenced giving DANCING LESSONS, at her new and spacious rooms, in Great Myers-street,
and also, that he select Weekly Academy, will be held on, and after Thursday, December 28th. For terms, apply as above.
Mr. CREED ROYAL, Professor of Music, Pianofortes carefully tuned and regulated. Terms moderate.
"NEW INSOLVENCIES", The Argus (26 February 1855), 5
http://nla.gov.au/nla.news-article4804905
Creed Royal, of Geelong, musicseller. Debts, £549 5s. 3d.; assets, £149 10s. Causes of insolvency, depression of trade.
"POLICE COURT", Geelong Advertiser and Intelligencer (3 March 1855), 2
http://nla.gov.au/nla.news-article91858880
Catherine Hewlett, appealed to the court to obtain the sum of £5 12s., balance of wages alleged to be due to her by Mr. Creed Royal as a domestic servant. Mr. Royal explained that he entered into a verbal agreement with the complainant for 3 months; that during this period the lady had kept very irregular hours, frequently absenting herself the whole day, and not returning until eleven or twelve at night, and then by means of scaling the back window of the premises, and that he had offered the girl £5 in full to get rid of her. Mr. Royal was required to pay the complainant 5l 5s, and the agreement cancelled.
[Advertisement], Geelong Advertiser and Intelligencer (12 March 1855), 3
http://nla.gov.au/nla.news-article91860137
MRS. CREED ROYAL has the honor to announce that she will give a ball on Thursday next, at her large rooms, 28, Myers-street west.
"CONCERT", Geelong Advertiser and Intelligencer (21 March 1855), 2
http://nla.gov.au/nla.news-article91861321
This Evening Mr. Creed Royal will give a farewell concert at his rooms, Great Myers-street, on which occasion he will be assisted by Mrs. Creed Royal, the Misses Royal, and Mr. W. Sayers. As this gentleman has been long and favourable known in Geelong, we have no doubt that the entertainment will be well patronized.
"BALLARAT (FROM OUR OWN CORRESPONDENT) . . . April 27", The Age (28 April 1855), 5
http://nla.gov.au/nla.news-article154896414
The collection in favour of the Lalor Fund is progressing favorably, and a benefit at the Adelphi Theatre has been volunteered for the gallant citizen soldier, whose arm, uplifted in defence of constitutional liberty and the rights of freemen, was smitten down by the last spasmodic attempt to wield the sword of a cruel yet petty despotism. Monday night, the 30th April, has been appointed for this benefit to come off . . . Sheridan's splendid play of "Rolla" has been selected, and some of the best musical talent in the colony will be forthcoming, viz.: - Mrs. Creed Royal, Mr. Thatcher and Mr. Creed Royal, as well as some amateurs, amongst whom Signor Rafaello, the late State prisoner, will sing the Marsellaise . . .
ASSOCIATIONS: Peter Lalor (political activist); Raffaello Carboni (amateur vocalist); Charles Thatcher (vocalist)
[Advertisement], The Argus [Melbourne, VIC] (9 July 1855), 8
http://nla.gov.au/nla.news-article4811575
"CONCERT AT THE EXHIBITION", The Argus (16 July 1855), 5
http://nla.gov.au/nla.news-article4812305
. . . The principal features in the second part of the concert were a new ballad, composed expressly for Miss Hayes by Mr. Lavenu, and deliciously rendered by her; the scena and aria "Oh luce de quest anima," from Linda di Chamouni, also given by Miss Hayes, and Bishop's song "Lo, hear the gentle lark," [sic] sung by Mrs. Testar . . . Bishop's fine song was well given by her, and the obligato flute accompaniment was admirably performed by Mr. Creed Royal, whose splendid instrument, one of Siccamer's diaphonic flutes [sic], told most effectively. We are happy to learn that so eminent an instrumentalist as Mr. Royal has been engaged for orchestral business by Mr. Black, of the Theatre Royal . . .
"OPENING OF THE THEATRE ROYAL", The Argus (16 July 1855), 5
http://nla.gov.au/nla.news-article4812299
This splendid Theatre will be opened to the public this evening for the first time. The entertainment consists of Sheridan's chef d'oeuvre "The School for Scandal" . . . The National Anthem will precede the other performances, and, in order to give every effect to it, Mrs. Testar has been engaged for the solos, and the chorus will include the whole of the company, upwards of a hundred persons. The band will be on a very efficient scale, both as to numbers and individual ability, - the names of Thom, Strebinger, Creed Royal, Berg, Lundberg, Johnson, &c., being powerful evidence of the latter . . .
ASSOCIATIONS: John Black (proprietor); Frederick Strebinger (violin); John William Lundborg (clarinet); Charles Berg (trombone)
"THEATRE ROYAL", The Argus (23 July 1855), 5
http://nla.gov.au/nla.news-article4812997
. . . The well known song, "The Standard Bearer," arranged with variations for the flute, was performed in magnificent style by Mr. Creed Royal, and was by far the most successful thing of the evening. It was encored, but modesty, we suppose, prevented the reappearance of the flautist . . .
MUSIC: Unidentified set of variations on The standard bearer [Die Fahnenwacht] (Lindpaintner)
"THEATRICAL, AND MUSICAL", The Argus (30 July 1855), 5
http://nla.gov.au/nla.news-article4813646
. . . In our previous notices of the Theatre Royal we have scarcely done sufficient justice to the splendid orchestra. That it may not be assumed that we have overlooked one of the principal attractions of the establishment, we hasten to express our opinion, founded us it is upon considerable experience of these colonies, that an equal amount of instrumental talent could not be collected in any other part of them. Mr. Thom makes an admirable conductor, and is efficiently supported by Herr Strebinger, as leader, - many of the performers, as Mr. Creed Royal (flute), M. Berry (tuba basso) [sic, Berg], Mr. Lundberg (clarionet), and Mr. Kohler (cornet a piston) have a European musical reputation, which their fine performances here have proved they deserved. On Friday evening a solo was performed by Mr. Royal in such style as to secure a unanimous encore. The fine qualities of the tones which the performer elicited from his instrument, one of Siccama's diatonic flutes, completely astounding the audience. It is in this respect that Mr. Royal is entitled to rank with the very best flautists, while the facility with which he accomplishes the most difficult execution is scarcely less to be commended. During the week the overtures to "Prometheus" and "Stradella" have been given by the orchestra, and also a grand selection of ball music to occupy the entre actes . . .
ASSOCIATIONS: Richard Wildblood Kohler (cornet)
[Advertisement], The Argus (4 August 1855), 8
http://nla.gov.au/nla.news-article4814148
SALLE DE VALENTINO. Grand Musical Festival For this Evening, Saturday, 4th August . . .
Mrs. Creed Royal, First appearance this evening . . . M. FLEURY, Proprietor.
[Advertisement], The Argus (8 August 1855), 8
http://nla.gov.au/nla.news-article4814586
M. FLEURY begs to state that Mr. Creed Royal called on him, at his residence, on Thursday morning last, and asked him for an Engagement for his Wife. Mr. Creed Royal called on M. Fleury a second time, the same day, at two o'clock, at the Old White Hart, accompanied by his Wife: they then made an appointment for Mrs. Creed Royal to rehearse on Saturday Evening, at the Salle de Valentino; which appointment she failed in keeping. Her husband came on Saturday night, at half-past eleven o'clock, to apologise for her non-attendance, and offered to bring her to the Salle de Valentino, for rehearsal, by twelve o'clock, on Monday; which offer M. Fleury declined, on account of her having failed to keep her former appointment.
ASSOCIATIONS: Achille Fleury (violin, proprietor)
"THE PROMENADE CONCERTS AT ASTLEY'S THEATRE", The Age (13 August 1855), 7
http://nla.gov.au/nla.news-article154897323
On Saturday evening the first of a series of promenade concerts was given at this theatre under the direction of Mr. Ellis . . . The orchestra got through its part of the programme with great credit, and as for the vocalists we have not space at present to criticise them individually, but we would just draw attention to the singing or Mrs. Creed Royal, who appears to be perfectly aware as to what songs suit her voice. We were very much taken with the pleasing simple manner in which she sang "By the sad sea waves," and "Little Nell," and the applause which she received was fully deserved . . .
ASSOCIATIONS: James Ellis (proprietor, Astley's Amphitheatre)
[Advertisement], The Argus (15 August 1855), 8
http://nla.gov.au/nla.news-article4815235
CRITERION HALL, Saturday, the 18th,
Messrs. Barre and Callen will open that handsome and favorite Concert Hall with nightly unrivalled Promenade Concerts, a la Paganini.
Leader and Conductor, M. Callen, with his popular admired Band. Mrs. Creed Royal is engaged.
ASSOCIATIONS: George Douglas Callen (conductor)
[Advertisement], The Argus (25 August 1855), 8
http://nla.gov.au/nla.news-article4816377
CRITERION HALL. - Promenade Concert. Immense Vocal success of Mrs. Creed Royal. Every night. Admission 1s.
CRITERION HALL - To-night Mrs. Creed Royal, Mr. Royal, Miss Kate Royal . . .
"THEATRE ROYAL. MISS CATHERINE HAYES", The Argus (28 September 1855), 5
http://nla.gov.au/nla.news-article4819449
. . . Mr. Creed Royal's flute solo in the first part of the concert was highly applauded, and in the second division this excellent instrumentalist again achieved great success by his performance of "Malbrook" with variations, the latter being somewhat after the grotesque style of the "Carnival de Venise" . . .
"SUMMARY FOR ENGLAND . . . THEATRES, The Age (27 November 1855), 4
http://nla.gov.au/nla.news-article154863535
. . . It may interest musical readers in England to be informed that the orchestra of the Theatre Royal is worthy even of Covent Garden, and that we have our colonial Koeing [sic] and Richardson, in Kohler and Creed Royal . . .
ASSOCIATIONS: Herman Koenig (d. 1857, cornet player, active in England)
[Advertisement], Bendigo Advertiser (3 January 1856), 3
http://nla.gov.au/nla.news-article88048453
UNION CONCERT HALL. GREAT SUCCESS OF MR. and MRS. HANCOCK, from the THEATRE ROYAL, Melbourne.
MR. R. W. KOHLER the celebrated cornet-a-piston player from the Theatre Royal, Melbourne, and late of JULLIEN'S BAND . . .
Together with MRS. CREED ROYAL, from the Melbourne Concerts.
MR. BAKER, Local and Comic Singer; MR. JOHN LEVESON. MR. T. WHITE, Pianist, &c.
"UNION CONCERT HALL", Bendigo Advertiser (15 January 1856), 3
http://nla.gov.au/nla.news-article88048572
This evening Mrs. Creed Royal and Mr. Leveson take their farewell benefit at the Union Concert Hall. This lady is a great favorite with the visitors at the Concert Hall . . .
ASSOCIATIONS: John Leveson (vocalist); Thomas White (pianist)
"PROMENDADE CONCERTS", The Argus (25 January 1856), 5
http://nla.gov.au/nla.news-article4829093
The proprietors of the Royal Hotel have during the present week re-established the promenade concerts which, prior to the opening of the Theatre Royal, were one of the principal of our public entertainments. The orchestra is that of the Theatre Royal with some additions, and the vocalists are Mrs. Creed Royal, Miss Juliana King, and M. Barre. Mrs. Royal is a clever ballad singer and possesses a voice of good quality; she has already established herself favorably in the public estimation . . . The band, which is under the leadership of M. Strebinger, is of course as efficient as ever, and the instrumental solos, especially those on the flute by Mr. Creed Royal, are very popular. The hall has been well attended all the week.
ASSOCIATIONS: Juliana King (vocalist)
"INSOLVENT COURT . . . Wednesday, 20th February . . . IN RE CREED ROYAL", Geelong Advertiser and Intelligencer (21 February 1856), 2
http://nla.gov.au/nla.news-article91864659
This was the certificate meeting in the estate.
The insolvent's first and only meeting was held on April 17th, 1855; and he did not appear.
He was therefore, under the 23rd section of the 7th Vic., No. 19, summoned to appear on this occasion to be examined as to his affairs.
Insolvent sworn and examined - I was engaged an a music seller at the time of my insolvency;
March and Co [sic, Marsh and Co.]. in Sydney were creditors of mine, and they were pressing me;
I was not present at my first meeting, as I was not aware that my presence was necessary;
I commenced business in Geelong in April 1854, in Ryrie-street; I became insolvent in February, 1855;
in May, 1855, I paid £63 18s for rent to Mr. King for three months' occupancy -
that is an execution was put in my house, which Mr. King paid out to save property which he had in the house,
and I afterwards repaid him the sum; this was after my insolvency;
I had no communication with the official assignee as to this payment;
I sold some of my furniture after my insolvency to pay my expenses, without the knowledge of my official assignee; I kept no books in my trade.
The insolvent's certificate was suspended for one year; and he was warned that he would be again summoned to appear before the court,
if he did not give assistance to his official assignee.
ASSOCIATIONS: Henry Marsh (musicseller, music publisher, Sydney)
[Advertisement], The Age (3 May 1856), 1
http://nla.gov.au/nla.news-article154864435
EXHIBITION BUILDING . . . MISS CATHERINE HAYES . . . MONDAY EVENING, May 5th, 1856 . . .
The Celebrated Song, "Happy Birdling," Bravura Air, with Flute Obligato by Mr. Creed Royal
(composed expressly for Miss C. Hayes by Vincent Wallace), MISS CATHERINE HAYES . . .
"THE OLYMPIC THEATRE", The Age (28 May 1856), 2
http://nla.gov.au/nla.news-article154866820
Madame Bishop's seventh lyrical entertainment came off to a good house on Tuesday. The chief novelty of the evening was Bochsa's Nightingale Song, from the opera of "Jeannette's Wedding," with flute obligato accompaniment by Creed Royal. This was indeed a charming piece of vocalization, and in its production the fair songstress received most efficient aid from Mr. Royal's flute, which shared the vociferous applause with which it was followed . . .
ASSOCIATIONS: Anna Bishop (vocalist)
MUSIC: Air du rossignol (correctly by Victor Massé, from Les noces de Jeannette, Paris, 1853)
"DIED", The Argus (4 August 1856), 4
http://nla.gov.au/nla.news-article7134265
On the 2nd inst., in Collingwood, Mrs. Mary Royal, wife of Creed Royal, flutist, of this town.
[Advertisement], The Argus (17 February 1857), 8
http://nla.gov.au/nla.news-article7144767
PATRONISED by Lady Barkly. - A Splendid SCHOTTISCHE, composed by Creed Royal, just published and now on SALE at Chapman's music warehouse, 117 Swanston-street.
"THEATRICALS AT BALLARAT", The Age (7 April 1857), 6
http://nla.gov.au/nla.news-article154825251
At the Charlie Napier, the manager is treating his audience to Tom Cringle's Log and Jack Shoppard. In the former, Mr. Holloway and Miss Kate Ward are the principal artistes. Mr. Creed Royal is performing on the flute . . .
"CRESWICK (From, our own Correspondent), 9th April 1857", The Star [Ballarat, VIC] (10 April 1857), 2
http://nla.gov.au/nla.news-article66041708
Collier's Theatre was also crowded on Saturday and Monday evenings, to hear the Misses Royal, Creed Royal, and our old favorite, Dan Golding, of whom I may say nothing more than that he has lost none of his laughter producing ways; the Misses Royal have appeared in public now for the first time; both are very young, but have very sweet and musical voices, and sing in an easy and natural way, without over straining of the voice, which some singers think perfection: their reception was very flattering, and they will prove no mean addition to the musical talent of the colony. Creed Royal performed several magnificent solos on the flute, which were received with the greatest enthusiasm.
"CHARLIE NAPIER THEATRE", The Star (14 July 1858), 2
http://nla.gov.au/nla.news-article66049162
The last night of the English Opera Company was devoted to a benefit to the prima donna, Miss Julia Harland. To mark the occasion the more specially opera was for one evening laid aside and Haydn [The creation] appropriated the admiration that has hither been paid to our great opera composers . . . The choruses were performed with tolerable correctness, but without sufficient strength to be effective. In their ranks we noticed the Misses Royal, Mr. Morgan, and others of more or less note. Mr. Creed Royal's performance on the flute gave a beautiful effect to some of the solos . . .
"SMYTHE'S CREEK (From our own Correspondent), 2nd April . . . AMUSEMENTS", The Star (6 April 1859), 4
http://nla.gov.au/nla.news-article66334994
. . . Mr. Creed Royal, pianist, has been engaged at the Briton, and Mr. Rebelling, late of that hotel, bas been engaged for "piano practice" at the Swan . . . Miss Spiden, it is stated, is about to leave this district. It is reported that the Misses Creed Royal will soon appear at the Swan.
"CLUNES (From our own Correspondent) 29th October", The Star (2 November 1859), 4
http://nla.gov.au/nla.news-article72462890
The benefit advertised this evening for the Misses Royal was, owing to the late storm, but poorly attended. Some eighty or ninety, however, were present. Their rendering of numerous select glees, assisted by Mr. De Courcy, was much applauded. Miss Lizzy Royal sang several favorite ballads very sweetly. This young lady, with careful, study, may attain some eminence in her profession. The younger sister would he more successful with her comic versions if she were not to burlesque them by too great a display of concert room refinement. Mr. De Courcy was in good voice, and sang effectively. Mr. Royal has been prevented giving us a solo on the flute by a slight accident.
"PUBLIC AMUSEMENTS", Empire [Sydney, NSW] (21 May 1863), 2
http://nla.gov.au/nla.news-article63132027
On the 11th, the Lancashire Bell Ringers commenced their entertainments . . . accompanied by the Misses Royal, young vocalists of considerable pretensions, daughters of Mr. Creed Royal, the well known flutist. They have powerful and flexible mezzo-soprano voices, which blend very richtly [sic] in concerted music . . .
"THE OPERA", Empire (25 April 1865), 4
http://nla.gov.au/nla.news-article60570073
The return of the company under the direction of Mr. W. S. Lyster, will afford no small gratification to the public of Sydney . . . The band was, perhaps, never before, so complete, and, under the able directorship of Mr. George Loder, must render its music in a style never yet surpassed. Mons. Fleury is leader, assisted by Mr. C. Eigenschenck, J. Hall, Hoare, Landbery and Hodge (clarionets), Creed Royal (flute), Rice and Hart (viola and violincello), McCoy (bassoon) . . .
"THE OPERA. WILLIAM TELL", Empire (28 July 1868), 3
http://nla.gov.au/nla.news-article60855555
. . . The performance on Saturday completely took a large audience by surprise, and proved the greatest success of a highly successful season . . . Quite as much should be said of Mr. Hall's conducting, and of the unexceptional playing of every member of the orchestra, especially of Mr. Hart's violoncello solos, and the flute and clarionet parts by Mr. Creed Royal and Mr. Howard . . .
[Advertisement], The Argus (3 September 1868), 1
http://nla.gov.au/nla.news-article5826099
MR. CREED ROYAL, PROFESSOR and TEACHER of the PIANOFORTE, Flute, and Singing. 58 Lygon-street, Carlton.
Marriages solemnized in the district of Rockhampton in the colony of Queensland, 1873; Queensland, Registry of births, deaths, and marriages
No. 50 / 606 / 27th May 1873 / Rockhampton / Daniel Bringloe O'Hara / Widower / [born] Dublin, Ireland / Musician / 39 / Rockhampton / [son of] Charles Joseph O'Hara, surgeon and Marian Bringloe
Elise Rowe / Widow / [born / Cheltenham, Gloucestershire, England / Musician / 29 / Rockhampton / [daughter of] Creed Royal, Musician, and Mary Sayers . . .
Married in the House of the Primitive Methodist Minister . . . Robert Hartley
ASSOCIATIONS: Dan Briggs (O'Hara, musician, vocalist)
"New Music", South Australian Register (11 October 1873), 5
http://nla.gov.au/nla.news-article39295700
The "Governor Musgrave Schottische" - a composition by Creed Royal, the flautista of Lyster's Italian Opera Company, has just been published by Woodman, of Rundle street. It has been clearly lithographed by Penman & Galbraith, and the frontispiece contains the portrait of His Excellency. The melody is light and graceful, and the arrangement quite simple. The young pianist will not find any great difficulty in performing it at sight.
"THE OPERA. LUCIA DI LAMMERMOOR", The Argus (7 March 1876), 7
http://nla.gov.au/nla.news-article7433967
. . . For those amongst the audience who take delight in watching through eye and ear the performances of Mademoiselle Ilma de Murska, she is of her own self study enough . . . Mr. Creed Royal was greatly missed from the band in the early part of the work last night; but in the "Mad Scene," the flute obligato part was played with consummate skill by Signor Giammona.
ASSOCIATIONS: Ilma de Murska (vocalist); Antonio Giammona (flautist)
[News], The Argus (16 March 1876), 5
http://nla.gov.au/nla.news-article7434731
The musical reader will learn with regret that one more name, well-known for many years past in Australian musical circles, has been blotted out. Mr. Creed Royal died yesterday, at an advanced age, after having been for years past one of the leading flautists in the operatic orchestra. He was kindly thought of by all who knew him, and was a man of large experience. He played under Mendelssohn when that great master first produced his oratorio "Elijah" at Birmingham, in 1847. The late Mr. Creed Royal leaves a widow in feeble health.
"DEATHS", The Argus (18 March 1876), 1
http://nla.gov.au/nla.news-article7434872
ROYAL. - On the 15th inst., at his residence, 88 Gore-street, Fitzroy, Creed Royal, professor of music, in the 68th year of his age.
"THE LATE MR. CREED ROYAL", Launceston Examiner (1 April 1876), 3
http://nla.gov.au/nla.news-article37140577
The Daily Telegraph of 16th inst. announces the death of one of the oldest musicians in Melbourne, Mr. Creed Royal, whose performances as a flautist will long be remembered. For the past fourteen years the deceased musician was connected with opera orchestras in that city, but his assistance has often been valuable in other musical combinations. He played his part at the Opera-house on Friday, 10th inst., but was next day attacked with erysipelas in the head in so violent a form as to cause his speedy death, notwithstanding the attention given to his complaint by Dr. Motherwell. Mr. Royal was seventy years of age, and had seen military service. One of his daughters is the Countess Chapple, her husband being the private secretary to the ex-Empress of the French, now residing at Chiselhurst. The other members of his family are grown up, one daughter being well known in connection with the operatic companies.
"ROCKHAMPTON", The Sydney Morning Herald (3 May 1876), 5
http://nla.gov.au/nla.news-article13372990
Mrs. O'Hara, known as Miss Creed Royal, died to-day.
[News], Rockhampton Bulletin [QLD] (3 May 1876), 2
http://nla.gov.au/nla.news-article51903864
WE have the painful task of recording the death of Mrs. Briggs O'Hara, better known in the colonies as Miss Creed Royal, who died yesterday afternoon, at the early age of thirty one. Mrs. Briggs suffered severely for more than two years from a complaint which from the beginning was pronounced to be of a dangerous character, but which did not assume an acute form until about five months since. For some days past she was in a state of insensibility, although she rallied sufficiently to recognise her friends. Yesterday morning her medical attendant announced she could not survive the day, and she died yesterday at 5.15 p.m., quietly and without apparent suffering. Mrs. Briggs was during her career as a cantatrice one of the greatest favourites on the Colonial boards, and was at one time leading member of some of our best opera companies. Wherever and whenever she appeared she received the warmest welcomes, and was always listened to with the utmost pleasure. Her repertoire was as choice as it was extensive; her brilliant and correct delivery of some of the finest morceaux of our great masters has rarely been equalled in the colonies, while her ballad singing was remarkable for its pathos, taste, and feeling. Her voice was clear, flexible, and of great compass, and her rendering of the most difficult passages was accomplished with a rare fluency and finish. Her "Il Baccio," "Auld Robin Gray," "Pretty Mocking Bird," and others of a like character, will be long remembered by those who heard them. Mrs. Briggs was the daughter of Mr. Creed Royal, who died a few weeks since at the age of 71, and who was known for many years in Australian Musical Circles. He played under Mendelssohn when that great master first produced his "Elijah" at Birmingham in 1847 [sic, 1846].
[News], The Argus (13 October 1876), 5
http://nla.gov.au/nla.news-article5905770
It is not perhaps generally known that the late Mr. Creed Royal, the well-known flautist, who died, about 12 months ago, left a widow in very poor circumstance. This lady, who is also in very indifferent health, after making every possible effort to maintain herself, finds herself quite unable to do so, and is now desirous of returning to the old country, but is without the necessary means. The favour in which Mr. Creed Royal was held in musical circles justifies her in hoping that the many friends who admired her husband's talents during his life will not be unwilling to extend their practical sympathy to his widow now that she is so much in need of it . . . All that is asked for is the sum necessary to enable this unfortunate lady to reach friends who will take care of her in her infirm state, but who are not in a position to supply her with the means of returning home.
"MRS. CREED ROYAL. TO THE EDITOR OF . . .", The Argus (26 October 1876), 10
http://nla.gov.au/nla.news-article5907222
Sir, - Having seen no response to your article of the 13th inst. relative to the case of Mrs. Creed Royal,
would you permit me to draw the attention of the musical profession less [sic] to the case.
Mrs. Royal has been left penniless and in ill-health, having been an invalid for the last eight years.
Now all she requires is sufficient to enable her to return to her relations at home.
Surely there are sufficient members of her late husband's profession in Melbourne to get up some entertainment in furtherance of this deserving object,
her husband having been a member of the musical profession in Melbourne for 25 years.
HUMANITY.
"NEWS AND NOTES", The Ballarat Star (23 October 1878), 2
http://nla.gov.au/nla.news-article199345151
The Melbourne correspondent of the Ararat Advertiser says: - "Among the passengers by the Chimborazo was Mrs. Creed Royal, and daughters. The friends of the late Mr. Creed Royal, whose musical abilities are widely known, will be glad that a long Chancery suit has terminated in favor of his heirs, and that his widow and daughters are comfortably provided for. The interest which had accumulated on the money in the bank was surprising, but the case had been going on for a long time.
[Advertisement], Morning Bulletin [Rockhampton, QLD] (23 October 1878), 3
http://nla.gov.au/nla.news-article51978229
PIANOS! PIANOS! PIANOS!
MR. H. ROYAL, IANOFORTE TUNER AND REPAIRER, (Son of the late Mr. Creed Royal)
And late of Messrs. Cross and Co., Melbourne, HAS the honour to announce that having taken up his residence in Rockhampton
he is now prepared to TUNE AND REPAIR PIANOS, Both in town and country.
Orders received at MR. W. MUNRO'S, Bookseller, East-street.
"CARMEN", The Sydney Morning Herald (9 August 1879), 6
http://nla.gov.au/nla.news-article13449789
. . . The cast will be the same as in Melbourne, with one exception; there Michaela's was the only weakness, here the part will be in the hands of Miss Bessie Royal, a young lady who inherits, in a large degree, the talent of her father - we all remember Creed Royal's flute-playing with pleasure - and whose fresh voice did valuable service as the priestess in "Aida," singing behind the scene. Judging from the occasional solo parts entrusted to her, and fortified by the opinions of those who have heard her in private, we predict a success for her in the delightful music which belongs to Michaela . . .
[News], The Lorgnette (12 November 1885), 2
http://nla.gov.au/nla.news-article208218400
The Theatre Comique (Polytechnic) in Bourke street E., was first opened by Le Conte de la Chapelle, on the 1st June, 1867. Mons de la Chapelle subsequently married a daughter of the late Mr. Creed Royal.
[Advertisement], The Sydney Morning Herald (21 March 1890), 12
http://nla.gov.au/nla.news-article13763862
MISS BESSIE ROYAL receives PUPILS for Singing at her private residence, Argyle-terrace, 32 Pitt-street, Redfern. Terms on application.
Casebook of female patients, Fairfield Asylum; Public Records Office Victoria
https://www.ancestry.com.au/imageviewer/collections/61566/images/47970_302022005538_0050-00333 (PAYWALL)
Bessie Royal / Acute mania / 279 Rathdown St Carlton / Female 50 years / Single / Actress / [Nearest relative or friend] Mrs. Sarah Long, 279 Rathdown St. Carlton (friend) . . .
Casebook of female patients, Ararat Asylum; Public Records Office Victoria
https://www.ancestry.com.au/imageviewer/collections/61566/images/47970_1831101454_0020-00579 (PAYWALL)
Bessie Royal / Age (1902) 51 years / Friend: Mrs. Kate Ceschina, 132 Domain St. S. Yarra /
15.4.19 / Quinquennial / Mental / Secongar dementia / memory impaired / body good
21.11.29 / In hospital for a considerable time past / growth in head ? malignant
Extant musical works:
The Governor Musgrave schottische, composed and arranged by Creed Royal of the Italian Opera Company, dedicated by special permission to his excellency (Adelaide: J. Woodman, [1873])
https://trove.nla.gov.au/work/27967631
http://www.samemory.sa.gov.au/site/page.cfm?c=3337 (DIGITISED)
RUDALL, James Thomas (James Thomas RUDALL; Dr. J. T. RUDALL)
Amateur musician, flautist, surgeon
Born Devon, England, c. 1830; son of James RUDALL and Penelope MACKAY
Arrived Melbourne, VIC, 1858
Married Georgiana Gordon SCOTT, VIC, 1862
Died Armadale, VIC, 4 March 1907
https://trove.nla.gov.au/search?l-publictag=James+Thomas+Rudall+d1907 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUDALL-James-Thomas (shareable link to this entry)
Documentation:
"THE VOCAL AND MUSICAL ENTERTAINMENT . . .", The Age (16 July 1867), 5
http://nla.gov.au/nla.news-article185505292
. . . to be given at Williamstown in aid of the funds of the Local Grammar School, has been postponed from Friday evening until Saturday. The following ladies and gentlemen have consented to place their services at the disposal of the committee: - Mrs. Fox, Miss Reeves, Dr. Rudall, Dr. McLean and the Messrs. Beaumont, Ellery, Labertouche, Martin, Wigley and Marsh . . .
ASSOCIATIONS: Sarah Beaumont Fox (vocalist); Daniel Beaumont (vocalist); Fanny Reeves (vocalist); Stephen Hale Marsh (musician)
"Amateur Orchestral Society", Table Talk (11 October 1889), 7
http://nla.gov.au/nla.news-article147280140
. . . By the year 1871 the instrumental element was so strong that besides the orchestral portion of the Philharmonic Society it was felt advisable to form a purely instrumental association. With this end in view on May 25, 1871, at Hockins' Rooms, Elizabeth-street, a small band of gentlemen - all musical, and lovers of good music - amongst them being Dr. Rudall, Messrs. E. King (leader of the Philharmonic Society), J. Reed, the late H. S. Shaw, R. J. Ellery (Government Astronomer), O. Moerlin (Assistant at the Observatory), and James Moore, met and resolved that a society for the study and practice of classical and other high-class orchestral and chamber music, to be known as the "Melbourne Amateur Orchestral Society," should be formed. Mr. David Lee was elected conductor. The first practice meeting took place on June 2, 1871, at the Athenaeum (then called the Mechanics' Institute) Collins-street, under Mr. Lee's baton, and the society was fairly launched upon the world . . .
ASSOCIATIONS: Edward King (violin); David Lee (conductor)
"Death of Dr. J. T. Rudall", The Prahran Telegraph (9 March 1907), 2
http://nla.gov.au/nla.news-article144511562
One of the oldest identities in the medical profession in Australia, Dr. James T. Rudall, died at Malvern road, Armadale, on Monday, the remains being buried at Brighton on the following day. Dr. Rudall, who had been almost 50 years in Victoria, had a distinguished, varied and strenuous career, having been a surgeon in the Royal Navy and one of the expeditions to the Arctic regions in search of Sir John Franklin. He took his M.R.C.S. degree in 1854, and that of F.R.C.S. three years later, and, coming to Victoria in 1858, soon established a large practice. He was for a considerable time surgeon to the Melbourne and Alfred Hospitals and the Blind Asylum and Deaf and Dumb Institution. Dr. Rudall was also a member of the Victorian Medical Board, and took a deep interest in musical affairs. He leaves a widow, a son (Dr. J. F. Rudall) and a daughter.
"SEVENTY YEARS OF MUSIC. MR. MONTAGUE'S MEMORIES", The Argus (17 October 1925), 12
http://nla.gov.au/nla.news-article2153848
[by the late 1850s] . . . Several of our best amateurs were now beginning to come into notice. The two most conspicuous as it happened were both flautists, Dr. Rudall and Mr. T. P. Hornidge [recte J. P. Hornidge]. Both were passionately fond of music and able to hold their own in the best concerts of the day. Both have left worthy successors in their sons. The splendid performances of the present Dr. Rudall on the cor anglais will not be soon forgotten, while the son of Mr. Hornidge (Frank) not only can play the piano, violin, viola and cello but is also an admirable composer of orchestral music . . .
ASSOCIATIONS: Alfred Montague (musician, memorist); John and Frank Hornidge (musicians)
"Melbourne's Master Musicians. Gustave Slapoffski and Dr. Rudall", The Age (30 December 1839), 19
http://nla.gov.au/nla.news-article205585050
RUDELHOFF, Dinah = Dinah MURRAY
RUKELY, John (John RUKELY, ?)
"Musician", piano tuner, ? convict
Active Launceston, VDL (TAS), 1838
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUKELY-John (shareable link to this entry)
Documentation:
"LAUNCESTON POLICE", The Cornwall Chronicle (31 March 1838), 1
http://nla.gov.au/nla.news-article65953725
John Rukely, a regular barn-door bred bumpkin, was complained of by his master, for neglect of duty. Mr. Chittleburgh stated that nothing more was required of the fellow than to keep clean a couple of rooms, and occasionally to chop a little wood, neither of which he would do. The fellow, when called on for his reason, said, he was never accustomed to washingrooms. No, he was a MUSICIAN. And pray, said the magistrate, on what instrument do you play? Oh! answered the clod-pole, I tunes pianny fortes, but all my family are musicians. Had he said he was a milliner, his appearance could not have more blankly contradicted his assertion. The magistrate sentenced this Orpheus to try if he could not make the stones jump to the music of his hammer, for the space of two months.
RULE, Henry (Henry RULE; Mr. H. RULE; Corporal RULE)
Amateur musician, cornet a piston player, volunteer bandsman, signwriter, painter and decorator
Born London, England, c. 1828; son of John and Elizabeth RULE
Married Mary Anne KIRTON (d. 1903), ? c. 1852/53
Arrived Melbourne, VIC, 16 August 1853 (per John Barrow, from London, 23 April, and Southampton, 4 May, aged "25")
? Died Melbourne, VIC, 28 September 1912, aged "85"
https://trove.nla.gov.au/search?l-publictag=Henry+Rule+bandsman (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RULE-Henry (shareable link to this entry)
Documentation:
England census, 30 March 1851, Woolwich, Kent; UK National Archives, HO 107 / 1589
https://www.ancestry.com.au/imageviewer/collections/8860/images/KENHO107_1589_1589-0136 (PAYWALL)
Elizabeth Rule / Head / Widow / 43 / Coffee House Keeper / [born] Buckinghamshire
Henry Rule / Son / Unm. / 22 / Waterman / [born] London
List of passengers by the John Barrow, from London, 23 April 1853, for Port Phillip; Public Record Office Victoria
https://www.ancestry.com.au/imageviewer/collections/1635/images/30796_125448__0047-00630 (PAYWALL)
Rule Henry / 25 / Waterman // Rule Mary / 25 // [for Port Phillip]
[News], Mount Alexander Mail (3 March 1862), 3
http://nla.gov.au/nla.news-article197096982
The Castlemaine Volunteer Rifle Band, under the direction of Mr. Taylor,
will perform the following selection of music, in the New Market House, this evening, at 8 o'clock -
March, Who shall be Fairest - Mori
Waltz, Mountain Daisy - D'Albert
Air, Mary of Argyle - [Nelson]
Solo Cornet-a-piston, The Cottage by the Sea (by desire) - Corpl. Rule
Waltz, Immortalen - Gung'l
Polka, Georgina - Paulson.
March, Weel may the keel row - Dewar.
GOD SAVE THE QUEEN.
[Advertisement], Mount Alexander Mail (30 May 1862), 5
http://nla.gov.au/nla.news-article197097091
CONGREGATIONAL CHORAL SOCIETY:
A SOIREE MUSICALE WILL be given by the above Society, In the
CONGREGATIONAL SCHOOL-ROOM, Under the Direction of
MRS. FATHERLEY, ASSOCIATE R. A. MUSIC
On Thursday Evening, June 12, On which occasion they will be assisted by the following Instrumentalists: -
Violin: Mr. Henry Howson, Leader - Philharmonic Society; [violin] John Hunter
Clarionet: Mr. S. Taylor, Band Master Castlemaine Rifle Corps
Cornet a piston : Mr. H. Rule
Flute: Mr. T. Brown. Organ and Piano Forte: Mrs. Fatherley
Admission - 1s 6d; Reserved Seats - 2s 6d.
"CASTLEMAINE RIFLE CORPS", Mount Alexander Mail (29 August 1862), 4
http://nla.gov.au/nla.news-article197092628
. . . The band was the next topic of discussion. The master, Mr. Taylor, stated that much complaint was made by the band about the amount of time they were compelled to devote to playing and practice, and the pressure was so great that, unless it was relaxed, some of the oldest members had intimated their intention to retire. They had now to play in public on Monday evening, on Tuesday practice, on Wednesday to attend parade, on Thursday and Friday evenings practice again. It was admitted in the course of conversation that the band were taxed rather severely, and it was resolved to relieve them from three parades a month. They will now have to attend the commanding officer's parade, to play as usual on Monday evenings, at moonlight marches, and on any special occasion when desired by the corps. Mr. Taylor, Sergeant Paulson, and Corporal Rule, expressed their satisfaction with this arrangement. In reply to a question as to how it was the band did not pay up subscriptions, it was remarked that the band, by their public playing on Monday evenings, were the means of keeping up the funds of the corps much more effectively than if their exertions were confined to payment of subscriptions. A member expressed his fear that the attendance at parades, small as it was now, would be smaller when the band were absent. The commanding officer replied he should regret if any member attended solely that he might march to music. In future, on the three parades a month from which the band would be absent, members would fall in for drill on the ground on the camp, so that really the band would not be required on those occasions . . .
ASSOCIATIONS: Samuel Taylor (bandmaster); George William Paulson (band sergeant); Henry Howson (violin); James Hunter [sic] (violin); Charlotte Fatherley (pianist)
RÜMKER, Charles (Christian Carl Ludwig RÜMKER; Mr. RUMKER; RUNKER)
Amateur musician, pianist, astronomer
Born Stargard, Mecklenburg-Strelitz, Germany, 18 May 1788; son of J. F. RÜMKER
Arrived Sydney, NSW, 7 November 1821 (per Royal George, from London, in the suite of governor Thomas Brisbane)
Departed Sydney, NSW, 6 January 1829 (per Ellen, for London)
Died Lisbon, Portugal, 1862
https://trove.nla.gov.au/search?l-publictag=Charles+Rumker+1788-1862 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUMKER-Charles (shareable link to this entry)
http://nla.gov.au/nla.party-1462214 (NLA persistent identifier)
https://en.wikipedia.org/wiki/Carl_Ludwig_Christian_Rumker (Wikipedia)
Summary:
Governor Thomas Brisbane's private astronomer, Rümker was also a keen amateur musician, as Elizabeth Macarthur and George Boyes recorded.
Documentation:
Letter from Elizabeth Macarthur, Parramatta, 4 September 1822; ed. in Sibella Macarthur Onslow (ed.), Some early records of the Macarthurs of Camden (Sydney: Angus and Robertson, 1914), 373-74
http://archive.org/stream/someearlyrecords00maca#page/n413/mode/2up
I have already said that we are much pleased with Sir Thomas Brisbane and His Family. The Governor himself is fond of scientific pursuits, and is devoted to astronomy in particular. He brought with him a number of valuable instruments, which are set up in an observatory which he has had built near the Government House at Parramatta. Mr. Rumker a Gentleman well known in the annals of science, and a German by birth came to this country with Sir Thomas. He is domiciled with the family and has charge of the Observatory . . . Lady Brisbane has a good Piano, on which she occasionally plays, and accompanies the instrument with her voice. Miss Macdougall plays the Harp, and Mr. Rumker the Piano in turn. The Germans are passionately fond of music.
ASSOCIATIONS: Thomas and Anna Maria Brisbane (governor and wife); Elizabeth Macarthur (correspondent)
George Boyes, letter to Mary Boyes, 12 April 1824 (ed. Chapman 1985, 178-79)
[21 February 1824] . . . Runker [sic] walked over from his farm to De A's [De Arrietta's] for dinner - 8 miles through a hot wind and under a burning sun - of course a little discomposed the arrangements of his toilet. He apologized for his appearance and therefore nothing more can be said . . . [179] . . . In the course of the evening [Rumker] talked much and well upon the fine arts - spoke of Memmon's Head and the Horses upon Monte Cavallo - told me he played the piano - murdered an air of Cimarosa's and fell fast asleep. The exercise, the wine and the unusual animation of the evening . . .
ASSOCIATIONS: George Boyes (amateur musician)
Bibliography and resources:
G. F. J. Bergman, "Rümker, Christian Carl Ludwig (1788-1862)", Australian dictionary of biography 2 (1967)
http://adb.anu.edu.au/biography/rumker-christian-carl-ludwig-2615
RUSSELL, ? (perhaps not his real surname)
Convict, bushranger, vocalist, chorister
Active near Bathurst, NSW, 1834; afterward, Norfolk Island
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUSSELL-convict (shareable link to this entry)
Documentation:
Roger Therry, Reminiscences of thirty years' residence in New South Wales and Victoria . . . second edition (London: Sampson, Low, Son, and Co., 1863), 123-26
https://books.google.com.au/books?id=RikXAAAAYAAJ&pg=PA126
[123] . . . It was positively perilous to venture a few miles from Sydney, in consequence of the daring of the bushrangers. It fell to my lot to have once passed through the exciting ordeal of an interview with them on the Bathurst mountains in 1834 . . . At a lonely spot, on my way to the Bathurst circuit, about ten o'clock in the morning, I was hailed by two men, partially hidden behind a tree, their guns pointed at and covering the heads of myself and servant, with the cry of "Stop, or I'll send the contents of this through you!" . . .
[124] . . . The captain of the gang, however, a convict for life, named Russell, suspecting I had put my hands into my pocket to search there for pistols, desired me at once to take them out, or he would shoot me on the spot . . .
[126] . . . These fellows were afterwards apprehended for another and still more serious robbery. They were transported to Norfolk Island, where I understood Russell, the captain of the gang, became leader of the choir in the little church on the island. His fine voice no doubt captivated the chaplain, and constituted "a case of special circumstances" and exempted him from hard labour . . .
ASSOCIATIONS: Roger Therry (lawyer, judge)
RUSSELL, J. B. (Mr. J. B. RUSSELL; Mr. RUSSELL)
Actor, manager
Active Bathurst, NSW, by mid 1856
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUSSELL-J-B (shareable link to this entry)
ASSOCIATIONS: Russell was perhaps the American who in the 1860s settled at Muswellbrook, NSW; if so he was John Bisbe Russell, born Portland, Maine, 14 February 1829; see "DEATHS", The Telegraph (24 November 1883), 4
http://nla.gov.au/nla.news-article174172555
RUSSELL, John (John RUSSELL; Mr. J. RUSSELL; Mr. RUSSELL)
Musician, organist, pianist, conductor, choral trainer, founder of the Melbourne Philharmonic Society
Born Liverpool, England, c. 1806
Married (1) Jane BRIDDON (? d. 1837), St. George, Everton, Lancashire, 13 July 1833
Arrived (1) Melbourne, VIC, 8 March 1853 (per Nebraska, from New York, November 1852, age "46")
Married (2) Ann ?, ? by 1868
Departed Melbourne, VIC, May 1868 (per Moravian, for London, aged "55")
Arrived (2) Melbourne, VIC, March 1872 (per Calcutta, from Liverpool, 19 November 1871)
Died Melbourne, VIC, 2 August 1872, aged "67"
https://trove.nla.gov.au/search?l-publictag=John+Russell+d1872 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUSSELL-John (shareable link to this entry)
Summary:
No certain documentation has been discovered for Russell's birth or parentage, though if his reported age at death in 1872 of 67 (? 66) is correct, he may perhaps be the John Russell, born on 24 March 1806, and baptised (Liverpool Wesleyan) on 4 May 1806, son of John Russell, a basket-maker, and his wife Ann (formerly the widow Blundell).
From a 1939 obituary for his grandson, we know that he must have been the John Russell, organist, who married Jane Briddon (? d. 1837) at St. George's, Everton, on 13 July 1833.
In 1840, Russell was one of the first musical directors of the original Liverpool Philharmonic Society, and with William Sudlow, who was also the society's first secretary, as organist, conducted the chorus for the fledgling society's first two performances. He remained a committee member of the society until at least early 1843.
By early 1842, and possibly earlier, he was also organist of Thomas Raffles's congregationalist Great George Street Chapel.
In April 1842 he first advertised sight singing classes on the Wilhem system, although 18 months later advised that he was following a more "certain and scientific" approach than Wilhem's, and John Hullah's, to teaching intervals. He also convened classes in nearby Chester in 1842 and 1843.
Later described as a "late member of the Liverpool stock exchange", Russell was probably more occupied in mercantile concerns thereafter. He anyway disappeared from musical record by early 1844, only to reappear in New York in 1850.
There, in October 1850, he was again advertising singing classes, as the recently appointed musical director of the Brooklyn Sacred Music Society, and during the first half of 1851 was directing the open rehearsals of the Mendelssohn Association.
Pursuing mercantile interests again, at least in the first instance, in November 1852 he sailed from New York for Melbourne, on the ship Nebraska, with a cargo of American flour and other goods, which he advertised for sale on arrival.
By the end of 1853 he had also accepted the honorary position of conductor of the newly formed amateur association, the Melbourne Philharmonic Society, and, with a short break due to ill health in 1858, continued to be re-elected to the post annually until retiring at the end of 1861. Thereafter, he remained active as a member of the society until ill health prompted his departure for England in 1868.
By only quite shortly after his arrival, and certainly by early 1854, he had also been appointed organist of the original Congregational Chapel in Collins Street, a post which he also continued in until 1868.
There is no record of his marriage to his second wife, but her forename Ann (and age of "40") is recorded beside his in the passengers records of the outward ship, Moravian in May 1868, and in the England census of April 1871, when they were lodging at Great Crosby, near Liverpool. They arrived back in Melbourne, on the Calcutta, in March 1872, and Russell died on 2 August.
His (? only) son, by his first marriage, John Briddon Russell, who must have been born in Liverpool in the middle 1830, was also active in business in Melbourne in the 1880s. No clear record has been found of his death, but his widow, Julia (? Kiel), died at Moonee Ponds in 1916.
According to Carne, a grand-daughter and great-grand-daughter of John Russell's attended the Melbourne Philharmonic Society's centenary celebration in 1953.
Documentation:
Liverpool England, (? to c. 1850):
Marriages solemnized in the church of St. George Everton in the parish of Watton on the Hill in the county of Lancaster in the year 1833; register, 1814-37, page 127; Liverpool Record Office
https://www.ancestry.com.au/imageviewer/collections/2197/images/engl56170_283-gev-3-1_m_00064 (PAYWALL)
John Russell if this parish bachelor and Jane Briddon of this parish spinster were married in this Church by License this [13 July 1833] . . .
"MARRIED", Lancaster Gazette (31 August 1833), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000488/18330831/012/0003" (PAYWALL)
On Sunday last [recte, 13 July], at Liverpool, Mr. John Russell, organist, to Jane, eldest daughter of Mr. Briddon, Toxteth-park.
? "DIED", Liverpool Standard and General Commercial Advertiser (13 January 1837),
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002088/18370113/149/0004 (PAYWALL)
On Tuesday last . . . Same day, aged 28, Jane; the beloved wife of Mr. John Russell, Sackville-street, Everton.
"LIVERPOOL PHILHARMONIC SOCIETY", Liverpool Mail (14 March 1840), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001300/18400314/031/0003 (PAYWALL)
We were much gratified on Thursday evening by a visit to the first public rehearsal this infant but highly creditable association, at Mr. Lassell's Saloon in Great Richmond-street, to which we had the honour of an invitation from the committee . . . This society has only been in existence somewhere about two months, and their proficiency therefore on this occasion was the more astonishing . . . The objects of the society are the practice and culture of music generally, and though many of our local professors give their assistance to this pleasing and praiseworthy undertaking, they all appear as amateurs. The arrangements present are for a performance quarterly . . . A very handsome and fine toned organ has been erected . . . expressly for the society, by Messrs. Bewsher and Fleetwood. At present it has only eight stops, but when completed, will contain seventeen and powerful pedals . . . The following was the scheme for the first evening's performances: -
PART I.
1. - Overture (first time in Liverpool). - Kalliwoda
2. - Glee - "Chough and Crow;" solo parts Miss Hammond, Miss Aldridge, and Mr. Wearing. - Bishop
3. - Madrigal - "Fire! fire!" - Thames Morley, 1594.
4. - Round - "The sun has been long on old Mont Blanc." Miss Hammond, Miss Aldridge, and Miss M. Swain. - Bishop.
5. - Music in "Macbeth" - Solo parts, Misses Swain and Hammond, and Messrs. Dodd and Sutton. - M. Locke.
6. - Finale Chorus - "Bright orb;" solo parts, Miss Hammond, Miss M. Swain, and Mr. Dodd. - Bishop.
PART II.
7. - Overture - "La Fiancee" (first time in Liverpool) - Auber.
8. - Chorus - "Fair as a bride" (William Tell). - Rossini.
9. - Madrigal- "Flora gave me." - Wilbye, 1598.
10. - Sestetto - Piano-forte, Flute, Clarionet, Horn, Violoncello and Contra-Baaso; Messrs. Aldridge, jun., Fisher, Leonard, Thompson, Tivendell, and Tayloure. - Onslow.
11. - Trio, from "Azor Zamira" - "Night's lingering shades," Miss Swain, Miss Aldridge, and Miss M. Swain. - Spohr.
12. - Glee - "Where art thou, beam of light?" the Misses Swain, and Messrs. Dodd and Wearing. - Bishop.
13. - Finale Chorus - "Loud let the Moorish tambours sound;" solo parts, the Misses Swain. - Bishop.
. . . Mr. John Russell conducted the choruses admirably, and was ably sustained by Mr. William Sudlow, the organist. Mr. H. F. Aldridge, jun., also made a very excellent leader . . .
ASSOCIATIONS: William Sudlow (organist)
"LIVERPOOL PHILHARMONIC SOCIETY, THURSDAY EVENING, JUNE 4, 1840", Liverpool Mail (6 June 1840), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001300/18400606/026/0003 (PAYWALL)
. . . The vocal performances were wholly confined to sacred music at this concert, and were remarkably interesting, comprising the whole of Haydn's mass, No. 3, and several pleasing selections . . . The band was led by Mr. H. F. Aldridge, jun., Mr. William Sudlow presided at the organ, and Mr. John Russell conducted the vocal performances; and we need scarcely say that all these gentlemen discharged their offices in the most efficient manner . . .
[Advertisement], Liverpool Standard and General Commercial Advertiser (1 April 1842), 5
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002088/18420401/053/0005 (PAYWALL)
THE WILHEM METHOD OF TEACHING SINGING,
CLASSES, to be conducted by Mr. RUSSELL on the above System, will meet at the MEDICAL-HALL, Mount-pleasant,
on FRIDAY next, the 8th instant, to be continued each TUESDAY and FRIDAY, as follows: -
A Class at 11 a.m., for Ladies only, at 15s. per Quarter.
A Class at 5 p.m., for Children, at 7s. 6d. per Quarter.
A Class at a quarter to 7, for Ladies and Gentlemen, at 10s. 6d. per Quarter.
A similar Class at 8 o'clock, at 6s. 6d. per Quarter . . .
Teachers of Sunday Schools will be admitted at 8 o'clock, at 3s. 3d. per Quarter, by Tickets from their Superintendants,
who will be supplied on application to Mr. RUSSELL, Exchange-court, Exchange-street East, between the hours of 12 and 1.
The knowledge conveyed will be applicable to social purposes, but special reference will be had to Sacred Music,
for Public and Domestic Worship, in which Mr. RUSSELL has had long experience.
ASSOCIATIONS: Guillaume-Louis Wilhem (singing instructor); system as also adapted by John Hullah
"SINGING", Liverpool Standard and General Commercial Advertiser (5 April 1842), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002088/18420405/022/0002 (PAYWALL)
It will be seen elsewhere, that Mr. Russell, organist at Dr. Raffles's chapel, intends forming classes for the instruction of singing upon Wilhem's system. We believe he is fully capable of imparting a knowledge of the art, having had considerable experience.
ASSOCIATIONS: Thomas Raffles (Congregationalist clergyman), minister of Great George Street Chapel
"WILHEM'S METHOD OF TEACHING SINGING IN CLASSES", Chester Chronicle (13 May 1842), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000342/18420513/013/0003 (PAYWALL)
As this system has excited much attention in Loudon and other places, where it has been introduced, we feel it our duty present our readers with the following extracts from the preface to "Wilhem Method of Teaching Singing; adapted to English use, under the superintendence of the Committee Council on Education; by John Hullah" . . . We strongly urge oar readers attend Mr. Russell's Lecture on this interesting subject at the Town Hall, on Monday next, May 16th. Particulars are given in advertisement in this day's paper. We are informed on good authority that Mr. Russell's qualifications for teaching singing are the first order. An opportunity will given to all to judge for themselves on Monday next, when eight pupils from Liverpool, who have been taught on this system, will exhibit the progress they have made during the time they have been under his instruction. Three singing classes will be immediately formed, the terms for which are most reasonable.
ASSOCIATIONS: Wilhem's method of teaching singing, adapted to English (1842, John Hullah)
"WILHEM'S METHOD OF TEACHING SINGING. Mr. Russell's Lectures", Chester Chronicle (20 May 1842), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000342/18420520/018/0003 (PAYWALL)
This gentleman delivered two very interesting lectures on Wilhem's method of teaching singing, in classes, on Monday last, one in the afternoon and the other in evening; both of which were well attended. As the evening lecture there was present a great number of the working class, as well as a highly respectable audience, among who were the Mayor, several clergymen, and a great number of ladies. The lecture was illustrated by a series of tables, or lessons, which contained the first principles of the science, so skilfully and gradually arranged that the pupil advances imperceptibly until able, at sight, to sing with precision. The manner of counting time so peculiar Wilhem's plan, is admirably calculated to make proficient timeists, as was practically shown this evening by the performance of seven children, four boys and three girls, who had not received more than twenty lessons each from Mr. Russell. They executed several pieces in concert, on the intervals of seconds, thirds, &c., to octaves which were rapturously encored. The pupils also sang several duets, rounds, and four-part pieces, with such eclat as elicited the unbounded applause of the assembly. The classes which are about to be formed we hope will well filled. The terms are so reasonable that they are adapted to the means of ladies and gentlemen, and brought within the reach of working adults and children. The names of pupils we believe are received at the booksellers previously announced by advertisement. - We understand that the Rev. Chancellor, with his characteristic liberality in every good work, has given £10 towards a fund for reducing the expences of the children in the various schools of the city, who may be disposed join the classes. - We also consider it due to the praise-worthy exertions the master at the Blue-coat School, (in conjunction with an amateur teacher of the working class, Mr. B. Howard, who has gratuitously laboured since March last,) to state, that the above system has been operation in this institution since that period; and that boys who have been under instruction, have made in that short time such rapid proficiency as to excite the surprise of Mr. Russell, who recently visited, and examined them.
"MR. RUSSELL'S SINGING CLASSES", Chester Chronicle (27 May 1842), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000342/18420527/004/0002 (PAYWALL)
We understand this gentleman has been very successful in forming classes upon the plan and terms of his advertisement. There appeared to be upwards of 50 in number in the first class - from 200 to 300 in the second, and about 300 in the third class. This is a good beginning, and we wish Mr. Russell success in his future labours.
"VOCAL MUSIC", Chester Courant (3 October 1843), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000391/18431003/044/0003 (PAYWALL)
On Thursday evening, the pupils of Mr. Russell's "singing classes" gave, what was termed a "public rehearsal" of a selection of anthems, choruses, and madrigals, in the Town Hall of this city. Mr. Russell's mode of teaching is bonded on the system introduced by Mr. Mullah into this country, though in a few essential particulars it differs from the plan of that gentleman. The music selected for the occasion was of an interesting and a classical character, and was sung in a style which elicited frequent encores, and enthusiastic approbation from a numerous and highly respectable company. Mr. Russell took occasion to explain, at internals, his system of vocalisation; but we cannot help thinking, that he spent more time than was necessary in rebutting fanciful objections, and spoke in the tone of a man who fancied that he had been made the subject of unfair animadversions, which, after all, he seemed to consider were scarcely worth a reply. The "Concert" concluded with the National Anthem, by way, we suppose, of convincing our correspondent Spectator, that it could be sung; and we are sure that we speak the sentiments of the audience generally, when we state, that our best thanks are due to those ladies and gentlemen of the singing class, who afforded so agreeable an evening's recreation. The Ladies of Chester have now given us an opportunity of knowing that their voices are as musical, as their persons are lonely, and their characters amiable.
[News], Chester Courant (13 December 1842), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000391/18421213/029/0003 (PAYWALL)
The singing classes in Chester, under their able instructor, Mr. Russell, are making considerable progress, and perform, in their respective parts, the anthems and madrigals of celebrated masters. Mr. Russell has printed many of them in score, from the works of Morley, Wilbye, Orlando Gibbons, and others of that school, which, in the 16th century, laid the foundation of the Madrigal style of music, which has never been surpassed. On the recent visit here of the Bishop of Norwich, the Bishop entered the room, during the performance of the large evening class, and at the Close of the practice, expressed himself in the warmest terms of approbation at the efficiency of the pupils. He congratulated them in having for their instructor, Mr. Russell, who had shewn, from what he had witnessed, high musical talent and a most judicious method of imparting it. The anthem he had just heard had much delighted him, and little did he anticipate when he himself was lecturing, years ago, under this same roof on scientific subjects, that the pleasure was in store of hearing the praise a God sent forth by this large body, in such beautiful strains. He urged the instuctor and instructed to go on in the same delightful pursuit, which he was confident would most abundantly reward them.
"LIVERPOOL PHILHARMONIC SOCIETY", Liverpool Standard and General Commercial Advertiser (17 January 1843), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002088/18430117/034/0002 (PAYWALL)
. . . It is proposed, we believe, to have twelve concerts in the year, - viz., four quarterly full dress concerts, with metropolitan talent; and eight monthly undress concerts, with local talent . . . The following gentlemen are members of the committee . . . [25 names and] . . . John Russell, William Sudlow, and John Swainson, Esquires.
[Advertisement], Liverpool Standard and General Commercial Advertiser (17 October 1843), 9
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002088/18431017/114/0009 (PAYWALL)
CLASS INSTRUCTION IN VOCAL MUSIC, CONDUCTED BY MR. RUSSELL.
A NEW CLASS for LADIES and GENTLEMEN commenced YESTERDAY, the 16th instant, at the Lecture Room, Medical Institution, Mount-pleasant, at Seven o'clock.
The Wilhem Method is preserved in the study of "Time," but intervals are studied on a more certain and scientific principle.
The Amateur Class for the purpose of Madrigals, Choruses, &c., consisting of about 100 members, is still open, on Tuesday Evenings,
to such Amateurs as read Music. Terms, 10s. 6d. per Half Year.
[Advertisement], Chester Chronicle (6 December 1844), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000342/18441206/029/0002 (PAYWALL)
CONTINUATION OF MR. RUSSELL'S SINGING CLASSES.
MONS. ALBERT RODICQ, formerly a Pupil of WILHEM and GODFROID, proposes to form TWO SINGING CLASSES,
to meet every Wednesday, at the Exchange Assembly Room . . .
New York, USA (c. 1850-52):
[Advertisement], The Brooklyn Daily Eagle (18 October 1850), 2
https://bklyn.newspapers.com/image/50253732
VOCAL MUSIC CLASSES, to be conducted by Mr. JOHN RUSSELL, conductor of the Brooklyn Sacred Music Society.
The first class will meet on MONDAY evening next, the 21st instant, at the Brooklyn Institute, Washington street,
at 7 1/2 o'clock, when a lecture will be delivered on Musical Notation,
and the best mode of acquiring the art of Reading Music at sight, with special references to Church Muisc, Choral and Congregational.
Admission to the Lecture, free.
"READING MUSIC AT SIGHT", The Brooklyn Daily Eagle (18 October 1850), 3
https://bklyn.newspapers.com/image/50253742
We refer our readers to the card of Mr. John Russell, late of the Philharmonic Society at Liverpool, England, and now conductor of the Brooklyn Sacred Music Society. His mode of instruction is said to have superior advantages over the old methods. He commences a class on Monday evening next, at the Brooklyn Institute, at half past 7 o'clock.
"MENDELSSOHN ASSOCIATION", The Brooklyn Daily Eagle (31 March 1851), 3
https://bklyn.newspapers.com/image/50443382
The members and subscribers will bear in mind that the rehearsal of the above association takes place this evening, at the Gothic Hall, Adams street. It is expected to be quite a choice affair. It is a miscellaneous concert, and the programme is decidedly a rich one. The entire arrangements are under the control of Mr. John Russell, late conductor of the Philharmonic Concerts at Liverpool, England.
"MENDELSSOHN ASSOCIATION", The Brooklyn Daily Eagle (2 April 1851), 3
https://bklyn.newspapers.com/image/50443390
The twenty-fifth regular rehearsal of the above associations, was most brilliantly attended, on Monday evening, at Gothic Hall, Adams street. The management have vigorously bestirred themselves, and the result is, that a new and fresh impetus has been given to the musical movements of this really talented amateur association. The engagement of Mr. John Russell was an act of sound policy, for a more efficient musical director could not have been selected. Thoroughly imbued with a natural passion for the divine art, in close combination with a musical education of the first quality, he possesses all the requisites that constitute an efficient teacher, and under his auspices the society cannot but rapidly arrive at the perfection that invariably results from talented efforts, judiciously directed. The glees, chorusses, madrigals and quartettes, were choice in selection, charmingly rendered, and gave the most entire satisfaction to the visitors. The next rehearsal will be anxiously looked for.
[Advertisement], The Brooklyn Daily Eagle (27 May 1851), 3
https://bklyn.newspapers.com/image/50443582
MENDELSSOHN ASSOCIATION. The 26TH INVITATION REHEARSAL will be held at the Gothic Hall,
on TUESDAY EVENING, 27th instant, at 8 o'clock.
A Hymn, Solo, and Chorus by Mendelssohn, and selections by his "Elijah" and from Palestrina, Zingarelli, &c., will be performer.
Mrs. L. A. Jones, Miss Wheelock, Messrs. Bentler and Thomas, Principal Vocalists. John Russell Conductor . . .
Victoria, Australia (from March 1853):
List of passengers per Nebraska . . . from New York; Public Record Office Victoria
https://www.ancestry.com.au/imageviewer/collections/1635/images/30796_125585__006-00042 (PAYWALL)
1st Cabin . . . John Russell / 46 / [native of] Liverpool England / Merchant . . .
[Advertisement], The Argus (15 March 1853), 1
http://nla.gov.au/nla.news-article4790704
ON SALE, per NEBRASKA - India rubber boot and shoes; Leather ditto, of all kinds; Wickered flasks; House and office furniture; Wood ware; American clocks; Saddlery; Biscuits, in tins; Looking-glasses; Pocket and hunting knives; Table cutlery; Webster's Dictionaries 1100 barrels flour (North side.) Apply to JOHN RUSSELL. At Mr. Bruford's, Wharf.
[Advertisement], The Argus (21 March 1853), 7
http://nla.gov.au/nla.news-article4790862
JOHN RUSSELL, formerly of Liverpool, and recently from New York, begs to apprise his friends in these Colonies, that he has taken an office in Flinders-lane, Melbourne, (behind the Foundry.)
[Advertisement], The Argus (5 October 1853), 8
http://nla.gov.au/nla.news-article4797766
Melbourne, September 28, 1853.
SIR, - Having the fullest confidence in your qualifications, talents, and experiences,
we respectfully invite you to become the Director and Conductor of a Musical Society in this city, to be called the Melbourne Choral Society.
We are persuaded that there are many individuals in this place, unknown to us and each other,
who lament the loss of opportunities formerly delighted in, of not only improving their vocal or instrumental abilities,
but of cultivating a pure and correct taste for the sublime compositions of those Masters whose works will never decay, until
"The trumpet shall be heard on high,
And music shall untune the sky."
Should you accede to our request, we engage to afford you our hearty support and co-operation.
We have the honor to be, Sir, Your obedient Servants,
(Signed upwards of Twenty Amateurs).
To John Russell, Esq., Great Collins-street.
Collins-street. October 4, 1853.
Gentlemen, - In reply to your kind communication I beg to say,
that my services are at your disposal in any way in which I can promote the objects contemplated.
Gentlemen, your obedient Servant,
JOHN RUSSELL.
A General Meeting of Amateurs of Choral Music, who can take a part therein, either vocal or instrumental, will be held at one of the Committee Rooms, Mechanics' Institute, on Saturday evening next, the 8th inst, chair to be taken at seven o'clock.
[Advertisement], The Argus (14 October 1853), 7
http://nla.gov.au/nla.news-article4798114
MELBOURNE CHORAL SOCIETY. - At a meeting convened by advertisement and attended by upward of fifty persons,
held in the Mechanics' Hall on Saturday, 8th October, 1853.
Chares Vaughan, Esq., J. P., in the chair; the following Resolutions were passed unanimously:-
1. That the meeting constitute itself an Association for the cultivation of Choral Music, Sacred and Secular,
to be called the "Melbourne Choral Society."
2. That new members be admitted on the following conditions:-
A written recommendation signed by two members.
Ability (if a vocalist) to sing correctly a part in a plain Psalm tune; if an instrumentalist) to perform "part music" readily.
Engagement to observe the Rules of this Society.
3. That the following gentlemen be appointed a Committee to frame Rules for the government of the Society:
- Messrs. Goold, Russell, W. G. Dredge, Ewart, Walker, Henry Smith, and John Matthew Smith,
with a request that they submit the same to a meeting of members now present, to be held in the Mechanics' Institution,
on Saturday, 15th inst., at eight o'clock p.m.
(Signed) CHARLES VAUGHAN, Chairman.
Mr. Vaughan having been moved from the chair, and Mr. Russell voted thereto,
the cordial thanks if the meeting were presented to the former gentleman for his kindness in presiding on the occasion.
ASSOCIATIONS: Charles Vaughan (member); Thomas Green Goold (members); William Gilpin Dredge (member); Thomas Ewart (member); Henry Smith (member); John Matthew Smith (member); almost immediately renamed Melbourne Philharmonic Society, following an attempt earlier that year by George Chapman and others to form an organisation of that name
[Advertisement], The Argus (28 November 1853), 8
http://nla.gov.au/nla.news-article4800064
PHILHARMONIC SOCIETY - Mechanics' Institution On Saturday Evening, the 24th December, (Christmas Eve) Handel's Great Oratorio THE MESSIAH Will be performed by the Members of the Society. The public are respectfully informed that no tickets will be sold on the occasion, the room being capable of accommodating only the subscribers and the friends invited . . .
"CONGREGATIONAL UNION", The Banner (13 January 1854), 9-10
http://nla.gov.au/nla.news-article179811400
A highly important, interesting, but somewhat stormy anniversary meeting of the ministers and delegates of Independent Churches, and by invitation the members of those Churches, in connection with the Congregational Union, was held at the Hall of the Mechanics' Institution on Wednesday . . . [10] . . . Mr. Landells vainly essayed to tranquillise the feelings of the parties: confusion reigned supreme. Mr. Russell placed himself at the organ and endeavored by playing to drown the discord or change it into harmony. But, unlike the harp of David, which soothed the troubled spirit of Saul, that instrument only seemed to add fuel to the mental fire raging. The meeting abruptly separated . . . - Argus.
"MELBOURNE MECHANICS' INSTITUTION", The Banner (3 February 1854), 9-10
http://nla.gov.au/nla.news-article179811663
On Tuesday evening the annual General Meeting of the members of this Institute was held in the Lecture Hall . . . [10] . . . the Committee with pleasure allude to the affiliation, as a class, with this Institution, of the recently formed Philharmonic Society, which will materially conduce to the cultivation of classical music. This Society, though only a few months established, has displayed unusual vigour under the able guidance of Mr. Russell, and promises to he a powerful auxiliary of the Institution . . .
"PHILHARMONIC CONCERT", The Argus (15 March 1854), 5
http://nla.gov.au/nla.news-article4804346
The second concert of the Philharmonic Society, held last evening, at the Mechanics' Institution, was very fairly attended. The choir was numerous, and was assisted by Mrs. Testar, Miss Martin ce devant, and Miss Edwards. Mr. Russell conducted the proceedings, and Mr. Gould presided at the piano; both gentlemen performed during the evening on the new organ, which fully bears out our praises awarded to it prospectively. Instrumental accompaniment was not applied to the madrigals which were performed, as in good taste they should always be in their simplicity. Vocal music which depends for its effect on the harmony of voices is marred by the intervention of instrumental music. The whole performance was very creditable to the amateur choir; several of the pieces were encored, and all afforded pleasure to the audience. The professional ladies assisted by some of the gentlemen, one of whom contributed a capital bass, varied the entertainment with some favorite songs and glees. The whole affair went off well, and the next concert will doubtless be looked forward to with pleasure.
ASSOCIATIONS: Elizabeth Testar (vocalist); Charlotte Martin Quain (vocalist); Miss Edwards (vocalist)
"THE CREATION", The Argus (5 July 1854), 5
http://nla.gov.au/nla.news-article4794741
The spirited efforts of the Philharmonic Society were rewarded last evening by a crowded audience, in spite of broken weather and dirty streets; and the beautiful oratorio of the Creation was given in a style which did credit to the society and to the colony in which it is doing so much to introduce a taste for good music. Both the orchestra and the choruses were very strong; and under the effective leadership of Mr. Russell a degree of precision was observable which speaks volumes for the attention which has been bestowed in the rehearsal of a production, much of which is of a very difficult description. Mrs. Testar sang the solo parts which came to her share very well, as she always sings religious music; and Miss Edwards acquitted herself in a style of which we never before thought her capable. One or two of the other solos were very well given by Mr. Hackett and another gentlemen, whose name we did not hear. We trust that this excellent society may go on and prosper. Their efforts are all in the right direction, and it is only a matter of surprise that in so small and young a place as this they have been able to muster so powerful and efficient a choir, and to do such justice to the splendid productions of the great masters.
"THE ORATORIO ON THURSDAY NIGHT", The Argus (28 October 1854), 5
http://nla.gov.au/nla.news-article4799524
Selections from Handel's magnificent oratorio, Judas Maccabaeus were performed on Thursday night by the Philharmonic Society, at the Exhibition, to a numerous and most respectable attendance. The solo vocalists were Mrs. Hancock and Miss Edwards, Messrs. Ewart, Hackett, and King. The orchestra was a very efficient one, under the direction of Mr. Russell . . .
"THE PHILHARMONIC SOCIETY'S CONCERT", The Age (28 October 1854), 5
http://nla.gov.au/nla.news-article154851406
. . . Great credit is due to Mr. Russell, who so ably conducted the whole, as the general effect of the choruses has been accomplished by his persevering energy, and we have no doubt that the very prompt obedience manifested by both band and chorus to his baton, shows him that his efforts are far from being bad. The instrumental part was excellent in the extreme, and reflects the highest credit upon the conductor [sic, leader], Mr. Joseph Griffiths, to whose exertions is mainly to be attributed the present efficient state of the band.
ASSOCIATIONS: Mary Ellen Hancock (vocalist); Mr. Hackett (vocalist); Henry John King (vocalist); Joseph Griffiths (violin, leader)
"PHILHARMONIC SOCIETY", The Argus (3 January 1855), 5
http://nla.gov.au/nla.news-article4802592
The first annual meeting of the Philharmonic Society took place in the hall of the Mechanics' Institute last evening. Tea was provided, and the evening was relieved by the performance of glees, catches, &c. The chair was occupicd by J. M. Smith, Esq. Mr. Gould [sic, Goold] presided at the pianoforte. The ladies of the society had subscribed for the purpose of presenting a testimonial to the conductor of the society, Mr. Russell, who, both as an able musician and an amiable gentleman, has won the esteem of all who have the honor of his acquaintance. The testimonial, consisting of a purse containing one hundred sovereigns, was presented to Mr. Russell by the Rev. Mr. Jarrett, who, in doing so, highly complimented him on his skill and tact in performing the duties of his office. Mr. Russell replied in a neat and appropriate speech. He considered the society was much indebted to Mr. Griffith and Mr. Ashton for the valuable aid they had rendered. The latent of the hour at which the meeting separated prevents our saying more than that all present seemed highly delighted with the evening's entertainment afforded them by the many talented members of the society,
ASSOCIATIONS: Michael Ashton (organist)
"THE PHILHARMONIC SOCIETY", The Argus (28 February 1855), 5
http://nla.gov.au/nla.news-article4805008
Yesterday evening the usual weekly meeting of the Philharmonic Society was held at the Mechanics' Institution. The occasion was rendered more than usually noticeable by there being a rehearsal of Handel's magnificent oratario of "Samson," which is announced for public performance on Tuesday week. That a musical treat of a very high order will be then afforded, there can be no doubt, for the rehearsal betrayed very great efficiency on the part of the members of the society, which was alike creditable to them and their able conductor, Mr. Russell. That gentleman will, we confidently augur, soon have a much reason to be proud of this association, which he initiated, as he had with reference to the Liverpool Philharmonic Society, of which he was the founder. And at the same time, every member of the Melbourne Philharmonic will, we are sure, ever be ready to acknowledge that their advancement is mainly owing to Mr. Russell's painstaking assiduity and discrimination. Yesterday evening, his anxiety to make everyone perfect in their parts so as to produce an unexceptionable whole, was particularly noticeable, and the result was pleasing to all parties . . .
"MELBOURNE PHILHARMONIC SOCIETY", The Argus (1 August 1855), 4
http://nla.gov.au/nla.news-article4813883
. . . In October, 1853, the members of the choir of the Wesleyan Church, Collins-street, in conjunction with a few other lovers of choral music, requested Mr. John Russell to aid them in the formation of a musical society, and to become its conductor. That gentleman, whose extensive experience, taste, and indefatigable zeal in the diffusion of musical knowledge pre-eminently qualified him for such an office, having given his cordial assent to the proposal, the Melbourne Philharmonic Society was formed . . . The choir immediately commenced the study of Handel's 'Messiah,' (that being the only orchestral work of which a sufficient number of copies was then available,) the choruses being accompanied on the pianoforte . . .
"ANNUAL MUSICAL FESTIVAL OF THE DENOMINATIONAL SCHOOL CHILDREN", The Argus (21 December 1860), 5
http://nla.gov.au/nla.news-article5695381
The annual musical festival of the children, attending the various Denominational schools about Melbourne was held yesterday, in the Exhibition Building, and, in addition to some 900 children, there must have been considerably over that number of spectators, the greater portion being ladies . . . The whole of the proceedings were conducted by Mr. Allen, who, baton in hand, gave the signal to commence, and kept the time throughout. Mr. Pringle presided at the piano, and Mr. G. O. Rutter and Mr. John Russell also gave valuable assistance . . .
"ANNUAL MUSICAL FESTIVAL AND EXHIBITION OF DRAWINGS OF THE CHILDREN OF THE DENOMINATIONAL SCHOOLS", The Age (21 December 1860), 5-6
http://nla.gov.au/nla.news-article154884821
. . . the children were now examined as to their proficiency singing music by sight. Mr. Russell, of the Chamber of Commerce, and Mr. Rutter, kindly consented to act as judges. The music was written on a black board placed in front of the children. The exercises had been chosen by Messrs. Russell and Rutter, and neither the children nor their teachers had ever seen them before. About 200 stood up for this examination, and Mr. Geo. [6] L. Allan, said that the whole of the children were being trained in the same manner as the 200 who were deemed sufficiently advanced to make an attempt in public. The first exercise was an Allegretto, the second an Andante, and the third an Andante con moto. The two first were sung through at once with scarce the slightest error. The last was sung three times; the first time there was a mistake in consequence of an error in writing the music on the board, the second attempt was not deemed quite satisfactory, but the third time it was sung accurately, to the evident satisfaction and somewhat to the surprise of the judges, as the exercise was a remarkably difficult one, consisting of two parts, one of which was sung by the boys and the other by the girls. Mr. Russell, in expressing his satisfaction at the result of the trial, said that there were very few choral societies who would have so well stood such a severe test . . .
ASSOCIATIONS: George Leavis Allan (singing master); George Oswald Rutter (musician); Musical Union (Fitzroy)
"MELBOURNE PHILHARMONIC SOCIETY", The Argus (31 January 1861), 5
http://nla.gov.au/nla.news-article5697179
The adjourned annual meeting of the Philharmonic Society was held at the Mechanics' Institution yesterday evening . . . The officers elected were as follow: - President, Sir R. Barry . . . conductor, Herr Elsasser; organist, Mr. L. L. Lewis; committee, Messrs. W. G. Dredge, G. O. Rutter, J. Russell, E. Wyld, W. Clarke; librarian, Mr. S. Moxon . . . On the motion of Mr. L. L. LEWIS, seconded by Mr. JOSEPH WILKIE, M.L.A., a vote of thanks was passed to Mr. John Russell, on his retirement from the office of conductor. Mr. RUSSELL, in replying, took occasion to bespeak for his successor the most zealous cooperation of the performing members of the society, particularly in the matter of punctual attendance. He suggested, for the advancement of music, that if the Philharmonic Society could devote itself more particularly to the choral department, and the cognate institution in Fitzroy to instrumental practice, most beneficial results might be expected from such friendly cooperation . . .
ASSOCIATIONS: Redmond Barry (president); Charles Elsasser (conductor); Louis Lucas Lewis (organist); William Clarke (committee member); Septimus Moxon (librarian); Joseph Wilkie (member)
"INAUGURATION OF WESLEY COLLEGE", The Age (12 January 1866), 6
http://nla.gov.au/nla.news-article155044014
This educational institution was formally opened yesterday afternoon, by a luncheon given in the college building, situate on the Melbourne and St. Kilda-road . . . A choir, conducted by Mr. John Russell, with Mr. Fielding, organist of the Brunswick-street Wesleyan chapel, performing on the harmonium, sang an anthem . . .
"THE NEWS OF THE DAY", The Age (18 March 1868), 4
http://nla.gov.au/nla.news-article176998320
A MEETING OF THE PROFESSORS OF MUSIC was held yesterday, at Messrs. Wilkie, Webster and Co.'s, Collins-street east, to determine what steps should be taken to render a complimentary musical entertainment to Mr. John Russell, who, in consequence of ill-health, is leaving the colony for Europe. Mr. J. Summers, Mus. Bac. Oxon., occupied the chair, and stated that he understood Mr. Russell had just claims upon the public of this town, having founded the Philharmonic Society, conducted ninety-one concerts, introduced the great choral works of Beethoven, Handel, Mozart, and Mendelssohn, and devoted the greater part of his life in educating the young and popular taste. Mr. David Lee stated that the Congregational Chapel, Coliins-street east, of which Mr. Russell is organist, had been granted for the use of the Sacred concert, and that much valuable assistance had been promised from the various societies of the town. It was arranged the concert should take place on the 2nd of April.
ASSOCIATIONS: Joseph Summers (musician); David Lee (musician)
"TOWN NEWS", The Australasian (25 April 1868), 19
http://nla.gov.au/nla.news-article137571944
A meeting of members of the committee of the concert organised as a musical farewell of Mr. John Russell, prior to his departure for England, was held on Wednesday, at the vestry of the Independent Church, Collins-street, for the purpose of presenting Mr. Russell with a cheque for £153, the net proceeds of the concert. Messrs. Lee, Kaye, Elsasser, and Haigh and Mr. Browne, hon. secretary, were present. The Rev. A. M. Henderson presided. Mr. Kaye made the presentation, and referred to the pleasure it gave him to present Mr. Russell with that recognition of the services he had rendered to the cause of music in Melbourne. Mr. Russell responded, and the proceedings closed.
ASSOCIATIONS: Samuel Kaye (musician)
"SHIPPING . . . PASSENGERS PER MORAVIAN", The Herald (6 May 1868), 3
http://nla.gov.au/nla.news-article244954535
The following is a list of the passengers per Moravian, for London - Mr. and Mrs. Russell . . .
"THE SCOTCH COLLEGE. To the Editor of . . .", The Herald [Melbourne, VIC] (13 July 1868), 3
http://nla.gov.au/nla.news-article244957460
. . . In 1866, Mr. John Russell was engaged to teach the rudiments of music and singing; but since then the subject has had no attention, and yet pupils in the common schools, who pay much less, have this advantage . . .
England census, 2 April 1871, Great Crosby, Lancashire; UK National Archives, RG10 / 3836
https://www.ancestry.com.au/imageviewer/collections/7619/images/LANRG10_3836_3838-0154 (PAYWALL)
37 Mount Pleasant / margaret Yates / Head / Widow / Monthly Nurse &c. / . . .
John Russell / Lodger / Mar. / 66 / Retired Commercial Agent / [born] [Lancashire Liverpool]
Ann Russell / [lodger] / Mar. / 46 / Wife of do. / [born] Derbyshire Middleton
"SHIPPING INTELLIGENCE", The Argus (9 March 1872), 4
http://nla.gov.au/nla.news-article5860464
. . . The Calcutta brings very large cargo, and on her arrival in the bay she was taken to a discharging berth at the railway pier, Williamstown. Amongst her saloon passengers are a number of old colonists, one of them being Mr. John Russell, well known for years as secretary of the Melbourne Chamber of Commerce, and also very popular in musical circles.
"DEATHS", The Argus (3 August 1872), 4
http://nla.gov.au/nla.news-article5836282
RUSSELL. - On the 2nd inst., John Russell, late of Liverpool and New York, and for many years secretary of the Melbourne Chamber of Commerce, aged 67 years.
[News], The Argus (5 August 1872), 5
http://nla.gov.au/nla.news-article5836395
Last Friday a very old and much-respected colonist ended a life full of kind actions and usefulness to his fellow citizens. Mr. John Russell was extensively known and much respected, especially in the musical profession, as a most enthusiastic lover of music, not only in Australia, but also in England and America. One of the original founders of the Philharmonic Society of Liverpool, his native town, he lived to see that institution grow into one of the first associations of the kind in Great Britain, and was greatly instrumental in imbuing the public with a taste for his favourite art in Liverpool and Chester. Having a happy talent for imparting a knowledge of music to beginners he was invited on many occasions to take charge of classes in these towns, which he did in the most unselfish way, for the pure love of his art, and there are many persons now in Melbourne who there received their first knowledge of the rudiments of music from him at these classes, and who cherish a grateful remembrance of their instructor. He carried his devotion for the divine art into America, where he founded the Harmonic Society of Brooklyn in 1849. From thence he came to Melbourne in 1853, and was the pioneer of music in this city, having been the founder of the present Philharmonic Society of Melbourne. Since that time until 1867 he was a leading spirit in the society, and conducted no less than 91 of their concerts, introducing to Melbourne audiences the great choral works of Beethoven, Handel, Mozart, and Mendelssohn, and quite succeeded in instilling into the public a taste for high-class music. In the early part of 1867 he was seized with a slight paralytic stroke, which gradually developed into the malady which eventually caused his death. He went to England in 1868 in search of renewed health, but the change had not the desired effect, and he returned to Melbourne in March last, only to end his days in the land of his adoption, at the age of 67 years, and was buried in the Melbourne Cemetery last Saturday. Mr. Russell was for many years secretary to the Melbourne Chamber of Commerce, but was of course of late years out of business. His unostentatious piety, genuine kindness, and sterling honesty of purpose, gained him many friends. We understand that his musical friends, as a mark of their appreciation for the services he has rendered in the cause of music, purpose erecting a tablet to his memory.
[News], The Argus (13 August 1872), 4
http://nla.gov.au/nla.news-article5836921
A number of old colonists, identified in various ways with the earlier history of Victoria, have lately passed away. One of these was Mr. John Russell, who was extensively known and much respected, especially in the musical profession, as a most enthusiastic lover of music, not only in Australia, but also in England and America. He was one of the original fenders of the Philharmonic Society of Liverpool, his native town, and he founded also the Harmonic Society of Brooklyn, America, in 1849. From thence he came to Melbourne in 1853, and was the pioneer of music in this city, having been the founder of the present Philharmonic Society of Melbourne. He was for many years secretary to the Melbourne Chamber of Commerce, but was of late years out of business. He died at the age of 67.
See also "SUMMARY FOR EUROPE", The Argus (13 August 1872), 1s
http://nla.gov.au/nla.news-article5836891
"THE MELBOURNE PHILHARMONIC CONCERT. THE MESSIAH", The Australasian (17 August 1872), 19
http://nla.gov.au/nla.news-article137573815
. . . At the commencement of the concert the Dead March in "Saul" was played, and very effectively played, on the organ by Mr. D. Lee, out of respect to the memory of the late Mr. John Russell and the late Mr. Michael Ashton, recently deceased, who had been respectively the first conductor and the first organist to the society . . .
ASSOCIATIONS: Michael Ashton (organist)
"DEATHS", The Age (8 April 1939), 3
http://nla.gov.au/nla.news-article205992386
RUSSELL. - On April 7, at his residence, John Herbert Briddon (late A.I.F.), the loved oldest son of the late John Briddon and Julia Russell, and grandson of the late John Russell (founder of the Melbourne Philharmonic Society, and late member of the Liverpool Stock Exchange, England).
"MELBOURNE PHILHARMONIC CELEBRATES 90TH BIRTHDAY NEXT FRIDAY", The Argus (2 October 1943), 3s (with photograph)
http://nla.gov.au/nla.news-article11783704
Bibliography and resources:
"A Musical Pioneer! George Leavis Allan. By J. ALEX. ALLAN", The Argus (25 June 1932), 6
http://nla.gov.au/nla.news-article4459478
. . . On August 20, 1855, St. Paul's Church committee appointed Allan choirmaster and organist at the same salary as Russell, the retiring official.
At this time Allan could not play the organ, but at the age of 27 he set out to learn.
Let his diary tell its own story: -
"I was allowed to engage an organist until I could play, and accordingly engaged first Mr. Ruxton, then Mr. Richardson, then Mr. Clarke;
and on his leaving I resigned (as organist only) in favour of Mr. Russell on February 2, 1856.
I returned £9 of the salary for the church debt fund, and paid rather more than the rest of the salary, during my appointment,
in salaries to organist and singers, besides a contribution of £5 to the church debt fund, and £5 for the minister's stipend.
Mr. Clarke refused to receive any salary for the time he had played, and as I would not keep the amount myself I devoted it to the pay of choir singers to the end of 1856.
The sum was about £20."
Allan held the dual post of choirmaster and Sunday school superintendent at St. Pauls till his resignation late in 1858.
Concerning his relinquishment of these offices, St. Paul's parish report for the year states:
"He has done much; his services to the choir are more and more felt.
To him we tender most hearty thanks, and would be exceedingly glad to see others equally self-denying and ready" . . .
ASSOCIATIONS; George Leavis Allan (organist and choirmaster, 1855-58); Henri Ruxton (acting organist under Allan, 1855); William Clarke (acting organist under Allan, 1855)
W. A. Carne, A century of harmony: the official centenary history of the Royal Melbourne Philharmonic Society (Melbourne: Royal Melbourne Philharmonic Society, 1954), 5-18, passim
https://webarchive.nla.gov.au/awa/20140215050353/http://www.rmp.org.au/downloads/files/Carne.pdf (DOWNLOAD PDF TRANSCRIPT FROM PANDORA)
. . . JOHN RUSSELL, originally of Liverpool, but came to Melbourne from America. Although highly respected as an Organist and Choir-master, he did not follow music as a profession. He invested his capital in the flour trade, and in time was in a fairly comfortable position. By nature he was said to have been a gentleman of a very retiring and unassuming disposition, sensitive and conscientious in the highest degree. For some years he held the position of Organist and Choir-master of Collins-street Independent Church. It is somewhat curious that at a complimentary concert given to Mr. Russell in the sixties, the contralto soloist failed to appear, and a lad named Peake, who was destined to become his successor both at the church and the Philharmonic Society, took her place. Although the portrait here given of John Russell presents a somewhat austere expression, it is said that he was a lovable man, and won the respect of all who knew him . . .
Stainton de B. Taylor, Two centuries of music in Liverpool: a scrapbook of information concerning musical activities both professional and amateur (Liverpool: Rockliff Brothers, 1976), 10
[reproduces the first programme] . . . For the first three years Russell shared the conducting with Thomas Clough (organist of St. Nicholas's Pier Head), and William Sudlow, the chorus numbering 50 voices . . .
Fiona M. Palmer, "A home for the 'Phil': Liverpool's first Philharmonic Hall (1849)", in Paul Rodmell (ed.), Music and institutions in nineteenth-century Britain (London: Routledge, 2016), 83
https://books.google.com.au/books?id=VYYWDAAAQBAJ&pg=PA83 (PREVIEW)
. . . The Society gave its first concert on 19 March 1840 and had, by then, attracted 300 subscribers . . . Between 1840 and 1843 the direction at its quarterly concerts (held in March, June, September and December) was shared between John Russell, Thomas Clough (organist at St Nicholas's Church on the Pier Head; d. 1841)21 and William Sudlow (also organist and Secretary) . . .
Melissa Meriam Bullard, Brooklyn's renaissance: commerce, culture, and community in the nineteenth-century Atlantic world (Cham: Palgrave Macmillan / Springer Nature, 2017), 139-40
https://books.google.com.au/books?id=m8gmDwAAQBAJ&pg=PA139 (PREVIEW)
. . . Brooklyn's musical connections with Liverpool continued to strengthen when a leading member of Liverpool's Philharmonic Society accepted the Brooklyn Sacred Music Society's invitation to become its new conductor. Once in Brooklyn, John Russell also began offering classes at the Brooklyn Institute, featuring [140] his new instructional methods for sight-reading music with special attention to church music, both choral and congregational singing (Brooklyn Daily Eagle, 18 October 1850, 3). After one of their weekly rehearsals, this time of Louis Spohr's The Last Judgment, a small committee of the Society retired from the rehearsal chamber and returned, "bringing with them a neat rosewood table, upon which lay a large folio Bible, elegantly embossed and gilted, and which was intended by the members of the society as an offering to their President, L. B. Wyman, Esq., expressive of their high appreciation of his merits as President of the Society, and of their esteem for him as a friend" (Brooklyn Daily Eagle, 18 October 1850, 2). Wyman had been president for five years. He had not only encouraged the Society to raise its level of artistry but to perform ambitious modern compositions by Loewe, Spohr, Neukomm, and Horn, in addition to the more standard repertory of Handel and Haydn oratorios . . .
ASSOCIATIONS: Luther B. Wyman (c. 1804-1879)
RUSSELL, Philip (Philip RUSSELL)
Musician, pianist, teacher of piano, composer, pupil of Charles Packer
Active Sydney, NSW, by 1876
RUSSELL, David (David RUSSELL)
Musician, violinist, leader (Euphonic Orchestral Society), teacher of violin and viola
Active Sydney, NSW, 1880
THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860
Summary:
Levi 2013 identified Philip Russell and a brother David as sons of Henry Russell (c. 1812-1898), who arrived in Van Diemen's land in 1833 on the Lady East, and who, he claims, was also a professional musician. Levi, however, conflated several references to William Wilkins Russell in building Henry's biography, as well as to another Henry Russell, the famous singer-songwriter.
Documentation:
"The Euphonic Orchestral Society . . .", Evening News (19 June 1874), 2
http://nla.gov.au/nla.news-article107142793
[Advertisement], The Sydney Morning Herald (4 January 1876), 2
http://nla.gov.au/nla.news-article13360945
"The Sydney Cricketers' Schottische", Evening News (7 March 1877), 2
http://nla.gov.au/nla.news-article108199396
We have received a copy of the above-named piece of music, which is the first published composition of its author, Mr. Phil. Russell. As a schottische it displays considerable melody, but in its harmonies and modulations there are errors which betoken immatured theoretical knowledge, which should be remedied ere the composer publishes his second edition. The piece is not difficult of execution, and will he heard with pleasure by those whose little feet patter upon the drawing-room floor. The music is clearly and well printed, and is published by James Reading, of George street.
[Advertisement], The Sydney Morning Herald (9 January 1879), 3
http://nla.gov.au/nla.news-article13427474
"EUPHONIC ORCHESTRAL SOCIETY", The Sydney Morning Herald (8 July 1880), 6
http://nla.gov.au/nla.news-article13463517
[Advertisement], The Sydney Morning Herald (25 August 1880), 8
http://nla.gov.au/nla.news-article13466831
Bibliography and resources:
John S. Levi, These are the names: Jewish lives in Australia, 1788-1850 (2nd edition; Carlton: Miegunyah Press, 2013), 720
RUSSELL, Samuel (Samuel RUSSELL; Mr. S. RUSSELL; Mr. RUSSELL)
Dancer, entertainer, delineator, entrepreneur
Active Hobart Town, VDL (TAS), 1838-43
https://trove.nla.gov.au/search?l-publictag=Samuel+Russell+dancer (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUSSELL-Samuel (shareable link to this entry)
DISAMBIGUATION: Samuel Thomas Russell (1766-1845, English actor, comedian, manager)
Documentation:
[Advertisement], The True Colonist Van Diemen's Land Political Despatch . . . (19 January 1838), 3
http://nla.gov.au/nla.news-article203145645
Theatre Royal, Hobart Town. FOR THE BENEFIT OF MR. GROVE, (Stage Manager,) AND MRS. GROVE . . .
on Wednesday evening Jan. 24th, 1838 . . .
A comic dance by a well known gentleman Amateur, who has kindly offered his services for this night only . . .
ASSOCIATIONS: Daniel and Bridget Grove (actors, manager)
[Advertisement], Bent's News and Tasmanian Register (17 February 1838), 1
http://nla.gov.au/nla.news-article233325125
Theatre Royal, HOBART TOWN. MR. PALMER . . . his first BENEFIT On Wednesday, Feb. 21, 1838 . . .
On this occasion, the Performances will commence with the Operatic Extravaganza of TOM & JERRY; OR Life in London.
African Sal, by Mr. RUSSELL, the Gentleman Amateur, who danced the Comic Dance,
and was received with such rapturous applause on the Night of Mr. Grove's Benefit . . .
PIECE: Tom and Jerry; or, Life in London (by William Thomas Moncrieff)
[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (5 January 1841), 1
http://nla.gov.au/nla.news-article232478763
TWELFTH NIGHT. FANCY DRESS BALL.
SAMUEL RUSSELL RESPECTFULLY begs to announce to the Public, that having been prevented,
from causes over which he could exercise no controul, from bringing forward his intended Christmas Amusements,
on the Premises adjoining the "Rose and Crown," New Town Road, he has now prepared an Entertainment for the respectable portion of the community,
in a properly fitted up ASSEMBLY ROOM, With a Private Entrance from Burnett Street.
As the strictest order and decorum will be observed, he hopes to be favored with the patronage of the public.
The BALL will take place To-morrow Evening, the 6th instant, and commence at half-past 7, P. M.
N.B. An excellent Band will be provided. Price of Admittance, 4s. for a Lady and Gentleman, and 2s. 6d. for a Single Person.
Tickets to be had at the Rose and Crown Inn, Elizabeth-street . . .
[Advertisement], The Courier (15 January 1841), 1
http://nla.gov.au/nla.news-article2957296
MR. RUSSELL'S Grand FANCY DRESS BALL will take place on FRIDAY, the 22d instant, adjoining the Rose and Crown, New Town Road, under the superintendence of Mr. Francis Lowe. Tickets and Dresses to be obtained from Mr. Watson, Tobacconist; Mr. Hefford, Waterman's Arms; Mr. Seal, Tobacconist; and Mr. Tegg, Bookseller. Admission, One Dollar each. N.B. - An addition of one thousand variegated lamps; transparencies, and the band greatly augmented. January 15.
[Advertisement], Colonial Times (20 July 1841), 1
http://nla.gov.au/nla.news-article8751899
ROYAL VICTORIA THEATRE, CAMPBELL-STREET . . . MR. G. H. ROGERS'S BENEFIT,
THURSDAY, JULY 22 . . . Comic Medley Dance - MR. RUSSELL . . .
ASSOCIATIONS: George Herbert Rogers (actor, vocalist)
[Advertisement], Colonial Times (28 September 1841), 2
http://nla.gov.au/nla.news-article8752073
UNRIVALLED NOVELTY! GRAND GALA AND FANCY DRESS BALL.
THE Public are respectfully informed, that those commodious Stores situated on the New Wharf,
adjoining Capt. Haig's, have been fitted up by Mr. S. RUSSELL, at considerable expence,
the one as a Theatre, and the other as an elegant Ball Room and Promenade.
The performances will commence TO-MORROW EVENING, 29th instant, at half-past seven o'clock, with feats by the FIRE KING, OR NECROMANCER.
The Ball Room will be under the superintendence of Mr. S. Russell, of whom Tickets and Dresses may be obtained, at Shakspeare Cottage,
New Town Road, or at the Ball Room. Price of admission - 4s. 4d. each.
The greatest attention will be paid to the music, lighting, and dresses.
Sept. 28, 1841.
[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (22 October 1841), 2
http://nla.gov.au/nla.news-article232479639
SALOON OF MIRTH, and NEW WHARF ASSEMBLY ROOMS, Adjoining the Bee-hive Stores.
MR. S. RUSSELL will resume his amusements, on the same scale as he heretofore did on the New Town Road,
on Monday, the 25th instant, when he trusts that the public will patronise him with a full house,
as he can assure them that no pains or expense will be spared to give effect to the Grand Gala and Fancy Dress Ball,
with other amusements too numerous to insert.
Tickets, Dresses, and Costumes as usual.
Price of admission 4s 4d.
October 22, 1841.
"Hobart Town Police Report. Wednesday, January 26", Colonial Times (1 February 1842), 2
http://nla.gov.au/nla.news-article8752385
Mr. Samuel Russell, the Master of the Ceremonies to the Masquerade Gala, appeared to answer the complaint of his helpmate, Jane, who charged him with deserting her, or rather neglecting to supply her with the needful. Mr. Price asked what he had to say to this? When Mr. Russell began to unburthen himself of a budget of charges against poor Jane, that she was the worst woman in all the colony, and had deserted him and his home. A long recriminatory squabble ensued, which was terminated by Mr. Russell being ordered to pay Mrs. Russell 10s. per week.
"Hobart Town Police Report. Thursday, February 17", Colonial Times (22 February 1842), 3
http://nla.gov.au/nla.news-article8752450
Mr. Samuel Russell, the Beau Brummel of Van Diemen's Land, who if not an exact prototype of that celebrated character in elegance and politeness, may nevertheless vie with him in being the most celebrated master of the masquerade this island can boast . . . [Mrs. Russell] had some time since obtained on order to receive a maintenance of 10s. per week, which sum Mr. R felt much repugnance to pay, and on being now asked why he did not pay the amount ordered to his wife, he began by saying she "vas the vust vomans in the colony, and had been de ruin of him already." Mr. Wynne was employed by Mrs. R. to support her charge. Mr. R. appeared to be in great dudgeon with that gentleman, and said he had more right to support his wife and his daughters than he (Russell) had, but despite his arguments he was ordered to pay the amount due, and on his stating he was determined not to do so, he was committed to gaol.
ASSOCIATIONS: George Bryan (Beau) Brummell (English socialite)
"Hobart Town Police Report", Colonial Times (10 January 1843), 3
http://nla.gov.au/nla.news-article8753248
Mrs. Russell, the "widowed wife" of Mr. Samuel Russell, ere while the proprietor of the Grand Gala Balls and Masquerades behind the "Rose and Crown," appeared to complain of the non-payment, by her husband, of a certain weekly allowance, which had been awarded by the Magistrates, there being three weeks due. Mrs. Russell was furnished with the necessary authority to enforce the payment.
"Hobart Town Police Report . . . Jane Russell v. Samuel Russell", Colonial Times (9 May 1843), 3
http://nla.gov.au/nla.news-article8753574
In this case, Mr. Wynne appeared in his customary character as counsel for the fair Plaintiff, while Mr. Rowlands conducted the defence.
Mr. Wynne briefly stated the case. It was well known to their worships, that the plaintiff, Mrs. Jane Russell, had separated from her husband the defendant,
and that she now lived apart from that gentleman.
On the morning of the previous Thursday, (this was Tuesday,) the defendant proceeded to the house of the learned gentleman's client,
and without any provocation whatever, without even seeing the plaintiff, who, he should show was at the time attending to the duties of her toilette in her boudoir,
commenced the demolition of sundry articles of value, which he succeeded in destroying to the value of two pounds: amongst these were several articles of glass and crockery.
"And may it please your worships, here are the bits," said Mrs. Russell, who lifted with some exertion, a huge bundle of broken pots and glasses, to show the extent of the damage done.
It was for this damage, Mr. Wynne said, they now prayed for compensation, and he had no doubt but that their worships would do justice to his poor defenceless client.
Mr. Rowlands begged to direct their worships' attention to the information, which contained two distinct charges,
the one for demolishing the crockery, the other for alarming the plaintiff, and bodily frightening her.
He wished to know which his learned friend intended to proceed upon.
After some little discussion it was resolved to take the "destruction of the personal property," as the ground of complaint,
when Mr. Rowland contended, that as the plaintiff and defendant were wife and husband, the wife could not sue for damage done to, in fact, her husband's own property.
The Bench coincided in this view of the case, when the charge was dismissed.
Mr. Wynne then prayed, viva voce, for sureties of the peace against Russell, upon evidence arising out of the previous case,
but these were refused, and an information directed to be laid.
Mrs. Russell seemed to consider the course adopted rather hard upon her,
stating that she had on several former occasions been compelled to come to the Police Office, to complain of her husband.
Mr. Price was not aware of the circumstance he recollected, indeed, about two years ago, something about a feather bed.
Mr. Rowlands: Aye! I was in that! (Loud Laughter. ) I mean in the case, not the bed! (Renewed laughter).
RUSSELL, William Wilkins - see mainpage William Wilkins RUSSELL
Professor of Music, composer, double-bass player
RUSSOM, Edward Stephenson (Edward Stephenson RUSSOM; E. S. RUSSOM; Edward Stevenson RUSSOM)
Amateur musician, tenor player viola player, police sergeant, cordial manufacturer
Born Wales, 1833; baptised Llanpeblig, Caernarvon, 1 November 1833; son of John RUSSOM and Charlotte GOUGH
Arrived Melbourne, VIC, by c. 1853
Active Belfast (Port Fairy), VIC, by 1856
Active Beechworth, VIC, by 1860
Married Alica Ann EDGHILL, Albury, NSW, 1873
Died Sydney, NSW, 2 April 1903
https://trove.nla.gov.au/search?l-publictag=Edward+Stephenson+Russom+1833-1903 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUSSOM-Edward-Stevenson (shareable link to this entry)
Documentation:
Baptisms solemnized in the Parish of Llanpeblig in the County of Caernarvon in the year [1833]; register 1796-1875, page 219; Archives Wales
https://www.ancestry.com.au/imageviewer/collections/62100/images/004394445_00177 (PAYWALL)
No. 115 / Novem'r 1st / Edward Stephenson / [son of] John & Charlotte / Russom / Carnarvon / Gentleman . . .
[Advertisement], The Argus [Melbourne, VIC] (14 April 1853), 1
http://nla.gov.au/nla.news-article4791617
MR. RUSSOM, of Bristol, is informod that a packet from his father in Natal, has been lying for several months at the Wesleyan Immigtants' Home, Melbourne.
Register, Beechworth Lodge of St. John, No. 1030, 1857-62; Museum of Freemasonry
https://www.ancestry.com.au/discoveryui-content/view/1484437:60620 (PAYWALL)
[Admission] 1860 July 5 / . . . / Russom / Edward Stevenson / 28 / Beechworth / Police . . .
[Advertisement], Ovens and Murray Advertiser (4 May 1867), 3
http://nla.gov.au/nla.news-article198656532
A GRAND Vocal and Instrumental CONCERT
Will take place at BISSE'S ALBION HOTEL, Conness-street, Chiltern,
On Tuesday, May 7th, 1867, In aid of the funds of the OVENS DISTRICT HOSPITAL . . .
DIRECTOR: Fred. Bisse.
GENTLEMENT OF THE ORCHESTRA:
Mr. H. Schmidt - Mr. D. Palmer
" H. Weinberg - " H. Vorherr
" E. Russom - " Fred. Bisse
" C. Esther - " W. Otto
" - August - " A. Schluter
Assisted by the Cornish Glee Club.
PROGRAMME: FIRST PART.
Band - 1. Overture, "Zampa," by Herold, arranged by H. Bonn.
2. Glee, "Call where the Breezes."
3. Song, by Miss D. Bisse, "Farewell, it ever fondest prayer; " music by Bellini.
Band - 4. "Des Teufels Anthiel," by D. F. E. Auber, arranged by P. Roth.
5. "Merry May," song, by Mr. H. Harris.
Band - 6. "Martha," by Flotow, arranged by P. Roth.
7. Song, by Miss D. Bisse, assisted by the Cornish Glee Club.
Interval of fifteen minutes.
SECOND PART.
Band - 1. Overture, "Otello," by G. Rossini, arranged by F. Strauss.
2. Glee, "Fisherman's Glee."
3. Quartette, by Gentlemen of the Band.
4. Duet, by Miss D. Bisse and Mr H. Harris, "What are the Wild Waves Saying" music by S. Glover, words by T. E. Carpenter.
Band - 5. "Alessandro Stradello," [sic] by F. Flotow, arranged by P. Roth.
6. Song, by Mr. A. Schluter.
7. "God Save the Queen," by the Company.
Admission 3s. Doors open at half-past seven o'clock, to commence at eight o'clock sharp.
Tickets to be had at the Albion, and all the principal Hotels, Chiltern.
[Advertisement], Ovens and Murray Advertiser (30 January 1868), 3
http://nla.gov.au/nla.news-article197441024
STAR THEATRE, BEECHWORTH. THURSDAY, JANUARY 30TH.
GRAND VOCAL AND INSTRUMENTAL CONCERT Will be given, on the above date, in aid of the funds for the erection of a
Monument to the Memory of the late Herr Schmidt.
The BAND will comprise the following gentlemen, who have kindly volunteered their services:
1st Violins - Herr WEINBERG and VAN DEN BERG
2nd Do - Herr BAUSCHMAN and Mr. WATTS
Tenor - Mr. E. S. RUSSOM
Violincellos - Mr. MORRIS and Herr OTTO
Contre Basses - Herr ESTHER and GERCKE
Cornets - Herr SCHMIDT and BURKE
Clarinet - Herr VORHEN [sic]
Flute - Herr BUSSE
Flageolet - Mr. HENRI RUXTON
Cornos - Messrs. PALMER and GEORGE
Trombone - Herr HARTMAN
Drums - Herr RUDOLPH
Conductor, Herr SCHLUTER.
Assisted by LADIES and GENTLEMEN AMATEURS and the GERMAN VOCAL UNION . . .
P. C. BURKE, Hon. Sec. . . .
Tickets for the above entertainment will be available for a Dance at the close of the Concert.
The entire strength of the Band has kindly consented to perform at the same . . .
ASSOCIATIONS: Henry Weinberg (violin); Herman Vorherr (clarinet); Frederick Busse (flute)
"MR. RUSSOM'S DEATH", Evening News (4 April 1903), 4
http://nla.gov.au/nla.news-article113419148
A finding of accidental death was recorded at a magisterial inquiry relating to the death of Edward Stephenson Russom, 73, contract-writer in the Lands Department; who was fatally injured, as reported in Thursday's "Evening News," by a fall in one of the marble corridors in that building. Deceased's son, a tram conductor, named Edgar Charles Russom, said that his father, who a was a native of Wales, had left a widow and five children. He was a strong and healthy man. The evidence of Frederick Smith, a clerk in the department, was that Mr. Russom was walking along one of the marble tiled corridors on the ground floor, when he fell striking his head on the floor. Witness saw marks where be had slipped, made on the tiles by the nails in his boots. Constable Woodrow deposed to having also seen the marks, and Dr. Waugh, of Sydney Hospital, said that death was due to an injury to the brain.
RUST, Margaret (Margaret DUFF; Miss DUFF; Mrs. George RUST; Mrs. RUST; Margaret RUST)
Musician, soprano vocalist, professor of singing
Born England, 16 October 1805; baptised, Tooting Graveney church, Surrey, 11 November 1805; daughter of Daniel DUFF (1758-1820) and Jane MILLER (1773-1834)
Married George RUST (1803-1895), St. Andrew, Holborn, 16 September 1833
Arrived Sydney, NSW, by 20 April 1835 (? late 1834)
Died Sydney, NSW, 19 November 1840, aged "35"
https://trove.nla.gov.au/search?l-publictag=Margaret+Duff+Rust+1805-1840 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUST-Margaret (shareable link to this entry)
Summary:
Margaret Duff was born at Salvadore House Academy, Tooting, Surrey, on 16 October 1805, and baptised at Tooting Graveney church, on 11 November 1805, a daughter of the Rev. Dr. Daniel Duff (1758-1820), schoolmaster and proprietor of the Academy, and his wife Jane Miller (1773-1834).
Margaret had entered the Royal Academy of Music in London as a pupil by July 1828, and regularly appeared at student concerts during that year and the following, 1829. As she advertised in later on arrival in NSW, she also had professional experience singing at Milan and elsewhere on the continent, though whether before or afterwards (or both) is unclear.
Back in London in March 1833, at late notice she was chosen to join the cast of Don Giovanni at the Drury Lane Theatre, as a mid-season replacement for Josephine de Meric in the role of Donna Anna, with John Braham as the Don. With only 3 days to learn the role, and a single rehearsal, her first attempt on Saturday 2 March was much criticised. But though De Meric returned to perform the role on 4 March, Margaret took it over again for the performance on 5 March, and perhaps also (at least according to one advertisement) on 25 March.
On 14 September 1833, George Rust, bachelor, obtained a license to marry Margaret Duff, spinster, of the parish of St. George, Bloomsbury, at his parish church, St. Andrew's, Holborn.
"Professor of Singing, Pupil of the Royal Academy, London, and Member of the Philharmonic Society of Milan", Margaret Rust (wife of wholesale butcher and grazier George Rust) was newly arrived in Sydney when she first sang at Thomas Stubbs's concert in April 1835. It was reported in July that she was to give a concert of her own, but this did not eventuate, perhaps because she was pregnant (she gave birth to a daughter, jane, sadly short-lived, in January). This did not prevent her from singing in the meantime at bishop John Bede Polding's inauguration at St. Mary's chapel in September.
During 1836 she was several times mentioned singing at St. Mary's, both during services, and in William Vincent Wallace's fund-raising oratorio in September. Thereafter, while perhaps continuing to sing at St. Mary's, she disappeared from record during 1837 and 1838. She again announced a concert in September 1839, but it too never eventuated.
Having given birth to a son, William Wright Rust (d. 1908), on 30 October, Margaret died on 19 November 1840, aged 35.
George Rust was a son of William Rust (c. 1781-1844), a miller and farmer of Great Waltham in Essex and his wife Jane Hyde (c. 1776-1852). In NSW he traded as a grazier, cattle-dealer, and butcher, and later as Rust and Co. (in partnership with investors William Wright and Ward Stephens), until declared insolvent in 1842. He had probably returned to England sometime after 1845. In 1853, he married again (to Pamela Catherine Brown), and in 1859 emigrated for a second time, to Auckland, New Zealand, where he again worked in the cattle industry, and died, aged 92, on 24 October 1895.
Documentation:
"ROYAL ACADEMY OF MUSIC", London Evening Standard (10 July 1828), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000183/18280710/022/0003 (PAYWALL)
The pupils of the Royal Academy of Music gave yesterday a vocal and instrumental Concert at the Hanoverian Rooms. After the overture, the opening of the vocal performance was entrusted to Miss Lloyd and Miss Williams, who sang Marcello's duo, "Qu'al Anelante," in excellent style. Part of "Haydn's Creation;" "And God said let the earth bring forth, &c." were sung with much pathos by Mr. E. Seguin. Miss Duff and Miss Bromley executed Rossini's duetto "In van tu fingi," with considerable taste . . . The whole concluded with the finale from Mozart's La Clemenza di Tito.
ASSOCIATIONS: Charlotte Bromley (vocalist); Arthur Edward Seguin (bass vocalist)
MUSIC: In van tu fingi (Rossini, from Ricciardo e Zoraide)
[6 September 1828, monthly concert, Royal Academy of Music]; see Cazalet, The history of the Royal Academy of Music, 220-21
https://archive.org/stream/cu31924022404721#page/n249/mode/2up (DIGITISED)
[221] PART II . . . ARIA. "Oh! cara Memoria". Miss Duff - Rossini [sic] . . .
SESTETTO. "Sola! Sola!" Misses Bellchambers, Duff, and Bromley; Messrs. Hodges, E. Seguin, and A. Sapio. ("Il Don Giovanni") - Mozart . . .
ASSOCIATIONS: Anthony Sapio (bass vocalist)
MUSIC: O cara memoria (? correctly that by Michele Carafa)
"ROYAL ACADEMY OF MUSIC", London Evening Standard (3 November 1828), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000183/18281103/004/0001 (PAYWALL)
The concert given by the pupils on Saturday, at the Hanover-square Rooms, was attended by a numerous and elegant audience, who had every reason to be well satisfied with the performances . . . A duet from Maometto was well sung by Miss Duff and Mr. E. Seguin, especially the latter; his voice is extremely good, and his execution has a desirable smoothness. Miss Duff is a youthful aspirant of fair promise; she is an extraordinary proficient, and time will enable her to acquire a yet greater degree of precision and certainty in her manner of singing. The performances were generally well received.
MUSIC: Anna, tu piangi? (Rossini, from Maometto secondo)
"ROYAL ACADEMY OF MUSIC. MR. C. PACKER'S CONCERT", Berkshire Chronicle [Reading, Berkshire] (13 December 1828), 2
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000358/18281213/014/0002 (PAYWALL)
. . . The Cavatina "Ah, come rapida," Miss Duff, was given in addition to the pieces announced. This song afforded a decided proof of this lady's high musical ability, and formed a rich addendum to the performances. This was the first performance of the Royal Academy of Music in the country . . .
ASSOCIATIONS: Charles Packer senior (father of Charles Sandys Packer, the son a fellow pupil of Margaret's at the Royal Academy of Music)
MUSIC: Ah come rapida fuggi (Meyerbeer, from Il crociato in Egitto); this later US edition with an illustration and from the repertoire of Anna Bishop, who in 1828 was also a fellow pupil of Margaret's at the Royal Academy of Music
"ROYAL ACADEMY OF MUSIC", The Harmonicon 7 (April 1829), 119
https://books.google.com.au/books?id=FQxDAAAAcAAJ&pg=PA119 (DIGITISED)
The pupils of this establishment performed their first concert for the present season on Friday, April 3rd, at the Hanover Square Rooms. The following is the selection made for the occasion. Part 1. Symphony (No. 6.) MOZART; "Benedictus," Misses Duff and Williams, Messrs. Rankin and A. Sapio (Requiem.) MOZART . . .
"ROYAL ACADEMY OF MUSIC", Morning Post (4 April 1829), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18290404/020/0003 (PAYWALL)
A Concert was given yesterday afternoon by the Pupils of the Academy, at the Hanover-square Rooms, which were filled with an elegant and fashionable audience . . . Two full chorusses were beautifully performed. Mr. MUDIE on the pianoforte, Misses DUFF, SEGUIN, and BROMLEY, Messrs. SAPIO, SEGUIN, and RANKIN, in the vocal department, acquitted themselves to the entire satisfaction of the numerous audience.
"ROYAL ACADEMY OF MUSIC", Morning Post (6 June 1829), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18290606/015/0003 (PAYWALL)
A Concert by the Pupils was given at the Hanover-square Rooms yesterday morning, before a very numerous audience . . . The celebrated duet, Giorno d'orrore, was sung by Miss CHILDE and Miss DUFF, the former of whom acquitted herself very satisfactory. Miss DUFF was not so successful as we have usually heard her . . .
"ROYAL ACADEMY", Morning Post (2 July 1829), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18290702/022/0003 (PAYWALL)
The last Concert for the season was given hy the Pupils yesterday morning at the Hanover-square Rooms, which were completely filled by an elegant and fashionable audience . . . Miss BELLCHAMBERS's air from Otello, a duet by Miss DUFF and Mr. A. SAPIO, another by Miss BROMLEY and Miss WILLIAMS, and the finale to Marie Stuart, by the principal singers, with chorus, gave complete satisfaction to the audience . . . At the conclusion of the Concert, a gratifying report of the progress of the pupils in general was read by Sir Gore Ouseley; after which followed the very interesting ceremony of conferring the annual prizes. The Princess Augusta honoured the Concert with her presence for the express purpose of distributing them. The following are the names of the pupils who received on this occasion prizes of medals or books: - Misses E. Childe, Williams, Bromley, North, Prescott, Brewer, and Hardy; Messrs. Seymour, White, E. Seguin, Daniell, Devaux, F. Smith, and Hopgood.
MUSIC: Se la vita (Rossini, from Semiramide)
[Advertisement], The theatrical observer (2 March 1833), [unpaginated] (above)
https://archive.org/details/theatricalobserv183301lond/page/n221/mode/2up (DIGITISED)
[Advertisement], Morning Advertiser (2 March 1833), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18330302/015/0003 (PAYWALL)
THEATRE ROYAL, DRURY LANE. THIS EVENING (Saturday), March 2, will be performed DON JUAN.
Don Juan, Mr. Braham; Don Octavio, Mr. Templeton; Don Pedro, Mr. Bedford;
Masetto, Mr. Seguin; Leporello, Mr. Martyn; Donna Anna, Miss Duff;
Dona Elvira, Miss Betts; and Zerlina, Mrs. Wood. After which, THE SLEEPING BEAUTY . . .
ASSOCIATIONS: John Braham (vocalist); Mary Ann Wood (vocalist); John Templeton (vocalist)
"DRURY LANE THEATRE", London Evening Standard (4 March 1833), 1
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000183/18330304/003/0001 (PAYWALL)
On Saturday evening, in consequence of Madame de Meric's services being required at the King's Theatre, a young lady, named Miss Duff, was brought forward by the management of Drury Lane for the purpose of supplying her place as Donna Anna in the opera of Don Juan. At any time such undertaking would be considered an arduous one, but under the peculiar circumstances of the case it was an effort attended with extraordinary difficulty to the fair debutante. Quite unused to a theatre, and wanting that confidence in her own exertions which familiarity with its duties will bestow, she was, as we have heard, obliged to make her first appearance before the public with but three days allowed her to study the very difficult music of the part, and after only one rehearsal. When she first came on the stage, in the scene where she is observed following Don Juan from the house and endeavouring to discover who he is, she was very favourably received, and she executed some passages in the recitative "Ah! del padre!" and in her duet with Templeton, "Fuggi, crudele, fuggi," with remarkable sweetness. Occasional inaccuracies were visible, but they seemed to arise mainly from timidity. She went through the quartette "Non ti fidar" tolerably well; but in the grand scena which follows soon after, where she describes to Don Octavio the clandestine visit of Don Juan to her chamber, her imperfect knowledge of the part became too visible to escape notice. As she proceeded she seemed to become more and more aware of the difficulties of the task she had undertaken - she grew frightened - her memory failed her, and she attempted to get nearer the prompt side, while the prompter's voice was audible in every part of the house. Mr. Templeton, who was the only person the stage, seemed to afford her every assistance his power; but her terror appeared take away from her all power of utterance. At last she stopped, the orchestra discontinued their labours, and she stood trembling, and quite unable proceed. Although few in the theatre could have beeu aware of the disadvantages under which she appeared before them, the audience, with a generous sympathy much to their credit, attempted to encourage her by loud and general applause. She appeared deeply affected with liberal treatment she had received, and expressed her gratitude repeated curtsies. The band then commenced the aria "Or si chi l'onore," which concludes the recitative, and, gaining confidence as she proceeded, she went through it very satisfactorily, and was rewarded the conclusion with a most flattering testimony of the approbation of her hearers. She then got through the rest of the part in highly creditable style.
It would be unjust to give an opinion upon her merits as a singer from so imperfect a specimen of her abilities, yet we could perceive that she possesses decided talent, improved by careful tuition. Miss Duff is about 22 years age [sic]; her features are prepossessing, and her person graceful; her action is appropriate, and appears to derived I from the Italian school.
ASSOCIATIONS: Josephine de Meric (1801-1877, vocalist)
"DRURY LANE", The Globe (4 March 1833), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0001652/18330304/013/0003 (PAYWALL)
In consequence of the unavoidable absence of De Meric at the King's Theatre, and the desire of the management not to interrupt the extraordinary success of Don Juan, which, with the combined attraction of La belle aux bois dormant, nightly crowds the house, Miss Duff performed the part of Dona Anna on Saturday night. The young lady (she is about 22) had to appear under many disadvantages, having had only three days to study the music, and one rehearsal; and, in consequence, she was rather imperfect, but the audience, in a spirit of kindness, allowed for the deficiencies that were apparent. She got through the part, however, in a manner that we should call decidedly well, and when she has had more practice in it, will be an acquisition to the establishment. It would be unjust to criticise her performance under these circumstances too harshly.
[Advertisement], Morning Post (5 March 1833), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000174/18330305/005/0003 (PAYWALL)
THEATRE ROYAL, DRURY-LANE. Great attraction for This Evening.
The continued overflows to the joint performance of DON JUAN and the New BALLET induce the Lessee,
notwithstanding the unprecedented expense attendant upon their production,
to announce them together again THIS EVENING.
THIS EVENING will be acted Mozart's Grand Opera of DON JUAN.
Don Juan, Mr. Braham - Donna Anna, Miss Duff.
To which will be added the Fairy Ballet entitled THE SLEEPING BEAUTY.
Gannelor, Monsieur Gilbert - Princess Iseult, Mdlle. Duvernay.
[Advertisements] and "Drury Lane Theatre", The theatrical observer (2, 4, 5, and 6 March 1833), [unpaginated]
https://archive.org/details/theatricalobserv183301lond/page/n221/mode/2up (DIGITISED)
The Opera of Don Juan, and the Ballet of The Sleeping Beauty, were repeated on Saturday evening, when, in consequence of the absence of Madame Meric, who was performing at the King's Theatre, a Miss Duff made her first appearance, on these boards, in the character of Donna Anna. With every desire to speak favorably of a debutante, and without entering into any comparaison between Miss Duff and Mad. Meric, which would be an injustice to the former lady, we grieve to say that we cannot afford any praise to what we consider a most rash attempt on the part of Miss Duff; the music of the part is of a very elaborate and difficult description, and requires much greater musical knowledge than that lady possesses. Her reception was anything but flattering . . .
https://archive.org/details/theatricalobserv183301lond/page/n233/mode/2up (DIGITISED)
The Opera of Don Juan, and the Ballet of The Sleeping Beauty, were repeated here last evening [5 March], and Madame Meric being engaged at the Italian Opera, Miss Duff was again her substitute in the character of Donna Anna. Miss Duff is a pleasing looking girl of about 22 years of age, and possesses many requisites for becoming an attractive singer, but we cannot but think it very injudicious on the part of her friends to introduce her to the public in such a character, with the very imperfect knowledge she possessed of the music of her inspired composer, and following, as she did, in the steps of an accomplished singer like Madame Meric. We have been told that when Miss Duff attempted the part on Saturday night, she had had only three days to learn the music, and had attended only one rehearsal, so that the wonder is she did not totally fail.
"THEATRICALS", Figaro in London (9 March 1833), 40
https://books.google.com.au/books?id=aRtfAAAAcAAJ&pg=PA40 (DIGITISED)
. . . Don Juan, about which there has been so much puffing the immense vocal talent its present cast embraces, was played on Saturday, with a brace of unheard of debutants in two of its principal characters. A Mr. Martyn takes Phillips's part of Leporello, and a Miss Duff squalled through Donna Anna, originally assigned to Madame de Meric. In mercy to the young lady we shall say nothing; she broke down once or twice in the words of her songs, and in the music she was as imperfect as in the other part of her undertaking . . .
"NOCTES TWANKAYANAE", The maids, wives, and widows' penny magazine (16 March 1833), 163
https://books.google.com.au/books?id=JjIFAAAAQAAJ&pg=PA163 (DIGITISED)
. . . at Drury Lane I witnessed the debut of Miss Duff as Donna Anna, who appeared in the character in consequence of Madame de Meric's services being required at the Opera House. Poor Miss Duff was dreadfully nervous on his first entrée, and indeed in one part of the Opera entirely lost all self-command; but even amid all these disadvantages shewed that blossoming of talent for her profession, that when a little mellowed by time and the habit of facing a public audience, will no doubt ripen into a "beauteous flower" . . .
[Advertisement], Weekly Dispatch (24 March 1833), 4
https://www.britishnewspaperarchive.co.uk/viewer/bl/0003358/18330324/035/0004 (PAYWALL)
THEATRE ROYAL, DRURY-LANE . . . TO-MORROW, the Opera of Don Juan . . .
Don Juan, Mr. Braham . . . Donna Anna, Miss Duff . . .
"DRURY LANE", New Monthly Magazine (March-April 1833), 509
https://books.google.com.au/books?id=reURAAAAYAAJ&pg=PA509 (DIGITISED)
. . . A Miss Duff, formerly a pupil of the Academy of Music, has played occasionally Madame de Meric's role in our old favourite Don Juan. She is at present an unequal singer, but promises well . . .
Marriages solemnized in the Parish of St. Andrew, Holborn . . . in the Year 1833; register 1832-37, page 153; London Metropolitan Archives
https://www.ancestry.com.au/imageviewer/collections/1623/images/31281_a100967-00079 (PAYWALL)
George Rust of this Parish, Bachelor, and Margaret Duff, of the Parish of Saint George, Bloomsbury . . . Spinster, were married in this Church by License this sixteenth Day of September in the Year [1833] . . . in the Presence of Joseph Barnard, Geo. Hicks.
"MARRIED", Chelmsford Chronicle (4 October 1833), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000225/18331004/023/0001 (PAYWALL)
Lately, Mr. George Rust, eldest son of Mr. Wm. Rust, of Great Waltham, to Miss Duff.
Sydney, NSW (from late 1834 or early 1835):
[Advertisement], The Sydney Herald (20 April 1835), 3
http://nla.gov.au/nla.news-article12851948
[ADVERTISEMENT.] WE are requested to state that the Principal Vocal and Instrumental Performers to Mr. STUBBS' CONCERT, are as follows, viz.:-
Vocalists, MRS. RUST, Professor of Singing, Pupil of the Royal Academy, London, and Member of the Philharmonic Society of Milan.
MRS. BOATRIGHT, MR. CLARKE, MR. GORDONOVITCH, MR. SIMMONS, MR. WILLIAMSON, and other Amateurs.
Instrumental Performers, MR. WILSON, (Leader), MR. LEWIS, Master 17th Band, MR. COLEMAN, Master 4th Band,
MR. SIPPE, MR. CAVENDISH, MR. JOSEPHSON, MR. STUBBS, &c., &c, &c.
ASSOCIATION: Thomas Stubbs (musician); Mrs. Boatright (vocalist); Mr. Clarke (vocalist); George Gordonovitch (vocalist); Joseph Simmons (vocalist); Joseph Williamson (vocalist); Mr. Wilson (violinist); Thomas Lewis, master of the Band of the 17th Regiment (military band); George Coleman, master of the Band of the 4th Regiment (military band); George Sippe (musician); William Joseph Cavendish (musician); Joshua Frey Josephson (musician)
"THE CONCERT", The Sydney Herald (23 April 1835), 2
http://nla.gov.au/nla.news-article12852003
Mr. Stubbs' Concert, at the Royal Hotel, on Tuesday evening last, went off with the most perfect éclat, to a crowded and respectable audience. Mr. Stubbs' arrangements of the evening reflected considerable credit, and the performances, in every particular, surpassed any previous entertainment of the kind in the Colony. The principal attraction of the evening was that of a female debutante named Rust, a professional singer recently arrived amongst us from Europe, and whose brilliant talents will, no doubt, be the means of forming a new era in the musical history of Australia. Mrs. Rust made her appearance in the beautiful duet of Bishop's Oh! Maiden Fair, with a gentleman named Clark, and we must confess ourselves disqualified to point out its varied beauties it was a first-rate exhibition of vocal talent. At its conclusion followed one of the most noisy bursts of applause we have heard for some years, forming a strange contrast with the recent mellifluous tones. This lady also sung the song of Lo! here gentle lark, and another duet with Mr. Clarke, When thy bosom heaves a sigh, in both of which she displayed her superior talents as a singer. Mrs. Rust's style of singing appears to approximate to that of Miss Paton of the London theatres, but her forte is said to be the Italian, in which some of our music masters say she is nearly on an equality with Camporesi; these comparisons will not appear absurd when it is known that Mrs. Rust has practised professionally at Milan, and other places in Europe . . .
ASSOCIATIONS: Mary Ann Paton (British vocalist, "Mrs. Wood", see above 2 March 1833); Violante Camporesi (vocalist)
MUSIC: Oh, maiden fair (Paisiello, arr. Bishop); Lo, here the gentle lark (Bishop); When thy bosom heaves a sigh (Braham)
"MR. STUBBS'S CONCERT", The Australian (24 April 1835), 2
http://nla.gov.au/nla.news-article42009588
Mr. Stubbs' Concert was performed on Tuesday night, before a numerous, respectable, and highly delighted audience of at least 300 persons. Great expectations had been raised from rumours of the fine singing of Mrs. Rust, which were more than realized. It has seldom fallen to our lot to hear a more accomplished vocalist; and while we congratulate the Colony on so great an acquisition to our soirees, our thanks are due to Mr. Stubbs for introducing a lady so competent to afford us delight. We should say that Mrs. Rust's forte was Italian music; in an English song, she appears out of her proper element; her enunciation is not clear. Indeed, it would seem that she never before sung our native melodies. But she labored under disadvantages from ill health, which prevents us from forming a correct opinion of her excellence. The voice, especially, is affected by ill health; of hers, therefore, we can form no correct opinion, and will only say that her lower notes are good, and that she has a very great compass of voice. She manages her higher notes with judgment and clearness, and her shake is very fine. -- We wait with impatience to hear her under more favorable circumstances. Even laboring under the disadvantages she did, Mrs. Rust gave us great pleasure . . . On the whole, we were highly delighted, and look forward with pleasure to another Concert under Mr. Stubbs' judicious management. We are happy that this one was so well attended, and honored by the presence of His Excellency . . .
ASSOCIATIONS: Richard Bourke (governor)
"MUSIC", The Sydney Herald (27 April 1835), 2
http://nla.gov.au/nla.news-article12852033
We understand that the Public may anticipate a musical treat in the course of a few weeks, another Concert being on the tapis. We have not heard for whose benefit the next is intended, but presume for Mr. Cavendish - that gentleman having been the drudge of all the previous Concerts, renders him justly entitled to this one. When the next entertainment of this description is given, it is to be hoped we shall see some of our musical young men step forward with their assistance in the chorusses, &c. If they fancy that such practices are derogatory, they are mistaken; it being quite common all over Europe for even nobility to render their assistance at musical festivals. At Van Diemen's Land, the first people in the Colony may be seen in public promoting the science; and it is only by such united efforts that we can expect this delightful art to flourish amongst us. There is, however, no excuse for persons keeping backward in these matters, since such a vocalist as Mrs. Rust has led the way.
[News], The Australian (10 July 1835), 2
http://nla.gov.au/nla.news-article42006643
It is said that a Concert is in contemplation for the benefit and under the superintendence of Mrs. Rust.
"DOMESTIC INTELLIGENCE", The Sydney Herald (21 September 1835), 3
http://nla.gov.au/nla.news-article12853094
The inauguration of the Roman Catholic Bishop Poulding, took place yesterday, at Saint Mary's Chapel, Hyde Park. The Bull, containing the Bishop's authority, was read by the Vicar-General, after which an address was delivered by Dr. Poulding. During the Mass, which followed, several new musical pieces were performed by Mrs. Rust, the Rev. Messrs. Spencer and Corcoran, &c. Mrs. Chester and several other professional singers were also in the choir, Mr. Cavendish presiding at the Seraphine.
"Domestic and Miscellaneous Intelligence", The Australian (22 September 1835), 2
http://nla.gov.au/nla.news-article42006131
. . . Mr. Cavendish presided at the organ, and the music, which was most beautiful was, we understand, executed by Mrs. Rust and several of the clergymen. Mrs. Rust was in excellent voice, and her execution of some of the most difficult passages was delightful in the extreme, she certainly appears to much more advantage in sacred music than at concerts . . .
ASSOCIATIONS: John Bede Polding (bishop); John Benedict Spencer (clergyman, vocalist); James Vincent Corcoran (clergyman, vocalist); Marian Maria Chester (vocalist)
"BIRTH", The Sydney Gazette and New South Wales Advertiser (23 January 1836), 3
http://nla.gov.au/nla.news-article2202378
On the 3rd instant, at her residence, Castlereagh-street, Mrs. RUST, of a daughter.
ASSOCIATIONS: Jane Mitchell Rust, born 3 January 1836; baptised, St. James's, Sydney, NSW, 26 January 1836
"ROMAN CATHOLIC CEREMONIES", The Sydney Gazette and New South Wales Advertiser (5 April 1836), 2
http://nla.gov.au/nla.news-article2203602
The Roman Catholic Chapel was crowded, to excess, on Good Friday, notwithstanding the rain fell in torrents, incessantly, during the whole of the day to witness High Mass performed by the Right Reverend Bishop Poulding, who appeared upon the occasion, in his gorgeous sacerdotal robes and performed the ceremony with great solemnity; the sacred music is spoken of in the highest strain of praise. Mrs. Rust is said to have far eclipsed any female vocalist who has yet appeared before the Australian public. Messrs. Clarke and Spencer afforded their valuable assistance on the occasion, and Mr. Cavendish presided at the Metaliphone, (some call it a Seraphine.)
ASSOCIATIONS: Francis Clarke (amateur vocalist)
"DOMESTIC", The Australian (20 May 1836), 2
http://nla.gov.au/nla.news-article36855024
On Sunday next, (Whit Sunday,) the lovers of sacred music will do well to attend divine service at St. Mary's Church, Hyde Park; when, in addition to the usual excellent choir at that church, there will be collected nearly the whole of the professional musicians of Sydney, both instrumental and vocal, including Mrs. Rust, Mr. Wallace, Mr. Deane, Mr. Cavendish, and some others whose names we are not acquainted with, of distinguished ability, forming a phalanx of talent that can never be brought together at a concert, for the benefit of any individual.
ASSOCIATIONS: William Vincent Wallace (violinist); John Philip Deane (violinist)
"DOMESTIC INTELLIGENCE", The Australian (24 May 1836), 2
http://nla.gov.au/nla.news-article36858949
The admirers of sacred music had a rich treat in the service at St. Mary's church last Sunday, the whole of which, we believe, was under the superintendence of the Rev. Mr. Spencer, who displayed great taste in his selection of the music. Part of the mass was from Magginghi [sic, Mazzinghi], which was peculiarly pretty, and part from that splendid composer Mozart. Mrs. Rust sang two beautiful solos, one "Ave verum," arranged by Myren [sic, Nyren], and the "Agnus Dei," from Mozart, which she executed with her usual brilliancy and feeling. The offertory was extremely beautiful, the treble by Mrs. Rust, the tenor by Mr. Clarke, and the bass by Mr. Bushell. We have never heard this gentleman before - his voice is a very fine bass, and he sung the last mentioned piece in admirable style. We also observed Mr. Deane and Mr. Wallace in the choir, who added their valuable assistance. Mr. Cavendish presided scientifically at the Seraphine. We observed a great number of Protestant ladies and gentlemen in the body of the Church, which was crowded in every part.
MUSIC: Mass for 3 voices and organ (Joseph Mazzinghi, and see here); the Ave verum corpus in question, also published by Novello, was that composed by John Nyren (1764-1837), remembered as a writer on cricket, but also a violinist and sometime choirmaster of the Moorfields Chapel in London; it was almost certainly the same work performed in the September oratorio below; see here on its origins
"ORATORIO", The Sydney Herald (30 June 1836), 2
http://nla.gov.au/nla.news-article12854642
A performance of sacred music, on a grand scale, is shortly to be given at St. Mary's Church Hyde Park, the objects of which, are said to be the advancement of the science of music and musical talent, and to assist in raising funds for an organ. The Oratorio is to be under the direction of Mr. Wallace. Mrs. Rust, Mrs. Chester, Miss Wallace, Mrs. Curtis, Messrs. Cavendish, Clarke, Deane, Stubbs, Spencer, Gordonovitch, Martin, the Choir of the Church, and many Amateurs, have already consented to perform. The two Military Bands are also engaged. The Oratorio is expected to take place on the 26th of next month [sic].
ASSOCIATIONS: Mary Curtis (vocalist); "Mr. Martin" probably Conrad Martens (amateur vocalist, artist)
[Advertisement], The Sydney Gazette and New South Wales Advertiser (15 September 1836), 3
http://nla.gov.au/nla.news-article2206628
Grand Musical Festival WILL TAKE PLACE On WEDNESDAY, 21st Instant, 1836, IN ST. MARY'S CHURCH, HYDE PARK.
PART FIRST. Selections from Handel's Sacred Oratorio of the Messiah.
OVERTURE.
1. Comfort ye my People - Mrs. RUST
2. He shall Feel his Flock - AN AMATEUR
PASTORAL SYMPHONY.
3. Where is this Stupendous Stranger - Mrs. CHESTER
4. He was despised - An AMATEUR
5. I Know that my Redeemer liveth - Miss WALLACE
6. Holy Lord - Mrs. RUST
CHORUS - HALLELUJAH
PART SECOND. Selections from Haydn's Grand Oratorio of THE CREATION.
"AVE VERUM," SOLO AND QUARTETTE, Mrs. RUST AND AMATEURS.
OVERTURE.
1. In the beginning (Recit.) How vanish (Air) - An AMATEUR
2. Chorus, a New Created World.
3. And God said (Recit.) With Verdure clad (Air) - Mrs. CHESTER
4. Of Stars the fairest pledge of day - An AMATEUR
5. Sanctus Trio - Mrs. RUST AND AMATEURS
5. Graceful Consort - Mrs. CHESTER & AMATEURS
7. GRAND DOUBLE CHORUS - The praise of God - Solos by Mrs. CHESTER . . .
Leader of the Band, Mr. WALLACE.
Principal Second Violin, Mr. DEANE, Assisted by the Gentlemen of the Philharmonic Society.
By the Permission of Major England, the Band of the King's Own Regiment . . .
ASSOCIATIONS: Eliza Wallace (vocalist); Band of the 4th Regiment (military band)
MUSIC: Holy, holy, holy, Lord (Handel, often added to Messiah at this time)
"THE ORATORIO", The Australian (16 September 1836), 2
http://nla.gov.au/nla.news-article36858591
The Programme is at length announced . . . And we are gratified to observe that Mrs. Rust, who has once (and only once) given the public "a touch of her quality," occupies a prominent place in the Programme.
Diary of Alexander Brodie Spark, 21 August 1836; ed. Abbott and Little, The respectable Sydney merchant, 67
http://archival.sl.nsw.gov.au/Details/archive/110360297
. . . Attended the Oratorio at St. Mary's Church, the first of its kind in the Colony. Much delighted at the singing of Mrs. Rust. Mr. Wallace was the leader of the Band, and the whole went off well.
ASSOCIATIONS: Alexander Brodie Spark (merchant, diarist)
"THE ORATORIO", The Australian (23 September 1836), 2
http://nla.gov.au/nla.news-article36854491
There was the most numerous assemblage of persons at the Oratorio, on Wednesday evening, that was ever convened under one roof in the Colony since its foundation . . . The celebrity of Mrs. Rust was not unknown, we believe, to any who were present - but as this lady has once (and we regret to say once only) appeared in public before, by far the majority of the audience heard her for the first time on Wednesday evening. On this occasion she not only sustained but enhanced her high reputation. Comfort ye my people was sung by her with a deep and impressive solemnity which made every note sink into the hearts of her hearers. The beautiful Air, Every Valley, most felicitously displayed the fine and flexible voice of this very accomplished singer. In this Air, as well as in Holy, Holy Lord, her notes lingered on the ear like an involuntary echo to the music - as if the sentiment were blended with, and trembled on her voice. Besides great compass, there is a chrystalline clearness in this lady's voice, as if the notes fell from her lips like the liquid drops from the bending flower. More than once throughout the evening her singing brought our memory back to the days in which we were familiar with the sweet and silvery tones of Sontag. The Ave Verum and Sanctus were of corresponding merit, but we thought the singers were too far from the instruments that accompanied them, to give full effect, or render justice to the excellent music of Mazzinghi. We hope we have said enough to induce this lady to break through the resolution (if she has formed one) of not appearing in public - at all events if she is determined to abide by it, we hope she will make a clause of reservation in it in favor of sacred music . . .
ASSOCIATIONS: Henriette Sontag (German vocalist, active in England)
"ORATORIO", Commercial Journal and Advertiser (24 September 1836), 2
http://nla.gov.au/nla.news-article226458595
It affords us the most unfeigned pleasure to say that the Musical Festival in St. Mary's Church, on Wednesday evening, was successful beyond our most sanguine expectations. It was attended by about 700 persons . . . Mrs. Rust's clear & musical soprano voice, - her tones, so beautiful, & so beautifully modulated - her execution so perfect without effort, made a deep and delightful impression in all her performances. Her "Comfort, ye, Comfort, ye," was delightfully sung, and must have surpassed the expectations of every one who was aware that it is not intended for the female voice. Her "Every Valley," was executed pleasingly, though perhaps those who remember Braham in the same part may have wished it had been somewhat slower. Her "Ave verum" was the most finished, exquisite piece of vocal music of the evening . . .
"THE ORATORIO", The Sydney Gazette and New South Wales Advertiser (24 September 1836), 2
http://nla.gov.au/nla.news-article2206796
The first musical treat of this description in the Colony, took place at Saint Mary's Chapel on the evening of Wednesday last . . . the principal attraction was Mrs. Rust - her powers as a vocalist were known to many, but as this lady only once before appeared in public, there were many who had heard of her talent only. We cannot however attempt to do justice to this lady's splendid abilities; her voice, which commands great compass, at the same time combines that most exquisite sweetness of tone, that nothing we ever heard of in this Colony, either public or private, at all comes up to. We trust this accomplished lady will throw off the timidity that has restrained her from appearing before the public oftener . . . Miss Wallace acquitted herself, better than we ever heard her; the size of the building gave her full scope for her very powerful voice; she certainly ranks, in our estimation, to Mrs. Rust, but the latter lady has the decided superiority of sweetness of tone, which cannot be expected in so young a girl . . .
"The Oratorio", The Sydney Monitor (24 September 1836), 2
http://nla.gov.au/nla.news-article32152283
. . . We cannot however deprive ourselves of the pleasure of expressing the delight which seemed universal, whenever Mrs. Rust executed the portions of the performance assigned to her. This lady's voice is powerful, yet clear and melodious. But that which captivates in Mrs. R.'s singing, is the great FEELING she displays. You can see in her features, that the soul of the anthem is in full possession of her judgment and sympathies. And thus inspired, she delivers her inspiration with exquisite taste.
If there were points in the performance more striking than the rest, we should say it was when Mrs. Rust sang the words in repetition - "Keep silence!" The accompaniment by the Orchestra was transporting. The whole sentence is this - "The Lord is in his holy temple; let all the earth keep silence before him." The accompaniment to the words - "Let there be light, and there was light;" was also exciting in the highest degree. The rush of the music did well portray the spread of the light over the great abyss of darkness in the instant execution of the fiat of the Creator . . .
We have noticed Mrs. Rust's singing chiefly on account of the deep feeling of that lady's manner. A compliment to her understanding full as great as to her skill as a singer. The following description of the nature of her voice, we copy from the Australian, on account of its goodness. "Like the liquid tones of a silver bell," should however have been substituted for "liquid drops of the bending flower," to follow out the metaphor, flowers having no sound, though exquisite in scent -
"Comfort ye my People was sung by her with a deep and impressive solemnity, which made every note sink into the hearts of her hearers. The beautiful air, Every Valley, most felicitously displayed the fine and flexible voice of this very accomplished singer. In this air, as well as in Holy, Holy Lord, her notes lingered on the ear like an involuntary echo to the music - as if the sentiment were blended with, and trembled on her voice. Besides great compass, there is a christalline clearness in this lady's voice, as if the notes fell from her lips like the liquid drops from the bending flower. More than once throughout the evening, her singing brought our memory back to the days in which we were familiar with the sweet and silvery tones of Sontag."
The Monitor article also reproduced the full printed program ("book of words"):
"PART FIRST", The Sydney Monitor (24 September 1836), 2
http://nla.gov.au/nla.news-article32152282
"PASTORAL SYMPHONY", The Sydney Monitor (24 September 1836), 2
http://nla.gov.au/nla.news-article32152277
"PART SECOND", The Sydney Monitor (24 September 1836), 2
http://nla.gov.au/nla.news-article32152276
"THE ORATORIO", The Sydney Herald (26 September 1836), 2
http://nla.gov.au/nla.news-article12864654
. . . Mrs. Rust was decidedly the star of the evening, and shone with brilliancy . . . The only solo allotted to Miss Wallace was the very heavy one of Handel's - "I know that my Redeemer Liveth" - and, although it will be some time before she arrives at the mature perfection of Mrs. Rust, we were much gratified with her talents . . .
[News], The Sydney Gazette and New South Wales Advertiser (27 September 1836), 2
http://nla.gov.au/nla.news-article2206845
In our account of the performance at the Oratorio, our Overseer made a mistake, which we take the first opportunity of rectifying. Speaking of Miss Wallace we say - "she certainly ranks in our estimation to Mrs. Rust," it should have been - "next to Mrs. Rust," for high as is our opinion of this young lady's vocal abilities, it would be foolishness to say she equals Mrs. Rust, who is a most accomplished, and in sacred music we should say, a first-rate singer; indeed, it could not be expected, that a young lady of Miss Wallace's age, could have her voice so completely set as one of riper years. Miss Wallace, however, we can not but remark, visibly improves, and under the able tuition of her brother, must eventually rise to the top of her profession.
"THE ORATORIO", The Colonist (29 September 1836), 2
http://nla.gov.au/nla.news-article31718544
WE insert the following critique on the performances at the Oratorio in the Roman Catholic chapel, from the pen of a talented correspondent . . .
Mrs. M. Ah! Mr. T, good morning, why you are quite a truant, this is the first time you have called since the evening of the Oratorio; pray be seated, as I wish to have your opinion on some parts of the evening's performance. In the first place, do you not think the Cathedral was splendidly illuminated and very tastefully arranged?
Mr. T. Certainly the disposition of the interior arrangement did infinite credit to the good taste of the committee of management, especially when we consider the present unfinished state of the Cathedral itself.
Mrs. M. Of course you cannot sufficiently admire the sublimity and imposing grandeur of The Messiah as one of the finest pieces of sacred music ever composed; but what think you of the different performers? How did you like Mrs. Rust in "Comfort ye my people?"
Mr. T. Why, I think that lady's exertions were certainly meritorious, yet it appeared to me that she made the difficulty of the part too obvious, wanting a natural ease and flow of melody, which when really heard and enjoyed from one performer, better conveys to the understanding the loss of it in another. She, however, deserved applause, but that applause should not have been bestowed upon her, or any other of the vocalists, in sanctuary erected and consecrated to the praise alone of an allwise and ever-boun-[3]-tiful Creator, and I consider it an unpardonable breach of decorum in an audience.
Mrs. M. An audience in a Cathedral, Mr. T.! . . .
"Deaths", The Sydney Herald (10 November 1836), 3
http://nla.gov.au/nla.news-article12857154
On the 7th ultimo, aged ten months and four days, Jane Mitchell, only daughter of Mr. George Rust, of Castlereagh-street.
[Edward Smith Hall], "MUSIC", The Sydney Monitor and Commercial Advertiser (6 March 1839), 2
http://nla.gov.au/nla.news-article32163138
[recollection] . . . The first rate English singers in London, articulate like a bell every syllable, giving it the pronunciation according to the spelling. In this colony, articulation is not cared for. We could never hear a word from Mrs. Taylor when she sang at our Concerts. Not so Mrs. Rust; you could hear every word she sang . . .
ASSOCIATIONS: Edward Smith Hall (journalist, editor of the Monitor)
"DOMESTIC INTELLIGENCE. MUSIC", The Sydney Herald (20 September 1839), 2
http://nla.gov.au/nla.news-article12857406
It is rumoured that Mrs. Rust intends giving a concert shortly, and that she will be ably assisted. Mrs. R. is a lady of respectability as well as of talent; and we have no doubt of her being well supported, should she draw upon public patronage.
"A brief Chronicle of Passing Events", Australasian Chronicle (24 September 1839), 1
http://nla.gov.au/nla.news-article31726482
We understand that Mrs. Rust, whose vocal powers are said to be of the first order, but who has never sung in public, except at St. Mary's Cathedral unseen, [is] to give her first public concert shortly, when she will be assisted by Mr. Rust.
"THE MUSICAL WORLD", The Colonist (25 September 1839), 2
http://nla.gov.au/nla.news-article31723761
. . . there has been some talk in the papers of Mrs. Rust giving a Concert, in which she was to be assisted by the vocal powers of Mr. Rust himself. This we have the best authority for saying is a gratuitous invention either of the papers or their informants, originating probably with some over-zealous and imprudent admirers of Mrs. R.'s distinguished talent as a vocalist. There was a day when Mrs. R. was more in the musical world than she had been of late, and when she would not perhaps have refused to fulfil the expectations of her friends by getting up a Concert; but Mrs. Rust and her husband are now in independent circumstances, and are not to be expected to engage in any such public entertainments. As for Mr. Rust's assisting on such an occasion, why the gentleman's vocal powers have been employed for a good while back rather in the way of hallooing after cattle through the bush, than in "breathing the soul of melody and song". We should indeed be happy if Mrs. Rust could be persuaded, and would condescend to gratify the wishes of her admirers, either by singing at some respectable Concert, or at one got up according to her own legitimate taste, by herself.
"DEATH", The Sydney Herald (21 November 1840), 2
http://nla.gov.au/nla.news-article12866634
On Thursday night last Margaret, the beloved wife of George Rust Esq., sincerely regretted.
ASSOCIATIONS: William Wright Rust (d. 1908), was born on 30 October 1840, and baptised at St. Philip's church, Sydney, on 18 November 1840; Margaret Rust died on 19 November 1840, aged 35 (BDM NSW 120/1840 V1840120 24A)
[Columbus Fitzpatrick], "REMINISCENCES OF CATHOLICISM IN THE EARLY DAYS OF THE COLONY", Freeman's Journal (25 November 1865), 741
http://nla.gov.au/nla.news-article115451063
. . . I never heard anything like it [Joseph Reichenberg's catholic choir, Sydney, c.1825] except once, that was the day on which our venerated Archbishop [Polding] first landed in Sydney. On that occasion Dr. Ullathorne, now Bishop of Birmingham, had made every preparation for a grand High Mass, and poor Cavendish (who was drowned with his sister off Bradley's Head in after years) had charge of the choir; he exerted himself to the utmost and secured the assistance of a great cantatrice (Mrs. Rust) who happened to be in the colony at the time. Mr. Clarke the architect, who was a fine singer, also lent his aid, and these with the assistance of the regular choristers quite astonished the Bishop. Dr. Polding was only bishop, at that and he did not expect to hear Mozart's [Twelfth] Mass sung in Botany Bay, and well sung too . . .
ASSOCIATIONS: Columbus Fitzpatrick (memorist); Joseph Reichenberg (master of the Band of the 40th Regiment, William Bernard Ullathorne (clergyman); Francis Clarke (amateur vocalist, architect)
"AN OLD PAPER", Dunstan Times [NZ] (16 July 1923), 2
https://paperspast.natlib.govt.nz/newspapers/DUNST19230716.2.19
. . . Mrs. E. C. Brown, looking through some papers of her father's, came across a copy of the London Morning Advertiser of May 16, 1834. A marked advertisement explained why the paper had been saved. Mr. George Rust, who formerly owned the paper in question, was in Sydney in 1834, and arrived in Auckland in 1839 [sic, 1859], where he farmed land at Kohinarama, until he died at the advanced age of 93 years . . .
Bibliography and resources:
William W. Cazalet, The history of the Royal Academy of Music compiled from authentic sources (London: T. Bosworth, 1854), 220-21
http://books.google.com.au/books?id=uS9DAAAAcAAJ&pg=PA221
Monthly Concert, 6th September, 1828 . . . Aria. "Oh! cara Memoria". Miss Duff - Rossini . . . Sestetto. "Sola! Sola!" Misses Bellchambers, Duff, and Bromley; Messrs. Hodges, E. Seguin, and A. Sapio. ("II Don Giovanni") - Mozart . . .
W. E. Morden, History of Tooting-Graveney, Surrey, compiled from original documents (London: Edmund Seale, 1897), [22], [27]
https://archive.org/details/historytootingg00mordgoog/page/n30/mode/2up (DIGITISED)
"STORY OF OLD ST. MARY'S", Freeman's Journal (5 June 1913), 22
http://nla.gov.au/nla.news-article108161885
. . . Early in 1834 the church was described as partly roofed and "safe against the inclemency of the weather." Though without altar and benches, still the building was practically finished, and in 1835 Dr. Polding was in stalled as Bishop in St. Mary's on the 20th September. For the first time High Mass was sung in Australia, and for the first time the congregation was blessed by a Bishop. There was a choir on this occasion, led by Mrs. Rust . . .
Alistair and Henrietta Tayler, The book of the Duffs, volume 2 (Edinburgh: T. & A. Constable, 1914), 443-46
https://archive.org/details/bookofduffs_02tayl/page/595/mode/2up (DIGITISED)
[446] "On November 21, 1820, died at Great Ormond Sfreet, Dr. Daniel Duff formerly of Salvadore House, Tooting. Though at one time a prosperous man, and believed to have acquired a fortune with his wife, and to have had another left to him, Daniel Dulf, at the time of his death, was in poor circumstances, as his estate was sworn as under £200. His widow, Jane, did not take out letters of administration, but after her death (which occurred at 27 Queen's Square, in 1834, vide will), Harriet Wilhelmina, the eldest daughter, did so, on December 14, 1844. From the wills of Jane and Harriet (who herself died in 1860), Dr. Daniel Duff is known to have had one son, Daniel George, and six daughters . . . MARGARET, afterwards Mrs. Rust . . . Harriet . . . seems to have been a wealthy woman. Nothing is known of the other sisters.
J. P. MCGuanne, "Old St. Mary's, Australian Historical Society journal and proceedings 3/4 (1 February 1916), [150-], 168
https://trove.nla.gov.au/work/234022098
James Lincoln Hall, "A history of music in Australia - 8: Early period - New South Wales, January-June 1835", The canon: Australian journal of music 5/1 (August 1951), (3-10), 7-8
---- ". . . 14: Early period - New South Wales, Oratorio at St. Mary's", The canon. . . 5/7 (February 1952), 313-15
RUTLAND, Edward (Edward RUTLAND) = Edmund HOLLOWAY
"Singer & actor", convict (1848)
RUTTER, George Oswald - see mainpage George Oswald RUTTER
Musician, vocalist, conductor, composer, solicitor
RUXTON, Henri William (John Henry William RUXTON; Henri RUXTON; H. W. RUXTON)
Musician, professor of Music, musicseller, government singing master
Born Ireland, c. 1830; son of John Henry RUXTON (c. 1807-1859) and Mary Ann BRETHOP
Arrived Melbourne, VIC, by August 1854
Married (1) Mary GLASS (d. 1871), Chalmers Church, Melbourne, VIC, 28 January 1856
Married (2) Mary Florence RYALL, VIC, 1879
Died Ballarat, VIC, 8 March 1899, aged "67"
https://trove.nla.gov.au/search?l-publictag=Henri+W+Ruxton+d1899 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RUXTON-Henri (shareable link to this entry)
Summary:
Ruxton, whose original first forename was (like his father) John, was born in Ireland, the eldest son of John Henry Ruxton and his wife Mary Ann Brethop.
He probably received his earliest music lessons there from his mother, who was a professional music teacher. By the time he was 7 or 8, however, the family had moved to Liverpool.
By his own account, he was a pupil of John Balsir Chatterton, perhaps having met the harpist on one of his periodic visits to Liverpool. He also claimed, however, to be a pupil of Henri Rosellen, which suggests he spent at least some time in Paris. On arrival in Melbourne, he also advertised that he was a late member of the Liverpool Philharmonic Society.
After working mainly as a music teacher in Melbourne for several years, in the new year of 1858 he and his wife moved to the country, and settled at Beechworth. There in 1864/65, he was appointed singing master to the government schools.
Ruxton finally left Beechworth in 1881, having been transferred to Maryborough. He retired to Ballarat, and died there in 1899, reportedly aged 67.
Ruxton's sister Nina (born c. 1837), who probably also taught music, also came to Victoria, and in Melbourne in 1865 married William McKenzie of Rutherglen.
Documentation:
England census, 6 June 1841, Toxteth park, Liverpool; UK National Archives, HO 107 / 567 / 6
https://www.ancestry.com.au/imageviewer/collections/8978/images/LANHO107_567_568-0064 (PAYWALL)
John Ruxton / 34 / Painter / [born Ireland] // Mary / 32 / Teacher / [born Ireland]
John / 10 / [born Ireland] // Ann / 7 / [born Ireland] // Matilda / 2 / [born Lancashire] // Mary / 1 [born Lancashire]
England census, 30 March 1851; Toxteth park, Liverpool; UK National Archives, HO 107 / 2186
https://www.ancestry.com.au/imageviewer/collections/8860/images/LANHO107_2186_2186-0834 (PAYWALL)
70 Upper Stanhope St / John H. Ruxton / Head / Mar / 46 / Delivery Clerk / [born] Ireland
Mary [Ruxton] / Wife / Mar. / 42 / Teacher of Music / [born Ireland]
J. H. W. [Ruxton] / 21 / Teacher [of Music] / [born Ireland] . . .
"COUNTY COURT . . . ", Liverpool Mercury [England] (12 October 1852), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000081/18521012/007/0003 (PAYWALL)
RUXTON V. ROYLE. - This was an action to recover the sum of £6 16s. for tuition in music, received by the defendant's wife and daughter . . . When the agreement was first made the defendant lived in Falkner-street. The terms fixed upon were £1 10s. for the first quarter, and a guinea for the second, the lessons to be given at the defendant's own house. Defendant some time afterwards removed to Fairfield, where the plaintiff gave two lessons a week for 26 weeks. The plaintiff's daughter was also engaged to teach Miss Royle, at the rate of 16s. a quarter. After the defendant removed to Fairfield the plaintiff attended regularly, but Mrs. Royle left orders with her servant that it was no use to attend, as the plaintiff had not been able to teach her anything; and that her daughter had been sent to another school. Mr. Royle had agreed to pay for his daughter's tuition, but would not agree to pay for that of his wife, he saying she should pay for it out of her own pocket money. His honour gave a verdict for the full amount, observing that, as Mr. Royle did not appear to be blameable in this matter, although the defence set up was somewhat discreditable to the wife of the defendant, he would grant a month for payment.
RUXTON V. LYTHGOE. - An action to recover £11 15s. for musical tuition. The account extended from January 1849, to December last, up to which period £4 15s. had been paid. A verdict was given for the remaining amount, without costs, his honour observing that through the non-attendance of Mr. Ruxton the time of the court and the public had been unnecessarily occupied, one hour having been wasted on a case which ought only to have occupied five minutes.
ASSOCIATIONS: The above cases were probably brought by John Ruxton senior on behalf of his wife, Mary, and daughter
Liverpool Standard and General Commercial Advertiser (22 February 1853), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0002088/18530222/041/0003 (PAYWALL)
. . . The same sub-committee recommended that the resignation of John H. Ruxton, a person employed in the Albert Dock warehouses, should be accepted. A letter was read from the person resigning, in which he alleged that he had been coerced by Mr. Cowan, the superintendent; and that coercion had been carried out by others in blasphemous and insulting language. It was stated that Mr. Ruxton had been four times brought before committees, and on two occasions threatened to be dismissed if he was brought up again . . .
ASSOCIATIONS: Probably Ruxton senior
Victoria, Australia (from 1853):
[Advertisement], The Argus (28 July 1853), 8
http://nla.gov.au/nla.news-article4795055
MUSICAL Tuition. - Mr. H. W. Ruxton, Professor of Music, late member of Philharmonic Society,
Liverpool, pupil of J. B. Chatterton (harpist to the Queen), and of Henri Rossellen (the celebrated pianist),
begs respectfully to state that he has commenced giving lessons on the Pianoforte, Harp, Organ, and Singing,
each of which he has successfully taught in Liverpool for the last eight years,
and trusts that the inhabitants of Melbourne will favor him with a share of their support.
For terms, references, &c., apply to Mr. J. Wilkie, Music-seller, Collins-street.
ASSOCIATIONS: Liverpool Philharmonic Society (former member of); John Balsir Chatterton (English harpist); Henri Rosellen (French pianist, composer); Joseph Wilkie (musicseller)
[Advertisement], The Argus (3 February 1854), 3
http://nla.gov.au/nla.news-article4802763
ALFRED PHILLIPS . . . Songs and Scenery of Ireland . . .
ALFRED PHILLIPS, Miss Miabella Smith, and Mr. Ruxton (from the Royal Academy of Music, his first appearance in Melbourne,)
on Monday [6 February], at the Mechanics' Institution.
ALFRED PHILLIPS . . . in his popular drawing room entertainment . . .
[Advertisement], The Argus (13 February 1854), 8
http://nla.gov.au/nla.news-article4803092
ALFRED PHILLIPS'S Drawing Room Entertainments - A new series, entitled
OUR NATIVE LAND, will commence on Monday Evening, next, at the Mechanics' Institution,
on which occasion in addition to Miss Smith and Mr. Ruxton, Mr. Phillips will be assisted
by Mrs. George Cox, contralto singer from the Philharmonic Concerts, Liverpool, and
Mr. Gordon Murray, buffo singer and delineator of Scottish character.
The illustrations will consist of English, Irish, and Scotch views.
Admission 5s., and 2s. 6d. Evenings of performance - Monday, Wednesday, Thursday, and Saturday.
ASSOCIATIONS: Alfred Phillips (vocalist); Meabella Smith (vocalist); Mrs. George Cox (vocalist)
[Advertisement], The Argus (19 April 1854), 6
http://nla.gov.au/nla.news-article4806035
PIANOFORTE - Mr. Ruxton, pupil of Henri Rosellen, continues to give lessons on the above instrument. Reference to several families and schools in Melbourne. Address, care of the Librarian, Mechanics Institution.
[Advertisement], The Argus (10 November 1854), 8
http://nla.gov.au/nla.news-article4800128
MUSICAL EDUCATION - Mr. Ruxton (Pupil of Rosellen, and Balsir Chatterton, Harpist to the Queen)
continues to give Instructions on the Pianoforte and Harp, in Singing, Harmony, and Thorough bass.
Reference to several Families of distinction in Melbourne.
7 Kyte's Buildings, Regent-street, Collingwood.
[Advertisement], The Argus (28 April 1855), 8
http://nla.gov.au/nla.news-article4807414
MUSICAL. - Mr. Ruxton continues to give instruction on the Pianoforte, Harp, Singing, Composition, and Harmony. Mr. R. has taught with much success in Liverpool and Melbourne for the last eight years. Highest references given. Schools attended. 7 Regent-street, Collingwood.
[Advertisement], The Argus (8 August 1855), 8
http://nla.gov.au/nla.news-article4814594
MUSICAL. - Mr. Ruxton gives Instruction on the Pianoforte, Harp, Singing, Composition, and Harmony. References to several families in Melbourne. 117 Collins-street east.
[Advertisement], The Argus (3 October1855), 1
http://nla.gov.au/nla.news-article4819866
TENOR - Mr. W. T. Whitley, late Tenor Singer St. Mark's Church, will oblige Mr. Ruxton by calling upon him at 117 Collins-street east.
[Advertisement], The Argus (17 November 1855), 7
http://nla.gov.au/nla.news-article4823627
MUSIC - Mr. Ruxton, Professor of the Pianoforte, Harp, Singing, has Removed to Cleveland House, Flinders-lane east.
[Advertisement], The Argus (10 December 1855), 6
http://nla.gov.au/nla.news-article4825365
MUSICAL INSTRUCTION Mr. Ruxton, Professor of Music, gives instruction in the Pianoforte, Harp, Singing, Theory, and Composition. Mr. Ruxton has taught with the greatest success for the last four years of Melbourne. Reference to numerous pupils given Cleveland House, Flinders-lane east.
"MARRIED", The Argus (29 January 1856), 4
http://nla.gov.au/nla.news-article4829373
On the 28th inst., by the Rev. Dr. Cairns, at Chalmers Church, Henri W. Ruxton, late of Liverpool, to Mary, second daughter of Mr. William Glass, late of Glasgow.
"BIRTH", The Argus (20 November 1856), 4
http://nla.gov.au/nla.news-article7140295
On the 19th instant, at George-street, Collingwood, the wife of Henri W. Ruxton, Esq., of a daughter.
[Advertisement], The Argus (10 February 1857), 1
http://nla.gov.au/nla.news-article7144413
A WET NURSE WANTED, immediately. Henri W. Ruxton, 58 George-street, Collingwood.
"DIED", The Argus (3 March 1857), 4
http://nla.gov.au/nla.news-article7145510
On the 26th ult., the daughter of Henri W. Ruxton, aged three months.
[Advertisement], The Argus (4 March 1857), 8
http://nla.gov.au/nla.news-article7145523
A CARD - Mr. RUXTON, Professor of Music, 58 George street, Collingwood - Finishing and Elementary instruction on the Pianoforte and Singing, St Kilda, twice a week.
[Advertisement], The Argus (3 December 1857), 3
http://nla.gov.au/nla.news-article7142915
TUESDAY, 8th DECEMBER. Household Furniture.
CRITCHLEY and BANKS have received Instructions from Mr. Ruxton, who is leaving for the country,
to sell by auction, on the premises, No. 101 Victoria parade . . . the whole of the valuable household furniture . . .
At the Same Time, A quantity of piano and organ music.
[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (9 April 1858), 3
http://nla.gov.au/nla.news-article113237574
MOONEY'S NATIONAL CONCERTS Will open at Mooney's Hotel, Ford Street,
Beechworth, opposite the Post Office, On Saturday Night.
Artistes - Messrs. Troy Knight, Joseph Fairchild, W. Percy. Mr. Ruxton, Piano Forte.
ASSOCIATIONS: Troy Knight (vocalist); Joseph Fairchild (vocalist)
"SHIPPING INTELLIGENCE . . . IMPORTS", The Argus (20 September 1858), 4
http://nla.gov.au/nla.news-article7301329
Saldanha, from Liverpool . . . 1 pianoforte, H. Ruxton . . .
"BEECHWORTH INDEPENDENT SOIREE. MEETING IN THE NEW SCHOOL-ROOM", Ovens and Murray Advertiser (24 December 1858), 3
http://nla.gov.au/nla.news-article117925080
The opening services in connection with the Independent congregation of this town, were conducted in their new building on Sabbath last, by the Rev. T. H. Jackson, Minister of the congregation. A social Tea Meeting took place last night in connection with the above services . . . The members of the Philharmonic Society were present, and assisted by Mr. Ruxton on the Harmonium, contributed to the pleasure of the evening, by performing several well selected airs . . .
"WESLEYAN SUNDAY SCHOOL ANNIVERSARY", Ovens and Murray Advertiser (29 December 1858), 3
http://nla.gov.au/nla.news-article117925101
SERMONS were preached in the Wesleyan Chapel on Sunday last, on behalf the Sunday School . . . The children had been practising for a few weeks past a series of hymns for the occasion, and which they sung with beautiful effect, accompanied by Mr. Ruxton on the Harmonium . . .
BURNS' CENTENARY. GRAND FESTIVAL", Ovens and Murray Advertiser (26 January 1859), 3
http://nla.gov.au/nla.news-article117925559
. . . took place on Tuesday evening in the Star Hotel, where upwards of 120 gentlemen sat down to partake of good English and Scotch fare . . . The first toast on the removal of the cloth, was to "the Queen" . . . followed, as a matter of course by the National Anthem, sung by the company. The Chairman then proposed the health of "Prince Albert, and the members of the Royal Family." "Glen Colin's March" was then played on the bag-pipes by Mr. Bruce. The next toast was proposed by Mr. Dalziel: "To his Excellency Sir Henry Barkly." Mr. Ruxton performing the piano-forte "The Fine Old English Gentleman" . . . An interval took place, during which Mr. Ruxton played on the pianoforte, "The Caledonian Quadrille" . . .
ASSOCIATIONS: Peter Bruce (bagpiper)
[Advertisement], Ovens and Murray Advertiser (29 August 1859), 2
http://nla.gov.au/nla.news-article112904588
STAR THEATRE, NEW BALLARAT,
Second Week and glorious success of the Star Concert Company . . .
MRS. ANDREW in new and beautiful Ballads, and Comic Duets.
Mr. J. E. JOHNSON in fresh Local Lyrics, and Comic Ditties.
Master CHARLEY JOHNSON in another batch of Songs, Dances, and Ethiopian eccentricities.
Messrs. WATTS, RUXTON, and BARLOW will perform a variety of Orchestral Music, in their peculiar style of unapproachable excellence.
Admission, only 1s - Reserved Seats 2s . . .
ASSOCIATIONS: Mr. Barlow (musician)
[Advertisement], Ovens and Murray Advertiser (7 November 1859), 3
http://nla.gov.au/nla.news-article112905559
Star Theatre. Change of Programme!
Vocal and Instrumental Concert TO-NIGHT, Monday, November 7th, 1859,
The Evening's entertainment will conclude with (by desire), the Great Comic Duet, THE TWO VIOLINS!
Stalls 2s. - Back Seats 1s. Pianist - MR. RUXTON.
[Advertisement], Ovens and Murray Advertiser (10 November 1859), 3
http://nla.gov.au/nla.news-article112905594
COME TO THE Star Theatre, TO-NIGHT, Thursday, November 10th, 1859,
AND HEAR MISS CASTINE, In her charming Vocalization,
MR. GEORGE ELLIS, In his Comic Effusions,
MR. J. A. PICCO. In his Inimitable Performances . . .
Pianist - MR. RUXTON.
ASSOCIATIONS: Emma Castine (vocalist); George Ellis (vocalist); J. A. Picco (musician)
"THE SONGS OF SCOTLAND", Ovens and Murray Advertiser (27 August 1861), 2
http://nla.gov.au/nla.news-article112898936
It is said that "it never rains but it pours," and the fact that, this evening we are to have a lecture on the Songs of Scotland by Mr. Richard Mellish, illustrated by Mr. George Smith, who [sic] accompaniments by Mr. Ruxton, in addition to all the attractions of Burton's troupe, would lead one to believe there was some truth in the old saying. We hope the ladies will not forget what a rich treat is in store for them at the Athenaeum.
"THE PHILHARMONIC SOCIETY", Ovens and Murray Advertiser (4 July 1863), 2
http://nla.gov.au/nla.news-article112893938
Beechworth was stirred to its very centre on last Wednesday evening by, apparently, a very simple matter. The display at the Town Hall on that evening, however, proved that there was a peculiar significance felt to be attached to it. A number of ladies and gentlemen - some of the latter being professionals - had a few months since formed themselves into a Musical Society, and they determined on the night in question to give the public the result of their spirited attempt. A most astonishing success was the consequence, the extraordinary proficiency of the performers being fully recognised by the number and enthusiasm of the audience . . . no notice of the Concert would be complete without mention being made of Herr SCHMIDT's exquisite performance on the violin, and the manner in which he has instructed his pupils. Mr. GRIFFITHS, and Mr. RUXTON also deserves much praise for their masterly execution on the violin and piano. We, unfortunately, were not present at the "First Part," but MOZART's Twelfth Mass is decidedly the very best selection that could have been made by amateurs . . .
ASSOCIATIONS: George Griffith (violin); Herr Schmidt (violin)
"MARRIAGES", The Argus (7 January 1865), 4
http://nla.gov.au/nla.news-article5747296
McKENZIE - RUXTON. - On the 31st ult., at Christ Church, St. Kilda, William McKenzie, of Rutherglen, to Nina Ruxton, eldest daughter of the late J. H. Ruxton, Esq., of Liverpool.
See also, England census, 1861, St. Philip, Liverpool; UK National Archives, RG 9 / 2686
104 Mount Pleasant / Mary Ann Ruxton / Head / Wid. / 57 / Professor of Music / [born] Ireland
Mina [sic] / Daur. / Un. / 24 / Governess / [born Ireland] . . .
"PASSING OF AN OLD RESIDENT", Ovens and Murray Advertiser (7 February 1865), 2
http://nla.gov.au/nla.news-article112910792
We yesterday had the pleasure of learning that Mr. Henri W. Ruxton, so long known as a professed pianist and teacher of music in the Ovens district, has returned from Melbourne after creditably passing an examination which has obtained for him a certificate from the Board of Education entitling him to act as singing master in any of the common schools in the colony. We congratulate Mr. Ruxton on his success.
"COMMON SCHOOL MUSIC", Ovens and Murray Advertiser (2 May 1865), 2
http://nla.gov.au/nla.news-article112911674
We are informed that Mr. Henri Ruxton has received the appointment of Music Master to the following schools:- The Grammar and Catholic Schools in Beechworth, both being under the regulations applying to Common Schools, and also those carried on under the same title at Stanley and Wangaratta. It will be in the recollection of our readers that Mr. Ruxton some few months since went to Melbourne to qualify himself for these appointments.
"BREACH OF THE PEACE", Ovens and Murray Advertiser (6 June 1868), 2
http://nla.gov.au/nla.news-article197440934
Yesterday afternoon, Mr. Ruxton, of Beechworth, was arrested, by virtue of a warrant, on the information of his wife to the effect, we believe, that she had been assaulted by him, and was in danger of her life. He was immediately brought before Mr. Butler, the Police Magistrate, - not in the usual way, in open court as we are given to understand - and bound over to keep the peace, and failing last evening to find security was sent to jail. As our reporter was not present these details may not be precisely correct, but the facts are so substantially.'
"THE STATE SCHOOL CONCERT", Ovens and Murray Advertiser (25 November 1879), 2
http://nla.gov.au/nla.news-article200192978
. . . A bevy of young girls, selected from the school singing class, rendered in splendid style several songs, and their singing reflects great credit upon their instructor, Mr. Ruxton, who also on the occasion, assisted betimes by Miss Harris and Herr Schluter, acted as accompanist on the piano to the various singers . . .
ASSOCIATIONS: Adolph Schluter (vocalist, musician)
"SINGING AND DRAWING MASTERS", Ovens and Murray Advertiser (16 July 1881), 4
http://nla.gov.au/nla.news-article199461228
Among the list of singing and drawing masters for the State-schools of the colony, under the new distribution, we notice the names of the following who have been appointed to the districts mentioned in connection with their name: - Singing masters: Mr. B. J. Smyth, North-Eastern District; Mr. H. Ruxton, Maryborough . . .
"THE RETRENCHMENT POLICY. RETIREMENT OF SEXAGENARIANS", The Age [Melbourne, VIC] (28 June 1892), 5
http://nla.gov.au/nla.news-article199334196
The first practical step towards retrenchment in the public service was taken yesterday,
when an order was passed by the Executive, setting forth the named of the officers in the Treasurer's, Crown Law,
Public Works and Customs departments, and of teachers in the Education department,
who will be required to retire from the public service at the end of the month in consequence of having attained the age of 60 years . . .
Each officer in the undermentioned list will retire from the service on Thursday,
but will receive three months' salary. The order passed yesterday by the Executive Council included the following names: . . .
H. W. Ruxton, singing master . . .
[Advertisement], The Ballarat Star (17 January 1893), 3
http://nla.gov.au/nla.news-article209781648
MR. H. W. RUXTON, Teacher of Singing, Voice Formation, Theory, Counterpoint, and Piano forte, RESUMES TUITION on 23rd January, 10 Creswick road.
"Deaths", The Ballarat Star (9 March 1899), 2
http://nla.gov.au/nla.news-article215321298
RUXTON. - On the 8th March, at his residence, 115 Victoria street, Henri W. Ruxton, professor of music, late Government singing master.
"OBITUARY NOTICES", The Ballarat Star (11 March 1899), 4
http://nla.gov.au/nla.news-article215321468
The remains of the late Mr. Henri W. Ruxton, who for many years officiated as Government singing master, were interred yesterday afternoon at the New Cemetery . . .
"OLD IDENTITIES OF BEECHWORTH. BEN. EAGLETON. ("BILLY NUTTS.") Being the Reminiscences of a Colonist of 57 Years",
. . . I have spoken of the number of excellent musicians who made Melbourne their temporary home. Among these were some who, finding too much competition in the city, made their way to the goldfields with varying fortune. The only ones I became acquainted with were settled at Beechworth when I arrived there some years afterwards, towards the end of my seven years' practical experience of mining. These were Burke, a fine performer on the cornet; Radford and Griffiths [sic, Griffith], violinists; and Ruxton, a pianist. Of these, I became acquainted with Radford, who at the time was playing for the dances at the Clarence Hotel at Yackandandah, and who expressed to me the bitter disappointment to his early ambition, which many more had suffered . . .
ASSOCIATIONS: Benjamin Eagleton (memoirist); William Radford (violinist); Peter Constantine Burke (cornet player)
Bibliography and resources:
Enid N. Matthews, Colonial organs and organ builders (Carlton: Melbourne University Press, 1969), 134
[St. Mark's church, Collingwood/Fitzroy] . . . Organists: 1854, H. J. King; 1855, J. R. Vincent; 1856, S. Kaye, H. R. Ruxton [sic]; 1858, Thomas Oates . . .
ASSOCIATIONS: St. Mark's church (Fitzroy); Henry John King (organist); John Rimmer Vincent (organist); Samuel Kaye (organist)
Rosemary Margaret Hallo, Erard, Bochsa and their impact on harp music-making in Australia (1830-1866): an early history from documents (Ph.D thesis, University of Adelaide, 2014), 80, 136, 140, 202 ["Buxton", sic]
http://hdl.handle.net/2440/86482 (DIGITISED)
Henry William Ruxton, WikiTree
https://www.wikitree.com/wiki/Ruxton-77
RYALL, John James (senior) (John James RYALL; J. J. RYALL; Mr. RYALL)
Musician, musicseller, teacher of music (Hastings, England), accountant, registrar, district coroner (Cooma, NSW)
Born Dorset, England, 21 April 1805 (date and place on headstone); son of James RYALL (d. 1846) and Sarah DEEPROSE (d. 1852)
Married Mary Ann GARDINER, England, by c. 1831
Arrived Sydney, NSW, by 1854
Active Cooma, NSW, by 1857
Died Slack's Creek, near Cooma, NSW, 22 June 1886
https://trove.nla.gov.au/search?l-publictag=John+James+Ryall+1805-1886 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYALL-John-James-sen (shareable link to this entry)
ASSOCIATIONS: Creed Royal [sic] (younger brother)
RYALL, John James (junior) (John James RYALL; J. J. RYALL; Mr. RYALL)
Musician, pianist, vocalist, professor of the pianoforte, harmonium, and singing, actor
Born Hastings, England, 1831; baptised St. Clement's, Hastings, 23 December 1831; son of John James RYALL (c. 1805-1886) and Mary Ann GARDINER (1810-1875)
Arrived Sydney, NSW, by 1854
Died Marrickville, NSW, 2 April 1914, aged 82
https://trove.nla.gov.au/search?l-publictag=John+James+Ryall+1831-1914 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYALL-John-James-jun (shareable link to this entry)
RYALL, Florence (Florence RYALL; Mrs. E. Lewis SCOTT)
Vocalist, soprano, mezzo-soprano
Born (at sea?) Sussex, England, c. 1849
Arrived Sydney, NSW, by 1854
Active Sydney, NSW, by c. 1865
Married Edwin Lewis SCOTT (c. 1844-1921), St. Paul's, Ipswich, QLD, 25 November 1873
Died Petersham, NSW, 5 January 1920
https://trove.nla.gov.au/search?l-publictag=Florence+Ryall+Scott+1849-1920 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYALL-Florence (shareable link to this entry)
Summary:
John James Ryall senior, was a son of James Ryall, a professor of music of Hastings, Sussex, and his wife Sarah Deeprose; Creed Royal [sic] was his younger brother.
John James senior was himself a musicseller in Hastings at the time of his son John James junior's birth in 1831, and the census reports in 1841 and 1851 gave his occupation as music teacher. The death of his mother in February 1852 may have precipitated his decision to emigrate.
It is not known precisely when he and his family arrived in NSW, but probably no later than the end of 1853. On on 27 April 1857 Ryall senior was appointed government registrar at Cooma, where he would spend the rest of his life. He appears to have had enough medical training also to be appointed "surgeon to Aborigines", and from 1860 was Cooma district coroner. He may also have been the "Dr. Ryall" who was briefly superintendent of Goulburn Hospital as early as 1853, and who was then, briefly, reported to be working as a surgeon at Beechworth, VIC. The foundation stone of St. Paul's church, Cooma, laid in 1865, records ". . . John James Ryall of Nuarmaralonglar, Architect"
Ryall senior does not seem to have practised music professionally or even as an active amateur in NSW; however, John James Ryall, junior, did. He was also an actor, and is first on record in Bathurst from April to July 1854 as a member of a theatrical and musical troupe there. By October 1854, and through to July 1855, he was a member of the company at the Royal Victoria Theatre, though he took a break in June to appear as pianist for Ali-Ben Sou-Alle on tour in the Illawarra.
Apart from reportedly working as a repetiteur for one of Anna Bishop's Sydney opera seasons - probably that in August 1857 - most of his documented activities between 1856 and 1858 centred on Alfred Toogood's concert saloon, where he was pianist and musical director. According to his obituary, he was also for a time organist of St. Andrew's temporary cathedral. During the 1860s, he carried on a private teaching practice, as well as holding the post of pianist of the Orpheonist Society, and being active in association with his brother-in-law John Sturdy Jones (d. 1896) in the temperance movement. Though himself an Episcopalian (Anglican), he was later organist and music teacher in several Roman Catholic churches and schools, both in Sydney and the country. At the time of his father's death in 1886, he was living and teaching in Cooma.
His much younger sister Florence Ryall, a pupil of Eliza Wallace Bushelle and Ugo Devoti, had a short public career as a concert singer in Sydney from around 1869. In 1873 she married the actor, tenor vocalist, journalist and dramatist, Edwin Lewis Scott.
Documentation:
"Partnerships Dissolved. Gazette - April 24, 1832" Perry's Bankrupt Gazette (9 June 1832), 8
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000207/18320609/020/0008 (PAYWALL)
JAMES John and John James Ryall, of Hastings, music sellers. - 17th April. debts by John James.
England census, 6 June 1841, St. Mary in the Castle, Hastings; UK National Archives, HO 107 / 1107 / 8
https://www.ancestry.com.au/imageviewer/collections/8978/images/SSXHO107_1107_1108-0075 (PAYWALL)
John Ryall / 35 / Teacher of Music // Mary / 25 // John / 9 // Edwin / 3 // Mary / 7 // Emma / 5 // Lucy / 1
"HASTINGS", Brighton Gazette (18 January 1844), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000938/18440118/043/0003 (PAYWALL)
Mr. Yates' annual ball took place, on Monday evening, at the Royal Oak Commercial Inn. It was numerously and fashionably attended, and dancing was kept up until near daylight. The supper, as usual, was splendid; and the music, provided by Mr. Ryall, gave general satisfaction.
"ST. LEONARDS-ON-SEA . . . MECHANICS' INSTITUTION", Sussex Advertiser (18 February 1851), 6
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000257/18510218/026/0006 (PAYWALL)
The ninth quarterly general meeting of the members of this institution, was held at their rooms on Thursday evening last . . . Considerable additions have been made to the library, and there were now nearly 600 volumes in that department. On the motion of Mr. Miller, seconded by Mr. Ryall, jun., the report was received and adopted . . .
England census, 30 March 1851, St. Mary Magdalen, St. Leonards, Hastings; UK National Archives, HO 107 / 1635
https://www.ancestry.com.au/imageviewer/collections/8860/images/SSXHO107_1635_1636-0002 (PAYWALL)
10 East Avenue / Jno. Jas. Ryall / Head / 45 / Teacher of Music / [born] Sussex Lewes
Mary Ann Ryall / Wife / 39 / - / Mdex London
Jno Jas [Ryall] / Son / 19 / - / Sussex Hastings
Mary Ann / 17 // Edwin Chas. / 13 // Lucy / 11 // Alfred / 9 // Victor Corelli / 7 // Florence / 2
"Deaths", Sussex Advertiser (24 February 1852), 7
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000257/18520224/093/0007 (PAYWALL)
RYALL- February 17, at High-street, Hastings, Sarah, widow of the late Mr. James Ryall, professor of music, at Hastings, aged 76 years.
NSW, Australia (? by 1853):
[Advertisement], Bathurst Free Press and Mining Journal [NSW] (11 February 1854), 1
http://nla.gov.au/nla.news-article62053476
Mr. James Ryall,
Professor of the PIANOFORTE AND SINGING,
GIVES instruction in the above at the pupils' own residence.
For terms, &c., address office of the Bathurst Free Press.
N.B. - Music provided for Quadrille parties.
[Advertisement], Bathurst Free Press and Mining Journal (15 April 1854), 3
http://nla.gov.au/nla.news-article62048033
Grand Vocal Instrumental, AND ETHIOPIAN ENTERTAINMENTS.
MESSRS. RICHARDSON & COX respectfully inform the public of Bathurst and its vicinity, that they will give the first of their projected series of Entertainments
THIS EVENING, April 15th, at the Assembly Room, Mrs. Whitton's, Commercial Hotel, upon which occasion the following choice Programme will be presented.
PROGRAMME. PART I. Overture - Band.
Favorite Ballad - Miss Millan.
Solo, Concertina - "Casta Diva," from the Opera of Norma - Mr. Richardson.
Glee - The Spider and the Fly - Messrs. & Miss Chittenden.
Song - Mr. Cox.
Valse - "The Faust," instrumental - Messrs. Richardson, Ryall and Chittenden . . .
ASSOCIATIONS: Richard Henry Cox (actor, vocalist); Henry Richardson (concertina); George Chittenden and family (musicians, vocalists); Rose Millan (actor, vocalist)
"THE ROYAL VICTORIA", Bathurst Free Press and Mining Journal (1 July 1854), 2
http://nla.gov.au/nla.news-article62047806
The tragedy of Macbeth announced for Monday night last as Mr. Cox's Benefit attracted a very full house, every part of the theatre being completely crammed . . . In the after-piece Mr. Belfield was quite at home in Mr. McKenzie, and Miss Millan talked very smart nonsense as Miss Cerula Fizgig. Mr. Ryall was as effective and spirited as usual in Ginger, which we hope is not saying too much . . .
ASSOCIATIONS: Francis Belfield (actor)
PIECE: The Irish lion (Buckstone)
Advertisement], The People's Advocate and New South Wales Vindicator (28 October 1854), 2
http://nla.gov.au/nla.news-article251543867
ROYAL VICTORIA THEATRE . . . SATURDAY, OCTOBER 28th 1854 . . .
To conclude with the laughable piece of FAMILY JARS!
Dickory - Mr. Howard; Porcelain - Mr. C. King; James - Mr. Ryall;
DELF - Mr. D. C. ANDERSON; Lady Loriza - Madame Sarah Flower; Emily - Miss Sinclair.
A. Torning, Sole Lessee and Manager.
ASSOCIATIONS: Sam Howard (actor); Sara Flower (actor, vocalist, Mrs. Howard); Andrew Torning (manager)
[Advertisement], Bell's Life in Sydney (3 March 1855), 3
http://nla.gov.au/nla.news-article59759858
Royal Victoria Theatre. MONDAY, MARCH 5, 1855. BENEFIT OF MRS. GUERIN . . .
The evening's entertainments will commence with the celebrated Fairy Opera, entitled KATE KEARNEY! Or, THE FAIRY OF THE LAKES OF KILLARNEY . . .
Mr. Cornelius Lynch, a rich Magistrate, Mr. C. King; Lanty O'Loughlin, a farmer, Mr. J. Howson; Ned Ryan, a forester, Mr. H. T. Craven;
McDermott, landlord of the "Punch Bowl," Mr. Mayson; Prudence, Mr. Ryall; Filadaune, Fairy of the Lakes, Miss Julia Mathews;
Kate Kearney, Mrs. GUERIN; Rose Kearney, her sister, Mrs. H. T. Craven; Fairies, Misses Sinclair; Mathews, Morgan, Moore, Hart, A. Hart, and Brown . . .
ASSOCIATIONS: Theodosia Guerin (actor, vocalist); John Howson (actor, vocalist); Eliza and Henry Craven (actors); Julia Mathews (actor, dancer); Margaretta and Ada Hart (actors, dancers)
"ALI-BEN-SOU-ALLE", The People's Advocate and New South Wales Vindicator (16 June 1855), 3
http://nla.gov.au/nla.news-article251546950
This celebrated musician has been amusing the good folks of Illawarra during the past week with his most exquisite performances, assisted by Monsieur Valere as vocalist, and Mr. Rybell [sic] as pianist. The first performance took place on Saturday evening last at Mr. R. Osborne's Hotel, Wollongong . . . On Monday evening the same gentleman gave a concert at Mr. G. Brown's, Illawarra Hotel, Dapto . . . On Tuesday evening a second concert was given at Mr. Osborne's in Wollongong . . . Ali-Ben-Sou-Alle, will give a concert at Kiama, on Monday evening next.
[Advertisement], The Sydney Morning Herald (18 March 1857), 1
http://nla.gov.au/nla.news-article28637201
THE NEW AUSTRALIAN EVANS' SALOON. At MYERS' (Late Toogood's), corner of Pitt and King streets.
The proprietor begs to announce that in consequence of the extensive alterations and decorations,
it is impossible to open the above Saloon until THURSDAY EVENING, 19th March.
The following talented artistes are already engaged, viz. - Mademoiselle B. Basmann, Madame Sala,
Mr. H. Lamoreaux, Mr. Ryall, Mr. Turner, Comic and Characteristic Singer, Mr. G. F. Howard;
Musical Director; Mr. J. Davis. Doors open at 7 o'clock; admission, free.
[Advertisement], Empire (19 March 1857), 1
http://nla.gov.au/nla.news-article60274638
. . . EVANS'S GRAND CONCERT SALOON . . . will open THIS EVENING, and every succeeding night . . .
Selections from all the popular Operas, Madrigals, Choruses, Glees, Duets, &c. . . .
Musical Director, Mr. Davis; Pianists, Madle. Bassmann and Mr. Ryall . . .
ASSOCIATIONS: Henry Osborn Thompson (alias Lamoureux); Wilhelmina Basmann (vocalist); John Turner (vocalist); Isaac Davis (musical director)
"DISTRICT REGISTRARS", New South Wales Government Gazette (1 May 1857), 1016.
http://nla.gov.au/nla.news-article229956820
Mr. John James Ryall, senior, for the District of Cooma,- in place of Mr. Robert Dawson, resigned . . .
"MARRIAGE", The Sydney Morning Herald (29 January 1858), 1
http://nla.gov.au/nla.news-article13005637
On the 26th instant, at the City Mission Chapel, John Stirling Jones, of Pitt-street, widower, to Emma Ryall, of Castlereagh-street.
[1 February 1858] Civil establishments of New South Wales, 1862; State Records Authority of NSW
https://www.ancestry.com.au/imageviewer/collections/2387/images/32080_223787__0004-00205 (PAYWALL)
OBSERVATORY . . . Astronomer / William Scott
Meteorological Observers / Cooma / John. J. Ryall / [appointed] 1 Feb. 1858 / By the Astronomer / [salary per annum £] 20 0 0 /
[also] Surgeon to Aborigines - £20 per annum . . .
[Advertisement], The Sydney Morning Herald (17 April 1858), 1
http://nla.gov.au/nla.news-article13008899
TOGOOD'S GRAND SALOON - Admission Free. - Is acknowledged to be one of those places where gentlemen can really wile away a pleasant hour. The artistes are well known, and are continually amusing by an endless variety of music, both vocal and instrumental. Mr. Byall [sic], one of the well-known pianists of this city, engaged by Madame Anna Bishop, during the late opera season, is amongst the engagements this week, with the following artistes - Miss M. Buckingham, Madame Josephine, Mr. H. O. Thompson, Mr. Albert Ritch, Mr. Picolomi, Mr. Webster, Mr. Smith, Mr. G. H. Buckingham, Miss Buckingham, Master W. Buckingham, Master C. Buckingham, Master H. Buckingham, Master A. Buckingham. Come and hear the "Life Boat," "Blue-tail Fly," "Death of Nelson," "Timothy Black," "Muffins and Crumpets Hot," "When a Little Farm," "Digger and Chinaman," with an endless variety of songs, duets, glees, choruses, &c.; During the week Mr. G. H. Buckingham will sing "Alonso ye Brave," "Forty Thieves," "Cinderella," "Corsican Brothers," and "Blue Beard."
ASSOCIATIONS: Alfred Toogood (proprietor); George Buckingham (vocalist, entertainer) and family
[Advertisement], The Sydney Morning Herald (20 May 1858), 1
http://nla.gov.au/nla.news-article13010226
THE APOLLONICON COMPANY will give their Third Concert at Mr. McDonald's, Trafalgar Inn, Newtown, on SATURDAY, May 22nd. at 8 o'clock.
Tickets at the bar. Mr. RYALL, musical director.
[Advertisement], Empire (15 June 1858), 1
http://nla.gov.au/nla.news-article60427406
OUR LYCEUM THEATRE. THE GRAND INDIAN PANORAMA, THIS (Tuesday) EVENING, June 10.
PROGRAMME Of the First Evening's Entertainment.
PART I . . . Scene 7. - Grand Indian Moonlight Scene, Rich Landscape, a Christian Church lit up in centre.
Time Near Midnight. Trio - "O Salutaris Hostia" - Madame F. Harris, Messrs. Ryall and Thompson.
PART II. Scene 1. - The City of Lucknow as seen from the Balcony . . .
Scene 3.-The Well of Cawnpore, the Scene of the wholesale butchery of British Women and Children . . .
Trio "Forgive, Blest Shade," Madame F. Harris, and Messrs. Ryall and Thompson . . .
Scene 5. - Camp of Sepoys . . . Trio - "Hark! 'Tis the Indian Drum," Madame F. Harris and Messrs. Ryall and Thompson . . .
Scene 7. - Fugitives from Delhi . . . Glee - "Desolate is the Dwelling of Morna," Madame F. Harris and Messrs. Ryall and Thompson . . .
ASSOCIATIONS: Flora Harris (vocalist)
[Advertisement], The Sydney Morning Herald (17 July 1858), 1
http://nla.gov.au/nla.news-article13014612
CONCERT. - The musical attraction at the BULL and MOUTH, surpasses anythlng hitherto attempted in Sydney; among others engaged are Madame Ivimy, Messrs. Ryall, Thompson, Florence, and Matz.
[Advertisement], The Sydney Morning Herald (25 August 1858), 1
http://nla.gov.au/nla.news-article28630150
TOOGOOD'S GRAND SALOON, open every evening, under the direction of Messrs. Campbell and Webster.
Re-engagement of Mr. Eastwell [sic], the popular comic singer. Pianist, Mr. Ryall.
ASSOCIATIONS: Henry Eastwick (vocalist)
"MUSICAL SOIREE", The Sydney Morning Herald (10 April 1860), 5
http://nla.gov.au/nla.news-article13039008
A grand musical soiree in aid of the funds for the erection of the church on Mount Carmel took place last night at St. Benedict's school-room. The room was tastefully decorated for the occasion, and a plentiful use was made of the broad leaved Indian corn stalk, the green of which contrasted well with the red drapery hung about the platform. The singers numbered in all about twenty, and they certainly deserve the thanks of those interested in the Mount Carmel Church for as the attendance was large, and admission was 2s. 6d., a considerable addition must have been made to the building fund. The performance opened with an overture on the piano by Mr. Ryall, which was followed by "Rule Britannia" as a solo and chorus; after which the beautiful ballad, "Thou art gone from my gaze" was sung with great expression and tenderness by a black-ringletted young lady. The "minute gun at sea, as a duet, was highly applauded and had to be repeated. Mr. Ryall then favoured the company with a serio-comic scene, entitled "The history of the Lady of Lyons, and the Romantic Gardener." There is a good deal of humour about Mr. Ryall, and he changes his voice with facility. Naturally he is of grave aspect, and wears spectacles, and his comic acting is enhanced by the partly assumed ingenuousness of his face, offering so lively a contrast to the funny sentiments he expresses so melodiously. His efforts were received with much delight, and as the audience insisted upon an encore, he substituted "Poor Dog Tray," which was quite as successful as the more varied scene. Besides all this, there were twenty-one other songs, and as the audience would encore, the soiree was prolonged to a late hour. The programme was of a very varied character to suit all tastes, and, of course, Irish songs were not forgotten; as a rule, these elicited the warmest approbation from the audience and deservedly so, for the fair singers in particular seemed to feel the strain they breathed. The soiree, which was a great success, terminated with the National Anthem.
[Notice], New South Wales Government Gazette (19 October 1860), 1991
http://nla.gov.au/nla.news-article229949055
Colonial Secretary's Office, Sydney, 18th October, 1860.
HIS Excellency the Governor General, with the advice of the Executive Council, has been pleased to appoint
John James Ryall, Esquire, to be Coroner for the District of Cooma.
CHAELES COWPER.
"THE INDUSTRIAL EXHIBITION", Empire (7 March 1861), 5
http://nla.gov.au/nla.news-article60493860
. . . Yesterday about one thousand visited . . . Mr. Ryall played beautiful musical selections throughout, which added to the pleasure of the exhibition.
[Advertisement], The Sydney Morning Herald (28 October 1861), 1
http://nla.gov.au/nla.news-article13058548
MR. RYALL, Professor and Teacher of the Pianoforte and Singing, has REMOVED from 121, Woolloomooloo-street, to 212, Victoria-street, top of William-street, Woolloomooloo.
[Advertisement], The Sydney Morning Herald (10 May 1862), 1
http://nla.gov.au/nla.news-article13228401
ST. LEONARDS SCHOOL OF ARTS . . . A grand miscellaneous CONCERT, on MONDAY, May 12th, at which the following artistes will appear: - Madame F. Harris, Mr. John Howson, Mr. John Leveson, a gentleman amateur (tenor), and Mr. Ryall . . .
ASSOCIATIONS: John Howson (vocalist); John Leveson (vocalist)
Register, no. 665, the Letland Lodge of Australia, Sydney, New South Wales; Museum of Freemasonry
https://www.ancestry.com.au/imageviewer/collections/60620/images/43970_ugl%5El%5E582%5E%5E667-00231 (PAYWALL)
[Admission] 1862 Oct 2 . . . Ryall John James / 30 / Professor [of] Music . . .
"MRS. C. POOLE'S LITERARY AND MUSICIAL ENTERTAINMENT, BALMAIN", Sydney Mail (31 January 1863), 10
http://nla.gov.au/nla.news-article166656038
On Tuesday evening, Mrs. Charles Poole gave a musical and literary entertainment at the School of Arts, Balmain, under the immediate patronage of several of the most influential families of that locality. She was ably supported by the professional assistance of Madame Flora Harris, Mrs. A. Moore (formerly Miss Lazar), Mr. A. Moore, and Mr. Ryall . . . Mr. Ryall presided at the pianoforte, and, in the first part, sang a good old naval song . . .
ASSOCIATIONS: Amelia Poole (actor); Rachel and Andrew Moore (vocalist and violinist)
[Advertisement], ", The Sydney Morning Herald (25 March 1863), 1
http://nla.gov.au/nla.news-article13076165
YOUNGE'S ATHENAEUM. THIS EVENING, positively the LAST NIGHT of this charming place of amusement.
BENEFIT of Messrs. PECK and RYALL. Operetta called NO !! Miscellaneous CONCERT of Vocal and Instrumental Music.
Vocalists - Madame Flora Harris, Mrs. Younge, and gentleman amateur (Mr. J. Levison).
Instrumentalists - Violino prima, Mr. G. Peck; clarionette obligato, Mr. Hodge; cornet, Mr. W. Thompson; bassoon, Mr. G. Wright;
contra basso, Mr. Redett; harmonium, Mr. Charles Packer; repieno violins, by gentlemen amateurs, who have kindly volunteered their services on this occasion.
Mr. Ryall will preside at the piano. The whole to conclude with the admired comedietta called the SOLDIER'S DAUGHTER.
Tickets at the principal book and music sellers.
ASSOCIATIONS: Frederick and Emma Younge (actor, and vocalist); George Peck (violin); Sebastian Hodge (clarinet); George Wright (bassoon); James Cooper Riddett (trombone); Charles Sandys Packer (harmonium)
"THE LANCASHIRE BELL RINGERS", The Sydney Morning Herald (20 June 1864), 4
http://nla.gov.au/nla.news-article13090822
On Saturday evening the Lancashire Bell Ringers, and the eminent tenor Mr. C. Stewart (late of the Christy's Minstrels) made their reappearance at the School of Arts . . . Mr. Ryall presided at the pianoforte with much ability . . .
[Advertisement], The Sydney Morning Herald (7 November 1864), 1
http://nla.gov.au/nla.news-article13101481
MR. RYALL, Teacher of the Pianoforte and Singing, has REMOVED to 728, George-st., Haymarket.
"ORPHEONIST SOCIETY", The Sydney Morning Herald (17 May 1865), 5
http://nla.gov.au/nla.news-article13113062
The first concert of the fourth season of the Orpheonist Society was given yesterday, at the Masonic Hall . . . The concert commenced with the whole of the first act of Bellini's "La Sonnambula," including all the chorusses, solos, and concerted music . . . The excellent manner in which the whole of the music was rendered is highly creditable to Mr. D. Callen, the director and conductor of the society. Mr. J. J. Ryall accompanied with great precision, and was especially useful in the operatic music . . .
ASSOCIATIONS: George Douglas Callen (conductor)
"CONCERT", The Sydney Morning Herald (31 August 1865), 4
http://nla.gov.au/nla.news-article31125137
A complimentary concert was given yesterday evening, at the Masonic Hall, for the benefit of the widow and orphan of the late Robert Vaughan, known to many in this city as a piccolo player in the orchestra of one of the theatres, but perhaps better known as an old cricketer . . . Mr. D. Callen officiated as conductor, and Mr. Ryall as accompanyist.
ASSOCIATIONS: Robert Vaughan (musician)
"ORPHESONIST SOCIETY", The Sydney Morning Herald (3 November 1865), 4
http://nla.gov.au/nla.news-article13121251
The society gave the third concert of its fourth season on Wednesday evening, at the Masonic Hall, and attracted a numerous audience, including many of our most distinguished citizens and their families. The following amateur vocalists appeared on this occasion . . . Miss F. Ryall . . . and Mr. H. O. Thompson . . . The programme . . . had for its first part a series of selections from Benedict's opera "The Lily of Killarney," and, with some few exceptions, the charming music of this popular work was executed with much credit . . . Mr. D. Callen successfully carried out the duties of his position as musical director and conductor, and Mr. Ryall played the pianoforte accompaniments with care and judgment . . .
"MUSWELLBROOK. DRAWING-ROOM ENTERTAINMENT", The Maitland Mercury (20 October 1866), 5
http://nla.gov.au/nla.news-article18719310
An entertainment of the above description was given at the court house, on Monday and Tuesday night, by Mrs. Alexander (Edith Palmerston), assisted by Mr. Alexander and Mr. Ryall, musical conductor . . . Mr. Ryall, who (as far as we can judge from the instrument he was obliged to substitute for a piano, a sweet-toned harmonium) plays excellently, and without that disagreeable throwing about of the hand so peculiar to gentlemen performers. We hope on his return he may be successful in procuring a piano, which is far more suitable for accompaniments to comic songs, which Mr. R. sings admirably . . .
"MASONIC HALL", Empire (27 October 1869), 2
http://nla.gov.au/nla.news-article60895175
. . . A feature in the concert was the debut of several of Signor Devoti's pupils. Miss G. Vernon, Miss Florence Ryall, and Mr. L. M. Simmons, as amateurs, especially distinguished themselves. Perhaps the music they selected was a little ambitious, but upon the whole, they acquitted themselves well . . . The gems of the evening were . . . and the selections from "Ballo in Maschere," by Mrs. Cordner, Miss Ryall, Signor Devoti, Mr. V. Bushelle, Mr. Levison, and an amateur . . .
ASSOCIATIONS: Ugo Devoti (vocalist, teacher); Ellen Cordner (vocalist); Tobias Vincent Bushelle (vocalist)
"SIGNOR DEVOTI'S CONCERT", Sydney Mail (25 December 1869), 4
http://nla.gov.au/nla.news-article166807743
. . . Among the best pieces in the entertainment, were the "Regnari nel Silenzio," [sic, Regnava nel silenzio] sung by Miss Florence Ryall . . .
"SCHOOL OF ARTS", Bell's Life in Sydney (11 June 1870), 3
http://nla.gov.au/nla.news-article65472274
On Thursday evening the celebrated family of Australian Bell-ringers gave their first entertainment . . . Miss Florence Ryall sang very sweetly the songs she favored us with, accompanied on the piano by her talented brother . . .
ASSOCIATIONS: Lynch family (bellringers)
"ST. STANISLAUS COLLEGE, BATHURST (From our own Correspondent)", Freeman's Journal (23 December 1871), 9
http://nla.gov.au/nla.news-article120723604
On Wednesday, the 13th inst., the distribution of prizes took place at St. Stanislaus College . . . Professor J. J. Ryall ably conducted the musical and dramatic portion of the programme, of which, it will suffice to say, that every one present was astonished and delighted - delighted at the sweet music that emanated from the pianoforte and violin - astonished that such perfection on these instruments could be attained by youths so far removed from the day of assumption of the toga virilis. The young gentlemen who particularly distinguished themselves in the instrumental and vocal displays, were Masters Dillon, Fitzgerald, Fitzpatrick and De Lauret, at the piano; Master McLaughlin on the violin, and Masters Higgins, Martin, Fitzgerald, McMahon, Tully and De Lauret, in the vocal part. The audience gave unmistakable manifestations of approval as each of the above named young gentlemen concluded the part assigned him. The programme concluded with a most creditable boyish rendering of Bombastes Furioso which elicited the applause of the spectators . . .
[Advertisement], The Sydney Morning Herald (14 September 1872), 4
http://nla.gov.au/nla.news-article13263421
MR. J. J. RYALL, Professor of the Pianoforte, Harmonium, Singing, No. 424, Crown-st., Surry Hills.
MISS RYALL'S Preparatory School for Young Ladies, 424, Crown-street, Surry Hills.
"ADVANCE AUSTRALIA MUSIC CLUB", The Sydney Morning Herald (18 March 1873), 4
http://nla.gov.au/nla.news-article13314191
Last evening a concert and ball was given by the Advance Australia Musical Club, in the Masonic Hall, York-street. The first part of the programme comprised comic and sentimental selections by several well-known amateurs, whose efforts to please were duly appreciated by the audience. Mr. Ryall accompanied the singers on the piano, and discharged his duties in a most satisfactory manner. After the concert, the seats were cleared away, and a programme of dances was gone through.
"MARRIAGES", The Sydney Morning Herald (8 December 1873), 1
http://nla.gov.au/nla.news-article13327973
On the 25th November, 1873, by special license, at St. Paul's Church, Ipswich, Queensland, by the Rev. Lloyd C. Williams, B.A., EDWIN LEWIS SCOTT, eldest son of Robert Scott, Esq., Hull, Yorkshire, England, to FLORENCE RYALL, fifth daughter of John James Ryall, Esq., of St. Leonards-on-Sea, Sussex, England, a sister to J. J. Ryall, Esq., for twenty years resident of the city of Sydney, New South Wales.
[News], The Manaro Mercury, and Cooma and Bombala Advertiser (6 January 1886), 2
http://nla.gov.au/nla.news-article119053879
Mr. J. J. Ryall is about to leave Lithgow and take up his abode in another part of the colony. The musical section of the community will sustain a loss' which will not readily be made good. Mr. Ryall has been a consistent promoter of high-class music. - Lithgow Mercury, Saturday, 19th December 1885.
"Deaths", The Sydney Morning Herald (26 June 1886), 1
http://nla.gov.au/nla.news-article13633261
RYALL. - June 22, 1886, at the residence of his son, Mr. Edwin C. Ryall, Slack's Creek, Cooma, John James Ryall, Esq., J.P., many years coroner for the district and the father of Mrs. E. Lewis Scott, Leichhardt, Mrs. J. S. Jones, Balmain, and Mr. J. J. Ryall, professor of music, late of Sydney and Lithgow.
"MUSIC AND DRAMA", The Sydney Morning Herald (2 October 1909), 4
http://nla.gov.au/nla.news-article15083844
Mrs. T. H. Kelly and Mr. W. J. Trickett, M.L.C., convened a meeting of the friends of Mr. E. Lewis Scott at the Town Hall yesterday afternoon, to consider the question of recognising his many services in the cause of charity, music, drama, art, and literature . . . It was, too, in Sydney that Mr. Scott married Miss Florence Ryall, a leading mezzo, trained by Mme. Bushelle, the sister of Vincent Wallace, the composer. For 43 years Mr. Scott has been sole [NSW] correspondent for the London "Era" . . .
ASSOCIATIONS: Mary Ann Kelly (patron of the arts), mother of Frederick Septimus Kelly (musician); Eliza Wallace Bushelle (vocal teacher), sister of William Vincent Wallace
"DEATHS", The Sydney Morning Herald (3 April 1914), 10
http://nla.gov.au/nla.news-article15492559
RYALL. - April 2, 1914, at Home of Peace, Marrickville, John James Ryall, beloved uncle of Mr. and Mrs. Evan Davies, of Eastwood, and brother of Mrs. E. Lewis Scott, of Leichhardt, aged 82 years.
"Musical Gossip. THE LATE MR. RYALL", Evening News (11 April 1914), 13
http://nla.gov.au/nla.news-article114328280
Mr. John James Ryall, one of the oldest identities in Sydney musical circles, died last week at the age of 82. He was a native of Hastings, England, and arrived here in the early fifties. He was an organist and conductor of considerable ability, having held positions at the temporary cathedral of St. Andrew, which stood on the site of the Town Hall, St. Barnabas' Church, St. Thomas', North Sydney, and St. Francis' R. C. Church, Haymarket and was for many years grand organist of the Masonic Lodge. Mrs. E. Lewis Scott, who was at one time known as Miss Florence Ryall, a mezzo-soprano concert soloist, is a sister of the deceased musician.
"DEATHS", The Sydney Morning Herald (6 January 1920), 6
http://nla.gov.au/nla.news-article15878308
SCOTT - January 5, 1920, at her residence, Cottingham, Renwick-street, Leichhardt, Florence, dearly loved wife of E. Lewis Scott, and beloved mother of Ada Florence Glenister, aged 70 years.
"MUSIC AND DRAMA", The Sydney Morning Herald (30 April 1921), 8
http://nla.gov.au/nla.news-article15947633
The death of Edwin Lewis Scott, the veteran actor, journalist, and dramatist, at his old home, Cottingham, Renwick-street, should not pass unnoticed in this column . . . Scott was born at Hull, Yorkshire, on January 3, 1844, and sang there as a tenor, and acted small parts . . . He came to Australia in the service of the contractor for the Ipswich to Toowoomba (Q.) railway in 1865, and after a time resumed his stage career, making his Sydney debut at the School of Arts as tutor and stage manager for a juvenile troupe in 1869 . . .
RYAN, Edmund (Edmund RYAN; Edmund Gubbins RYAN; also frequently Edward RYAN [sic])
Publican (Victoria Hotel, Bendigo), concert room proprietor, amateur musician, violinist
Born Pallasreen, Limerick, Ireland, 1831; baptised Pallasreen, 3 November 1831; son of John RYAN and Ann GUBBINS
Active Bendigo district, VIC, by 1855
Married Bridget HENNESSEY, Bendigo, VIC, 6 August 1857
Died Dunedin, NZ, 16 July 1884, aged "52"
https://trove.nla.gov.au/search?l-publictag=Edmund+Gubbins+Ryan+1831-1884 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYAN-Edmund (shareable link to this entry)
Documentation:
Baptisms in the parish of Pallasgreen and Templebredin, November 1831; Catholic parish registers, National Library of Ireland
https://registers.nli.ie/registers/vtls000632760#page/134/mode/1up (DIGITISED)
[Nov.] 3 / Edmundus ex Joanne Ryan et Anna Gubbins / Sp. Gulielmus Gubbins et Lucinda Kirby
"MARRIED", Bendigo Advertiser (7 August 1857), 2
http://nla.gov.au/nla.news-article88000914
On the 6th August, 1857, at Sandhurst, by the Rev. Dr. Backhaus, Mr. Edmund Ryan to Miss Bridget Hennessey.
"SPECIAL LICENSING BENCH. Wednesday, 30th June, 1858", Bendigo Advertiser (1 July 1858), 3
http://nla.gov.au/nla.news-article87981504
On application for a transfer of the Victoria Hotel, from Charles Notley to Edmund Ryan was refused by the Bench, not from any objection to the applicant, but from a doubt as to the legality of such transfer.
[Advertisement], Bendigo Advertiser (28 August 1858), 1
http://nla.gov.au/nla.news-article87982989
VICTORIA HOTEL CONCERT ROOM.
THE Proprietor, Mr. EDWARD RYAN, has much pleasure in informing his friends and the public in general,
that he has made arrangements with Mrs. STONE, the celebrated Comic Singer in character, in conjunction with Mrs. BYRNE, the noted Soprano;
also, Mr. E. H. CLEMENTS, alias "Thatcher, No. 2," who will introduce, nightly, New Local Songs of his own composing, and other Novelties.
Admission Free.
ASSOCIATIONS: Mrs. Stone (vocalist); Georgina Bourn (vocalist, pianist); E. H. Clements (comic vocalist)
"EVENING AMUSEMENTS", Bendigo Advertiser (31 August 1858), 3
http://nla.gov.au/nla.news-article87983033
The energetic landlord of the Victoria Hotel, Mr. E. Ryan, determined not to be behind in the march of improvement, has succeeded in securing the services of a very efficient company for his concert room, which was well attended yesterday evening. Mrs. Stone's impersonation of "The Female Highwayman" is a most laughter-inspiring affair, and was well received by those present. Her singing, in character, such songs as "The Red, White, and Blue," "I'm Afloat," etc., seemed to give the highest satisfaction to the audience. Mr. Clements sings some songs of a comic nature, introducing some very good local hits; and altogether the amusements offered are worthy of recommendation to those who are fond of "sweet sounds," and a "right merrie jest."
"VICTORIA CONCERT HALL", Bendigo Advertiser (11 July 1859), 3
http://nla.gov.au/nla.news-article87990457
The engagement of Mrs. Stone, who was always a favorite at the Victoria Concert Hall, and who made her re-appearance there on Saturday night, displayed judiciousness on the part of the proprietor, the numerous audience on Saturday night fully appreciating the excellent singing of Mrs. Stone. A tolerably good comic singer, in the person of Mr. Inglis, also contributed a fair share of amusement during the evening, while Mrs. Byrne's accompaniment on the piano, ably seconded by Host Ryan himself on the cremona, were efficiently performed.
"DEATH", Dunstan Times (18 July 1884), 2
https://paperspast.natlib.govt.nz/newspapers/DUNST18840718.2.3
RYAN. - On the 16th July, at Dunedin, Edmond Gubbins Ryan, formerly of the Bendigo Hotel, Clyde; aged 52 years.
NZ Tablet (1 August 1884) has: Eldest son of Joseph Ryan [sic], Esq., Cross Cottage, County Limerick, Nephew of William Gubbins, J.P., Gurthbkleen Olla, and Joseph Gubbins, J.P., Olla Hill, House County, Tipperary.
[News], The Bendigo Independent (28 July 1894), 2
http://nla.gov.au/nla.news-article183315390
Still another old and highly respected colonist, Mr. Michael Hennessey, passed away last night, aged 84. He arrived in the colony in 1852. Mr. Hennessey was a schoolmate of the late Sir John O'Shanassy. He was ailing for some time, as was only to be expected in one of his great age. For the latter part of his life he resided with his daughter, who is licensee of the Crescent Hotel, Bridge street. Another of his daughters, Mrs. Edward Ryan, was at one time manageress of the Shamrock Hotel . . .
RYAN, Philippina (Mary Philippina RYAN; Miss RYAN; Mrs. Henry BRIDSON)
Musician, mezzo-soprano, contralto vocalist, pianist, organist, teacher of music and singing
Born Sydney, NSW, 1844; daughter of Patrick Maher RYAN (c. 1818-1862) and Anna Maria COATES (c. 1820-1897)
Active Sydney, NSW, 1859-62
Married Henry BRIDSON (c. 1829-1911), St. Mary's cathedral, Sydney, 5 September 1863
Died QLD, 15 September 1913
https://trove.nla.gov.au/search?l-publictag=Mary+Philippina+Ryan+Bridson+1844-1913 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYAN-Philippina (shareable link to this entry)
Summary:
Philippina Ryan was born in Sydney in 1844, the only daughter of Patrick Maher Ryan (c. 1818-1862), of Tipperary, and his wife Anna Maria Coates (c. 1820-1897), of Galway, who had arrived in the colony as assisted immigrants on the William Sharples in January 1842.
A pupil of Sarah Bridson, and a member of the choir at St. Patrick's, Sydney, where Sarah's husband Thomas Bridson was organist, she made her first public appearance as an amateur at Bridson's "Concert for the People" in November 1859, singing in the vocal ensembles.
Over her relatively short but concentrated 2-and-a-half-year concert career in Sydney, she was a foundation soloist with the Orpheonist Society, and with them continued to be billed regularly as a contralto soloist alongside Sara Flower.
Her concert appearances came to an abrupt end in June 1862, following the death of her father.
In September 1863 she married Thomas Bridson's brother, Henry Bridson (d. 1911), a station manager from Rockhampton, QLD. Henry continued to commute to Queensland, while Philippina probably remained mostly in Sydney, where, in suburban Paddington, on 16 November 1866, she gave birth to their only child, Edmund Patrick Bridson (d. 1909). As she later advertised in QLD, while still in Sydney she was "Organist and Choir Leader of St. Joseph's Church, Sydney", probably the temporary church of St. Joseph, Woollahra.
By 1876, if not earlier, she had settled permanently in Rockhampton, where she carried on a large teaching practice as well as performing in local concerts and as a choral soloist.
The actor and theatrical manager John Silverius Ryan (1847-1921) was her younger brother.
Documentation:
[Advertisement], The Sydney Morning Herald (7 November 1859), 1
http://nla.gov.au/nla.news-article13032796
CONCERT FOR THE PEOPLE.
Mr. T. V. BRIDSON has the honour to announce to the public his intention of giving one of those highly popular Concerts,
to lake place THIS EVENING, November 7th, in the Great Hall of the Exchange.
The following artists have been engaged - Mrs. Bridson, Madam Flora Harris,
Miss Ryan (pupil of Mrs. Bridson's, her first appearance), Mr. Packer, Mr. Banks, Mr. Sussmilch, Mr. Leveson, and others of equal ability . . .
"CONCERTS FOR THE PEOPLE", The Sydney Morning Herald (8 November 1859), 5
http://nla.gov.au/nla.news-article13032873
. . . The two distinguishing characteristics of these concerts are to be, excellence in the performances, and cheapness. If an equal degree of efficiency in the performances to that which attached to the inaugural concert last night is maintained throughout the series, and at the same prices of admission, those two characteristics - quality and cheapness will be fully realised. The undertaking will involve a considerable outlay, but the enterprising projector relies on the patronage of the public for indemnification. The programme for last night consisted of a judicious selection of popular pieces, comprising a great variety of good music. The artistes engaged for the occasion were Mrs. Bridson, Madame Flora Harris, Miss Ryan (amateur), Mr. Packer, Mr. Banks, Mr. Sussmilch, and Mr. Leveson - the list of names being a sufficient guarantee that the musical treat was of a superior character . . .
ASSOCIATIONS: Thomas and Sarah Bridson (musicians, teachers); Flora Harris (vocalist); Charles Sandys Packer (musician); Thomas Banks (vocalist); Bernhard Sussmilch (vocalist); John Leveson (vocalist)
[Advertisement], The Sydney Morning Herald (16 January 1860), 1
http://nla.gov.au/nla.news-article13035573
PEOPLE'S CONCERT. -
The Committee of the New South Wales Alliance have the honour to announce that the next
CONCERT will take place in the HALL OF TEMPERANCE, on MONDAY EVENING, January 16, under the management of Mr. T. V. BRIDSON.
The following artistes are engaged, namely - Mrs. BRIDSON, Madame FLORA HARRIS,
Miss RYAN (pupil of Mrs. Bridson), Mr. JOHN HOWSON, Mr. BANKS, and Mr. H. O. THOMPSON.
Musical Conductor, Mr. C. S. PACKER.
FIRST PART . . . Duet - O'er the Hill o'er the Dale - Glover - Mrs. BRIDSON and Miss RYAN . . .
ASSOCIATIONS: John Howson (vocalist); Henry Osborn Thompson (vocalist)
MUSIC:O'er the hill, o'er the dale (by Stephen Glover)
"PEOPLE'S CONCERT", The Sydney Morning Herald (30 January 1860), 5
http://nla.gov.au/nla.news-article13036113
Another of these popular entertainments comes off this evening at the Temperance Hall, Madame Sara Flower, Mrs. Bridson, Madame Flora Harris, Miss Ryan (pupil of Mrs. Bridson), Mr. John Howson, Mr. Banks, Mr. H. O. Thompson, are engaged . . .
"FLOOD RELIEF FUND", The Sydney Morning Herald (3 March 1860), 7
http://nla.gov.au/nla.news-article28628768
A meeting of the members of the musical profession took place at Marsh's Music Room, Jamison-street, for the purpose of making arrangements for a grand entertainment in aid of the funds for the sufferers on behalf of the late floods. The meeting was very numerously attended. Mr. Charles Packer, having taken the chair, called on the secretary, Mr. H. N. Montagu . . . The eminent pianist, Signor Cutolo, was announced to have offered his valuable services for the occasion, as also the following members of the profession: Madame Sara Flower, Madame Flora Harris, Mrs. Bridson, Miss Brady, the Misses Howson, Miss Spagnoletti, and Miss Ryan; Messrs. C. Packer, H. Marsh, F. Ellard, Paling, Stanley, Cordner, F. Howson, (by permission of Mr. S. Colville,) J. Howson, Spagnoletti, Harwood, Peck, Anderson, Ginck [sic, Linck], Palmer, and others . . .
ASSOCIATIONS: Henry Neville Montagu (secretary); Cesare Cutolo (pianist); Sara Flower (vocalist); Mary Ann and Matilda Brady (vocalists); Emma and Clelia Howson (vocalists); Nina Spagnoletti (vocalist); Henry Marsh (pianist); Frederick Ellard (pianist, vocalist); William Henry Paling (violinist, pianist, music-seller); William Stanley (pianist); William John Cordner (pianist, vocalist); Frank Howson (vocalist); Ernesto Spagnoletti (vocalist); Charles William Harwood (musician); George Peck (violinist); James Henri Anderson (music-seller); George Linck (vocalist); William Henry Palmer (musician)
"CATHOLIC GUILD - TEA PARTY AND MUSICAL SOIREE", Empire (10 April 1860), 4
http://nla.gov.au/nla.news-article60408514
A tea party and magical soiree in connection with the Australian Catholic Guild of St. Mary and St. Joseph was held yesterday evening, in St. Patrick's Hall, Church Hill. The large Hall was filled on the occasion, there being not less than six hundred persons of both sexes present . . . The musical part of the festival was efficiently conducted by Mr. J. Howson, Mr. Banks, Mrs. Bridson, and Miss Ryan, who severally sang "Kathleen O'More," "Molly Asthore," "O'er the hill, o'er the Dale," and some other compositions, which elicited the warm applause of the audience. A band of musicians were also in attendance, and contributed towards the efficiency of this part of the entertainment.
[Advertisement], The Sydney Morning Herald (8 September 1860), 1
http://nla.gov.au/nla.news-article13045569
GRAND CONCERT in ST. MARY'S SEMINARY, under the Patronage of his Grace the ARCHBISHOP.
- On TUESDAY, September 11th, a Grand Concert of Sacred and Secular Music will be given in the Hall of St. Mary's Seminary,
by the United Choirs of St. Mary's and St Patrick's,
including Mesdames BRIDSON, HOWSON, BRADY, CORDNER, and RYAN;
Messrs. ELLARD, HOWSON, and SUSSMILCH, assisted by a powerful Chorus of Ladies and Gentlemen Amateurs,
under the direction of W J. CORDNER, organist and choir-master of the Cathedral.
PROGRAMME . . . PART II . . . Duet - The Star and Flower (Glover) - Mrs. Bridson and Miss Ryan . . .
ASOCIATIONS: John Bede Polding (archbishop); Ellen Cordner (vocalist)
"LECTURE ON ANCIENT IRISH MUSIC", Empire (12 March 1861), 5
http://nla.gov.au/nla.news-article60492901
A LECTURE on ancient Irish music, with vocal and instrumental illustrations, was delivered by J. H. Plunkett, Esq., at St. Patrick's Hall, last night, assisted by Mrs. Bridson, Mrs. Cordner, Miss Ryan, Mr. Cordner, and some of the gentlemen of St. Patrick's choir. Mr. T. Bridson presided at the piano . . . "The last Rose of summer," probably the most popular of all Moore's melodies, was then sung by Mrs. Bridson. "Go where glory waits thee," by Mrs. Bridson and Miss Ryan. "The young may moon," as a quartet, by Mrs. Bridson and Miss Ryan, Mr. Cordner, and a gentleman . . .
ASOCIATIONS: John Hubert Plunkett (lecturer)
MUSIC: Go where glory waits thee (Moore and Stevenson); The young May moon (Moore and Stevenson)
"ST. BENEDICT'S YOUNG MEN'S SOCIETY", The Sydney Morning Herald (7 May 1861), 4
http://nla.gov.au/nla.news-article13055812
A GRAND tea party, and musical soiree was given last evening by the St. Benedict s Young Men's Society and the Catholics of Sydney to the Right Rev. Dr. Quinn, Roman Catholic Bishop of Queensland, to congratulate him on his safe arrival in Sydney . . . The "Echo" duet was then sung by Mrs. Bridson and Miss Ryan, accompanied by Mr. Bridson on the pianoforte, and was much applauded . . .
"ST. BENEDICT'S YOUNG MEN'S SOCIETY", Freeman's Journal (18 May 1861), 7
http://nla.gov.au/nla.news-article115761254
. . . Mrs. Chisholm then said she had been called upon to say a few words,
but she felt so unwell, from a severe cold, that she was unable to say to them what she would wish;
however, she was glad to see so many Irishmen there that evening,
and she felt sure that the Englishmen and Scotchmen participated with them in the pleasure they felt in being present. (Cheers.)
After "The Flower and the Star" by Mrs. Bridson and Miss Ryan, and a few more songs had been sung,
the party broke up evidently delighted with the very agreeable evening they had spent.
Altogether this was one of the best conducted entertainments of the kind we were ever present at,
and the excellent singing of Mrs. Bridson, Miss Ryan, and Mr. Lyons,
who were ably seconded by Mr. Bridson and Mr. Richardson, contributed greatly to the success of the evening's amusement.
ASSOCIATIONS: James Quinn (bishop); Caroline Chisholm (activist); . . .
MUSIC: The echo duett (Braham)
"THE OPRHEONIST CONCERT", Freeman's Journal (2 October 1861), 5
http://nla.gov.au/nla.news-article115761407
The first concert of the Orpheonist Society took place at the Masonic Hall on Monday evening, the large attendance being attracted by the low tariff the committee has very judiciously fixed upon as the price of admission, as well as by the excellence of the programme, one of the best we have seen in Sydney for a considerable time. The vocalists engaged for the occasion were Madame Sara Flower, Mrs. Bridson, Madame Flora Harris, and Miss Ryan . . . Previous to the commencement of the concert Mr. Packer, announced that Mr. J. Howson was not present to fulfil his engagement . . . The first part of the concert consisted entirely of sacred music, and was devoted chiefly to selections from Costa's oratorio of Eli . . . The pieces which were best, given in the second part were: the trio by Curschman, "A garland of roses" by Miss Ryan, Mrs. Bridson, and Madame Flora Harris; and Hatton's part song of "Ripe Strawberries," both of which were encored, as was also Packer's hunting song of "The stars are still" . . .
MUSIC: Blumengruss (Curschmann); Ripe strawberries (Hatton)
"ORPHEONIST SOCIETY. FULL GENERAL REHEARSAL", The Sydney Morning Herald (6 January 1862), 5
http://nla.gov.au/nla.news-article13068633
A full general rehearsal of the programme of the second subscription concert of the Orpheonist Society took place in the Masonic Hall, in York-street, on Saturday afternoon, at half-past three o'clock. About fifty ladies and gentlemen were present, there being about an equal proportion of either sex. The band of her Majesty's 12th Regiment were also in attendance, for the purpose of going through that instrumental portion of the concert - the operatic selections - in which they are to give their assistance this evening. Amongst the ladies and gentlemen whose names a rigorous etiquette alone permits us to mention, were the distinguished solo-vocalists, Mrs. Bridson, Madame Sara Flower, Madame Flora Harris, Miss Ryan, and Mr. Fisher. Mr. John Gregg was unavoidably absent, through illness . . .
"SECOND CONCERT OF THE ORPHEONIST SOCIETY", The Sydney Morning Herald (7 January 1862), 4
http://nla.gov.au/nla.news-article13068560
. . . Selections from Haydn's Third Mass [Imperial] followed, beginning with the magnificent chorus of "Kyrie Eleison" . . . The solo and chorus "Qui Tollis," was next presented by Mrs. Bridson, Miss Ryan, and a gentleman amateur, who, with the chorus, did ample justice to the exquisitely plaintive and impressive character of that sublime musical invocation . . . The fine old duet, "I know a bank," by Mrs. Bridson and Miss Ryan, was honoured with an encore . . .
ASSOCIATIONS: Band of the 12th regiment (military band); Douglas Callen (conductor); John Gregg (vocalist); James Churchill Fisher (vocalist)
MUSIC: Qui tollis, from Imperial (Nelson) Mass (Haydn); I know a bank wheron the wild thyme grows (C. E. Horn)
[Advertisement], The Sydney Morning Herald (30 January 1862), 1
http://nla.gov.au/nla.news-article28623464
MASONIC HALL, GRAND COMPLIMENTARY CONCERT Tendered to MR. W. J. CORDNER, THIS EVENING (THURSDAY), January 30.
Vocalists : Mesdames Sara Flower, Flora Harris, Bridson, Emma and Clelia Howson, Cordner, and Ryan;
Messrs. F. and J. Howson, J. C. Fisher, and Sussmilch, and a powerful chorus numbering nearly 200 VOICES . . .
PROGRAMME . . . PART II . . . Duet - In yonder bower - Kucken - Mrs. BRIDSON and Miss RYAN . . .
"THE THIRD QUARTERLY CONCERT OF THE ORPHEONIST SOCIETY", The Sydney Morning Herald (1 April 1862), 5
http://nla.gov.au/nla.news-article28623124
The third quarterly concert of the Orpheonist Society came off yesterday evening at the Freemasons' Hall, in York-street, and was, from first to last, an entire success . . . The solo vocalists were Mrs. Bridson, Madame Flora Harris, and a young lady amateur, for soprano; Madame Sara Flower, and Miss Ryan for contralto; Mr. John Howson for tenor, and several gentlemen amateurs for bass . . . Allen's part song "May" was succeeded by the "Perfida Clori," of Cherubini. This trio was exquisitely sung by Mrs. Bridson, Madame Sara Flower, and Miss Ryan, and deserved even more applause than it received . . . The chorus too . . . was remarkably effective, reflecting the highest credit on the careful teaching of the conductor, Mr. Douglas Callen . . .
MUSIC: Perfida Clori (Cherubini
[Advertisement], Empire (12 May 1862), 1
http://nla.gov.au/nla.news-article60475230
BALMAIN. A CONCERT OF VOCAL AND INSTRUMENTAL MUSIC will be held in the HALL OF THE SCHOOL OF ARTS, BALMAIN,
In aid of that Institution, ON TUESDAY, THE 13TH INSTANT.
On which occasion the following ladies have kindly volunteered their services,
aided by a large number of Amateurs, and an effective Band, viz.-
Mesdames BRIDSON, HARRIS, CORDNER, and Miss RYAN.
PROGRAMME. PART I . . . Duett - Mrs. Bridson and Miss Ryan . . .
Conductor - Mr. W. J. Cordner . . .
"MADAME JAFFA'S CONCERT", The Sydney Morning Herald (3 June 1862), 4
http://nla.gov.au/nla.news-article13229614
The first of a series of popular subscription concerts by Madame Jaffa came off yesterday evening, at the Freemasons' Hall. Notwithstanding the recent frequency of musical entertainments there was a very large and respectable attendance, the spacious hall being well filled . . . Madame Sara Flower, Mrs. Bridson, and Miss Ryan sang solo and concerted pieces in a manner calculated to sustain their popularity . . .
ASSOCIATIONS: Rebecca Jaffa (pianist)
[Advertisement], The Sydney Morning Herald (10 June 1862), 1
http://nla.gov.au/nla.news-article28622818
ORPHEONIST SOCIETY. - SECOND EXTRA CONCERT, at the Masonic Hall, - THIS (Tuesday) EVENING, June 10th . . .
PROGRAMME . . . PART II. The principal vocal portions of Benedict's new grand romantic Opera
"THE LILY OF KILLARNEY," or the "COLLEEN BAWN," (First time in Australia.)
CHARACTERS REPRESENTED, Eily O'Connor - Mrs. Bridson and Madame Flora Harris
Anne Chute and Mrs. Cregan - Madame Sara Flower and Miss Ryan
First and Second Bridesmaids - Lady Amateur and Miss Ryan . . .
Conductor - Mr. D. CALLEN. Accompanyist - Mr. T. V. BRIDSON. Choral Leader - Mr. SUSSMILCH . . .
MUSIC: The lily of Killarney (Benedict)
[Funeral notice], The Sydney Morning Herald (25 June 1862), 8
http://nla.gov.au/nla.news-article13230675
FUNERAL. - The Friends of the deceased Mr. PATRICK M. RYAN are invited to attend his funeral, to move from St. Patrick's Hall, Church-hill, THIS (Wednesday) AFTERNOON, at 3 o'clock. JAMES CURTIS, undertaker, No. 59. Hunter-street.
"ORPHEONIST SOCIETY", The Sydney Morning Herald (28 June 1862), 4
http://nla.gov.au/nla.news-article13230810
We are requested to state that in consequence of a severe domestic calamity, Miss Ryan did not take part in the society's concert on Thursday evening [26 June].
"MARRIAGES", The Sydney Morning Herald (10 September 1863), 1
http://nla.gov.au/nla.news-article13084034
On the 5th instant, at St. Mary's Cathedral, by the Rev. M. S. Dywer, O.S.B., Henry Bridson, of Rockhampton, to Philippina, only daughter of the late P. Ryan.
"BIRTHS", The Sydney Morning Herald (19 November 1866), 1
http://nla.gov.au/nla.news-article13152352
On the 16th instant, at Paddington, Mrs. HENRY BRIDSON, of a son.
[Advertisement], Rockhampton Bulletin (4 July 1876), 1
http://nla.gov.au/nla.news-article51904714
PIANOFORTE AND SINGING. MRS. BRIDSON (late Organist and Choir Leader of St. Joseph's Church, Sydney,) is prepared to receive pupils for SINGING and PIANOFORTE. For terms, &c., apply at the Osborne House, Quay-street.
"THE SCHOOL OF ARTS", The Daily Northern Argus (9 September 1876), 2
http://nla.gov.au/nla.news-article213434467
The concert in aid of St. Joseph's Church, which was held last evening, at the above Hall, was the most successful thing of the kind ever given in the town. In the first place, the selections, both Sacred and Secular, particularly the former, were unexceptionally good, and in the second place sung, not warbled, as is too often the case with Amateurs, who on this occasion acquitted themselves in a style which would have done credit to professionals; and the "Kyrie Eleison" sang with a precision and verve, for which we were scarcely prepared. The gem of the evening, undoubtedly was Mozart's exquisite duett of "Quis Est Homo," in which Mrs. Bridson's fine soprano, told with great effect, particularly in those passages demanding flexibility, range and execution, ably seconded by the rich contralto of the lady who sang with her, and whose solo of "Ah! Gia S'Offre" more especially the Cantabile part of it, which was articulated with ease, taste and expression . . .
[News], Morning Bulletin [Rockhampton, QLD] (20 December 1879), 2
http://nla.gov.au/nla.news-article51983600
A VERY interesting reunion was held last night in the Municipal Chamber, when Mrs. Bridson's musical pupils, before separating for the holidays, gave specimens of their ability before a select audience, composed of their parents and friends . . .
[News], Morning Bulletin (18 February 1882), 2
http://nla.gov.au/nla.news-article52057570
A COMPLIMENTARY concert given to Mrs. Bridson by her pupils, assisted by Herr Knoch, in the School of Arts last night, so far as attendance was concerned, was most successful . . . The second opened with an instrumental trio from I Puritani, followed by a splendid fantasia in which Mrs. Bridson played the piano and Herr Knoch the violin in capital style. The manipulation of the different instruments in rapidity and lightness of touch, was in a high degree finished and artistic, and elicited the enthusiastic applause of the audience . . .
"CHRISTMASTIDE", Morning Bulletin (27 December 1882), 2
http://nla.gov.au/nla.news-article52061062
At St. Joseph's R.C. Church,, there were four masses on Christmas morning. At the fourth or ll o'clock mass, the following programme was carried out with admirable effect: Adestes Fidelis - (Novello), Kyrie from Mozart Mass No. 1. Gloria and Qui Tollis from Farmer's Mass in B. nat. Credo from Haydn's Imperial mass, - the soprani solos in Et Incarnatus were beautifully sung by Mrs. Bridson and Mrs. Richardson. Sanctus (Mazzinghi). Voluntary - "Comfort ye my people" from the Messiah arranged for violin (Herr Knoch) and organ. Agnus Dei, Dona Nobis, (Lambellotte) and the Laudate, (Gregorian). It was intended to have rendered another programme of grand music in the evening at Benediction, but a heavy storm came on shortly before 8 o'clock and prevented the attendance of [a] great number. Mrs. Bridson however sang the "O Salutaris" with much effect.
[Advertisement], Morning Bulletin [Rockhampton, QLD] (16 September 1913), 1
http://nla.gov.au/nla.news-article53347360
THE Funeral of the late Mrs. MARY PHILLIPPINA BRIDSON, relict of the late Mr. Henry Bridson, will leave her late residence, corner of Talford and Weinholt streets, THIS (Tuesday) MORNING, at 11 o'clock, for the Rockhampton Cemetery . . .
"OUR NEIGHBOURS", The Queenslander [Brisbane, QLD] (27 September 1913), 15
http://nla.gov.au/nla.news-article22216697
The death of Mrs. Henry Bridson, which occurred on Monday last, removes one of Rockhampton's old and much-respected residents. Mrs. Bridson has spent nearly 40 years of her life here, and was well-known as a teacher of music and singing. Her husband and her only son (Mr. Edmund Bridson, formerly of the Railway Department) both predeceased her.
"DEATHS", The Sydney Morning Herald (24 October 1913), 8
http://nla.gov.au/nla.news-article15459946
BRIDSON. - September 15, 1913, at Rockhampton, Queensland, Mrs. Henry Bridson, only daughter of the late Patrick Meagher Ryan and Anna Maria Coates Ryan, and dearly beloved sister of Silverius Ryan, of Sydney. Home papers please copy.
"Inter-State Notes", Daily Commercial News and Shipping List [Sydney, NSW] (25 November 1913), 13
http://nla.gov.au/nla.news-article159214145
For the information of the Sydney Musical Society, there passed away one of its old members in the person, of Mrs. Henry Bridson, who was for years leading soloist in St. Patrick's Church, and well known on the Sydney concert stage. She died at Rockhampton, Queensland, on the 15th September last, after being a teacher of music for forty years. She was ever foremost in giving her services in the cause of charity. She will be well known in Sydney as Mary Phillippina Ryan, and leaves an only brother in the city, who was once attached to the Sydney Theatre.
"HENRY BRIDSON", Morning Bulletin [Rockhampton, QLD] (28 November 1925), 10
http://nla.gov.au/nla.news-article55245663
. . . Henry Bridson had, during this interval, settled in Rockhampton, but he was getting up in years, and his eyesight was failing. Fortunately years before he had married a lady who was an accomplished musician, and by taking pupils she was able to become a breadwinner. The writer believes Mr. Bridson finally became totally blind, and both he and his sterling wife have been dead many years . . .
Bibliography and resources:
John T. S. Bird, The early history of Rockhampton; dealing chiefly with events up till 1870 (Rockhampton: The Morning Bulletin Office, 1904), 95, 180
https://www.textqueensland.com.au/item/book/f05857c88c74d62aece433d5c9ae0a74 (DIGITISED)
[95] . . . Other amateur lady vocalists of the old days who are still alive were Mrs. J. Collins, Denison-streeet, Mrs. H. Bridson, Talford-street, and Mrs. C. F. Cripps, of Sydney . . .
[180] . . . In 1859 Mr. Henry Bridson came to Rockhampton from Victoria to form Waverley Station, Broadsound, for Messrs. Macartney and Mayne; Mr. Bridson was subsequently general traffic manager for the Peak Downs Copper-mining Company, and opened up the port of St. Lawrence to steam trade. His sister [Elizabeth Annie Bridson] married Mr. Vicary [Thomas William Vicary], of Canoona, and left two children, the late Mrs. E. T. Sherwin, of The Oaks, and Mr. T. Vicary, of Marlborough. Mr. Bridson is still alive and fairly vigorous, taking great interest in the development of the Dawson coal measures. Mr. E. P. Bridson, station master at Stairwell, is Mr. Bridson's only son . . .
RYAN, Timothy (Timothy RYAN)
Musician, violinist, pub fiddler, shoemaker
Born Tipperary, Ireland, c. 1819 (? 1823)
Married Alice FOGARTY, Clonoulty church (RC), Tipperary, Ireland, 27 January 1839
Arrived Sydney, NSW, 7 January 1840 (per Alfred, from London, via Plymouth, 29 September)
Died Gulgong, NSW, 13 February 1891, aged 72
https://trove.nla.gov.au/search?l-publictag=Timothy+Ryan+c1819-1891 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYAN-Timothy (shareable link to this entry)
Documentation:
Register of marriages, in the parish of Clonoulty, January 1839; National Library of Ireland
https://registers.nli.ie/registers/vtls000632689#page/176/mode/1up (DIGITISED)
January 1839 / Marriages . . . 27 / Timothy Ryan and Alice Fogarty were married . . .
Assisted immigrants per Alfred, arrived 7 January 1840; State Records Authority of NSW
Ryan Timothy / 21 / Shoemaker / Tipperary / Roman Catholic / [read and write] Neither . . .
[Ryan] Alice / 19 / Housemaid / [Tipperary] / [Roman Catholic] / Reads only . . .
? "CITY COUNCIL . . . NOTICES OF MOTION", Empire (9 December 1851), 3
http://nla.gov.au/nla.news-article60125947
. . . That the prayer of the Petition of Timothy Ryan and Edward O'Hearne, claiming exemption from City and Lighting Rates, on account of of their poverty, be granted . . .
"OUTRAGE", Empire (4 April 1853), 2
http://nla.gov.au/nla.news-article61323076
On Saturday night [2 April], a number of soldiers belonging, it is said, to the 40th Regiment, were drinking in Walsh's public house, the Bee Hive, on Brickfield Hill, when a quarrel ensued, and from words the parties came to blows. Two or three of the soldiers were seriously wounded in the affray, and it is said that the medical attendants (Messrs. West and Aitken) are of opinion that one of the soldiers is mortally wounded. The police were promptly in attendance, and arrested the landlord and eight other persons. They will be brought before the magistrates to-day. The following are the names of the parties in custody. Maurice Walsh (the landlord), his wife Bridget Walsh, Bernard Neale, John Piper, James McDonald, Thomas Molloy, James Delaney, John Hopkins, and Timothy Ryan.
"GREAT OUTRAGE", Empire (5 April 1853), 2
http://nla.gov.au/nla.news-article61323107
Maurice Walsh, landlord of the Beehive public house in Campbell-street, near the Haymarket, his wife Bridget, a musician named Timothy Ryan, and six labouring men, named Bernard Neale, John Piper, James McDonnell, Thomas Molloy, James Delaney and John Hopkins, were brought before the Mayor, Major Lockyer, and T. Wingate, Esq., at the Police Office, yesterday, charged with assaulting and violently wounding with unlawful weapons, five soldiers of H. M. 40th Regiment. One soldier named Spargin, is described by Assistant Surgeon Tidmas of the 40th, as in a hopeless condition, and in a state of utter insensibility. Another soldier named Dixon, is also desperately and dangerously wounded. Three other soldiers named, Eustace, Wood and Dunn, are also wounded, but slightly in comparison with their unfortunate comrades. As the case is one which may terminate more or less fatally, depending on the mortality of the wounds, it is deemed advisable for the sake of all parties concerned, to keep back the particulars until the close of the case. A great deal of evidence was taken yesterday. Mr. W. Roberts attended for Walsh and his wife; and for Neale, Piper, and McDonnell, the Officer in command of the 40th, and a junior Officer, attended to watch the proceedings on behalf of the soldiers.
Entrance book, Darlinghurst Gaol, Sydney, NSW, 1853-55 (7 April 1853); State Records Authority of NSW
https://www.ancestry.com.au/imageviewer/collections/1783/images/41491_330315-00371 (PAYWALL)
684 / Timothy Ryan / [arrived] Alfred / 1839 / [came free, assisted immigrant] / [born] Tipperary / [Catholic] / Shoemkr. / [admitted] 7 April / . . .
Description book, Darlinghurst Gaol, 1850-55 (7 April 1853); State Records Authority of NSW
https://www.ancestry.com.au/imageviewer/collections/1783/images/32246_223274-00335 (PAYWALL)
684 / Timothy Ryan / Alfred / 1839 / [year of birth] 1823 / [height] 5 5 / slight / Sallow . . .
"VIOLENT ASSAULT IN CAMPBELL-STREET", The People's Advocate and New South Wales Vindicator (9 April 1853), 4-5
http://nla.gov.au/nla.news-article251541270
On Saturday evening last, about seven o'clock, some soldiers of the 40th Regiment went into a public house in the Hay-market, known as the "Beehive," kept by a person named Maurice Walsh, where they had some drink. Several other persons were in the house drinking, and a man named Ryan was playing a fiddle. Some dispute arose, and one of the soldiers struck a man named Neale, who had been treating another soldier. One of the soldiers said something to the landlady which seemed to annoy her, and went dancing about the room, shouting "I'm a Tipperary man, and care for nobody." The landlord said he did not wish to have any row in his house, and with the assistance of some of the persons in the house he put the soldiers outside and shut the door, but did not fasten it. Shortly after the soldiers re-entered the house and another fight commenced, but in this second fight it does not appear whether the civilians or the soldiers struck the first blow. The soldiers were again put out, and the house was cleared of all persons, except the landlady, the fiddler, and a carrier from Mudgee, named Thomas Milton, who was at the time lodging in the house. The landlord, Walsh, went out of the house at the same time; and on his return into it, an attack was made from the outside open the windows, several of which were smashed. This appears to have excited the wrath of Walsh, who seized a New Zealand war club from behind the counter, and attempted to go out when his wife said to him - For God's sake do not go out to them he replied he was not to have his windows smashed in that manner and went out. It appeared that just about this time two other soldiers of the same regiment, named William Byford and Patrick Spargeon, were walking in the Haymarket, and seeing some soldiers and a number of people squabbling at Walsh's door, they went over to see what was the matter. Just at this moment the landlord met Spargeon and struck him a blow on the head, either with a New [5] Zealand club or a bar of iron, which knocked him down. Mrs. Walsh afterwards came out of the house and struck Spargeon on the head with a bottle. Two other soldiers were also knocked down by severe blows upon the head. By this time Sergeant McKay of the mounted police, accompanied by two or three troopers arrived, and apprehended every person they found in the house. These were Maurice Walsh; landlord, Bridget Walsh his wife, John Piper, Bernard Neale, James Macdonald, James Delaney, John Hopkins, Timothy Ryan, (the fiddler) and Thomas Molloy.
On Monday morning all the prisoners were brought before the Police Bench, (the Mayor, Major Lockyer, and Captain Wingate being the sitting magistrates.) Mr. W. Roberts appeared on behalf of Piper, Macdonald, Neale, Walsh, and his wife, the others were undefended.
Sergeant McKay, of the mounted patrol, deposed that a few minutes after seven o'clock on Saturday evening, having received information of a row at Walsh's, he proceeded thither, accompanied by some troopers; he found one soldier lying outside the house, apparently dead; he apprehended or caused to be apprehended every one he found in the house - that is, all the prisoners at the bar except Ryan who was apprehended at his own house by Sergeant Brigden; he did not see the female prisoner until he was in the act of taking Hopkins, when she came up with a candlestick in each hand, said she would not suffer any man to be taken prisoner in her house and made blows at him with the candlesticks - she was made prisoner; Macdonald also endeavoured to strike him, but was prevented; neither of the others offered either to escape or to resist; he saw two soldiers carried away in a cart, and a third on a stretcher, several other soldiers appeared to be slightly wounded; all the prisoners appeared to be in a state of excitement, as if they had been fighting. Macdonald, Piper, Neale, and Delany, had blood upon them; Molloy's shirt was outside his trousers; none of the injured men charged the prisoners with assaulting them.
By Mr. Roberts: The female prisoner was coming from the kitchen when she met and attempted to strike him with the candlesticks.
Thomas Miton, the carrier from Mudgee, was then called, and gave evidence the substance of which is narrated above.
The following witnesses were also called, and deposed as follows:-
William Byford, private of the 40th, stated that between 6 and 7 o'clock on Saturday, he and Patrick Spargeon (also of the 40th), were walking in the Hay market, when they saw several soldiers, and a number of civilians near Walsh's public house; Spargeon went up to enquire what was the matter, and was met at the door by the landlord, who struck him a blow on the head with an iron bar, which :knocked him down" (witness was asked if he saw the landlord in Court, and pointed out the prisoner Piper); the blow was repeated; a woman (pointing to the female prisoner) came out and struck Spargeon on the head with a bottle; both immediately returned into the house; there were many civilians about at the time, and several other, soldiers were lying on the ground when he (witness) and Spargeon arrived at the place; saw two soldiers who wese not struck; Spargeon neither spoke nor moved after the first blow from the landlord; the bar produced is the weapon with which the blow was struck.
By Mr. Roberts: Witness and Spargeon were called to the spot by the soldiers, who were there before them; saw one soldier with his cap and belt off, but the two on the road both had on their belts; may be mistaken, but believe Piper to be the man who struck Spargeon; did not see his face, but observed his black vest.
Edward Cavenagh, private of the 11th about dusk on Saturday evening was walking alone in the Haymarket, and saw that there had been a row at Walsh's, and saw two soldiers lying, one on the footway and the other in the road; went up to one, John Spargeon, and was in the act of raising his head when he received a blow across his hand from Walsh, with the iron bar produced; Walsh returned then to his house, and witness followed him until he saw his face; he took the bar into the house with him.
Assistant-surgeon Ditmas [sic], H. M. 40th Regiment, deposed that between eight and nine o'clock on Saturday evening, he visited the Hospital, and there found four men of the regiment who had been injured, as be understood, in an affray in town; found Patrick John Spargeon suffering from a very severe fracture on the left side the skull, the wound about two and half inches in length, and appeared to have been inflicted with a blunt instrument; a very severe injury also at the back of the head, which appeared to have been inflicted with a sharper instrument than the first, and not attended with fracture; the first mentioned might have been inflicted with such an instrument as the club produced, and the second with the bar of iron in court; believed Spargeon must have been insensible from the moment of receiving the first described, injury, which it is extremely probable will terminate in death. Patrick Dixon he found with a large wound of about four inches in length on the right side the skull, near the ear, attended with fracture; he is sensible, but in a state of considerable danger; three others are suffering from comparatively slight injuries about their heads and bodies, but are not in a state to attend and give evidence.
The prisoners were then remanded until Thursday. Mr. Roberts applied for Walsh and wife to he admitted to bail, which however was refused by the Bench.
On Tuesday the soldier Spargeon died from the effects of his wounds, and a coroner's jury was empannelled on Wednesday, to hold an inquest on the body. The inquiry was commenced on Wednesday, at the Police Office, when the coroner stated that Mr. R. Johnson, had been retained, by the officer commanding the regiment, for the prosecution, and Mr. G. R. Nichols, and Mr. Roberts for the defence. The jury proceeded to the military barracks to view the body, and upon their return the inquest was adjourned until Monday next.
"THE LATE FATAL AFFRAY IN CAMPBELL-STREET", Empire (15 April 1853), 2
http://nla.gov.au/nla.news-article61323369
Nine persons were in custody on suspicion of being either the actual murderers of the deceased, or participators in the fray wherein he met his death. Their names are Maurice Malsh, landlord of the Beehive, public-house, in Campbell-street, near the Haymarket; Bridget Maria Walsh, wife of the former prisoner; a musician named Timothy Ryan, and some labouring men . . .
"WILFUL MURDER", The Sydney Morning Herald (15 April 1853), 2
http://nla.gov.au/nla.news-article12945094
THE inquiry which was opened before the Coroner and a Jury of thirteen on Thursday, the 6th instant, at the Central Police Office, touching the death of Patrick Spurgeon, a private of the 40th regiment, and then remanded until Monday, and continued from day to day until yesterday, was concluded last night . . . Mr. Johnson agreed that he had not adduced any evidence against Hopkins, the cook; and after some remarks from Mr. Nichols, as to there being no evidence against Ryan, who was playing the fiddle when the affray began, and who had run away before the police arrived, the Coroner directed that these two men should be remanded under their former warrant to the custody of the police, with the view to their legal discharge out of custody.
"THE LATE FATAL AFFRAY IN CAMPBELLSTREET", Empire (15 April 1853), 2-3
http://nla.gov.au/nla.news-article61323369
[3] . . . The Coroner remarked that nothing had been adduced to criminate Ryan. The Coroner then said that as he had taken the prisoners from the custody of the Mayor, who had remanded them for eight days, he should discharge them, and the police could then exercise their discretion whether or no they would take them in charge on the Mayor's remand. Hopkins and Ryan were then discharged, but were at once taken to the watch-house by the police, on the Mayor's remand . . .
"DISCHARGE", Empire (16 April 1853), 2
http://nla.gov.au/nla.news-article61323429
John Hopkins and Timothy Ryan, the former cook, and the latter musician, at the Beehive public-house, on the night of the late fatal affray, the 2nd instant, and who were remanded to the Mayor's Court by the Coroner on Thursday night, were brought before the Mayor and restored to liberty.
"SYDNEY POLICE COURT - FRIDAY . . . BREACH OF THE PEACE", Empire (2 May 1853), 3
http://nla.gov.au/nla.news-article61323845
Timothy Ryan was charged by John Barnett, a shoemaker in Dixon-street, with threatening to knock his brains out, having at the same time an iron bar in his hands. The defendant denied the charge, and complained that he had been grossly provoked by the complainant's employer, who called him "a soldier murdering dog." The defendant was bound to the peace for three months, or to be imprisoned until the Quarter Sessions. The Mayor took occasion strongly to reprobate the conduct of the man who applied such a shocking epithet towards Ryan. He had boon acquitted of any blame in the affray with the soldiers, and if Ryan brought the man up he should be dealt with for such provoking language.
"THE POLICE REGISTER. FIRST FIDDLE", Bell's Life in Sydney and Sporting Reviewer (5 November 1853), 2
http://nla.gov.au/nla.news-article59757883
Tim Ryan, a second Paganini, whose cat-gut scraper attracts the lovers of melody in their nocturnal promenades by the public houses of Brickfield Hill, was "pulled" by a female, named Maria Williams, who had evidently been a beauty some forty or fifty years ago. Mr. Driscoll appeared for his countryman Tim, and in reference to the late unfortunate affray at the Beehive, in Campbell-street, when two of the 40th lost their lives, the learned gentleman endeavoured to prove that Mrs. Maria had provoked his client by calling him "a soldier murthering dog of a fiddler." Maria denied the charge, and expressed a wish to have him bound to the peace for insulting her. Mrs. Mary Rensore heard Maria call the fiddler names, but was deaf to any ill language used by Tim. Mrs. Maria Williams then called a game-legged tailor, with a force which might have belonged ages gone by to Brian Boro, or some other monarch of Connaught. Mr. Driscoll objected to the tailor giving testimony against his client, in-as-much as he of the sleeve-board and shears was married to Mrs. Maria "barrin" the priests' blessing. The tailor having admitted the coarse impeachment, swung himself out of the witness box. The Bench bound neither of the parties to the peace, but fined the old woman half a crown and costs for abusing the fiddler.
"AN EPIDEMIC OF ENGLISH CHOLERA [BY TELEGRAPH] (FROM OUR CORRESPONDENT) GULGONG, FRIDAY", The Sydney Morning Herald (14 February 1891), 10
http://nla.gov.au/nla.news-article13813950
An epidemic of English cholera is prevalent. Timothy Ryan, aged 72, was taken ill yesterday and died this morning. Several other severe cases are reported.
RYAN, William (William RYAN; Mr. RYAN; stagename of William Alexander ARROWSMITH)
Actor, comedian, theatrical memoirist
Born London, England, 8 December 1827; baptised St. Matthew, Bethnal Green, 6 January 1828; son of Edward ARROWSMITH and RICHARDS (m. St. Matthew, Bethnal Green, 20 June 1825)
Active Sydney, NSW, and Melbourne, VIC, by 1855
Married Henrietta HALL, Castlemaine, VIC, 8 January 1857 (aged "28")
Died Melbourne, VIC, 6 October 1911, aged "85"
https://trove.nla.gov.au/search?l-publictag=William+Ryan+Arrowsmith+1827-1911 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYAN-William-Arrowsmith (shareable link to this entry)
Documentation:
Baptisms solemnized in the parish of St. Matthew Bethnal Green in the county of Middlesex in the year 1828; register 1819-28, page 225; London Metropolitan Archives, P72/Mtw/019
https://www.ancestry.com.au/discoveryui-content/view/1608649:1558 (PAYWALL)
No. 1795 / Jan. 6 [1828] / William Alexander / Born 8 Dec. 1827 [son of] Edward & Isabella / Arrowsmith / Dog Row / Weaver . . .
[Advertisement], The Sydney Morning Herald [NSW] (26 June 1855), 4
http://nla.gov.au/nla.news-article12970956
ROYAL VICTORIA THEATRE, THIS EVENING, JUNE 20th.
The performances will commence with the operatic drama entitled ROB ROY.
Sir Frederick Vernon, Mr. Ryan; Francis Osbaldiston, Mrs. Guerin;
Rashleigh Osbaldiston, Mr. C. Evans; Rob Roy Macgregor Campbell, Mr. G. V. Brooke;
Bailie Nicol Jarvie, Mr. Lambert; Andrew Fair service, Mr. Cull; Captain Thornton, Mr. Holloway;
Helen Macgregor Campbell, Miss Fanny Cathcart; Diana Vernon, Mrs. H. T. Craven; Martha, Miss Lorette;
Jean Mac Alpine, Mrs. Moore; Mattie, Mrs. Branscombe . . .
A. TORNING, Solo Lessee.
1857, marriages solemnized in the district of the Loddon; Registry of BDM, VIC
No. 15 / At Castlemaine / Jan 8th 1857 / William Arrowsmith / Bachelor / [born] London / Actor / 28 / Castlemaine / [son of] Edward Arrowsmith, Silk Merchant [and] Isabella
Henrietta Hall / Spinster / [born] London / - / 24 / Castlemaine / [daughter of] Henry James Hall, Merchant [and] Lucy Griffiths . . . Chruch of England . . .
"NEW INSOLVENTS", The Age [Melbourne, VIC] (8 June 1861), 7
http://nla.gov.au/nla.news-article154887982
William Arrowsmith, Napier street, Collingwood, comedian, performing under the nane of William Ryan.
Causes of insolvency: Want of engagements, and pressure of creditors.
Debts, £72 16s.; assets, £3 10s.; deficiency, £69 6s. Official assignee, Mr. Goodman.
"VETERAN PLAYERS", The Sydney Mail and New South Wales Advertiser [NSW] (20 February 1907), 461
http://nla.gov.au/nla.news-article165391654
"MUMMER MEMOIRS", Sydney Sportsman [NSW] (22 February 1911), 3
http://nla.gov.au/nla.news-article168601032
"MUMMER MEMOIRS", Sydney Sportsman (22 March 1911), 3
http://nla.gov.au/nla.news-article168601520
"MUMMER MEMOIRS", Sydney Sportsman (12 April 1911), 3
http://nla.gov.au/nla.news-article168592999
"DEATHS", The Age [Melbourne, VIC] (7 October 1911), 5
http://nla.gov.au/nla.news-article197387079
ARROWSMITH. - On the 6th October, William Arrowsmith (better known as W. Ryan, Shakespearean actor, and late of G. V. Brooke's Company), beloved husband of Henrietta, and father of Mrs. Randolph Bedford, Gust[av]us, Frederick, Leonard and Thomas Arrowsmith, aged 85 years.
"Links with the Past. Actresses of Old School", The Herald [Melbourne, VIC] (27 April 1920), 5
http://nla.gov.au/nla.news-article245600420
With the death of Mrs. William Arrowsmlth, one of the last remaining links with Australian theatrical life in the early fifties is broken.
At the age of 89 she answered her last call on April 16 at 48 Balmain Street, Richmond.
She was the widow of William Ryan, a notable Shakespearian actor, who held high rank in the theatrical profession when G. V. Brooke visited Australia.
Under the name of Henrietta Montrose, Mrs. Ryan in these early days was idolised by the theatre-going public.
Touches of Irish Beauty.
Although born in London, she had the coloring of an Irish beauty, being rosy-cheeked, dark-haired, and blue-eyed.
She excelled in dramatic roles, but was equally at home in parts demanding special characterisation.
With her husband she supported G. V. Brooke, George Coppin, William Hosking, and other stars of the period.
She was the daughter of Dr. Wiffen (London) [sic], and married William Ryan at Castlemaine in 1857, four years after her arrival in Australia.
Mrs. Arrowsmith's family comprised, one daughter, Mrs. Randolph Bedford, and five sons,
namely, the late Mr. Teddy Ryan, for many years a comedian with the Bland Holt company;
the late Mr. William Arrowsmith, a Shakespearian actor, who left Australia for America with the Genevieve Ward company;
and Messrs. Augustus, Frederick, and Thomas Ryan.
RYDER, George Hopwood (George Hopwood RYDER; G. H. RYDER; Mr. RYDER)
Musician, amateur musician, violinist, viola player, cellist, solicitor
Born Digbeth, Birmingham, England, 16 March 1830; son of George RYDER (1798-1848) and Elizabeth Harris HOPWOOD (1807-1879)
Arrived Melbourne, VIC, by October 1854
Married Emma SIMS (d. 1885), St. Peter's, Melbourne, 26 December 1854
Died Toorak, VIC, 29 December 1895
https://trove.nla.gov.au/search?l-publictag=George+Hopwood+Ryder+d1895 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYDER-George-Hopwood (shareable link to this entry)
Summary:
George Ryder was first billed as a violinist in the band of the Melbourne Philharmonic Society, for its series of oratorios and miscellaneous concerts, conducted by John Russell and led by Joseph Griffiths, for the Victorian Exhibition from late October to early December 1854.
His name next appeared in the band lists for Douglas Callen's promenade concerts, in the concert hall of John Melton Black's new Theatre Royal, that ran from February to April 1855. Again in February 1856, he was in Andrew Moore's band for the opening of entrepreneur James Ellis's new series of Almack's-style dances at the European Hotel in Collingwood.
Among other interests, in May 1858 he was elected an ordinary member of the scientific society, the Philosophical Institute of Victoria.
And in July 1858, for Miska Hauser, he took the first viola part in Mayseder's String quintet in A minor (op. 51) at the Hungarian violinist's much postponed final farewell.
By 1860, if not earlier, he appears to pursued his musical interests mainly in an amateur capacity, while working as an accountant, auditor, and solicitors' clerk. He continued as a member of the Philharmonic band, as well playing for other musical societies, notably in first local performances of Mozart's Clarinet quintet in 1875 and Schubert's Octet in F in 1878.
Documentation:
Register of baptisms, St. Mary Magdalene, Richmond, Surrey, 1827-32; Surry History Centre
https://www.ancestry.com.au/imageviewer/collections/4772/images/40815_1831109333_1857-00038 (PAYWALL)
Public [baptism] Aug't 20th [1830] born 16 March 1830 Said to be Privately Baptised at Birmingham and since registered there / George Hopwood Son of / George & Elizabeth Harris / Ryder / Birmingham Warwickshire / Pawn-broker . . .
Baptisms solemnized in the parish of St. Martin in Birmingham . . . in the year 1830; register 1828-31, page 506; Birmingham Library
https://www.ancestry.com.au/imageviewer/collections/4981/images/40458_316929-00280 (PAYWALL)
No. 4041 / 1830 August 30 / Born 16th March 1830 / George Hopwood Son of / George & Elizabeth Harris / Ryder / [of] Digbeth / Pawn Broker / Baptized at Richmond in the County of Surrey August 20th and Entered here according to certificate from . . . Richmond
England census, 6 June 1841, St. Martin's, Birmingham; UK National archives, HO 107 / 1142 / 6
https://www.ancestry.com.au/imageviewer/collections/8978/images/WARHO107_1142_1143-0054 (PAYWALL)
[Bell St.] / George Rider / 40 / Pawnbroker // Elizabeth / 30 // Geo. Hopwood / 11 // Thomas / 10 // Horace / 4 / Rob't / 1 [all except Elizabeth born Birmingham]
England census, 30 March 1851, Egbaston, Warwickshire; UK National Archives, HO 107 / 2049
https://www.ancestry.com.au/imageviewer/collections/8860/images/WORHO107_2048_2049-0514 (PAYWALL)
Balsall Heath Road / Elizabeth H. Ryder / Head / Widow / 40 / Annuitant / [born] Surrey Richmond
George Hopwood [Ryder] / Son / 21 / Accountant's Clerk / [born] Warwicksh. Birm'm
Robert Ryder / Son / 10 / Scholar / [born] Warwick. Birm'm
Melbourne, VIC (by October 1854):
[Advertisement], The Argus (26 October 1854), 8
http://nla.gov.au/nla.news-article4799436
VICTORIAN EXHIBITION, Melbourne, 1854. This Evening, Thursday, October 26th.
The Philharmonic Society will perform a Selection from Handel's Grand Oratorio of JUDAS MACCABAEUS . . .
Principal Instrumentalists: Violins: Messrs. Griffiths, King, Fleury, Strebinger, Wm. Radford, M. Radford, Ryder, Pietzker . . .
Leader : Mr. Jos. Griffiths. Conductor: Mr. J. Russell . . .
ASSOCIATIONS: Melbourne Philharmonic Society (organisation); John Russell (conductor); Joseph Griffiths (violin, leader); Edward King (violin); Achille Fleury (violin); Frederick Strebinger (violin); William and Mark Radford (violins); William Pietzker (violin)
Marriages solemnized in the district of St. Peter's Melbourne, 1854; register, 1854-55; St. Peter's Eastern Hill
https://www.ancestry.com.au/imageviewer/collections/9732/images/43331_1831109387_0164-00063 (PAYWALL)
473 / This [26 December 1854] at St. Peter's Church / George Hopwood Ryder / Bachelor / [born] Birmingham / Clerk / 25 / Collingwood / [son og] George Ryder, Pawn Broker [and] Elizabeth Harris
Emma Sims / Spinster / [born] Devonport / - / 32 / Collingwood . . . / [daughter of] William Smith Sims, Gentleman [and] Mary Ann Short . . .
[Advertisement], The Argus (24 February 1855), 8
http://nla.gov.au/nla.news-article4804821
CONCERT HALL, Theatre Royal. Renewed Attraction.
To-night! To-night! To-night! Concentration of talent on this and every Evening.
Grand Promenade Concert in the magnificent Concert Hall of the New Theatre Royal, now in course of erection . . .
Band of Twenty Solo Performers. - Mr. Callen; Mr. Johnson; Mr. Hartigan; Mr. Cooze; Mr. Radford; Mr. Ryder; Mr. Prince . . .
Great Exhibition Quadrilles, by the Band. Director, Mr. Callen.
Programme for the Evening. Part I. Overture: "Otello" - (Rossini) . . . Waltz "Gabrielen" (Strauss) . . .
ASSOCIATIONS: Douglas Callen (conductor); Henry Johnson (clarinet); Joseph Hartigan (brass player); William Joseph Cooze (flautist); Henry Prince (brass player)
[Advertisement], The Age (11 February 1856), 1
http://nla.gov.au/nla.news-article154866693
TO-NIGHT.- The Opening Night of ALMACK'S SOIREES DANSANTE.
European Hotel, Fitzroy street, Collingwood. Open every evening. Admission, One Shilling.
The public are respectfully informed that this magnificent Hall, elegantly decorated and brilliantly lighted,
will be opened for the season this evening, by Mr. JAMES ELLIS, of Cremorne Gardens, London; Adelaide Gallery; and Cremorne Gardens, Richmond.
The splendid Band, under the direction of Mr. Andrew Moore, will comprise the names of Mr. CREED ROYAL,
Mr. Kinsella, Mr. Foster, Mr. Ryder, and others of the elite of the profession,
and will once more call to mind the soul-stirring strains of Lanner, Labitzky, Strauss, D'Albert, Jullien, Bosisto [sic, Bosisio], and others of equal celebrity . . .
ASSOCIATIONS: James Ellis (proprietor); Andrew Moore (violinist, leader); Creed Royal (flautist); James Kinsella (clarinet player); Joseph Foster (cornet player)
"PHILOSOPHICAL INSTITUTE OF VICTORIA", The Argus (6 May 1858), 7
http://nla.gov.au/nla.news-article7294012
The ordinary monthly meeting of the Philosophical Institute of Victoria was held last night at the hall of the Mechanics' Institution. His Excellency the Governor was present. Sir W. F. Stawell, President, took the chair . . . the following gentlemen were duly balloted for and elected members of the Institute: - Major-General Macarthur, C.B., &c.; the Hon. H. S. Chapman, M.L.A.; C. W. Ligar, P. Higgins, G. H. Ryder . . .
[Advertisement], The Argus (15 July 1858), 8
http://nla.gov.au/nla.news-article7297573
MISKA HAUSER'S GRAND FAREWELL - IN AID OF THE FUNDS OF THE BENEVOLENT ASYLUM, THURSDAY, JULY 15, 1858.
PROGRAMME. FIRST PART. 1. Quintetto, "Allegro and Adagio," Mayseder, for 2 violins, 2 tenors, and violoncello - Miska Hauser, Messrs. King, Ryder, Thomas and Chapman . . .
SECOND PART. 7. Quintetto, "Scherzo" and Finale, by Mayseder, for 2 violins, 2 tenors, and violoncello - Miska Hauser, Messrs. King, Thomas, Ryder, and Chapman . . .
EXHIBITION BUILDING . . .
ASSOCIATIONS: Miska Hauser (violinist); Herbert Thomas (viola player); Samuel Chapman (cellist)
[Advertisement], The Argus (22 May 1861), 8
http://nla.gov.au/nla.news-article5700414
MUSICAL UNION. GRAND CONCERT, in aid of the Fund for Relief of the Widows and orphans of the Soldiers of the 40th Regiment who have fallen in New Zealand,
will be given in the EXHIBITION BUILDING, THIS EVENING, MAY 22 . . .
Programme will consist of Overture - "Ruy Blas" - Mendelssohn.
Mendelssohn's FIRST WALPURGIS NIGHT, And Mr. Henry Leslie's JUDITH . . .
Principal Violin - Mr. A. J. LESLIE. Conductor - Mr. G. R. G. PRINGLE.
LIST of the ORCHESTRA: First Violins - Messrs. Leslie, A. J.; Edwards; Fischer; Levy; Peters; Strebinger; Smith; Zeplin.
Second Violins - Messrs. Ryder; Fredlein; Lewis, R. E.; Lewis; Megson; Pringle, A.; Putman; Spensley . . .
ASSOCIATIONS: George R. G. Pringle (conductor); Alexander Leslie (violin, leader); Carl Fischer (violin); Barnett Levy (violin); Joseph Megson (violin)
[News], The Argus (10 October 1861), 5
http://nla.gov.au/nla.news-article5704879
It does not often happen that concerts at the Mechanics' Institute are so well attended as was the musical entertainment given last evening by MM. Poussard and Douay, assisted by . . . Messrs. Rider [sic], Thomas . . . The programme embraced two quartettes from the works of Mozart and Beethoven respectively, with solos of a more popular character . . . Messrs. Rider and Thomas proved efficient coadjutors to the principals in the concerted pieces . . .
ASSOCIATIONS: Horace Poussard (violin); Rene Douay (cello)
"THE INTERCOLONIAL EXHIBITION . . . THE CONCERT IN THE EVENING", The Age (25 October 1866), 7
http://nla.gov.au/nla.news-article160215604
The large Hall of the Exhibition Building presented a gay and animated appearance last evening . . .
Mr. Horsley, it need hardly be said, was the conductor . . . In the other parts of the orchestra there was this distribution: -
First Violins: Messrs. Ed. King, W. C. Fischer, Howson, Richty, Byron, Wigley.
Second Violins: Messrs. Ryder, Schmidt, Megson, Wiedemann, Lewis, Peters . . .
ASSOCIATIONS: Henry Howson (violin); Traugott Wiedemann (violin)
[Advertisement], The Argus (4 June 1867), 8
http://nla.gov.au/nla.news-article5768712
MELBOURNE PHILHARMONIC SOCIETY . . . Mendelssohn's ELIJAH,
In the PRINCESS'S THEATRE, THIS (TUESDAY) EVENING, JUNE 4, 1867.
PRINCIPAL VOCALISTS: The Leading Artistes of Lyster's English and Italian Opera Troupe . . .
INSTRUMENTALISTS: First Violins - Mr. H. Thomas; Mr. Hall; Mr. E. King; Mr. Simonsen; Mr. Ryder . . .
Conductor, Mr. DAVID LEE . . .
ASSOCIATIONS: David Lee (conductor); John Thomson Hall (violin); Martin Simonsen (violin)
[Advertisement], The Argus (24 September 1869), 8
http://nla.gov.au/nla.news-article5810538
MELBOURNE PHILHARMONIC SOCIETY . . . TO-MORROW EVENING Will be Re-produced,
In the DUKE of EDINBURGH THEATRE, Verdi's Grand Opera ERNANI . . . Conductor - Mr. David Lee.
BAND. Violins - Mr. E. King, Mr. Ernest King, Mr. George [sic] Thomas, Mr. J. Durrant.
Second Violins - Herr Carl Richty, Mr. Ryder, Mr. Lawrence, Mr. Lewis . . .
ASSOCIATIONS: Ernest King (violin); James Joseph Durrant (violin); Carl Richty (violin)
"MR. T. H. GUENETT'S CONCERT", The Age (21 June 1875), 3
http://nla.gov.au/nla.news-article202134682
In the Athenaeum on Saturday night, Mr. T. H. Guenett gave one of those high-class and charming concerts by which he has raised himself in the estimation of all those who have music in their souls . . . the greatest triumph of the evening was the performance of Mozart's clarionet quintette. Mr. Lundborg took the clarionet part with admirable skill, and was assisted by Messrs. King and Litolff on first violins, Mr. Ryder second violin, and Mr. Hart on the violoncello . . .
ASSOCIATIONS: Thomas Harbottle Guenett (musician); John William Lundborg (clarinet); Francis Litolff (violin); Sidney Herbert Hart (cello)
"THE MUSICAL ASSOCIATION OF VICTORIA", The Argus (2 December 1878), 7
http://nla.gov.au/nla.news-article5923237
This society gave an entertainment on Saturday night in the upper concert-room of the Melbourne Atheneum before a large audience in which ladies were present in considerable numbers. Their first performance consisted of Schubert's Octett in F, Op. 196, played by Mr. E. King first violin, Mr. Ryder second violin, Mr. Tait [sic, Tate] tenor, Mr. A. Montague violoncello, Mr. S Hore contra basso, Mr. Lundberg clarinet, Mr. Kohler horn, and Mr. McCoy bassoon . . . It was performed for the first time in Melbourne, the instrumental parts having only been quite recently received from London . . .
ASSOCIATIONS: Frederick Tate (viola); Alfred Montague (cello); Samuel Hore (bass); Franz Andreas Kohler (horn); Thomas McCoy (bassoon)
"THE MUSICAL ARTISTS' SOCIETY OF VICTORIA", The Argus (31 January 1887), 10
http://nla.gov.au/nla.news-article11588313
The Musical Artists Society met on Saturday at Messrs. Nicholson and Co's music warehouse . . . During the evening the following programme was performed - Trio for piano, violin, and cello, op. 1, Goetz, by Messrs. Hammond, Curtis, and Ryder. Hitherto this composer has not been represented at the society's meetings, but the above composition was received with considerable favour. A special vote of thanks was passed to Mr. Ryder, the well known member of the Philharmonic orchestra, for having undertaken the cello part . . .
ASSOCIATIONS: Henry Curtis (violin); Thomas Jackson Hammond (piano)
MUSIC: Piano trio, op. 1 (Hermann Goetz)
"NEWS OF THE DAY", The Age (28 September 1889), 9
http://nla.gov.au/nla.news-article197499725
The Melbourne Amateur Orchestral Society, first established some 18 years ago under the conductorship of Mr. David Lee, for the purpose of practising orchestral and chamber music, has recently been reorganised. At two meetings of the members, held at the Athenaeum, the rules were revised and rearranged, and the following gentlemen selected to form the managing committee: Mr. R. L. J. Ellery, chairman; Dr. Rudall, Mr. G. H. Ryder, Mr. Levy, Mr. Fred. Tate, Hon. treasurer; Mr. John Iliffe, hon. librarian and acting hon. treasurer; Mr. C. H. Smith, hon. secretary; Mr. J. Siede., Conductor, and Mr. J. Herz, acting conductor. At the first practice meeting under the new constitution about 40 members were present . . .
ASSOCIATIONS: James Rudall (amateur); Julius Siede (conductor); Julius Herz (acting conductor); John Iliffe (amateur, probably the dentist)
"THE MUSICAL SOCIETY OF VICTORIA", The Age (30 May 1893), 6
http://nla.gov.au/nla.news-article193426050
The annual meeting of this society was held at Glen's rooms on Saturday evening . . . A vote of thanks to the honorary auditors, Messrs. Frederick Tate and G. H. Ryder, concluded the business.
"DEATHS", The Argus (30 December 1895), 1
http://nla.gov.au/nla.news-article8885885
RYDER. - On the 29th inst., at his late residence, Wallace-street, Toorak, George Hopwood Ryder, aged 66 years.
"OBITUARY", Prahran Chronicle (4 January 1896), 3
http://nla.gov.au/nla.news-article165211424
Last Sunday there passed away at his late residence, Wallace-street, Toorak, a gentleman whose connection with the musical world is well worthy of record. Mr. G. H. Ryder arrived in Melbourne early in the fifties, and as a violinist became associated with the various excellent orchestras in existence at that period. From its inception he was a valued member of the Philharmonic Society, also leader of the Melbourne Amateur Orchestral Society from the beginning, some twenty-five or thirty years' ago, and, the honored recipient of the Royal Metropolitan Liedertafel's golden Lyre. His experience of conductors was wide, ranging from Mendelsohn in Birmingham, to all of note who had visited and those who are located in the colony. Being possessed of a vast fund of musical knowledge he was thoroughly familiar with the works of all the great masters. As a member of the Musical Artists' Society he took part in chamber music on many occasions at their meetings. The old identities in music are fast disappearing there being only a few remaining. But none were more successful in gaining the esteem and respect of all whom he came in contact with than the late Mr. Ryder, who was undoubtedly a gentleman in every sense of the word. It was the writer's privilege to hear him on several occasions relate some of those interesting experiences met with in the life of most musicians resident here from the early days, and it is a matter of regret that such experiences are not collected and put into print before the means of obtaining them pass on for ever.
"WILLS AND BEQUESTS", The Age (21 February 1896), 3
http://nla.gov.au/nla.news-article193979814
The will of the late George Hopwood Ryder, who died on the 29th December, 1895, has been lodged for probate by the Trustees, Executors and Agency Company Limited. The estate is valued at £1457 15s. 4d.; being £712 realty and £745 15s. 4d. personalty. The testator bequeaths a legacy of £100 to Emma Brown, and the balance is left to testator's two brothers and sister equally.
[Advertisement], The Argus (28 March 1896), 2
http://nla.gov.au/nla.news-article8896533
MONDAY, MARCH 30. At Eleven O'clock.
EXECUTORS' SALE of SUBSTANTIAL And CAREFULLY-KEPT HOUSEHOLD FURNITURE.
RARE and VALUABLE VIOLINS, COLLECTION of BOOKS, &c. 27 Wallace street, TOORAK . . .
as executors of the will of the late G. H. Ryder, deceased . . . the entire furnishings of a comfortable home . . .
Brilliant-tone UPRIGHT GRAND TRICHORD PIANO in walnut case, by Schwechten . . .
Two valuable VIOLINS . . .
Bibliography and resources:
W. A. Carne, A century of harmony: the official centenary history of the Royal Melbourne Philharmonic Society (Melbourne: Royal Melbourne Philharmonic Society, 1954), [chapter 16]
https://webarchive.nla.gov.au/awa/20140215050353/http://www.rmp.org.au/downloads/files/Carne.pdf (DOWNLOAD PDF TRANSCRIPT FROM PANDORA)
Some of the difficulties in securing an orchestra have already been referred to . . . At first, it was composed, probably, of representatives from Mr. Winterbottom's orchestra (then giving concerts in Melbourne), players from the English Regimental Bands, and some more or less competent amateurs. Among the players are the well-known names of Messrs. G. Ryder (violin), Izard (viola), Reed and Hailes (cellos), Johnson (clarionet), Kohler (horn), Hardman, Chapman and Thorne (double basses). According to the first printed list, the orchestra consisted of six first violins, six seconds and the rest in proportion. Under Mr. Russell's conductorship, the band, as a rule, received favourable notice . . .
RYDER, Joseph (Joseph RYDER)
Musician, singing master, teacher of singing on the Hullah system, school master
Born Upton cum Chalvey, Buckinghamshire, England, 31 July 1816; baptised, Independent chapel, Windsor, 28 August 1816; son of William RYDER and Anne BOND
Married Mary HILL (c. 1817-1879), Independent chapel, Windsor, 22 October 1838
Arrived Adelaide, SA, 26 December 1849 (per Asiatic, from London, 26 August)
Died Glenelg, SA, 23 October 1892, aged 76
https://trove.nla.gov.au/search?l-publictag=Joseph+Ryder+1816-1892 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYDER-Joseph (shareable link to this entry)
Joseph Ryder
Documentation:
Register of baptisms, High Street Independent chapel, Windsor, Berkshire; register 1781-1836, page 31; UK National Archives
https://www.ancestry.com.au/imageviewer/collections/2972/images/40612_B0147581-00038 (PAYWALL)
79. / Joseph son of William Ryder and Anne his wife, of the parish of Upton cum Chalvey in the county of Bucks. (born on the Thirty First Day of July 1816) was baptized on the Twenty eighth day of August 1816, by me Alex'r Redford, Protestant Dissenting Minister.
England census, 6 June 1841, New Windsor, Berkshire; UK National Archives, HO / 107 / 37 / 4
https://www.ancestry.com.au/imageviewer/collections/8978/images/BRKHO107_34_37-0560 (PAYWALL)
Victoria Street / Joseph Ryder / 25 / Tailor // Mary / 20 // Mary / 2 // Susannah / 2 mths // William Ryder / 70 . . .
"LYNN", Norfolk News (1 September 1849), 3
https://www.britishnewspaperarchive.co.uk/viewer/bl/0000247/18490901/014/0003 (PAYWALL)
Mr. Joseph Ryder, the respected master of the Lynn British Schools, left this town during the past week for Australia, to which spot he has for some time past been desirous of emigrating with his family, consisting of wife and three children. Mr. Ryder's family is accompanied by a female, who, for many years past resided with Mr. Share, haberdasher, &c., High-street. Both parties received many very useful presents from a large circle of friends, by whom they were much respected, and they carry with them to the distant land of their adoption, the best wishes for their future welfare and prosperity. We hope their voyage will be a prosperous one.
"ARRIVED", South Australian Register (29 December 1849), 2
http://nla.gov.au/nla.news-article50246299
Wednesday, December 26 . . . The barque Asiatic, 506 tons, Waddell, master, from London and Plymouth. Passengers . . . in the intermediate. And the following in the steerage . . . Joseph Ryder wife and four children . . .
[Advertisement], South Australian Register (9 January 1850), 2
http://nla.gov.au/nla.news-article38449410
BRITISH SCHOOL, Upon the principles of the British and Foreign School Society,
WILL be commenced on Monday, the fourteenth day of January, at the School-room of the Freeman-street Congregational Chapel,
under the superintendence of Mr. Joseph Ryder, from the Norman School, Borough Road, London.
Children of both sexes will be admitted on payment of two shillings and sixpence per mouth, in advance.
It will be understood that this school is not sectarian.
[Advertisement], South Australian (17 January 1851), 1
http://nla.gov.au/nla.news-article71685840
THE SOUTH AUSTRALIAN HIGH SCHOOL will re-open on MONDAY, 20th instant, in the building behind the Company's offices,
which will be occupied until the intended acquisition of more eligible premises is effected. - C. G. FEINAIGLE, Esq., A.B., Head Master.
A second master has also been determined on. Mr. Ryder will resume his Lectures upon Hullah's System of Singing.
"HULLAH'S SYSTEM OF MUSIC", South Australian Register (31 May 1851), 3
http://nla.gov.au/nla.news-article38438739
On Wednesday evening last a public examination of the pupils under the direction of Mr. Joseph Ryder took place in the school-room behind the Rev. Mr. Stow's chapel in Freeman-street, before a numerous and respectable audience. On the occasion also a farewell address was iresented to Mr. Ryder, with a pecuniary donation, before leaving finally for a residence near Nairne. The performance of the whole evening's programme seemed to pass off with much satisfaction to the audience and credit to the teacher, consisting of various pieces in the second-class books of Hullah, both in the major and minor scales, and in various keys. At the close of the programme, Mr. Bryce Ross, as one of the pupils, came forward and addressed the audience and class previous to his presenting Mr. Ryder their farewell address, in the following terms:-
Ladies and Gentlemen - The circumstance of my appearing before you at the present moment for the purpose of presenting our farewell address to our respected teacher, Mr. Ryder, induces me to make a few remarks on the occasion. We have now met, for the last nine months, to study the principles of vocal harmony as expounded by the Hullah system, more familiarly known perhaps as the "System of Music for the Million;" and, Ladies and Gentlemen, you will all readily agree with me that it is a delightful study and a pleasing recreation; and I am sure I may speak confidently in saying that one and all of us have looked forward to these Friday evenings as periods of agreeable association. After the business and fagging of the day is over, how pleasing, how refreshing, how invigorating to the wearied mind it is either to listen to or join in the strains of vocal or instrumental harmony. All the troubles of life are forgot for the nonce; all the petty paltry animosities of weak human nature are hushed, for the time at least, in oblivion, or, as it is written in poetry -
"Wherever music dwells, fear thou no wrong;
The wicked have no poetry or song."
Man is so constituted that amusement and recreation he must have in his leisure moments to the amusement of good or bad. Take, for instance, the private soldier. It is too often the case that his former circumstances in life have deprived him of the opportunity of procuring a good education, and now as a private soldier his pay cannot allow him the means of much amusement, and so to get rid of time, which is a positive burden to him, he flies to the gin-shop - gets drunk - perhaps commits some offence in that condition against the military code, and, as was the case with the soldier prisoners who called in here the other day en route to Hobart Town, gets transported. Not one of these men had committed a theft, but they were guilty of acts of insubordination through drunkenness. This one of the soldiers alluded to told me himself on my interrogating him, and all most likely through those poor soldiers not knowing what to do with their leisure time. Lately the British Government, who have long been aware of this crying evil, have ordered the introduction of Hullah teachers among various regiments in England, and the improvement resulting in the men has been very remarkable and gratifying. Indeed, it must gratify alike the senses of sight and hearing to observe 600 or 800 able-bodied men, all dressed in uniform, and each taking each his proper part in vocal harmony, occasionally aided, by the band. On the continent of Europe, especially in Germany, this system has been long appreciated and carried out; and now there are but few natives of Germany who cannot take a part in vocal harmony. Through these means and by no other have the great mass of the German population become noted for their sobriety, and to such an extent is this fact recognised in England, that in many establishments where drinking habits are liable to occasion neglect and the consequent serious destruction of life and property German workmen are preferable to Englishmen.
At this stage of the proceedings, Mr. Ross exhibited a picture of the celebrated German choir, when he continued -
I fondly hope to see the day when South Australia, my adopted country, can boast of having a choir something like that, that by gradual subscriptions we may be enabled to build a music hall, where 500 to 2,000 voices, at least, can execute in glorious harmony the works of the great continental masters. This aspiration may appear problematical at present; but, ladies and gentlemen, some of you may perhaps have listened to the 4,000 or 5,000 children from the different charitable institutions in London at St. Paul's Cathedral; and the great Haydn himself once stated that even musical imperfection in tone is lost in the grand harmony of sound produced by such a multitude of voices.
In conclusion, I would beg to say a few words in reference to Mr. Ryder. I believe there are none of the class now present who do not fully appreciate the attention shown to them during the last nine months by Mr. Ryder. Every Friday evening he has punctually attended here, and each night he has carefully and assiduously endeavoured to explain to us, in a clear and distinct manner, the principles of vocal music; and I am sure that, though we may ourselves much regret the occasion of Mr. Ryder's leaving us, he himself must also feel sorrow at being compelled to leave us at the eleventh hour; for to Mr. Ryder up to this time all has been uphill work in the task of teaching us; and now that we are about able to execute with some skill, much to the credit of our teacher, Fate demands his presence elsewhere.
After these remarks, ladies and gentlemen, and before presenting Mr. Ryder with our farewell address, here is a piece of music in such perfect consonance with the occasion, that I cannot refrain from asking you all to join me in singing it.
'Tis 'Ere our work is done.'
On the conclusion of the piece, in three parts, by the whole class standing, Mr. Ross opened the paper containing the address, and read as follows:-
"Adelaide, South Australia, 28th May, 1831.
Dear Sir - We, the undersigned, cannot permit you to depart from us without expressing our sincere regret on this occasion.
During the nine months we have now been pupils in your class - your kind attention and urbanity,
your solicitude to impart to us a correct and practical knowledge of the principles of vocal harmony according to the Hullah systems have won our warmest esteem and gratitude;
and rest assured, dear Sir, that, wherever you may sojourn, yourself and family have our best wishes for your future prosperity.
In bidding you now farewell, we beg to subscribe ourselves, dear Sir, yours very truly,
MRS. MARTIN; MRS. BAKEWELL; MISS PEARCE; MISS ASTON; MISS BURFORD; MISS EVANS; MISS JUST; MISS VOSS;
BRYCE ROSS; WILES PEACOCK; JNO. MARTIN; JNO. MOODY; H. STUBBS; T. PEARCE; J. PEARCE; WM. WIGGINS; A. J. ASHWIN; CHARLES NICHOLLS;
C. BOWEN; R. BOSTOCK; M. JUST, AND OTHERS OF THE CLASS; W. AUSTIN.
To Mr. Joseph Ryder, Teacher of Singing on the Hullah System."
To this address Mr. Ryder briefly replied in a neat speech, thanking the class for this expression of their kindness. Dr. Eades, of Rundle-street, on being solicited to speak, remarked, he had not come there to speak, having only a few hours before been made acquainted with the meeting and its objects by Mr. Bryce Ross. However, he could not but congratulate both teacher and taught on the proficiency evidenced; one in particular he remarked in the Minor scale, "Hear my prayer, O Lord," was sung with a correctness and precision of tone equal to any similar performance from the choirs in the parent country. He was also much struck with the pleasing appearance presented by the class as a body, which the most casual observer could not but remark. He could fully agree with Mr. Ross in reference to the great moral benefits accrueing to all from the study of harmony. On the European Continent he had seen some striking contrasts among the peasantry and villages where music was cultivated or the reverse. In the first all the inhabitants were, with scarcely an exception, cleanly clad, had cheerful countenances, and houses the picture of romantic neatness. In the latter, where no music or antidote against drunkenness prevailed, squalid filth and poverty were predominant. With regard to Mr. Ross's remarks about the soldiers, he could speak from personal knowledge of the benefit they derived from the introduction of Hullah's system amongst them, and how grateful they felt at having such happy means of rational amusement placed within their reach. "Music hath charms to soothe the savage breast." What charms then ought it to have on civilized minds, and how eager should every right-minded person be to cultivate and promote a science which diffuses such incalculable benefits? Doubtless a deep debt of gratitude was due to Mr. Ryder for the manner in which he had brought forward his pupils. The learned gentleman, after a few other remarks, resumed his seat amid much applause. The class then sang a fine piece of melody, "The Death of the Just," and the meeting separated.
ASSOCIATIONS: John Hullah (English singing master); Bryce Ross (amateur vocalist); Richard Eades (medical practitioner)
"DEATHS", South Australian Register (24 October 1892), 4
http://nla.gov.au/nla.news-article48556163
RYDER. - On the 23rd October, at the residence of his daughter, Mrs. Padman, of Glenelg, Joseph Ryder, formerly of Nairne, aged 76 years.
"ANOTHER COLONIST OF 1849. By A. T. Saunders", The Register (1 July 1926), 6
http://nla.gov.au/nla.news-article54855383
Soon after The Register published the narrative of the voyage of Mr. T. G. Williams to Adelaide in the Asiatic, a book was lent to me containing the reminiscences in writing of a steerage passenger by that ship which, as Mr. Williams came in the saloon, with every comfort, gives both sides of the voyage. The writer is Mr. J. Ryder, who for some years lived in Nairne, and was the first clerk of that district council. The father of Mr. Ryder was a shoemaker in the parish of Upton cum Chalvey, Bucks, England, when, on July 31, 1816, the writer was born, his mother being a Devon woman named Bond, who was brought to Windsor at an early age. Mr. Ryder (the writer) was the youngest of a family of seven. The father was originally a farm labourer, but seems to have been an intelligent and enterprising man, although he had no schooling. He was a potboy in a London public house near Drury Lane, but left for fear of the press gang; he was born in 1770, and learned shoemaking. He married in 1800, his wife being several years younger than he. She had been a servant in the household of H.R.H. Princess Amelia at Windsor, who was the favourite daughter of George III., and aunt of Queen Victoria. The Princess presented Miss Bond with her portrait in watercolours. They were married at St. James's Church, Piccadilly. When the writer was about two the family removed from Chalvey to Windsor, and the first thing the writer could remember was the tolling of the Windsor Castle bell at midnight, announcing the death of George III. When he was seven years old he went to a school, the master of which was a competent but cruel man. At 14 he was apprenticed till his twenty first birthday to a master tailor, Richard Cobden, Thames street, Windsor. Mr. Cobden was first cousin to the renowned Freetrader of the same name. In October, 1838, Ryder married, after considerable difficulty, a young woman named Hill, for the young couple were dissenters, and many legal obstacles were then (as in South Australia for many years) put in the way of dissenters who desired to be married by their own ministers. The writer worked at his trade, and the wife worked as milliner and dressmaker, largely for the upper servants of Windsor Castle.
In 1842 Ryder applied for admittance into the British and Foreign School Society's Training College, London, and after a stiff training for several months, passed, and was appointed to a school in North Wales in December, 1842, and arrived there early in 1843. He had studied vocal music, and started a class on the Hullah system, which was a success. Some friction with a local magnate caused Mr. Ryder to resign, and after a short holiday at Windsor with his wife and family, he went to Lancaster, having been appointed head master of the British school there at £90 a year, which he supplemented by a Hullah singing class, and by doing clerical work for a Lancaster shipowner. Mrs. Ryder and their three children were then brought to Lancaster, where they remained for about four years, when, as the climate of Lancaster did not suit Mr. Ryder, he obtained charge of the British school at King's Lynn, Norfolk. The school secretary at Lynn was a Mr. Wigg, a relative of the Wigg family, of Adelaide, and Mr. Wigg, on Good Friday, 1849, suggested migration to South Australia, as in his opinion the climate of Lynn would be fatal to Mr. Ryder. Ultimately, Mr. Ryder and his wife decided to go to Adelaide, but how was the question. He applied, to be sent as a free emigrant, but was refused, as he had too many young children, and then applied to be sent as schoolmaster in an emigrant ship, but there were so many on the list before him that he could not wait. Mr. Wigg and others then assisted Mr. Ryder to raise £80 for the cost of a steerage passage for him, his wife, and their four children. The family left Lynn on Saturday, 24/8/1849, for London, and on the following Sunday they went on board the Asiatic in the East India Docks, which next day went to Gravesend, where a terrible event happened. A fellow passenger at breakfast was suddenly seized with cholera, which was raging in London. The face and hands of the poor man turned a ghastly blue; he was in great agony and fearfully convulsed, and died at 4 p.m. His body was taken ashore for burial. Dr. Maurau, the ship's surgeon, decided that the case was English cholera, and the Asiatic sailed.
The Voyage Out.
At first, and for some days, Mr. Ryder and his family were very seasick, but when the sea became calmer Capt. Waddell made all come up on deck, and in a few days they were better. The ship's food at first did not agree with Mrs. Ryder and the children, but Mr. Ryder, though far from well, felt better than he had been in England. The Rev. Mr. Cheetham, with his wife and family, were steerage passengers, and so service was held. Mrs. Ryder, on 5/10/1849, gave birth to her fifth child (the fourth daughter), who was named Annie Oceana, and later became the wife of Mr. G. W. Padman, of Glenelg. All the money Mr. and Mrs. Ryder possessed was five sovereigns, and 10/ of this had to be spent for two bottles of port wine for Mrs. Ryder. They had become used to the ship, and sometimes greatly enjoyed themselves in good weather. Mr. Ryder was so well that he could relish the coarse food provided, and would rise at 5 a.m., and after knocking the weevil out of a ship's biscuit, would put a piece of pork on it, and after cooking them at the galley fire, would eat with gusto. In fact, he could eat anything, and had clearly turned the corner, and begun to live a new life. They sighted Kangaroo Island on 24/12/1849, arrived at the lightship at noon of 26/12/1849, and went to Port Adelaide on the same evening.
The only person Mr. Ryder knew in Adelaide was a Mr. George Rolfe, who had been a deacon of the church in Lynn (and was a cousin to Mr. John Morphett), who received him very kindly, but told him there was little for clerks, schoolmasters, or tailors to do in Adelaide. Mrs. Rolfe had died in Adelaide, and Mr. Rolfe invited Mr. Ryder to bring his wife and family to his house for a few days, and on Sunday he would introduce him to some friends. Mr. Ryder walked to Kensington to see Mr. Roberts, who was reported to be very rich, and to whom he had a letter from Mr. Ryder's brother, as Mr. Roberts had been on the committee of his school in Shropshire. Mr. Roberts, after reading the letter, received Mr. Ryder kindly, and said it was proposed to open a day school in connection with Mr. Stowe's Freeman Street Chapel, and sent for the Rev. Mr. Strongman to examine Mr. Ryder's papers. Mr. Strongman agreed with Mr. Roberts respecting the school, and gave Mr. Ryder a note to the Rev. T. Q. Stow. Thereupon Mr. Ryder went back to the Asiatic, very tired, but hopeful. Next day he went to Adelaide, and again saw Mr. Rolfe, and then started to walk to Payneham to see Mr. Stow, and lost his way, but ultimately got to the Maid and Magpie. There he had a glass of ale, and was directed to Mr. Stow's, who received him very kindly, and approved of the proposal.
School and Singing Class.
The school was established, and Mr. Ryder and his family moved from Mr. Rolfe's house to a two-roomed, brick-floor cottage at Kensington, for which they had little or no furniture, and had therefore to borrow and improvise some. The school began with about 50 scholars, and to it Mr. Ryder walked each school morning from Kensington with his two eldest daughters. The school at first prospered, and a lady teacher was engaged for the afternoons. At this time the South Australian Government paid 1/8 per month for each scholar in schools with not fewer than 20 and not more than 40 children, but the Independents would not have any State aid for school or religion, and so Mr. Ryder could not accept the Government grant, and in about a year the school broke up. Mr. Ryder moved from Kensington into a cottage in Angas street owned by Mr. Bowen, a deacon of Mr. Stow's church, and a large and successful builder, father of Lady Thomas, but the roads were so bad and the streets so ill defined that on one winter's Sunday night Mrs. Ryder lost her way going to Freeman street, and did not reach the chapel.
In 1851 Mr. Ryder moved again to a two roomed cottage he had bought in Beulah road, by the aid of a building society, and his sister, Mrs. Tilley, and her husband, who had emigrated to New Zealand in 1840, and had left it for New South Wales, came to Adelaide about August, 1850, and settled in Hay Valley, near Nairne. Early in 1851 Mr. Ryder left the Freeman street school, and was succeeded by a B.A., a clever man from an Independent College, but after two months the school was closed. The members of Mr. Ryder's Adelaide Hullah singing class gave him a benefit concert, the proceeds of which were about £10, and a notice of the concert is in The Observer. A day school was then opened at Norwood, but a sufficient number of scholars could not be collected, so, on Good Friday, 1851, Mr. Ryder started for Nairne in a bullock dray with Mr. Clezy and Mr. Bee, and Charley Perry as bullock driver. T he result of this visit to his sister was the removal of his family to Hay Valley in 4/5/1851, the wettest year in South Australian records. They went by bullock dray from Norwood via Glen Osmond during the heavy rain, and at midnight reached Balhannah, just managed to cross the Onkaparinga there at 2 a.m., and readied Mr. Botham's, who, with his wife, received the drenched family with Christian kindness, made them a hot meal, and lent them dry, warm clothing, and also provided them with breakfast. They eventually reached Tilley's, Hay Valley, and lived with them for some weeks in their thatched hut, 12 x 8 ft., while Mr. Ryder's two-roomed house was being erected, on an acre of land rented from Mrs. Smellie at 5/ per annum. The cottage was "wattle and dab," with thatched roof. It was some weeks before it was finished by Mr. Ryder and another man. The dimensions were 24 ft. by 12 ft., the cottage being just one long room, with no door or glass windows, just calico and bagging for them. Hay Valley was two miles from Nairne, and Mrs. Ryder opened a school in their Hay Valley cottage, while Mr. Ryder opened one in Nairne, and got the Government grant for there.
At the Victorian Gold Diggings.
About this time the eldest girl, then about 12, went as nurse-girl to Mr. James Johnston, of Oakbank, where she was kindly treated, and esteemed, and where she remained for a considerable time. The Ryder children and their cousins, the Tilleys, attended the Wesleyan chapel in Nairne, and the parents went in the evenings. Mr. Ryder held Sunday services in his cottage, and continued them till he left for the Victorian gold diggings in April, 1852, and on his return in October the Primitives had begun services; they afterwards built a chapel. The Nairne school was closed at the end of 1851, when the Victorian diggings attracted so many people from Nairne. Those who left for Victoria took all the coin they could, and thus made it very scarce. Mr. Ryder sold his Norwood property for £20, and walked to Adeaide to get the money, where he met Mr. Prankard, who offered to sell him four acres at Prospect, with a five-roomed cottage thereon, and three or four tons of hay, all for £20; but, though sorely tempted, he kept his £20, and did not buy. About April, 1852, a party was organized to go overland to the diggings. It consisted of John Bott, Brinkley, Ryder, Tilley, Hart, of Balhannah, and his son. The party had six bullocks and a dray, and Mr. Ryder was only able to leave one pound with his wife. The party was about five weeks going over, and they walked 500 miles.
Mr. Ryder returned in October, 1852, with 40 ounces of gold, having sent 6 oz. by escort, so, though he was at Bendigo in the good times, yet on his return was haymaking for Mr. Hefford, and could earn only his food and a few weekly shillings at that. Just before Christmas, 1852, all his money was gone except half a crown, with which he bought himself a sickle at Johnny Disher's store, and walked to Woodside to try for work as a reaper. Mr. James Inglis, of Western Branch, about a mile from Woodside, gave him breakfast and employment, and showed him how to use the sickle and to make "bands." For six weeks he worked for Mr. Inglis, and for the last four weeks reaped half an acre a day, thus earning 10/ per day and his food. (So it cost more than 21/ per acre to reap only. - A.T.S.) For three weeks he then reaped for Mr. G. Mills, of Hay Valley, and then went to Adelaide to try for work there, but failed, and returned, and did odd clerical and other jobs for the farmers. He heard that Mr. R. Bairstow wanted a small stack of oats threshed by hand, so he walked seven miles to the Mount, saw Mr. Bairstow, and began work threshing with a flail, but after two days he had to desist, he hurt himself so much with the flail, and the work was so hard. He therefore retired in favour of George Pope, almost the only man in the district who did not go to the diggings. After returning from Victoria, there being regular service in Hay Valley by the Primitive Methodists, at the request of the Rev. J. Dare, then Wesleyan Minister at Mount Barker, Mr. Ryder preached at Nairne now and then, and became an auxiliary.
In Country Districts.
In May, 1853, at the suggestion of the Hon. Jacob Hagen, Mr. Ryder moved to Echunga, and opened a school there, relying on Mr. Hagen to get the Government grant. But it was withheld, and in the depth of winter Mr. Ryder and his family started from Echunga for Hay Valley, in a bullock dray, and had an awful time getting to Mount Barker, where Mr. Dare, Mr. and Mrs. Fuller, and John Dunn, jun., housed, dried, and fed them. Soon after their arrival at Hay Valley, the family moved into Nairne, at the suggestion of Mr. Dawes, the Nairne miller, who promised that when a district council was formed Mr. Ryder should be its clerk. The owner of the house that Mr. Ryder occupied, Mr. S. Sanders, expected no rent till matters improved. The house was opposite the mill, and Mr. Dawes told Mr. Ryder to "roll a bag of flour over when he wanted it." A few shillings were earned doing clerical work. Mr. Newland, Congregational minister, who was called the King of Encounter Bay, wrote to Mr. Ryder that the Rev. T. Q. Stow, had recommended him as a Congregational preacher at Port Elliot and Currency Creek, the former then a rising place, and a rival even to Port Adelaide, and asked Mr. Ryder to come and see him. Mr. Ryder, shouldered his swag, and started the 70-mile walk, but lost his way in the Finniss scrub and the Black Swamp. He tried to sleep in a disused chapel at Currency Creek, but the fleas and mosquitoes prevented him. At length he arrived at Encounter Bay, and Mr. Newland received him kindly. Mr. Ryder preached at Port Eliot in the morning and at Encounter Bay in the evening, and after conferring with Mr. Newland he returned home again, losing himself in the Finniss scrub, and being picked up by a farmer named MacHarg (whose daughter had been, lost, and died in the scrub about 10 years before), but again lost his way, and after dark stumbled on the house of Mr. Sunman, where he slept. He was next morning put on his road by Mr. Sunman, and reached home via Strathalbyn. When the fortnight given him by Mr. Newland for his final answer had elapsed, Mr. Ryder wrote declining the offer, as he did not think he was fitted for the position. Mr. G. Taplin was selected.
In August, 1853, the Nairne District Council was formed, and Mr. Ryder was appointed clerk at £100 per year, thus lifting him out of his poverty and trouble; but he resigned in 1857. Soon after becoming district clerk Mr. Ryder and his sister's husband, Mr. Tilley, rented 70 acres of Mrs. Smellie's 80-acre section at the Vallies, she retaining 10 acres, on which were her garden and homestead. As the council work occupied only three days weekly Mr. Ryder's 20-acre farm (Mr. Tilley had 50 acres) soon received the benefit of his labour, and cows and other live stock were procured. Mr. and Mrs. Ryder both worked hard on the farm, and they were soon on the road to prosperity.
The Ryder Family.
In 1857, after Mr. Ryder had resigned from the district clerkship, he reopened his school in Nairne, he being also secretary to the Oddfellows and Foresters Building Society, &c., and in consequence they left the farm, and Mrs. Ryder took charge of the small school children. The board paid Mr. Ryder £80 a year, and £20 a year to his daughter, Mary, his assistant. Property in Nairne was purchased, added to, mortgaged, and subsequently lost. The eldest son, born in 1847, was employed in 1862 by Mr. Christen, of Nairne, a druggist, who also had charge of the telegraph office. The boy was killed, 13/12/62, by a drunken baker, who drove his cart over him, and was sent to the stockade for a year. In July, 1861, the eldest daughter married Joseph P. Hughes, and in January, 1867, the second daughter married Alfred H. Dunn. By the end of 1869 Nairne had gone down hill, and in that and the next few years numbers of people from and around Nairne had gone to the newly opened northern areas, and Mr. Ryder therefore applied for, and obtained the Virginia school, on the North road, 18 miles from Adelaide, and his pioneering days were ended.
A daughter, Amelia, born 1844, in 1865 became an assistant at Mrs. Hillier's school, apparently at Franklin street, Adelaide. She left Miss Hillier in December, 1865, and in March, 1866, went to the school of Mr. and Mrs. Millard, on to Le Fevre's Peninsula, and found it an exceedingly dull place, with no chapel nearer than Port Adelaide. "It seems as if I were separated from all the rest of the world by heaps of sand. Oh, how I wish father could afford to keep us home; this is such a dull place." In April, 1866, she writes: - "I seem very comfortable here at Mr. Millard's; they treat me as one of the family, and I am getting very much attached to the children and all. I do hope I shall be able to give satisfaction and keep my place." She died on August 25, 1866, when 22 years old.
ASSOCIATIONS: Alfred Thomas Saunders (journalist)
Bibliography and resources:
Joseph Ryder, The locked journal
http://www.thelockedjournal.com/webs/pedigrees/918.html
RYFELL, Carlo (Carlo RYFFEL; C. RYFFEL; C. RIFFEL; ? Charles RIFFEL)
Musician, violinist, music teacher
Active Sydney, NSW, by 1854; Goulburn, NSW, 1855
https://trove.nla.gov.au/search?l-publictag=Carlo+Ryffel+c1854-55 (TROVE tagged by Australharmony)
https://sydney.edu.au/paradisec/australharmony/register-R-2.php#RYFFEL-Carlo (shareable link to this entry)
Documentation:
[Advertisement], Empire (25 August 1854), 1
http://nla.gov.au/nla.news-article60196081
ROYAL VICTORIA THEATRE. Andrew Torning, Sole Lessee and Manager.
THE LESSEE feels great pleasure in announcing to his friends and the public,
that the above popular place of amusement, with extensive improvements,
will open for dramatic and operatic performances (on a scale superior to any yet attempted in the colonies)
on MONDAY, August 2d. with the following company: -
Mr. Frank Howson, Operatic Manager.
Mr. Lavenu, Musical Director.
Mr. John Gibbs, Leader of the Orchestra . . .
ORCHESTRA. Messrs. Lavenu, John Gibbs, C. Riffel, G. Strong, J. Guerin, Davis, R. Vaughan, M. Vaughan,
Wright, Wheeler, Turner, Seymour, McLauglin, Bing, Theobald, Earle, and Master Hudson . . .
ASSOCIATIONS: Andrew Torning (manager); Frank Howson (operatic manager); Lewis Henry Lavenu (musical director); John Gibbs (leader, violin); George Strong (violin); James Guerin (violin); Robert Vaughan (flute); Stephen Wheeler (cornet); John Turner (musician); Richard Seymour (trombone); Robert Bishop Theobald (musician); George Hudson junior (musician); Royal Victoria Theatre (Sydney venue)
[Advertisement], The Goulburn Herald and County of Argyle Advertiser (3 February 1855), 3
http://nla.gov.au/nla.news-article118310358
MUSIC.
MR. CARLO RYFFEL, at the request of several of the families in Goulburn and its environs,
begs most respectfully to inform them that he intends taking a limited number of Pupils for giving instructions on the Violin.
Mr. C. R. expects shortly a quantity of the most fashionable and new music, he intending to open a musical depot in Goulburn.
All communications left at Mr. Greig's, Baker, Auburn-street, will be attended to.
[Advertisement], The Goulburn Herald and County of Argyle Advertiser (24 February 1855), 3
http://nla.gov.au/nla.news-article118312237
Grand Farewell Concert.
Carlo Ryffel & Ermano Lau,
WITH THE KIND ASSISTANCE OF MR. HOLLAND,
ON TUESDAY NEXT, FEBRUARY 27, AT THE COMMERCIAL HOTEL, GOULBURN.
ADMISSION - Front Seats, 5s.; back ditto, 3s.
Tickets to be had at Mr. Samuel Davis's, Australian Store; Mr. Greig, Baker;
Mr. L. Jones, Salutation Inn; Mr. Woodward, Commercial Hotel; and of Mr. Margules, at the Salutation Store.
Doors open at 7 o'clock; to commence at 8 o'clock.
ASSOCIATIONS: Hermann Lau (musician)
"Small Debts' Court. MONDAY, APRIL 2 . . . RYFFEL v. SIGMONT", The Goulburn Herald and County of Argyle Advertiser (7 April 1855), 2
http://nla.gov.au/nla.news-article118313152
This was a claim by the plaintiff on the defendant for an alleged engagement for two nights as a musical performer at certain concerts projected by Mr. Sigmont. The defence was that, the terms of agreement were that Ryffel was to be paid on condition that the defendant had good concerts, which statement was borne out by Mr. Greig, who was called as a witness for the plaintiff. The Court dismissed the case with a strong recommendation to Mr. Sigmont to assist the plaintiff, as although the promise of payment was not direct, it was implied.
ASSOCIATIONS: William Abercrombie Sigmont (musician)
[Advertisement], Bathurst Free Press and Mining Journal (19 January 1856), 3
http://nla.gov.au/nla.news-article62048335
Prince of Wales Theatre.
Acting Manager - Mr. J. B. Russell.
Stage Manager - Mr. G. W. Daniels.
Leader of the Orchestra - Mons. Riffell.
GREAT NIGHT OF THE SEASON. SATURDAY EVENING, JANUARY 19.
Under the Immediate Patronage of A. T. HOLROYD, ESQ., M.L.C.
TWO NEW AND SPLENDID PIECES, NAVAL ENGAGEMENTS, and the SWISS COTTAGE.
A NUMBER OF SONGS BY MISS FANNY YOUNG, MRS. KING, AND THE COMPANY.
ROR particulars see Bills of the day. On Monday evening, a good Bill entirely new.
LESSEE: MR. WM. EVANS.
ASSOCIATIONS: George Washington Daniels (actor, manager); Fanny Young (actor, vocalist); Prince of Wales Theatre (Bathurst venue)