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A biographical register of Australian colonial musical personnel–H (Ha-Hap)

Dr GRAEME SKINNER (University of Sydney)


THIS PAGE IS ALWAYS UNDER CONSTRUCTION


To cite this:

Graeme Skinner (University of Sydney), "A biographical register of Australian colonial musical personnel–H (Ha-Hap)", Australharmony (an online resource toward the early history of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/register-H-1.php; accessed 20 February 2025






- H - ( Ha - Hap ) -



Introductory note:

The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.

A major upgrade of the contents of this page was begun in 2024, and, when finished, newly added documentation (including genealogical data) and Trove tagging will bring the page content up to the end of 1860 close to completion.


Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibliographic and biographical records.

The texts given in gold aim for the most part to be diplomatic transcriptions, wherever practical retaining unaltered the original orthography, and spellings and mis-spellings, of the printed or manuscript sources. Occasionally, however, some spellings are silently corrected (for instance, of unusual music titles and composers, to assist identification), and some orthography, punctuation and paragraphing, and very occasionally also syntax, editorially altered or standardised in the interests of consistency, clarity, and readability.




HAAG, Emma (Emma Catherine HAAG; Emma HAAG; Miss HAAG)

Musician, pianist

Born Venezuela, c. 1843; daughter of Johann Christian HAAG (1810-1891) and Catharina Maria GROTH (c. 1814-1876)
Arrived Adelaide, SA, 1848
Died Unley, SA, 10 July 1912, aged "69"

https://trove.nla.gov.au/search?l-publictag=Emma+Catherine+Haag+c1843-1912 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAAG-Emma (shareable link to this entry)


Documentation:

"NATURALIZATION OF ALIENS", Adelaide Observer [SA] (30 December 1848), 1

http://nla.gov.au/nla.news-article158926943 

Colonial Secretary's Office, Dec. 27, 1848.
The undermentioned persons having . . . memorialised the Lieutenant-Governor for the right and privileges of Naturalization as British subjects, - Notice is hereby given that their respective memorials have been favourably entertained by his Excellency . . .
The certificates will be dated 31st December current, and the oaths must be taken and subscribed within sixty days after that date . . .
Haag, Johann Christian . . .

ASSOCIATIONS: Emma's father, Johann Christian Haag (1810-1891) emigrated from his native Wurttemberg to North America around 1833; probably around 1839, he married Catharina Maria Groth (c. 1814-1876), and about a year later, in Venezuela, their first child, Johann Christian Haag (c. 1840-1921) was born; Emma and her younger brother Adolph Henry (c. 1844-1862) were also probably born in Venezuela; there is no certain record of the family's arrival in South Australia; however, Johann Christian's 1848 naturalisation certificate (aged "36", blacksmith) states that he had resided in the colony for six months

[Advertisement], The South Australian Advertiser [Adelaide, SA] (26 November 1861), 1

http://nla.gov.au/nla.news-article880210 

MRS. SMART (late MISS Pettman)
begs most respectfully to inform her Friends and the Public generally that her grand
VOCAL and INSTRUMENTAL BENEFIT CONCERT will take place at the
TOWN HALL, NORWOOD, THIS EVENING (Tuesday), November 26.
With the assistance of the Norwood Philharmonic Society
and all the principal musical talent of Adelaide.
Miss E. Haag will make her debut on this occasion.
PROGRAMME. Part I . . . 5. Duet Pianoforte, Miss E. Haag and Mr. Heberlet . . .

ASSOCIATIONS: Mary Ann Smart (vocalist); James William Heberlet (pianist); Norwood Philharmonic Society (association)

"CONCERT AT THE TOWN HALL, NORWOOD", The South Australian Advertiser (28 November 1861), 3

http://nla.gov.au/nla.news-article880291 

Mrs. Smart's concert was given on Tuesday evening last at the Town Hall, Norwood, at which the pieces set forth in an excellent programme were admirably performed; indeed, no other result could have been reasonably anticipated from the array of talent that was present on the occasion . . . A young lady, Miss Haag, next made her debut before a South Australian public, playing with Mr. Heberlet a duett from the music of William Tell, which was performed with much taste and artistic skill . . . The second part was, if possible, even more successful than the first. Where all were so excellent it would be invidious to particularise, but we cannot help referring to the performance of Miss Haag in "Home, Sweet Home," and also in the charming piece substituted as an encore - "The Convent Bells" . . .

"CONCERT", Adelaide Observer (30 November 1861), 5

http://nla.gov.au/nla.news-article158184229 

. . . Messrs. Compton and Heberlet, and a Miss Haag, who made her debut as a pianist, also contributed to the success of the performances . . . Miss Haag was very successful, and is likely to become a favourite. She acquitted herself well in the duet from "William Tell," with Heberlet, and also in the solo "Home, Sweet Home," for which she substituted on an encore, "The Convent Bell" . . .

ASSOCIATIONS: Charles Henry Compton (pianist, vocalist)

"SCHLESWIG-HOLSTEIN RELIEF FUND", South Australian Register (11 October 1864), 2

http://nla.gov.au/nla.news-article39131692 

It is not often that our German fellow-colonists emerge from their identity with South Australians to engage in demonstrations peculiarly national or to promote truly national objects. Nor is it desirable that this should be so; for in a new settlement everything which tends to retard the progress of amalgamation and the growth of parity in sentiment among its inhabitants is to be deprecated. There are times, however, when this rule may be overstepped - when the sympathy of race excuses demonstrations of a national character, evincing the devotion with which peculiar customs and institutions ore clung to and the deep-rooted sympathy which fellow-countrymanship inspires. Such an opportunity has the recent war in Schleswig Holstein afforded to the Germans here. The sufferings of the belligerent forces call for compassion and relief from all, but they naturally excite a more hearty compassion, a more tender solicitude, among those who were born and bred in the same land, and brought up under the influence of the same associations. The movement now on foot in the province to advance this laudable purpose of sending aid to those who have been involved in the disasters of the war recently raging there recognises, as we understand, no partisan motive, but is intended to secure funds for distribution among those who have need, whichever side they may be connected with. In this view the object cannot fail to commend itself to the favourable notice of all. Among other means of securing a respectable sum for transmission to "Fatherland" it was determined to hold a grand concert in Adelaide, the performers being the members of the Liedertafel and the Brunswick Band, assisted by several lady and gentleman amateurs. Accordingly on Monday evening White's Room was crowded to the very doors with a highly-respectable assemblage, consisting mainly of Germans, although many members of other nationalities were present . . .

The opening piece was Martin Luther's well-known hymn "A strong fortress is our God," in which both chorus and band took part. This was followed by the overture to the opera of Die Felsenmuhle, by the band, and that again by the amusing "Grasshopper Song," which has already acquired some degree of popularity in Adelaide. Mr. Oehlmann's solo from Beethoven went off well, and Miss Haag executed on the pianoforte Schulhoff's "Galop di Bravura" in an admirable style. After this a quartette, "The True German Heart," was rendered in a feeling manner, and shortly afterwards Mr. Schierenbeek and Mr. Mumme sung "Ich wolt, mein Lieb, ergosse sich" . . . Special allusion should be made to the chorus "To the Fatherland;" to a fantasia on the pianoforte by Miss Haag, which was encored . . .

ASSOCIATIONS: Hermann Oelmann (vocalist); Johann Wilhelm Schierenbeck (vocalist); Charles Edmund Mumme (vocalist)

MUSIC: Galopp di bravura (Schulhoff)

"TOPICS OF THE DAY", The South Australian Advertiser (11 October 1864), 2

http://nla.gov.au/nla.news-article31842331

. . . A young lady amateur - in fact the lady amateur of the evening, for there was but one - performed Schulhoff's Galop di Bravura; and later in the evening Favarger's fantasia on themes from "Oberon" very tastefully, and with great execution, though we confess the school to which the pieces belong is no favorite of ours . . .

MUSIC: Oberon fantasie (Farvager)

"DEATHS", Evening Journal [Adelaide, SA] (11 July 1912), 1

http://nla.gov.au/nla.news-article203472738 

HAAG. - On the 10th July, Emma, beloved sister of J. C. H., Arthur street, Unley.

"FUNERAL NOTICES", Evening Journal (11 July 1912), 1

http://nla.gov.au/nla.news-article203472742 

HAAG. - The Friends of the late Miss EMMA CATHERINE HAAG arc respectfully informed that her
REMAINS will be Removed from her Brother's Residence, Mr. J. C. Haag, Arthur-street, Unley,
TO-MORROW (Friday), July 10, at 11 a.m., for Interment in the West Terrace Cemetery . . .




HAAS, Meno (Meno HAAS)

Musician, professor of music (from Copenhagen)

Born Denmark, c. 1833
Arrived Adelaide, SA, by mid 1868
Died North Adelaide, SA, 10 March 1870, aged "37"

https://trove.nla.gov.au/search?l-publictag=Meno+Haas+c1833-1870 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAAS-Meno (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation: 

[Advertisement], South Australian Register [Adelaide, SA] (3 November 1868), 1

http://nla.gov.au/nla.news-article41404682

HERR M. HAAS, PROFESSOR OF MUSIC, from Copenhagen,
will give INSTRUCTIONS on the PIANO on Czerny's own Method, so much approved of on the Continent.
For terms, apply to Mr. S. Marshall, Rundle-street.

ASSOCIATIONS: Samuel Marshall (musicseller)

[Advertisement], The South Australian Advertiser (13 January 1870), 1

http://nla.gov.au/nla.news-article73056402

MR. HAAS, MUSIC TEACHER. Address. Kermode-street, North Adelaide east, by Mr. Robertson.

"DEATH", South Australian Register (11 March 1870), 4

http://nla.gov.au/nla.news-article39196215

HAAS. - On the 10th March, at Kermode-street, North Adelaide, of low fever, Mr. Meno Haas, Professor of Music, and nephew of Mr. E. Thorup, chemist, Gawler Town.

"THE LATE MR. HAAS", Adelaide Observer (12 March 1870), 3

http://nla.gov.au/nla.news-article158938830 

We regret to announce the death, at North Adelaide, of Mr. Meno Haas, a music-teacher of some talent. The deceased was a native of Denmark, and nephew of Mr. Thorup, of Gawler. He arrived in South Australia about two years ago, and for the last 12 months has followed his profession in Adelaide and the suburbs, where he leaves many to mourn his loss.




HACKETT, Edward (Edward HACKETT; Mr. HACKETT; also HACKET)

Musician, bass vocalist

? Arrived Melbourne, VIC, 13 March 1854 (per Edward, from New York, 20 November 1853, aged "31")
Active Melbourne, VIC, November 1853
Active Ararat and Ballarat, VIC, until December 1860
? Departed Melbourne, VIC, 29 May 1861 (per Great Britain, for Liverpool, aged "27" [sic])
Active Cork, Ireland, by November 1861, until 1872 or later

https://trove.nla.gov.au/search?l-publictag=Edward+Hackett+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HACKETT-Edward (shareable link to this entry)


Documentation:

? Names and descriptions of passengers per Edward, from New York, 20 November 1853, for Melbourne, 13 March 1854; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF2902C-F96C-11E9-AE98-6F3E4C825073?image=105 (DIGITISED)

. . . Edw'd Hackett / 31 / [British] . . .

[Advertisement], The Banner [Melbourne, VIC] (15 November 1853), 1

http://nla.gov.au/nla.news-article179481956 

Opening of the New Organ in St. Francis's Cathedral, LONSDALE STREET.
THIS Magnificent Instrument, just erected by Mr. Henry Smith, will be opened on TUESDAY Evening, 22mi inst.,
with a Grand Selection of Sacred Music from the works of Handel, Haydn, Mozart, Mendelssohn, Rossini, &c.
PRINCIPAL VOCALISTS: Mrs. Testar, Miss Miabella Smith, Miss Martin,
Mr. T. Ewart, Mr. Henry Smith, Mr. Loughnan, Mr. Hacket,
Assisted by a Chorus of Fifty Voices, several Members of the Philharmonic Society having kindly offered their services on this occasion . . .

ASSOCIATIONS: Henry Smith (organbuilder, vocalist); Elizabeth Testar (vocalist); Meabella Smith (vocalist); Charlotte Martin (vocalist, Mrs. Quain, Ararat, 1859, below); Thomas Ewart (vocalist); Henry Loughnan (vocalist); St. Francis's cathedral (Melbourne)

[Advertisement], The Argus [Melbourne, VIC] (12 June 1854), 8

http://nla.gov.au/nla.news-article4809306 

MECHANICS' INSTITUTE - Miss Miabella Smith's Grand Vocal and instrumental Concert
Will take place on Thursday evening, June 15th, when she will be assisted by the following eminent artistes: -
Vocalist - Mrs. Testar, Miss Edwards, Mr. Hackett.
Instrumentalists - Herr Strebinger, Mr. Winterbottom, Herr Prinz, Pianist . . .

ASSOCIATIONS: Miss Edwards (vocalist); Frederick Strebinger (violinist); John Winterbottom (musician); Herr Prinz (pianist); Mechanics' Institution (Melbourne venue)

"MR. WINTERBOTTOM'S CONCERT", The Argus (4 July 1854), 5

http://nla.gov.au/nla.news-article4794686 

The dirty state of the streets prevented full justice being done to Mr. Winterbottom's concert last evening; but a fair attendance resulted notwithstanding. Mrs. Testar, Misses Hamilton and Edwards, and Messrs. Hackett, Barre, and Winterbottom were the vocalists. Miss Smith and Messrs. Strebinger and Winterbottom contributed the instrumental portion. The performance went off evenly and well, many of the pieces being encored; and the audience apparently satisfied with their bill of fare.

ASSOCIATIONS: Octavia Hamilton (vocalist); Anthony Barre (vocalist); Emilie Smith (pianist)

[Advertisement], The Argus (4 July 1855), 8

http://nla.gov.au/nla.news-article4794674 

THE following Artists will appear at Prahran on Wednesday next [5 July] - Mrs. Testar, Miss Hamilton, Hackett, Elsasser.

ASSOCIATIONS: Charles Elsasser (pianist)

"THE CREATION", The Argus (5 July 1854), 5

http://nla.gov.au/nla.news-article4794741 

The spirited efforts of the Philharmonic Society were rewarded last evening by a crowded audience, in spite of broken weather and dirty streets; and the beautiful oratorio of the Creation was given in a style which did credit to the society and to the colony in which it is doing so much to introduce a taste for good music. Both the orchestra and the choruses were very strong; and under the effective leadership of Mr. Russell a degree of precision was observable which speaks volumes for the attention which has been bestowed in the rehearsal of a production, much of which is of a very difficult description. Mrs. Testar sang the solo parts which came to her share very well, as she always sings religious music; and Miss Edwards acquitted herself in a style of which we never before thought her capable. One or two of the other solos were very well given by Mr. Hackett and another gentlemen, whose name we did not hear. We trust that this excellent society may go on and prosper. Their efforts are all in the right direction, and it is only a matter of surprise that in so small and young a place as this they have been able to muster so powerful and efficient a choir, and to do such justice to the splendid productions of the great masters.

ASSOCIATIONS: John Russell (conductor); another gentleman = Thomas Ewart (above); Melbourne Philharmonic Society (association)

"MRS. HANCOCK'S CONCERT", The Argus (6 October 1854), 5

http://nla.gov.au/nla.news-article4798586 

This lady gave a concert last evening at the Mechanics' to, we are sorry to add, rather a meagre audience. The beneficiare was, on making her appearance, greeted with considerable applause. Mrs. Hancock sang the several morceaux allotted to her with much taste, and more than once was called upon to respond to an encore. She had to contend against a piano miserably out of tune, and was also badly supported by the accompanyist, a Mr. Bial, who was by no means up to the mark . . . A Mr. Hackett sang "Tubal Cain," which by the way is becoming rather stale, in a passable manner. The concert was protracted to a late hour by the great number of songs and the incessant encores, but on the whole may be considered to have been very successful as far as the performance was concerned. We were sorry to see so thin an attendance, which must, however, be attributed to the number of public entertainments now going on.

ASSOCIATIONS: Mary Ellen Hancock (vocalist); Charles Bial (pianist)

MUSIC: Tubal Cain (Henry Russell)

"CONCERT OF SACRED MUSIC AT PRAHRAN", The Argus (11 October 1854), 5

http://nla.gov.au/nla.news-article4798780 

The concert in aid of the building fund of the Church of England schools took place on Monday evening [9 October], in the spacious building lately erected for that purpose . . . The programme contained a miscellaneous selection of sacred music, from the works of the First Masters. The performers were Mrs. Testar, Miss Edwards, Mrs. Goodliffe, Messrs. Hackett, Ewart, and Smith, and a few of the member of the Melbourne Philharmonic Society . . . The recitation and air, "Rolling in Foaming Billows," was well sung by Mr. Hackett, who possesses a good bass voice, although his style is at present rather crude . . .

ASSOCIATIONS: Anne Goodliffe (vocalist)

"THE OPENING OF THE VICTORIAN EXHIBITION", The Argus (18 October 1854), 4

http://nla.gov.au/nla.news-article4799114 

The invitation of the Governor to the citizens to join him in making the day of the inauguration of the Victorian Exhibition a general holiday day, was not met to the full extent that was commonly expected would be the case. Several of the shops in the principal streets were kept open all day. The intense heat of the weather, and the clouds of dust which a scorching wind from the north raised also, no doubt, deterred numbers from venturing abroad; still there was a large concourse of people assembled in front of the building even two hours before the momentous period of the inauguration arrived, a proof that the event of the day had excited great interest . . . Immediately on the procession halting in front of the dais, the band and chorus struck up the National Anthem, the solos and part music being taken up by Mesdames Testar, Hancock, Quain, Miss Edwards, and Messrs. Ewart and Hackett. The chorus consisted of the members of the Melbourne Philharmonic Society. The audience were invited by the programme to join in the chorus, but with the exception of one or two voices which exhibited some energy in the line "May she defend our laws," any assistance which the choir derived from the unattached was of an exceedingly piano character . . . At the conclusion of the address, the choir and orchestra burst into the magnificent chorus from the Creation, "The Heavens are telling;" but much of the effect of this this composition was lost through the unfortunate situation of the musicians, who were located at the eastern extremity of the gallery, upon seats rising from the floor of the gallery to the ceiling. From this cause the music fell dead upon the ear, and the efforts of the very efficient orchestra and chorus, which Mr. Russell conducted, were rendered entirely nugatory . . . His Excellency having resumed his position on the platform, declared the Exhibition opened . . . and the sublime Hallelujah Chorus from the Messiah was given. As in the instance of the previous chorus, the performance was entirely marred through the same cause . . .

ASSOCIATIONS: Charles Hotham (governor); Victorian Exhibition 1854 (event); Exhibition Building (Melbourne venue)

"THE PHILHARMONIC SOCIETY'S CONCERT", The Age (28 October 1854), 5

http://nla.gov.au/nla.news-article154851406 

A selection, comprising nearly the whole of Handel's sublime oratorio Judas Maccabeus was performed by the above society, at the Exhibition Building, to the most numerous and brilliant audience we have ever beheld in Melbourne . . . Mr. Hackett's fine bass voice told well in the songs, "Arm, arm ye brave," and "Rejoice O Judah," although we hardly thought he sang so well as we have heard him on some former occasions, particularly in the latter song, he seemed to drop the tones very abruptly, rendering the music as staccato as possible nearly the whole of the way through the song. We would suggest to Mr. Hackett that a more sustained style is more in keeping with Oratorial, and, in fact, Sacred Music in general. A Mr. King, we believe, sang the Recitative, "Be comforted" and the following song "The Lord worketh wonders": perhaps the most artistic song in point of execution in the whole Oratario [sic], and one which requires not only a most powerful bass voice, but a voice well cultivated and under good control. Mr. King's, being a baritone, was sadly deficient in weight, consequently the effect of the song was lost . . .

ASSOCIATIONS: Henry John King (vocalist)

"EXHIBITION CONCERTS", The Age (6 November 1854), 5

http://nla.gov.au/nla.news-article154853692 

Handel's oratorio, the Messiah, was performed by the Philharmonic Society, on Friday evening [3 November], in the Exhibition Building to a numerous, and highly respectable audience . . . Mr. Hackett gave "For behold darkness," and "The people that walked;" in the latter, the band was a little too powerful, some of the chromatic passages, which we are used to hear with delight from the voice, were quite smothered and lost . . . "Why do the nations," was sung by Mr. Benham, who appears to us to possess an extraordinary voice, of excellent quality, and almost unlimited power . . .

ASSOCIATIONS: Henry Benham (vocalist)

"EXHIBITION CONCERTS", The Age (13 November 1854), 5

http://nla.gov.au/nla.news-article154851745 

The Philharmonic Society gave a much improved repetition of Handel's Oratorio "Judas Maccabeus," on Friday evening, to a larger audience, who, if we are to judge from their applause, were highly delighted . . . "The Lord worketh wonders," was entrusted on this occasion to Mr. Hackett, who handled the subject with a much greater amount of skill and ability than the gentleman who sang it on the former occasion. The concert altogether is the best we have heard, and adds still more to the laurels already won by the Philharmonic society . . .

"EXHIBITION CONCERTS", The Age (21 November 1854), 5

http://nla.gov.au/nla.news-article154851602 

The Philharmonic Society gave their fourth grand Concert on Friday evening last [17 November], to the most crowded and delighted audience ever assembled within the walls of the Exhibition building. The music chosen for the occasion was Handel's "Acis and Galatea," and a miscellaneous selection . . . Mr. Hackett sung "O Ruddier than the Cherry," with very correct intonation, but the want of speaking the words out distinctly destroys three-fourths of the effect of his singing. A more distinct and free delivery would not only make him an acceptable singer but a favourite. In the trio, "The Flocks shall leave the Mountains," he was more successful; it is an elegant composition, and was well interpreted on this occasion . . .

"M. HERWYN'S CONCERT", The Age (18 December 1854), 5

http://nla.gov.au/nla.news-article154850976 

On Thursday evening, M. and Madame Herwyn made their second appearance before a Melbourne audience. The attendance was far more numerous than on their first appearance, and of a very select and fashionable description . . . Mrs. Testar was in excellent voice . . . Messrs. Lyall and Hackett were well received, the accompaniments to their songs being performed with great taste by Mr. White . . .

ASSOCIATIONS: Henry and Celestine Herwyn (violinist and pianist); Charles Lyall (vocalist); Thomas White (pianist, accompanist)

"GRAND CONCERT IN AID OF THE HOSPITAL FUNDS", The Age (28 December 1854), 5

http://nla.gov.au/nla.news-article154853346 

On Tuesday evening [26 December] the Philharmonic Society, performed Haydn's oratorio of the "Creation," for the benefit of the above institution, the Exhibition building was crowded to excess . . . Mr. Hackett sung all the bass songs with a very visible amount of improvement in style; we are more than ever persuaded that a more distinct enunciation of the words, and a free delivery of the tones of his fine voice direct from the chest, would render him a very valuable and favourite singer . . . We have not heard what the receipts of the evening were, but from the overflowing attendance, the Hospital must realize something handsome.

"PERFORMANCE OF SACRED MUSIC", The Argus (14 March 1855), 5

http://nla.gov.au/nla.news-article4805582 

Last evening a subscription concert was given at the Mechanics' Institution, by the Philharmonic Society. The hall was well filled with a most respectable assembly . . . The programme of the evening consisted of a selection from Handel's "Samson," the solo parts being sustained by Mrs. Testar, Mrs. D'Alton, Mr. Ewart, Mr. Biggs, and Mr. Hackett . . . The bass songs, belonging to Manoa and Harapha, were divided between Mr. Hackett and Mr. Biggs; those of Samson being sung by Mr. Ewart, whose tenor is of an excellent quality . . . Mr. Russell conducted the choruses with great precision . . .

ASSOCIATIONS: Jesse Biggs (vocalist); Samson was the last oratorio that Hackett appeared in for the Melbourne Philharmonic; thereafter, he disappears from record by mid 1855, perhaps already having left Melbourne for the goldfields

"MUSIC AND THE DRAMA", The Age (29 December 1856), 5

http://nla.gov.au/nla.news-article154869749 

. . . The performances at the Golden Age [Maryborough] on Saturday were for the benefit of Mr. Gibson, the comic singer. The [Maryborough and Dunolly] Advertiser says: "The programme was most judiciously made up, and the pieces selected were, with one or two trifling exceptions, beautifully given, and proved that a large amount of pains had been bestowed on their getting up. Mrs. White, good as she always is, on this occasion seemed even to surpass herself, and her rich, full voice never sounded to more advantage . . . Madame Vitelli was in excellent voice . . . With Mr. Hackett's singing we were much pleased; he possesses a bass voice of uncommon sweetness and extensive compass, and his performance on Saturday evening proved him to be an accomplished musician. Mons. Barre, we must candidly confess, we did not like; his "Figaro" was an overstrained piece of acting, and his "Marseillaise" lacked the primary essentials of time and tune. The concerted music was extremely well got up; and reflected the utmost credit on the conductor, Mr. White.

ASSOCIATIONS: J. W. Gibson (vocalist); Emilia Arnati White and Thomas White (vocalist and pianist); Annie Vitelli (vocalist); Anthony Barre (vocalist); Golden Age Concert Hall (Maryborough venue)

"MADAME ARNATI WHITE'S CONCERT", The Star [Ballarat, VIC] (16 October 1857), 3

http://nla.gov.au/nla.news-article66044748 

The large room at Bath's Hotel was crowded by the west end fashionables on the occasion of Madame White's concert last evening. The programme offered a choice selection of vocal music, comprising some of the most popular compositions of the English school. The lady was in excellent voice . . . She was assisted during the evening by Messrs. Oliver, O'Connor, and Hackett - amateurs who have already achieved a more than tolerable professional reputation as vocalists. The songs and concerted pieces were all very fairly and pleasingly rendered, eliciting repeated encores. The audience seemed to be highly gratified by the entertainment, the only drawback being the almost insufferable closeness of the atmosphere in the room. It is quite evident that ample patronage exists amongst us to support first-class musical entertainments, and we hope ere long to be able to record their frequent occurrence, when the new theatre in Sturt-street shall have been completed.

ASSOCIATIONS: Daniel Oliver (vocalist); Mr. O'Connor (vocalist)

"TARRANGOWER [FROM OUR OWN CORRESPONDENT] . . . AMUSEMENTS", Mount Alexander Mail [Castlemaine, VIC] (11 December 1857), 4

http://nla.gov.au/nla.news-article197087044 

The only amusement we have had here for some time were the concerts given at the Kangaroo and Eagle Hawk Theatres, by Madame Arnati White, assisted by Messrs. Bial, Hackett, and White . . . Mr. Hackett has a magnificent bass voice, and it is only necessary to hear him to desire to do so again. Mr. White's performance on the piano deserves great praise . . .

ASSOCIATIONS: Rudolph Bial (violinist)

"THE MINERS' EXCHANGE", The Star [Ballarat, VIC] (17 December 1857), 3

http://nla.gov.au/nla.news-article66045663 

This Institution was opened last evening by a select Concert. The room was lighted by lamps suspended from the roof, and was particularly cool and comfortable. The approach was by a very neat circular doorway and hall leading through the building now standing in front of the Exchange. There were, owing to the attractions elsewhere, very few persons present. The pieces were however well received. Madame White, Messrs. O'Connor and Hackett and Herr Bial were deservedly encored several times during the evening, and altogether the performance was of a very enjoyable nature.

"CAMP HOTEL", The Mount Ararat Advertiser and Chronicle for the District of the Wimmera [VIC] (5 January 1858), 2

http://nla.gov.au/nla.news-article280028483 

Mr. Gower's New Ball Room was well filled on Saturday evening, to greet Madame Arnati White and Mr. Hackett, on their reappearance on this gold-field. Her success on a previous visit was not forgotten, and we were very glad to see so many present. The powers of the two artistes were considerably taxed, as unaided they amused the audience for the whole of the evening. Madame White, as a vocalist, has very few superiors in this colony . . . Hackett too is a singer of no mean ability, and both in solos, and in duets with Madame White, received considerable applause from the audience. We believe further additions are to be made to the company. Mr. White presided at the piano-forte in his usually satisfactory manner.

"AMUSEMENTS . . CAMP HOTEL", The Mount Ararat Advertiser and Chronicle for the District of the Wimmera (22 January 1858), 2

http://nla.gov.au/nla.news-article280027293 

Mr. Coxon's comic songs, and more particularly his burlesques, are decidedly the attraction of the place; and notwithstanding other competitors in the shape of theatre and circus, the concert-room, at the Camp, is nighty crowded by an attentive and enthusiastic audience . . . The variety afforded by Madame White's songs is very pleasing; and we also much admired Mr. Hackett's singing the "Ship on Fire."

ASSOCIATIONS: John Coxon (comic singer)

MUSIC: The ship on fire (Russell)

"BULL AND MOUTH", The Mount Ararat Advertiser and Chronicle for the District of the Wimmera (15 July 1859), 1 supplement

http://nla.gov.au/nla.news-article280028503 

We were much pleased last night with the music of Macbeth, which we heard at this concert hall. The number of performers was rather small, being confined to three - Miss Chalker, Mr. Hackett, and Mr. Thatcher, with Mr. Owen, as usual, at the piano. We understand that Miss Sutherland has been re-engaged for this popular place of amusement.

ASSOCIATIONS: Marie Chalker (vocalist); Charles Thatcher (vocalist); Richard Owen (pianist)

MUSIC: Locke's music in Macbeth (correctly, mostly by Richard Leveridge)

"MISS SUTHERLAND'S BENEFIT", The Mount Ararat Advertiser and Chronicle for the District of the Wimmera (15 July 1859), 2

http://nla.gov.au/nla.news-article280028514 

This popular danseuse took a benefit on Tuesday evening last, at the Bull and Mouth Hotel, but we were sorry to observe that the Hall was not very well attended. The feature of the evening, in addition to Miss Sutherland's dancing, was Monsieur Coli's "Grecian Statues," which were considerably applauded. Thatcher's song of "Polly Dawson" was also very successful. Mr. Hackett and Miss Chalker sung several duetts in their usual pleasing manner.

ASSOCIATIONS: Susan Sutherland (dancer); Samuel Henry Coli (actor)

"BULL AND MOUTH", The Mount Ararat Advertiser and Chronicle for the District of the Wimmera (5 August 1859), 2

http://nla.gov.au/nla.news-article280026436 

The new stars, Mr. Golding and Miss Emma Ward, are proving very attractive; the lady's singing particularly being considerably admired. Some of Mr. Golding's burlesques are very good, and his Irish comic songs are irresistibly amusing. We do not remember to have ever heard on Ararat anything which pleased us so much as a duet sung by Miss Chalker and Mr. Hackett last evening, it was the celebrated scene from the Opera of Lucia, between Col. Ashton and Lucy. It was admirably sung and most deservedly encored. Professor Risley is, we understand, to take a benefit at this house on Monday next.

ASSOCIATIONS: Daniel Golding (vocalist); Richard Risley (gymnast)

"News and Notes", The Star [Ballarat, VIC] (15 September 1859), 2

http://nla.gov.au/nla.news-article66055303 

Our readers will bear in mind the splendid musical treat in reserve for them to-morrow night at the Theatre Royal, when the Ballarat Philharmonic Society will perform Handel's "Judas Maccabaeus" with a host of talent. Among the principal performers are Miss Harland, Mesdames Turner and Moss, Mr. Williams, Mr. Farquharson, and Mr. Hackett. Our advertising columns and the programmes supply further particulars.

ASSOCIATIONS: Julia Harland (vocalist); Charlotte Turner (vocalist); William Henry Williams (vocalist); Robert Farquharson (vocalist); Ballarat Philharmonic Society (association); Theatre Royal (Ballarat venue)

"AMUSEMENTS . . . CRITERION CONCERT HALL", The Star [Ballarat, VIC] (19 September 1859), 3

http://nla.gov.au/nla.news-article66055355 

This popular place of amusement has recently been opened under the most favorable auspices, and with an excellent company of first rate artistes, who have been vary favorably received in the principal towns on the gold fields. The interior of the concert hall is very tastefully fitted up, and on Saturday night it was well filled by a respectable audience . . . The personal respectability of the talent engaged is such as to offer a guarantee that nothing bordering on the indelicate, either in word or deed, should be heard or seen; and everything is conducted with becoming neatness; and the lovers of the comic will not fail to be delighted with Dan Golding's delineations of the Irish character . . . Miss Chalker and Miss Ward - the former a soprano and the latter a contralto voice - are artistes not unknown to fame, and as professionals rank high in public estimation. Last, though by no means least, comes Mr. E. Hackett, who has a beautiful baritone voice, and whose debut before a Ballarat audience at the Philharmonic Society's concert on Friday night made a decided impression, that he is likely in all probability to become a favorite on Ballarat. Mr. A. R. Owen presides at the pianoforte; and the present company is one that shows the discriminating taste of Mr. Emery in catering for the public.

ASSOCIATIONS: Emma Ward (vocalist); John William Emery (proprietor); Criterion Concert Hall (Ballarat venue)

"BROWN'S (From our own Correspondent) 29th September", The Star [Ballarat, VIC] (1 October 1859), 4

http://nla.gov.au/nla.news-article66055588 

. . . Our amusements have been somewhat limited during the week, but I believe it ie the intention of our host of the North Britain Hotel to treat us with the superior talents of Miss Chalker, Mr. Hackett, E. F. Morris, and other Ballarat favorites, who will appear this evening . . .

ASSOCIATIONS: Edgar Francis Morris (vocalist)

[Advertisement], The Age [Melbourne, VIC] (28 October 1859), 1

http://nla.gov.au/nla.news-article154827800 

PEOPLES' CONCERTS, Mechanics' Institute, in future, on Monday evenings.
PEOPLES' CONCERTS. - Next Monday, Miss Chalker, Mr. Hackett, Mr. Ewart, and Herr Bial.

"News and Notes", The Star [Ballarat, VIC] (27 December 1859), 2

http://nla.gov.au/nla.news-article72463986 

We understand that owing to the many season engagements of the professionals applied to, the Ballarat Philharmonic society have not been able to secure the assistance necessary to the production of the "Messiah" at Christmas as had been proposed. The oratorio is therefore postponed till the third week in January, when it will be performed in full, with most probably the professional assistance of Mrs. Hancock and Messrs. Ewart and Hackett.

[Advertisement], The Mount Ararat Advertiser and Chronicle for the District of the Wimmera (30 December 1859), 3

http://nla.gov.au/nla.news-article280024944 

A GRAND SACRED & MISCELLANEOUS CONCERT,
In aid of the Building Fund of the CATHOLIC SCHOOL ROOM,
About to be erected on the Reef, will be given at BURNSIDE'S ASSEMBLY ROOM, ON MONDAY EVENING NEXT, JAN. 2.
MISS CHALKER, (By the kind-permission of Mrs. Young) will assist; also
MRS. YOUNG, Who has kindly volunteered her services for the occasion.
The following Amateurs (members of the Pleasant Creek Glee Club) have kindly consented to assist, viz.: -
Mrs. Quain, Messrs. Hackett, Keeley, Apperley, Wallace, and Bell.
Pianist and Conductor - MR. PARKER.
PROGRAMME.
PART I - SACRED.
OVERTURE.
" Kyrie Eleison," "Gloria in Excelsis," "Sanctus," from Mozart's 12th Mass - Mrs. Quain, Messrs. Hackett, Keeley, and Apperley.
"Qui Tollis," "Et Incarnatus," "Agnus Dei," (Bass Solo,) from Hayden's No. 3 - Mr. Hackett.
"The Heavens are telling," - Chorus - Creation.
"Ti Prigo," - Trio - Curschman - Mrs. Quain, Messrs. Hackett and Keeley.
"On Thee each living soul awaits," - Trio - Creation - Miss Chalker, Messrs. Hackett and Keeley.
An Interval of Fifteen Minutes.
PART 2. - MISCELLANEOUS.
"The Fairies Laughing Glee," - Trio - Messrs. Apperley, Hackett and Keeley.
"Tears of Anguish," Solo - Reichardt - (With vocal accompaniment) - Mr. Hackett.
"Bessie's Dream," - Lockley - Mrs. Young.
"The Image of the Rose," - Solo - Reichardt (With, vocal accompaniment) - Mr. Keeley and Glee Company.
"The Captive Greek Girl," - Hobbs - Miss Chalker.
"This Heart by Woe O'ertaken," - Recitative. "So may Courage." - Air, "Maritana" - Mr. Hackett.
"Scenes that are Brightest," - Maritana - Mrs. Quain.
"God Save the Queen," - Finale.
No Smoking Allowed. Admission: Reserved Seats, 4s.; Back Seats, 2s. 6d.;
Doors open at Half-past 7, Concert to commence at 8 p.m.

ASSOCIATIONS: Mrs. Young = Louisa Urie (vocalist); Charlotte Quain (vocalist); Joseph Parker (pianist)

MUSIC: Ti prego, O padre (Curschman)

"THE PHILHARMONIC CONCERT", The Star [Ballarat, VIC] (28 January 1860), 2

http://nla.gov.au/nla.news-article72464631 

The Ballarat Philharmonic Society gave their first subscription concert of the season oa Friday night, at the Montezuma Theatre . . . The oratorio selected for the concert was the "Messiah" which was produced in full, and with gratifying success. The orchestra comprised about 60 performers, including Mesdames Hancock and Turner, Messrs. Williams and Hackett, and M. Fleury and his corps musicale . . . Mr. Hackett was in good voice, and in the several solos committed to his care he acquitted himself very well. In the air, "Why do the nations," he was encored, but did not comply . . .

ASSOCIATIONS: Achille Fleury (violin, leader); Montezuma Theatre (Ballarat venue)

"THE PHILHARMONIC CONCERT", The Star (9 April 1860), 2

http://nla.gov.au/nla.news-article72466084 

The performance of the "Creation" by the Philharmonic Society, at the Theatre Royal, on Friday night last, was, no doubt, as great a success as either the public or the society anticipated . . . A few inadvertently hurried passages and some unaccountable delays which Mr. Conductor Turner could not prevent were observable, but scarcely so . . . Mr. Sherwin, Mr. Hackett, and Mr. D. Oliver are well known and require little criticism. The former hardly did himself justice, however, but in "In native worth" fully sustained his reputation. Mr. Hackett sang surprisingly well, especially when it is borne in mind that he performed bass solos with only a baritone voice of low register. In "Rolling in foaming billows," "Straight opening her fertile womb," and "Graceful consort," he evidenced those delicate perceptions of the characteristics of the music which belong to the real artist . . .

ASSOCIATIONS: Austin Theodore Turner (conductor); Walter Sherwin (vocalist); Daniel Oliver (vocalist)

"OPENING OF THE ARARAT HOSPITAL . . . THE CONCERT", The Mount Ararat Advertiser and Chronicle for the District of the Wimmera (13 April 1860), 3

http://nla.gov.au/nla.news-article280106408 

. . . Of the performance itself we would willingly say much, but unfortunately our space is exceedingly limited. A great feature was the unexpected appearance of Mr. Hackett, so long and so favorably known to the Ararat public. He sang will splendid style, "Madoline," "Friar of Orders Grey," &c., and also in company with Mrs. Edwards, sang "What are the wild waves saying," which, was greatly, applauded . . .

[Advertisement], The Mount Ararat Advertiser and Chronicle for the District of the Wimmera (26 October 1860), 3

http://nla.gov.au/nla.news-article280105885 

SHAMROCK CONCERT HALL, BARKLY STREET, ARARAT.
Monday, 29th Oct., 1860. GRAND CONCERT AND BALL IN AID OF THE FUNDS OF THE ARARAT HOSPITAL.
The Committee have much pleasure in announcing that Mrs. Young, late MISS URIE, and MR. HACKETT
Have kindly volunteered their valuable assistance, together with several Lady and Gentleman Amateurs.
PROGRAMME. PART I . . . SONG - "Land of my dearest, happiest feelings," - (C. Keller) - Mr. Hackett . . .
DUETT - (Tenor & Basso,) "The Army and Navy," (T. Cook) - Mr. Hackett and Gentleman Amateur . . .

"THE PHILHARMONIC CONCERT", The Star [Ballarat, VIC] (22 December 1860), 2

http://nla.gov.au/nla.news-article66336437 

If there are such things as "rank, beauty and fashion" in Ballarat, they had assuredly gathered themselves together last night in the Mechanics' Hall on the occasion of the grand Christmas concert of the Ballarat Philharmonic Society. The orchestra was presided over by Mr. Turner, conductor, and Mr. Fleury, leader, whose position in the musical world of Ballarat needs no confirmation by eulogy of ours . . . The "Messiah" was the oratorio chosen for the concert, and the appropriateness of the choice will not be questioned. The only professed vocalists engaged were Miss Hamilton and Messrs. Ewart and Hackett, unless indeed we should remove Mrs. Turner from her more retired walk and include her among the professionals proper . . . Mr. Ewart was very successful in his solos, but Mr. Hackett appeared to be in very bad voice. Indeed, we think the society could have found in its own ranks soloists to equal his performances last night. It is but fair, however, to this generally popular vocalist to add that we understand he has been for a long time out of practice. And after saying what we have, we must not omit to mention a word in remembrance of those fine robust and sonorous notes in the lower register, which alone are worth going to hear in this singer's efforts . . .

Names and descriptions of passengers per Great Britain, from Melbourne, 29 May 1861, for Liverpool; Public Record Office Victoria

https://prov.vic.gov.au/archive/238FF803-F7F0-11E9-AE98-F3FD07F091BE?image=83 (DIGITISED)

. . . E. Hackett / [single male] 27 [sic] . . .

After Australia:

"CORK AMATEUR HARMONIC SOCIETY", Cork Daily Herald [Ireland] (25 November 1861), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0003182/18611125/037/0002 (PAYWALL)

As briefly noticed in our issue of Friday, the first concert of the fourth of this Society was given in the Protestant Hall, on Thursday evening, before one of the most numerous and respectable audiences ever brought together in this city. J. C. Marks conducted with his usual ability . . . Song, "Land of my dearest, happiest feelings" by Keller, was sung by Mr. Edward Hackett in a most masterly manner, being heard to great advantage in the concluding passage, in which he sings the low D with precision and ease, by no means an easy achievement. He was loudly encored . . .

"FANCY FAIR IN QUEENSTOWN . . . THE CONCERT", Cork Examiner (23 August 1862), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000425/18620823/010/0002 (PAYWALL)

Yesterday evening the concert advertised to take place in further aid of the funds of the Sisters of Mercy came off in the same room as the bazaar was held in on the two previous days - the ballroom of the Queen's Hotel . . . A local amateur, with most beautiful voice - Mr. Edward Hackett - sustained the bass lines in most of the compositions for several voices, and in a manner that very few singers indeed, no matter what extended reputation, could surpass. A solo by this gentleman, Land of my dearest, happiest feelings, was very warmly applauded . . . Mr. and Mrs. Keays . . . with Mr. Hackett, sang The Faded Wreath. Mr. Hackett and Mr. Keays sang The Army and Navy, and Mr. Hackett and Mr. Baker Love and War . . .

"THE CHARITY CONCERTS", Cork Constitution [Ireland] (17 December 1862), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001646/18621217/043/0002 (PAYWALL)

The first of the Concerts in aid of the distress in Lancashire and the city coal fund came off last night at the Athenaeum, and proved the success it was expected to be . . . The magnificent music of HANDEL'S Judas Maccabaeus was admirably given, while the various solos, part songs, &c., that formed the second part of the Concert were rendered with great ability by the professional singers, and wonderful accuracy and taste by the amateurs . . .
The fine overture from ROSSINI'S Guillaume Tell introduced the second part. It was admirably played by the Band of the 11th Regiment, under the direction of Herr KOESSL, and was succeeded by HORSLEY'S pretty glee "By Celia's Arbor," which was sung with great taste by Messrs. MARKS, KEAYS, EDMONDSON, and E. HACKETT . . . KELLER'S fine son "Land of my dearest, happiest feelings," could not have fallen to better hands that Mr. ED. HACKETT'S, who in it, as in everything he sings, delighted his audience with a voice that, for massiveness and clearness, has few equals in this city. His execution, with the intelligent expression thrown by him into whatever he sings, has already made him a favourite with a Cork audience. His reception last night was most enthusiastic. The trio "Through the world," by Miss KENT, Mr. EDMONDSON, and Mr. EDWARD HACKETT was well received . . .

[Advertisement], Cork Daily Herald (7 June 1865), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0003182/18650607/076/0001 (PAYWALL)

NEW HALL, BANDON. MADAME TONNELIER begs to announce that she will give a
GRAND CONCERT OF VOCAL AND INSTRUMENTAL MUSIC, At the above HALL, on THURSDAY Evening, 8th June . . .
when the following eminent Artistes will appear.
VOCALISTS: MADAME TONNELIER, MISS McCARTHY, AND MR. EDWARD HACKETT . . .

[Advertisement], Southern Reporter and Cork Commercial Courier (4 March 1867), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000876/18670304/037/0002 (PAYWALL)

MR. JAMES ROCHE'S CONCERT. MR. JAMES ROCHE feels much pleasure . . .
after the successful performance of his late Concert, of returning his most grateful thanks to the various amateur and professional vocalists who so kindly assisted him on this occasion.
He desires to ennumerate Miss Fennell, of the Philharmonic Concerts, Dublin; Miss McCarthy, of Cork;
Mr. William Topham, principal tenor, Christ Church Cathedral, Dublin; Mr. Henry Baker, tenor of the Cathedral, Cork; Mr. O'Donoghue, Mus. Bac., Oxon;
Mr. Edward Hackett, and the gentlemen amateurs who so ably performed different choruses entrusted to them.
To the gifted conductor, J. C. Marks, Esquire, Mus. Bac., Oxon . . .

"CONCERT AT BALLINCOLLIG", Cork Constitution (7 December 1872), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001646/18721207/044/0002 (PAYWALL)

Another of series of concerts and recitations in connection with the band and regiment of the 17th Lancers took place on Thursday evening the military school-room under the able and skilful conductorship of Trumpet-Major Poole, to whom great credit is due for their success . . . Cooke's duet, "Love and War," was most spiritedly sang Messrs. Sam Rogers and Edward Hackett of Cork, and brought down a loud encore . . . "Land of my dearest, happiest feelings" was sung by Mr. E. Hackett with the same finish and style which always characterises his efforts; his beautiful rich bass was heard with much effect in the low passages. On the termination he was warmly applauded . . .




HADFIELD, John (John HADFIELD; J. HADFIELD; Mr. HADFIELD)

Amateur vocalist, school teacher, singing instructor, music teacher

Born Devizes, Wiltshire, 8 March 1827; baptised Devizes (Wesleyan), 1 April 1827; son of James HADFIELD and Mary SHUFFLEBOTHAM
Married Maria Grace CHAPMAN (d. 1899), St. George, Camberwell, Surrey, England, 17 September 1852
Arrived Melbourne, VIC, 1853 (per Clara Symes, from Bristol, 15 October 1852)
Died Melbourne, VIC, 27 August 1888

https://trove.nla.gov.au/search?l-publictag=John+Hadfield+1827-1888 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HADFIELD-John (shareable link to this entry)

HADFIELD, Benjamin (Benjamin HADFIELD; Mr. B. HADFIELD)

Musician, teacher of singing, singing master, school teacher

Born 11 April 1828; baptised Devizes (Wesleyan), 4 May 1828; son of James HADFIELD and Mary SHUFFLEBOTHAM
Arrived Melbourne, VIC, 1853 (per Clara Symes, from Bristol, 15 October 1852)
Died Ballarat, VIC, 1 December 1897, aged "69/70"

https://trove.nla.gov.au/search?l-publictag=Benjamin+Hadfield+1828-1897 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HADFIELD-Benjamin (shareable link to this entry)


Documentation:

Baptisms, Devizes St. Mary (Wesleyan), 1827 and 1828; UK National Archives, RG4/2232

https://www.ancestry.com.au/search/collections/2972/records/912341 (PAYWALL)

John 2nd son of James Hadfield Warehouseman
and of his wife, daughter of John & Sarah Shufflebotham weaver of Macclesfield county of Cheshire
born March 8 1827 in the parish of Bishops Cannings Bath Road near Devizes in the county of Wilts.
Baptized Aptil 1st 1827 . . .

https://www.ancestry.com.au/search/collections/2972/records/912350 (PAYWALL)

Benjamin the Son of James Hadfield Warehouseman
and of his wife, daughter of John and Sarah Shufflebotham
Was born April 11 1828 Bath Road near near Devizes in the parish of Bishops Cannings county Wilts
Baptized 4th May 1828 . . .

ASSOCIATIONS: James Hadfield and Mary Shufflebotham had married at Prestbury, Cheshire, on 1 February 1825

England census, 30 March 1851, Shoreditch, Hoxton New Town; UK National Archives, HO107/1535/644/5

https://www.ancestry.com.au/search/collections/8860/records/210359 (PAYWALL)

6 East Road / Robert Staff / Head / Mar. / 40 / Carpenter & Gen. Workman / [and wife and 3 children]
William Hadfield / Visitor / Unm. / 25 / Organ Builder / [born] Cheshire Macclesfield
Benjamin [Hadfield] / [Visitor] / Unm. / 23 / Clerk / [born] Wilts Devizes

ASSOCIATIONS: William Hadfield (eldest brother) was baptised at Macclesfield St. Michael, Cheshire, on 7 December 1825

1852, marriage solemnized at the parish church in the district parish of St. George Camberwell in the county of Surrey; register 1837-87, page 119; London Metropolitan Archives, P73/GEO/027

https://www.ancestry.com.au/search/collections/1623/records/3201953 (PAYWALL)

No. 238 / [1852] September 17 / John Hadfield / Full age / Bachelor / Schoolmaster / Havil Road / [son of] James Hadfield / Silk manufacturer
Maria Grace Chapman / full age / Spinster / - / St. George's Row / [daughter of] George Chapman / Plasterer . . .

Names and descriptions of passengers per Clara Symes, from Bristol, 15 October 1852, for Port Phillip and Sydney; Public Record Office Victoria

https://prov.vic.gov.au/archive/3400C2E9-F96C-11E9-AE98-0507CB69E27D?image=256 (DIGITISED)

. . . Hadfield John / 24 . . .
[Hadfield] Benjamin / 24 . . .
[Hadfield] Maria / 19 . . .

Teacher record, John Hadfield, from 1853; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AD4CF65-F7E4-11E9-AE98-6517940DFA17?image=317 (DIGITISED)

No. 916 / John Hadfield / Born 8 March 1827 / Borough Rd. Normal Inst. London
St. Kilda . . . Employed from 1 April 1853

Teacher record, Benjamin Hadfield, from 1854; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AD17403-F7E4-11E9-AE98-2535B4F19863?image=322 (DIGITISED)

No. 8493 / Benjamin Hadfield / Born 11 April 1828
Templestowe M[aste]r 20 Mar '54 to 31 Dec. '54
Certified Teacher of Singing (D.S.B.) [Denominational Schools Board)
Singing Master D.S.B 5 March '55 to 31 Aug. 1862
Singing Master B. of Ed. 1 Sep. '62 to 31 Dec. 62
[Singing Master B. of Ed.] 9 March '68 to Dec. 72 . . .

"DENOMINATIONAL SCHOOLS", The Age [Melbourne, VIC] (21 December 1855), 6

http://nla.gov.au/nla.news-article154861145 

Yesterday afternoon the Exhibition Building was the scene of a highly interesting display of the musical ability of a large number of young Victorians, as developed under the able direction of Mr. G. L. Allan, singing-master to Denominational Schools. The whole of the basement storey was occupied by the children, (near upon twelve hundred in number,) selected from about thirty schools of all denominations in Melbourne, Collingwood, Richmond, Prahran, Emerald hill, St Kilda and Brighton, and with two exceptions (St. Mark's boys' school and St. Kilda school, in which the children are taught by their respective masters), under the musical instruction of Messrs. Hadfield, G. L. Allan, and J. H. Allen. The children, who were dressed in their best and looked supremely happy under their arduous vocal exertions, were ranged on each side of the building, and on the orchestra-platform erecting for the approaching performance of the "Messiah" by the Philharmonic Society on Monday next. The director had his rostrum erected on the basement of the fountain, and from this position had every one of his little vocalists under his eye. The music performed consisted of part songs and rounds by Hullah, Crampton, and others, which were sung with a precision of time and tune alike creditable to the children, their teachers, and their director. Between the parts the children were supplied with some refreshments, which appeared to render them all the more alert for the resumption of their duties at the first rap from the director's baton. His Excellency the Governor and Lady Hotham were present in the gallery, and their entrance was greeted with the national anthem carolled forth by a thousand little throats. His Excellency and lady were evidently much gratified, and frequently applauded the efforts of the children, who were all evidently anxious to do their very best on the occasion. The gallery was densely crowded with a delighted auditory, and his Excellency and party did not leave their seats till all was over, when the juveniles gave him three times three deafening cheers, and then, trooping out of the building, swarmed into and upon the omnibuses provided to carry them home.

ASSOCIATIONS: Benjamin was the Mr. Hadfield referred to here; and John the master of St. Kilda school who taught singing;
George Leavis Allan (singing master); John Harward Allen (singing master); Charles and Jane Hotham (governor and wife); Exhibition Building (Melbourne venue); Melbourne Philharmonic Society (association); Music in schools (general)

"DENOMINATIONAL SCHOOLS SINGING. To the Editor of . . .", The Argus (26 December 1855), 7

http://nla.gov.au/nla.news-article4826547 

Sir, - In reference to your report of the performance of the Denominational Schools at the Exhibition on Thursday, I hope you will correct an error. Instead of Mr. G. L. Allan being the teacher of the whole of the schools, there are three singing masters - G. L Allan, B. Hadfield, and J. H. Allen, who each brought about an equal number of children.
There were also present the St. Mark's boys, taught by Mr. Brunton; and the St. Kilda Church Schools, taught by Mr. J. Hadfield.
Trusting you will correct the error into which you have fallen,
I am, Sir, yours, &c.,
J. H. ALLEN, Singing Master to Denominational Schools.
December 21st, 1855.

ASSOCIATIONS: Alfred Brunton (singing teacher)

"FREE PRESBYTERIAN CHURCH, PRAHRAN", The Argus (21 January 1856), 5

http://nla.gov.au/nla.news-article4828736 

On Tuesday evening last, a soiree was held in the school room adjoining this church . . . At intervals, a number of children, under the superintendence of Mr. Hadfield, contributed greatly to the entertainment of the evening by their singing. Many of the pieces were loudly applauded. Mr. Grieve, also, and his friends, sang several appropriate anthems . . .

"[Legislative] COUNCIL PAPER. REPORT FROM THE DENOMINATIONAL SCHOOL BOARD FOR THE YEAR 1854", The Argus (24 January 1856), 6

http://nla.gov.au/nla.news-article4829041 

. . . The Board were enabled, during the current year, to obtain additional masters for teaching singing in their schools, and on the 5th March last appointed Messrs. Hadfield and Russell as singing masters in Melbourne and its vicinity, and Mr. I'Erson as singing master at Geelong and upon the resignation of Mr. Russell they appointed Mr. J. L. Allen as his successor on the 1st October last. The number of schools in which singing lessons are now given by the masters appointed by the Board amounts to about fifty, besides which there are some wherein the schoolmasters themselves teach their pupils singing. The Board have also, during the current year, turned their attention to the encouragement of drawing in their schools . . .

ASSOCIATIONS: John Russell (singing master); Thomas William I'Erson (singing master)

"ST. KILDA CHURCH OF ENGLAND SUNDAY AND DAY SCHOOLS", The Argus (27 March 1856), 5

http://nla.gov.au/nla.news-article4834115 

The children of the above schools met on Tuesday at midday, to enjoy their annual Easter treat, under the care of their minister, the Rev. V. Seddon, several Sunday school teachers and friends, together with Mr. and Mrs. Hadfield, the master and mistress of the day schools. They were plentifully regaled with buns, fruit, &c., to their evident satisfaction; and the afternoon was devoted to various suitable exercises and games, enlivened now and then by singing, in which a large number of the scholars showed great proficiency, under the tuition of their master, Mr. Hadfield. Loud and hearty cheers were given to their teachers and friends . . . The enjoyments of the day did not close till dusk, when the children separated, after singing "Rule Britannia" and the Doxology.

"EMERALD HILL MECHANICS' INSTITUTE", The Argus (10 November 1856), 5

http://nla.gov.au/nla.news-article7139755 

The third soiree in aid of the funds was held on Friday evening in the Great Iron Store. An attractive programme had the effect of completely filling the building with a highly respectable audience, who seemed thoroughly pleased with the efforts made to entertain them. Mr. B. S. Anderson occupied the chair. The entertainment principally consisted of glees, duets, and songs; Messrs. Ewart, Williams, and Hadfield were rapturously encored after singing the witches' glee, and Messrs. I. and D. Lawson and Wm. Henry were also honored with an encore in another glee, Mr. Ure an amateur singer of considerable talent had a double encore twice during the evening, and Messrs. Fish, Friend, Skeats, and other singers, received their merited share of applause. Two ladies, whose names did not transpire, sang a duet, which the audience insisted on hearing again; later in the evening, one of these ladies sang "Shells of Ocean" with much taste and sweetness . . .

ASSOCIATIONS: Probably Thomas Ewart (vocalist) and William Henry Williams (vocalist)

[Advertisement], The Argus (10 January 1857), 4

http://nla.gov.au/nla.news-article7142959 

CHURCH OF ENGLAND SCHOOLS St. Kilda, REOPEN on Monday, January 12.
J. Hadfield, Certificated Master, from Borough-road, Normal Training School, London.

"DENOMINATIONAL SCHOOL FESTIVAL", The Age (14 February 1857), 5

http://nla.gov.au/nla.news-article154822319 

Yesterday, at two o'clock, the children under musical tuition in the Denominational Schools, to the number of nearly 1500, were assembled in the Exhibition Building, for the purpose of engaging in the usual annual festival. The children, who were all exceedingly well dressed, were selected from no less than thirty-two schools in Melbourne and its vicinities, namely: - Thirteen Church of England, six Roman Catholic, seven Wesleyan, three Free Church, two Independent, and the Scots' School. The number selected from these schools was 683 boys and 786 girls. The great bulk of the children have been under the tuition of Messrs. George L. Allan, Benjamin Hadfield, John H. Allen, and A. Brunton; those from St. Mark's boys' school, and the St. Kilda Church of England school, have been taught by their respective masters Messrs. Brunton and Hadfield. The children sang very creditably through a programme of about twenty pleasing little compositions by Crampton, Callcott, Hullah, Nelham, and others; besides adaptations of Mozart, Weber, Handel, and Arne. Their performance was of the most pleasing description, though we could not but regret that so few of the large number of children assembled took the trouble to sing. The thousand who did open their mouths, did it to good effect, as was abundantly manifest in the more stirring of the melodies, among which we may note "Rule Britannia," the "National Anthem," "Ye Mariners of England," and "Old England forever." The voices were ably conducted by Mr. George L. Allan, who has largely added to his respect both as a teacher and leader during the past year, and who we may state has devoted himself to the task assigned him with an enthusiasm which deserves the highest commendation . . .

"DENOMINATIONAL SCHOOLS. ANNUAL MUSICAL FESTIVAL", The Age (12 December 1857), 5

http://nla.gov.au/nla.news-article154835514 

Yesterday afternoon, at two p.m., was held in the Mechanics' Institution, the Annual Musical Festival and Exhibition of Drawings of the Children from Denominational Schools in and near Melbourne. Last year nearly 1500 children were assembled in the Exhibition building; but owing to that edifice being pre-engaged, the Mechanics' Institution was chosen instead, though it was found necessary to curtail the number of children engaged to 450. These were closely packed in the body of the Hall and upon the music stage belonging to the Philharmonic Society . . . The room was thus fully occupied, and a large number of ladies and gentlemen, attracted by the interesting nature of the proceedings, were unable to obtain admittance, but obliged to content themselves by standing on the staircases and in the entrance hall. The day was intensely hot, and the sufferings of those who were blocked up in the hall must have been intense.
His Excellency arrived punctually at two o'clock, when Mr. G. L. Allan ascended the rostrum, and gave the signal for commencement. The programme, which was divided into two parts, included a capital selection of part songs, glees, and choruses, from the works of Crampton, Bennett, Calcott, Mozart, Stevenson, Arne, Hullah, and others, all of which were most creditably executed by the numerous and shrill-voiced choir. Towards the end, it was deemed desirable by the conductor to bring the matter to a close, as the heat was evidently the cause of much exhaustion to every one in the room; he therefore directed the choir to confine themselves to the two last pieces on the programme. The first of these, Callcott's "Fairies," was given with infinite spirit and effect, and elicited from His Excellency a request for its repetition. "Rule Britannia" concluded the performance . . . Those assembled were under the musical tuition of Messrs. G. L. Allan, B. Hadfield, and J. H. Allen, singing-masters to the Denominational Board. The schools under the charge of Mr. Kaye having only just commenced a course of instruction, and not sufficiently advanced, were not present at the festival. All the masters we have mentioned were present, and assisted the children with the bass parts, when they were required.

ASSOCIATIONS: Henry Barkly (governor); Samuel Kaye (singing master); Mechanics' Institution (Melbourne venue)

"DENOMINATIONAL SCHOOL FESTIVAL", The Age (23 December 1858), 5

http://nla.gov.au/nla.news-article154878445 

The annual singing festival of the children attending the schools, under the management of the Denominational School Board, came off yesterday. It commenced at the Exhibition Building, William-street, at half-past eleven in the morning. About six hundred children of both sexes, and a much larger number of visitors were gathered in the building . . . At the time mentioned his Excellency arrived; and at a sign from Mr. Allan, the musical conductor, at the front of the platform, the children rose and saluted him by singing the National Anthem. It was not given with very good effect. In fact they experienced some sluggishness in getting off, and the manner of their conductor did not appear very encouraging. A number of pieces were, for the most part, very tamely executed, and that most beautiful piece, "The death of the just," was altogether a failure. The following pieces - "Now, Speed my Gallant Vessel," " When the Shallows Homeward go," were tolerably executed; and "The Crocus" was applauded. The "Bonny Christchurch Bells," a very difficult piece, was fairly executed; although Mr. Allan expressed some dissatisfaction with it; "Annie Laurie" was sung in excellent time, and with good feeling. And, "Gather ye Rosebuds," well delivered, completed the first part. The singing masters are G. L. Allan, B. Hadfield, J. Allen, and S. Kaye . . . The children then executed the second part of the programme. The singing was in most cases superior to the first part, and would have done honor to an adult assemblage. The "Cottager's Evening Song," was given excellently; "Youth and May," "Delight Spring," "The Evening Hymn," "Farewell to Winter," followed in succession. "Come Fairies Trip it on the Grass" was sung particularly well; "Home, Sweet Home," not so well; but "Rule Britannia" wound up the programme with an accuracy of time and hearty vigor that must have satisfied the most fastidious. Mr. ALLAN then addressed his Excellency, offering some apology for the imperfections in the earlier part of the singing, arising from the impossibility, more especially in consequence of the unanticipated bad weather, of getting the children together to practise, and the fact that many of the children had been unable to attend so great a distance until the festival day . . .

"MUSICAL FESTIVAL AND EXHIBITION OF DRAWINGS", The Age (22 December 1859), 5

http://nla.gov.au/nla.news-article154882464 

The annual musical festival and exhibition of drawings by children from the Denominational Schools in and near Melbourne, came off at the Exhibition Building yesterday shortly after noon. The children, about 1000 in number, had been selected from the different schools. The building was crowded at all points with an audience consisting for the most part of ladies and young persons. A more interesting spectacle we have seldom witnessed. The children appeared much gratified with the opportunity afforded them of displaying their vocal powers . . . Mr. George L. Allan acted as leader of the singing, and was assisted by Messrs. Benjamin Hadfield, Mr. John H. Allen, and Mr. S. Kaye, who presided at the piano . . .

"ANNUAL MUSICAL FESTIVAL OF THE DENOMINATIONAL SCHOOL CHILDREN", The Argus (21 December 1860), 5

http://nla.gov.au/nla.news-article5695381 

The annual musical festival of the children attending the various Denominational schools about Melbourne was held yesterday, in the Exhibition Building, and, in addition to some 900 children, there must have been considerably over that number of spectators, the greater portion being ladies . . . On a stage alongside Mr. Justice Pohlman stood Mr. George L. Allan, under whose superintendence, assisted by Messrs. B. Hadfield, John Allen and S. Kaye, the children have been taught. The whole of the proceedings were conducted by Mr. Allen, who, baton in hand, gave the signal to commence, and kept the time throughout. Mr. Pringle presided at the piano, and Mr. G. O. Rutter and Mr. John Russell also gave valuable assistance. The performance commenced at noon, and lasted for about three hours, an interval of 15 minutes between the two parts being devoted to affording the public an opportunity of judging of the skill of the children in singing from music at first sight, a feat which, considering that they did not average more than about 11 years of age, they accomplished with the greatest success . . .

ASSOCIATIONS: George Robert Grant Pringle (pianist); George Oswald Rutter (musician)

"MUSICAL FESTIVAL", The Herald (19 December 1862), 6

http://nla.gov.au/nla.news-article244405618 

Yesterday afternoon the final musical festival and exhibition of drawings of children in schools under the Board of Education, in and near Melbourne, was given in St. George's Hall, Bourke-street . . . The music was performed by about 500 boys and girls, selected from various denominational schools, and mostly between the ages of ten and fourteen. These had all been taught in the public schools by Messrs. G. L. Allan, J. H. Allen, B. Handfield [sic], and S. Kaye, singing masters under the Educational Board. The whole were under the superintendence of Mr. G. L. Allan, who discharge the onerous duties of conductor, Mr. Pringle, presiding at the piano, and leading with considerable ability. The children displayed a very marked degree of proficiency in part music, in a number of choruses and duets they were called upon to perform, and kept marvellously good time, when it is taken into consideration there had been no opportunity for a rehearsal by the young performers together . . . The most noticeable feature in the festival was the singing of music at sight, a very severe test of the thorough knowledge of the pupils. Messrs. Horsley, Russell, and Rutter undertook to act as judges . . .

ASSOCIATIONS: Charles Edward Horsley (musician); St. George's Hall (Melbourne venue)

"CHRIST CHURCH SCHOOLS, ST. KILDA", The Telegraph, St Kilda, Prahran and South Yarra Guardian (15 December 1866), 2

http://nla.gov.au/nla.news-article108123696 

A concert in aid of the building fund of the above schools was given last Thursday evening by some of the children, in the school-house, Acland-street. The room, which was tastefully decorated with flowers, was well filled by a most respectable audience, who evidently greatly enjoyed the evening's entertainment. About 70 children took part in the various performances, and they gave the greatest satisfaction to the audience, as was evidenced by the frequent bursts of applause. Several pieces, amongst which we would particularly mention "Oh! Listen to the Cuckoo's Song" and "Hail Smiling Morn," elicited encores. A very pretty hymn, composed by F. P. Seddon, Esq., was, also given with very good effect. Miss Fanny Hamilton, who possesses a very sweet voice, sung several solos in a superior manner. In "The Exile" she was very good, and in "What is Home without a Mother?" she received an encore. J. S. Seddon, Esq., the honorary organist of the church, presided at the piano, and played with his usual taste and skill. Mr. Hadfield, the schoolmaster conducted; and we must pay him a compliment upon the splendid time which the children kept in all the pieces they performed. Mr. Hadfield, has, we understand, been connected with the school for upwards of 14 years, having been appointed by the Rev. D. Seddon shortly after that gentleman became incumbent of Christ Church, and during that time he has been most successful in perceiving and eliciting the musical talents of his pupils. Of this we think there can be no greater proof than that out of 150 children attending the school, nearly one-half were enabled to go through a public performance in the creditable manner that they did on Thursday evening. The money raised by this concert is to aid in the re-building of one end of the school-room, which had become so dilapidated as to be unsafe.

ASSOCIATIONS: Frederick and John Seddon (musicians)

"CURRENT TOPICS", Geelong Advertiser [VIC] (30 August 1869), 2

http://nla.gov.au/nla.news-article150433814 

A musical and elocutionary entertainment will be given in the Chilwell Wesleyan school-room, Saffron-street, tomorrow (Tuesday) evening. The performers are the members of the Tonic Sol-fa Class, lately established in Chilwell, under the leadership of Mr. B. Hadfield. The programme is divided into two sections - sacred and secular . . .

"CURRENT TOPICS", Geelong Advertiser (1 September 1869), 2

http://nla.gov.au/nla.news-article150433871 

The entertainment at Chilwell last evening was attended by about 300 persons, the large schoolroom being comfortably filled. As the class has been established only about three months, and as the one last evening was their "first appearance," it would, perhaps, be unjust to subject them to criticism; but they will, perhaps, pardon us for noticing those efforts in which they were particularly successful. All the pieces in the sacred part of the programme were rendered in a first-class style, the time which they kept doing great credit to their leader, Mr. B. Hadfield. We really must compliment the performers on their rendering of the sacred piece "Syria," which was very beautifully executed. That of "Saul" was also noticeable. As the second, or secular part, consisted mostly of solos or duets, it would be invidious for us to say more than simply that they were very well executed indeed. The class reflects much credit on Mr. Hadfield, and its utility may be inferred from the fact of it now numbering fifty members . . .

"CURRENT TOPICS", Geelong Advertiser (22 March 1870), 2

http://nla.gov.au/nla.news-article148794220 

A very pleasing entertainment was given in the Mechanics' Hall last night by the children attending the Ashby Public School . . . The programme . . . gave great satisfaction to the audience. The part songs, duets, and rounds, were especially pleasing, being very effectively rendered by the scholars who certainly reflect great credit on their singing-master, Mr. B. Hadfield. Some pianoforte duets by young ladies also afforded an agreeable variety . . .

"MR. [JOHN] HADFIELD'S CONCERT", The Telegraph, St. Kilda, Prahran and South Yarra Guardian (13 December 1879), 5

http://nla.gov.au/nla.news-article114579642 

The annual concert by Mr. Hadfield's pupils was held in the Town-hall, Prahran, on the evening of the 4th inst., when one of the most crowded and enthusiastic audiences ever assembled in the hall greeted the young performers. The reputation of these concerts is so firmly established that the whole of the tickets were sold almost immediately on the announcement, and a very large number of persons were unable to gain admission. It must be borne in mind that the prize fund of the school is almost entirely dependent on the personal exertions of Mr. Hadfield, augmented by the contributions of a few gentlemen who have always taken an active interest in the school; and we are glad to be able to inform our readers that the pecuniary result of this concert is even more than usually satisfactory . . . Among the audience were to be noticed most of our leading residents who take an interest in the education and musical training of the young. The execution of the whole concert exceeded the high standard of previous efforts. It may be remarked, in passing, that Mr. Hadfield was the first teacher who gave legitimate concerts of school music in this district; and the selections on this occasion were all made with taste and judgment from high-class authors. The prevalent practice of introducing operatic and other music of that character was carefully avoided, such being entirely unsuitable for children, both in sentiment and compass as well as foreign to the principle which should govern school instruction in singing. The conductor's baton was of course wielded by Mr. Hadfield, who had Miss Hadfield is accompanyist at the cabinet organ, and Miss Jane Hadfield at the piano - an Erard's grand, specially provided for the occasion. It has been so often our lot to commend the playing of these highly accomplished young ladies, and their musical ability is so well known, that the mention of their names carries its own comment . . .

ASSOCIATIONS: Emily Grace Hadfield (born 1858; Mrs. Henry Fitch, 1885; died 1885); Jane (Jeannie) Hadfield (born 1861; teacher of singing, appointed 1 April 1886; died 1923)

"POLICE COURT. MONDAY, SEPTEMBER 11th . . . VOCAL EFFORTS CHECKED", Geelong Advertiser [VIC] (12 September 1882), 4

http://nla.gov.au/nla.news-article150390484 

Benjamin Hadfield, who endeavored to instruct the magistrates in the tonic sol-fa method of singing, was remanded for seven days for medical treatment, his spirits being exuberant.

"The Late John Hadfield", The Telegraph, St Kilda, Prahran and South Yarra Guardian (1 September 1888), 4 (including portrait)

http://nla.gov.au/nla.news-article107814854 

John Hadfield, whose death many thousands lament to-day, was born at Devises, Wiltshire, England, on the 8th of March, 1827, and arrived in Melbourne with his wife and brother, Benjamin, by the ship Clara Symes, on the 9th February 1853, after a long but comparatively uneventful voyage of 120 days . . .
MUSICAL TALENT. In addition to the ordinary curriculum of school-work, or rather, in addition to teaching the principles of the "three R's," he devoted a lot of time to teaching music to the pupils. He trained the children to sing, and once every year a concert was given by them under his direction. These annual concerts he established about thirty years ago, and continued them up to the present time. It became an institution that was regarded with the utmost favor by the children, and many of them whose natural talent was in that way developed, are now well known in musical circles . . .

Will and grant of probate, John Hadfield, 1888; Public Record Office Victoria

https://prov.vic.gov.au/archive/A0FE3CF1-F517-11E9-AE98-F560395CA7C1?image=1 (DIGITISED - WILL)

https://prov.vic.gov.au/archive/65026F98-F1D4-11E9-AE98-13E7A35BE283?image=1 (DIGITISED)

https://prov.vic.gov.au/archive/3F9E23A9-F1DF-11E9-AE98-4B328E1B17D0?image=1 (DIGITISED)

"Deaths", The Ballarat Star [VIC] (2 December 1897), 2

http://nla.gov.au/nla.news-article215786043 

HADFIELD. - On the 1st December, at the residence of Mr. O. E. Jensen, 2 Raglan street, Benjamin Hadfield, aged 70 years.




HADSLEY, Frances Helen (Frances Helen WATSON; Miss WATSON; [1] Mrs. John BROWN; [2] Mrs. John HADSLEY)

Musician, music teacher, school teacher

Born London, England, c. 1800; daughter of Thomas WATSON and Mary TOMLING
Married [1] John BROWN (d. Windsor, NSW, 1841), St. George in the East, London, England, 28 February 1824
Active Windsor, NSW, c. 1842-43
Married [2] John HADSLEY, St. Matthew's, Windsor, NSW, 15 April 1843
Died Camperdown, NSW, 22 August 1881, aged "84" [sic] (BDM NSW 3349/1881)

https://trove.nla.gov.au/search?l-publictag=Frances+Helen+Brown+Hadsley+d1881 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HADSLEY-Frances-Helen (shareable link to this entry)


Documentation:

Marriages solemnized in the parish of St. George [in the East] in the county of Middlesex in the year 1824; register 1820-29, page 59; London Metropolitan Archives, P93/GEO/044

https://www.ancestry.com.au/search/collections/1623/records/7891588 (PAYWALL)

No. 177 / John Brown of the parish of Saint Paul Shadwell, a bachelor
and Frances Helen Watson of this parish, a spinster, were married in this church by licence this [28 February 1824]
In the presence of Thos. Watson, Mary Ann Seater Watson

ASSOCIATIONS: Thomas Watson (father) and Mary Ann Seater Watson (elder sister, born 25 September 1799; baptised St. George in the East, 13 April 1800); Thomas Watson (father) had married Mary Tomling (mother) at St. Mary, Stepney, on 28 October 1796

Report of a ship Long, from England, 26 August 1828, for Hobart Town, 14 January 1829, and Port Jackson, 21 January 1829; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1210/records/7955041?tid=64515913&pid=392287870640 (PAYWALL)

Cabin . . . Frances Brown & 2 children (1 male 1 female) / England / To her husband

[Advertisement], The Sydney Morning Herald [NSW] (17 December 1842), 1

http://nla.gov.au/nla.news-article12411795

WINDSOR. MRS. BROWN, returning thanks for the patronage she has received,
begs to inform her friends and the public that she has removed her establishment to Fairfield, the late delightfully situated residence of Dr. Gamack;
she will have vacancies for a few more Pupils after the ensuing vacation, which will terminate January 16, 1843.
The most respectable references will be given. Fairfield, December 1.

Marriages, St. Matthew, Windsor, April 1843; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30211071401 (PAYWALL)

15 April 1843 / John Hadsley of his parish / Frances Brown of this parish

[Advertisement], The Sydney Morning Herald (6 July 1843), 3

http://nla.gov.au/nla.news-article12415980 

MRS. HADSLEY, in returning thanks for the kind patronage she has received,
begs to inform her friends and the public that her establishment re-opens on Monday, July 24th.
Fairfield, Windsor, July 6.

[Advertisement], The Sydney Morning Herald (12 December 1843), 1

http://nla.gov.au/nla.news-article12414883 

ADVERTISEMENT. AS Mrs. Hadsley (late Mrs. Brown)
will have completed the education of the greater part of her pupils at Christmas,
and is induced to return to Sydney . . .
Mrs. Hadsley has taken the residence lately occupied by J. Gore, Esq., in O'Connel-street . . .

[Advertisement], The Weekly Register of Politics, Facts and General Literature [Sydney, NSW] (20 January 1844), 394

http://nla.gov.au/nla.news-article228134462 

MUSIC AT WINDSOR. SIGNOR V. CHIODETTI, professor of music, at Windsor,
HAS heard with surprise, that Mrs. Brown, now Mrs. Hadsley, who has recently left Windsor, where she kept a school, said to her pupils before leaving that he, the said Professor is incompetent to teach the Pianoforte.
V. Chiodetti cannot conceive what reason this lady had for making such an assertion . . .
But how little of all this does Mrs. Hadsley know, who can only pretend to teach her pupils to commit to memory a few airs which they perform mechanically without knowing why or wherefore?
And how few of the pupils of those "buy-a-broom professors" are ever competent to play a new piece at sight by themselves? . . .
Should Mrs. Hadsley, or her friends, feel offended at this necessary vindication,
V. Chiodetti is prepared to discuss the subject in public academy, at Sydney, with any one they may appoint.
Windsor, January 19, 1844.

ASSOCIATIONS: Vincenzo Chiodetti (musician)

[Advertisement], The Sydney Morning Herald (26 June 1862), 6

http://nla.gov.au/nla.news-article13230747 

MRS. HADSLEY has taken the house, corner of Lyons-terrace and South Head Road,
where she will receive her pupils at the close of the present vacation, July 21st.
Mrs. HADSLEY simply professes to prepare young ladies for the every day duties of life,
by imparting a sound English education, reading, writing, spelling, and arithmetic,
with the necessary accomplishments, plain needlework, music, French, drawing, and dancing
Masters attend. 123, Liverpool-street, June 18.

"Deaths", The Sydney Morning Herald (24 August 1881), 1

http://nla.gov.au/nla.news-article28382107 

HADSLEY. - August 22, at her residence, Homeville, Missenden Road, Camperdown, Mrs. Frances Hadsley, aged 84 years.
HADSLEY. - August 22, at her residence, Homeville, Missenden Road, Frances Helen Hadsley, the beloved mother of Mrs. North, Captain J. W. Brown, and Mr. S. C. Brown, aged 84 years.

[Notice], New South Wales Government Gazette (26 August 1881), 4324

http://nla.gov.au/nla.news-article223979460 

In the Supreme Court of New South Wales. ECCLESIASTICAL JURISDICTION.
In the will and codicil of Frances Helen Hadsley, late of Missenden Road, Camperdown, near Sydney, in the Colony of !New South Wales, widow, deceased . . .




HAEN, Edward (Edward HAEN; ? or HAYNE; HAINE)

Amateur vocalist, sailor, singer

Active Sydney, NSW, 1836

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAEN-Edward (shareable link to this entry)


Documentation:

"POLICE INCIDENTS", The Sydney Gazette and New South Wales Advertiser [NSW] (1 December 1836), 3

http://nla.gov.au/nla.news-article2208060 

Edward Haen, just off a whaling voyage, with a head resembling a peak of the cloud-tipped Alps, was charged with being drunk and singing "All round my hat I vears the green villow," to the annoyance of his Majesty's drowsy lieges.
Bench - Were you drunk? Edward - I might have been the worse for licker.
Bench - Were you drunk? Edward - I can't say I was sober.
Bench - Were you drunk? Edward - I had been drinking.
Bench - Are you deaf? Edward - Slightly that way.
A constable then roared in his ear with the voice of a stentor, "were you drunk ?" Edward - To be sure, to be sure.
Bench - Pay five shillings. Edward - Here's the rhino. This is spoiling my cruise with a vengeance.

MUSIC: One of the earliest survivals of the music of All round my hat, and a version of the text attributed to J. Ansell as a costermonger's song (as sung by Mr. Jack Reeve), was set by John Valentine (London: c. 1834); see US edition:

https://levysheetmusic.mse.jhu.edu/collection/046/008 (DIGITISED)

A manuscript copy of the Ansell-Valentine London edition, sold by Francis Ellard in Sydney, c. 1840, survives in Lillias Dowling's Sydney album:

https://archive.org/details/Dowling41008/page/n257 (DIGITISED)

However, any version sung by a casual vocalist is unlikely to have been so harmonically complicated; and see also All round my hat (Tune archive)




HAGEN, Nestor (Wilhelm Franz HAGEN; Nestor HAGEN; Herr HAGEN; HAAGEN; HAYEN)

Musician, violinist

Born Malmedy, Belgium, 1 October 1833
Arrived Melbourne, VIC, by 11 April 1859
Departed Melbourne, VIC, 24 August 1859 (per Royal Charter, for Liverpool)
Married Adeline Louisa HITCHCOCK, Calvary Church, New York, NY, USA, 7 December 1870
Died Wiesbaden, Germany, 2 February 1899, aged "65"

https://trove.nla.gov.au/search?l-publictag=Nestor+Hagen+1833-1899 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAGEN-Nestor (shareable link to this entry)


Documentation:

[News], Rheinische Musik-Zeitung [Cologne, Germany] 6/17 (8 April 1854), 111

https://archive.org/details/bub_gb_qO5CAAAAcAAJ/page/n317/mode/2up (DIGITISED)

Cöln. Am 4. d. M. fand das alljahrliche Prüfungs-Concert der Schüler der Rheinischen Musikschule . . .
Duo Concertant für 2 Violinen von Kalliwoda, vorgetragen von F. Bach und Nestor Hagen aus Bonn . . .

"Prüfungs-Concert der Rheinischen Musikschule . . .", Rheinische Musik-Zeitung [Cologne, Germany] 6/17 (28 April 1855), 133-34

https://archive.org/details/bub_gb_O-1CAAAAcAAJ/page/n129/mode/2up (DIGITISED)

. . . Im grossen Casino-Alle am 24. April.
Programm. Erster Theil . . . 9) Concertsatz für die Violine von de Beriot, vorgetragen von Nestor Hagen aus Bonn . . .
In dem Vortrag des Concertsatzes von de Beriot zeigte sich Herr Hagen als einen vielversprechenden Geiger; in seinem Spiel herrschte Klarheit und Wärme. Auch in Bezug auf Technik waren ganz ausserordentliche Fortschritte seit vorigem Jahre nicht zu verkennen . . .

Arrivals per Arago, New York, 12 June 1857, from Southampton, England; US National Archives, NAID/M237, RG36

https://www.ancestry.com.au/imageviewer/collections/7488/images/NYM237_175-0118?pId=1433739 (PAYWALL)

. . . Nestor Hagen / 21 / Musician / [from] Berlin . . .

Melbourne, VIC (by 11 April 1859 to 24 August 1859):

[Advertisement], The Argus [Melbourne, VIC] (11 April 1859), 8

http://nla.gov.au/nla.news-article5679318 

THEATRE ROYAL, Melbourne.
GRAND MUSICAL ENTERTAINMENT . . . Mr. C. H. COMPTON
Has the honor to announce . . . that his
GRAND CONCERT Will take place . . . at the Theatre Royal,
On TUESDAY, APRIL 10, For which, in addition to the attraction afforded by the present
COMPANY of the THEATRE, He has secured the services of the following high and talented artistes,
Miss O. HAMILTON, Miss JULIA KING, Mons. BOULANGER,
Mr. LESLIE, Mr. LISSIGNOL,
And for this occasion only the efficiency of the Orchestre will be considerably augmented by the services of
Mr. JOHNSON, And the principal Performers of his Band,
Leader, Mr. E. KING,
Conductors: Mr. PRINGLE and Mr. CHAS. H. COMPTON.
Conductor and Musical Director: HERR JULIUS SIEDE.
Leaders: Mr. F. COPPIN and HERR HAGEN . . .

ASSOCIATIONS: Charles Henry Compton (musician); Octavia Hamilton (vocalist); Juliana King (vocalist); Edward Boulanger (pianist); Alexander John Leslie (violinist); Eugene Lissignol (pianist); Henry Johnson (master, 40th band); Band of the 40th Regiment (military); Edward King (violinist, leader, concert band); George Robert Grant Pringle (concert "conductor", i.e. pianist accompanist); Theatre Royal (Melbourne venue); Julius Siede (conductor, theatrical band); Frederick Coppin (violin, leader, theatrical band)

[Advertisement], The Age [Melbourne, VIC] (7 May 1859), 1

http://nla.gov.au/nla.news-article154836267 

MELBOURNE PHILHARMONIC SOCIETY . . .
THE SECOND SUBSCRIPTION CONCERT FOR THE YEAR
Will be held in the EXHIBITION BUILDING;
On TUESDAY EVENING, 10TH MAY, 1859,
When A SELECTION OF SECULAR MUSIC Will be Performed . . .
Conductor - Mr. Russell. Organist and Pianist - Mr. George R. G. Pringle. Leader - Mr. King.
PROGRAMME. Part I . . . Solo, violin (with full orchestral accompaniment), Fantasia Caprice, Herr Nestor Hayen [sic] - Vieuxtemps . . .
W. G. DREDGE, Honorary Secretary.

ASSOCIATIONS: John Russell (conductor); William Gilpin Dredge (secretary); Melbourne Philharmonic Society (association); Exhibition Building (Melbourne venue)

"PHILHARMONIC SOCIETY'S CONCERT", The Age (11 May 1859), 5

http://nla.gov.au/nla.news-article154837491 

The very attractive programme issued by this Society drew together, in the Exhibition Building, last night, one of the largest audiences we have seen, the building being filled in every part. A distinguishing feature of this concert was the introduction of two debutants, and two pieces of music by local composers . . . The debutants were Mr. Lewis, an amateur, whose performance on the pianoforte of Beethoven's Sonata Pathetique, notwithstanding its length, narrowly escaped an encore; and Herr Nestor Haagen, who performed a fantasia on the violin in a manner that showed a thorough mastery of his instrument and appreciation of his author . . .

ASSOCIATIONS: Louis Lucas Lewis (pianist)

[Advertisement], Bell's Life in Victoria and Sporting Chronicle [Melbourne, VIC] (9 July 1859), 4

http://nla.gov.au/nla.news-article201371817 

THE COMPLIMENTARY BENEFIT to Mr. BOULANGER will take place at
Hockin's Assembly Rooms, on TUESDAY next, 12th instant,
on which occasion Mr. Boulanger will be assisted by the
Misses McCarthy, and Messrs. Bial, Hagen, and Sehdike. The Programme on Monday.

ASSOCIATIONS: Georgina and Maria McCarthy (vocalists); Charles Bial (pianist); Hockin's Rooms (Melbourne venue); in the event the advertised program did not include Hagen or Sehdike

Names and descriptions of passengers per Royal Charter, from Melbourne, 24 August 1859, for Liverpool; Public Record Office Victoria

https://prov.vic.gov.au/archive/2386D03B-F7F0-11E9-AE98-9D30CFD3B15C?image=240 (DIGITISED)

. . . Nestor Hagen / 27 / Musician
Auguste Siliger [?] / 26 / [Musician]
Cha'l Bartell [?] / 24 / [Musician]
Fred. Mullahe [?] / 23 / [Musician]
August Schimiah [?] / 24 / [Musician]
C. Jaheman [?] / 29 / [Musician]

ASSOCIATIONS: One of these ? Sehdike (above)

After Australia:

Arrivals per Vigo, New York, 25 November 1859, from Liverpool; US National Archives, NAID/M237, RG36

https://www.ancestry.com.au/search/collections/7488/records/1655582?tid=106471474 (PAYWALL)

. . . Nestor Hagen / 22 / Trader / Germany . . .

Passport application, Nestor W. Hagen, 11 April 1874; US National Archives

https://www.ancestry.com.au/imageviewer/collections/1174/images/USM1372_201-0504?pId=1471575 (PAYWALL)

No. 37984 / April 11, 1874 / State of New York / County of New York /
I, Nestor W. Hagen do swear that I was born in Malmedy on or about the (1 October 1833) that I am a naturalized and loyal citizen of the United States, and about to travel abroad . . .

Death registration, Wilhelm Franz Hagen, 2 February 1899; Hessisches Hauptstaatsarchiv, Wiesbaden, 2702/925

https://www.ancestry.com.au/search/collections/61119/records/2357527 (PAYWALL)

. . . Wilhelm Franz Hagen / 65 / geboren zu Malmedy

[News], Signale für die musikalische Welt (13 February 1899), 201

https://anno.onb.ac.at/cgi-content/anno-plus?aid=smw&datum=1899&page=209&size=45 (DIGITISED)

* In Wiesbaden starb am 2. Februar ein geschätzter dortiger Musiker Nestor Hagen. Er war ein tüchtiger Künstler und ein weitgereister Mann. Als Violinist und Mitglied eines Quartetts concertirte er in Amerika und Australien, erlitt zweimal Schiffbruch und verlor dabei sein ganzes Eigenthum. Nachdem er sich in New-Pork als Musiklehrer von Ruf ein Vermögen erworben hatte, siedelte er nach Wiesbaden über, wo er die letzten 20 Jahre lebte.


Bibliography and resources:

Hagen family (2), Musik und Musiker am Mittelrhein 2 online

http://www.mmm2.mugemir.de/doku.php?id=hagen2 

Hagen, Nestor (Wilhelm Franz) b. Malmedy (Belgien) ca. 1834; d. Wiesbaden 2. Febr. 1899; Violinist . . .




HAILES, George Button (George Button HAILES; G. B. HAILES; Mr. HAILES)

Amateur musician, violoncello player, cellist, orchestral and chamber music player, vocalist, singing leader, choirmaster, timber merchant, builder, justice of the peace

Born Great Chesterford, Essex, England, 29 July 1808; baptised Great Chesterford, 28 January 1822 [sic]; son of William HAILES and Mary BUTTON
Arrived Melbourne, VIC, 23 June 1840 (per Andromache, from London, 15 February, and Plymouth, 28 February)
Married Ann ILES (1827-1872), Melbourne, VIC, 1847
Died Fitzroy, VIC, 22 May 1875, aged "67, a colonist of 35 years"

https://trove.nla.gov.au/search?l-publictag=George+Button+Hailes+d1875 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAILES-George-Button (shareable link to this entry)

HAILES, Frederick (Frederick HAILES; Fred. HAILES; Mr. HAILES)

Musical amateur, theatrical and musical memoirist

Born Essex, England, 1852 (4th quarter); son of George Button HAILES and Ann ILES
Arrived Melbourne, VIC, 20 March 1854 (per Marlborough, from London and Plymouth, 1 January, aged "1")
Married Lily Elizabeth TROTMAN, Melbourne, VIC, 1876
Died Melbourne, VIC, 24 April 1917, aged "64/65"

https://trove.nla.gov.au/search?l-publictag=Frederick+Hailes+1852-1917 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAILES-Frederick (shareable link to this entry)

HAILES, Frank (Frank HAILES; Mr. HAILES)

Musician, violinist, viola player, publican

Born Melbourne, VIC, 1857
Married Juana Caroline COLE (1861-1938), VIC, 1885
Died Kew, VIC, 10 August 1938

https://trove.nla.gov.au/search?l-publictag=Frank+Hailes+1857-1938 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAILES-Frank (shareable link to this entry)


George Button Hailes (photo: Thomas Foster Chuck, 1872); State Library of Victoria

George Button Hailes (photograph, Thomas Foster Chuck, 1872); State Library of Victoria

http://handle.slv.vic.gov.au/10381/17702 (DIGITISED)

ASSOCIATIONS: Thomas Foster Chuck (photographer)


Documentation:

Baptisms, Great Chesterford, Essex, 1822; Essex Record Office, D/P 10/1/6

https://www.ancestry.com.au/search/collections/9850/records/2871766 (PAYWALL)

https://www.findmypast.com.au/transcript?id=GBPRS/ESSEX-BAP/2252773 (PAYWALL)

28 January 1822 / born 29 July 1808 [sic] / George Button son of / William and Mary / Hailes / Great Chesterford / Farmer

ASSOCIATIONS: William Hailes and Mary Button married at Ickleton, Cambridgeshire, on 17 November 1794

[Advertisement], Huntingdon, Bedford & Peterborough Gazette [England] (11 May 1839), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000417/18390511/028/0001 (PAYWALL)

TWO DAYS' SALE. LINTON, CAMBS.
The attention of Agriculturists, Builders, Coopers, Cabinet Makers, Wheelwrights, and others,
is respectfully solicited to the Extensive STOCK-IN-TRADE of Mr. G. B. Hailes, (who is about to emigrate to Australia);
WHICH WILL BE SOLD BY AUCTION, BY WILLIAM STACKWOOD. On the Premises, on THURSDAY, May 16th, 1839.
THE STOCK consists of seasoned Oak, Ash, Elm, Cedar, Walnut-tree, Plane-tree, and Beech PLANK, upwards of 2200ft . . .
large assortment of Ironmongery, Sheet Lead, Paints, and various other Effects.
Second Day's Sale, Friday, May the 17th; The neat HOUSEHOLD FURNITURE . . .

"MELBOURNE TRADE LIST", Port Phillip Gazette [Melbourne, NSW (VIC)] (22 July 1840), 3

http://nla.gov.au/nla.news-article225007466 

Cargo of the barque THERESA, Young, from London . . . 1 case books, G. B. Hailes.

[Advertisement], Port Phillip Gazette (22 September 1841), 1

http://nla.gov.au/nla.news-article225008205 

MONSIEUR GAUTROT
HAS the honor to announce that a Concert of Vocal and Instrumental Music will take place
THIS EVENING, Sept. 22nd, at Messrs. Benjamin's extensive new Stores, Williams Town, at half-post seven o'clock.
PROGRAMME.
1st PART.
1. - Simphonie - CHERUBINI.
2. - Glee, Perfida Clori - AMATEUR
3. - Duetto - BOILEDIERE.
4. - Solo de Violon (M. Gautrot) - RODE.
5. - Ditenti Palpiti (ditto) - ROSSINI.
6. - English Glee (Amateur) - BISHOP.
2nd PART.
1. - Simphonie
2. - Glee (Amateur)
3. - Song (ditto)
4. - English duet (2 ditto)
5. - English Romana (ditto)
6. - French Song (M. Gautrot) - ROSSINI.
7. - Glee (Amateur) - MARTINI.
8. - God save the Queen, (3 voices.)
Tickets 10s. 6d, each, to be procured at the Albion Hotel, at Mr. Walter Butler's, and at Mr. Levien's, Williams Town.

ASSOCIATIONS: Joseph and Madame Gautrot (musicians, violinist and vocalist)

"CONCERT", Port Phillip Gazette (25 September 1841), 3

http://nla.gov.au/nla.news-article225012286 

It affords us great pleasure to state that the Concert given at Williams Town, on Wednesday evening last, afforded universal satisfaction; it commenced with a concerted piece of music, arranged by Monsieur Gautrot, for three instruments, which was very cleverly executed by Gautrot, Hailes, and Tickel. Without being accused of flattery, we can speak in the most unqualified terms of Madame Gautrot; we heard her sing a solo in a tone of sweetness we have seldom heard surpassed. The other artistes were each excellent in the various songs they sung; the music, also, was much applauded. About fifty persons were present, a number of them from Melbourne, all of whom expressed their entire approbation. We trust we shall see M. Gautrot and friends paying us another visit previous to his embarkation for India.

ASSOCIATIONS: John Tickell (musician)

"MARRIED", Port Phillip Gazette (30 October 1841), 3

http://nla.gov.au/nla.news-article225008965 

On Friday, the 29th instant, by the Rev. Mr. Waterfield, Mr. William Lush [sic, John Lush], widower, tailor, Melbourne, eldest son of the Rev. William Lush, New York, England, to Miss Caroline Hailes, daughter of Mr. John Hailes, merchant, Linton, Cambridgeshire, and sister to Mr. George Bolten Hailes, Builder, of this town.

ASSOCIATIONS: Keren Happuck Hailes; born 28 October 1805; arrived with brother per Andromache, 1840; married John Lush [sic]; died Melbourne, VIC, 1 March 1881

"THE CONCERT", Port Phillip Gazette (14 June 1845), 3

http://nla.gov.au/nla.news-article224812501 

We understand that the gentlemen amateurs who have undertaken the onerous duty of getting up a concert for the benefit of the Hospital Fund, are making strenuous exertions to render the affair much superior to anything of the kind attempted in the province. Instructions have been sent to Sydney for the latest compositions, and we believe, the first overture will be the recent composition of Balfe, for his new opera, - The Daughter of St. Mark. From all we learn, the concert will be brilliantly attended; and, as a matter of course, the proceeds will swell the Hospital fund in no trifling degree.

ASSOCIATIONS: As reported in his Argus obituary (1875), George played in this concert, the full program of which below

[Advertisement], Port Phillip Patriot and Melbourne Advertiser (18 July 1845), 3

http://nla.gov.au/nla.news-article226348038 

Grand Amateur Concert.
IN AID OF THE FUNDS OF THE MELBOURNE HOSPITAL.
THE Gentlemen Amateurs connected with the Melbourne Philharmonic Society,
having been applied to by the Governors of the MELBOURNE HOSPITAL,
beg to inform the Ladies and Gentlemen resident in Melbourne and its vicinity, and the Inhabitants of Port Phillip generally, that they intend giving a
GRAND CONCERT OF Vocal and Instrumental Music, in aid of the Funds of rhe above Institution, in the
QUEEN'S THEATRE, (the proprietor, Mr. Smith, having kindly offered the use of the same for the purpose,)
On FRIDAY, the 18th JULY next
Under the especial Patronage of HIS HONOR C. J. LA TROBE, ESQ., SUPERINTENDENT,
HIS HONOR THE RESIDENT JUDGE,
HIS WORSHIP THE MAYOR OF MELBOURNE,
(who have signified their intention of honoring the performance with their presence,)
AND OTHER PERSONS OF DISTINCTION,
on which occasion, several Ladies and Gentlemen, Amateurs resident in the Province, will lend their assistance.
Mr. Coppin has also most liberally offered the gratuitous assistance of the musical portion of his Launceston Company.
The services of Mr. Clarke have likewise been secured, who will preside at the Pianoforte.
Programme:
PART 1st.
Overture - "Zampa." - HEROLD.
Duet - "Comrade, your Hand," (from the "Bohemian Girl") - BALFE.
Song - "Dear Maid," (from "Joan of Arc") - BALFE.
Glee - "Discord, dire Sister". - WEBBE.
Duet - "Violoncello" and Pianoforte.
Song - "The Heather Hills" - GEIKS.
Scene - "For thee hath Beauty," from Oberon, (with orchestral accompaniments) - WEBER.
Song - "Wanted a Governess" - PARRY.
Overture - "Semiramide" - ROSSINI.
PART 2nd.
Overture - "Men of Prometheus" - BEETHOVEN.
Song -"Non piu andrai" - MOZART.
Glee - "Return blest Days" - J. S. SMITH
Song - "Sister Dear," (from "Masaniello") - AUBER.
Fantasia - Pianoforte - KALKBRENNER.
Song - "Some Love one Day," from Der Freischutz, (with orchestral accompaniments) - WEBER.
Glee - "Come Live with Me" - WEBBE.
Duet - "When a little Farm we Keep," (with orchestral accompaniments) - PARRY [sic, Mazzinghi]
Overture - "Masaniello" - AUBER.
BOXES - Single Tickets, 7s 6d.; Family ditto, admitting four, £1 4s.
PIT - Single Tickets, 4s.; Family ditto, admitting four, 1 2s.
GALLERY - Single Tickets, 2s. 6d.
To be obtained at the offices of the Patriot, Gazette, Herald, Standard, Courier newspapers;
at Messrs. Puller's, Pittman's, and Clarke's Music and Stationery Warehouses;
at the Royal Hotel, Collins-street, and of Mr. Smith, at the Theatre. N.B. - The Concert will commence at half-past seven o'clock, P.M., precisely.

ASSOCIATIONS: John Thomas Smith (theatre proprietor); Charles La Trobe (Port Phillip distict superintendent); George Coppin (actor, theatre manager) and musicians in his company, Joseph Megson (violinist), and Henry Howson (violinist) and his brothers; William Clarke (pianist); Melbourne Philharmonic Society (association, 1840s): Queen's Theatre (Melbourne venue)

[Advertisement], The Melbourne Daily News (14 June 1849), 3

http://nla.gov.au/nla.news-article226472965 

GRAND CONCERT, Under the Immediate patronage of His Honor the Superintendent and His Worship the Mayor.
MR. J. GRIFFITHS has the honor to announce that his
CONCERT of vocal and instrumental music will take place at the room of the
Mechanic's Institute, THIS EVENING, JUNE 14TH.
On which occasion the Amateurs connected with the Musical Society have kindly given their services -
together with several distinguished amateur vocalists.
To render the orchestra full and complete, Mr. G. has engaged all the available talent of Melbourne.
Leader of the band - Mr. Megson
Solo violin - Mr. Griffiths
Solo pianoforte - Mr. Anderson
Solo flute - Mr. Odrich
Accompanyist - Mr. Pietzker.
PROGRAMME. PART 1.
Overture - "Guy Mannering" - H. R. Bishop
Song - "The Boy in Blue," - Mr. Griffiths - G. H. Rodwell
Duett - Flute and pianoforte, "Rondo Brilliante," Op. 14, Messrs. Pietzker and Odrich - Hoffmeister
Glee - "Poor Insect," Messrs. Griffiths, Hailes, and Vaughan.
Song - "Dermot Astore," by a Lady Amateur - F. N. Crouch
Solo - Violin - "La Tremolo," - De Beriot
Overture - Cheval de Bronze - Auber
PART 2.
Overture - "Fra Diavolo" - Auber
Song - "Molly Bawn," Mr. Griffiths - Lover
Solo, pianoforte - 'Fantasia Brilliante, Mr. Anderson - Dohler
Duett - "Flow Gently, Deva," Messrs. Griffiths and Hailes - J. Parry
Cavatina - "Bid me discourse" - H. R. Bishop
Grand Scena - "The Maniac," Mr. Griffiths - Russell
Canone - "Perfida Clori," Messrs. Griffiths, Vaughan, and Hailes - Cherubini . . .

ASSOCIATIONS: Joseph Griffiths (violinist, vocalist); James Henri Anderson (pianist); Mr. Odrich (flute); William Pietzker (violin); Charles Vaughan (amateur); Mechanics' Institution (Melbourne venue)

"A CRIMINAL TASTE FOR MUSIC", The Melbourne Daily News (21 November 1850), 3

http://nla.gov.au/nla.news-article226517474 

Geo. Galley, a Frenchman, was charged at the police court on Wednesday with having indulged his taste for music to a criminal extent, by walking off with a piano forte the property of Mr. G. B. Hailes, the builder, in the month of March last. It appeared that on the 23rd March last, a piano forte was stolen from the premises of Mr. Hailes, which was subsequently discovered in the shop of Mr. Wilkie, the music seller of Collins street, Mr. Hailes being enabled to identify the instrument by certain marks and peculiarities, notwithstanding that it had undergone sundry alterations and additions since it was stolen. Mr. Wilkie stated that he purchased the piano from a man named Downey for nine pounds, Downey having purchased it from the prisoner for the sum of at ten pounds fifteen shillings, Galley was fully committed for trial, but admitted to bail, himself in eighty pounds and two sureties of forty pounds each.

ASSOCIATIONS: Joseph Wilkie (musicseller);
see also, "DOMESTIC GAZETTE", Port Phillip Gazette and Settler's Journal (23 November 1850), 2

http://nla.gov.au/nla.news-article225416917 

[Advertisement], The Melbourne Daily News (5 August 1851), 3

http://nla.gov.au/nla.news-article226914206 

THE VICTORIA TOTAL ABSTINENCE CONVENTION GRAND CONCERT . . .
in AID of the FUNDS of the Convention, will be held at the
TEMPERANCE HALL, RUSSELL STREET, on TUESDAY EVENING, 5th AUGUST 1851.
Leader of the Band - Mr. Megson.
Conductor - Mr. Henry F. Hemy.
PROGRAMME. PART I.
Overture, - "The Crown Diamonds," Band - Auber.
Glee, - "Hark! the Curfew's solemn sound," Messrs, Hailes, Hemy, and Wheeler - Attwood.
Recitative and Air, - "O Love for me thy power," (Opera La Somnambula,) Mrs. Testar - Bellini.
Song, - "There is a flower that bloometh," Mr. Young - Wallace.
Violin SoIo, - "Air and Variations," Mr. Megson - Maurer.
Duett, - "I know a Bank, Miss Callow and Mr. Hemy - Horn.
Song, (by desire) - "The Flying Dutchman," Mr. Wheeler - Russell.
Buffo Song. - "The Lost Child," Mr. Cooze - Ford.
PART II.
Overture, "Maritana," Band - Wallace.
Glee, - "As it fell upon a day," Mr[s]. Testar, and Messrs. Hailes, Hemy and Wheeler - Mornington.
Piano Fantasia, - "Select Opera Airs." - Donizetti.
Song, - "The Child of the Regiment," Miss Callow - Donizetti.
Scena. - "All is lost now," Mr. Hemy - Bellini.
Ballad. - "By the sad sea waves," Mrs. Testar - Benedict.
Buffo Song, - "What is a woman like?" Mr. Young - Davey.
Finale. - "God save the Queen," Mrs. Testar, &c. - National . . .

ASSOCIATIONS: Henry Frederick Hemy (pianist, vocalist); Stephen Thomas Wheeler (musician, vocalist); Elizabeth Testar (vocalist); Charles Young (vocalist, actor); William Joseph Cooze (vocalist, flautist); Miss Callow (vocalist); Temperance Hall (Melbourne venue)

Names and descriptions of passengers per Marlborough, from London, for Port Phillip, 20 March 1854; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF2902C-F96C-11E9-AE98-6F3E4C825073?image=427 (DIGITISED)

Cabin Passengers . . . G. B. Hailes / 45 / Builder / English
Ann Hailes / 27 / - / English
William Hailes / 4 / - / Australian
Frederick Hailes / 1 / - / English
George Hailes / 14 days / English

"SHIPPING INTELLIGENCE. ARRIVED", The Argus (21 March 1854), 4

http://nla.gov.au/nla.news-article4804646 

March 20. - Marlborough, ship 1500 tons, Allen Young, from London and Plymouth 1st January, passengers - cabin: Mr. and Mrs. Hailes and family . . .

[Advertisement], The Age (2 November 1854), 1

http://nla.gov.au/nla.news-article154851975 

VICTORIAN EXHIBITION, Melbourne, 1854.
On Friday, November 3rd, The PHILHARMONIC SOCIETY
Will perform Handel's Grand Oratorio, THE MESSIAH . . .
INSTRUMENTALISTS. VIOLINS. Messrs. Griffiths, King, Fleury, Strebinger . . .
VIOLONCELLOS. Messrs. Reed, Hailes and Kent . . .
LEADER - Mr. J. Griffiths.
CONDUCTOR - Mr. J. Russell . . .

ASSOCIATIONS: Edward King (violin); Achille Fleury (violin); Frederick Strebinger (violin); Thomas Reed (cello); John Russell (conductor); Melbourne Philharmonic Society (association); Victoria Exhibition 1854 (event); Exhibition Building (Melbourne venue);
Hailes was likewise listed in the orchestra for the whole series of Philharmonic concerts during November and December

"THE PHILHARMONIC SOCIETY", The Age (12 January 1855), 5

http://nla.gov.au/nla.news-article154851329 

The Annual Meeting of this Society took place at the Mechanics' Institute, on Tuesday evening [9 January], and was well attended. The Rev. W. Jarrett on being called to the chair made a few prefatory observations and called upon Mr. Patterson, the secretary, who read the following - "Report . . .
"In the course of the past year the Society has given a series of twelve concerts, an achievement which we believe to be unequalled by any Society at home within one year of its establishment . . . The nett profit of the Concerts, prior to the Exhibition Concerts, was £59 8s. 3d. And the amount due from the Commissioners of the Melbourne Exhibition will clear off all the Society's liabilities, and leave a balance to its credit of £335 10s. 9d., as the result of its first year's exertions . . ."
The elections wero next entered into and the result is appended. - President, His Honor, Mr. Justice Barry;
Vice-Presidents, Mr. Jno. M. Smith and Reverend William Jarrett;
Conductor, Mr. Jno. Russell; Secretary, Mr. J. Patterson; Treasurer, Mr. J. J. Blundell;
Librarian, Mr. J. C. Stead; Assistant do, Mr. F. B. Hood;
Committee, Messrs. J. Edwards, T. Ewart, J. Griffiths, - Gould,
G. B Hailes, W. P. Walker, and W. H. Williams.
A vote of thanks was. passed to the retired office bearers, another to the chairman, and the meeting concluded.

ASSOCIATIONS: William Jarrett (chair); James Paterson (secretary); Redmond Barry (president); John Matthew Smith (vice-president); James John Blundell (treasurer); John Charles Stead (librarian); Thomas Ewart (member); Thomas Green Gould (member); William Henry Williams (member)

[Advertisement], The Argus (9 September 1861), 8

http://nla.gov.au/nla.news-article5703937 

PRAHRAN PHILHARMONIC SOCIETY.
On TUESDAY, SEPTEMBER 10, In the Town-hall, Chapel street,
Handel's Oratorio, The MESSIAH Will be performed,
In aid of the Funds of the Prahran and South Yarra Benevolent Society . . .
First Violin - Mr. Leslie.
Second Violin - Mr. A. Pringle.
Viola - Mr. G. Tolhurst.
Violoncello - Mr. Hailes.
Flute - Mr. Mortimer.
Trumpet - Mr. Richardson.
Double Drums - Mr. W. H. Tolhurst.
Organist - Mr. P. L. Plaister [sic].
Conductor - Mr. G. R. G. Pringle . . .

ASSOCIATIONS: Alexander John Leslie (violin); George and Alexander Pringle (conductor and violin); George and William Tolhurst (violin and drums); James William Richardson (trumpet); Philip Charles Plaisted (organist); Prahran Philharmonic Society (association); Prahran Town Hall (venue)

"CURRENT TOPICS", Geelong Advertiser [VIC] (12 September 1861), 2

http://nla.gov.au/nla.news-article150307971 

The Harmonic Society's concert last night consisting of Haydn's "Creation" was a very successful affair, and one feature reflecting additional credit on the members was the very little external aid required. Beyond Miss Bailey, Mr. Hailes, Mr. Plumstead, Mr. Stoneham, and Mr. Gover everything was done by amateur members of the society, which is now stronger both in voices and instruments than at any former period . . . Mr. H. B. Moore conducted with his usual tact and evident thorough knowledge of what he was about . . . Mr. Gabb led admirably. Mr. Hailes, an amateur from Melbourne, played first violoncello. Mr. Plumstead on the organ, Mr. Stoneham on the flute, and Mr. Gover on the double bass, all contributed essentially to the evening's success. The hall was quite filled, and the pecuniary results will no doubt be satisfactory . . .

ASSOCIATIONS: Amelia Bailey (vocalist); Henry Plumstead (organist); William Stoneham (flute); Henry Barman Gover (double bass); John Gough Gabb (violin, leader); Henry Byron Moore (conductor); Geelong Harmonic Society (association)

"THE NEWS OF THE DAY", The Age (26 February 1862), 5

http://nla.gov.au/nla.news-article154846133 

The adjourned annual meeting of the Melbourne Philharmonic Society was held yesterday evening, at the Mechanics' Institute, Collins street. Mr. Sumner presiding. The only business to be transacted was the election of office-bearers for the ensuing year, which was at once proceeded with, and resulted as follows President, Sir Redmond Barry; Vice-Presidents, T. J. Sumner, Esq., and John Russell, Esq.;
Conductor, Charles Edward Horsley; Organist. T. G. Gould; Treasurer, Mr. J. J. Blundell; Librarian, S. Moxon;
Committee: - Messrs. Elsasser, Blundell, G. B. Hailes, W. C. Fisher, T. G. Gould, G. O. Rutter, the Rev. Wm. Jarrett,
Messrs. Moxon, and Alfred Woolley. Honorary Secretary, W. G. Dredge.
A unanimous cote of thanks was passed to Herr Elsasser for his services, as conductor, during the past year; and a similar compliment having been paid to the Chairman, the meeting terminated.

ASSOCIATIONS: Theodotus John Sumner (chair); Charles Edward Horsley (conductor); Septimus Moxon (librarian); Charles Elsasser (member); Wilhelm Carl Fischer (member); George Oswald Rutter (member); Alfred Woolley (member); William Gilpin Dredge (secretary)

[News], The Argus (6 January 1864), 5

http://nla.gov.au/nla.news-article5741982 

At a special meeting of the Philharmonic Society, held at the Mechanics' Institute last evening, Mr. J. Smith, jun., and Mr. J. C. Stead were elected auditors. Mr. G. B. Hailes presided. A meeting for the appointment of a committee and officers will take place next week, and the annual general meeting will be held the week after.

[Advertisement], The Argus (27 February 1864), 8

http://nla.gov.au/nla.news-article5744843 

ST. GEORGE'S HALL. SPECIAL CONCERT Will be given in
ST. GEORGE'S HALL On GOOD FRIDAY, MARCH 25, 1864,
To introduce to the musical public of Melbourne a
MASS, Recently composed by Mr. G. O. RUTTER,
Under the immediate patronage of the following Committee of gentlemen: -
. . . W. C. Fisher, Esq., Right Rev. Dr. Goold, T. G. Goold, Esq.,
Montague Harvie, Esq., C. E. Horsley, Esq., G. B. Hailes, Esq., . . .
John Russell, Esq., T. J. Sumner, Esq. . . .

ASSOCIATIONS: James Alipius Gould (cleric, patron); Montague Harvie (patron); St. George's Hall (Melbourne venue)

"THE NEWS OF THE DAY", The Age (13 April 1863), 5

http://nla.gov.au/nla.news-article155011583 

A grand amateur concert under the patronage of his Excellency the Governor . . . the Hon. J. P. Fawkner, and the Hon. Chas. Vaughan, will be given in St. George's Hall, Melbourne, on Wednesday evening, May the 4th, in aid of the poor of Collingwood district . . . and Mr. Hailes, J.P., has undertaken to make arrangements for the instrumental part of the performance. Under such auspices, and also taking into consideration the benevolent object of the project, the concert will, no doubt, be attended by a large, and fashionable assemblage.

ASSOCIATIONS: John Pascoe Fawkner (patron, friend of Hailes)

"THE COLLINS-STREET BAPTIST CHURCH . . . PRESENTATION TO MR. G. B. HAILES.", The Age (12 December 1866), 6

http://nla.gov.au/nla.news-article160218279 

Anniversary tea and public meetings, in connection with the above church, took place last evening . . . During the evening a handsome service of plate was presented to Mr. G. B. Hailes, by Mr. D. Lemmon, the senior deacon of the church, who read the following address, which was engrossed on vellum: -
"Baptist Chapel, Collins-street, Melbourne, 11th December, 1866. To G. B. Hailes, Esq., J.P.
Dear Sir, - On the occasion of your retirement from office as leader of the singing at Collins-street Baptist Chapel, Melbourne, we desire, on behalf of the church and congregation, to convey to you our obligations for your unwearied and gratuitous labors connected therewith, which have extended over a period of twenty-two years. In testimony of our appreciation of your valued services, so long continued, we beg your acceptance of the accompanying service of plate. Permit us, dear sir, to express the hope that though now you have retired from active duties, you may be spared yet many years to join with us in the service of song in the house of the Lord, and that when our course on earth is finished, we who have been associated together here may all unite in celebrating the praises of the "Trinne Jehovah" in the sanctuary above. - We are, dear sir, on behalf of the church and congregation, very faithfully yours,
Jas. Taylor, pastor; D. Lemmon, W. Smith, T. McFarlane, C. Hetherington, D. Hamilton, G. McFarlane, R. T. Blackwell, A. M. Shain, R. Reid, W. H. S. Blake, deacon."
A suitable inscription was engraved on each of the articles comprising the service, which is valued at eighty guineas, and was provided by Mr. C. McFarlane, jeweller, Elizabeth-street.
On rising to return thanks, Mr. Hailes was greeted with loud and prolonged applause. He thanked the congregation for the very flattering testimonial of their esteem, and expressed his determination never to part with it. He feelingly alluded to the many happy hours he had spent among those members of the church with whom he had been most intimately associated, and said that if over his services were required he would be found ready and willing to act to the best of his ability.
Short addresses relative to the progress of the church and to the services rendered by Mr. Hailes, were delivered by several clergymen . . .

ASSOCIATIONS: Music in Baptist churches (general)

[Advertisement], The Argus (24 September 1869), 8

http://nla.gov.au/nla.news-article5810538 

MELBOURNE PHILHARMONIC SOCIETY . . .
TO-MORROW EVENING Will be Re-produced, In the DUKE of EDINBURGH THEATRE,
Verdi's Grand Opera ERNANI, With a Band and Chorus of 200 Performers . . .
Conductor - Mr. David Lee.
BAND . . . Violoncellos - Mr. S. H. Hart, Mr. G. B. Hailes . . .
Principal Violin - Mr. E. King . . .
S. MOXON, Secretary.

ASSOCIATIONS: David Lee (conductor); Sidney Herbert Hart (cello)

"THE CHORAL SOCIETY'S CONCERT", Kyneton Guardian and Woodend and Malmsbury Chronicle [VIC] (27 November 1869), 2

http://nla.gov.au/nla.news-article265350345 

A grand classical concert of vocal and instrumental music by the members of the Kyneton Choral Society, assisted by Messrs. Edward King (leader of the Melbourne Philharmonic Society), Fred Tate, and G. B. Hailes, J.P. of Melbourne, was given at the Mechanics' Institute last evening . . . Last night's concert differed from those which have preceded it in the inclusion in the programme of a number of instrumental quartettes (two violins, viola and violencello) executed by Messrs. Edward King, Ernest King, Fred Tate, and G. B. Hailes. The first of these was by Haydn, the second by Weber, the third by Haydn, (introducing the hymn God save the Emperor,) and the fourth by Mendelssohn. The quartettes were beautifully rendered and were warmly applauded . . .

ASSOCIATIONS: Ernest King (violin); Frederick Tate (viola)

"DEATHS", The Argus (24 May 1875), 1

http://nla.gov.au/nla.news-article11517498 

HAILES. - On the 22nd inst., at his residence, 60 Nicholson-street, Fitzroy, G. B. Hailes Esq., J.P., aged 67 years, a colonist of 35 years standing.

[News], The Argus (24 May 1875), 5

http://nla.gov.au/nla.news-article11517537 

We have to announce the death of Mr. G. B. Hailes, J.P., of Fitzroy, at the age of 67 years, which took place at his residence Nicholson-street, on Saturday last. Mr. Hailes was a very old colonist, having arrived from England in June, 1840, by the ship Andromache. Immediately on his settling in Melbourne he entered on the business of a builder, in which he met with such success that in 1852 he was enabled to retire on a competency. He then went on visit to his birth-place, in Essex, and returned to this colony in 1854, when he went to reside in Fitzroy, where he continued to live until his death. Mr. Hailes, although he never took any prominent part in public life, always displayed great interest in the various institutions of the city of Melbourne and of the suburbs with which he was more intimately connected by residence. He was for many years one of the leading members of the Fitzroy Bench, and was, in fact, at the time of his decease, the senior magistrate of the district. He was also chairman of the Local Board of Advice, Fitzroy, having been chosen at the first election under the new Education Act. Mr. Hailes took much interest in musical matters, and was intimately connected with the Melbourne Philharmonic Society since its foundation, while it may be mentioned that he used to recall with pleasure the fact that he assisted with his violincello at the first charitable concert given in Melbourne about 30 years ago, the proceeds of which were devoted to the benefit of the hospital. Among the other charities of the city Mr. Hailes took a special interest in the Benevolent Asylum, of the committee of which he was a member for many years. The deceased gentleman was of the Baptist persuasion, and was one of the founders of the Collins-street Baptist Church, the choir of which he led for over 20 years. On his retirement from this position in 1866 the congregation testified their appreciation of his services by a presentation of a handsome silver tea service and a flattering testimonial. Although Mr. Hailes had only been confined fined to bed for a week previous to his death, his demise was not unexpected by his friends, as he had been in decaying health for a considerable time. He leaves a family of six sons and two daughters, nearly all of whom are grown up. Mrs. Hailes died three years ago.

"VICTORIA", Weekly Examiner [Launceston, TAS] (26 June 1875), 6

http://nla.gov.au/nla.news-article233298407 

The death of Mr. G. B. Hailes, J. P. of Fitzroy, at the age of 67 years, at his residence, Nicholson-street, on May 22nd is announced. Mr. Hailes was a very old colonist, having arrived from England in June, 1840, by the ship Andromache.

"THE METROPOLITAN LIEDERTAFEL", The Argus (5 February 1878), 7

http://nla.gov.au/nla.news-article5920204 

At the Melbourne Atheneum last night the members of this society resumed their pleasant entertainments, and their 40th concert (the first for the present year) was given before an audience which was numerous considering the state of the weather and other outside influences of a disturbing character. That portion of the programme devoted to instrumental music was well worthy of particular attention. The occasion served to introduce to the audience a new combination of instrumentalists led by Mr. Martin Simonsen, and entitled "The Simonsen Victorian Quartett Party," consisting, besides the leader, of Mr. Edward King (second violin), Mr. Hailes (tenor), and Mr. Hart (violoncello). Their first selection was from Op. 2 of Beethoven, scherzo and allegro-presto, and these were followed later on in the evening by the Adagio in A and Minuetto and Presto in D from Haydn, Op. 6. With such a master of the violin as Mr. Simonsen for leader, all that was required in the way of strict and spirited tempo, perfect intonation, and the fine nuance of light and shade was made most pleasingly evident to the audience. So good, indeed, was the effect produced in the allegro movement of the Beethoven quartett that the players were honoured with an encore, a compliment rarely accorded by a large audience to the performance of a classical composition for strings. In the Haydn selection those who were near the players were enabled to judge of the wonderful accuracy of Mr. Simonsen's staccato bowing in the presto movement, which seemed in rhythm to be the very prototype of all British hornpipes. The new quartett party made altogether a most successful first appearance . . .

ASSOCIATIONS: Frank Hailes (viola); Martin Simonsen (violin); Edward King (violin); Sidney Herbert Hart (cello)

"NEWS OF THE DAY", The Age (11 March 1878), 2

http://nla.gov.au/nla.news-article200544762 

A meeting of the members of the Musical Association of Victoria was held on Saturday evening, in the club room of the association, at Garton's Hotel . . . The only musical performance which took place when the business of the evening was concluded was Mozart's quintette in A major for clarionet and strings. This was played by Mr. Lundborg clarionet, Mr. Ernest King first violin, Mr. Ryder second violin, Mr. Hailes tenor, and Mr. Montague violoncello . . .

ASSOCIATIONS: John William Lundborg (clarinet); Ernest King (violin); George Hopwood Ryder (violin); Alfred Montague (cello); Victoria Musical Association (association)

"THE CHRONICLES OF EARLY MELBOURNE. . . BY GARRYOWEN . . . THE TURF . . . THE MEETING OF 1841", The Herald (20 November 1884), 4

http://nla.gov.au/nla.news-article241344624 

Batman's Hill was now, by common consent, abandoned as a racing arena, for the special fitness of the Saltwater River Flat was undeniable. For several years the new locality was known simply as "The Racecourse." Gradually a small hamlet sprung up on the main thoroughfare from Melbourne to Mount Macedon. "Bob" Fleming, one of the first colonists, who took to retailing meat for the sustenance of the Melburnians settled down there, and it was in compliment to this pioneer butcher, the dozen huts and shanties were dignified by the name of Flemington, a nomenclature subsequently extended to the racecourse, to distinguish it as the chief turf rendezvous of Port Phillip. It was therefore determined by the Turf Club that the next meeting should come off there, and is did so accordingly, under the stewards previously appointed, with Messrs. W. Gardiner, and J. Rowe as clerks of the course, At 4 o'clock on the evening of the entry day (the 12th April) all the competing horses were paraded on the eastern side of Batman's Hill, and there was a strong muster of Melbournians of every age, sex and degree to behold the turn out. On the opening morning and under favorable weather, people began to flock from all parts to the since well known banks of the Satwater River. There was a town band of three performers in attendance, mastered by Mr. G. B. Hailes, afterwards a prosperous timber merchant and J. P., who played on the bass viol. His services were retained for L20 by Mr. Thomas Halfpenny, the keeper of the principal booth, the "William Tell," constructed of green bushes and canvas, and close by the grand stand, a shaky construction of stringy bark and ti-tree . . .

ASSOCIATIONS: Edmund Finn ("Garryowen"); Thomas Halfpenny (publican, "William Tell", Collins-street)

"THEATRICAL GOSSIP", Melbourne Punch (21 April 1887), 8

http://nla.gov.au/nla.news-article174571290 

Frank Hailes, the well-known violinist, is now boniface of the British Lion Hotel, a popular place, by-the-way, with the pros.

"OLD MEMORIES. TO THE EDITOR OF . . .", The Argus (8 December 1905), 7

http://nla.gov.au/nla.news-article10025340 

Sir, - If not too late, I should like to add a few words in regard to early Melbourne musical memories. As a son of G. B. Hailes, one of the first string quartet in this city, I am pleased to see his name mentioned after so many years. My father and Mr. Claye arrived in 1840, and were vocalists, as well as instrumentalists. I have now some glee books, given to Mr. Hailes by Mr. Frederick Lord Claye. With Mr. John Russell, W. G. Dredge, and others they attempted to form a philharmonic society, but their numerical strength being insufficient, the society was not publicly started till 1853. I myself joined in 1860. I have a programme of the "Messiah" performance of 1854. Mr. John Russell was the conductor; Joseph Griffiths, first violin and leader; G. B. Hailes, 'cello. The programme does not mention Mr. Claye, nor can I recollect his being leader at any time. My brother Frank still plays on the old instrument, which arrived here in 1840. My father never missed a rehearsal or concert from the start, till his death in 1875, consequently he was known as the father of the Philharmonic. Many of the old members are still alive, notably Mr. W. H. Williams, an excellent tenor in his day.
- Yours, &c.
FREDERICK HAILES.
Dec. 6.

ASSOCIATIONS: Frederick Lord Clay (musical amateur)

"AT POVERTY POINT", The bulletin (23 July 1914), 9

https://nla.gov.au/nla.obj-656467383/view?partId=nla.obj-656471643#page/n10/mode/1up (DIGITISED)

"Kaniva": Died at Dunolly (Vic.), aged 80, Richard Clay, who arrived in Melbourne in 1840. His father, Frederick Lord Clay, one of the first solicitors in Port Phillip, was also one of its most capable musicians. With G. B. Hailes, J. E. Megson and another he formed the string quartette which played in Melbourne in the early '40's. Geo. Coppin, on his arrival in June, 1845, could play only three nights a week, so his orchestra, which included three of the talented Howson family, joined the quartette and gave concerts on the other evenings . . .

ASSOCIATIONS: Joseph Megson (violin); Henry Howson (violin) and brothers; George Coppin (actor, manager)

"DEATHS", The Argus (28 April 1917), 13

http://nla.gov.au/nla.news-article1613892 

HAILES. - On the 24th April, at the Melbourne Hospital, Frederick, second son of the late G. B. Hailes, J.P., aged 65 years.

"AT POVERTY POINT", The bulletin (17 May 1917), 9

https://nla.gov.au/nla.obj-646717136/view?partId=nla.obj-646732351#page/n10/mode/1up (DIGITISED)

Died recently in Melbourne, Fred Hailes, son of George Button Hailes, old-time Fitzroyite, who had five sons all over 6ft. in height. He was close up to the '70's when he went over. A life-long acquaintance with music and musicians constituted him an authority. In the long-gone days of "Penny Readings" the father and his boys took part in the old Fitzroy Court-house, glees, rounds and such being a family specialty. One of the boys has been for 30 years in the Williamson orchestra. Old G. B. Hailes came to Melbourne in 1840, and was one of the executors of the will of John Pascoe Fawkner.

"EARLY MELBOURNE . . . (By 'Old Chum') (No. 394)", Truth [Melbourne, VIC] (26 May 1917), 7

http://nla.gov.au/nla.news-article130166967 

I regret to announce the death of Mr. Fred Hailes, an old friend, since boyhood, and one of my most reliable correspondents. When I was engaged under the pen name "Hayseed," in writing up "Sportsmen of the Past," "Old Theatricals," and "Mummer Memoirs" in "Truth" and the Sydney "Sportsman," I had most generous help from Mr. Hailes whenever I needed assistance in fixing dates and identifying persons. He was the eldest son of Mr. George Button Hailes, who signed the "Old Colonists' Address" to the Duke of Edinburgh, in which he gave his year of arrival as 1840. As a builder, Mr. Hailes, senior, did good work in the "settlement" of Port Phillip, and made good use of his time and means. He was successful enough to return to England in about 10 years' time, but returned about 1853 [sic, 1854], bringing with him a wife and baby, the recently deceased Frederick Hailes. Mr. Hailes, senior (in partnership with a Mr. Hale) established himself in Stephen-street as a timber merchant and ironmonger. Being a steady man of business, keen and capable, he soon amassed enough to retire upon, taking up his residence in Nicholson-street, Fitzroy, where he remained until his death. He had five sons, each over six feet; he was a proud man, as he walked with the "stalwart five" in his suburb, where he was noteworthy in his attendance as a justice of the peace in the local court, and otherwise prominent in public matters. Mr. Hailes and his family were musical: the father played the bass viol, and the sons were either instrumentally or vocally musical. In the mid-sixties when "Penny Readings" were at fever heat, and each suburb had its weekly "readings," the Hailes family made frequent appearances in the Fitzroy Courthouse, where the "readings" were given, glees, rounds, and part songs generally being their speciality. Mr. Fred Hailes was a recognised authority on musical and dramatic matters connected with Melbourne, and had contributed much of his stored knowledge to the public press. He was a widower, and has left a son, who is likewise an enthusiast in music and the drama.

ASSOCIATIONS: Joseph Michael Forde ("Old Chum")

"SEVENTY YEARS OF MUSIC. MR. A. MONTAGUE'S MEMORIES. GENESIS OP THE PHILHARMONIC. IV", The Argus (10 October 1825), 6

http://nla.gov.au/nla.news-article2150469 

. . . "In December, 1853, there occurred the opening concert of the Philharmonic Society. Handel's 'Messiah' was given, with Mr. John Russell as conductor and Mr. Joseph Griffiths as leader . . . I was a member of the orchestra at the first concert, but being then only 16, I did not occupy an important position. Thanks, however, chiefly to my friend Mr. 'Sam' Chapman, who was himself a 'cello player, but was then playing contra bass . . . My two first friends in the orchestra of the Philharmonic were Mr. Daniel ('Daddy') Hardman and Mr. 'Sam' Chapman, 'cello and double bass players respectively . . . There were also Hailes, Ryder, and Kohler, all new to me. Kohler was our best horn player at that time. Hailes and Ryder were amateurs of considerable experience and skill, frequently heard at the Philharmonic Society's concerts and in the quartet of the period. A son of Mr. Hailes (Frank Hailes), still occupies a good position as violin or viola player or 'cellist . . .

ASSOCIATIONS: Alfred Montague (memoirist, cello); Samuel Chapman (cello); Daniel Hardman (double bass); Franz Kohler (horn); George Hopwood Ryder (violin)

"DEATHS", The Argus (11 August 1938), 8

http://nla.gov.au/nla.news-article12464158 

HAILES. - On the 10th August, 1938. Frank, the beloved husband of the late Juanita Caroline Hailes, of 29 Little Charles street, Abbotsford. At rest. (Remains at John Allison's parlours, 94 Victoria street, Richmond.)


Bibliography and resources:

George Button Hailes, Find a grave

https://www.findagrave.com/memorial/195680769/george-button-hailes 




HAIMBERGER-KRAMER FAMILY
HAIMBERGER, Julius (Antonius Julius HAIMBERGER; Julius HAIMBERGER; M. HAIMBERGER; Herr HAIMBERGER)

Musician, violinist, pianist, composer

Born Lemberg (Lvov / Lviv), Poland (Ukraine), c. 1827 or 1831; son of Anton HAIMBERGER and Julie von CSALA
Married (?) Margaretha (TEUSEN) KRAMER, UK, c. 1854/55
Arrived Melbourne, VIC, 31 July 1855 (per Oliver Lang, from Liverpool, 5 May)
Departed Sydney, NSW, January 1868 (for South America)
Died Lima, Peru, 30 March 1868, aged "40"

https://trove.nla.gov.au/search?l-publictag=Julius+Haimberger+d1868 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAIMBERGER-Julius (shareable link to this entry)

HAIMBERGER, Margaretha (Hedewig Margaretha TEUSEN; Madame Ernest KRAMER; Margeritta KRAMER; Margaretta; Madame KRAMER; Madame CRAMER [sic]; Mrs. Julius HAIMBERGER; Margaret HAIMBERGER)

Musician, contralto vocalist, guitar player, guitarist, "Tyrolese minstrel"

Married (?) Julius HAIMBERGER, UK, c. 1854/55
Arrived Melbourne, VIC, 31 July 1855 (per Oliver Lang, from Liverpool, 5 May)
Departed Sydney, NSW, January 1868 (for South America)

https://trove.nla.gov.au/search?l-publictag=Margaretha+Kramer+Haimberger (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAIMBERGER-Margaretha-Kramer (shareable link to this entry)

KRAMER, Marie (Johanna Henrietta Marie KRAMER; Mademoiselle Marie KRAMER; Miss KRAMER; Mary KRAMER; Mrs. J. C. ELLIS) see main entry Marie KRAMER

Musician, soprano vocalist, guitar player, guitarist, "Tyrolese minstrel"

Born Altona, Denmark (Germany), c. 1843; daughter Ernest KRAMER and Margaretha TUESEN
Arrived Melbourne, VIC, 31 July 1855 (per Oliver Lang, from Liverpool, 5 May)
Married James Cole ELLIS (1843-1930), South Melbourne, VIC, June 1864
Died Penguin, Ulverstone, TAS, 25 August 1907

https://trove.nla.gov.au/search?l-publictag=Marie+Kramer+Ellis+d1907 (TROVE tagged by Australharmony)

HAIMBERGER, Julia (Julia HAMIBERGER; Mrs. Thomas William Toone SMITH)

Musician, pianist

Born Melbourne, VIC, 1855; daughter of Julius HAIMBERGER and Hedewig Margaretha TEUSEN
Departed Sydney, NSW, January 1868 (for South America)
Married Thomas William Toone SMITH, by 1871
Died London, England, 1916 (4th quarter)

https://trove.nla.gov.au/search?l-publictag=Julia+Haimberger+Toone+Smith+1855-1916 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAIMBERGER-Julia (shareable link to this entry)


Summary:

Julius Haimberger was, by his own account in his 1858 NSW naturalisation record, aged 27 and born in Lemberg (Lvov/Lviv), that is around 1831. Reports of his death in 1868 gave his age as 40, therefore born around 1827, and identified his father as Anton Haimberger (later Freiherr von Haimberger, of Vienna), who at the time of Julius's birth had been teaching at the University of Lemberg. Further confusing the matter of his year of birth, upon joining the Lodge Germania in Sydney in January 1864, Haimberger gave his aged as 39 (born c. 1824).

Julius, a "very young" violinist and political activist, became a disciple of Mikhail Bakunin in Dresden around the time of the May 1848 uprising there. At Bakunin's request, Richard Wagner took Haimberger under his wing, and organised his escape to Zurich in 1851, where he performed in the theatre orchestra for a season. Wagner having organised for him letters of introduction to Henri Vieuxtemps in Belgium, and Edward Roeckel in London, by 1853 or 1854 Haimberger was in England.

At Gravesend, Kent, on 20 October 1854, he was first reported appearing in a concert with the vocalists Margaretha Kramer and her young daughter Marie, as the latest incarnation of the "Tyrolese minstrels".

There is no record of a legal marriage between Julius and Margaretha in the UK. However, it was evidently as a family that they and Marie sailed for Australia, from Liverpool on 5 May 1855, on board the Oliver Lang (though their names do not appear in the manifest of immigrants, they may have undertaken the voyage in a semi-professional capacity as performers). Having arrived in Melbourne on 31 July, Margaretha continued performing in public as Madame Kramer. Shortly after their arrival in Melbourne, however, as Julius Haimberger and Hedewig Margaretha Teusen, the couple registered the birth of their first daughter, Julia Haimberger.

Marie Kramer's 1864 marriage notice recorded that she was the eldest daughter of the late Ernest Kramer, of Altona. Ernest and the Kramer family of "Tyrolean singers", including his wife and (? sibling) Trandel, first visited England in 1847, carrying with them a letter of introduction from Jenny Lind.

Ernest presumably having died in the meantime, Margaretha and their young daughter Marie returned to England late in 1852, in company with a Herr Oelkers, at least one report referring to the trio as a family. Oeklers was last recorded performing with the Kramers in May 1854, and by October Julius Haimberger had evidently replaced him as the male instrumentalist of the small troupe.

They made their first appearance in the Australian colonies for George Coppin and G. V. Brooke in Melbourne in mid August 1855. In Melbourne and Adelaide in October they were joined by the Tyrolese zither player Veit Rahm. Margaretha (already known as Madame Haimberger in Victoria) was presumably the "Madame Cramer" [sic] who appeared at Rahm's farewell benefit in Sydney on 29 May 1856, when she sang Crouch's Kathleen Mavourneen and, with John Howson, Glover's duet What are the wild waves saying?. Billed as "Madame CRAMER, of the Princess' Concert Room, London", she gave her own concert on 30 June, assisted by Flora Harris, Charles Packer and the Band of the 11th Regiment.

The last mention of "Madame Cramer" is a report of her appearing in the opening concert at Andrew Torning's "English Opera House" at the Prince of Wales Theatre on 7 July. However, as "Margeritta Haimberger" [sic] she was back in Ballarat, where the family was engaged at Star Concert Hall, by 21 July, as she later that month testified in a court action.

The Haimbergers next toured northwards overland, performing in Bendigo, Beechworth, Wagga Wagga, Yass, Goulburn, Sydney, and Bathurst, to Armidale, where, they briefly considered settling. At Armidale, on 24 November 1858, Julius was naturalised as a British subject and resident of NSW, but by early 1859 the family had moved yet further north into what was shortly to become the new colony of Queensland. At their first Brisbane concert, there was a "violin solo, composed and performed by J. Heimberger" [sic], that the Courier judged to be "a gem". Julius issued a prospectus for pupils in Ipswich, where he was intending to settle, in early February, and by the middle of the month had opened "JULIUS HAIMBERGER'S NORTH AUSTRALIAN MUSIC, STATIONERY, AND FANCY SHOP, BELL STREET, IPSWICH".

Back in Sydney in November 1863, Julius and William Stanley performed 2 movements from Beethoven's Violin sonata op. 12 no. 1.

In Sydney in January 1868, Haimberger advertised that he was leaving the colony. Later that year it was reported in the Queensland press that he had died on arrival in Peru, on 30 March 1868, of yellow fever.

Julia Haimberger appears in the 1871 England census listed as Julia Smith, aged 16, married (evidently quite recently), born Melbourne, Australia, a visitor in Chelsea, with her husband, Thomas Smith, Surgeon, aged 35.


Documentation:

Britain (1847):

"THE TYROLESE MINSTRELS", Hull Advertiser and Exchange Gazette [Yorkshire, England] (28 May 1847), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001279/18470528/046/0005 (PAYWALL)

The celebrated Kramer family (who arrived here on Sunday, from Hamburg, by the Lion), gave their first concert in this kingdom, the Theatre-royal, on Wednesday evening. The attendance was remarkably small, owing no doubt, to the short notice given of the entertainment. The assembly present did not, however, regret their own attendance. Several of the songs were encored, and all were received with loud applause. The Tyrolese National Dance, by Trandel and Ernest Kramer, at the close of the concert, was well received. A first-rate band has been engaged for this evening's concert, which we would advise every lover of melody to attend.

[Advertisement], Morning Advertiser [London, England] (30 July 1847), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18470730/004/0001 (PAYWALL)

VAUXHALL . . . Sixth appearance of the celebrated Tyrolean Minstrels, Ernest and Trandel Kramer . . .

[Advertisement], Bolton Chronicle [Lancashire, England] (27 November 1847), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001292/18471127/001/0001 (PAYWALL)

STAR INN, BOLTON . . . Herr and Madame KRAMER,
the celebrated Tyrolean Singers, ARE ENGAGED to appear for SIX NIGHTS . . .
on Monday next, which will be their first appearance in any Concert Room in England; having previously been engaged at the principal Theatres in the country, and received with the greatest satisfaction.
They have had the honour of performing before various Continental Sovereigns; and also HER MAJESTY, the Queen Dowager . . .
They sing in their native language, because if translated into English it would materially rob the music of its charms.
On MONDAY Afternoon, November 29th, and every evening during the week,
Herr and Madame KRAMER, the celebrated Minstrels of the Tyrol, in Switzerland, will appear in their native costume, and sing a variety of Tyrolean Songs and Duets . . .

[Advertisement], Manchester Courier and Lancashire General Advertiser (24 December 1847), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000206/18471224/040/0004 (PAYWALL)

QUEEN'S THEATRE, SPRING GARDENS. TONIGHT,
for the BENEFIT of the ETHIOPIAN HARMONISTS . . .
ERNEST KRAMER, TRANDEL KRAMER, the Tyrolese Singers . . .

Britain (1852-55):

"TYROLESE MINSTRELS", Hull Packet (12 November 1852), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000065/18521112/018/0005 (PAYWALL)

These talented and accomplished minstrels, consisting of Herr Oelkers, Herr Raisier, Madame Kramer, and Mademoiselle Maria, have appeared before the public for three nights during the past week in their national costume at the Public Rooms, Jarrett-street. On Monday and Tuesday, owing to Mrs. Kemble's presence at the Literary and Philosophical Ball, and other entertainments in the town, the attendance was not so numerous as might have been wished, but on Wednesday evening there was a crowded audience, who listened with delight to the many beautiful Swiss melodies which were charmingly sung and played, and enthusiastically applauded. We understand that they proceed to give entertainments next at Beverley, Driffield, and Grimsby.

[Advertisement], Hull Packet (31 December 1852), 1852

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000065/18521231/001/0001 (PAYWALL)

HULL MECHANICS' INSTITUTE. FOR the BENEFIT OF THE WIDOWS AND ORPHANS of those who were unfortunately lost by the wreck of the Steamer "VICTORIA" . . .
The TYROLESE MINSTRELS, Herr OELKERS, the celebrated Guitarist;
Madame KRAMER, the celebrated Vocalist; and Mademoiselle MARIE, Eight Years old,
who have performed before the principal Courts of Europe, have the honor to announce . . .
that they will give their well-known entertainment of National Music, attired in their national costume,
in the MECHANICS' INSTITUTE, Hull, On THURSDAY and FRIDAY Evenings, December 30th and 31st, and WEDNESDAY Evening, January 5th, 1853 . . .

"THE TYROLESE MINSTRELS", Aberdeen Press and Journal (28 September 1853), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000031/18530928/104/0005

Two Concerts were given in the Mechanics' Hall on the evenings of Friday and Saturday last by the Tyrolese Minstrels, who had just returned from performing, by Royal command, before her Majesty and Prince Albert at Balmoral. Notwithstanding what might have been expected after the Grand Concert on Thursday evening, the attendance was numerous. Herr Oelkers is a master of the Guitar, whose sweet tones, brought out also by Madame Kramer and Herr Blotny, who likewise play - had a very good effect, and mingled harmoniously with the voices. Madlle. Maria is a very young vocalist, but a very promising one: she sang sweetly and spiritedly, and was encored.

"ROYAL GARDENS, VAUXHALL", Bell's Life in London and Sporting Chronicle (14 May 1854), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000355/18540514/084/0008 (PAYWALL)

Should the weather prove propitious, it intended to open this ancient and favourite resort to the public on her Majesty's birthday. Mr. Wardell, the spirited proprietor, has just returned from Paris and other parts of France, where he has succeeded in procuring an unusual amount of talent . . . the Tyrolese singers, Madame Kramer, and her daughter, as well Herr Olckers are among the first who will appear . . .

"ASSEMBLY ROOMS", Kentish Independent [Gravesend, Kent] (28 October 1854)

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001017/18541028/077/0006 (PAYWALL)

On the evening of yesterday week, the "Tyrolese Minstrels" gave a concert at the Assembly Rooms, Harmer Street, under the patronage of worship the mayor; and notwithstanding that they had been for the previous month singing nightly at the Assembly Rooms, yet there was a full room to greet them upon this occasion, when they came forth alone, trusting to their own talents to "draw a house," pretty fair evidence that the high encomiums which have been passed upon them are well deserved. The programme consisted of Swiss and Tyrolean national airs, with one or two English songs, the whole of which were well applauded, and they were encored in the duets "The Merry Swiss Boy,” and "Travels in Steiermark," and Madam Kramer in "Life's Garden" and another of Jenny Lind's Swedish songs, and the little girl in the English song "Trab Trab." Herr Haimberger, who on this occasion appeared in his Tyrolean costume, performed the "Souvenir de Bellini," and two of De Beriot's solos the violin, in a manner which called forth the most rapturous applause.

"TYROLESE MINSTRELS", Maidstone Journal and Kentish Advertiser (31 October 1854)

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001429/18541031/117/0008 (PAYWALL)

Under this title, a party of four performers, consisting of Madame Kramle [sic] and daughter, Herr Haimberger, and Mr. Pitman, gave concert at the Corn Exchange Monday evening, under the patronage the Mayor. In their announcements it was stated, or, rather, inferentially so, that they were "this Tyrol family" recommended by Jenny Lind, and who, according to Colonel Phipps, "gave very great satisfaction" at Balmoral, 1847. Now we are rather sceptical upon this point. Madame Kramer herself might have been one of the Tyrol family alluded to, but beyond that we are rather dubious, more especially as, on their own bills, four adults, all in costume, are intended convey idea of the family. This, however, may considered of minor importance, the real question being, "Was it a good performance?" And here we readily answer in the affirmative. Madame Kramer is unquestionably a good singer, and was greatly applauded throughout. Her "Swedish song," in the third part, was a perfect gem, and received a warm encore. Miss Marie Kramer is a very young lady, who promises well. Her portion of the duets with Madame Kramer did her much credit, and her ballads were very pleasingly given. We like Mr. Pitman better as an instrumentalist than a vocalist. His accompaniments the pianoforte displayed considerable taste and brilliancy of execution, which we could have wished he had an opportunity of developing still further. Herr Haimberger performed a concerto, a fantasia, and a solo the violin, in a highly finished and artistic manner, and received much and well-earned applause. Several encores were given in the course of the evening, but we regret the attendance was not more numerous.

[Advertisement], South Eastern Gazette [Maidstone, Kent, England] (31 October 1854), 8

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001098/18541031/097/0008 (PAYWALL)

THE TYROLESE MINSTRELS,
WHO have had the honour of appearing several times before her Most Gracious MAJESTY the QUEEN at Balmoral, and nearly the whole of the Royalty of Europe, most respectfully announce to the Nobility, Gentry, and Inhabitants of Maidstone, that they will give TWO GRAND CONCERTS at the Star Hotel, on Tuesday and Wednesday Evenings, November 7th and 8th, 1854, under the patronage of the Worshipful the MAYOR. The following testimonials are among the many received by the Tyrol Family:-

"The Tyrolese sang at Balmoral, in the presence of her Majesty the Queen, his Royal Highness Prince Albert, and her Royal Highness the Duchess of Kent, and gave very great satisfaction. -
(signed) C. B. PHIPPS, Balmoral, September 15th, 1853."

"I am directed to say that the Tyrol Family performed before his Excellency the Lord Lieutenant and Lady St. Germans, at the Vice Regal Lodge, and gave very great satisfaction -
(Signed) BAGOT, Comptroller. April 18th, 1854."

"I have great pleasure to recommend this Tyrol Family to all admirers of Guitar and Harmonious Voices.
(Signed) JENNY LIND. London, July 19th, 1847" . . .

[as above] - Kentish Independent, Oct. 28th, 1854.

PROGRAMME. PART I.
"The Wandering Minstrels," Madame Kramer and Mademoiselle Kramer - Oelckers
"My Rifle Gun," Madame Kramer - National Song
Grand Concerto for the Violin, Herr Haimberger, (Member of the Conservatory of Leipzig and Vienna) - Ch. de Beriot
"Come away to the Valley" - Mademoiselle Marie Kramer - B. Vaughan
Solo on the Pianoforte, Miss Hart - H. Herz
"The Merry Swiss Boy" - Madame Kramer and Mademoiselle Kramer - National Song
PART 2.
"The Evening Prayer on the Mountain" - Madame Kramer and Mademoiselle Kramer - National Song
"Life's Garden," Bravura song (by Jenny Lind), Madame Kramer - Ditto
"Souvenir de Bellini," Fantasia for the Violin, Herr Haimberger - Artot
"The Ride, or Trab Trab," Mademoiselle Kramer - Kucken
Duet - "Travels in Steiermark," Madame Kramer and Mademoiselle Kramer - Oelker
PART 3
Duet - "The Spring," Madame Kramer and Mademoiselle Kramer - National Song
"Swedish Song" (Jenny Lind), Madame Kramer - Ditto
Grand Solo for the Violin, Herr Haimberger - Ch. de Beriot
"The Happy Merry Mountain Home," Mademoiselle Marie Kramer - National Song
Solo on the Pianoforte, Miss Hart - C. Chaulieu
"The Merry Singers," Madame Kramer and Mademoiselle Marie Kramer - National Song . . .

"HACKNEY", The Musical World [UK] 32/52 (30 December 1854), 851

http://books.google.com.au/books?id=9JkPAAAAYAAJ&pg=PA851

A large audience assembled on Monday week, at the concert given at Hackney, by the Tyrolese Minstrels. Their singing was simple and unsophisticated, and had a natural charm, like the song of birds. Even professional singers might take a lesson from the "minstrels" in the emission of sound. The peculiarity of the so-called "Jodeln," only known in the Tyrol, baffles the experienced vocalist, whilst the natives can all accomplish it without study. Some of the songs executed by Madame Kramer and her interesting little girl, are extraordinary feats of natural vocalisation. Herr Haimberger performed several morceaux on the violin with excellent taste and execution. The audience encored with enthusiasm almost every piece.

[Advertisement], Kentish Independent [Woolwich, Kent, England] (24 March 1855), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001017/18550324/016/0001 (PAYWALL)

Lecture Hall, Nelson Street, Woolwich.
TWO GRAND CONCERTS by THE TYROLESE MINSTRELS, From the Royal Polytechnic Institution,
On Wednesday and Thursday Evenings, March 28th and 29th, 1855.
TO COMMENCE AT EIGHT O'CLOCK EACH EVENING PRECISELY.
Programme. PART I.
1. - "The Wandering Minstrels" - Madame and Mademoiselle Kramer, and Herr Zablotng - National Song.
2. - "My Rifle Gun' - Madame Kramer - [National Song]
3. - "The Evening Prayer on the Mountain" - Madame and Mademoiselle Kramer - [National Song]
4. - "Wen ich ein Voeglein waer" - Herr Zablotng - [National Song]
5. - Great Fantasia and Variations for Violin - Herr Haimberger, (Member of the Conservatories of Leipzig and Vienna) - F. David.
6. - "Tyroler Iagerleid" - Madame and Mademoiselle Kramer, and Herr Zablotng - National Song.
PART 2.
7. - "The Merry Singers" - Madame and Mademoiselle Kramer, and Herr Zablotng - National Song.
8. - "Life's Garden" - Bravura Song (by JENNY LIND) - Madame Kramer - [National Song]
9. - "Early in the Morning" - Madame and Mademoiselle Kramer - [National Song]
10. - "Auf dem Berge" - Herr Zablotng - [National Song]
11. - Grand Concerto for the Violin - Herr Haimberger - Ch. de Beriot.
12. - "Come away to the Valley" - Mademoiselle Marie Kramer - B. Vaughan
13. - "The Merry Swiss Boy" - Madame and Mademoiselle Kramer, and Herr Zablotng - National Song.
PART 3.
14. - "Tyrolese Bacchanalian Song" - Madame and Mademoiselle Kramer, and Herr Zablotng - National Song.
15. - "The happy merry Mountain Home" - Mademoiselle Marie Kramer - [National Song]
16. - "The merry Post Boy" - Madame Kramer and herr Zablotng - [National Song]
17. - Grand Solo for the Violin - herr Haimberger - Ch. de Beriot.
18. - "Ich daham a Madlghabt" [sic] - Herr Zablotng - National Song.
19. - "Travels in Steirmark" - Madame and Mademoiselle Kramer, and Herr Zablotng - Oelkers.
Testimonials, &c., received by the Tyrol Family: -
"The Tyrolese sand at Balmoral, in the presence of Her Majesty THE QUEEN, His Royal Highness PRINCE ALBERT, and her Royal Highness the DUCHESS OF KENT, and gave very great satisfaction.
(Signed) C. B. PHIPPS. Balmoral, Sept. 15, 1853."
"The Tyrolese Minstrels had the honour of singing here, in the presence of Her Royal Highness the Duchess of Cambridge, and their Royal Highnesses the Hereditary Grand Duchess of Mecklenburg and Princess Marie, who all expressed themselves highly pleased with their performances.
(Signed) HAMILTON. Hamilton Palace, August 30th, 1853."
"I am directed to say that the Tyrol Family performed before His Excellency the Lord Lieutenant, and Lady St. Germans, at the Viceregal Lodge, and gave very great satisfaction.
(Signed) BAGOT, Comptroller. April 18, 1853."
"I have great pleasure to recommend this Tyrol Family to all admirers of Guitar and Harmonious Voices.
(Signed) JENNY LIND. London, July 19, 1847."
Admission 6d. Reserved Seats, 1s. . . .

[Advertisement], Aris's Birmingham Gazette [England] (16 April 1855), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000196/18550416/038/0003 (PAYWALL)

CONCERT HALL, COLESHILL-STREET, BIRMINGHAM . . .
Flattering reception of the celebrated TYROLESE MINSTRELS, MADAME KRAINER [sic], MADLLE. MARIE, HERR KOEHLER, AND HERR HAIMBERGER . . .

[News], Colonial Times [Hobart, TAS] (7 July 1855), 2

http://nla.gov.au/nla.news-article8787924

Madame Bishop is on her way to Melbourne from San Francisco, as also Madame Kramer, the Tyrolese songstress.

ASSOCIATIONS: Anna Bishop (vocalist) arrived in Sydney from California in December 1855; but Kramer was already en route, not from San Francisco, but from England

Melbourne, VIC (from ):

[Advertisement], The Age [Melbourne, VIC] (10 August 1855), 8

http://nla.gov.au/nla.news-article154895441 

COPPIN'S OLYMPIC . . .
First appearance of THE SERIOUS FAMILY, MR. G. V. BROOKE In a New Irish Character . . .
THIS EVENING, FRIDAY, AUGUST 10th, 1855 . . .
Mr. Coppin, determined to give a variety of Entertainments, has entered into an engagement, for a limited number of nights, with the celebrated
TYROLESE MINSTRELS, MADAME AND MADEMOISELLE KRAMER;
Who will be assisted by the Celebrated Violinist, HERR HAIMBERGER . . .

ASSOCIATIONS: Gustavus Vaughan Brooke (actor); George Coppin (actor, manager); Coppin's Olympic (Melbourne venue)

[Advertisement], The Argus [Melbourne, VIC] (11 August 1855), 8

http://nla.gov.au/nla.news-article4814897

COPPIN'S OLYMPIC . . .
First Appearance in these Colonies of The Tyrolese Minstrels,
Madame and Mademoiselle Kramer, Assisted by Herr Haimberger.
On SATURDAY EVENING, 11th August . . .

"COPPIN'S CLYMPIC", The Age (13 August 1855), 5

http://nla.gov.au/nla.news-article154897349 

. . . After the comedy on Saturday evening, the Tyrolese Minstrels made tlieir first appearance and gave an agreeable variety to the evening's entertainment. Madame Kramer and her daughter (who looks jnst like her mamma viewed through the wrong end of a lorgnette) gave some very characteristic Alpine melodies full of those quaint phrases, echoes, and unusual intervals which are peculiar to the wild strains of the mountainous regions of Switzerland and the Tyrol. Both Madame and Mademoiselle possess pleasing voices and tunable ears; and the simple and unaffected style of their singing made a very favorable impression upon the audience. Herr Haimberger's debut as a violinist was also successful. There is nothing either florid or brilliant in his style. It appeared to us to be emphatic and expressive, and to bear the same relation to that of other eminent violinists, which some of the modern German ballad music bears to the operatic airs of Verdi and Donizetti. He is a good timist and a genuine musician, and appears to rely for success less upon tours de force and what may be termed sleight of hand, than most violinists of any note do.

[Advertisement], The Argus (1 September 1855), 8

http://nla.gov.au/nla.news-article4816972

COPPIN'S OLYMIC . . . Saturday Evening.
COURIER OF LYONS. After which THE TYROLESE MINSTRELS
Will introduce some of their novel national airs, and
HERR HAIMBERGER Will perform a Solo on the Violin, being positively the last night of his engagement . . .

[Advertisement], The Argus (26 September 1855), 8

http://nla.gov.au/nla.news-article4819273 

COPPIN'S OLYMPIC . . . The celebrated TYROLESE MINSTRELS Will shortly make their appearance for a limited umber of nights, assisted by HERR RAHM . . .

ASSOCIATIONS: Veit Rahm (zither player, vocalist)

[Advertisement], The Argus (11 October 1855), 8

http://nla.gov.au/nla.news-article4820567

MECHANICS' INSTITUTION.
Under the Patronage of SIR WILLIAM AND LADY A'BECKETT, and several Families of distinction.
The TYROLESE MINSTRELS, from Coppin's Olympic, will give a
MUSICAL ENTERTAINMENT at the above place ON FRIDAY EVENING, OCTOBER 12.
Grand Selection of NATIONAL AIRS, As given before her Majesty the Queen, and all the Nobility of England.
"The Tyrolese sang at Balmoral, in the presence of her Majesty the Queen, his Royal Highness Prince Albert, and her Royal Highness the Duchess of Kent, and gave very great satisfaction.
- (Signed) C. B. PHIPPS. Balmoral, Sept. 16, 1853,"
"I have great pleasure to recommend this Tyrol Family to all admirers of Guitar and Harmonious voices."
(Signed) JENNY LIND. London, July 19, 1847."
"The Tyrolese Minstrels had the honor of singing here, in presence of her Royal Highness the Duchess Cambridge, and their Royal Highnesses the Hereditary Grand Duchess of Mecklenberg and Princess Marie, who all expressed themselves highly pleased with their performances."
(Signed) HAMILTON. Hamilton-place, Aug. 30, 1853."
"COPPIN'S OLYMPIC. - The performances of the Tyrolese Minstrels was received with much favor, and Herr Haimberger was highly applauded for his superior performance on the violin. Last night the Tyrolese Minstrels introduced some new melodies, one of which, with a refrain, which was like the warble of a bird, was as charming a piece of vocalisation as we could desire to hear, and was redemanded with a burst of enthusiasm. In reply to the encore Madame Kramer and her daughter sang a duet, somewhat similar in character, and running off into the same joyous bird-like-thrill - an echo as it were of the "wood notes wild," which fill the valleys of the Tyrol, and still haunt the memories of those who have visited that romantic region." - Melbourne Age.
"COPPIN'S OLYMPIC - The performances of the Tyrolese Minstrels have steadily increased in popularity, and on their last appearance, on Saturday evening, they were loudly applauded and repeatedly encored." - Melbourne Argus.
HERR RAHM'S wonderful performances on his National Instrument, the Zither, has been so frequently noticed by the press of all the colonies that further mention is unnecessary. He has had the honor of performing before the Queen, the leading Nobility of England, and the various Governors of the Australian Colonies, with undiminished success.
PROGRAMME.
Part I.
1. Trio - "The Wandering Minstrels," - Madame and Mdlle. Kramer and Herr Rahm - Oelckers
2. "My Rifle Gun," - Madame Kramer - National Song
3. Violin Solo - Great Fantasia and Variations for Violin, Herr Haimberger (Member of the Conservatories of Leipzig and Vienna) - F. David
4. Duet - "The Miller's Maid," Madame Kramer and Herr Veit Rahm
5. "The Happy Merry Mountain Home," - Mdlle. Marie Kramer - National Song
6. Zither Solo - "Mountain Bells," - Herr Rahm
7. "Tyrolese Bacchanalian Song," - Madame and Mdlle. Kramer and Herr Rahm
8. Nightingale Solo - Herr Rahm - Veit Rahm
9. Trio - "The Merry Swiss Boy," - Madame and Mdlle. Kramer and Herr Rahm - National Song
PART II.
10. Duet - "The Spring," Madame Kramer and Herr Rahm - National Song
11. Grand Solo for the Violin (Pianoforte accompaniment), Herr Haimberger
11. Duet - "Wedding Song of the Alps," Madame and Marie Kramer - National Song
13. "Swiss Girl," Mdlle. Marie Kramer - National Song
14. Trio - "Travels in Steirmark," Madame and Mdlle. Kramer and Herr Veit Rahm - Oelckers
16. Solo - "Ranz de Vash," [sic, Ranz des Vaches] composed and executed by Herr Veit Rahm
16. Trio - "Swiss Peasant," Madame and Mdlle. Kramer and Herr Veit Rahm
17. Bravura Song - "Life's Garden" (by Jenny Lind), Madame Kramer - National Song
I8. Tyrolese National Melodies, for Zither, Violin, and Guitar - Veit Rahm
19. Trio - "The Merry Tyrolese," Madame and Mdlle. Marie Kramer and Herr Veit Rahm
Front seats, 5s.; back seats, 2s. 6d.; children and schools half-price to front seats.
The Members of the Institution will be admitted at half-price upon presenting their tickets.
Doors open at half-past seven, to commence at eight o'clock.

ASSOCIATIONS: William and Matilda A'Beckett (patrons); Mechanics' Institution (Melbourne venue);
see also review, "THE TYROLESE MINSTRELS", The Age (13 October 1855), 5

http://nla.gov.au/nla.news-article154893322 

Adelaide, SA (October 1855)

[Advertisement], South Australian Register [Adelaide, SA] (23 October 1855), 1

http://nla.gov.au/nla.news-article49295191

GRAND CONCERT, under the patronage of His Excellency Sir R. G. MacDonnell and Lady,
given by the celebrated TYBOLESE MINSTRELS, Madam Kramer, Mademoiselle Marie Kramer,
Herr Veit Bahm, and Herr Haimberger, violin solo player, on Thursday, the 25th October.
The Tyrolese Minstrels will perform in their full National Costume, and will give a selection of National Songs,
as given before Her Majesty the Queen and the principal Nobility of England.
Herr Veit Rahm will introduce some of his compositions on the new instrument, the Zither. Commence at 8 o'clock.

ASSOCIATIONS: Richard and Blanche Macdonnell (governor and wife); see also advance publicity, "THE TYROLESE MINSTRELS", South Australian Register (24 October 1855), 3

http://nla.gov.au/nla.news-article49295447

And see also, [Advertisement], South Australian Register (24 October 1855), 1

http://nla.gov.au/nla.news-article49295415

"THE TYROLESE MINSTRELS", South Australian Register (26 October 1855), 2

http://nla.gov.au/nla.news-article49299375 

A medical certificate from Dr. Bayer, in our advertising columns, will inform the public that, owing to the serious illness of Madame Kramer, she was unable to appear last evening and the first performances of the Minstrels were consequently postponed to Tuesday next, when they will be honoured with the patronage of His Excellency the Governor and Lady MacDonnell, and it is hoped Madame Kramer will have sufficiently recovered to make her appearance.

"THE TYROLESE MINSTRELS", South Australian Register (31 October 1855), 3

http://nla.gov.au/nla.news-article49294289

Madame and Madlle. Kramer, Herr Veit Rahm, and Herr Haimberger gave their concert last evening, at the Theatre, under the patronage of His Excellency Sir Richard and Lady MacDonnell. The boxes were well filled. The programme included a great variety of pieces, chiefly Tyrolese national airs, the whole of which, without exception, were well received. Madame Kramer's vocalization is of a very superior order; she has a full rich voice, and her execution in the "Wedding Song of the Alps", and "Life's Garden", was particularly happy. In the programme two solos were allotted to Madlle. Kramer, a child of about 10 years of age; and she sang them so sweetly, and with such correctness and feeling, that she was encored each time. Her voice also blended beautifully in the duets and trios. Herr Veit Rahm accompanied Madame and Madlle Kramer in several pieces: he sang well and correctly. He also introduced his national instrument, the "Zither" . . . Herr Haimberger executed two solos on the violin, and produced a strain of melody from it such as has seldom been heard in Adelaide. He showed a perfect mastery over the instrument, and proved himself to be an accomplished musician. It is only correct to say that the Tyrolese Minstrels gave universal satisfaction to the audience; and we doubt not they will receive, as they deserve, a full measure of patronage from the public.

ASSOCIATIONS: Royal Victoria Theatre (Adelaide venue)

"THE TYROLESE MINSTRELS", South Australian Register (2 November 1855), 4

http://nla.gov.au/nla.news-article49297501

The Tyrolese Minstrels gave their second concert last evening, at the Victoria Theatre. There was a very thin attendance, but all present were evidently much gratified with the performances. Madame Kramer and her accomplished daughter both possess remarkably fine contralto voices, and if it be true that "the perfection of art is to conceal art," the simple and unaffected style in which they sang several of the pieces included in the programme evinced that they have attained to a high standing in their profession . . . Herr Haimberger's performances on the violin were well received. If he does not merit the very high eulogium which Emerson pronounced upon Paganini of the ability to "produce rapture from a catgut", he is at least a thorough master of his instrument. His ability to produce a succession of chords with remarkable rapidity of execution is undoubtedly great, but his performances would be more fully appreciated if, like his coadjutors, he appeared rather more at ease . . .

[Advertisement], Adelaide Observer (24 November 1855), 8

http://nla.gov.au/nla.news-article158100862 

THE CELEBRATED TYROLESE MINSTRELS, Madame KRAMER, Mdlle. KRAMER,
Herr VEIT RAHM, the celebrated performer and Composer on the Zither,
and Herr HAIMBERGER, Violin Solo Player, Member of the Conservatories of Leipzig and Vienna,
from the Royal Polytechnic Institution, and the St. James's Theatre, London,
will have the honour of giving a GRAND CONCERT -
On Thursday, November 29th, at GAWLER TOWN, at the Globe Inn.
On Saturday, December 1, at TANUNDA, at the Victoria Hotel.
On Monday, December 3, at KAPUNDA, at the Sir John Franklin Hotel.
For Programme and particulars see the bills.

[Advertisement], South Australian Register (26 January 1856), 1

http://nla.gov.au/nla.news-article49751091 

THE ALPINE and TYROLESE MINSTRELS, and Mr. HAIMBERGER, will give CONCERTS at MOUNT TORRENS on the 26th instant, at WOODSIDE on the 23th instant, and at MOUNT BARKER on the 29th instant.

"TYROLESE MINSTRELS AT MACCLESFIELD", South Australian Register (8 February 1856), 3

http://nla.gov.au/nla.news-article49747567

These talented artistes gave a concert at the Davenport Arms, Macclesfield, on Monday, the 4th inst. Notwithstanding the very unfavourable state of the weather, Mr. Lewis's long room was well filled with a very respectable audience. There were a number of influential settlers from the neighbourhood present with their families. A goodly number of the fair sex enlivened the assembly with their presence, and all appeared delighted with the novel treat afforded them. Mademoiselle Kramer sang some English ballads with much taste and naivete. They were rapturously received. Her duet with Madame Haimberger, "Who is that knocking at the door," elicited a hearty encore. The Minstrels performed their role to admiration, and the entertainment altogether appeared to give great and universal satisfaction, as was apparent from the plaudits bestowed upon each piece. We think that entertainments of this description are well worthy encouragement, especially in the country districts, where a novelty of this kind is so rare.

Melbourne, VIC (March to May 1856):

[Advertisement], The Argus [Melbourne, VIC] (29 March 1856), 10

http://nla.gov.au/nla.news-article4834142

CRITERION HALL. Open Every Night.
PROMENADE CONCERTS, To be given by MADAME HAIMBERGER (Late Kramer) and
MADEMOISELLE KRAMER, The Celebrated ALPINE AND TYROLESE MINSTRELS,
and MR. T. HAIMBERGER, VIOLIN SOLO PLATER, Member of the Conservatoires of Leipzic and Vienna,
from the Royal Polytechnic Institution, and St. James's Theatre, London,
who had the honor of appearing before HER MAJESTY THE QUEEN! And the Principal Nobility of England.
Conductor - M. BIAL. Admission One Shilling.
Doors open at half-past seven; Concert to commence at eight o'clock.

ASSOCIATIONS: Charles Bial (piano accompanist); Criterion Hall (Melbourne venue)

"THE TYROLEAN MINSTRELS", The Argus (2 April 1856), 5

http://nla.gov.au/nla.news-article4834465 

A very enjoyable concert of vocal and instrumental music is to be had every evening at the hall of the Criterion Hotel, Collins-street. M. and Madame Haimberger and Mddle. Kramer, with M. Bial for conductor and accompanyist, compose the company, and a very effective little corps it is. The ladies' Tyrolean melodies, some of which are exquisitely beautiful, and M. Haimberger's performances on the violin - of which he is perfect master - are a real treat, and the entertainment is conducted in a manner which should ensure it complete success.

"THE ALPINE MINSTRELS", Geelong Advertiser and Intelligencer (22 May 1856), 2

http://nla.gov.au/nla.news-article93142918 

In spite of a most unpromising evening, a drizzling cold atmospheric condition, when the cozy parlor fire-sides might be expected to outweigh all musical temptation to go abroad, there was a pretty fair muster at the Crown Assembly Rooms to listen to Madame Haimberger's Tyrolean echos. Many of the songs and duets were the same as in the previous concert, but they are melodies that never tire. They are NATIONAL melodies, and the ablest musicians affirm that all such MUST be good - must contain something beyond mediocrity, or they never would have become national, nor retain their place as such. Madame Haimberger is a most talented expositor of the very characteristic music of Switzerland and the Tyrol; and it would be difficult indeed to find fault with any of the many beautiful pieces with which the audience were favored. Another and a farewell concert will be given on Saturday evening in the same rooms, next the Crown Hotel.

"Madame Cramer", Sydney, NSW (late May to mid July 1856):

[Advertisement], The Sydney Morning Herald [NSW] (29 May 1856), 1

http://nla.gov.au/nla.news-article12981802 

THIS EVENING. HERR VEIT RAHM'S Grand Vocal and Instrumental Farewell Benefit,
THIS EVENING, Thursday, the 29th, at the Prince of Wales Theatre, will perform in his grand costume.
Programme. - Part I. . . . 7. Duet, "What are the Wild Waves Saying," Madame Cramer and Mr. Howson . . .
Part II.: . . . 6. Ballad, "Kathleen Mavourneen," Madame Cramer . . .
Finale, Grand Chorus, "God save the Queen!" After the Concert, a Grand Dress Ball . . .

ASSOCIATIONS: John Howson (vocalist); Prince of Wales Theatre (Sydney venue)

"HERR VEIT RAHM'S FAREWELL CONCERT", The Sydney Morning Herald (30 May 1856), 8

http://nla.gov.au/nla.news-article12978475

This talented artiste took his farewell benefit yesterday evening, at the Prince of Wales Theatre. He appeared in the costume of his native land (Tyrol), in which he had the honor of performing before her Majesty, at Windsor Castle, in 1852. The programme contained, besides concerted music, choice selections from popular composers, which were executed with considerable taste and skill, by Mrs. Guerin, Madame Cramer, and Mr. J. Howson. Mr. Packer presided at the piano-forte . . .

ASSOCIATIONS: Theodosia Guerin (vocalist); Charles Sandys Packer (pianist)

[Advertisement], The Sydney Morning Herald (17 June 1856), 1

http://nla.gov.au/nla.news-article12978416

UNDER DISTINGUISHED PATRONAGE - Madame CRAMER, of the Princess' Concert Room, London,
respectfully announces to the inhabitants of the colony that her grand Vocal and Instrumental Concert will shortly take place in the School of Arts, Pitt-street,
when she will be assisted by all the available talent in Sydney.

[Advertisement], The Sydney Morning Herald (30 June 1856), 1

http://nla.gov.au/nla.news-article12984209

UNDER DISTINGUISHED PATRONAGE - MADAME CRAMER
has the honor to announce her GRAND CONCERT of Vocal and Instrumental Music,
at the SCHOOL OF ARTS, on MONDAY EVENING next, June 30th, 1856.
By the kind permission of Colonel Bloomfield, the whole BAND of Her Majesty's 11th REGIMENT will attend and perform several of their favorite pieces.
PROGRAMME.
Overture - Zampa, Herold - Band
Song - "Hear Me, Gentle Maritana," (Wallace) - Mr. Banks
Song - "We may to happy yet" (by particular desire) - Madame Cramer
Canzonet - "My Mother bids Me" (Haydn) - Miss Flora Harris
Duet - "I've wandered in dreams" (Wade) - Madame Cramer and Mr. Banks
Irish Ballad - "Oft in the stilly night" - Mr. Packer
Operatic Selection - Waltz ("Dream on the Ocean ") - Band
Cavatina - "Oh, Charming May" (Rodwell) - Madame Cramer
Song - "The Sailor Boy's Dream" - Mr. Banks
Ballad - "May Day" (Packer) - Miss Flora Harris
Irish Ballad - "Savourneen Deelish" - Madame Cramer
Waltz - Band
Duett - "The Syren and the Friar" (Glover) - Miss Flora Harris and Mr. Banks
Buffo Song - Mr. Banks
Finale - "God save the Queen" - Band
Mr. Packer will preside at the pianoforte.
Doors open at half-past 7, to commence at 8 o'clock punctually.
Tickets - Reserved seats, 4s.; back seats, 2s.
To be had of Mr. Johnson, Mr. Moffitt, Pitt street, and at the School of Arts.

ASSOCIATIONS: Thomas Banks (vocalist); Flora Harris (vocalist); Band of the 11th Regiment (military); Mechanics' School of Arts (Sydney venue)

"MADAME CRAMER'S CONCERT", The Sydney Morning Herald (2 July 1856), 5

http://nla.gov.au/nla.news-article12984329

This concert came off as announced on Monday evening in the new and commodious lecture hall of the School of Arts. There was not a large audience, but there was a respectable one, both as to character and numbers, and not only Madame Cramer, but those who assisted her (Miss Harris and Messrs. Packer and Banks) were well received. We were particularly amused by two buffo songs from the last named gentleman.

"ENGLISH OPERA HOUSE", The Sydney Morning Herald (8 July 1856), 2

http://nla.gov.au/nla.news-article12984588

Last evening this spacious building, better known as the Prince of Wales Theatre threw open its doors for the first time since its change of name. The entertainments were wholly musical, consisting of a concert, the programme of which was well selected and attractive. The vocalists were Miss Flora Harris, Madame Cramer, Miss Kate Warde, Mr. John Howson, and Mr. Steward . . .

ASSOCIATIONS: Kate Warde (vocalist); Richard Stewart (vocalist)

Ballarat, VIC (mid July 1856 . . .):

[Advertisement], The Star [Ballarat, VIC] (12 July 1856), 3

http://nla.gov.au/nla.news-article250438704 

Star Concert Hall.
THE Proprietors have much pleasure in announcing they have engaged the Celebrated Alpine and Tyrolese Minstrels, and the violin solo player Julius Haimberger
together with Madame White, D. Golding, and Mr. John Gregg. Pianist - Mr. White.
Die Eigenthümer haben das Vergnüg ihren deutschen Patronen und Freundcn anzuzeigen:
dass sie die berühmten Alpensanger Frau Haimberger und Fraulein Marie Veramer sowie der Violisten T. Haimberger engagiret haben.
Open Every Evening. Admission, 1s. and 2s. 6d. 12th July, 1856.

ASSOCIATIONS: Amelia Arnati White and Thomas White (vocalist and pianist); John Gregg (vocalist); Star Concert Hall (Ballarat venue)

"POLICE COURT. Thursday, 24th July", The Star (26 July 1856), 2

http://nla.gov.au/nla.news-article66039065

Margeritta Haimberger v. White.
This was a summons for using insulting language, calculated to lead to a breach of the peace in a public place. Mr. Rainy appeared for the complainant and Mr. Dunne for the defendant. The complainant in this case was one of the Tyrolese minstrels engaged at the Star Concert Room.
Margeritta Haimberger sworn and examined by Mr. Rainy - I am a singer and the wife of Julius Haimberger. I know the defendant. He is engaged as well as myself at the Star Concert Room. He is pianist. On the evening of the 21st of July, a gentleman asked my little girl to sing "Annie Laurie." She said she was afraid to do so without speaking to Mrs. White, as it was one of her songs. In consequence of this affair Mr. White called me a blackguard. Mrs. White was much offended at my little girl speaking about singing the song. The words spoken by Mr. White were spoken in a public place. I gave him no provocation neither did I use any insulting language towards him.
Cross-examined by Mr. Dunn - This affair occurred in a room next to the concert room. I consider that to be a public place. The room where this took place is a room off the concert room, where professionals go to when they have finished their songs. People are in the habit of passing through the room.
Mr. Dunne submitted that the room in which the language was used being a kind of retiring room for the professionals could not be considered a public place within the meaning of the clause in the Vagrant Act, upon which the summons had issued, and, therefore the case must be dismissed.
Mr. Rainy argued strenuously in opposition to this view of the case, but his Worship said that it appeared to him that the room was something like the green room of a theatre. That certainly could not be called a public place within the meaning of the Act. He must, therefore, dismiss the case.

Julius Haimberger v. White.
This was a summons taken out by the husband of the complainant in the last case, against the same defendant for using threatening language. Mr. Julius Haimberger gave evidence to the effect that the defendant had threatened him with violence on more than one occasion, stated that the defendant had called him a coward in the concert-room in the daytime, on the 23rd inst., and challenged him to fight, and threatened to punch him.
His Worship said that all the parties appeared to be engaged at the Star Hotel, and this was a professional disagreement, which they had better settle among themselves.
Mr. Haimberger said what aggrieved him was the language used to his wife by the defendant.
Mr. White here denied that he ever used the language imputed to him.
Mr. Dunne said the fact was that Mrs. Haimberger had called his client, Mr. White, a blackguard, and he had replied that there were other people to whom the term might be applied as well as himself.
Mr. Haimberger had threatened that he would serve Mr. White as Lola Montes served Mr. Seekamp, and Mr. White had dared him to put his threat into execution.
His Worship asked Mr. Haimberger if he apprehended any violence from Mr. White.
Mr. Haimberger: It is impossible to tell what a man of his character will do; he is capable of doing anything. (This remark caused much laughter.)
His Worship said he thought there was no case before him, and he should therefore dismiss the charge, and advise the parties to forget their differences.

ASSOCIATIONS: Lola Montez (dancer, actor)

"MUSIC AND THE DRAMA", The Age [Melbourne, VIC] (29 December 1856), 5

http://nla.gov.au/nla.news-article154869749 

At Collier's Theatre [Creswick], Madame Haimberger, Mademoiselle Kramer, and Mr. J. Haimberger, were to give a grand Christmas Concert. It will be re membered that these artistes gave a very successful concert at Melbourne some months ago.

"CIRCUIT COURT. Monday, 16th February", The Star [Ballarat, VIC] (17 February 1857), 2

http://nla.gov.au/nla.news-article66040968 

At the opening of the Court the following persons took the oath of allegiance on being naturalized: -
. . . J. Haimberger . . .

Bendigo, VIC (February and March 1857):

[Advertisement], Bendigo Advertiser [VIC] (27 February 1857), 3

http://nla.gov.au/nla.news-article87997592 

CRITERION THEATRE. Open for Two Nights Only.
SATURDAY and MONDAY, February 28th, and March 2nd.
ALPINE AND TYROLESE MINSTRELS. A GRAND CONCERT
Will be given by Madame HAIMBERGER (late Kramer), and Mademoiselle KRAMER, the Celebrated Alpine and Tyrolese Minstrels,
and Mr. T. HAIMBERGER, Violin and Solo Player, Member of the Conservatoires of Leipzig and Vienna,
from the Royal Polytechnic Institution, and St. James's Theatre, London,
who had the honor of appearing before Her Majesty the Queen, and the principal Nobility of England.
THE Minstrels will perform in Full National Costume.
Mademoiselle Mary Kramer will introduce, during the Concerts, favorite Scotch and Irish Ballads.
Mr. Heimberger will perform Modern and Classic Compositions during the Evening.
Doors open at half past seven, Concert to commence at Eight o'clock.
Admission : Boxes and Stalls, 5s.; Pit, 2s.
For further particulars see bills.

ASSOCIATIONS: Criterion Theatre (Bendigo venue)

[Advertisement], Bendigo Advertiser (23 March 1857), 3

http://nla.gov.au/nla.news-article87998064 

FRANKLYN HOTEL, SAILOR'S GULLY.
GRAND CONCERT, BY THE Tyrolese Minstrels and Mr. T. Haimberger.
This Evening, Monday, 23rd instant. Concert to commence at 8 o'clock.

Beechworth, VIC (June to September 1857):

Diary of John Buckley Castieau, Beechworth, VIC, 8 June 1857; original MS, National Library of Australia; transcribed and edited by Mark Finnane, online at Centre for 21st Century Humanities, University of Newcastle

https://trove.nla.gov.au/work/21875533 

https://c21ch.newcastle.edu.au/textmaptext/castieaudiaries (TRANSCRIPT)

[Monday 8 June 1857] . . . . In the evening went . . . to hear the Tyrolese Minstrels, Madame Haimberger & Mademoiselle Kramer. They sang some Native Airs very sweetly, their effect was much heightened by their nearly all having very eccentric but musical Choruses. The Young lady sang some English Airs but as might be expected succeeded much better in those of her own Country. Monsieur Haimberger played the Violin and gave a Solo. I did not however think much of it. I daresay he plays well but his style is very harsh to one who has revelled in Miska Hauser's Melodies or even heard Strebinger in his happy moments. The Songs were nearly all encored this made the Concert spin out a long time and it was nearly twelve o'clock before I got home to bed. This day will be famed in Beechworth Annals in consequence of the Publicans having reduced (their?) nobblers from 1/6 each to 1/- (Quite time).

ASSOCIATIONS: John Buckley Castieau (diarist, theatrical amateur); Miska Hauser (violinist); Frederick Strebinger (violinist)

"THE TYROLESE MINSTRELS", Ovens and Murray Advertiser [Beechworth, VIC] (9 June 1857), 2

http://nla.gov.au/nla.news-article113015646 

These performers made a successful debut in this district at the Star Theatre, attired in their picturesque national costume. Madame Haimberger and Miss Kramer attracted the admiring gaze of a crowded audience, while their finished delivery of the mountain airs peculiar to their own homes, astonished and delighted all alike. The musical "Iodelu," which is the refrain of almost all their songs, never fails to hang on the ear and to please the memory long after its sound has ceased. The ladies really deserve the high encomiums which have been passed upon them elsewhere, and which they most assuredly find echoed by the good folks of the Ovens. It is a great pity that the racy and original words of their songs cannot be understood by the majority of their hearers, as the absence of this understanding deprives the performance of half its merit. Mademoiselle Kramer sang several Scotch and Irish ballads during the evening with great sweetness and expression, but we own a decided preference for her native songs. Mr. Haimberger is an accomplished violinist, eliciting frequent and loud applause by his solos on that instrument. The entertainment was varied by performances on the harp and violin by Messrs. Zeplin and Griffith.

ASSOCIATIONS: George Frederick Zeplin (harp); George Griffith (violin); Star Theatre (Beechworth venue)

"GENERAL SESSION, Friday, Aug. 7 . . . HORSE STEALING", Ovens and Murray Advertiser (8 August 1857), 2

http://nla.gov.au/nla.news-article113016307 

Robert Harrington, auctioneer, Beechworth, was placed in the dock, charged with stealing a bay horse, the property of M. Haimberger, of Beechworth.
M. Julius Haimberger, who stated that the horse in question, which was exhibited outside the court, was his property. On the 24th July he directed it to be taken to Mr. Harrington to be paddocked; the receipt produced, signed by Mr. Harrington, stated he received the horse to be paddocked, at 5s. per week . . . His Honor summed up, and explained at some length the difference of embezzlement by a bailee and his receiving property with a felonious intent.
The jury, without retiring, found him guilty . . .

"STAR CONCERT ROOM", Ovens and Murray Advertiser (11 August 1857), 2

http://nla.gov.au/nla.news-article113016317 

This favorite place of amusement continues to draw nightly a crowded house. On Saturday night the building was literally crammed, and the manner in which the entertainment was received speaks sufficiently for the catering of mine host Robertson. Mr. Oakey appeared in several comic characters, and was repeatedly encored. Messrs. Harrison and Percey were in good voice, and executed several pieces most effectively. The Tyrolese Minstrels were very well received, and Mons. Haimberger executed two solos on the violin in a masterly style. Mr. Austin Saqui presided at the piano, and accompanied the several singers in a manner that shewed him to be master of the instrument.

ASSOCIATIONS: Charles Oakey (vocalist); W. Harrison (vocalist); Frederick Percy (vocalist); Austin Saqui (pianist)

Southern NSW - Wagga Wagga, Gundagai, Tumut, Adelong, Yass, Goulburn, Picton, Wollongong, Dapto (October 1857 to March 1858):

"WAGGA WAGGA [FROM A CORRESPONDENT] OCTOBER 15", The Yass Courier [NSW] (24 October 1857), 4-5

http://nla.gov.au/nla.news-article263880049 

We have been favoured for the last few nights by the performances of the "Tyrolese Minstrels," who gave great satisfaction to those who had the pleasure of hearing them. Their singing and playing is really delightful, and we have seldom, if ever, heard it excelled. The singing of Madame Haimberger and her daughter, Madlle. Kramar, is very good, and while one listens to the flute-like notes they pour forth, they feel that "music hath charms" indeed. The performances [5] of Herr Haimberger on the violin is really excellent; he plays, with much musical skill and taste, the most modern and popular airs. They leave our little town en route to Adelong, Tumut, and Gundagai, where I believe they intend performing, and take from herewith them the good wishes of all those who have had the pleasure of hearing them. We hope they shall again return, and that they may receive that patronage they deservedly merit while in Tumut, &c.

"SOUTH GUNDAGAI [FROM OUR OWN CORRESPONDENT]", The Yass Courier (5 December 1857), 4

http://nla.gov.au/nla.news-article263878669 

During the last week we have been delighted by the appearance amongst us of the Tyrolese Minstrels. Praise is superfluous: they will be listened to with pleasure and delight by all who love sweet sounds. Their national songs please for their novelty, us well as for their simplicity, und for that peculiar warbling, which is a characteristic of Alpine vocalists. M. Haimberger possesses great skill and taste as a violinist.

"Court of Petty Sessions. THURSDAY, DECEMBER 17 . . . THE TYROLESE MINSTRELS v. HENRY HART", The Yass Courier (19 December 1857), 2

http://nla.gov.au/nla.news-article263880789 

Mr. Julius Haimberger complained that on the 15th instant the defendant, who is landlord of the Royal Hotel, refused, without reasonable cause, to provide for himself and family, then and there lodgers at the Royal Hotel, with victuals, contrary to the statute. The defendant, on being called on to plead, admitted having refused to supply dinner, and requested permission to make a statement . . . A long and rambling dispute (for it was little else) then took place. It appeared that the Tyrolese Minstrels entered into an agreement with the defendant to board in the Royal Hotel during their stay in Yass, at the rate of 30s. each per week; paying a certain sum for the use of a large room in which to hold their concerts; on the first night of the concert the defendant forwarded a request for the free admission of his family, which he asserted, was a usual practice. A family ticket was given, and the defendant's family continued to attend nightly. On the following Tuesday the Minstrels intended to start for Queanbeyan, and requested their bill to be presented; they were dissatisfied with it and the general treatment they had received in the house, and presented a contra claim for £1, the cost of admission of defendant's family to the concerts for four nights - alleging that the ticket given had reference to only the first night's entertainment. These proceedings delayed the departure of the Tyrolese, and they required the defendant to prepare dinner for them, which he refused to do, hence the complaint. The defendant's statement went to show that at an early hour on the Tuesday morning referred to, the plaintiff had stated that he did not require to have dinner prepared, and, consequently no preparation was made; that at the time the victuals was demanded, no untainted butcher meat was to be procured - the weather having been very hot on Tuesday last . . . The Court inflicted a nominal fine of 1s. and costs of Court, declining to allow professional costs.

"LAYING OF THE FOUNDATION STONE OF THE GOULBURN SCHOOL OF ARTS AND MECHANICS' INSTITUTE", The Goulburn Herald and County of Argyle Advertiser [NSW] (6 January 1858), 2

http://nla.gov.au/nla.news-article118243140 

The Soiree, in celebration of the important and interesting event of laying the foundation stone of the Mechanics' Institute, was held on Friday evening [1 January] in a large booth (in the Police Reserve) specially erected for the occasion . . . The booth erected by Mr. J. Lansdown, the contractor, was a most commodious affair. Its extreme length was 105 feet, and its width 30 feet, so that, notwithstanding the large attendance, there was no inconvenient crowding. In the centre of the building on each side, was a platform, - one being devoted to the chairman, speakers, and invited guests, and the other being provided for the accommodation of the Tyrolese Minstrels, who had kindly volunteered their musical services. The interior was very tastefully decorated. Along the cross beams were hung cherry boughs, covered with bunches of the ripe fruit. Some flags, bearing suitable mottoes, such as "Science, Literature, and Art," "Advance Australia," &c., were displayed . . . During the evening M. and M. Haimberger, and Mdlle. Kramer, the Alpine and Tyrolese Minstrels, who had kindly volunteered their services, delighted the audience with several of their choicest vocal and instrumental pieces. At the close of the proceedings, their kindness was acknowledged by three hearty cheers for them being given on the motion of Mr. W. Conolly. The meeting dispersed shortly after ten o'clock.

"TYROLESE MINSTRELS", Illawarra Mercury [Wollongong, NSW] (8 March 1858), 2

http://nla.gov.au/nla.news-article136439987 

These professionals performed on Tuesday and Wednesday evening last, to delighted audiences in the long room at Brown's Hotel, Dapto. Several of their performances were rapturously encored. Herr Haimbergor's solos on the violin have never been excelled in Dapto. He is a perfect master of his instrument.

Sydney, NSW (March to April 1858):

[Advertisement], The Sydney Morning Herald (8 March 1858), 1

http://nla.gov.au/nla.news-article13007147 

GRAND CONCERTS!!! - Having completed their grand Melbourne-Sydney overland tour,
Madame M. HAIMBERGER (late Kramer) and Miss MARY KRAMER, the celebrated Alpine and Tyrolese Minstrels,
and Mr. JULIUS HAIMBERGER, violinist, will perform shortly in Sydney.
Particulars, &c., so soon as possible in further advertisements.

[Advertisement], The Sydney Morning Herald (20 March 1858), 5

http://nla.gov.au/nla.news-article13007781

AT THE SCHOOLS ARTS, on MONADY, 22nd March,
under the distinguished patronage of his Excellency the GOVERNOR-GENERAL and Lady DENISON.
A Grand CONCERT will be given by Madame HAIMBERGER, late Kramer, and Mademoiselle KRAMER, the celebrated Alpine and Tyrolese Minstrels;
and Mr. JULIUS HAIMBERGER, violin solo player . . .
The second Concert will take place on WEDNESDAY, 24th;
the next on THURSDAY, 25th; and the last on SATURDAY, 27th March.
PROGRAMME. PART I.
1. Introduction - Allegro from Beethoven's Grand Trio, Op. I. - Pianoforte, Mr. Charles S. Packer; violin, Mr. J. Haimberger; violoncello, Mr. E. Deane - Beethoven
2. Duet - "The Merry Swiss Boy." Mad. Haimberger
and Miss Kramer - National Song
3. Violin Solo - Mr. J. Haimberger - De Beriot
4. Song - "The, Charming May," Miss Kramer - G. H. Rodwell
5. Adagio Cantabile and Scherzo from Beethoven's Grand Trio Op. I . . .
6. Song - "Life's Garden," Madame Haimberger - National Song
7. Finale Presto, from Beethoven's Grand Trio Op. I . . .
8. Duet, Comic Duet - "Quarrel in the Saloon" - Madame Haimberger and Miss Kramer - National Song.
An Intermission of ten minutes.
PART II.
Introduction - Allegro from Mendelssohn's Grand Quartett, Op. II. - Pianoforte, Mr. Charles S. Packer; violin, Mr. J. Haimberger; viola, Mr. J. Klein; violoncello, Mr. E. Deane - Mendelssohn
2. Duet - "The Tyrolese Farewell from Steiermark." Madame Haimberger and Miss Kramer - National Song
3. Violin Solo composed and performed by J. Haimberger
4. Song - "The Alpine Morning call" - Madame Haimberger - National Song
5. Adagio from Mendelssohn's Grand Quartet, Op. II . . .
Song - "Terence's Farewell to Kathleen," as sung by Miss Dolby - Miss Kramer - Irish Ballad
7. Duet - "Tyrolese Lover" (Comic Duett) - Madame Haimberger and Miss Kramer - National Song
8. Intermezzo and Finale of Mendelssohn's Grand Quartett, Op. II . . .
The following testimonials have been received, amongst others, by these celebrated singers: . . .
[also several Australian reviews reprinted]

ASSOCIATIONS: William and Caroline Denison (governor and wife); Charles Sandys Packer (pianist); Edward Smith Deane (cello); John Klein (violin); Mechanics' School of Arts (Sydney venue)

"THE TYROLESE MINSTRELS", Empire [Sydney, NSW] (23 March 1858), 5

http://nla.gov.au/nla.news-article60429365 

Madame Haimberger Mademoiselle Kramer, and Mr. Jules Haimberger, gave their first concert at the School of Arts last evening. Owing to the inclemency of the weather the attendance was not as numerous as might have been anticipated. Amongst the audience, which on the whole was a very fashionable one, we observed, Sir William Denison, Lady Denison, Captain Scott, Sir Daniel and Lady Cooper, Major Chichester, Major Christie, several naval officers, &c., &c. Where all the performances were so good it is very difficult to select any for especial notice. The duets by Madame Haimberger and Mademoiselle Kramer were one and all encored, as also were the English songs sung by these ladies. "Terence's Farewell to Kathleen," was rendered with feeling and effect by Miss Kramer, and her "Norah McShea," sung in reply to an "encore," was admirable. "The Alpine Morning Call," by Madame Haimberger, was a gem. Mr. Haimberger's solos on the violin were, as they deserved, well received, and we have only one fault to find with him, that his "Home Sweet Home" with one beautiful variation, was too short; just as his audience are becoming most delighted with the perfection of his execution and the beauty of the variation, the performance suddenly ceases. His audience cannot afford to let him off so easily in future. But whilst we cannot speak too highly of the talent of the new arrivals, let us not forget our old friends. Mr. Packer is too well known to render it necessary for us to speak here of the beauty of his performances on the piano; it is sufficient to say that he assisted with his usual ability on this occasion. It is the present intention of the Tyrolese minstrels only to give three more concerts here, but so soon as they become known no doubt they will meet with that encouragement which will, we hope, induce them to lengthen their stay with us. Their first concert has been highly successful, and it is to be hoped the musical world in Sydney will show their appreciation of genuine talent, by patronising these very able performers. The next concert tokes place at the School of Arts on Wednesday, the 24th instant.

"THE ALPINE AND TYROLESE MINSTRELS", Bell's Life in Sydney and Sporting Reviewer (27 March 1858), 2

http://nla.gov.au/nla.news-article59868425 

The first of a series of concerts, announced by the above artistes took place at the School of Arts on Monday evening last, when a highly select, although not very numerous, audience were assembled. His Excellency the Governor-General and family honored Madame Haimberger with their presence on this occasion. The peculiar class of vocal music executed by the "Minstrels" (who were dressed in national costume), may be designated by what the Germans style "hübsche Kammer-musik" (pretty chamber music), and nothing more. Its chief merit consists in giving a correct imitation of the "Jodeln" of the Tyrolese, and in which the songstresses were very successful, eliciting frequent encores. Mr. Haimberger's violin accompaniment to the songs and duettos appeared to as too harsh and predominant; and we must be also permitted to observe that songs such as "Terence's Farewell" and "Norah McShane" are by no means suited either to the voice or musical expression of Mademoiselle Kramer. As a solo performer Mr. Haimberger may claim a respectable standing. The quartettes executed by Messrs. Packer, Haimburger, Klein, and E. Deane, were excellent. The second concert took place on the following Wednesday evening, when, owing no doubt to the inclemency of the weather, there was but a thin attendance; and on Thursday evening, the third concert announced did not come off, to the disappointment of several parties who were only informed at the door of the music hall of Madame Haimberger's change of mind. An apology (which, however, we do not deem a sufficient atonement) was offered on the next morning to the public by Madame Haimberger in the daily papers. The last concert of the "Minstrels", we perceive, is fixed for this (Saturday) evening.

"WINDSOR [FROM OUR CORRESPONDENT] . . . CONCERTS", The Sydney Morning Herald (24 April 1858), 6

http://nla.gov.au/nla.news-article13009230 

The Tyrolese Minstrels, Mr. and Mrs. Haimberger and Miss Kramer, have been delighting the good people of Windsor with their musical performances. Unfortunately, owing to the wetness of the evening, their first concert was but thinly attended. They are really well-deserving of support, both for their vocal and instrumental powers, which are truly admirable.
April 22nd, 1858.

"CARCAOR [FROM OUR OWN CORRESPONDENT] THE TYROLESE MINSTRELS", Bathurst Free Press [NSW] (23 June 1858), 2

http://nla.gov.au/nla.news-article64377146

The Haimberger family arrived here late on Tuesday evening last after meeting with a series of mishaps, such as a break-down, and horses knocked-up, and all of them too much fatigued to perform that evening. On Wednesday evening they gave their first concert in this town to a very numerous audience, who were delighted with the melodies of Madame Haimberger and her daughter, and with the performances of Mr. Haimberger on the violin, which seemed to astonish the native youths. On Thursday evening they held their second concert, when Miss Kramer, having recovered from the fatigues of her journey, sang far better than on the first night; but I am sorry to say there was but a meagre attendance. This may be accounted for by their not being able to get into town and perform on the advertised nights, as on Monday and Tuesday evenings the town was pretty full with parties, some of whom had come a considerable distance to hear them, and were much disappointed at their non-arrival.

"THE TYROLESE MINSTRELS", The Armidale Express and New England General Advertiser [NSW] (16 October 1858), 2

http://nla.gov.au/nla.news-article188981304 

. . . we have had pleasure in learning that Mr. Haimberger intends to settle in Armidale, with his family; and from notices in another column it will be seen that Mr. Haimberger has effected arrangements which we imagine must be attended with decided success . . .

"THE TYROLESE MINSTRELS", The Armidale Express and New England General Advertiser (30 October 1858), 2

http://nla.gov.au/nla.news-article188981339 

We are sorry to observe that the Tvrolese Minstrels and Mr. Haimberger have not had sufficient patronage during the week; and when we consider their extraordinary abilities as musicians of a high class, and the excellence of their entertainments, we can only attribute the defect to the dullness of the times. Those who have not yet heard the Haimberger Family perform can have but a faint idea of the pleasure and amusement they afford to an audience, and we hope that if Armidale professes to have any taste in music the concert to-night will be enjoyed by a numerous assemblage. It will be the last for some time, as the Haimberger Family intend to proceed northward en route for Brisbane.

But see also, [Advertisement], The Armidale Express and New England General Advertiser (13 November 1858), 1

http://nla.gov.au/nla.news-article188981385 

Certificate to naturalize . . . Antonius Julius Haimberger, NSW, 24 November 1858; State Records Authority of NSW

https://www.ancestry.com.au/search/collections/1549/records/8597 (PAYWALL)

Whereas . . . Antonius Julius Haimberger . . . praying that he may be naturalized . . .
that Antonius Julius Haimberger is a native of Lemberg Austrian Poland, 27 years of age [sic],
and that having arrived by the ship Oliver Lang in the year 1853 [sic, recte 1855]
he is now residing in Armidale and is desirous of becoming a permanent resident in the colony and also to be allowed to hold land in fee simple . . .
GIVEN . . . this [24 November 1858] . . .

Toowoomba, Brisbane, Ipswich, QLD (December 1858 to 1863):

"THE TYROLESE MINSTRELS", The Moreton Bay Courier [Brisbane, QLD] (8 January 1859), 2

http://nla.gov.au/nla.news-article3723874

A mere passing notice was all we gave of these charming minstrels in our last issue, but we have chronicled their progress to Brisbane and intend now to present a brief sketch of Thursday evening's performance in the School of Arts. Nor must we omit to mention that we are writing now of neighbors, Mr. Julius Haimberger having determined to make Ipswich his home, for the purpose of establishing classes for musical instruction, and for private tuition of those who may favor him with their patronage. The concert commenced on Thursday evening with a duet, "Town Welkomm," and the manner in which it was given made us look forward to a treat when some of the simple airs were given as announced. "Oh Charming May" was delightfully sung by Miss Kramer, and the "Quarrel in the Saloon" was such a favorite, thunders of applause greeting the conclusion, that the performers had to give another laughable duet to satisfy the pleasurable fun they had created. The "Violin Solo" composed and played by Mr. Haimberger was a gem, the performer appearing to be perfect master of the violin, bringing out tones from the instrument, which a countryman, whose knowledge of the powers of a violin for tone was confined to the attainment of a village fiddler, would scarcely believe possible. The masterly manner in which Mr. Haimberger executed this solo satisfied us of his knowledge of music. In his hands the instrument appeared to speak, bringing forth music at the will of the performer. The duetts of the selection appeared the favorites of the audience, save when Miss Kramer gave "Terence's Farewell to Kathleen," "Young Lady's No," and "Who'll have me?" and these were the occasion for the young lady to enjoy her triumph, which was complete when in response to an encore she gave "My Pretty Maid." This was the thorough enjoyment of the evening, proving that, however well executed the Swiss music might be, yet the old English ballads were triumphant overall to an English audience. The trill-a-lil warble, peculiar to Tyrolese minstrels, was deservedly applauded and the "Selection of Scotch Airs," on the violin and guitar, was a pleasant interlude from the sound of human voices. We cannot afford space to criticise; and indeed, we were so well pleased with the evening's entertainment, that we should have no desire, even if our knowledge of music was greater than it is. Some young man, who appeared quite struck with Miss Kramer in her Alpine costume, when she was beautifully singing "Who'll have me?" said, "why, I will;" and the same admirer exclaimed, "what a beautiful companion the" little lady would make in the bush, if she would sing and play with as much good temper and sweetness to a husband as she does to us. We bid the rapture stricken admirer hold his peace, and thought how we should enjoy to hear the minstrels if there was some other instrumental music; but if they have the power to please without histrionic accompaniments, such as scenery and orchestra, what would their power be in Australia, aided by the professional footlights and Alpine scenery in the background? For the simple and beautiful rendering of the melodies, and for the amusement afforded to the inhabitants, the performers deserve thanks; and we regretted when the "National Anthem" had been given, that no one was good natured enough to propose a vote of, thanks to the Alpine and Tyrolese minstrels. The colonial youths present favored the audience with those whistle calls, which persons who know anything of a London theatre will remember as the note of attention and determination from the "gods." We conclude our brief notice of the entertainments, hoping that the Tyrolese minstrels may find Ipswich answer their purpose as a home, by the appreciation of their talent in the patronage bestowed.

By reference to our advertising columns it will be seen, that the minstrels intend favoring the inhabitants of North Brisbane with two more opportunities of hearing their melodies, and we are informed that the residents of South Brisbane are not to be neglected, it being proposed to have an evening concert at Mr. McIntyre's, Royal Hotel, on Thursday.

[Advertisement], The North Australian, Ipswich and General Advertiser [QLD] (18 January 1859), 2

http://nla.gov.au/nla.news-article77426065 

VOCAL AND INSTRUMENTAL MUSIC. MR. JULIUS HAIMBERGER,
HAVING received most kind and flattering invitations from numerous influential residents of Ipswich, not only during his present visit, but some time since, to establish himself in the town as a Professor of Music, begs most respectfully to announce that it is his intention to give lessons in all branches of
VOCAL AND INSTRUMENTAL MUSIC, and also as a
TEACHER OF LANGUAGES, hoping thereby to advance the interests of Education and Moral Progress.
At the same time be would be happy to organise
DAY AND EVENING CLASSES for tuition in Vocal Music, with the intention of forming from his pupils
A CHORAL AND GLEE SOCIETY, after imparting to them the necessary
THEORETICAL KNOWLEDGE, and with the assistance and co-operation of other Ladies and Gentlemen Amateurs who are proficient in music.
J. Haimberger begs to assure the Ladies and Gentlemen of the district, that it will be his study to fulfil strictly his duties as a Teacher, and endeavour most strenuously to deserve their patronage, which alone could induce him to make Ipswich his future home.
PRELMINARY PROSPECTUS: - CLASS LESSONS (in singing) twice a week: - 3s. per week for one Pupil.
PRIVATE LESSONS charged according to special arrangements.

[Advertisement], The Moreton Bay Courier (19 February 1859), 3

http://nla.gov.au/nla.news-article3720182

JULIUS HAIMBERGER'S NORTH AUSTRALIAN MUSIC, STATIONERY, AND FANCY SHOP, BELL STREET, IPSWICH.

"IPSWICH CHORAL SOCIETY", The North Australian, Ipswich and General Advertiser (29 March 1859), 3

http://nla.gov.au/nla.news-article77427125 

This society under the able conductorship of Mr. Haimberger, is, we are happy to learn, rapidly progressing in number and efficiency. They now meet for practice on Tuesday evenings at the old billiard-room, in East Street.

ASSOCIATIONS: Ipswich Choral Society (association)

"CONCERT", The North Australian, Ipswich and General Advertiser (18 October 1859), 3

http://nla.gov.au/nla.news-article77426183 

The Choral Society gave their first concert, under the conductorship of Mr. Haimberger, on Thursday evening, in the Church of England school-room, and it was numerously attended by the subscribers and their friends. The programme included Locke's music in Macbeth; Curfew, Attwood; Singing Lesson, Barnett; The Fairies, and Red Cross Knight, Callcott; Dame Durden; the Huntsman's Joy, and Chapel, of Kreutzer. A solo on the violin from a Tryolean theme, beautifully played by Mr. Haimberger, and an arrangement of Scotch airs for violoncello, two violins, and two flutes, formed the whole of the instrumental portion of the entertainment. From the losses sustained by the society from the secession of many members and the loss of practice since the departure of their late conductor, Mr. Mosely, the choruses were neither so full or effective on the occasion of the concert given by the society in aid of the church funds, but the manner in which the music of Locke was rendered evidenced the great care and pains taken by Mr. Haimberger with his recruits. The solos were very carefully rendered by Miss Kramer and Mr. Louis, who exhibited the result of careful application since we last heard him. The Singing Lesson, a duet by Miss Kramer and Mr. Louis elicited a hearty encore, and was repeated with improved effect. Calcott's Prize Glee and the Fairies were neatly sung, but we could have wished that some of the singers had felt a little more enthusiasm. The Chapel was very effectively given, and was probably the most approved piece of the evening. We must not omit to notice the efficient aid rendered by a young amateur, Miss Smith, in the piano accompaniment to Macbeth, and it is to be regretted that her execution was marred in some degree by a want of tone in the instrument. The concert was repeated on Friday evening to an increased audience. Now that the Society is fairly afloat, we hope to notice many more of these performances, and as juvenile classes have been formed gratuitously by Mr. Haimberger, we hope tbat vocal music will be more generally cultivated.

ASSOCIATIONS: John Mosely (former conductor);
see also "IPSWICH CHORAL SOCIETY CONCERT", The Darling Downs Gazette and General Advertiser [Toowoomba, QLD] (27 October 1859), 3

http://nla.gov.au/nla.news-article75525464 

"IPSWICH CHORAL SOCIETY REPORT", The North Australian, Ipswich and General Advertiser (5 October 1860), 3

http://nla.gov.au/nla.news-article77432624 

At a meeting, held on Tuesday last, in the School Room, Brisbane-street, Dr. Challinor in the chair, the following amended report was moved by Mr. Gill and unanimously adopted: . . .
"The Committee regret to be obliged to report that the Society is still without any conductor, Mr. Haimberger, their conductor, having resigned in June last, and although he offered to act till an other conductor could be procured, the society did not feel justified in any longer continuing his services; his resignation was, therefore, at once accepted, and the amount due to him paid up in full . . .

"POLICE OFFICE, IPSWICH. Tuesday, April 2", The North Australian, Ipswich and General Advertiser (5 April 1861), 3

http://nla.gov.au/nla.news-article77431867 

Julius Haimberger pleaded guilty to an assault on Alfred Skinner. Fined 10s. and 4s. 6d. costs, in default 48 hours' imprisonment.

[Advertisement], Ipswich Herald and General Advertiser (21 June 1861), 2

http://nla.gov.au/nla.news-article109910201 

J. HAIMBERGER'S CHORAL SOCIETY. THE PRACTICES will be held every TUESDAY and FRIDAY EVENING, from 8 to 10,
at Mr. Haimberger's private residence, Limestone-street, Ipswich.
Parties wishing to become acquainted with Music are informed that a certain time will be set apart for instruction in the elements of Music.
No payments will be required, provided the parties joining are willing to assist Mr. Haimberger in his Concerts.

"IPSWICH (FROM OUR OWN CORRESPONDENT) TUESDAY (YESTERDAY)", The Courier [Brisbane, QLD] (23 October 1861), 3

http://nla.gov.au/nla.news-article4601787 

. . . I am not aware that I have, as yet, sent you any particulars of a musical society, which has been some time in existence here, but as they are about to give a concert on the 18th of November, I think it is time I did so. The members of this society have, I believe, agreed upon calling it a "Harmonic Union." In the first instance their attention was devoted to vocal music. Commencing about the first week in June, they met at a private residence, for the practice of singing, for two hours on two evenings a week. There was also an elementary class, numbering some fifteen members, who attended for an additional hour on those evenings. The singers now number nearly thirty. Then, about the beginning of August, a class for instrumental music was formed, and its members commencing with simple music, have latterly been practising overtures. I do not suppose I shall be anticipating the programme of the concert, if I mention the names of the instrumental performers, so far as I have been able to learn them. First violin, Professor Haimberger, assisted by Mr. Nash; second violin, Mr. Lewis; tenor violin, Mr. Cameron; piano-forte, Mr. Compton; flutes, Messrs. Craies, Wyatt, Barber, Blount, Taylor; piccolo, Mr. J. Cameron. In addition to Mr. Compton, I understand the services of Mr. Otto Linden have been engaged specially for the concert. It has sometimes proved injudicious for over so humble a critic to express ever so mildly a favorable opinion of individual talent, but I think I may safely leave the event to justify the opinion I am about to express. A pianist, such as I believe Mr. Linden to be, and a violinist, such as I know Mr. Haimberger to be, must be very unfortunate if they meet on one platform, without producing a very startling effect in the musical world of Ipswich.

ASSOCIATIONS: Frederick Compton (pianist); Otto Linden (pianist); Ipswich Harmonic Union (association)

"THE HARMONIC UNION'S CONCERT", Queensland Times, Ipswich Herald and General Advertiser (19 November 1861), 3

http://nla.gov.au/nla.news-article125598485 

Ipswich is becoming noted for its successful public entertainments; and the concert given by Mr. Haimberger last-night will be another laurel gained for the town in this respect. The hall of the School of Arts was tastefully decorated, and well lighted, with kerosine lamps, which are certainly a great improvement on the tin chandeliers and candles, the ladies being enabled to sit under the chandeliers without fear of spoiling their dresses. The programme for the evening's entertainment called together a large audience, including most of the beauty and fashion of the town. We estimate the number present at about 400.
The concert opened with the Overture "Massaniello," which was beautifully played, Mr. Haimberger leading, Mr. Compton accompanying on the piano. The two next pieces, "Hail, Smiling Morn," and "Beautiful Star," although the latter was performed far too slow in our opinion, were very creditably performed by a chorus of about thirty, who kept time remarkably well. The next piece by Mr. Haimberger, with Mr. Linden's accompaniment, consisted of variations in airs from "Massanielo," in which both gentlemen performed their parts so well, that they were loudly encored, and on re-appearing, substituted an air from "Anna Bolena," more beautiful than the first, and not less skilfully performed. The "Swiss Maiden's," arranged as a trio, in which Mrs. Haimberger took the principal part, was also encored, and the second verse repeated. The next chorus, "Thro' our Life of Danger," for female voices, was carefully and well sung. The Palermo Quadrilles were then played in full chorus, and formed an agreeable variety to the other music. The performers were evidently well-up in their parts in this piece, and it went off with great success. Mrs. Haimberger then sang "the Rans des Vaches," and was enthusiastically encored. This music seems particularly adapted to show the flexibility of her voice. Mr. H. accompanied on the violin, she accompanying herself on the guitar. The song "Live and be jolly," was also called for again and responded to; the second time Mr. Compton and others took part in the chorus. After which Mr. Linden performed one of Thalberg's beautiful pieces - variations on "They're a' noddin'," which was played in masterly style. Two other choruses concluded the first part.
In the second part there were no less than five choruses, of which "The Fairies," by Dr. Calcott, was not only the best, but sung in a manner that did great credit to the performers. The song of "Ye banks and braes" does not improve by a multiplicity of voices; and the "Marsellaise" loses its vigour when rendered by a host of little ones; and Martini's trio, set to English words, went off totally without erect. The second part was also enlivened by the band playing the Constantinople Quadrilles, in a very superior style; and in spite of the late hour and length of the programme, Mrs. Haimberger was encored in both the Swiss song and the song set as a trio, "From our merry Swiss home." Mr. Haimberger was also called for after his first duet with Mr. Linden (violin and piano), but did not respond, probably from his having to appear again. In our opinion the gem of the second part, if not of the concert, was Mr. Haimberger's performance No. 11, which unfortunately came so late that many of the audience were on the move, which consequently interrupted the first part, the selection was from "Il Puritani," commencing with the air "A te o Cara;" then variations on the duet, "Suono la Tromba;" and finishing with the elegant and lively Polacca, "Son Vergine Vezzosa." The piece was well arranged, and so beautifully played, that it would be hard to decide whether Mr. Haimberger on the violin, or Mr. Linden on the piano, deserved most praise. Altogether, the concert went off very well; if anything, there was rather too much for the evening - especially when so many encores were insisted on by the audience. The instrumentalist and male choruses were very perfect, and we consider great praise due to the assiduity of the teachers, and the attention of the performers - many of whom were among the "little ones," for the precision with which they performed the various pieces.

[Advertisement], Queensland Times, Ipswich Herald and General Advertiser (25 March 1862), 2

http://nla.gov.au/nla.news-article125598764 

GREAT SALE OF FURNITURE, PIANO, PLATED GOODS, &c.
MACKENZIE & ROWLAND are instructed by Mr. J. Haimberger (who is leaving the colony)
to offer for public suction, on the PREMISES, Limestone-street, opposite the Wesleyan Chapel,
On FRIDAY, the 28th Instant, All the HOUSEHOLD FURNITURE,
including 1 Piano, by one of the first class London makers . . .
Also, 3 Violins, music stand, &c. . . .

"IPSWICH . . . CONCERTS", The Courier [Brisbane, QLD] (25 July 1862), 2

http://nla.gov.au/nla.news-article4607047 

The note of preparation has already sounded for a series of musical soirees to be holden in the School of Arts, during the ensuing month of August, on which occasion Madame H. Haimberger and Mademoiselle Mary Kramer, the celebrated Alpine and Tyrolese Singers, will warble sweet sounds and wood notes wild. Mr. Julius Haimberger, the well-known violin solo player, will upon the same occasion make his bow before the public.

[Advertisement], Süd Australische Zeitung [Tanunda and Adelaide, SA] (13 August 1862), 3

http://nla.gov.au/nla.news-article83805860 

Mad. M. Haimberger und Frl. Maria Kramer . . . und Hr. J. Haimberger . . .
werden im Laufe dieses Monats in Ipswich, Warwick, Drayton, Toowoomba, Dalby, Gayndah, Gladstone, Maryboro, Rockhampton, und Brisbane
eine Reihe Grosser Concerte geben . . .

"WEEKLY EPITOME", The Courier [Brisbane, QLD] (23 August 1862), 2

http://nla.gov.au/nla.news-article4607576 

Very successful concerts were given in Ipswich on Monday and Tuesday evenings, by Mr. and Mrs. Haimberger, assisted by Miss Kramer - who has been studying in Europe for the past eighteen months - and several gentleman amateurs.

"CONCERT", North Australian and Queensland General Advertiser [Ipswich, QLD] (5 May 1863), 2

http://nla.gov.au/nla.news-article77292973 

Mr. Julius Haimberger, has announced his intention of giving two concerts in the School of Arts, prior to his departure for Sydney, upon a professional tour . . .

Sydney, NSW (mid to late 1863 to January 1868):

"BIRTHS", Empire [Sydney, NSW] (12 October 1863), 1

http://nla.gov.au/nla.news-article60549689

HAIMBERGER. - On the 8th October, at Gloucester-street, Church-hill, Sydney, the wife of Mr. Julius Haimberger, of a daughter.

ASSOCIATIONS: Margaretta (Margharita, Margaret) Haimberger; married John Joseph MULCAHY, Carcoar, NSW, 1882; died Hobart, TAS, 2 March 1885

[Advertisement], The Sydney Morning Herald (7 November 1863), 1

"CONCERT OF THE TYROLESE MINSTRELS", Empire (11 November 1863), 4

http://nla.gov.au/nla.news-article60551354

The first of a series of musical entertainments of a novel character will be given at the School of Arts this evening. Some years since Madame Kramer (now Madame Haimberger), with her daughter and Herr Haimberger, visited this city, after a long tour through Europe, and delighted our citizens, as they had previously gratified the sovereigns of the old world, with their beautiful national Tyrolese melodies and instrumental performances . . . Since their former visit to Sydney, the Haimbergers have been located at Ipswich, where they have had leisure to mature their talents . . .

[Advertisement], Queensland Times, Ipswich Herald and General Advertiser (24 November 1863), 2

http://nla.gov.au/nla.news-article123608294 

IMPORTANT NOTICE. DISTRAINT FOR RENT.
To Householders, Storekeepers, Publicans, and Others.
H. S. BLAND has received instructions to Sell by Public Auction,
on the Premises now in the occupation of Mr. Julius Haimberger, Musical Instrument Seller, &c., &c., situate in Bell-street, Ipswich,
On THURSDAY Next, 26th November Instant, at 11 o'clock precisely,
The whole of the STOCK IN-TRADE consisting of
Violins, Concertinas, Flutinas, Flutes, Flageolets, Brass Instruments.
500 Volumes of Valuable Books, &c.
1000 Pieces of well-selected Music
Toys in great variety, Fancey Goods ditto . . .
Also, The HOUSEHOLD FURNITURE . . . Terms Cash. No Reserve.

Register of admissions, Lodge Germania, Sydney, NSW, January 1864; Museum of Freemasonry, London

https://www.ancestry.com.au/search/collections/60620/records/1248942 (PAYWALL)

1864 Jan'ry 7 . . . / Haimberger / Julius / 39 / Sydney / Professor of Music . . .
1865 May 2 / Staitke / Henry / Sydney / Musician . . .

[Advertisement], The Sydney Morning Herald (12 January 1864), 1

http://nla.gov.au/nla.news-article13091625 

MR. JULIUS HAIMBERGER, Member of the Universities and Conservatories of Vienna, Leipzig, and Lemberg,
is prepared to give Private and Class Lessons in Music, and begs to direct the attention of professors of music, ladies and gentlemen amateurs, and more advanced pupils, to his finishing or accompaniment lessons in music (which alone can make a student of music a practical musician) with the use of Mr. J. H.'s music if required.
Schools and private singing, piano, and violin classes attended to.
For terms apply to Mr. JULIUS HAIMBERGER, 32, York-street, opposite the Post Office Hotel;
or at the Guttenberg printing office, 109, York-street.

[Advertisement], Queensland Times, Ipswich Herald and General Advertiser (16 February 1864), 1

http://nla.gov.au/nla.news-article123606684 

JULIUS HAIMBERGER, Stationer and Music seller, 32, York-street; Sydney; opposite the Post Office Hotel.
All orders punctually attended to on the most reasonable terms.
New and second-hand Pianos, from £15 upwards, always on hand.

"MARRIAGES", The Argus [Melbourne, VIC] (10 June 1864), 4

http://nla.gov.au/nla.news-article5749565 

ELLIS - KRAMER. - At St. Luke's Church, Emerald-hill, by the Rev. R. B. Dickinson, James C. Ellis, to Marie, eldest daughter of the late Ernest Kramer, Esq., of Altona, Denmark.

"MASONIC CONCERT", The Sydney Morning Herald (1 July 1864), 4

http://nla.gov.au/nla.news-article13106259 

In celebration of the festival of St. John, the Freemasons gave a grand concert yesterday evening at the Masonic Hall, the proceeds of which were to be devoted to the Freemasons' Orphan Society . . . Madame Flora Harris and Madame Haimberger lent their valuable assistance and were warmly received . . . Amongst other attractive performances, we must not omit to mention the solo on the violin by Brother Julius Haimberger, and a quartette on stringed instruments by the Messrs. Dean. The concert concluded with the Lancashire Bell Ringers, who performed two of their most admired pieces, which were enthusiastically received.

ASSOCIATIONS: Flora Harris (vocalist); Edward Smith Deane (cello) and brothers; Lancashire Bellringers (troupe); Masonic Hall (Sydney venue)

"MUSIC AND DRAMA", The Sydney Morning Herald (20 August 1864), 8

http://nla.gov.au/nla.news-article13111478 

SINCE last mail the only musical entertainment of importance has been the sixth concert for the present season of the Philharmonic Society, which took place on Wednesday, the 3rd instant, at the Masonic Hall. This was the final concert of the season, the Masonic Hall was thoroughly filled with an audience that seemed fully to enjoy the musical treat provided. The selections in the first part were mostly choral, and Mendelssohn's compositions were more particularly predominant . . . The second section embraced ten miscellaneous vocal and instrumental selections . . . There were also two instrumental selections by Messrs. Haimberger and Mr. A. Anderson. Mr. Cordner performed the task of conductor; the orchestra was led by Mr. Haimberger, and Mr. M. Younger was organist and accompanyist.

ASSOCIATIONS: Alfred Anderson (pianist); William John Cordner (conductor); Montague Younger (organist); Sydney Philharmonic Society (association)

"THE GERMAN ASSOCIATION", The Sydney Morning Herald (7 September 1864), 4

http://nla.gov.au/nla.news-article13098472 

Some of the members of this body gave a musical entertainment last evening at Mr. W. Clark's Assembly Rooms, Elizabeth-street, in aid of the funds of the association. There was a very numerous audience, the room being quite filled. Madame Haimberger sang two Tyrolese songs, the music of which gave full effect to the power and sweetness of this lady's voice. She also executed a Tyrolese duets with Herr Sussmilch . . .

ASSOCIATIONS: William Clark (dancing master); Christian Bernhard Sussmilch (vocalist)

[Advertisement], The Sydney Morning Herald (3 April 1865), 1

http://nla.gov.au/nla.news-article13100234 

EVENING CLASSES IN MUSIC. - Mr. JULIUS HAIMBERGER
begs to inform the amateurs of Sydney that it is his intention to open
(1) AN ELEMENTARY CLASS for the VIOLIN, on TUESDAY and FRIDAY Evenings; first lesson on TUESDAY, April 4.
(2) A CLASS for ADVANCED VIOLIN RLAYERS, on FRIDAY Evenings, from 8 to 10; and
(3) an ORCHESTRAL PRACTICE for gentlemen who are amateurs on the Violin, Tenor, Violoncello, Bass, Clarionet, Cornopeon, &c., &c.
Mr. H. promises not to spare any expense in procuring a great variety of the choicest music.
Terms very moderate. The quarter to begin from the day a gentleman enters a class.
Mr. H. asks for the favour of early application.
11, Stanley-street, opposite the Grammar School.

"PHILHARMONIC SOCIETY", The Sydney Morning Herald (21 July 1865), 9

http://nla.gov.au/nla.news-article13116436 

The society gave the fifth concert of the season last evening, at the Masonic Hall. There was a large but not a full attendance. Haydn's oratorio "The Creation" was again produced . . . Mr. Haimberger was leader of the orchestra, Mr. M. Younger (amateur) organist, and Mr. Cordner was conductor. Seeing that the novelty of this oratorio has long departed, it may not be surprising that the audience was not more numerous. The attendance and reception last night, however, were quite sufficient to show that the beauties and sublimities of this great classical composer have many admirers, whose appreciation is not abated by repeated interpretations of his grand conceptions.

"UNSECTARIAN CHRISTIANITY", Empire (21 December 1866), 5

http://nla.gov.au/nla.news-article60603906 

The thirteenth anniversary of the Unitarian Church, Macquarie-street, was celebrated last evening, at the Masonic Hall . . . Then the choir of the Church, under the direction of Mr. Haimberger gave a musical entertainment. Two pieces on the violin and pianoforte, by Mr. and Miss Haimberger, were particularly applauded . . .

"SYDNEY MECHANICS' SCHOOL OF ARTS", Sydney Mail (9 February 1867), 8

http://nla.gov.au/nla.news-article166802789 

The annual meeting of the members of the Sydney Mechanics' School of Arts was held yesterday evening, in the hall of the institution, Pitt street . . .
The classes continue their course of unobtrusive usefulness, and are moderately well attended. The committee thankfully recognise the persevering efforts made by their respective teacher under many discouraging circumstances . . .
Violin Class. - Mr. Haimberger states, - "That the number of pupils attending this class was not large, but they were very regular in their attendance at the weekly practices, and were well conducted. The progress made is such as can be expected for such a short time, considering the difficulty of the instrument" . . .

[Advertisement], The Sydney Morning Herald (19 February 1867), 1

http://nla.gov.au/nla.news-article13147745 

TO MUSICAL AMATEURS IN BALMAIN - Mr. JULIUS HAIMBERGER, Professor of Music,
Member of the Conservatoires and Universities of Leipsic and Vienna,
at the suggestion of several residents in the above locality, proposes to form an
INSTRUMENTAL CLASS for the practice of Siring Quartettes and Orchestral Music.
Persons who are desirous of joining in this endeavour to cultivate a taste for the works of the great composers, will be good enough, as a preliminary, to communicate with any of the following gentlemen, who have kindly promised their support,
namely, Mr. F. Hamburger, Mr. Fitzpatrick; or Mr. MacDonnell.

"UNITARIAN CHURCH", The Sydney Morning Herald (26 March 1867), 2

http://nla.gov.au/nla.news-article13151047 

THE annual meeting of the congregation of the Unitarian Church, Macquarie street, was held last evening . . . In reviewing our proceedings during the past year, we find . . . Mr. Haimberger's most generous services to our chapel singing class deserve especial notice. This class, which numbers about fifty members, about thirty of whom attend regularly, has been in existence for nearly a year, and Mr. Haimberger has, in the kindest manner, continued to instruct it gratuitously, during the whole time. Such of the members of our community who wish to improve themselves in this most delightful and useful accomplishment should not miss the opportunity which is thus open to them, and as Mr. Haimberger's only object in devoting a whole evening every week to this class is to improve the musical service of our Church, the least that we can do is to afford him all the assistance and encouragement that we can in carrying out his praiseworthy design. The members of the chapel choir also deserved our best thanks for their kind exertions during the past year. We hope that their attention will soon be reinforced by some of the members of Mr. Haimberger's class . . .

"CENTRAL POLICE COURT. Tuesday [4 June]", Empire (5 June 1867), 5

http://nla.gov.au/nla.news-article60840922 

Albert Kramer, a respectable looking youth, aged fourteen years, was brought before the Court by virtue of a warrant, in which he was charged with having no lawful visible means of subsistence.
Senior-constable Grace deposed: Between 2 and 3 o'clock yesterday afternoon, I arrested the prisoner at No. 11, Stanley-street, Woolloomooloo, by virtue of a warrant, which I produce; he is charged in the warrant for that he is under the age of fourteen years, or thereabouts, and has no lawful means of support; I read the warrant to him, and he made no reply.
Julius Haimberger deposed: I am a professor of music, and reside at No. 11, Stanley-street, Woolloomooloo; my information, just read, that the prisoner has no lawful mean's of support, is true.
Police Magistrate: Was this lad living with you? Mr. Haimberger: Yes.
Police Magistrate: What is the lad? Mr. Haimberger: He is my step-son - the son of my present wife; he has lately come from the bush; I can not get him to do any work, he is beyond my control; I have sent him to the best of schools, but he will not stop and runs away. I have got him good situations, but he would not remain; he keeps the worst of company by his own account, and I refuse to support him any longer. (Witness made some further statement to the Bench inaudible to the prisoner, of whom something was said of his having made the acquaintance of Thunderbolt while in the bush.)
The Police Magistrate: Do you of your own knowledge know that the boy keeps the company of prostitutes, thieves, or reputed thieves, or has he ever been accused or convicted of any offence?
Witness: I cannot swear that of my own knowledge, that he associates with bad characters.
Mr. W. Roberts, solicitor, wished to interpose as amicus curae. He submitted to his Worship that to commit this lad on the evidence would be a sad perversion of the provisions of the Industrial Schools Act. If boys were to be sent on board the Vernon on such evidence, it would be a very easy mode of stepfathers getting rid of their stepsons. The lad's story about Thunderbolt may have been made to frighten his father.
Mr. Haimberger (to Mr. Roberts): I am well known, sir, but perhaps not to you.
Mr. Roberts: Oh, I don't doubt that. I merely wish to point out what may be an abuse of the provisions of a very useful Act, if this lad were committed on the story you have told.
The Police Magistrate: I cannot see my way clear to commit this lad, and I therefore order him to be discharged.

ASSOCIATIONS: Captain Thunderbolt (bushranger);
on Albert Kramer ("young Haimberger") see also, "IPSWICH (FROM OUR CORRESPONDENT) FRIDAY (YESTERDAY)", The Moreton Bay Courier (10 November 1860), 3

http://nla.gov.au/nla.news-article3725744 

And see also, "COUNTRY INTELLIGENCE", The Courier (15 January 1863), 2

http://nla.gov.au/nla.news-article3160906 

[Advertisement], The Sydney Morning Herald (19 December 1867), 10

http://nla.gov.au/nla.news-article28608276

SCHOOL OF ARTS. PITT-STREET.
MR. JULIUS HAIMBERGER has the honour to announce that he will give his last and
FAREWELL CONCERT, (prior to his departure for California,)
THIS EVENING, 19th December, at the SCHOOL OF ARTS, PITT-STREET,
on which occasion be will be assisted by Mdlle. Reiloff, Madame Haimberger, Miss Julia Haimberger, and by a Lady Amateur;
by Mr. C. E. Horsley, the celebrated composer, contrapunctist, and pianist, and by several Gentlemen Amateurs, who have all most kindly given their services.
MISS JULIA HAIMBERGER, twelve years old, born in Australia, makes her first appearance as pianist and accompanyist.
Admission - Reserved seats, 4s.; body of the hall, 2s 6d.; gallery, 1s.
Tickets to be had at the music repositories of Messrs. Paling, and Elvy, and at the School of Arts.
Doors open at half-past 7, to commence at 8 o'clock.

"MR. HAIMBERGER'S CONCERT AT THE SCHOOL OF ARTS", The Sydney Morning Herald (20 December 1867), 5

http://nla.gov.au/nla.news-article13163023

Mr. J Haimberger who is reputedly one of the best violinists in the colonies gave a farewell concert at the School of Arts, last evening prior to his departure for California. The audience was numerous and select, and the entertainment of a very superior character. The vocalists were Mddle. Reiloff, Madame Haimberger, a lady and gentleman amateur, and the instrumentalists Miss Haimberger, Mr. Horsley, and Mr. Haimberger. The first mentioned lady sang most effectively the Goat Bells, and an aria from Somnambula, the latter receiving an encore, and the lady amateur was similarly honoured for her rendering of "Five o'clock in the morning." Two songs were also pleasingly sung by a gentleman amateur. Mrs. Haimberger contributed a solo of Chopin's with violin obligato, and Kucken's "When the moon's bright ray," satisfactorily. The instrumental portion of the programme consisted of two duets for piano and violin, executed by Miss and Mr. Haimberger, a violin solo by the latter and Chopin's march funebre and a solo of Mendelssohn's by Mr. Horsley. The two latter gentlemen are so well known as skilful performers that it is unnecessary to say they gave satisfaction, but it is only scant justice to mention in laudatory terms the pianoforte playing of Miss Haimberger, a child of only twelve years, who not only acted as accompanyist, but executed her parts in two duets in a manner that elicited the surprise and marked commendations of the audience, the delicacy of touch, the expression, and the execution were alike remarkable. Several glees formed an agreeable diversification during the performances.

[Advertisement], The Sydney Morning Herald (21 January 1868), 7

http://nla.gov.au/nla.news-article13161569 

A GENTLEMAN leaving the colony has for SALE,
2 superior VIOLINS, a Tenor, a Violoncello, a Cornopean, two Flutes,
Instruction Books, Vocal and Instrumental Music. JULIUS HAIMBERGER, 11, Stanley-st.

"DEATH", Queensland Times, Ipswich Herald and General Advertiser (6 August 1868), 2

http://nla.gov.au/nla.news-article123356664 

On the 30th March, at Lima, Peru (after landing from Sydney), of yellow fever, Julius Haimberger, Esq., formerly of Queensland, eldest son of Baron Haimberger, of Vienna, Austria: aged 40.

[News], The Darling Downs Gazette [Toowoomba, QLD] (11 August 1868), 3

http://nla.gov.au/nla.news-article75521718

We are sorry to observe, by the Queensland Times, that Mr. Julius Haimberger, late of Ipswich, is dead. Most of the residents of Ipswich were well acquainted with the name of this gentleman, who was a first-class violinist; and, no doubt, the old residents of Toowoomba will remember, some seven years ago, a series of concerts being given by this gentleman, in conjunction with Mrs. Haimberger and Miss Cramer, who, subsequently went to Vienna. Mr. Haimberger died, on the 30th March, at Lima, Peru (after landing from Sydney) of yellow fever; he was forty years of age, and the eldest son of Baron Haimberger, of Vienna, Austria.


Bibliography and resources:

Richard Wagner, My life, volume 1 (New York: Dodd, Mead and Company, 1911), 491

https://archive.org/stream/mylifewagner01wagniala#page/491/mode/2up

. . . he [Bakunin] received me, seated on mattresses which lay distributed over the floor of the [Dresden] Town Hall side was a very young Pole (a Galician) named Haimberger, a violinist whom he had once asked me to recommend to Lipinsky, in order that he might give him lessons, as he did not want this raw in inexperienced boy, who had become passionately attached to him, to get drawn into the vortex of the present upheavals. Now that Haimberger had shouldered a gun, and presented himself for service at the barricades, however, Bakunin had greeted him none the less joyfully. He had drawn him down to sit by his side on the couch, and every time the youth shuddered with fear at the violent sound of the cannon shot, he slapped him vigorously on the back and cried out: "You are not in the company of your fiddle here, my friend. What a pity you didn't stay where you were!"

ASSOCIATIONS: Richard Wagner (musician, conductor, composer); Mikhail Bakunin (political activist); Karol Lipinsky (violinist)

Ernest Newman, The life of Richard Wagner, Volume 2: 1848-1860 (New York: Alfred Knopf, 1937), 88-89, 91, 450

http://archive.org/stream/lifeofrichardwag000871mbp#page/n119/mode/2up (DIGITISED)

(88) It would seem, however, as if, before leaving Dresden, he [Wagner] plunged once more into the inner part of the town the neighbourhood of the Annenstrasse in order to take a last glance at the condition of affairs there. Some time before this, a young Galician violinist named Haimberger had been recommended to him by Bakunin, who wished Wagner to obtain for him a post in the Opera orchestra. If Praeger is to be believed, Haimberger told him in later years that at about eight o'clock one morning (presumably the 8th) he was with Wagner at the barricades when a young girl of eighteen was shot by a Prussian; whereupon Wagner, mounting a cart, cried out, "Men, will you see your wives and daughters fall in the cause of our beloved country, and not avenge their cowardly murder? All who have hearts, all who have the blood and spirit of their forefathers and love their country, follow me, and death to the tyrant." "So saying ", continues Praeger, "he seized a musket, and heading the barricade they came quickly upon the few Prussians who had strayed too far into the town, and who, perceiving that they were outnumbered, gave themselves up as prisoners." Praeger adds that he told the story afterwards to Wagner, "and he agreed entirely as to the truth of Haimberger's recital". While Praeger is, in general, an unreliable witness, there is no apparent reason . . . why he should have invented a story of this peculiarly circumstantial kind. While it may be doubtful whether the episode occurred precisely as he tells it, the probability is that something of the kind did happen. Further according to Praeger, (89) Haimberger alleged that on an earlier day Wagner, who was at the barricades with him, sent him for an ice for the relief of his parched throat again an incident which we can hardly believe anyone taking the trouble to invent. Finally Max von Weber, the son of the composer, is said to have told Praeger that he had seen Wagner with a gun on his shoulder, and that Wagner had advised the insurgents to strip the lead from the house-roofs for the casting of bullets. Of this, however, we have no confirmation . . .

(88 footnote) Haimberger fled to Switzerland after the rising, and in January, 1851, Wagner found a place for him among the violins of the Zurich orchestra for the season of that winter. With his usual kindness towards deserving young musicians, he did all he (89) could to assist Haimberger later, recommending him first to Röckel's brother Eduard in London, then to Vieuxtemps in Brussels, and using his influence with Sulzer in the matter of a passport for the young man . . . His innocent association with Haimberger in Zurich did him no good in the eyes of the police, to whom, of course, all political refugees were more or less criminals, carrying on their nefarious activities under the pretext of being concerned with art. In January, 1851, it was reported to Dresden that Wagner, "one of the coryphaei of the Swiss revolutionary party", was much in the company of "the Lemberg fugitive Haimberger", both of them having sinister connections with Austria.

ASSOCIATIONS: Carl August Roeckel (musician) and Edward Roeckel (musician), perhaps relatives of Armand Roeckel (pianist) and Joseph Roeckel (pianist), later active in Australia; Henri Vieuxtemps (violinist); Ferdinand Praeger (biographer, musician)

Curt Von Westernhagen (trans. Mary Whittal), Wagner: a biography (Cambridge: Cambridge University Press, 1978), 175

http://books.google.com.au/books?id=QDQ7AAAAIAAJ&pg=PA175 (PREVIEW)

. . . A young violinist from Lemberg (Lwow) called Haimberger, whom Wagner had known at the time of the Dresden rising and who had also fled to Switzerland, appeared at one of his concerts. An enquiry went from Prague to Dresden as to whether Wagner who was one of the ringleaders of the Swiss Revolutionary Party in Zürich, associated with the Galician fugitive Haimberger, and had Austrian connections, was identical with the "known Richard Wagner". . .



HALE, Mrs. (Mrs. HALE)

Musician, professor of music

Arrived Adelaide, SA, by 5 October 1852 ("lately arrived from England")

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALE-Mrs (shareable link to this entry)


Documentation:

[Advertisement], South Australian Register [Adelaide, SA] (5 October 1852), 1

http://nla.gov.au/nla.news-article38464580

MRS. HALE, PROFESSOR of MUSIC, DRAWING, and DANCING (lately arrived from England),
is now ready to attend on any Pupils she may be favoured with.
Terms - In crayons, four lessons, One Guinea.
Schools taught on moderate terms.
Highly respectable references can be given.
Address to Mrs. Hale, to be left at the office of this paper.




HALE, Amelia Ann (Amelia Ann HALE; Mrs. William McQUADE)

Amateur musician, vocalist, pianist

Born Windsor, NSW, 27 July 1829; baptised St. Matthew's, Windsor, 5 January 1831; daughter of James HALE (d. 1857) and Mary LYNCH (d. 1866) (m. 1828)
Married William McQUADE (1827-1885), Windsor, NSW, 11 September 1850
Died Sydney, NSW, 21 August 1875

https://trove.nla.gov.au/search?l-publictag=Amelia+Ann+Hale+McQuade+1829-1875 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALE-Amelia-Ann-McQuade (shareable link to this entry)


Documentation:

Baptisms, St. Matthew's, Windsor, 1831; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30201094901 (PAYWALL)

5 January 1831 / born 27 July 1829 / Amelia Ann daughter of / James and Mary / Hale / Windsor / Publican

"MARRIED", The Sydney Morning Herald [Sydney, NSW] (13 September 1850), 4

http://nla.gov.au/nla.news-article12921026 

At Windsor, on Wednesday, 11th September, Mr. William McQuade, of Windsor, to Amelia Ann, only daughter of Mr. Hall [sic], Fairfield, Windsor.

"DEATHS", The Sydney Morning Herald (23 August 1875), 1

http://nla.gov.au/nla.news-article13359328 

McQUADE. - August 21, at her residence, Bomera House, Potts-Point, Amelia Ann, the wife of William McQuade, aged 46 years.

"Reminiscences - Personal and Political of a 50 Years' Residence at Windsor, on the Hawkesbury", Windsor and Richmond Gazette (13 September 1890), 1

http://nla.gov.au/nla.news-article72563275

A LECTURE, Delivered at the Windsor School of Arts, 22nd August, 1890, by WILLIAM WALKER, M.L.C.
I. - PERSONAL AND SOCIAL. (Continued.) . . .

. . . In the days of my early man-hood there were a number of amiable and hospitable families about Windsor - possessed of ample means, which they used with great generosity. I don't see many like them now-a-days. In particular, there were three which I would like to mention. There were the Scarvells, of Killarney, the Hales, of Clifton, and afterwards of Fairfield, and the Fitzgeralds of Windsor. When I was attaining to man's estate I was a frequently-invited guest to parties and social-reunions. My acquaintance with the Scarvells arose from the three eldest sons being my school-fellows at my father's school. They were weekly boarders, going home on Saturdays, returning on Monday mornings, and I was often taken with them to their happy paternal mansion. Mrs. Scarvell was a charming lady and the whole family most agreeable. The little homely parties which we used to have then can never be effaced from my memory. All the boys played the flute and I was an amateur at it myself, and we used to take it in turns to play the quadrilles, waltzes and polkas. Poor fellows they have all gone, and followed their respected parents to early graves. The Hales' were, if anything, more jolly, but it was chiefly whist-playing and music that prevailed at Clifton and Fairfield. Miss Hale was an accomplished pianist and singer. Her future husband, Mr. Wm. McQuade, and myself, used often to join her at the piano with songs. One we used to sing was the "Canadian Boat Song," seldom now heard. It occurred to me whilst riding home one night with Mr. McQuade and hearing St. Matthew's church-bell toll 11 o'clock, that I might make a parody upon it, which I did and we sang it as follow:

Sweetly as tolls St. Matthew's chime,
So sweet we pass our evening time;
Melodious music rings around,
The fields we charm with dulcet sound.
Ride, brothers ride - the hours fly fast,
The road is drear - the moonlight's past.

Soon as our horses pass the hill
The breeze is bushed; and all is still;
We sing our weary homeward song,
And echo tills the vales along.
Ride, brothers ride, &c.

We leave glad scenes and faces dear,
To brave the night, so dark and drear;
The stars alone upon us shine,
And thus we pass our evening time.
Ride, brothers ride, &c.

Mr. and Mrs. Hale were the most hospitable people I ever knew. They made a practice of inviting all the friends that they met at the Windsor races - on a race meeting - to dine with them at Clifton or Fairfield. They also had a good lunch or pic-nic on the ground during the day. I was always welcome to these, and, full of youthful spirits, I enjoyed them greatly, and at them I met with many gentlemen of social and political position whose acquaintance I found of value in after life. The Fitzgeralds were more formal. They gave several grand balls, and at one of these I met the young lady whom I made my first partner in life, so that I had occasion to remember with gratitude their attentions to me. It was after one of these delightful gatherings that I was inspired to write the following lines which were afterwards set to music by the late Isaac Nathan, the composer of Byron's Hebrew Melodies, and an opera called "Don John of Austria":

'Tis sad to leave those scenes of joy
Where mirth and music's glee
Pervade each heart and smiling face
And all is melody.
'Tis sad to think of by-gone hours
When happy we have been,
But which in time's unwearied flight
Will never more be seen.

'Tis sad to say farewell to those
Dear friends whose converse sweet
Has brightened gloomy nights' long hours
And welcomed us to meet;
But sadder far, it is to part
From those we dearest love,
Oh I such a rending of the heart
Ascends to heaven above.

ASSOCIATIONS: William Walker (memoirist); Scarvell brothers (flute players); Isaac Nathan (composer)

MUSICAL CONCORDANCE: A Canadian boat song [Faintly as tolls the evening chime] (arr. Thomas Moore)




HALFORD, Louisa Henrietta (Louisa MILLAR; Louisa Henrietta; Mrs. George Britton HALFORD)

Amateur vocalist

Born Bath, Somerset, England, 1837 (4th quarter); daughter of Thomas MILLAR (c. 1802-1868) and Louisa RIVIERE (1815-1889)
Married George Britton HALFORD (1824-1910), Birkenhead, Cheshire, 16 March 1857
Arrived Melbourne, VIC, 23 December 1862 (per Agincourt, from London and Plymouth, 16 September)
Died Malvern, VIC, 18 December 1910, aged "73"

https://trove.nla.gov.au/search?l-publictag=Louisa+Millar+Halford+1837-1910 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALFORD-Louisa (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

ASSOCIATIONS: Anna Bishop (vocalist, maternal aunt); John Millar (brother)


Documentation:

England census, 30 March 1851, Bathwick, Bath, Somerset; UK National Archives, HO107/1940/384/52

https://search.findmypast.com.au/record?id=GBC/1851/4294513/00742&parentid=GBC/1851/0010017523 

13 Sydney Place / Thomas Millar / Head / Mar. / 49 / Professor of Music / [born] London
Louisa / Wife / 34 / - / [born] Marylebone
Thomas / Son / 14 / Scholar at home // Louisa / Daur. / 13 // . . . // John / Son / 8 // [all born Bath Somerset

1857, marriage solemnized at the parish church in the parish of Birkenhead in the county of Chester; register 1854-58, page 199; Cheshire West and Chester Council, P70/3/4

https://www.ancestry.com.au/search/collections/62258/records/95814192 (PAYWALL)

No. 397 / 16 March 1857 / George Britton Halford / Full [age] / Bachelor / Surgeon / London / [son of] James Halford . . .
Louisa Millar / 19 / Spinster / - / Birkenhead / [daughter of] Thomas Millar / Professor of Music . . .

ASSOCIATIONS: Thomas Millar and Louisa Riviere had married at Holy Trinity, St. Marylebone, on 25 July 1835

"ARRIVED", The Argus [Melbourne, VIC] (24 December 1862), 4

http://nla.gov.au/nla.news-article6482058 

DEC. 23. Agincourt, Blackwall ship, 1,000 tons, W. J. O. Symons, R.N.R., commander, from London, via Plymouth, 16th September.
Passengers - cabin: Dr. and Mrs. Halford, family (five), and servant . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (8 July 1868), 2

http://nla.gov.au/nla.news-article177003510 

Madame Anna Bishop and Mr. Lascelles gave a first-class amateur musical concert to the inmates of the Benevolent Asylum, on Monday afternoon [6 July] . . . The hall was crowded. Madame Anna Bishop and Mr. Lascelles came out in their first-class style, and the old folks were touched, pleased and delighted. A vote of thanks was proposed in an eloquent manner by Lloyd, an inmate. Mrs. Halford took part with Madame Anna Bishop in a beautiful piece from "Norma." The whole affair was a thorough success.

[News], The Argus (8 July 1868), 5

http://nla.gov.au/nla.news-article5820969

The old folks of the Benevolent Asylum enjoyed no ordinary treat yesterday afternoon, a concert having been generously given them by Madame Anna Bishop and Mr. Lascelles. The dining-hall was crowded. It was amusing and pleasing to observe the thrill of delight that ran through the audience as Madame Anna Bishop sang, in her exquisite style, "Home, Sweet Home," "John Anderson, my Jo, John," the "Dashing White Sergeant," "The Harp that Once Through Tara's Halls," &c.; and Mr. Lascelles some of his rare comic songs. Mrs. Halford took part in a duet from "Norma" . . . A vote of thanks was carried on a motion by Floyd, an inmate, couched in touching terms, to Madame Anna Bishop and Mr. Lascelles.

"DEATHS", The Argus (19 December 1910), 1

http://nla.gov.au/nla.news-article10485698 

HALFORD. - On the 18th December, at "Agincourt," Malvern, Louisa Henrietta Halford, relict of the late Professor Halford, and late of Inverloch, aged 73 years.




HALL, Miss (Miss HALL)

Musician (1 or 2), professor of music, pianist, vocalist, teacher of the pianoforte and French, German, and Italian singing

Active Melbourne, VIC, 1852; 1857

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-Miss (shareable link to this entry)


Documentation:

"THE WEEKLY CONCERTS", The Argus [Melbourne, VIC] (6 October 1852), 5

http://nla.gov.au/nla.news-article4787510 

We hear great things of the preparations for the Concert of tomorrow evening. The programme is not yet issued, but we understand that no fewer than four lady singers will appear, Mrs. Testar, Mrs. Pellatt, a Madame Clasen, and a Miss Hall. Miss Clasen is to perform on the piano, as well as Master Stevens, who was so warmly encored on Thursday last, and the Concert is to be still further enriched by a German chorus or two, and by the efforts of a gentleman amateur. Herr Mater is very active and enterprising and deserves encouragement.

ASSOCIATIONS: Elizabeth Testar (vocalist); Isabella Pellatt (vocalist); Madame and Miss Clasen (vocalist and pianist); Master Stevens (pianist); Charles Albert Frederic Mater (musical director); Thursday concerts (series); Mechanics' Institution (Melbourne venue)

"THE CONCERT", The Argus (14 October 1852), 4

http://nla.gov.au/nla.news-article4787646 

The following is the programme for this evening -
PART I.
Overture - Tancredi
Area - Fatal Goffredo, Mrs. Testar
Harp solo - thema, with variations, Mr. Crockett.
Song - A lowly youth, the maintain maid [sic], Miss Hall.
Cornet a'Piston Solo - Exile's Lament, by desire, Mr. De Grey
Song - The White Squall - Mr. Menzies.
Song - Where the Bee Sucks - Mrs. Testar.
Galop - The Cuckoo, with full chorus
PART II.
Overture - Don Giovanni.
Duett - Give that wreath to me, Mrs. Testar, &c.
Song - Come, Oh come where the Reindeer bounds.
Canzonet - Think of Me, Cornet Obligato, Mr. de Grey.
Celebrated Our Polka, Cornet variations, Mr. De Grey.
Song - On the Wings of Air I fly, Miss Hall
Finale - Rule Britannia.

ASSOCIATIONS: Mr. Crockett (harpist); Alexander Menzie (vocalist); Henry de Grey (cornet)

MUSIC: A lowly youth, the mountain child (Wallace, from Matilda of Hungary); On the wings of air I fly (Alexamder Lee)

[Advertisement], The Argus (4 June 1857), 8

http://nla.gov.au/nla.news-article7132974

MISS HALL, Professor of Music, proposes to give
LESSONS on the PIANOFORTE, and also in English, French, German, and Italian SINGING.
Sho has high testimonials from Dr. Sterndale Bennett, and is permitted in this colony to refer to
Mrs. Hull, Richmond.
Mrs. F. Selwyn, Brighton.
J. D. Pinnock, Esq., Richmond.
Dr. Sewell, D.O.L., St. Kilda.
Dr. Van Homert, St. Kilda.
For cards of address apply to the Library Junction, St. Kilda.

ASSOCIATIONS: William Sterndale Bennett (musician, teacher); James Denham Pinnock (referee)




HALL, Mr. (Mr. HALL)

Vocalist, actor, dancer (1 or more)

Active Adelaide, SA, 1842-43, 1847-48

https://trove.nla.gov.au/search?l-publictag=Mr+Hall+vocalist (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Mr+Hall+actor+dancer (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-Mr-SA (shareable link to this entry)


Documentation:

[Advertisement], The Examiner [Adelaide, SA] (14 September 1842), 1

http://nla.gov.au/nla.news-article263774129 

QUEEN'S THEATRE . . . Monday Evening, September 19th, 1842 . . .
MR. HALL, Will dance his celebrated HORNPIPE IN PATTENS . . .

ASSOCIATIONS: John Lazar (actor, manager); Queen's Theatre (Adelaide venue)

[Advertisement], Adelaide Observer (16 December 1843), 4

http://nla.gov.au/nla.news-article158917979 

OPENING OF THE OLYMPIC . . . on Wednesday, the 20th instant . . .
Song - "The Groves of Blarney," Mr. Evans.
Naval Hornpipe, Mr. Hall. Song - "We'll follow the Drum," Mr. Evans . . .
R. B. EVANS, Stage Manager . . .

ASSOCIATIONS: Richard A'Beckett Evans (actor, manager, vocalist); Olympic Theatre (Adelaide venue)

[Advertisement], South Australian [Adelaide, SA] (9 March 1847), 3

http://nla.gov.au/nla.news-article71607512 

Royal Adelaide Theatre . . .
ON Wednesday evening, March 10th . . .
Mr. Hall will dance the Jack Tar's Hornpipe . . .
Stage Manager - Mr. Deering.

ASSOCIATIONS: Henry Deering (actor, manager); Royal Adelaide Theatre (venue)

[Advertisement], South Australian Register [Adelaide, SA] (3 April 1847), 1

http://nla.gov.au/nla.news-article48545182 

Light-Square Free-and-Easy.
The tapmaster of the "Temple Tap" begs leave to inform his friends and the public at large that
vocal and harmonic meetings will be held in the above place in a spacious room fitted up for the purpose, at considerable expense, on every Wednesday evening, at eight o'clock.
He also begs to mention that he has engaged the services of gentlemen of talent, to preside for the season.
Chairman, Mr. Fonsaker; Vice-Chairman, Mr. Hall, the first vocalist in the colony.
April 2d, 1847.

ASSOCIATIONS: Joseph Fonsaker (publican, d. 1850); Free and easy (general)

[Advertisement], South Australian (9 July 1847), 1

http://nla.gov.au/nla.news-article71608769 

New Queen's Theatre, LIGHT SQUARE . . .
ON Saturday Evening, July 10, 1847 . . .
Iriss Jig - Madame Veilburne. Hornpipe - Mr. Hall . . .
G. COPPIN.

ASSOCIATIONS: Madame Veilburn (dancer); George Coppin (actor, manager); New Queen's Theatre (Adelaide venue)

"LOCAL INTELLIGENCE", South Australian Register (28 August 1847), 2

http://nla.gov.au/nla.news-article48546562 

Mr. Hall's benefit came off on Thursday night, in the New Queen's Theatre, and was in perfect unison with all those wretched theatrical essays to which we have so lately adverted. Mr. Hall appeared in the character of Earl Osmond, in the Castle Spectre, and evidently strained every nerve to "produce effect;" which however proved a dead failure. Tragedy is not certainly Mr. Hall's forte . . . The Highland Fling was certainly one of the worst attempts of the kind that we remember to have witnessed on any stage. We however concede willingly to Mr. Hall his well deserved meed of praise in his clever representation of Squire Aldwinkle, in the farce of The Ghost against his Will. The ridiculously-terrified old driveller was acted to a shade, and the character well sustained throughout, being very passibly supported by Mr. Lee in that of "Deckory" . . .

ASSOCIATIONS: John Herman Selwyn Lee (actor); New Queen's Theatre (Adelaide venue)

[Advertisement], South Australian Gazette and Mining Journal (15 July 1848), 2

http://nla.gov.au/nla.news-article195936302 

NEW QUEEN'S THEATRE, LIGHT-SQUARE . . . THIS EVENING. July 15 . . . Dance, Mr. Hall . . . J. LAZAR.




HALL, Edward Smith (Edward Smith HALL; E. S. HALL; "Mr. Monitor HALL")

Musical amateur, newspaper proprietor and editor, journalist, musical and theatrical reviewer (The monitor)

Born London, England, 28 March 1786; son of Smith HALL and Jane DREWRY
Married Charlotte HALL [sic] (1783-1826), St. Luke, Finsbury, London, England, 21 December 1810
Arrived Sydney, NSW, 10 October 1811 (per Friends, from England)
Died NSW, 18 September 1860

https://nla.gov.au/nla.party-635472 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-Edward-Smith (shareable link to this entry)

HALL, Charlotte (Charlotte HALL; Miss HALL)

Amateur musician, pianist

Born Sydney, NSW, 3 November 1811; baptised, St. Philip, Sydney, 8 December 1811; daughter of Edward Smith HALL and Charlotte HALL
Died Sydney, NSW, 21/22 June 1859

https://trove.nla.gov.au/search?l-publictag=Charlotte+Hall+1811-1859 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-Charlotte (shareable link to this entry)


Documentation:

"COURT OF REQUESTS, FRIDAY, OCT. 5. Symons and Annette his wife v. Samuel Terry", The Monitor [Sydney, NSW] (8 October 1827), 7

http://nla.gov.au/nla.news-article31758983

The plaintiffs had lately been resident in Sydney, but were now on their passage to England. Mrs. Symons, previously to her marriage (which took place in the Colony the latter part of last March) had given a quarter's tuition in musick to Miss Martha Terry, daughter of the defendant. The latter had been repeatedly called on to pay the amount charged (three guineas sterling), and had evaded payment, first, by saying he would settle it when convenient; but finally he denied all knowledge of his daughter's having been a pupil of Mrs. Symons, but acknowledged that he had heard that she had visited Mrs. S. as a young friend, when it was probable they might amuse each other with a tune on the piano; but as to receiving lessons, he knew nothing of it . . .

. . . The Rev. Ralph Mansfield deposed that Mrs. Mansfield and himself had also been intimate with Mrs. Symons previously, as well as subsequently to her marriage . . . Mr. Mansfield was of opinion that Miss Spencer, she being, in his opinion, inclined to benevolence, would teach the daughter of a person in decayed circumstances without charge, even though she were herself, at the time, in a sickly state of health.
Miss Charlotte Hall deposed to her having been a pupil of Miss Spencer, and subsequently of Mrs. Symons; but that she received her tuition in a morning, whereas Miss Terry attended to receive her lessons in an evening. But it so happened that, at two several times, Miss Terry casually mentioned to the witness, that she was taking lessons on the piano of Miss Spencer . . .

The defendant addressed the Court in explanation. He said, his daughter had taken instructions in music from Miss Spencer, and afterwards, when she became Mrs. Symons, without his knowledge. He admitted he had heard of her going to Mrs. Symon's lodgings, but he understood it was in the way of a friendly call. His daughter being a minor, was not competent to make such engagements as the one on which the action was founded and consequently he was not liable to judgment.
(Being reminded by the plaintiff's attorney that Miss Terry could have given better evidence on such points than himself, if she had made her appearance.)
Mr. Terry went on to say, that he would not allow his daughter to come into that Court on such a paltry occasion; and that, in his opinion, Mr. Hall ought to be ashamed of himself for permitting Miss H. to attend there, and give evidence as she had done. If Mr. S. had wanted three guineas, or even five guineas, he would chearfully have given it him; and that he was sure the plaintiffs had received from him aforetime, that which was equivalent to several fives: but he would resist a demand of this sort, when set up as a legal claim.
(The attorney for the plaintiffs begged the defendant to desist from such insinuations; for that although he admitted Miss Spencer had not been rich, and could not afford to give the daughters of wealthy men tuition and tea parties all for nothing, her husband, Mr. Symons, was a gentleman of property, and needed not, nor would accept any gifts from Mr. Terry.)
The Commissioner summed up in few words. He was satisfied in his own mind Miss Terry had been instructed by Miss Spencer, and therefore should give judgment for the plaintiffs. Damages £3 3s. sterling, and costs.

ASSOCIATIONS: Annette Symons (pianoforte teacher); Samuel Terry (merchant); Martha Terry (pupil), from 1829, Mrs. John Hosking; Ralph Mansfield (Wesleyan cleric, witness); William Horton (Wesleyan cleric, witness)

"CORONER'S INQUESTS", The Sydney Morning Herald (23 June 1859), 8

http://nla.gov.au/nla.news-article13026708 

An inquest was held, at the Lord Nelson Hotel, Hunter-street, yesterday, touching the death of a maiden lady, named Charlotte Hall, aged 45 years [sic]. It appeared, from the evidence of the deceased's father, that she had been subject to epileptic fits from the age of 15, and that frequently they came on without previous warning. On Tuesday night she retired to rest, at the accustomed hour, enjoying her usual good health. On entering her room in the morning her father found her dead. She was lying on her stomach with her face buried in the pillow. She appeared to have been seized with a fit, and had died some time during the night. It was the opinion of the medical gentleman who had examined the body that suffocation was the immediate cause of death, verdict accordingly.

"DEATHS", The Sydney Morning Herald (23 July 1859), 1

http://nla.gov.au/nla.news-article13028180 

On the 22nd ultimo, suddenly, at the residence of her father in Sydney, Charlotte Hall, eldest daughter of Mr. E. S. Hall.




HALL, H. J. (Henry Julian HALL; Mr. Julian HALL; Mr. H. J. HALL) = alias Barned Jullien COLEMAN (alias Watty WALLACK)

Actor, vocalist, dancer, monologuist, polyphonist

Active (as H. J. HALL) c. 1861-65

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-H-J (shareable link to this entry)




HALL, Humphrey (Humphrey HALL; Humphrey Joseph HALL)

Theatrical and musical reviewer, theatre and music reviewer, playwright, journalist

Born Maitland, NSW, 1863; son of George HALL and Catherine
Died Sydney, NSW, 28 December 1940 [reg. 1941]

https://trove.nla.gov.au/search?l-publictag=Humphrey+Hall+1863-1940 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1307684 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-Humphrey (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

"MR. HUMPHREY HALL", The Sydney Morning Herald (30 December 1940), 7

http://nla.gov.au/nla.news-article17707264

The death occurred on Saturday of Mr. Humphrey Hall, Sydney journalist. Bom at Maitland, Mr. Hall began his newspaper career on the "Mercury" in that town. He later Joined the staff of the "Daily Telegraph," with which he was associated for a considerable period. For many years he conducted the legal column for the "Evening News." Mrs. Hall and a son survive him.


Works:

[Humphrey Hall and Alfred John Cripps], The romance of the Sydney stage by Osric (Sydney: Currency Press in association with National Library of Australia, 1996)

https://trove.nla.gov.au/work/22007847

ASSOCIATIONS: Alfred John Cripps (co-author)




HALL, J. (Mr. J. HALL)

Music importer

Arrived Melbourne, VIC, July 1857

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-J-VIC-1857 (shareable link to this entry)


Documentation:

[Advertisement], The Argus [Melbourne, VIC] (18 July 1857), 7

http://nla.gov.au/nla.news-article7135536

J. HALL begs leave to inform the friends of Mr. Henry J. King, Organist, Pianist, and Singer,
that he is expected to arrive at Melbourne in a few days by the ship Commodore Perry, with a choice selection of new Music, &c.
Rosetta Cottage, Bank-street west, Emerald Hill.

ASSOCIATIONS: Henry John King (senior) (musician)




HALL FAMILY OF DANCERS AND MUSICIANS
HALL, John (John HALL; John Rashleigh HALL; Mr. J. HALL; J. R. HALL)

Dancing master, professor of dancing, teacher of dancing, theatrical dancer, ? musician, actor, theatrical manager, tallow chandler, painter

Born ? Scotland, c. 1816; son of John Rashleigh HALL and Lucy ? [NSW BDM 6376/1890]
Married Jane (Janet) THOMSON (1823-1910), St. Philip's, Sydney, NSW, 30 April 1840
Died Hurstville, NSW, 1 December 1890, aged "75"

https://trove.nla.gov.au/search?l-publictag=John+Hall+c1816-1890 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-John-dancing-master (shareable link to this entry)

DISAMBIGUATION: J. P. HALL (serenader); John Lawrence Hall (Johnny Hall) (comedian)

HALL, John Thomson (John HALL; John Thomson HALL; J. T. HALL)

Musician, violinist, juvenile dancer, conductor, composer, arranger

Born Sydney, NSW, 28 February 1841; baptised St. Philip's church, 2 May 1841; son of John HALL and Jane THOMSON
Married Sarah Amy DEVANEY, VIC, 1868
Died Kent Town, SA, 2 December 1883, aged "42/43"

https://trove.nla.gov.au/search?l-publictag=John+Thomson+Hall+1841-1883 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-John-Thomson (shareable link to this entry)

HALL, George Hubert (George Hubert HALL; G. H. HALL)

Musician, violinist, conductor, composer, arranger

Born Sydney, NSW, 14 November 1858 (reg. 1859); son of John HALL and Jane THOMSON
Married [1] Mary Jane Winifred McCULLUM, Brisbane, QLD, 8 August 1882 (divorced 1892)
Married [2] Agnes Kelton TOWLE (d. 1910), Flinders St. Presbyterian Church vestry, Adelaide, SA, 30 August 1899
Married [3] Beatrice ENGLISH (Mrs. IZETT) (c. 1932), Lambeth, London, England, 21 April 1910
Died Tooting Bec, London, England, 12 March 1936, aged "72" [sic, 77]

https://trove.nla.gov.au/search?l-publictag=George+Hubert+Hall+1858-1936 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-George-Hubert (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE MUSICALLY IN AUSTRALIA AFTER 1860


Documentation:

Marriages, St. Philip's, Sydney, 1840; NSW BDM, St. Philip's, Sydney, register 28 vol. 24

John Hall of this parish, tallow chandler, a bachelor, and Jane Thomson of this parish a spinster
were married in this church by banns with consent of father this [30 April 1840] . . .

ASSOCIATIONS: It is not known when John Hall arrived in the colony of NSW; however, Jane Thomson, or "Janet Thomson", aged "14 years" on "15th August last [1837]", arrived from Scotland, on the ship Duncan, with her parents William and Jane, on 30 June 1838

Baptisms, St. Philip's, Sydney, 1841; Biographical database of Australia (BDA)

https://www.bda-online.org.au/mybda/search/biographical-report/30091010301 (PAYWALL)

2 May 1841 / born 28 February 1841 / John Thomson son of / John and Jane / Hall / Sydney / Painter

ASSOCIATIONS: John Hall, tallow chandler, and Jane Thomson had married at St. Philip's, Sydney, on 30 April 1840 [BDM NSW 28/1840 V184028 24B]

[Advertisement], Bell's Life in Sydney and Sporting Reviewer [NSW] (15 January 1848), 3

http://nla.gov.au/nla.news-article59764767 

Royal City Theatre . . . this evening, January 15, 1848,
will be performed the celebrated Melo-Drama, entitled THE DUMB MAID OF GENOA.
Antonio, (the Bandit Chief) - Mr. Belfield.
Strapado - Mr. Hall . . .
Irish Comic Song, Mr. Belfield - Dance, Mr. Hall . . .

ASSOCIATIONS: Francis Belfield (actor, manager, vocalist); City Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (16 February 1848), 2

http://nla.gov.au/nla.news-article12891111 

ROYAL CITY THEATRE . . . This Evening, February 16 . . .
the celebrated Drunken Combat, by Messrs. Hall and Lawrence.
Favourite Song, by Mrs. Martin. Hornpipe, by Mr. Hall . . .

[Advertisement], The Sydney Morning Herald (26 July 1849), 1

http://nla.gov.au/nla.news-article12905143 

CITY THEATRE. FRIDAY EVENING, JULY 27. MRS. HAMBLETON'S BENEFIT . . . Hornpipe, Mr. Hall . . .

ASSOCIATIONS: Mrs. Hambleton (actor)

"ROYAL VICTORIA THEATRE", The Sydney Morning Herald [NSW] (19 March 1851), 2

http://nla.gov.au/nla.news-article12925670 

FOR THE BENEFIT OF MR. T. WILLIS. TO-MORROW EVENING, MARCH 20,
Mr. T. WILLIS has much pleasure in announcing to his friends and the public of Sydney and its environs, that his
BENEFIT is fixed to take place on Thursday next, when he trusts his exertions during the recent season, and the Entertainments announced, will ensure him a share of public support . . .
Highland Fling, by Master J. H. Willis, Pupil of Mr. Hall . . .
Drum Polka (by desire), the Misses Griffiths;
Naval Hornpipe, Master J. H. Willis;
New Medley Dance, Miss Hart . . .
Tickets may be obtained at the usual places; of Mr. Willis, at his residence, 28, Elizabeth-street South;
and of Mr. Wyatt, at the Theatre, where Boxes may be secured.

ASSOCIATIONS: Thomas Charles Willis (actor) and J. H. Willis (? young brother); Fanny and Emily Griffiths (dancers); Margaret Hart (dancer); Joseph Wyatt (proprietor); Royal Victoria Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (17 April 1851), 1

http://nla.gov.au/nla.news-article12926380 

PLAIN AND FANCY DRESS BALL.
MR. J. HALL, Professor of Dancing,
begs to announce that a Plain and Fancy Dress Ball will be given by him
at the Saracen's Head Hotel, on Easter Monday, April 21.
Tickets to be obtained of MAXWELL, at the above Hotel;
or of Mr. HALL, at his residence, Palmer-street, Woolloomooloo.

[Advertisement], Empire (26 January 1852), 2

http://nla.gov.au/nla.news-article60127292 

ROYAL VICTORIA THEATRE. ADVANCE AUSTRALIA!!! REGATTA DAY!
64th Anniversary of the Foundation of the Colony, Previous to the rising of the Curtain for the Drama,
RULE BRITANNIA will be sung by the whole strength of the Company.
THIS EVENING, January 20, 1852 . . .
Pas de Deux, Miss Hart and Signor Carandini . . .
After which Master Hall, a child only eight years of age, will appear and dance a Sailor's Hornpipe . . .
Pas de Deux, the Misses Griffiths.

[Advertisement], The Sydney Morning Herald (10 July 1852), 1

http://nla.gov.au/nla.news-article12938275 

A PLAIN AND FANCY DRESS BALL. MR. J. HALL
begs to inform his friends and the public generally, that his Ball will take place at
Mr. Maxwell's Saloon, Saracen's Head Hotel, corner of King and Sussex streets, on Tuesday Evening, July 20.
Dancing to commence at half-past 8 o'clock.

[Advertisement], Empire [Sydney, NSW] (27 July 1852), 2

http://nla.gov.au/nla.news-article60132667 

ROYAL VICTORIA THEATRE. FOR THE BENEFIT OF MR. BELFIELD . . .
THURSDAY EVENING, July 29, 1852 . . .
Irish Jig, Miss F. Griffiths and Signor Carandini . . .
Naval Hornpipe, Master P. Belfield, only five years old, and pupil of Mr. J. Hall . . .
Medley Dance, Miss Louisa Collins . . .

ASSOCIATIONS: Francis and Peter Belfield (actor and son); Gerome Carandini (dancer); Louisa Collins (dancer)

[Advertisement], The People's Advocate and New South Wales Vindicator [Sydney, NSW] (31 July 1852), 2

http://nla.gov.au/nla.news-article251530952 

ROYAL VICTORIA THEATRE. THIS EVENING, Saturday, July 31, 1852 . . .
Irish Jig, Miss Griffiths and Signor Carandini.
Naval Hornpipe, Master P. Belfield, only 5 years old, and pupil of Mr. J. Hall . . .
Medley Dance, Miss Louisa Collins . . .
J. G. GRIFFITHS, Manager.

ASSOCIATIONS: John Gordon Griffiths (actor, manager)

[Advertisement], The Sydney Morning Herald (3 June 1853), 2

http://nla.gov.au/nla.news-article12946380 

ROYAL VICTORIA THEATRE. MONDAY EVENING. JUNE 6, 1853.
For the Benefit of Mr. BELFIELD . . .
Pas Seul, Miss Collins. Song, Madame Sara Flower.
Naval Hornpipe, Master P. Belfield (only six years old, pupil of Mr. J. Hall) . . .
Irish Jig, Mrs. McGowan . . .

ASSOCIATIONS: Fanny McGowan (formerly Fanny Griffiths, above)

[Advertisement], The Sydney Morning Herald (5 July 1853), 2

http://nla.gov.au/nla.news-article12947056 

MALCOM'S ROYAL AUSTRALIAN AMPHITHEATRE, YORK-STREET. -
For the Benefit of Mrs. NESBITT. TUESDAY EVENING, July 5, 1853 . . .
Master J. T. Hall on this particular occasion will appear in the HIGHLAND FLING . . .
Naval Hornpipe, Master J. T. Hall . . .

ASSOCIATIONS: For the benefit of the widow of Francis Nesbitt (actor); Malcom's Amphitheatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (20 December 1853), 6

http://nla.gov.au/nla.news-article12953669 

CARD. - MR. J. HALL, Teacher of Dancing,
begs to inform his friends and the public generally that his
Ball will take place December 26, 1853, at his Assembly Rooms, King-street, opposite the Court House.
N.B. - Terms of admission, single tickets, 20s.; double ditto, 25s,, refreshments included.
Tickets to be had of Mr. H., at his residence, No. 9, Castlereagh-street South.
Dancing to commence at 9 o clock precisely.

[Advertisement], Bathurst Free Press and Mining Journal [NSW] (14 January 1854), 3

http://nla.gov.au/nla.news-article62054131 

Royal Victoria Theatre.
ARRIVAL OF THE BAND FROM SYDNEY.
ON Monday evening, Jan. 16th, 1854,
SEIGNOR CARRANZANNI DEL VALLE, first violinist to the King of Sardinia, Concertist and Leader of the Italian Opera;
MASTER J. T. HALL, from the Victoria Theatre, Sydney, pupil of Seignor Carranzanni,
and MR. RYAL, from the Argyle Concert Room, London,
will perform Rossini's Grand Overture "De La ltaliana in Algeria."
The public is also respectfully informed that in future the Orchestral Department will be conducted by SEIGNOR CARRANZANI.
F. BELFIELD, Manager.

ASSOCIATIONS: Felix Caranzani del Valle (violinist, leader); John James Ryall (junior) (musician, actor); Royal Victoria Theatre (Bathurst venue)

[Advertisement], Bathurst Free Press and Mining Journal (4 March 1854), 3

http://nla.gov.au/nla.news-article62054608 

Royal Victoria Theatre. MONDAY EVENING, MARCH 6TH, 1854.
For the benefit of MR. F. BELFIELD, Manager.
Under the distinguished patronage of the Members of the Bathurst Cricket Club . . .
Dance - Master P. Belfield . . .
Dance - Master J. T. Hall . . .

[Advertisement], Bathurst Free Press and Mining Journal (25 March 1854), 3

http://nla.gov.au/nla.news-article62052119 

Royal Victoria Theatre . . .
THE BENEFIT OF MR. CULL. Monday Evening, March 27th . . .
HIGHLAND FLING - Master J. T. HALL . . .

ASSOCIATIONS: William Cull (actor, vocalist)

[2 advertisements], Bathurst Free Press and Mining Journal (8 April 1854), 3

http://nla.gov.au/nla.news-article62046974 

Royal Victoria Theatre. FOR THE BENEFIT OF MR. KING.
MR. KING respectfully informs the inhabitants of Bathurst and its vicinity,
that his Benefit will take place on MONDAY EVENING, April 10th . . .
Naval Hornpipe (first time) - Mr. King, Pupil of Master J. T. Hall
Song "Old English and Irish Gentlemen" - Messrs. Cull and Belfield
Highland Fling - Master J. T. Hall
Dance - Miss Jackson
Ethiopian Medley (first time) - Mr. King . . .

. . . SATURDAY EVENING, APRIL 8TH, 1854 . . .
Dance - Master J. T. Hall . . .

ASSOCIATIONS: Mr. King (actor, vocalist, otherwise unidentified); evidently, young John had taught King to dance the naval hornpipe

[Advertisement], Empire [Sydney, NSW] (28 July 1854), 1

http://nla.gov.au/nla.news-article60196375 

ROYAL ALBERT THEATRE (Late Olympic Circus, Castlereagh-street,)
ON FRIDAY EVENING, July 29, 1854 . . .
Pas Seul Comique, Mr. Hall . . .
J. W. BRUTON, Manager.

ASSOCIATIONS: John William Bruton (actor, manager); Royal Albert Theatre (Sydney venue)

[Advertisement], Empire (1 August 1854), 1

http://nla.gov.au/nla.news-article60195126 

ROYAL ALBERT THEATRE. THIS EVENING, TUESDAY, August 1st, 1854 . . . Pas Seul, Mr. Hall . . .

[Advertisement], The People's Advocate and New South Wales Vindicator [Sydney, NSW] (5 August 1854), 2

http://nla.gov.au/nla.news-article251544031 

ROYAL ALBERT THEATRE . . . ON MONDAY EVENING, August 7th, 1854,
the entertainments will commence with THE GOLDEN FARMER; or, THE LAST CRIME . . .
John and Thomas - Messrs. Hall and Twight . . .
Naval Hornpipe, by a Gentleman Amateur, pupil of Mr. Hall . . .

ASSOCIATIONS: Henry Twight (actor)

[Advertisement], Bathurst Free Press and Mining Journal [NSW] (8 September 1855), 3

http://nla.gov.au/nla.news-article62053412 

Royal Prince of Wales Theatre . . . MONDAY, SEPTEMBER 10,
MR. JOHN HALL, Ballet Master from the London and American Theatres,
will have the honour of making his first appearance in Bathurst . . .
Mr. JOHN HALL and Mr. W. EVANS will fight the celebrated DRUNKEN COMBAT from the Maid of Genoa . . .
TUESDAY, SEPTEMBER 11 . . .
[REDACTED] SONG - Mr. W. EVANS
. BOHEMIAN POLKA - MISS JACKSON & MR. HALL . . .
SOLE LESSEE: MR. WM. EVANS.
STAGE MANAGER: MR. JOHN HALL.
Leader of the Orchestra: Mr. G. Chittenden jun.

ASSOCIATIONS: William Evans (actor, dancer, vocalist, manager); George Chittenden (junior) (musician, leader); Prince of Wales Theatre (Bathurst venue)

[Advertisement], Bathurst Free Press and Mining Journal (15 September 1855), 3

http://nla.gov.au/nla.news-article62047793 

Royal Prince of Wales Theatre.
Last Appearance of MRS. W. E. EVANS in her great character of EVADNE.
ON SATURDAY EVENING, SEPT. 15th. . . .
After which, Song, "Villikins and his Dinah" - Mr. Cull . . .
ROB ROY MACGREGOR is in active preparation, and will shortly be produced, with all the original music.
SOLE LESSEE: MR. WM. EVANS.
STAGE MANAGER: MR. JOHN HALL.

[Advertisement], Bathurst Free Press and Mining Journal (20 October 1855), 3

http://nla.gov.au/nla.news-article62049727 

PRINCE OF WALES THEATRE. MONDAY, OCTOBER 22, 1855.
BENEFIT of MR. J. HALL, Manager. First night of the operatic Drama of
ROB ROY; Or, AULD LANG SYNE . . .

"THE QUEEN'S THEATRE", The Maitland Mercury and Hunter River General Advertiser [NSW] (11 December 1856), 2

http://nla.gov.au/nla.news-article18640986 

This place of amusement was re-opened on Monday night, under a new management, Mr. R. P. Weston being sole lessee. The appearance of the interior is much improved by the addition of curtains to the boxes. The performance commenced with Morton's comic drama, "All that Glitters is not Gold," and concluded with "Cramond Brig" . . . The performance was satisfactory, circumstances being considered. The want of the pianoforte was supplied by Master Hall's playing on the violin, and dancing . . .

ASSOCIATIONS: Robert P. Weston (proprietor); Queen's Theatre (Maitland venue)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (11 December 1856), 3

http://nla.gov.au/nla.news-article18640963 

Queen's Theatre, West Maitland. THIS EVENING, December 11th . . .
Overture - Tancredi. Violin Solo - Master J. HALL . . .

"THE QUEEN'S THEATRE", The Maitland Mercury and Hunter River General Advertiser (13 December 1856), 2

http://nla.gov.au/nla.news-article18644551 

The Theatre was but thinly attended on Wednesday and Thursday evening, although the entertainments given deserved better success, being marked by considerable improvement . . . Nor should mention be omitted of the songs by Mrs. Weston and Mrs. Moore, or of the musical performances of Master Hall . . .

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (13 December 1856), 3

http://nla.gov.au/nla.news-article18644538 

Queen's Theatre, West Maitland . . . THIS EVENING . . .
Overture - Tancredi. Sailor's Hornpipe - MASTER J. HALL . . .

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (16 December 1856), 3

http://nla.gov.au/nla.news-article18644212 

Queen's Theatre, West Maitland. LAST NIGHT OR THE SEASON.
For the BENEFIT of Mr. JAMES MILNE and COMPANY. WEDNESDAY EVENING, DEC. 17th . . .
Sailors Hornpipe - Mr. John Patrick, Who has kindly volunteered on this occasion.
Irish Jig - Miss Jackson . . .
Highland Fling - Master Hall . . .

ASSOCIATIONS: James Milne (actor, manager)

"THE QUEEN'S THEATRE", The Maitland Mercury and Hunter River General Advertiser (18 December 1856),2

http://nla.gov.au/nla.news-article18649293 

On Monday night the Hospital benefit failed to attract a good house. The performances were creditable, and the acting of Mr. Milne especially so. Master Hall's hornpipe was encored, as was also the jig by Miss Jackson . . .

? [Advertisement], The Sydney Morning Herald [NSW] (18 December 1856), 1

http://nla.gov.au/nla.news-article12990189 

OUR LYCEUM THEATRE - "The opening of the above mentioned theatre
having furnished employment to a number of actors, actresses, artists, musicians, carpenters, and others, and
Mr. W. H STEPHENS having been principally instrumental in effecting this great good,
it is proposed to give him a Complimentary Benefit, on THURSDAY EVENING, December 18, 1856.
All persons employed in 'Our Lyceum Theatre' disposed to tender their Gratuitous Services on the occasion will please affix their signatures to this paper immediately."
The following signatures are appended: . . .
THE BAND - Messrs. Wheeler, Davis, Pearson, Friedlander, Wilkinson, Boans,
H. Cramer, F. Cramer, Hall, Cramer, &c., &c.

ASSOCIATIONS: Obviously John Thomson Hall cannot have been simultaneously in Maitland and in Sydney; but it is possible, if not another unrelated musician otherwise unidentified, that the Sydney Hall was the elder John, his father;
William Henry Stephens (actor); Stephen Thomas Wheeler (musician); Isaac Henry Davis (musician); Joseph Pearson (musician); William Friedlander (musician); Theodore Scott Wilkinson (musician); Philip Barnett Boam (musician); Cramer brothers (musicians); Lyceum Theatre (Sydney venue)

"THEATRE ROYAL. The Benefit of Mr. Milne", The Courier [Hobart, TAS] (25 April 1857), 3

http://nla.gov.au/nla.news-article2459020 

An actor of considerable talent, remarkable for his painstaking energy and general usefulness, is fixed to take place on Monday evening next, at the Theatre Royal . . . Mr. Milne has drawn out a good bill; the opening piece being the dashing comedy of "Sweethearts and Wives," in which the whole strength of the company will appear. Master Hall, who, like Mr. Milne, is an Australian native will also play the Carnival of Venice upon the violin, and afterwards dance a hornpipe The performances will wind up with "Naval Engagements."

ASSOCIATIONS: Theatre Royal (Hobart venue);
see also [Advertisement], The Hobart Town Advertiser (27 April 1857), 2

http://nla.gov.au/nla.news-article264644402 

THEATRE ROYAL. BENEFIT OF MR. JAMES MILNE . . . MONDAY, April 27th . . .
Master John Hall, the young Australian Violinist, will have the honor of executing, first time here,
the world renowned Violin Solo, a la Paganini, entitled "The Carnival de Venice."
Hornpipe, Master Hall . . .

[Advertisement], The Courier (2 May 1857), 2

http://nla.gov.au/nla.news-article2459146 

THEATRE ROYAL. BENEFIT OF MRS. HARWARD, Under the Patronage of THE LADIES OF TASMANIA.
LAST NIGHT OF THE SEASON. "Should Auld Acquaintance be Forgot."
MONDAY EVENING, 4th MAY . . .
VIOLIN SOLO - Master Hall
National Pas de Deux, Miss C. Howard [sic, Harward] and Master J. Hall . . .

ASSOCIATIONS: Christiana Harward (actor) and daughter (dancer)

"Mr. H. N. Warner at the Lyceum Theatre", The Cornwall Chronicle [Launceston, TAS] (9 May 1857), 4

http://nla.gov.au/nla.news-article65725980 

The company from the Theatre Royal, Hobart Town, have arrived, and on Monday evening, the Lyceum will be opened with the standard play of the "Lady of Lyons." - "Claude Melnotte," Mr. H. N. Warner, and Miss Emily Glyndon as "Pauline." Master J. Hall will perform a solo on the violin, and the evening's entertainments will be wound up with the screaming farce of "That Rascal Jack," the principal character by the celebrated Mr. J. Dunn. During the brief stay of this highly talented company, the evenings of performance will be Monday, Wednesday and, Friday.

ASSOCIATIONS: Henry Neil Warner (actor); Emily Glyndon (actor); John Benjamin Dunn (actor); Lyceum Theatre (Launceston venue)

"OPENING NIGHT AT THE LYCEUM, LAUNCESTON", The Courier (14 May 1857), 2

http://nla.gov.au/nla.news-article2459340 

. . . Master J. Hall's solo on the violin was listened to with breathless attention, and was rapturously encored . . . "Black-eyed Susan" and the comedietta of "Sketches in India," with a solo of "Nouvelle Variations" on the violin by Mr. John Hall, as an interlude, will be the bill of fare for this evening, when, on account of the excitement of the Autumn Races, it will be difficult to secure a seat in the Lyceum.
- [Launceston] Chronicle of yesterday.

[Advertisement], The Hobart Town Mercury (26 June 1857), 2

http://nla.gov.au/nla.news-article3244275 

THEATRE ROYAL . . .
OPEN THE THEATRE FOR THE WINTER SEASON WITH ENGLISH OPERA . . .
Musical Director - Mr. Lindlay Norman.
First Violin - Master J. Hall.
Scenic Artist - Mr. Opie.
Full particulars will appear in a few days.

ASSOCIATIONS: Linly Norman (musical director); Edward Andrew Opie (scenic artist); English Opera Company (troupe)

[Advertisement], The Hobart Town Mercury (28 August 1857), 2

http://nla.gov.au/nla.news-article3244888 

THEATRE ROYAL. IMMENSE ATTRACTION FOR THIS NIGHT ONLY.
GRAND REGIMENTAL PERFORMANCE!!
For the Benefit of MASTER JOHN HALL, VIOLINIST.
SATURDAY EVENING, AUGUST, 29th 1857. By the kind permission of COLONEL PERCIVAL, AND THE OFFICERS OF THE 12th REGT.,
The talented Band will be in attendance, and, in addition to their Musical aid, will, assisted by
Mrs. HARWARD, Perform in the celebrated Comedietta of
THE STATION HOUSE, AND P. L. OR 30 STRAND!
ALSO A MUSICAL MELANGE! in which several popular Ethiopian Melodies will be introduced by
"DEM [REDACTED] OF DE BAND."
PRICES AS USUAL.

ASSOCIATIONS: Band of the 12th Regiment (military)

[Advertisement], The Courier [Hobart, TAS] (30 June 1858), 3

http://nla.gov.au/nla.news-article2462810 

PROGRAMME OF MR. PECK'S GRAND CONCERT IN THE
BALL ROOM, GOVERNMENT HOUSE, MACQUARIE STREET, TO-MORROW EVENING, THURSDAY, 1ST JULY.
PART I. Cherubim's [Cherubini's] GRAND OVERTURE - "Anacreon" - Full Orchestra. First time in the colony . . .
DUETT - Two Violins - MR. PECK and MASTER HALL - ROMBEY . . .

ASSOCIATIONS: George Peck (violinist)

[Advertisement], The Sydney Morning Herald [NSW] (11 December 1858), 4

http://nla.gov.au/nla.news-article13017931 

PRINCE OF WALES THEATRE, Sydney, December 7, 1858.
- To CHARLES POOLE, Esq. - Dear Sir,
- We, the undersigned, being fully sensible of the benefit you have rendered to the profession to which we belong, by raising to a high standard the character of the theatre of which you are now the Manager, beg to tender you our services ou the occasion of the complimentary benefit to be given to you at the above Theatre on Tuesday next, the 14th instant; and, with every good wish for your future success,
We are, dear Sir, your faithful servants,
G. V. Brooke . . . George H. Rogers . . . Sara Flower . . .
Orchestra. - John Winterbottom, conductor,
R. Vaughan, Charles Frederichs, F. S. Wilkinson [sic],
W. Dalton, S. Davis [sic], L. Hall [sic],
W. J. S. Tranter, Charles Eigenschenk.

ASSOCIATIONS: Charles Poole (manager); Gustavus Vaughan Brooke (actor); George Herbert Rogers (actor); Sara Flower (actor, vocalist); John Winterbottom (musician, conductor); Robert Vaughan (musician); Christian Fredericks (musician); Theodore Scott Wilkinson (musician); W. Dalton (musician); Isaac Henry Davis (musician); William Joseph Tranter (musician); Charles Eigenschenck (musician); Prince of Wales Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (2 July 1859), 1

http://nla.gov.au/nla.news-article13027075 

SYDNEY UNIVERSITY MUSICAL FESTIVAL.
On TUESDAY, July 19th, and THREE FOLLOWING DAYS, a series of
GRAND MUSICAL PERFORMANCES will beheld, to celebrate the opening of the
HALL of the Sydney University, in which the performances will take place . . .
Conductor - Mr. L. H. LAVENU.
The following Instrumental Performers have already been engaged:
FIRST VIOLINS. Mr. John Deane, Conductor of the Philharmonic Society
Mr. Eigenshenk, leader of Orchestra at the Prince of Wales Theatre
Mr. Alfred Usher, leader of Orchestra at the Victoria Theatre . . .
SECOND VIOLINS. - Mr. Richard Peck [sic], Mr. Adolphe Grebet, Mr. John Thomas Hall [sic],
With the gentleman Amateurs of the Philharmonic Society . . .

ASSOCIATIONS: Lewis Henry Lavenu (conductor); John Deane (violin); Alfred Usher (violin); probably correctly George Peck (as above) (second violin); Adolphe Grebet (second violin); Sydney Philharmonic Society (associations); Sydney University Musical Festival (event)

[Advertisement], Empire [Sydney, NSW] (27 August 1859), 1

http://nla.gov.au/nla.news-article60403340 

Green Room, Prince of Wales Theatre, August 23rd, 1859.
TO CHARLES POOLE, ESQ., LESSEE AND MANAGER.
DEAR SIR - Allow us to congratulate you on the unprecedented fact of your having kept open the Prince of Wales Theatre during a period of fourteen months, notwithstanding the difficulties which beset you . . .
We are anxious of substantially acknowledging those efforts on your part, and feel pleasure in offering you two distinct clear Benefits, at the earliest period you may feel disposed to accept the same
- one to be given by the members of the Opera Company, and the other by the Dramatic Corps . . .
We beg to subscribe ourselves, Your obedient servants, . . .
CHAS. EIGENSCHENCK, R. KOHLER, R. VAUGHAN, T. S. WILKINSON . . .
C. FREDERICKS, J. HALL, ISAAC DAVIS, W. DALTON . . .

ASSOCIATIONS: Richard Wildblood Kohler (musician)

[Advertisement], Empire (21 November 1859), 1

http://nla.gov.au/nla.news-article64093288 

GENERAL MEETING of the THEATRICAL PROFESSION, held November 19th, 1859.
It was Resolved, That none of the following Members of the Profession shall receive any engagement from Mr. CHARLES POOLE, or any deputed manager of his, until the present pecuniary claims of the whole professional body shall have been indemnified in full.
In guarantee whereof the following signatures were affixed: . . .
. . . W. Dalton . . . F. J. Sharp, R. W. Kohler . . .
Charles Eigenschenck . . . W. J. Brown, J. Davis . . .
J. Hall . . . A. Usher, Robert Vaughan.
R. STEWART, Chairman.
FRANK VARLEY, Secretary.

ASSOCIATIONS: Frederick Sharp (musician); Walter James Brown (musician); Richard Stewart (actor, chair); Frank Varley (secretary); Australian Dramatic and Musical Association (association);
and see also further open letter, [Advertisement], The Sydney Morning Herald (26 November 1859), 8

http://nla.gov.au/nla.news-article13033741 

[Advertisement], Empire (23 November 1859), 1

http://nla.gov.au/nla.news-article64093404 

GRAND ORCHESTRAL UNION AND VOCAL CONCERT.
The first of a series of Monster CONCERTS, for the benefit of the Dramatic and Musical Artists,
late of the Victoria and Prince of Wales Theatres, will take place
THIS EVENING, the 23rd instant, At the School of Arts,
When the following combination of talent will appear: -
Pianist, Mr. C. Packer
Leaders, Messrs. Usher and Eigenschenck
Second Violins, Messrs. Josephson and Hall . . .
PART 1. Overture, Guillaume Tell - (Rossini), - by double orchestra . . .
PART 2. Overture, La Bayadere, 1st time in Sydney (Auber) . . .

ASSOCIATIONS: Charles Sandys Packer (pianist, conductor); ? Martin Josephson (second violin); Mechanics' School of Arts (Sydney venue)

[Advertisement], The Sydney Morning Herald (24 November 1859), 1

http://nla.gov.au/nla.news-article28627832 

CONCERT. The Second MONSTER CONCERT, for the Benefit of the Dramatic and Musical Artists . . .
THIS EVENING, Thursday, November 24th . . .
Second violins - Messrs. Josephson and Hall . . .
PART I. Overture - "Massnniello" - Auber . . .
Part II. Overture - "Don Giovanni" - Mozart . . .

[Advertisement], The Sydney Morning Herald (25 November 1859), 1

http://nla.gov.au/nla.news-article13033666 

TEMPERANCE HALL . . . The Third MONSTER CONCERT . . .
THIS EVENING, Friday, November 25th . . .
Second violins - Messrs. Josephson and Hall
PART I. Overture - "La Dame Blanche" (Boildeau) . . .
PART II. Overture - "The Brewer of Preston" (Adolphe Adam) . . .

ASSOCIATIONS: Temperance Hall (Sydney venue)

? [Advertisement], Empire [Sydney, NSW] (27 March 1861), 1

http://nla.gov.au/nla.news-article60494377 

BURTON'S MAMMOTH EQUESTRIAN TROUPE, 128, Pitt-street North . . .
Change of programme THIS EVENING . . . First appearance of Mr. J. R. HALL, the great AMERICAN CLOWN . . .

ASSOCIATIONS: Or perhaps more probably John Lawrence Hall (clown, comedian); Burton's Circus (troupe)

"MR. WINTERBOTTOM", Empire (14 August 1861), 5

http://nla.gov.au/nla.news-article60486950 

A very gratifying testimonial was presented to Mr. Winterbottom, the eminent bassoonist and conductor, previous to his departure from Sydney, yesterday, for Melbourne, en route for England, by several of the artistes who have been members of the corps d'orchestre, under Mr. Winterbottom, since he arrived in these colonies. The testimonial consisted of a handsome frame, containing photographic portraits, very beautifully executed by Mr. Glaister, of Pitt-street, of Mr. Winterbottom himself (in the centre), surrounded by those of the following artistes: -
Mr. Eigenschenck (leader), Mr. J. Hall (second violin), Mr. Rice (viola), Mr. Vaughan (flute), Mr. Chate (basso), Mr. Prince (cornet), Mr. Seamore (trombone), and Mr. Sharp (drums);
all (of whom, we understand, have, with slight intermission, been connected with Mr. Winterbottom during the last nine years in his professional career in Australia. The manner in which they have thus testified their regard and sympathy for their late talented conductor, is at once appropriate and suggestive, and we doubt not, will be long cherished by the accomplished artiste to whom it has been offered, and whose departure from these colonies will create a vacuum in the musical world which it will be extremely difficult to supply.

ASSOCIATIONS: Thomas Glaister (photographer); Walter John Rice (viola); Alfred Henry Chate (basso); Henry Prince (cornet); Richard Seymour (trombone)

"MUSIC AND DRAMA. PHILHARMONIC CONCERT", Sydney Mail (11 June 1864), 3

http://nla.gov.au/nla.news-article166653597 

The Society on Tuesday gave the fifth concert of the season at the Masonic Hall, and seldom has more success been deserved or attained. The audience filled the spacious hall and gave enthusiastic expression to the gratification the performances afforded. With a choir more than usually numerous, and a powerful orchestra, fine effect was given to the grand music comprised in the programme. Rossini's "Stabat Mater" stood as the first part . . . Much credit must be due to Mr. Cordner (the conductor) for the excellent effect his training produced on this occasion. A talented amateur (Mr. M. Younger) presided at the organ, and the orchestra received valuable aid from Mr. J. Hall and Mr. S. Hodge. Miscellaneous selections formed the matter of the second part. The orchestra gave the splendid overture to "Semiramide" . . . The very reasonable request that visitors would not encore was unceremoniously ignored in favour of Mr. J. Hall who, having given Artot's "Souvenirs de Bellini" on the violin, in a masterly style, was recalled most vociferously . . .

ASSOCIATIONS: William John Cordner (conductor); Montague Younger (organist); Sebastian Hodge (musician); Masonic Hall (Sydney venue)

MUSIC: Souvenir de Bellini (Artot)

"MUSIC AND THE DRAMA", Empire (21 June 1864), 2

http://nla.gov.au/nla.news-article60555521 

The Sydney Philharmonic Society gave their fifth concert on the 10th instant with more than usual success . . . Mr. John Hall, a native (but not black) violinist, executed some Souvenirs de Bellini with such brilliancy and purity as to be rapturously encored, a compliment not often so well deserved. The tone and style of playing evince talent of a very high order . . .

[Advertisement], Empire (17 April 1865), 1

http://nla.gov.au/nla.news-article60569541 

LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA COMPANY.
PRINCE OF WALES OPERA HOUSE. SUBSCRIPTION SEASON FOR 1865 OF TWENTY-FOUR NIGHTS . . .
Commencing MONDAY, May 1st, 1865 . . .
Conductor and Composer - Mr. G. LODER
Leader - M. FLEURY . . .
ORCHESTRA. 1st Violins - M. Eigenschenck, Mr. Hall, Mr. Hoare . . .

ASSOCIATIONS: George Loder (conductor); Achille Fleury (leader, violin); Mr. Hoare (violin); Lyster Opera Company (troupe)

"THE OPERA", Empire (25 April 1865), 4

http://nla.gov.au/nla.news-article60570073 

The return of the company under the direction of Mr. W. S. Lyster, will afford no small gratification to the public of Sydney . . . The band was, perhaps, never before, so complete, and, under the able directorship of Mr. George Loder, must render its music in a style never yet surpassed. Mons. Fleury is leader, assisted by Mr. C. Eigenschenck, J. Hall, Hoare, Landbery [sic] and Hodge (clarionets), Creed Royal (flute), Rice and Hart (viola and violincello), McCoy (bassoon). In short, judging from the published list, there is but little talent not obtained by Mr. Lyster for the present short season . . .

ASSOCIATIONS: William Saurin Lyster (manager); John William Lundborg (clarinet); Creed Royal (flute); Sidney Herbert Hart (cello); Thomas McCoy (bassoon)

[Advertisement], Bendigo Advertiser [VIC] (30 November 1865), 1

http://nla.gov.au/nla.news-article87928450 

LYSTER'S ROYAL ITALIAN and ENGLISH OPERA COMPANY. LYCEUM THEATRE . . .
an OPERA SEASON Of POSITIVELY SIX NIGHTS ONLY . . .
Leader - Mr. Hall . . . Composer and Conductor - Mr. George Loder . . .
Thursday Evening, 30:t November - Bellini's Grand Opera NORMA;
after which, for the first rime in Sandhurst Donizetti's Charming Opera THE ELIXIR OF LOVE.
Friday Evening, 1st December - Meyerbeer's chef d'oeuvre LE PROPHETE.
Saturdav Evening, 2nd December, Auber's Grand Revolutionary Opera MASANIELLO . . .

[Advertisement], The Sydney Morning Herald [NSW] (31 March 1866), 8

http://nla.gov.au/nla.news-article28611695 

LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA COMPANY. PRINCE OF WALES OPERA HOUSE.
Subscription Season for 1866 of TWENTY-FOUR NIGHTS . . .
Conductor and composer, Mr. George Loder. Leader - Mr. J. Hall . . .

[Advertisement], The Argus [Melbourne, VIC] (30 May 1866), 8

http://nla.gov.au/nla.news-article5763892 

LYSTER'S ROYAL ITALIAN AND ENGLISH OPERA COMPANY.
THEATRE ROYAL. Season for 1866 Of TWENTY-FOUR NIGHTS . . .
Conductor and Composer - Herr Siede. Leader - Mr. J. Hall . . .

ASSOCIATIONS: Julius Siede (conductor); Theatre Royal (Melbourne venue)

"THE OPERA", South Australian Register [Adelaide, SA] (22 October 1867), 2

http://nla.gov.au/nla.news-article39189516 

On Monday evening [21 October] the Opera Company presented Flotow's "Martha" with distinguished success. The Theatre was well filled, every box being occupied, and the other parts of the house presented a respectable appearance . . . The orchestra was well conducted by Mr. John Hall, and the whole opera was a real success . . .

"THE OPERA", Empire [Sydney, NSW] (12 May 1868), 2

http://nla.gov.au/nla.news-article60853106 

A usual, on the commencement of an operatic season under the management of Mr. William Lyster, the Prince of Wales Opera House was crowded from pit to roof, to welcome once more the artists who have established themselves in the good opinion of "all those who music love," and to listen to the excellences of those whose voices had not yet been heard in Sydney. The opera selected for the opening of the season was Verdi's "Ernani," which has not been performed here previously for some years . . . When we add that at the end of each act the principal performers were called before the curtain, it may be regarded as a pretty good proof that the large and brilliant audience were thoroughly satisfied with the exertions of those whom they called upon to receive these ovations of applause. The choruses were remarkably steady and attentive and sang with marked effect throughout the opera. The orchestra was also very successful in its performances, although it will become better after a little more practice together; and we may be proud that Mr. John Hall, its conductor, is a native of the colony, and able so skilfully and well to maintain his position as conductor of the opera, and we would advise him to rule with the iron hand of a master and he will make this season one of the most successful ever known in Sydney . . .

"THE OPERA", Empire (25 May 1868), 2

http://nla.gov.au/nla.news-article60853561 

On Saturday night the Prince of Wales Opera House was crowded in all parts, the dress circle presenting a particularly gay and brilliant appearance. The attraction on this occasion was the announcement that Mr. Armes Beaumont, so long and popularly connected with Mr. Lyster's Opera Company, would make his first appearance in Sydney since the melancholy accident which befel him in Victoria, and deprived him of the sight of one of his eyes. By the greatest care the sight of the other eye has been preserved, and a stranger looking at Mr. Beaumont would not perceive his blindness at all. The opera selected was Balfe's "Bohemian Girl," in which Mr. Beaumont sustains the character of Thaddeus, and his entrance upon the stage was followed by such an enthusiastic welcome as completely to overcome the young tenor . . . The orchestral solos were among the most praiseworthy performances, and drew forth great applause. Mr. John Hall was welcomed as usual, and conducted carefully throughout the evening, though he occasionally seemed inclined to permit his orchestra to drag a little . . .

ASSOCIATIONS: Armes Beaumont (vocalist)

"THE OPERA", Empire (20 June 1868), 5

http://nla.gov.au/nla.news-article60854443 

The Prince of Wales Theatre was crowded again last night to witness the repetition of the grand opera, "Semiramide," which was reproduced the previous evening with immense success . . . To the orchestra too much praise can scarcely be given for their really admirable performance, not only of the overture but of the accompaniments throughout the evening. The overture was given with such crispness, point, and brilliancy as narrowly to escape an encore. In this opera the baton of the conductor, Mr. John Hall, appeared to be regarded with far more care than has sometimes been the case lately, and that gentleman performed his duty most effectively and well. Tonight the performances are "Martha" and "Il Barbiere di Seviglia," and the overture will be played at half-past 7 o'clock.

"THE OPERA", Empire (28 July 1868), 3

http://nla.gov.au/nla.news-article60855555 

The unsurpassable excellence of the performance of Rossini's great work on Saturday night, compels the expression of great regret that the opera season is nearly at an end, and that in a few days the company will be dispersed; and as at present organised, will not, in all probability, return again to Sydney . . .
As the chef d'oeuvre of Rossini, "William Tell" has the highest claim to the consideration of the student, and the admiration of the amateur . . . Mr. White deserves the highest praise for his admirable training of the chorus in the opera. The choral pieces are inextricably elaborate, but, without exception, were given in a manner which called forth constant and genuine applause. Quite as much should be said of Mr. Hall's conducting, and of the unexceptional playing of every member of the orchestra, especially of Mr. Hart's violoncello solos, and the flute and clarionet parts by Mr. Creed Royal and Mr. Howard. Mr. Lyster had the advantage of securing a copy of the original parts, so that the music is played as nearly as possible as Rossini wrote it. In stating this, it is by no means intended to cast any slur upon the excellent scoring of Mr. Siede in the "Huguenots," or Mr. Loder in "Oberon;" but it is evident that when the original instrumentation can be given, it is of great consequence that it should be followed . . . The Opera was repeated last evening, the performance being equally good, and eliciting repeated expressions of applause.

ASSOCIATIONS: Richard Baxter White (chorus master); Thomas Howard (musician)

[Advertisement], The Sydney Morning Herald (6 August 1868), 1

http://nla.gov.au/nla.news-article28422181 

ADDRESS. - Wanted to be known, through HERALD, the Address of Mr. Hall, dancing master.

"TO NATIVE AUSTRALIANS (PER FAVOR OF THE EMPIRE)", Empire (19 August 1868), 3

http://nla.gov.au/nla.news-article60856289 

Gentlemen, - The opera season has just closed; complimentary benefits have been given to all the principals of the Opera Company; the members of it have been almost continuously disengaged since the season finished, and yet the abilities of your talented countryman, Mr. John Hall, the able conductor, have not been acknowledged in the slightest degree, either by the company or yourselves. Are you satisfied to allow the first Australian who over reached the position of conductor of an opera company to remain neglected? I am not personally acquainted with Mr. Hall, but even as a stranger to him I could not remain silent any longer, seeing an injustice done to him. I thought the only way to prevent that injustice would be to urge, through the press, that a complimentary concert or benefit be tendered to him by a committee of native-born Australians. Let us, then, show Mr. Hall that we do appreciate his talent. Give him a benefit concert that will be creditable to yourselves and of benefit to the gentleman whom I have presumed to bring under your notice.
I am, Gentlemen, your friend,
- MOZART.

[Advertisement], The Sydney Morning Herald (27 April 1869), 8

http://nla.gov.au/nla.news-article13180778 

COMPLIMENTARY CONCERT tendered by the Sons and Daughters of Temperance to the
WIDOW and ORPHAN'S of the late Brother MOGGRIDGE, will be held in the
Temperance Hall, Pitt-street, on WEDNESDAY EVENING, April 28th . . .
Programme . . . Clarionette Solo - "Soldier's return", Mr. Hodge.
(Composed by Mr. John Hall, late conductor to Lyster's Opera Troupe, and dedicated to Mr. Hodge) . . .

[Advertisement], The Express and Telegraph [Adelaide, SA] (11 November 1869), 1

http://nla.gov.au/nla.news-article207684626 

ST. LUKE'S CHURCH LITERARY ASSOCIATION. THE FIRST ANNUAL SOIREE Will be held at
WHITE'S ASSEMBLY ROOMS, ON WEDNESDAY, NOVEMBER 17, 1869.
The Musical portion under the direction of Mr. JAMES SHAKSPEARE,
assisted by Messrs. HALL, (1st Violin), CHAPMAN (2nd Violin), JARVIS (Tenor), and BETRIDGE (Double Bass) . . .
Programme . . . PART II . . . Violin Solo - "Souvenirs de Bellini" - (J. Artot) - Mr. J. L. Hall [sic] . . .

ASSOCIATIONS: James Shakespeare (conductor); William Chapman (violin); Thomas Jarvis (viola); Henry Betteridge (double bass)

"PHILHARMONIC SOCIETY", Evening Journal [Adelaide, SA] (20 May 1870), 3

http://nla.gov.au/nla.news-article196731193 

The concert of sacred music given by Philharmonic Society on Thursday evening [19 May] in the Town Hall was very largely attended. Every seat in the body of the Hall was occupied, and a large number of persons were admitted to the gallery . . . Mr. E. Spiller acted as conductor, Mr. R. B. White as leader of the band, and Mr. James Shakespeare presided at the grand pianoforte. The principal instrumentalists included also the following: - Messrs. J. Hall, W. Chapman . . . The concert was opened with a sacred march composed by Mr. J. Hall, "expressly for occasion." Mr. Hall was formerly conductor of Lyster's Opera Company, and is a thorough musician both by profession and ability. It is not always easy, to form a correct estimate of a composition upon a first hearing. We think, however, that Mr. Hall has in this instance given evidence of very considerable constructive skill in the arrangement of the parts. The alternations which take place between the wind and stringed instruments, the bold and vigorous character of the opening movement, and the general unity of the whole give indications of much careful thought and skilful arrangement. The performance was warmly applauded. The march was followed by the majestic "Dettingen Te Deum" . . .

ASSOCIATIONS: Emanuel Spiller (conductor); Richard Baxter White (ass above); Adelaide Philharmonic Society (association)

"MR. ANDERSON'S CONCERTS", South Australian Register [Adelaide, SA] (22 June 1875), 6

http://nla.gov.au/nla.news-article40086044 

Mr. Alfred Anderson, R.A.M., gave the first of a series of five concerts on Monday evening [21 June] in White's Room . . . During the evening Mr. Anderson and Mr. J. Hall performed two duets on the pianoforte and violin. The first of these was Osborne and De Beriot's somewhat erratic composition on selections from "William Tell;" the other being Beethoven's exquisite sonata in F. Mr. Hall has made the violin so thoroughly his own, and is withal so strictly careful in his performances, that in both of these duets he fairly divided the honours with Mr. Anderson . . .

ASSOCIATIONS: Alfred Anderson (pianist); White's Rooms (Adelaide venue)

MUSIC: Grand duo sur des motifs de Guillaume Tell (Osborne and De Beriot); Spring sonata in F, op. 24 (Beethoven)

"Return Ball", Evening News [Sydney, NSW] (8 August 1876), 3

http://nla.gov.au/nla.news-article107180398 

A return to what was a very successful ball given a few weeks ago by the Garrick Amateur Dramatic Society, will be held in the Masonic Hall to-morrow (Wednesday) night. A large number of tickets has already been sold. Dancing is to commence at 9 o'clock. The Young Australian Band will supply the music, and Mr. John Hall is engaged to act as master of ceremonies.

"MRS. PERRYMAN'S BENEFIT", The Express and Telegraph [Adelaide, SA] (21 October 1876), 3

http://nla.gov.au/nla.news-article208307613 

. . . The announcement that was made last night that Mr. John Hall, who was to have acted as leader, has for the past few days been seriously ill, and is still in a precarious state, will be heard with extreme regret, and it it is to be hoped that he may soon be well, enough to delight our ears with one of his exquisite solos . . .

ASSOCIATIONS: Caroline Peryman (vocalist)

[News], Evening News [Sydney, NSW] (25 January 1878), 2

http://nla.gov.au/nla.news-article107937618 

A complimentary quadrille party was given by the members of Court Royal Oak. A.O.F., No. 2222, in aid of Bro. D. Valentine, at Mr. J. Hall's Assembly Rooms, Sussex-street, on 16th January, 1878. About 100 couples were present, who thoroughly enjoyed themselves. Dancing was kept up with great spirit until 1 o'clock. Mr. John Hall kindly officiated as M.C.

"SYDNEY INTERNATIONAL EXHIBITION", The Sydney Morning Herald [NSW] (30 September 1879), 5

http://nla.gov.au/nla.news-article13445821 

. . . In the afternoon [yesterday], the fourth orchestral and vocal concert was given, Signor Giorza directing . . . A triumphal march, "Australia," composed by Mr. J. Hall, of Adelaide, was also played. It is tuneful throughout, and has some beautiful movements, but these movements are not as well connected as they might be. Still it is a clever production, and gives promise of something better from Mr. Hall's pen. It was heartily applauded . . .

ASSOCIATIONS: Paolo Giorza (conductor)

[Advertisement], The Sydney Morning Herald (11 December 1879), 2

http://nla.gov.au/nla.news-article13448723 

DANCING - Mr. J. HALL'S Assembly, THIS EVENING, Oddfellows' Hall, Sussex-street.

"DEATHS", The South Australian Advertiser [Adelaide, SA] (3 December 1883), 4

http://nla.gov.au/nla.news-article33774082

HALL. - On the 2nd December, at his residence, Rundle-street, Kent Town, John Thomson Hall, eldest son of Mr. John Hall, Sydney, aged 43 years.

"John Thomson Hall", Notable South Australians; or, Colonists, past and present by George E. Loyau (Adelaide; Carey, Page & Co., 1885), 184-85

https://archive.org/details/notablesouthaus01loyagoog/page/n222/mode/2up (DIGITISED)

IT is somewhat remarkable that Australia has produced, or attracted to its shores to settle permanently, some of the best musical talent in the world. South Australia especially appears singularly favoured in this respect, and if we review the history of music here from its commencement, quite a galaxy of artists are recalled to memory. Among those who stand forth prominently to our mental vision, John Thomson Hall occupies premier place; a born musician with soul in every touch of his master hand; a genius, pouring forth from his instrument a flood of melody like the songs of British birds at eventide, thrilling the heart with every note. Such was Mr. Hall as we remember him at the Theatre Royal, Adelaide. He was born in Sydney in February, 1841, and commenced to study the violin when but seven years of age. His progress was rapid, for he loved music, like the true poet, for its own sake, and ere he reached his twelfth year, he had played, in public, many difficult solos, such as Ernst's Carnival de Venice. New South Wales was visited about that time by a distinguished violinist named Caranzani, bearing a noted Italian reputation, and Mr. Hall was placed under him and received lessons for two years, when he joined Winterbottom's orchestra (an orchestra, which, if heard now, would shame many of those which theatrical audiences are compelled to listen to nightly). It consisted of thirty performers, each an artist capable of performing the most difficult compositions, and Mr. Winterbottom, the conductor, was the best bassoon player in the world. Mr. Hall continued playing in orchestra for many years, and at the same time studied theory under that eminent and inspired interpreter of melody, the late Charles Packer. At the age of 24 he was appointed leader in Lyster's Opera Company, occupying that place for nearly five years, when he was elevated to the proud position of Musical Director, and produced some of the grandest operas that have been represented in Australia, viz. William Tell, Ernani, and others. About the year 1869 he arrived in Adelaide, and obtained the directorship of the Theatre Royal, and in this he remained until his death, which occurred in December 1883. We have had many musical celebrities here, but the familiar and sweet tones of John Hall's violin gained for him with the public of that day the right to rank as first of all his contemporaries.

ASSOCIATIONS: George Loyau (editor)

"George Hubert Hall", Notable South Australians (1885), 185-86

http://archive.org/details/notablesouthaus01loyagoog

BROTHER of the above, was born in Sydney, in November 1860. On completing his education, he, at the age of fifteen, took his first lessons on the violin from Mr. John Gibbs. He next was a pupil of Mr. W. Rice, and later on of Charles Packer. Under the able tuition of the latter, with whom he remained three years, he became proficient in piano and theory; so much so, that he was considered by his instructor one of his most advanced pupils. He was next associated with the eminent violinist, Herr Joseph Kretchman, and became a prominent member of that gentleman's quartette. Being offered an engagement with Lyster's Opera Company to come to Adelaide, Mr. Hall accepted it, and arrived here in 1880, remaining about eight months, when he returned to Sydney. He was there connected with the Montague Turner Opera Company as leader for two years, when, in consequence of his brother's illness and subsequent death, he was sent for to take his place as director of the Theatre Royal Orchestra, Adelaide. He has held that position ever since; with what success we leave the theatre-going public to determine, though it is an undoubted fact that the dramatic orchestra he conducts is one of the best in the colonies. Mr. Hall is leader of the Adelaide String Quartette Club, and has for the last three seasons played many of the best works of the old masters, taking part also at intervals with the most famed of our visitors in the musical world, such as Remenyi and others.

ASSOCIATIONS: John Gibbs (violinist); Walter John Rice (as above); Charles Sandys Packer (as above); Joseph Kretschmann (violinist)

"A Social Gathering", Evening News [Sydney, NSW] (20 February 1885), 3

http://nla.gov.au/nla.news-article111170690 

A social gathering took place in Mr. Hall's dancing academy, Sussex-street, on Thursday evening, and was attended by most of Mr. Hall's pupils. About 45 couples were present. Mr. Hall acted as M.C., Mr. H. Ingram as pianist, Mr. Toney violinist, and Mr. J. Benson as cornetist. Dancing began at 20 o'clock, and was kept tip until about 23 o'clock, and was followed by a song entitled "He's got 'em on," which was well sung by Mr. M. Solomons. Light refreshments, &c., were then partaken of by all present, after which dancing was resumed and indulged in until the morning had well advanced. All present seemed to thoroughly enjoy themselves.

[News], The South Australian Advertiser [Adelaide, SA] (29 May 1885), 4-5

http://nla.gov.au/nla.news-article36307252

Many of our readers will remember the sad boating accident which occurred about thirteen years ago by which Mr. Richard White, R.A.M., one of the most brilliant pianists and violinists the colony has ever possessed, lost his life. Mr. White was the owner of a splendid Ruzerius violin, some 200 years old, and Mr. George Hall, the conductor of the Theatre Royal orchestra, has after this span of time become the possessor of it. We are [5] not aware of the sum paid for the instrument, the tone of which is wonderfully soft and melodious, but believe it was something considerable.

ASSOCIATIONS: Richard Baxter White (as above)

"Deaths", The Sydney Morning Herald (2 December 1890), 1

http://nla.gov.au/nla.news-article13781227 

HALL. - December 1, 1890, at his residence, Hurstville, John Rashleigh Hall, aged 75 years.

[Notice], New South Wales Government Gazette (9 December 1890), 9444

http://nla.gov.au/nla.news-article221648262 

In the Supreme Court of New South Wales, ECCLESIASTICAL JURISDICTION. In the will of John Hall, late of Hurstville, near Sydney, in the Colony of New South Wales, dancing master, deceased . . .

"THIRTY YEARS IN 'STAGELAND'. RECOLLECTIONS OF AN AMATEUR. No. III. - By J. H. L. THE SCORN OF THE AMATEUR", South Australian Register [Adelaide, SA] (21 July 1900), 10

http://nla.gov.au/nla.news-article54449661 

. . . My friend also reminds me of a very old identity in Paddy McCullogh, who played in the orchestra for most of the visiting companies, and was quite a host in himself . . . Paddy was a letter-carrier all day, and his massive form and genial Irish face were well known by Adelaideans. Chapman, another letter carrier, was also a musician, and played second violin under Johnny Hall for many years at the Theatre Royal, with Wiedenhofer as bass, Weber as clarionet, Proctor as flute, and dear old Schrader as cornet . . .

ASSOCIATIONS: John Henry Lyons (memoirist); Robert McCullagh (musician); Dietrich Heinrich Weidenhofer (musician); Peter Weber (musician); Nicholas Proctor (musician); Heinrich Schrader (musician)

"MUSICAL NOTES", The Express and Telegraph [Adelaide, SA] (16 January 1909), 7

http://nla.gov.au/nla.news-article209883757 

From the interesting lecture by Mr. James Shakespeare on "Music in the early days of South Australia," the following items are extracted: -
Contemporary with Mr. Armes Beaumont was the eminent musician, John Thomson Hall, better known as "Johnny" Hall, born artist, with soul in his every touch. He first appeared in South Australia as conductor of Lysters Opera Company. He was born in Sydney on February 7 [sic], 1841, and commenced to study the violin when but seven years of age. He loved music like the true poet, for its own sake, and had played in public before he reached his twelfth year. He then studied under Caranzani, a violinist of Italian reputation. At the age of 24 he was appointed leader in Lyster's Opera Company, and after occupying that position for nearly five years as appointed musical director, and produced some of the finest operas that have ever been heard in Australia. In 1869 he permanently settled in South Australia, and obtained the directorship of the Theatre Royal, a position which he held till his death, which occurred in December, 1883 . . .

"MUSICAL NOTES . . . MR. CAWTHORNE'S REMINISCENCES", The Register [Adelaide, SA] (8 June 1912), 7

http://nla.gov.au/nla.news-article59077324 

. . . In those days we had several brilliant instrumental players, notably John Hall, the brothers Heydecke, Schrader, Peter Weber, Charles Howson, T. Hunter, and Crede Royal. John Hall was a clever violinist, composer, and arranger. One of his favourite solos was Ernst's "Elegie." I have never heard this beautiful composition played better. He was a good-natured man, and always ready to help and encourage a young musician. I played in his amateur orchestra. We practised twice a week from 5.30 to 7.30 when the theatre was open, and paid a guinea per quarter subscription. Nowadays amateurs expect to be paid for rehearsals and concerts. We had many pleasant evenings under his leadership, and all members were regularly present. We practised in the old Odd-fellows' Hall (at the back of the Freemasons' Hotel), situated over a large stable. We had candles for lights, and sat each side of a long table, with the leader at the end. The members of the Theatre Royal Orchestra would occasionally join, which was much appreciated by the amateurs. Where can you get a number of players now to join and attend rehearsals? . . .

ASSOCIATIONS: Charles Cawthorne (memoirist); Theodor and Fritz Heydecke (musicians); Charles Edwin Howson (musician); Thomas Brooks Hunter (musician); Creed Royal (musician)


Extant musical works:

I miss thee my mother, ballad, arranged by John Hall, respectfully dedicated to W. H. Bundey, esq'r (Adelaide: Penman & Galbriath, litho., [? c. 1870])

https://trove.nla.gov.au/work/32665700 

https://nla.gov.au/nla.obj-169144829 (DIGITISED)

ASSOCIATIONS: Penman and Galbraith (printer, lithographers, and publishers);
for the words, see "I MISS THEE, MY MOTHER", South Australian Register (30 September 1843 [sic]), 4

http://nla.gov.au/nla.news-article27445619 




HALL, John Caplin (John Caplen HALL [sic]; John Caplin HALL; John C. HALL)

Musical amateur, member and secretary Hobart Town Choral Society, newspapers proprietor

Born Newport, Isle of Wight, England, 30 October 1822; baptised Newport, 22 November 1822; son of John HALL (c. 1792-1876) and Harriet CAPLEN (c. 1802-1889)
Arrived Hobart Town, VDL (TAS), 11 January 1830 (per Chatham, from London, 14 September 1829)
Married Eleanor IRWIN (Mrs. PITT) (d. 1909), Kingston, Hobart, TAS, 9 February 1856
Died Sandy Bay, TAS, 23 December 1900, aged "78"

https://trove.nla.gov.au/search?l-publictag=John+Caplin+Hall+1822-1900 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-John-Caplin (shareable link to this entry)


Documentation:

Baptisms solemnized in the parish of Newport, Isle of Wight in the county of Southampton in the year 1822; register, bishop's transcripts, 1813-36, page 100; Hampshire Archives and Local Studies, 21M65/F8/332/2

https://www.ancestry.com.au/search/collections/62422/records/2197415 (PAYWALL)

No. 862 / [1822] Nov'r 22 / born Oct'r 30, 1822 / John Caplen son of / John [and] Harriet / Hall / Newport / Printer

ASSOCIATIONS: John Hall and Harriet Caplen married at Newport, Hampshire, on 25 March 1821

Arrivals at Hobart Town per Chatham, 11 January 1830; Tasmanian names index; NAME_INDEXES:433906; CSO1/1/442/9845

https://libraries.tas.gov.au/Record/NamesIndex/433906 

Mr. & Mrs. Hall, 5 children

"SHIPPING INTELLIGENCE. ARRIVED", The Tasmanian [Hobart Town, VDL (TAS)] (15 January 1830), 2

http://nla.gov.au/nla.news-article233095962 

On the 11th The Ship Chatham, (354 tons) Capt. Bragg, from London the 14th September, touching at St. Jago. The Chief Mate died on the passage . . .
Passengers, for this place. - . . . Mr. and Mrs. Hall and five children . . .

Rules and regulations of the Hobart Town Choral Society, established at Hobart Town, January 1843 (Hobart: Printed at the Advertiser Office, 1844)

https://trove.nla.gov.au/work/18140431 

https://nla.gov.au/nla.obj-18726175 (DIGITISED)

LIST OF OFFICE-BEARERS.
PRESIDENT. The Right Rev. Francis Russell Nixon, D.D., Lord Bishop of Tasmania.
VICE PRESIDENTS, Rev. W. Bedford, D.D., & J. Hone, Esq.
TREASURER, Mr. John Marshall.
SECRETARY, Mr. John C. Hall.
DIRECTOR, Mr. Richard Curtis.
CONDUCTOR, Mr. A. Philip Duly.
LEADER, Mr. William Russell.
LIBRARIAN, Mr. Henry Elliott.
COLLECTOR, Mr. William Holdship.
AUDITORS, Messrs. J. Hall & J. A. Thomson.
TRUSTEES, Wm Watchorn & Wm. Carter, Esqs.
COMMITTEE, Messrs. Creswell, Dyne, Degraves, Harbottle, Milward, McGregor, Reichenberg, Vautin.

ASSOCIATIONS: Francis Russell Nixon (president); William Bedford (vice-president); Joseph Hone (vice-president); John Marshall (treasurer); Richard Gill Curtis (director); Abraham Philip Duly (conductor) William Wilkins Russell (leader); Henry Elliot (librarian); James Alexander Thomson (auditor); Benjamin Humphries Creswell (member); Peter Degraves (member); Thomas Harbottle (member); John McGregor (member); Joseph Reichenberg (member); James Vautin (member); Hobart Town Choral Society (association)

LIST OF MEMBERS FOR 1844 . . . J. Hall; J. C. Hall; C. W. Hall . . .

ASSOCIATIONS (family members who were also members of the choral society): John Hall (father, printer, journalist, co-proprietor of The Hobart Town Advertiser, c. 1842-56); Charles Wallace Hall (brother, born Isle of Wight, 17 December 1823; died Carlyle, Wanganui, NZ, 9 February 1879)

[2 advertisements], Colonial Times [Hobart, VDL (TAS)] (18 March 1845), 1

http://nla.gov.au/nla.news-article8756371 

CHORAL SOCIETY. THE above Society
intending immediately (should a sufficient number of pupils offer)
to establish their Schools for Singing, and Instrumental Music, on the principles laid down in their Annual and Supplementary Report, those wishing to avail themselves of such tuition will be so good as to send their names
to the Secretary, Mr. John C. Hall, at the Advertiser office, as early as possible -
stating, if Instrumental, what they wish to practice, and if Vocal, what part they would likewise wish to learn.
The Treble Class, under the direction of Mrs. Elliott, will be held at her residence, No. 7, Liverpool street, at an early period.
The time of meeting will be advertised as soon as the necessary arrangements are completed.
March 15, 1845.

ASSOCIATIONS: Caroline Elliot (class instructor); Hobart Town Choral Society (association)

SUPPLEMENTARY REPORT OF THE CHORAL SOCIETY . . .
LIST OF OFFICE-BEARERS . . .
Secretary - Mr. John C. Hall . . .
Leader - Mons. Gautrot . . .

ASSOCIATIONS: Joseph Gautrot (leader);

1856, marriages in the district of Hobart (Kingston); Tasmanian names index; NAME_INDEXES:855375

https://libraries.tas.gov.au/Record/NamesIndex/855375 

https://libraries.tas.gov.au/Digital/RGD37-1-15p152j2k (DIGITISED)

No. 125 / 342 / Feb'ry 9th 1856 in the dwelling house of Mr. John Hall, Kingston /
John Caplen Hall / 31 yers / Gentleman / . . . Bachelor
Eleanor Pitt / 34 years / - / . . . widow . . .

"INSOLVENCY OF THE ADVERTISER NEWSPAPER", The Mercury [Hobart, TAS] (3 January 1861), 2

http://nla.gov.au/nla.news-article8795405 

Mr. Charles Wallace Hall, and Mr. John Caplin Hall have filed their schedules, and the figures exhibited by these documents are of an extraordinary character. Mr. C. V. Hall sets down his liabilities at £14,205 8s. 7d., and Mr. John C. Hall sets down his at £6,587 4s. 4d., making a total amount of indebtedness in respect of the Hobart Town Daily Advertiser of twenty thousand eight hundred and eighty two pounds, twelve shillings and eleven pence . . .

"Deaths", The Mercury [Hobart, TAS] (24 December 1900), 1

http://nla.gov.au/nla.news-article12824131 

HALL. - On Sunday, December 23, 1900, at his residence, Bourna Breena, Sandy Bay, John Caplin Hall, J.P.

"Obituary", Examiner [Launceston, TAS] (27 December 1900), 4

http://nla.gov.au/nla.news-article35383140 

The Queenborough correspondent of the "Tasmanian News" writes: -
"It is with sincere regret that I have to chronicle the death of Mr. John C. Hall, J.P., at a ripe old age. Mr. Hall was a man who was held in the highest respect and esteem by the residents of this district for his straightforwardness. He was one of the leading lights in politics. He was one time an editor of a newspaper in Hobart. Much regret is expressed for his widow in her great trial. He leaves no family.




HALL, John Lawrence (John Lawrence WOLLOXALL; John Lawrence Stephen Steele WOLLOXAL; otherwise John L. HALL; J. L. HALL; Johnnie HALL; Johnny HALL)

Actor, comedian, dancer, clown, vocalist, theatrical manager

Born Liverpool, Lancashire, England, 24 August 1837; baptised Liverpool, 3 November 1839; son of John Lawrence WOLLOXALL (1801-1868) and Eliza GRIFFITHS (d. 1841)
Arrived Sydney, NSW, by late 1854
Married (1) Emily WISEMAN (1844-1881), St. Michael's, Christchurch, NZ, 22 December 1864
Married (2) Jessie GRAY, c. 1882
Died Melbourne, VIC, 14 October 1888, aged "51"

https://trove.nla.gov.au/search?l-publictag=John+Lawrence+Hall+Wolloxall+1837-1888 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-John-Lawrence (shareable link to this entry)


Documentation:

Baptisms solemnized in the parish of Liverpool, in the county of Lancaster in the year 1839; bishop's transcripts, register, 1830-39, page 24; Lancashire Archives

https://www.ancestry.com.au/search/collections/2575/records/13070884 (PAYWALL)

No. 191 / Nov'r 3rd / John Lawrence Son of / John Lawrence & Eliza / Wolloxall / White Chapel / Milliner . . .

ASSOCIATIONS: John Lawrence Wolloxall, hairdresser and widower, and Eliza Griffiths, widow, married at St. John's Old Haymarket, Liverpool, on 25 April 1833; John Lawrence junior's siblings Henry Stephen and Eliza Jane were baptised at the same ceremony

[Advertisement], Empire [Sydney, NSW] (25 December 1854), 1

http://nla.gov.au/nla.news-article60201756 

VICTORIA THEATRE. ON TUESDAY EVENING, December 26th, 1854,
the Evening's Entertainments will commence with a Grand Scenical, Historical,
Fictional, Parodiacal, Ballygalical, Musical, Match-if-you-canical, Comical
CHRISTMAS PANTOMIME! Entitled HARLEQUIN KING BLEAR! AND HIS THREE DAUGHTERS!! . . . Harlequin, Mr. Hall, (his first appearance).
Clown, Mr. Andrew Torning, (his first appearance those five years) . . .
A. TORNING, Sole Lessee and Manager.

ASSOCIATIONS: Andrew Torning (actor, manager); Royal Victoria Theatre (Sydney venue)

"VICTORIA THEATRE", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (30 December 1854), 2

http://nla.gov.au/nla.news-article251541751 

The great attraction at this Theatre on Boxing Night and throughout the week was the pantomime of King Blear, and His Three Daughters. The opening portion was written by Mr. Craven, the comic business sprang from the fertile brain of Mr. Torning, assisted by Mr. Crosby . . . Mr. Torning, as Clown, was in full feather, and although some years have passed o'er his head since he last encountered the arduous task of comic humour, bumping and thumping, he has not lost one portion of his elasticity and has decidedly added to his store of humour . . . Mrs. McGowan was excessively graceful as the Columbine, whilst Mr. Hall as Harlequin, and Mr. Twight as Pantaloon deserve much encomium. The scenery was very artistically dished in, and the orchestra under the direction of Mr. John Gibbs (who, by the way, set the pantomime to music) was in a high state of efficiency. In a word - King Blear and His Three Daughters is a hit, a palpable hit . . .

ASSOCIATIONS: Henry Thornton Craven (actor, writer); James Crosby (actor); Fanny McGowan (actor, dancer); Henry Twight (actor, dancer); John Gibbs (musical director)

[Advertisement], Empire (5 February 1855), 4

http://nla.gov.au/nla.news-article60203758 

ROYAL VICTORIA THEATRE. THIS EVENING, Monday, February 5th, 1855 . . .
Double Hornpipe Mr. Hall and Miss Hart . . .

ASSOCIATIONS: Ada Hart (dancer)

"NEWCASTLE THEATRE", Northern Times [Newcastle, NSW] (18 April 1857), 2

http://nla.gov.au/nla.news-article128758363 

We had the pleasure a few days ago of attending this neat little place of amusement and of there witnessing the performance of "Helping Hands" and the "Laughing Hyena," two pieces which require for their adequate performance a practised and very efficient company. The players all wore old faces, and were old favorites, and seemingly were in excellent plight for the discharge of their duties. Mr. Croft, the spirited proprietor of the theatre, has lately had a new drop scene painted which adds greatly to the beauty of the building. The theatre gives an air of life to the city, especially at night, and forms an object which strangers may visit with pleasure. Mr. Faning has greatly improved in his dramatic grasp of character . . . Miss [sic, Mrs.] Smeathman has many advantages of both voice and person . . . Miss Agnes is a delightful creature, and, with judicious training, would make a splendid actress. She is the soul of the company . . . Of Miss Clifford we desire to speak commendingly . . . Mr. Hall is an excellent comedian, and plays his parts with great animation and with a keen eye to effect. Taking all things into consideration, we are warranted in saying that the comic drama is very fairly represented at the Newcastle theatre.

ASSOCIATIONS: Joseph Croft (proprietor); Edward Faning (actor, musician); Sarah Smeathman and daughter (later Agnes Booth) (actors); Julia Clifford (actor); Newcastle Theatre (venue)

[Advertisement], The Argus [Melbourne, VIC] (9 November 1866), 8

http://nla.gov.au/nla.news-article5778185 

PRINCESS'S THEATRE. Lessee and Manager, Mr. J. L. Hall . . .
THIS EVENING . . . To conclude with, for the first time in the colonies, Byron's chef d'oeuvre, entitled
PRINCESS SPRING-TIME; Or, the Envoy who Stole the King's Daughter . . .
The Music Arranged by Mr. E. Bentley . . .
The Ballet (with the Bell Dance, by the Belles of the Princess's) arranged by Mr. John Edouin.
The whole produced under the direction of Mr. J. L. Hall . . .
A GRAND BALLET, By Mr. John and Miss Julia Edouin, and the Ballet Corps.
CORROBOREE CHORUS, Composed and arranged expressly for the Opening of the Intercolonial Exhibition, by Edward Charles Horsley, Esq. [sic], and kindly presented by him to Mr. J. L. Hall . . .

ASSOCIATIONS: Edwin Bentley (musician); John and Julia Edouin (dancers); Charles Edward Horsley (musician, composer); Princess Theatre (Melbourne venue)

PIECE: Princess Spring-time (by Henry James Byron)

"THEATRE ROYAL", The Argus (17 January 1868), 5

http://nla.gov.au/nla.news-article5788786 

There was a crowded house at the Theatre Royal last night, on the occasion of the farewell benefit of Mr. and Mrs. J. L. Hall. Between the opening piece and the pantomime the beneficiaries delivered a poetical address, composed by Mr. Whiteman, which was very well received. The pantomime went with even greater briskness than usual. In the course of the evening Mr. Hall gave a localised version of "Billy Barlow," which being somewhat better than local adaptations usually are we subjoin: -

"Frank Stephen has made a most eloquent speech.
At Dalhousie he told them, almost in a screech,
That a hat on a pole would have a great show
If't would vote for the Government and Billy Barlow.
Oh dear, raggedy, oh!
Go in for the hat, then, and Billy Barlow . . . [5 more verses]

There was, in addition to the above, another production of local talent, in the shape of a song purporting to be the Duke of Edinburgh's account of his visit to Victoria. The song itself is passable and it was sung with great spirit and naivette by Miss Laura Wiseman.

ASSOCIATIONS: Billy Barlow (character song); Frank Stephen (VIC identity); Laura Wiseman (Emily's younger sister); Theatre Royal (Melbourne venue)

"Mr. J. L. Hall", The Telegraph [Brisbane, QLD] (16 March 1888), 2

http://nla.gov.au/nla.news-article176705669 

Mr. John L. Hall arrived in Australia in 1853. He is one of our oldest and most versatile comedians, and compares favourably with those holding the highest positions in the old country. Full of enterprise and ambition, he started for England in 1870, passing through America. His first engagement was in San Francisco, where ho made a tremendous hit with the Lydia Thompson Company, and was induced to travel with them for a year. He then proceeded to England, but the colonies were not so well known then as now, and any thing Australian was looked at with a very stand-offish gaze. One London manager wished to know "where Australia was." Failing to secure a lucrative London engagement he started for India, where both he and Mrs. Hall played a most brilliant season with Mrs. G. B. W. Lewis at the l eading theatre in Calcutta. Returning to England, he secured an engagement at the Prince of Wales Theatre, Liverpool, where he soon became a firm favourite. From there he went to the St. James's Theatre, London . . .

"Death of Mr. J. L. Hall", The Express and Telegraph [Adelaide, SA] (15 October 1888), 2

http://nla.gov.au/nla.news-article207755096 

Mr. Bland Holt has received a telegram from Melbourne announcing that Mr. J. L. Hall, the well-known comedian, died in the Melbourne Hospital on Sunday. Mr. Hall was a member of Mr. Holt's company, and was to have appeared at the Theatre Royal this evening in the comedy drama "Taken from Life." Mr. Hall was well known in Adelaide, not only on account of his impersonation of such characters as Captain Gingah, but as the lessee of the Botanic Hotel, North-terrace, and as a teacher of elocution. His first wife died in Adelaide, and his second wife, Miss Jessie Gray, is now a member of the "Hans the Boatman" company. The death of Mr. Hall, whose genial disposition and kindliness of heart made him many friends, will be greatly regretted both in theatrical and private circles.

See also, "MR. J. L. HALL", South Australian Register [Adelaide, SA] (15 October 1888), 5

http://nla.gov.au/nla.news-article47048971 

"THE LATE MR. JOHN L. HALL. TO THE EDITOR OF . . .", The Sydney Morning Herald (16 October 1888), 8

http://nla.gov.au/nla.news-article13699861 

Sir, Seeing the announcement of the death of John L. Hall, the comedian, in the Herald of to-day, and observing that the Melbourne telegram has fallen into error as to Mr. Hall's arrival in the colonies, permit me to tender a few lines of information as to his first appearance on the stage, which took place at the Victoria Theatre, Pitt-street, Sydney, at the end of 1854 (then under the management of Mr. Andrew Torning), in the comic drama, "To Parents and Guardians," playing one of the school boys with the writer of these lines, Miss Anna Maria Quinn (the child actress) being the Bob Nettles, H. T. Coleman [sic, Craven], the London author and actor playing the Old French Baxter. Mr. Hall, in the Christmas pantomime of that same year, played Harlequin for the first time, and was quite a success. At the time of his playing at above he was engaged by Mr. Torning as assistant in the patron of the theatre. Mr. Hall was a very excellent pantomimist-hornpipe dancer and mimic in those early days just 34 years ago.
I am, &c. LACHLAN McGOWAN, Comedian.

ASSOCIATIONS: Lachlan McGowan (comedian); Anna Maria Quinn (actor); Henry Thornton Craven (actor); for the December 1854 Christmas pantomime, Harlequin King Blear, in which Hall made his first appearance, and which continued into early January 1855, see above; the play To parents and guardians at Jubilee House establishment (Taylor) was correctly first produced slightly later at the Royal Victoria, in January and February 1855

"DEATH OF MR. JOHN L. HALL", The Lorgnette [Melbourne, VIC] (20 October 1888), 2

http://nla.gov.au/nla.news-article209736247 

The decease of the above gentleman, whose proper name was John Lawrence Wooloxall, has been received with universal regret. He died at the Melbourne Hospital on Sunday, October 14th, 1888, of consumption, at the age of 51. Mr. Hall was indeed "a fellow of infinite jest," and a most versatile and able comedian. In his day he played many parts. In 1856 he, with Mr. Robert P. Whitworth, was engaged in painting the scenery for the Theatre Royal, Newcastle. Later on, travelling with Mons. Klaer and company, including the performing dogs, and as Clown giving the celebrated Tom Barry's stump speech. Returning to the boards of the regular theatre he became a member of the Princess Theatre company in Melbourne, and played under the management of Mr. George Fawcett. He then made a tour of all the colonies. Returning to Melbourne, he became assistant-manager to the late James Simmonds at the Princess Theatre, in the early part of 1866, and on the retirement of that gentleman Mr. Hall became lessee and manager of that establishment, commencing his season with "It's Never Too Late to Mend," on the 30th of July, 1866. During his term he produced a series of burlesques, including "L'Africaine," "King of the Merrows," "Ill Treated Il Trovatore," and others. The crowning success of his reign, however, was the production of Mr. F. C. Burnand's master-piece of burlesque writing, entitled "Ixion, or The Man at the Wheel" . . . Although the plays and burlesques were well played and finely produced, Mr. Hall's term of management proved a most disastrous one from a financial point of view, and the able comedian had to succumb to adverse circumstances. He then, accompanied by his charming wife (Miss Emily Wiseman), went on a travelling tour, which included the Australian colonies, America, and Great Britain, with most satisfactory results. On his return to Victoria he again appeared on the Melbourne stage, when he introduced, at the Bijou Theatre, June 1st, 1878, the late H. J. Byron's comedy of "Our Girls," and gave for the first time his inimitable performance of Captain Gingah, in which he stood unequalled . . . On the first presentation in the colony of the comic opera, "H.M.S. Pinafore," June 7th, 1879, at the Bijou Theatre, the late Mr. Hall appeared as Dick Deadeye . . . and Mrs. J. L. Hall, as Little Buttercup. Mr. J. L. Hall was twice married - first to Miss Emily Wiseman, who died in Adelaide, April 26th, 1881; and secondly to Miss Jessie Grey, who still survives him.

ASSOCIATIONS: Robert Percy Whitworth (journalist, author, artist); George Fawcett (actor, manager); James Simmonds (actor, manager); Princess Theatre (Melbourne venue)

"Facts & Scraps", The Australasian Sketcher with Pen and Pencil [Melbourne, VIC] (29 November 1888), 186

http://nla.gov.au/nla.news-article63225162 

The late John L. Hall, a comedian known all over the colonies, began life as a sailor, as the following incident will show: - "Captain Hugh McLellan, of Lyttelton, relates that when he was chief-officer of the brig Mary Grant, sailing out of Sydney, on one voyage they made to Valparaiso in 1856, at which port they shipped an A.B. named John L. Hall, who had just left an American vessel called the Rover's Bride. This new A.B. was - to use the relator's expression - a 'funny fellow.' It did not matter what the weather was he was always the same, full of merriment and jokes; and during the six months he was on his vessel he earned for himself the esteem of his officers and the good fellowship of his shipmates. The next time that Captain McLellan saw the A.B. it was on the stage of a theatre at Newcastle. From about that time he began to make his mark, and in 1857 was a prime favourite at the old Princess Theatre in Melbourne."


Bibliography and resources:

John L. Hall, Find a grave

https://www.findagrave.com/memorial/188635456/john-lawrence_stephen_steele-hall 

John Lawrence Stephen Steele Woolloxall, died 14 October 1888; Victoria, Cemetery records and headstone transcriptions database

https://www.ancestry.com.au/discoveryui-content/view/96367:61309 (PAYWALL)

Erected by a few friends to the memory of John Lawrence Stephen Steele WOOLLOXALL
known as John L. HALL comedian born at Liverpool, England 24 Aug 1837
died in Melbourne 14 Oct 1888.




HALL - one or more blackface minstrels and/or magicians not always distinguishable
HALL, J. P. (Mr. J. P. HALL; Mr. HALL)

Minstrel, serenader, vocalist, bones player

Active NSW and VIC, 1852-53

https://trove.nla.gov.au/search?l-publictag=J+P+Hall+serenader (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-J-P (shareable link to this entry)

HALL, Mr. (Mr. HALL)

Musician, minstrel, serenader, vocalist, pianist, flutina player

Active Sydney, NSW, November and December 1854, as member of Pelham's Serenaders

https://trove.nla.gov.au/search?l-publictag=Mr+Hall+serenader+1854 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-serenader-1854 (shareable link to this entry)

HALL, Mr. (Mr. HALL; Professor HALL; J. P. HALL; "wizard of the East"; "wizard of the South"; ? alias Signor BLITZ)

Magician, wizard

Active ? from 1853; or from 1855

https://trove.nla.gov.au/search?l-publictag=Hall+the+wizard (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Signor+Blitz+1853 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-the-wizard (shareable link to this entry)

HALL, William (M. W. HALL; William HALL; W. HALL; Mr. HALL; Professor HALL)

Magician, vocalist, ventriloquist, banjo and piano player

? Arrived Adelaide, SA, by April 1855
Active NSW, VIC, and QLD, c. 1857-71

https://trove.nla.gov.au/search?l-publictag=William+Hall+magician (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALL-William (shareable link to this entry)


Documentation:

[Advertisement], Bell's Life in Sydney and Sporting Reviewer [NSW] (14 February 1852), 3

http://nla.gov.au/nla.news-article59773993

ROYAL HOTEL. New Orleans Serenaders.
THE above Company beg most respectfully to inform the Public that they will make their
FIRST APPEARANCE in the SALOON of the Royal Hotel, on MONDAY Evening, Feb. 16,
when they trust the Programme selected will meet with the approbation of those who may honor them with their patronage.
The following gentlemen constitute the company:
Flutina - G. Price.
Guitar - J. W. Sandford.
First Banjo - W. Harrington.
Second Banjo - J. F. Price.
Tambourine - W. Newton.
Bones - J. P. Hall.
Doors open at Half-past 7; to commence at 8 o'clock precisely.
Reserved Seats, 2s.; Back Seats, 1s.
HOWARD'S SERENADERS. SECOND CONCERT in PARRAMATTA,
this Evening, Saturday, February 14, in the Large Room of Mr. Curran's, Glasgow Arms. To commence at 8 o'clock.
N.B.- The next Concert by the above company, in Sydney, takes place on Thursday Evening next, February 19, at Royal Hotel.

ASSOCIATIONS: G. and J. F. Price (serenaders); J. W. Sandford (serenader); W. or F. Harrington (serenader); W. Newton (serenader); New Orleans Serenaders (troupe, 1852); Royal Hotel (Sydney venue)

[Advertisement], The Sydney Morning Herald (27 August 1852), 1

http://nla.gov.au/nla.news-article12939560

HOWARD'S SERENADERS. Increased attraction the Sydney Friday Concerts -
Favourite and eccentric Programmes.
The Company consists of five performers, each and all unrivalled, viz.,
Charles V. Howard, tambourine; J. W. Sandford, Guitar;
E. W. Pierce, Flute; Walter Howson, Banjo; and J. P. Hall, Bones.
187th Ethiopean Entertainment, THIS EVENING, Friday August 27, in the Saloon of the Royal Hotel.
PROGRAMME. Part I.
Overture - Caliph of Bagdad - Company.
Commence ye Darkies - Company.
Walk Jaw Bone - C. V. Howard.
Virginian Rose Bud - J. W. Sandford.
Julius' Bride - J. P. Hall.
Lucy Long - W. Howson.
Picayune Butler - C. V. Howard.
Oh! Susanna - J. W. Sandford.
Come back Stephen - W. Howson.
Stop dat Knocking - Company.
Part II.
A lapse of 15 minutes.
Trio - Flute, Guitar, and Bones - Pierce, Sandford, and Hall.
Solo - Banjo, Merry Christ Church Bells - W. Howson.
Solo - Guitar - Spanish Retreat - J. W. Sandford.
Part III.
Happy are we - Company.
Stingy Man - C. V. Howard.
Life by de Gally Fire - J. W. Sandford.
Betsy Brown (Music from the "Enchantress") - J. P. Hall.
Ole Aunt Sally - W. Howson.
Susey Dear - J. P. Hall.
Sandy Boy - J. W. Sandford.
[REDACTED]s from de Souf - C. V. Howard.
To conclude with the celebrated Railway Gallop.
Doors open at half-past 7; to commence at 8 o'clock.
Front seats, 2s.; back seats, 1s. Carriages to be in attendance at a quarter past 10.
PARRAMATTA. HOWARD'S SERENADERS,
Benefit in aid of the Funds for the Repairs of St. Patrick's Church . . .
on WEDNESDAY, September 1, in the Catholic School-room, Parramatta . . .

ASSOCIATIONS: Charles V. Mason (alias Howard); E. W. Pierce (serenader); Walter Howson (serenader); Howard's Serenaders (troupe)

[Advertisement], The Sydney Morning Herald (24 September 1852), 1

http://nla.gov.au/nla.news-article12940257

HOWARD'S SERENADERS . . . 193rd Grand Evening Musical Soirée.
For the Benefit of Mr. WALTER HOWSON, Banjo Player,
THIS EVENING, Friday, September 24, in the Saloon of the Royal Hotel.
Another change of Programme . . .
Part I. Overture, Fra Diavolo - Company.
Come, come, my Darkies, sing - Company . . .
Ole Dan Tucker - J. P. Hall . . .
Julius' Bride - J. P. Hall . . .
Part III. Happy are we - Company . . .
Ole Tar Riber - J. P. Hall . . .

"SHIPPING INTELLIGENCE. ARRIVED", The Argus [Melbourne, VIC] (20 October 1852), 4

http://nla.gov.au/nla.news-article4787739 

October 19 – Christina, brig, 180 tons, R. H. Nealds, master, from Sydney. Passengers . . . Messrs. . . . C. V. Howard, G. B. Howard, J. P. Hall, J. W. Sandford, W. Howson . . . and 35 in the steerage.

ASSOCIATIONS: George Birkbeck Mason (alias Howard)

[Advertisement], The Argus (27 October 1852), 3

http://nla.gov.au/nla.news-article255612431 

HOWARD'S SERENADERS. FROM SYDNEY. GRAND ETHIOPIAN MUSICAL SOIREES.
The oldest established Company of Minstrels in the Colonies.
The Band comprises Five Performers, viz: -
Charles V. Howard, Tambourine.
Walter Howson, Banjo.
George B. Howard, Flutina.
J. W. Sandford, Guitar; and
J. P. Hall, Bones.
THIS EVENING, (Wednesday) 27th October,
and every other evening during the week,
at Passmore's Commercial Hotel, Elizabeth-street.

[Advertisement], Geelong Advertiser and Intelligencer [VIC] (9 November 1852), 2

http://nla.gov.au/nla.news-article94358937 

THEATRE ROYAL GEELONG. Nights of Performing - Monday, Tuesday, Wednesday, Thursday. and Friday.
Howard's Serenaders are enraged for five nights only, and will give their celebrated
ETHIOPIAN ENTERTAINMENTS, introducing novelties never before attempted in this colony.
The Band comprises Five Performers, viz, Charles V. Howard, tamborine; Walter Howson, banjo;
George B. Howard, flutina; J. W. Sandford, guitar; J. P. Hall, bones . . .
THIS EVENING . . . the Drama of BLUE DEVILS; or the ENGLISHMAN IN FRANCE . . .
After which an ETHIOPIAN ENTERTAINMENT by HOWARD'S SERENADERS; or ONE HOUR WITH THE DARKIES . . .
G. COPPIN.

ASSOCIATIONS: George Coppin (actor, manager); Theatre Royal (Geelong venue)

Signor Blitz, the wizard of the South, with Howard's Serenaders (Sydney and Maitland, NSW, 1853):

[Advertisement], Empire [Sydney, NSW] (10 January 1853), 1

http://nla.gov.au/nla.news-article60137850 

HOWARD'S SERENADERS - Re-appearance in Sydney. -
Music and Magic - SIGNOR BLITZ'S (the Great Wizard, Pupil of "Anderson")
first appearance at the Royal Hotel, on WEDNESDAY, January 12th,
with a choice selection of Melodies by the above unrivalled Ethiopians . . .

ASSOCIATIONS: Howard's Serenaders (troupe); John Henry Anderson (English magician, who later also toured Australia, 1858-59); the otherwise unidentified Australian Signor Blitz borrowed his stage name from the much publicised Signor Blitz (magician), active in England and America (but who never himself visited Australia)

[Advertisement], The Sydney Morning Herald [NSW] (19 January 1853), 1

http://nla.gov.au/nla.news-article12943006 

HOWARD'S SERENADERS! Re-appearance in Sydney!
Immense success of the WIZARD! Shouts of laughter and applause!
Music and Magic, Legerdemain and [REDACTED]s!
Wonderful delusions each evening of performance!
SIGNOR BLITZ, In the celebrated GUN TRICK, allowing any gentleman to LOAD and FIRE a gun at him, he catching the BALL in his hand.
Change of Programme! New Melodies, new Coup, and new Tricks!
THE THIRD GRAND EVENING MUSICAL SOIREE, And Feats of Magic,
Will take place THIS WEDNESDAY, January 19th, in the Saloon of the Royal Hotel.
Messrs. C V. and G. B. Howard in again returning their sincere thanks to their admirers and the public,
for the patronage bestowed on their efforts to please, beg respectfully to notify another performance as above,
when the following Programme will be introduced: . . .
C. A. Upson . . . J. Brenni . . . W. Howson . . .
PART III. Will be devoted to a grand display of Necromancy and Legerdemain!
Tricks with Cards, Cups and Balls, Ladies' Gloves, Silk Handkerchiefs, Gun, &c., by
SIGNOR BLITZ, PUPIL OF ANDERSON, And Great Wizard of the South.
The whole forming an Entertainment unique and amusing, astounding and incredible, and as has never before been attempted in the southern hemisphere.
Doors open at half-past Seven; the Overture to commence at Eight o'clock.
Front Seats, 3s. Back Seats, 2s. Tickets to be had of Mrs. Sparkes, Royal Hotel, where seats can be secured.

ASSOCIATIONS: C. A. Upson (serenader); J. W. Brenni (serenader)

"HOWARD'S MUSICAL AND NECROMANTIC ENTERTAINMENT", Bell's Life in Sydney and Sporting Reviewer (19 February 1853), 2

http://nla.gov.au/nla.news-article59756769 

The combination of the "[REDACTED] melodies" with the conjurations of the Wizard of the South, by the Messrs. Howard's Company of Ethiopian Serenaders, constitutes an evening's entertainment which has been, as it deserves to be, extensively patronized; and we question not but that it will form a prominent item of attraction for months to come. We confess that we little anticipated the extraordinary progress of this little band in their musical studies, as heard by us on Wednesday evening; and we have much pleasure in awarding them due commendation . . . The accession of the Southern Anderson, Signor Blitz, may in every respect be regarded as a decided hit. This gentleman's feats of legerdemain and enchantment have proved irresistable magnets to the lovers of the marvellous, and are extremely cleverly and neatly executed. He is decidedly a great card. Any one in search of a few hours' amusement will not regret a visit to the Royal Hotel on Monday, Wednesday, or Friday evening next.

"HOWARD'S ETHIOPIAN CONCERTS", The Maitland Mercury and Hunter River General Advertiser [NSW] (6 April 1853), 2

http://nla.gov.au/nla.news-article665064 

Our readers will be glad to perceive that their old favorites, the Messrs. Howard and their company, have again visited Maitland for a brief period, accompanied this time by Signor Blitz, the celebrated "Wizard of the South." Last evening they gave their first concert and entertainment at the Northumberland, and this evening and to-morrow evening they give concerts at the same place, the legerdemain feats of Signor Blitz pleasantly varying the entertainments each evening.

[Advertisement], The Sydney Morning Herald (2 May 1853), 3

http://nla.gov.au/nla.news-article12945457 

ROYAL MARIONETTE THEATRE, (Late Olympic Circus) Castlereagh-street. THE public are respectfully informed that the above Theatre, having been obliged to close for a few days, owing to the late destructive fire, will Re-open, with New Scenery, Fresh Talent, and Brilliant Decorations, THIS EVENING, MAY 2. The Grandest Night of the Season. First Night of BOMBASTES at Half-price. Wit, Mirth, Fun, Frolic, and Magic. First appearance at this Theatre, of the Wizard of the South; also, Messrs. Burton and Brenni . . .
Comic Song, Mr. Burton. To be followed by the most extraordinary Feats in Legerdemain ever witnessed in this colony, by the WIZARD OF THE SOUTH. Song, Mr. Walter Howson . . .
Leader of the Orchestra, Mr. Crow. Pianist, Mr. S. Evans . . .

ASSOCIATIONS: Thomas Crowe (musician, leader); Frederick Evans Sloper (pianist); Royal Marionette Theatre (troupe); Olympic Circus (Sydney venue)

Hall of Pelham's Serenaders (Sydney, NSW, November and December 1854):

[Advertisement], The Sydney Morning Herald (25 November 1854), 1

http://nla.gov.au/nla.news-article12962724 

ROYAL HOTEL .- PELHAM'S SERENADERS, from America.
Messrs. Faulkner, Hall, Johnson, and Harrington. - Nightly in the Bazaar.
PROGRAMME FOR SATURDAY, NOVEMBER 25TH.
Grand Medley Overture, - By the Company
Opening Chorus - Come darkies, sing, - Mr. F. Harrington and Company (tambourine)
Song - Carry me back, - Mr. Hall (flutina). . .
Song - Stop dat knocking, - Mr. Hall . . .
PART II. Solo Flutina, - Mr. Hall . . . Solo Flute, - Mr. Harrington, Piano Accompaniment, - Mr. Hall.
PART III . . . Song - Cynthia Sue, - Mr. Hall . . .
Song - Camptown Races, - Mr. Hall.
Admission, 1s.; reserved teats, 2s. 6d. Doors open at half past 7, commence at 8 o'clock.

ASSOCIATIONS: Pelham's Serenaders (troupe); there is no evidence of J. P. Hall, above, playing a melody instrument, and on this basis it is perhaps unlikely that he was the Mr. Hall, flutina player and pianist, who appeared with Pelham's Serenaders

[Advertisement], The Sydney Morning Herald (29 November 1854), 1

http://nla.gov.au/nla.news-article12962863 

PELHAM'S SERENADERS, from America.
Messrs. FAULKNER, HALL, JOHNSON, and HARRINGTON . . .
PROGRAMME FOR WEDNESDAY, NOVEMBER 29TH . . .
Song - Boatmen of de Ohio - Hall . . .
PART II. Solo Flutina - Hall . . .
PART III . . . Song - Dearest Mae - Hall . . .
Song - Camptown Races - Hall . . .

Hall, the wizard (from April 1855); ? identifiable as William Hall by 1857:

[Advertisement], South Australian Register [Adelaide, SA] (3 April 1855), 1

http://nla.gov.au/nla.news-article49301754 

AMUSEMENTS. MR. HALL, the GREAT WIZARD,
lately arrived from London, begs to inform the Public of Port Adelaide and its vicinity that he intends giving a
Grand Entertainment in NATURAL MAGIC, introducing some of the Newest Delusions of the age,
at the above Theatre, on Thursday Evening [5 April]. See small Bills.

ASSOCIATIONS: Port Theatre (Adelaide venue)

[Advertisement], Adelaide Observer [SA] (28 April 1855), 8

http://nla.gov.au/nla.news-article158103285 

FOR TWO NIGHTS ONLY. - PROFESSOR HALL, the GREAT WIZARD OF THE SOUTH,
and Pupil of Anderson, will give an Entertainment at the Theatre, on Monday, April 30.
COME AND SEE THE WONDERFUL BOTTLE! Don't Forget - See small Bills.

ASSOCIATIONS: Royal Victoria Theatre (Adelaide venue)

"THE THEATRE", Adelaide Times [SA] (1 May 1855), 3

http://nla.gov.au/nla.news-article207024158 

Last night this place of entertainment was tolerably well filled to witness the feats of skill and illusion of "Professor Hall, the Great Wizard of the South, and Pupil of Anderson," which were given to the evident amusement of the audience, particularly the juvenile part.

"HOWARD'S SERENADERS", The Maitland Mercury and Hunter River General Advertiser [NSW] (1 August 1855), 2

http://nla.gov.au/nla.news-article704061 

On Monday evening this company gave an entertainment at the large room of the Fitz Roy Hotel. The first part of the performances consisted of tricks, &c., by Mr. Hall, the Wizard of the South, which were very dexterously performed. The Serenaders occupied the latter part of the evening, and gave general satisfaction, their songs being all genuine negro melodies, with the exception of the closing one, which was an admirable variation on the celebrated "Laughing Chorus." They will perform this evening (Wednesday) at the Court House, Raymond Terrace, and on Saturday and Monday evenings at Hexham.

"HOWARD'S SERENADERS", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (18 August 1855), 2

http://nla.gov.au/nla.news-article251545791 

We perceive by advertisement in another column, that our friends in Illawarra, are about to be visited by the above talented Company, under the management of Mr. Charles V. Howard, and we have no doubt, but that their very clever and amusing Entertainment, coupled, as it will be, with the surprising feats in Magic, of Professor Hall, the Wizard, will render these performances, very acceptable and successful. Their first evening's amusement, will take place at Mr. G. Brown's, Dapto, and we understand they will visit our neighbours in Kiama, Jamberoo, and Shoalhaven, before returning to Sydney.

"THE WIZARD OF THE SOUTH", The Maitland Mercury and Hunter River General Advertiser (27 October 1855), 2

http://nla.gov.au/nla.news-article708059 

This performer has given three entertainments at the Sir William Denison Inn, West Maitland, and will give another this evening, The attendance has been on each occasion numerous, and all have expressed their gratification at his feats in magic and sleight of hand tricks, as also at the performances of the wonderful lady. The amusements are enlivened by Mr. Faning's performances on the pianoforte. Perhaps the Wizard's best tricks are the magic cannon ball and the wonderful bottle. The change of a goblet of ink into pure water is a beautiful chemical experiment.

"SHOALHAVEN [FROM OUR OWN CORRESPONDENT]", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (17 November 1855), 7

http://nla.gov.au/nla.news-article251547864 

Professor Hall has favoured us with a visit; astonishing, delighting all, and alarming some with the wondrous variety of his magic feats. He performed to crowded and enraptured audiences, many having attended each of his four entertainments . . . To particularize the many wonderful and neatly performed sleight of hand tricks, would require me to rival the famous inexhaustible bottle, for I should never have done enlarging on their merits . . . The songs, music, lingo, and manners of the sable Serenaders were most ably and tastefully represented by Mr. Hall and his assistant Mr. -------, and the tableaux vivant by Mr. Hall, of Uncle Tom in his heartrending vicissitudes, so beautifully and touchingly described in Uncle Tom's Cabin, prove Mr. Hall possessed of high merit and the most chaste perception. Not the least to be admired are Professor Hall's manner, manners, address, tone, and style: mild and polite, without the most distant approach to any expression or attitude coarse or offensive; the most fastidious parent may entrust the youngest child or most sensitive daughter to witness his entertainments, such as they were here, without the least hesitation; Mr. ----- is also equally entitled to similar well-merited praise. - G. U. A.

"HALL THE WIZARD, AND THE SERENADERS", The Maitland Mercury and Hunter River General Advertiser [NSW] (24 November 1855), 2

http://nla.gov.au/nla.news-article709064 

On Tuesday and Wednesday evenings, Mr. Hall, at Mr. Hammond's, Fitzroy Hotel, West Maitland, went through a number of tricks to the satisfaction and amusement of numerous audiences. The second part of the performances consisted of songs and duetts by Messrs. Brenni and Felix Garmone, the Ethiopian serenaders. Miss Lucy Long and the Railway Galop were loudly applauded. We understand their last performance will be given at Mr. Hammond's this evening.

ASSOCIATIONS: J. W. Brenni (serenader); Felix Garmone (serenader)

[Advertisement], Bathurst Free Press and Mining Journal [NSW] (15 March 1856), 3

http://nla.gov.au/nla.news-article62048090 

PRINCE OF WALES THEATRE AT MRS. WHITTON'S COMMERCIAL HOTEL, Saturday Evening, March 15th.
GREAT SUCCESS OF THE WIZARD AND MAGIC BOTTLE!
FOR TWO NIGHTS ONLY. Acting Manager - Mr. J. B. Russell.
Stage Manager - Mr. G. W. Daniels.
Leader of the Orchestra - Mr. G. Chittenden
Scenic Artist - Mr. Guy.
Magic! Magic! Magic! PROFESSOR HALL, THE WIZARD OF THE EAST,
give his second Entertainment at the above Theatre, when he will again be assisted by the
SABLE BRETHREN.
The performances were received last night with marked approbation.
Programme - Part I. MAGIC DELUSION, AND FEATS OF NECROMANCY.
Including several new and wonderful Tricks, never before witnessed in Bathurst . . .
and once again concluding with THE INEXHAUSTIBLE BOTTLE! Received last night with shouts of applause.
An Interval of 15 Minutes.
Part II. The Sable Brethren in an entirely new and attractive Programme.
Characteristic Banjo Solo, with oddities, profundities, and comicalities, D. Brenni.
An Interval. By desire the funny Burlesque, entitled the
HAUNTED HOUSE; OR, HALF AN HOUR WITH THE INVISIBLE SPIRITS.
[?]bo (a runaway darkie) - D. Brenni
Theophilus Lillywhite, a planter - Felix Germone
[?] - F. Harrington
Ghosts, Hobgoblins, &c., by the Company.
The whole to conclude with the favourite Farce of YOUR LIFE'S IN DANGER.
[?] Strong, (an English Servant) - Mr. Daniels . . .

ASSOCIATIONS: J. B. Russell (actor, manager); George Washington Daniels (actor, manager); George Chittenden (musician, leader); Prince of Wales Theatre (Bathurst venue)

[Advertisement], The Moreton Bay Courier [Brisbane, NSW (QLD)] (26 April 1856), 3

http://nla.gov.au/nla.news-article3709773 

MAGIC! MAGIC!! MAGIC!!! PROFESSOR HALL, THE CELEBRATED WIZARD OF THE EAST,
WILL arrive in Brisbane by the next steamer and give a series of entertainments in the science of
NECROMANCY on which occasion the renowned SABLE BRETHREN,
Messrs. D. Brenni, F. Harrington, and Felix Germone, will appear.
N.B. Further particulars will be duly announced. April 25, 1856.

"AMUSEMENTS", Illawarra Mercury [Wollongong, NSW] (24 November 1856), 2

http://nla.gov.au/nla.news-article136441230 

We have much pleasure in drawing attention to the announcement in another column of the intention of Mr. J. P. Hall, a professor of the Cabalistic Art, and the Messrs. Howard's and Reading's serenaders, to appear this and the succeeding evenings, at the Illawarra Hotel, Dapto. The performances of both the Wizard and the vocalists that accompany him, have been well spoken of in other places, and we have no doubt but they will maintain their character here. We must furthermore remark that Mr. Brown has been to great expense in having his fine room handsomely decorated for the above occasion.

ASSOCIATIONS: James W. Reading (serenader)

[Advertisement], Illawarra Mercury (24 November 1856), 3

http://nla.gov.au/nla.news-article136441238 

GRAND EVENING ENTERTAINMENT.
MUSIC AND MAGIC, by Mr. Hall, the celebrated Wizard,
and Messrs. Chas. V. Howard, Reading, and Brenni, the RENOWNED SERENADERS.
Monday, November 24th, and following evenings, in the newly decorated and
magnificent room, attached to Mr. GEO. W. BROWN'S HOTEL, DAPTO.
Change of Programme each night.
Doors open at 7 o'clock; performance to commence at 8 precisely, and terminate at half-past 10.
Front seats 3s., back 2s.; children half-price.

"PROFESSOR PARKER AND WIZARD HALL", The Moreton Bay Courier [Brisbane, NSW (QLD)] (13 June 1857), 2

http://nla.gov.au/nla.news-article3721773 

The world renowned swordsman, Professor Parker, and the celebrated Wizard of the South, Mr. Hall, gave two performances to large audiences in the School of Arts on the evenings of Tuesday and Thursday last . . . The Wizard, rather more versatile, not only executed a great number of tricks and illusions, which showed he was a master in the art of legerdemain, but displayed considerable ability as a player on the banjo, and as a delineator of negro manners. Considering that the feats of slight-of-hand are performed close to the spectators, and without many of the fittings and appliances which are usually adopted by conjurors, we consider that the Wizard of the South is entitled to all the more praise. The entertainments, altogether, are very interesting; and well worthy of patronage. Tonight, we believe, is to be the last.

ASSOCIATIONS: George Parker (swordsman)

[Advertisement], The Moreton Bay Courier [Brisbane, NSW (QLD)] (13 June 1857), 1

http://nla.gov.au/nla.news-article3721783 

GREAT ATTRACTION. PROFESSOR PARKER IN CONJUNCTION WITH
MR. HALL, THE WIZARD OF THE SOUTH!
BEG to inform the inhabitants of Brisbane, that they intend giving a series of entertainments
THIS EVENING, at the Mechanics' INSTITUTE, at seven o'clock.
Professor Parker, the great Swordsman, (late of Saville House, London,) . . .
PROGRAMME. Mr. Hall, the Wonderful Wizard of the South, will exhibit delusions too numerous to mention,
amongst the many his Magic Punch Bowl!! Giving hot or cold from the same vessel;
also his Inexhaustible Bottle, dispensing Wines or Spirits to all, no matter how many.
These two delusions have astonished the world.
The performance of the Wizard must be seen to be believed, he being able to destroy by fire any article and restore it unharmed.
PART SECOND. PROFESSOR PARKER, the greatest Swords-man of the age, will go through his astonishing feats.
The whole to conclude with YANKEE SMITH, the best delineator of Plantation Life and finest Banjo Player in New York, with witty sayings, comicalities, and conundrums.
PROGRAMME: Give me the Girl; Blue tail'd Fly; Wake up Skilly; Juba Chorus; Woman's Rights; to conclude with "The Bulgine!"
Ladies attend and hear your rights vindicated.
Heads of families need not fear to bring their children to witness this entertainment, it being as pleasing to youth as age.
Front Seats, 5s. Back Seats, 3s. Doors open at 7 o'clock, performance to commence at half-past seven. VIVAT REGINA!

ASSOCIATIONS: "Yankee Smith" (vocalist, dancer) probably refers to Hall's performances in character

"MESSRS. PARKER AND HALL'S ENTERTAINMENTS", The North Australian, Ipswich and General Advertiser (23 June 1857), 3

http://nla.gov.au/nla.news-article78851112 

On Thursday evening last, a numerous and respectable company assembled at the Subscription Reading Room, in East Street, the apartment having been previously prepared for the occasion, to witness the performances of Mr. Parker, the far-famed swords-man, and the feats of legerdemain and musical entertainment by Mr. Hall, the Wizard of the South, as he is styled in the programme. The latter commenced the evening's amusement by exhibiting a great many conjuring tricks, including that of the inexhaustible Bottle, from which, at least a guinea's worth of wines and spirits, of various kinds were dispensed to all those of the audience who wished to partake of them. This trick, as well as that of the Magic Punch Bowl, were the two delusions that seemed to excite the most astonishment and the greatest pleasurable excitement, and were cleverly performed. The tape trick was also very neatly done. Mr. Hall's feats having been brought to a conclusion with great applause, Mr. Parker appeared on the platform, and went through his well-known feats . . . The entertainment was concluded by Wizard Hall, who gave the company a musical treat with the banjo, and sang several amusing songs, which were received with considerable applause. Viewed as a whole, the performances were of a very satisfactory character, and afforded much pleasure to all who had the good fortune to witness them. It will be seen by our advertising columns that Messrs. Parker and Hall intend paying Drayton, Warwick, Glen Innes, and Tenterfield, a visit on their way overland, and we feel pleasure in recommending these skilful artistes to the patronage of the sight-seeing public in those towns.

"PUBLIC ENTERTAINMENTS", The Armidale Express and New England General Advertiser (4 July 1857), 2

http://nla.gov.au/nla.news-article189958955 

In a late issue of the "North Australian" we see a very favourable notice of the performances of our old friend Professor Parker, and Mr. Hall, the Wizard of the South at Ipswich. We are pleased to perceive, also, that Messrs. Parker and Hall intend visiting Drayton, Warwick, Tenterfield, and Glen Innes, on their route to Armidale. In the present dearth of amusement, we should hail the advent of the sheep demolishing professor of the noble art of self-defence and the clever Wizard who accompanies him with a hearty welcome and crowded houses.

"DISTRICT INTELLIGENCE . . . AMUSEMENTS', Northern Times [Newcastle, NSW] (24 July 1858), 4

http://nla.gov.au/nla.news-article128752610 

Mr. Hall, the Wizard of the South, has been on a visit to Grafton, astonishing the natives by his wonderful feats, including the magic bottle and inexhaustible punch bowl. Altogether, I think he is pretty well satisfied with his visit, as he drew full houses. He very liberally gave one night in aid of the funds of the Grafton School of Arts . . .

[Advertisement], The Armidale Express and New England General Advertiser [NSW] (1 August 1857), 5

http://nla.gov.au/nla.news-article189959037 

Great Attraction! PROFESSOR PARKER, In conjunction with
MR. HALL, THE WIZARD of THE SOUTH, to inform the inhabitants of Armidale
that they intend giving a SERIES OF ENTERTAINMENTS,
ON THURSDAY and SATURDAY EVENINGS NEXT. At the "Horse and Jockey Hotel" . . .
PROGRAMME: MR. HALL, the Wonderful Wizard of the South,
will exhibit Delusions too numerous to mention, amongst the many his
MAGIC PUNCH BOWL! Giving Hot or Cold from the same vessel.
ALSO HIS INEXHAUSTIBLE BOTTLE, Dispensing Wines or Spirits to all, no matter how many.
These two delusions haw astonished the world.
The Performances of the Wizard must be seen to be believed, he being able to destroy,
by fire any article and restore it unharmed!
Part 2nd. PROFESSOR PARKER, THE GREATEST SWORDSMAN OF HIE AGE, Will go through his astonishing feats.
The whole to conclude with YANKEE SMITH, The Best Delineator of Plantation Life,
and finest Banjo Player out of New York, with Witty Sawing, Comicalities, and Conundrums.
PROGRAMME:
Give me the Girl.
Blue Tail'd Fly.
Wake Up, Skilly.
Juba Chorus.
Woman's Rights.
The whole to conclude with "THE BULGINE!"
Ladies attend and hear your rights vindicated.
Heads of families need not fear to bring their Children to witness this entertainment, it being as pleasing to youth as age.
Front seats, 4s.; back seats, 2s. 6d.
Doors open at Seven o'clock; performance to commence at Half-past Seven.
VIVAT REGINA!

"PUBLIC ENTERTAINMENT", The Armidale Express and New England General Advertiser [NSW] (8 August 1857), 2

http://nla.gov.au/nla.news-article189959064 

On Thursday evening Messrs. Hall and Parker gave the first of their entertainments at the old "Horse and Jockey Inn," Armidale. The room was crowed, the audience being the largest we have yet seen in this township. Reserved seats had been taken by many, but the rush was so extensive as to defy the protective efforts of Mr. Hall, who, before commencing his feats of magic, offered to return the money of all who might choose to leave. This silenced grumbling, and Mr. Hall began with bis tricks of delusion, which were all very cleverly performed, in particular, his feat of the inexhaustible bottle brought out roars of laughter and secured universal approval. Professor Parker, who seemed to be in despair at the prospect of having less than half the proper extent for a fair sweep of his trenchant weapon, was subsequently a little mollified by the ladies crowding back into small compass . . . but the Saladin feat was postponed till Saturday evening, from want of sufficient room. Negro melodies and facetiae, by Mr. Hall, finished the evening's performances, and, taking hearty laughter and cheers as the fairest test of success, it was decisive. This evening, at the same place, a nearly similar programme, with additions, will be followed out, and better arrangements for economising space are intended. We may also call attention to the admission of children at half-price, as giving ing an excellent opportunity for family visits "en masse." Next week the two Professors will make their bow to our friends at the Rocky - no doubt with eclat.

[Advertisement], The North Australian, Ipswich and General Advertiser (9 November 1858), 1

http://nla.gov.au/nla.news-article77429394 

GREAT ATTRACTION! MR. HALL, The Great English Wizard,
HAS the honour to inform the inhabitants of Ipswich that he intends giving
Two Grand Entertainments in the above town, previous to his departure for America,
assisted by YANKEE SMITH, the most renowned delineator of plantation life and character in the colonies.
The performance is of a new and novel description. For particulars, see small bills.

"MR. HALL'S ENTERTAINMENT", The Darling Downs Gazette and General Advertiser [Toowoomba, QLD] (2 December 1858), 2

http://nla.gov.au/nla.news-article75525365 

It will be seen from our advertising columns, that Mr. Hall the "Wizard of the South," and Yankee Smith, of the San Francisco Minstrels, are to give a series of entertainments at the Sovereign Hotel, Toowoomba, this evening, Friday, and Saturday. We hope they will be liberally patronised.

"MR. HALL'S ENTERTAINMENT", The Darling Downs Gazette and General Advertiser [Toowoomba, NSW (QLD)] (9 December 1858), 4

http://nla.gov.au/nla.news-article75526984 

On Thursday, Friday and Saturday, pursuant to advertisement, Mr. Hall gave his entertainments at the Sovereign Hotel, Toowoomba, and was on the whole very liberally patronised. His feats of slight of hand and magical tricks, were very creditably performed, and elicited frequent plaudits. Yankee Smith is very amusing and performs the part assigned him honestly and well, while the banjo solo's and bones accompaniment, are not the least interesting part of the evening's amusement. The plantation songs, although old, were very nicely sung - and the "Blue Tail Fly" by Mr. Hall, was an exceedingly good imitation, and received well merited applause. The evening's entertainment concluded with the celebrated "Juba Dance" by Yankee Smith. On Monday, the good folks of Drayton had the opportunity of witnessing similar performances at the Royal Bull's Head, an apartment therein having been neatly fitted up for the occasion. There was a very fair attendance, and the company managed to past a pleasant evening. Mr. Hall will proceed to Dalby, in the course of the week, where he intends to perform a night or two; and intends visiting Warwick, Tenterfield, and the Fairfield diggings.

"PORT MACQUARIE [FROM OUR OWN CORRESPONDENT] . . . AMUSEMENT", The Maitland Mercury and Hunter River General Advertiser (15 March 1859), 2

http://nla.gov.au/nla.news-article18655004 

The Wizard of the South, Mr. Hall, is now (10 p.m.) amusing the townspeople at the Court House. The entertainments will be repeated to-morrow. The charge for admission is certainly too high.
- Port Macquarie, March 7, 1859.

"PORT MACQUARIE. THE SHIPWRECKED CREW OF THE DEFENDER", The Maitland Mercury and Hunter River General Advertiser [NSW] (17 March 1859), 2

http://nla.gov.au/nla.news-article18645481 

Since forwarding my former report, seven more of the seamen of the Defender have been received here . . . The Police Magistrate received them at the Hospital, and speedily had brought over to them, from his residence, tea and other essential necessaries . . . This occurred on Wednesday morning. On the evening of that day an entertainment was given for the sufferers, at the Court-house, by Mr. Wm. Hall, the Wizard of the South; the building was filled. Mr. Hall, in an extempore song referred to the cause which led to the concert of the evening, and his remarks were fully appreciated as well as warmly applauded . . . I have omitted to mention that before the concert commenced, the audience were addressed by Mr. Becke, who stated that he considered it only just and proper to mention that in the course of the morning the worthy Police Magistrate had suggested to him that, as the Wizard had not left town, an entertainment in the evening by him, for the benefit of the seamen, would, no doubt, be responded to by the inhabitants, and that he (Major Crummer) and his family would be present thereupon Mr. Becke waited on Mr. Hall, who at once expressed his willingness to give his services gratuitously in so good a cause. Mr. B. took the opportunity of expressing to the audience that great credit was due to Mr. Hall for his disinterested conduct, as he (Mr. H.) was actually on the point of leaving when waited on by him (Mr. B.) He also stated to the company assembled that he had always observed, in the cause of suffering humanity, the good people of the Port Macquarie district were foremost in their efforts to relieve it, as the crowded state of the building that evening gave proof of. The speaker then introduced "Mr. Hall and his banjo." The performances were very amusing, although the weather was most oppressive. Some eight or nine pounds were received, which will be divided between the sailors. The concert was concluded before 10 o'clock, and the audience throughout testified their gratification by repeated plaudits. The "Blue-tail fly" and "Woman's rights" excited the risibility of the company. Mr. Hall is "every inch a [REDACTED]," and his banjo discourses most exquisite music. He appeared perfectly exhausted towards the close of the performance . . .
- Port Macquarie, March 11.

[Advertisement], The Goulburn Herald and County of Argyle Advertiser [NSW] (23 July 1859), 3

http://nla.gov.au/nla.news-article118248062 

GREAT ATTRACTION!!! FOR TWO NIGHTS ONLY. LICENSED BY ACT OF COUNCIL.
MESSRS. M. W. HALL and J. M. FOANS have the honour to inform the inhabitants of Goulburn that they will appear
On Monday and Tuesday Evening, at the Commercial Hotel.
MAGIC! MAGIC! Mr. HALL, the great English Wizard! assisted by
Mr. J. M. FOANS, formerly of Raynor's Serenaders, the unequalled Alto Singer, late of the San Francisco Minstrels,
whose rich tones and compass of voice have placed him beyond all comparison since the era of Negro Minstrelsy,
the world-renowned delineator of plantation life and character.
The Evening's Amusement to commence with the Mystic Performance of Mr. Hall,
whose Delusions are gone through without the aid of mechanical arrangements or confederacy, generally resorted to by the Wizards of the day.
His Magical deceptions would be impossible to enumerate;
his bottle delusion has astonished thousands, who have nightly witnessed this talented exhibition.
Programme.
PART II.
Overture. - Panorama Quickstep, Messrs. Hall and Foans.
Opening Chorus. - Let's be gay, from the opera of Robert Diabolo, Messrs. Hall and Foans.
The Sweeps' Refrain, with Tyrolean imitations, by Foans - Mr. Hall.
Stephen's Return. Comic - Mr. Foans.
Masquerade de Waltz, with Tyrolean effects by Foans - Mr. Hall.
The first part to conclude with the Railway Gallop - Banjo and Bones.
Intermission of five minutes.
PART III.
We Met by Chance. Tyrolean Ballad - J. M. Foans.
Blue Tail Fly. This must be heard to be believed - M. W. Hall.
Comic Duet. - Sally is the girl for me - M. W. Hall and J. M. Foans.
The whole to conclude with the celebrated burlesque Song and Dance - Miss Lucy Long! By J. M. Foans.
Seats can be secured from 10 till 4. The utmost decorum will be preserved.
Doors open at 7 o'clock; to commence at half past 7.
PRICES OF ADMISSION: Reserved seats, 3s.; back seats, 2s. Children half price.

ASSOCIATIONS: James Milton Foans (serenader)

"MILTON, ULLADULLA", Illawarra Mercury [Wollongong, NSW] (3 August 1860), 3

http://nla.gov.au/nla.news-article132227306 

Mr. Hall, the Wizard of the South, has been performing here during the past week. He has been unfortunate in coming just at a time when the roads are in such a dreadful state. He has, nevertheless, been very fairly patronised, and has given great satisfaction.

[Advertisement], The Maitland Mercury and Hunter River General Advertiser [NSW] (13 November 1860), 1

http://nla.gov.au/nla.news-article18679009 

SCHOOL OF ARTS. THIS EVENING, TUESDAY, Nov. 13th,
and at the Mechanics' Institute, East Maitland, on Wednesday,
Mr. HALL, the celebrated Necromantic Professor and Ethiopian Melodist, will give his
POPULAR ENTERTAINMENT, assisted on this occasion by Mr. and Mrs. G. R. MORTON.
Part I. NECROMANTIC ENTERTAINMENT Of an entirely novel description, introducing Feats of Sleight of Hand never before attempted by any other artist.
Song - Mrs. G. R. MORTON.
Local Song - written by a gentleman in the town - The Maitland Volunteers - Mr. G. R. MORTON.
PART 2. ETHIOPIAN ENTERTAINMENT, Consisting of Songs, Banjo Solos, and [REDACTED] Comicalities.
Characteristic Bango Duet, Blue-tail Fly; Burlesque Scene from the "Stranger,"
and Comic Shaksperian Readings, by Messrs. Hall and Morton.
Front Seats, 2s.; Back Seats, 1s. Doors open at half past Seven; commence at Eight.

ASSOCIATIONS: G. R. Morton and wife (performers)

"PORT MACQUARIE (FROM OUR CORRESPONDENT)", Empire [Sydney, NSW] (26 April 1861), 2

http://nla.gov.au/nla.news-article60493138 

Mr. Hall, the "Wizard of the South," announced his entertainments to take place at Port Macquarie on the evening of the 11th instant. Many persons were in attendance; but the Wizard's powers could not enable him to cross the creeks between Kempsey and this place. Should the rivers be fordable, Mr. Hall will "astonish the natives" this evening. His performances on a former occasion were well attended, and his modus operandi is, in every way, unobjectionable. His vocal powers are very fair.

"MR. HALL'S ENTERTAINMENT", North Australian and Queensland General Advertiser [Ipswich, QLD] (8 May 1862), 2

http://nla.gov.au/nla.news-article77293450 

The entertainment given by Mr. Hall, on Tuesday evening, was, considering the weather, well attended, and apparently afforded considerable amusement to the spectators. The first part of the performance commenced with a series of conjuring tricks which were executed with as much skill as those by older and more renowned performers, and concluded with some exhibitions of ventriloquism, in which Mr. Hall is a considerable adept. The second part consisted of negro melodies, which were well executed and with considerable taste concluded with the Blue-tail fly, which was capitally done. Altogether the evening's entertainment was one of the best we have been present at in Queensland. Mr. Hall purposes giving another entertainment tomorrow evening, on which occasion we trust that he will be well supported.

"COUNTRY INTELLIGENCE. DALBY [FROM OUR OWN CORRESPONDENT] DALBY, JUNE 13", The Courier [Brisbane, QLD] (18 June 1862), 4

http://nla.gov.au/nla.news-article4606285 

EVERYTHING round here is dreadfully dull, except the weather, and that for some time past has been most delightfully bright. An attempt was made last week to enliven us a little by a travelling wizard (as it is the fashion to call them) which met with quite as much success as it deserved. On the second evening the wizard (whose name is Hall) announced another performance for some charitable purpose. His charity, however, seems to be of that kind which "begins at home," for although the performance in aid was well attended, and must have turned in a tidy sum, nothing has been seen or heard of the proceeds. He left here on Monday, and has not since been heard of.

"THE COURIER'S 'OWN' DALBY CORRESPONDENT", The Darling Downs Gazette and General Advertiser [Toowoomba, QLD] (26 June 1862), 3

http://nla.gov.au/nla.news-article75467972 

SIR - I perceive that yourself and Mr. Groom, the Mayor of this town, with several of your Correspondents, have recently given an export to the mean malice and utter untruthfulness of some "Occasional Correspondent" from Toowoomba, whose communications it appears, even after contradictions, were admitted in the columns of the Courier.
I have now to bring under your notice an instance of ignorant presumption, or dastardly malevolence, which is an equal disgrace to the "skunk" who penned it and the hungry newsmonger who published it.
The Courier, of the 18th Instant, publishes, from its "Own Correspondent" from Dalby, the following: -
"An attempt was made last week to enliven as a little by a travelling wizard, as it is the fashion to call them, which met with quite as much success as it deserved. On the second evening the wizard (whose name is Hall) announced another performance for some charitable purpose . . . . Although the performances in aid was well attended, and must have turned in a tidy sum, nothing has been heard of the proceeds."
Now, Sir, I hold, from the Rev. Mr. Mowbray, a receipt for the proceeds of my performance, which proceeds I handed over in aid of the Church Fund. The fact was, that neither Mr. Mowbray nor the magistrates who were to receive the money were at home - there was only the Sexton there - and having to go to Jimbour I left word that I would pay the money on my return, which promise I punctually fulfilled.
Now, Sir, however desirous newspaper proprietors or editors may be of obtaining copious items of "country intelligence," I think they should be extremely cautious how they admit the petty gossip and scandalmongering that usually emanates from the broken-down or semi-reformed Pecksniffs, Simon Pures, drunkards, and such like equivocal characters, who generally do the paid alternate libelling and puffing "correspondence" from small communities.
Publishers should be cautious what they admit of the communications from the paltry hired scibblers who, when they cannot supply local new, propagate, and often invent, petty scandal and slander calculated to injure a man's character, and the most unfounded falsehoods.
I am no Wizard, nor do I advertise as one.
But I have given seven entertainments in Dalby, all of which were well appreciated.
I have also performed in this town and in Ipswich to good audiences, as the papers can testify.
I am, Sir, Yours, obediently,
W. HALL, Performer.
Toowoomba, 26th June.

? "AMATEUR PERFORMANCE AT SOFALA IN AID OF THE LANCASHIRE RELIFE FUND. To the Editor of the . . .", Bathurst Free Press and Mining Journal [NSW] (22 October 1862), 2

http://nla.gov.au/nla.news-article62719632 

SIR, - I have been waiting in the hope that a report would 'ere this have appeared in your Journal, emanating from a more competent person than myself, respecting two concerts given here on Monday, the 29th September last, and Wednesday, the 1st of October inst., by a party of amateurs resident in this Township, in aid of the very laudable cause - the Lancashire Relief Fund. The Concerts, which took place at Mr. Mendel's Hotel, were most numerously attended, and the applause which greeted the performers throughout, testified to the great ability possessed by them both as Vocalists and Instrumentalists. The programme which consisted of Ethiopian Melodies, was gone through in every respect satisfactorily. Mr. Charters (tambourine) was irrisistibly comic in his bye-play, and his rendering of "The Blue-tail Fly," "Fanny Frail," &c. drew down frequent and well-deserved applause. No less to be admired for his comicalities was Mr. W. Hall (Bones) who, in conjunction with Mr. Charters, convulsed the audience with laughter; his tact in the management of the bones was excellent, and his solo on the Champagne glasses equally admired, as also his amusing ditty of "Sing song, Polly" . . .

"MR. HALL'S ENTERTAINMENTS", Ovens and Murray Advertiser [Beechworth, VIC] (5 March 1864), 2

http://nla.gov.au/nla.news-article112895345 

This talented and favorite ventriloquist, magician, &c., who has won golden opinions from his audiences all through the district, announces that he will appear this evening at Frank Ray's Freemason's Arms Hotel, Reid's Creek, and at Yackandandah on Tuesday evening next. Those who delight in a pleasant and entertaining evening's amusement, should not fail to see him.

"MR. HALL, THE VENTRILOQUIST", Kyneton Guardian and Woodend and Malmsbury Chronicle [VIC] (16 July 1864), 3

http://nla.gov.au/nla.news-article265170161 

On this and Monday evening [18 July] Mr. Hall, the celebrated magician and ventriloquist, will give one of his evening entertainments at the Theatre Royal, Kyneton, and from his bill of fare, which includes "Mystic Feats," "Clairvoyance Extraordinary," the "Wonders of Ventriloquism," and "An hour with the Christy Minstrels," and also from the favourable manner in which his performance have been noticed by the Sydney papers, we have every reason to anticipate a very pleasant evening for all who may avail themselves of the opportunity of witnessing his Olio of Fun and Cabinet of Eccentricities.

"CONCERT IN AID OF THE NELSON FUND.", The Goulburn Herald and Chronicle [NSW] (22 April 1865), 3

http://nla.gov.au/nla.news-article100828285 

On Wednesday evening a number of gentlemen assisted by Mr. Hall, the well-known delineator of [REDACTED] character, gave an Ethiopian concert in the hall of the mechanics' institute, in aid of the fund for the relief of the family of the late Constable Nelson, who was shot at Collector by bushrangers. There was a very large attendance, and the pieces and jokes were well received. The duet flute and banjo, and the Blue-tailed Fly were encored. During the intermissions Mr. Hugman played very pleasingly on the concertina. The proceeds amounted to £20 15s.

[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (15 September 1866), 3

http://nla.gov.au/nla.news-article198657952 

BENEFIT OF THE OVENS BENEVOLENT ASYLUM.
EVENING AMUSEMENT. Licensed by Act of Parliament.
ON MONDAY EVENING, SEPT. 17, AT THE STAR THEATRE.
MR. WILLIAM HALL, THE only acknowledged best single performer in the colony,
begs to inform the inhabitants of Beechworth that he will give, as above, one of his matchless entertainments,
OLIO OF FUN! OR CABINET OF ECCENTRICITIES, An hour with Anderson, Robin, Bosco and Woodin.
CLAIRVOYANCE EXTRAORDINARY. The Wonders of Ventriloquism.
AN HOUR WITH THE CHRISTY MINSTRELS, Musical Melange of Ethiopian Melodies,
selected from the most Fashionable Ballads of the day, with Banjo accompaniment.
Banjo Solo - "Grand Medley " (with bells.)
Admission Two Shillings, to all parts of the house; Children Half-price.
Doors open at Half-past Seven o'clock; to commence at Eight o'clock.
For further particulars see large bills.

"THE LYCEUM THEATRE", Bendigo Advertiser [VIC] (19 November 1866), 2

http://nla.gov.au/nla.news-article87965231 

The performances at the theatre on Saturday night were of an entertaining description, and well worth seeing. Mr. Hall, a performer of feats of legerdemain, kept on the happiest terms with his audience, and with a very limited apparatus, and chiefly by sleight of hand, cleverly-performed many pleasing tricks, completely deceiving the most watchful eye. He was highly amusing in an exhibition of ventriloquism, and elicited great applause. In the light of a drawing-room entertainment his performances have not been surpassed by previous professors of the magic art on Sandhurst. Mr. Hallas and Mr. Byrne played a duet on cornets, which was characterised by taste and execution. A duet on flutinas, by Messrs. Spiller, secured an encore, which was also heartily received. One of the most amusing performances of the evening was "The Blue-tailed Fly," by Mr. W. Hall, who accompanied himself on the banjo. During the evening Miss Forde and Mr. A. F. Spiller performed on the roller skates. Their graceful evolutions were much admired . . .

ASSOCIATIONS: Nathan Hallas (musician); Stephen Byrne (musician); Adolphus Spiller (musician); Lyceum Theatre (Bendigo venue)

"LOCAL AND GENERAL NEWS", Gympie Times and Mary River Mining Gazette [QLD] (26 November 1870), 2

http://nla.gov.au/nla.news-article168853158 

We recollect sending some very favorable comments upon the performances of a Mr. William Hall, a wizard, ventriloquist, and so forth, at Gayndah, and therefore we recommend, with the more confidence, the entertainment announced by the same gentleman to take place at the Varieties this evening. From other sources also we learn that Mr. Hall is clever in the various professional departments he has chosen, and therefore, and because the prices of admission are very reasonable, there ought to be a large attendance at the theatre this evening.

[Advertisement], Rockhampton Bulletin and Central Queensland Advertiser [QLD] (11 May 1871), 3

http://nla.gov.au/nla.news-article51582073 

SCHOOL OF ARTS. Positively the Last Night!
THIS (THURSDAY) EVENING, MR. WILLIAM HALL respectfully inform the inhabitants of Rockhampton that he will give his
LAST FASHIONABLE EVENING ENTERTAINMENT At the above Institution
THIS (THURSDAY) EVENING. Change of Programme!
PRESDIGITATION, VENTRILOQUISM, Gems from American Minstrelsy,
AND SELECTIONS FROM ARTEMUS WARD & JOSS BILLING,
Interspersed with Piano and Banjo Music.
The same Entertainment that Mr. Hall has given to crowded houses in Victoria and New South Wales.
Admission - Front Seats, 3s.; Back Seats, 2s.; Children, Half-price.
To commence at eight o'clock.


Bibliography and resources:

Mr. Hall, Wizard of the South, Magic in Sydney

https://sydneymagic.net/hall.html 




HALLAS, Nathan (Nathan HALLAS; also Nathaniel HALLAS; Nat HALLAS; N. HALLAS; Mr. HALLAS; also HALLIS)

Musician, band master, cornet player, publican, cotton worker

Born Stalybridge, Lancashire, England, c. 1837; son of James HALLAS and Mary BRADLEY
Arrived Melbourne, VIC, 23 December 1857 (crew musician per Invincible, from Liverpool, 5 October)
Married Jane GIBSON, VIC, 1864
Died South Yarra, VIC, 27 January 1889, aged "51/52"

https://trove.nla.gov.au/search?l-publictag=Nathan+Hallas+c1837-1889 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALLAS-Nathan (shareable link to this entry)


Documentation:

England census, 6 June 1841, Stalybridge, Lancashire; UK National Archives, HO107/533/11/5/15/22

https://www.ancestry.com.au/search/collections/8978/records/5335587 (PAYWALL)

Mount Pleasant / James Hallas / 25 / Cotton Weaver / [born in county]
Mary / 25 / Cotton Drawer / [born in county]
Nathaniel / 4 // William / 9 / [both born in county]

ASSOCIATIOMNS: James Hallas, husband of Mary Bradley of Stalybridge, was convicted of theft and transported for life on the Gilmore to Van Diemen's Land in 1843, aged "29"; he was perhaps the James Hallas who there in Campbell Town, TAS, in 1858, reportedly aged "35"

England census, 30 March 1851, Stalybridge, Lancashire; UK National Archives, HO107/2237/256/21

https://www.ancestry.com.au/search/collections/8860/records/11752804 (PAYWALL)

Bridge Street / James Wilson / Head / Mar. / 29 / Cotton Twister / . . .
Mary [Wilson] / Wife / Mar. / 38 / Cotton Twister / . . .
Abraham [Wilson] / Son / 5 / School Boy / [born] Stalybridge Lancashire
Wm. Hallas / Son / 18 / Umm. / Cotton Drawer / [born Stalybridge Lancashire]
Nathan Hallas / Son / Unm. / 13 / [Cotton] Twister / [born] Stalybridge Lancashire

[Advertisement], Bendigo Advertiser [NSW] (30 March 1860), 1

http://nla.gov.au/nla.news-article87942723 

ABBOTT'S LYCEUM Tonight Mr. Holloway's Benefit
- THE WILL AND THE WAY, with other novelties.
With the permission of Mr. S. Macord, the following talented artists have consented to officiate in the orchestra,
and between the second and third acts of the drama, will perform Weber's grand overture to Der Freischutz.
Leader and Solo Violin, Herr Strebinger.
First Violin, Mr. Moore.
Second Violin, Mr. Lord.
Do., Mr. Chittenden.
Tenor Violin, Mr. Usher.
Do. Herr Hid.
Contra Bass, Mr. Brown.
Cornet-a-Piston, Mr. Hallis.
Cornet and Flageolet, Mr. Kohler.
Pianist, Mr. Linden.
OVERTURE, DER FREISCHUTZ.

ASSOCIATIONS: Samuel Macord (proprietor, Commercial Hotel); Edmund Holloway (actor); Frederick Strebinger (violin); Andrew Moore (violin); George Chittenden junior (violin); Alfred Usher (viola); Herr Hid (viola) Walter James Brown (double bass); Richard Wildblood Kohler (cornet and flageolet); Otto Linden (piano); Lyceum Theatre (Bendigo venue); Tourist Band (troupe, active VIC, c. 1859-61); and see also, [Advertisement], Bendigo Advertiser (26 March 1860), 2

http://nla.gov.au/nla.news-article87942630 

MACORD'S COMMERCIAL HOTEL. The Kohler Brothers and the Tourist Band Every Evening.

[Advertisement], Bendigo Advertiser (28 July 1860), 1

http://nla.gov.au/nla.news-article87945442 

THEATRE ROYAL (Late Shamrock.)
Lessen and Manager - Mr. Alex Henderson. Stage Manager - Mr. J. R. Greville.
GRAND OPENING NIGHT, TO-NIGHT, SATURDAY, 28th JULY.
First appearance of the new company, comprising . . .
Messrs. . . . Sayers, Hallas . . .
Herr Richter, leader of his band of solo performers . . .

ASSOCIATIONS: William Francis Sayer (actor, musician); Carl Richty [sic] (leader, violin); Theatre Royal (Bendigo venue)

[Advertisement], Bendigo Advertiser (29 October 1860), 1

http://nla.gov.au/nla.news-article87947577 

THEATRE ROYAL; TO ALEXANDER HENDERSON, ESQ.
Dear Sir, - We, the undersigned members of your Company, as a token of our appreciation of jour uniform kindness and honorable conduct during the past season, beg to tender you our services for a Complimentary Benefit, to take place any night it may be convenient for you to appoint.
We remain, dear Sir, yours, &c., . . .
William Sayers, Carl Richty, Nathan Hallas . . .

ASSOCIATIONS: Alexander Henderson (proprietor)

"HAYMARKET THEATRE. THE PHILHARMONIC SOCIETY'S CONCERT", Bendigo Advertiser (17 November 1860), 2

http://nla.gov.au/nla.news-article87948045

The crowded state of the Haymarket Theatre last evening is sufficient evidence, that when a first class musical entertainment is brought within the reach of the Bendigo public they know how to appreciate it, and it serves to show that the course hitherto adopted by the society in charging an exorbitantly high price for admission has been the real reason of the non-success of their efforts. However, the attendance of last evening must, we should say, fully convince the committee that, in order to make their concerts pay, they must bring their prices down to the means of all classes. With regard to the concert itself . . . The band - which was as good a one as any which ever played in Sandhurst together - consisted of the following gentlemen, most of whom, we believe, volunteered their services; - Messrs. Linden, Hallas, Burgess, Brown, Middleton, Hid, Bower, Sayers, Richter, Hunter (Castlemaine amateur), and another amateur whose name we could not ascertain. Mr. Pollard conducted, and it is mainly to his exertions, together with those of Messrs. Fowler and Von Ende, that the unparalleled success of the present concert may be attributed. The Philharmonic Society may now be said to have gained a footing amongst us . . .

ASSOCIATIONS: Joseph Bird Burgess (musician); Halton Middleton (musician); Frederick Alexander Bower (musician); Joseph Henry Pollard (conductor); John Alfred Fowler (member); Charles William Von Ende (member); Bendigo Philharmonic Society (association); Haymarket Theatre (Bendigo venue)

"CONCERT AT THE TOWN HALL", Bendigo Advertiser (9 January 1861), 2

http://nla.gov.au/nla.news-article87374232 

A concert was given last evening in the Town Hall by the members of the Church of England choir, assisted by the leading members of the Philharmonic Society, in aid of a District School Fund. Although the room was not crowded, there was a very good and highly respectable attendance. The first part consisted of selections from Mendelssohn's "Elijah" . . . The second part . . . a miscellaneous selection of songs and glees . . . Mr. Peel's "What will they say in England" was given with spirit and taste, the cornet accompaniment by Mr. Hallas, who generously gave his services, being a material assistance to the singer . . .

MUSIC: What will they say in England (Hobbs)

[Advertisement], Bendigo Advertiser (17 July 1861), 1

http://nla.gov.au/nla.news-article87375918 

B. R. SUBSCRIPTION MATCHES. NEXT Thursday, 18th July . . .
Hallas' Amateur Brass; Band and the B.V.R.C. Drums and Fifes have kindly volunteered their services during the day . . .

ASSOCIATIONS: Bendigo Volunteer Rifle Corps (volunteer military)

[News], Bendigo Advertiser (25 September 1861), 2

http://nla.gov.au/nla.news-article87377418 

THE RED, WHITE, AND BLUE COMPANY, Sheepshead Reef, had a grand set out yesterday, the starting of the newly-erected crushing machine being the cause of the gathering. A large number of ladies were present, Mrs. Landry, the wife of one of the proprietors, officiating at the christening . . . The proceedings were enlivened by the presence of the Sandhurst brass band, which, under the direction of Mr. Hallas, performed several popular airs admirably. An excellent luncheon was provided by the company, and partaken of by some hundred visitors.

"LYCEUM THEATRE", Bendigo Advertiser (21 July 1862), 2

http://nla.gov.au/nla.news-article87901192 

The amateur performances of Saturday night last, in aid of the funds of the Bendigo United Cricket Club, may fairly be deemed a great success . . . The piece of the evening, Sheridan's "Rivals" . . . was excellently well played throughout . . . The Sandhurst Glee Club then sang "Foresters' Sound the Cheerful Horn" (with horn accompaniment by Messrs. Barwick and Hallas), which was excellently well given, and an encore demanded, which was acceded to in "The Ship now goes with a Pleasant Gale." This was also warmly applauded . . .

ASSOCIATIONS: Thomas Barwick (musician); Sandhurst Glee Club (association);
see also repeat performance, "the proceeds to be devoted to the LANCASHIRE RELIEF FUND", on 21 July, [Advertisement], Bendigo Advertiser (21 July 1862), 1

http://nla.gov.au/nla.news-article87901196 

[News], Bendigo Advertiser (27 September 1862), 2

http://nla.gov.au/nla.news-article87902697 

THE CHORAL SOCIETY had a rehearsal on Thursday evening; a very large number of vocalists were present, and the programme of the ensuing concert was gone through in a very creditable manner. The discontinuance of theatrical amusement at the present time has enabled Mr. Pollard to secure the very valuable services of Messrs. Hid, Brown, and Hallas - these gentlemen's names are a guarantee that the instrumental portions of the concert will be a treat in themselves.

ASSOCIATIONS: Sandhurst Choral Society (association)

"BENDIGO VOLUNTEER RIFLE CORPS", Bendigo Advertiser (3 October 1862), 3

http://nla.gov.au/nla.news-article87902814 

THE monthly meeting of the corps was held yesterday evening at the Shamrock Hotel, Captain Skene in the chair . . . A letter, was read from the band, requesting the appointment of a bandmaster and a supply of music. It was proposed and seconded "That Mr. Hallas be engaged as bandmaster, at the salary of £2 per week for the term of one month." Before the resolution was put to the meeting, the Chairman said he would like to see the salary of the bandmaster for one month subscribed by the meeting, so that the funds of the corps would not be encroached upon. A subscription list was opened in the room, and in a few minutes the sum of £10 15s was subscribed. The resolution was then carried unanimously. It was then carried - "That the Committee of the B.V.R.C., with Messrs. Caldwell, Rea, and Anderson, of the Eaglehawk. Co., and Messrs. Bastard, Lysaght, and H. Joseph, of the Cavalry, form a committee for the purpose of canvassing the town for subscriptions in aid of the band" . . .

ASSOCIATIONS: James Rea (as see also below); Bendigo Volunteer Rifles Band (volunteer military)

[Advertisement], Bendigo Advertiser (3 January 1863), 1

http://nla.gov.au/nla.news-article87933552 

LYCEUM THEATRE, GRATUITOUS COMPLIMENTARY BENEFIT
TO MR. B. M. NATHAN. Lyceum Theatre, Sandhurst, 30th December, 1862.
[signed by the company] . . . W. Brown, N. Hallis [sic], Herr Hidd . . .
Solo on the Cornet - By Master Nathan (Age Six Years - pupil of Mr. Hallis) [sic] . . .

ASSOCIATIONS: Barnett Moses Nathan (manager of Nathan family troupe)

"THE VOLUNTEER BAND AND THE AGRICULTURE DINNER (To the Editor of the . . .)", Bendigo Advertiser (28 March 1863), 3

http://nla.gov.au/nla.news-article87935319 

Sir, - I was somewhat taken aback last night when the toast so flattering to the Band was proposed from the chair, and "being unaccustomed to public speaking," I asked Mr. James Rea, who was in the gallery, to return thanks. The idea that he would insult the audience was furthest from my mind. I wish to state most distinctly that he neither spoke my sentiments nor those of the Band. Mr. Rea is not a member.
NATHAN HALLAS, Bandmaster.
Lyceum Theatre, 27th March, 1863.

See also Rea's reply, "THE VERACIOUS BANDMASTER (To the Editor of the . . .)", Bendigo Advertiser (30 March 1863), 3

http://nla.gov.au/nla.news-article87935357 

"SANDHURST CHORAL SOCIETY'S CONCERT", Bendigo Advertiser (6 May 1863), 2

http://nla.gov.au/nla.news-article87936087 

The fourteenth concert and re-union of the Sandhurst Choral Society, was held at the Temperance Hall last evening, to an audience which filled the place to overflowing . . . After an admirable rendering of an Italian buffo duet, from Donizetti's opera of "Elisir d'Amore," by Messrs. Pollard and Stewart, the conductor announced to the audience that in consequence of Mr. Hallas being unable to vacate his position as cornet-player in the theatrical orchestra, he had prevailed upon his friend Mr. Montague Harvie, (who was on a visit to Sandhurst), to prolong his stay, in order that a Sandhurst audience might be afforded an opportunity of hearing that gentleman's Prize Exhibition Flute, to which request Mr. Harvie acceded . . .

ASSOCIATIONS: James Stewart (amateur vocalist); Montague Harvie (flute)

"THE VOLUNTEER BAND", Bendigo Advertiser (24 June 1863), 2

http://nla.gov.au/nla.news-article87937091 

A meeting of the Volunteer Band Committee was held last night at the Rainbow Hotel. Amongst the business transacted by the committee was the appointment of Mr. N. Hallas as band master. The committee having received a sufficient guarantee from the number of monthly subscribers to the fund for the payment thereof, agreed to send to Melbourne for the purpose of purchasing instruments for the band. Mr. S. Byrne was appointed to collect the monthly subscriptions from the residents in Sandhurst who had subscribed their names for various donations. The members of the committee were requested to solicit the aid of amateur musicians to the band.

ASSOCIATIONS: Stephen Joseph Byrne (bandsman)

[News], Bendigo Advertiser (18 September 1863), 2

http://nla.gov.au/nla.news-article87938803

THE VOLUNTEER BAND yesterday, for the first time, took possession of the rustic rotunda in the Camp Reserve, which has been provided with accommodation for them playing therein. For some two or three hours the band, under the able leadership of Mr. M. Hallas, the band-master of the corps, beguiled the time of the listeners by the performance of some very good music. As the fine weather sets in these afternoon musical reunions will be largely patronised by the public.

[Advertisement], Bendigo Advertiser (2 December 1863), 1

http://nla.gov.au/nla.news-article87940177

LYCEUM THEATRE. Sandhurst, 30th November, 1863 MESSRS. COX & VARLEY. GENTLEMEN., - We, the undersigned Members of the Dramatic Company, &c., under your management at this Theatre, being desirous of giving evidence of our regard, hereby propose a Complimentary Benefit in your behalf . . .
We are, Gentlemen, yours respectfully . . .
R. Roberts, A. Hidd, N. Hallas . . . T. Barwick . . .

ASSOCIATIONS: Richard Henry Cox (actor, manager); Frank Varley (manager)

"LYCEUM THEATRE", Bendigo Advertiser (15 March 1865), 3

http://nla.gov.au/nla.news-article87930724 

An excellent bill of fare was provided at the Lyceum last evening, on the occasion of the benefit of those deserving artists Mr. and Mrs. Laurence . . . The interlude was a solo on the cornet by Mr. N. Hallas, being a fantasia from the opera of "La Somnambula" in which "All is lost now," and "Still so gently," were played with so much care, finish, and power of expression as to elicit an unanimous encore. The "Emily Polka" was substituted, and was splendidly rendered . . .

ASSOCIATIONS: Robert Winsor Lawrence and wife (Miss Carry George, actors, manager)

"VOCAL AND INSTRUMENTAL CONCERT", Bendigo Advertiser (6 May 1865), 2

http://nla.gov.au/nla.news-article87932022 

A vocal and instrumental concert was given in the assembly room of the Camp Hotel, Eaglehawk, last night, which was not so well patronised as the musical efforts of the various performers deserved, but this probably arose from sufficient notice not having been given, and also on account of the Catherine Reef celebration on the previous night. The opening overture by the band, "La Gazza Ladra," was very well played; indeed, their entire performances were very creditable . . . Not the least pleasing portion of the entertainment was the playing of Mr. Hallas on the cornet, especially in the "Mount Blanc Polka," in which au echo is given, and a solo from "La Somnambula," introducing the airs "All is Lost Now" and "Still so Gently. Mr. Byrne promises to attain considerable proficiency on the trombone. Altogether, the performance was one deserving of support.

ASSOCIATIONS: Stephen Joseph Byrne (as above)

MUSIC: Echo du Mont Blanc polka (Jullien)

"LYCEUM THEATRE", Bendigo Advertiser (15 May 1865), 3

http://nla.gov.au/nla.news-article87932233 

An experiment was commenced on Saturday evening to popularise grand promenade concerts in the theatre. The stage was cleared of its scenery and the pit boarded over, so that an extensive promenade was formed. In the centre of the stage a raised platform was placed for the singers, and immediately behind were the stands for the musicians. The upper portion of the theatre was reserved for those who chose to witness the moving scene below. The instrumental music was undertaken by the Phoenix Band, under the leadership of Mr. Hallas . . . Of the instrumental solos, the best was the Mount Blanc Polka (Koenig) on the cornet by Mr. Hallas, and this received a well-merited encore. The cornet and trombone duet "Mira Norma," by Mr. Hallas and Mr. Byrne, was greatly applauded. To night the second concert will be given.

[News], Bendigo Advertiser (30 September 1865), 2

http://nla.gov.au/nla.news-article87926864 

THE PHOENIX BAND will play in the Camp Reserve, commencing at half-past five o'clock this afternoon, the following selections: -
Waltz, "Pride of the North"; quadrille, "Como"; polka, "Undine"; schottische, "Opera";
march, "Hungarian"; galop, "Silver Galop"; finale, "God Save the Queen."
The band will be under the direction of Mr. N. Hallas.

"THE PHILHARMONIC CONCERT", Bendigo Advertiser (18 November 1865), 2

http://nla.gov.au/nla.news-article87928154 

The concert last night given by the Philharmonic Society in the Lyceum Theatre was eminently successful, and the lovers of harmony cannot but rejoice that a society has been organised which is a credit to the district . . . Where the amateur element so largely preponderates . . . large allowance must be made for the timidity consequent upon a first appearance before a public audience. There were many little musical gems, however, rendered in a style that would bear criticism. Foremost amongst these in the instrumental portion was the cornet solo, "Spirits gentle" (La Favorita), by Mr. N. Hallas, and the listeners testified their approval by a rapturous encore, which was acceded to and the "Echo polka" given and played splendidly . . .

ASSOCIATIONS: Bendigo Philharmonic Society (association)

"THE VOLUNTEER RIFLE BAND", Bendigo Advertiser (29 November 1866), 2

http://nla.gov.au/nla.news-article87965463 

We are glad to hear that Mr. N. Hallas has been appointed instructor to the brass band of the Rifle Corps, Mr. Bower still retaining the appointment of instructor of the drum and fife band. Under the able tuition of Mr. Hallas we have no doubt the musicians of the band will soon attain great proficiency. The establishment of a good band is an object which the townspeople should encourage by every means in these not over cheerful times.

ASSOCIATIONS: Frederick Alexander Bower (as above)

"THE BAND OF THE RIFLE CORPS ", Bendigo Advertiser (13 December 1866), 2

http://nla.gov.au/nla.news-article87965795 

We have received a copy of a circular which Captain Taylor, of the Bendigo Rifle Corps, intends forwarding to the public generally. The object of the circular is to ask the public to assist by yearly subscriptions in establishing a first class brass band in connection with the corps. For some time past it must have been observed that from the mere nucleus, as it were, of a small drum and fife band, the corps has a large number of good musicians, who are daily making rapid progress towards efficiency, and within the last week or two they have been strengthened numerically by the addition of some seven or eight already trained members, Mr. N. Hallas having received the appointment of instructor. To enable them, however, to become thoroughly proficient it is necessary that some funds should be at the disposal of the commanding officer, to procure new music, purchase instruments, and provide other necessary adjuncts. The public are therefore asked to assist, and in order to increase the pleasure and satisfaction of seeing an excellent band established, it is intended by Captain Taylor that a number of concerts shall be given in the course of the year, to which the subscribers will be entitled to admission for themselves and families. We have, therefore, great pleasure in making an appeal to the public on behalf of the band, and have not the slightest doubt that before many months the corps will have a band in Sandhurst only second to the Head-Quarters Band in Melbourne.

ASSOCIATIONS: Head-Quarters Band (Melbourne)

[Advertisement], The Argus [Melbourne, VIC] (15 November 1867), 1

http://nla.gov.au/nla.news-article5783413 

HALLAS'S BENDIGO BAND (who will appear in their new uniforms) are
OPEN to ENGAGEMENTS, to play at balls or processions, during the stay of H.R.H. the Duke of Edinburgh.
Apply Stephen Byrne, Secretary, at the Bath Hotel, Sandhurst.

ASSOCIATIONS: Alfred (royal visitor)

"SACRED MUSIC IN THE RESERVE", Bendigo Advertiser (23 November 1867), 2

http://nla.gov.au/nla.news-article87956405 

To-morrow afternoon Hallas's band will play in the Camp Reserve a varied selection of sacred pieces, commencing at three o'clock. The following is the programme: -
Chorus, "We come in bright array" (Handel); anthem (Broadbent);
chorus, "Lift up your Heads" (Handel); "Church Call" (introducing the chimes of the bells);
anthem, "Let there be Light" (composed by Herr Gollmick); "Gloria" (Mozart's 12th Mass);
chorus, "To Thee, oh Lord" (Handel); "Sanctus" (Haydn's No. 3 Mass);
hymn, "Justification;" "God gave the Queen."

ASSOCIATIONS: William Gollmick (composer)

"THE VOLUNTEER RIFLES DIS-ORDERLY ROOM", Bendigo Advertiser (23 January 1868), 2

http://nla.gov.au/nla.news-article87893554 

The announcement that an instrumental promenade concert would be given by Hallas's Band in the Volunteer Rifles Orderly-room (tickets to admit lady and gentleman one shilling), was sufficient to draw together a large and respectable audience last evening, the sexes being pretty equally divided. The programme was an excellent one and the band played remarkably well; the selections calling for more particular notice being the opening overture of "Tancredi," and a duet from "Norma," by Mr. Hallas (cornet), and Mr. Byrne (trombone). The dance music had a peculiarly enticing effect, and when the programme was half gone through and a quadrille was being played, some of the young folks, of whom there were many present, formed into sets with the intention of having a dance. Captain Taylor objected to any dancing going on, to the manifest disgust of many who thought that dancing was included in promenade concerts. However, the angry feelings only found vent in mutterings until a schottische was played, when a number of youths commenced to dance, and continued notwithstanding the remonstrances of Captain Taylor, who pointed out that nothing was said about dancing in the programme. As they would not desist he ordered the gas to be turned off, upon which he was greeted with loud groans, and as there appeared signs of a disturbance, a number of ladies who were present hastily left the room and stood outside, being also groaned at as they retired. The band also ceased playing, and two of the three sunlights were turned off. Some, of the promenaders insisted that there should be dancing, and Captain Taylor was called "no gentleman," and others demanded that the programme should be carried out. Quietness having been somewhat restored, Mr. Hallas wished to alter the programme, so as to avoid the dance music, but that was the signal for another uproar; the dancers groaned, and cried out that they had paid their money to hear the music on the programme, and would have it. Mr. Hallas ordered the music books to be closed, and the band to retire, but the band broke out into open mutiny, and one member raised and threatened to smash his big brass instrument if the programme was not adhered to. Tremendous excitement followed this announcement, and Mr. Hallas, to allay it, desired the band to play the waltz on the programme, and as soon as the strains of the instruments were heard, a number of youngsters in couples began to dance. The ladies referred to, who had returned in the meantime, again retired. Superintendent Chomley came in, and he was informed of the threats to damage the building, and the band then ceased playing, and retired to the public room at the Bath Hotel. Three groans were given for Captain Taylor, and the assembly dispersed.

"PRESENTATION", Bendigo Advertiser (3 July 1869), 2

http://nla.gov.au/nla.news-article87920347 

The members of the Volunteer Band, and some of the friends of Mr. N. Hallas, bandmaster, to the number of about sixty, met at the Bath Hotel last evening for the purpose of presenting Mr. Hallas with a cornet. The pleasures of the evening commenced with a capital supper, served up by Mr. C. Crawford in a style reflecting the greatest credit upon him. The toast of "The Queen and Royal Family" was drunk, and a verse of the National Anthem sung, and then Captain Joseph rose, and after apologising for the absence of Captain Taylor, said be had been deputed to make the prestation. He said that for the eight years he had been connected with the rifle corps they never had a band half so good as the present one. Its excellence was due to Mr. Hallas, who took the greatest pride and trouble to bring it to perfection. On behalf of the band he had much pleasure in presenting the cornet, and he hoped Mr. Hallas would long live to blow it. He then presented the cornet, a very handsome instrument, known as the silver medal cornet, and which bore the following inscription -
"Presented to Mr. Nathaniel Hallas by his pupils, the members of Hallas's Bendigo Volunteer Band, winners of the Brass Band Contest held in Melbourne, 24th May, 1869, as a token of their respect and esteem, and also in appreciation of his superior talents as a bandmaster and his inimitable acquirements in his profession as a musician. Sandhurst, 1869."
Mr. Hallas, who was loudly cheered, returned his sincere and heartfelt thanks, stating that he would always look on the instrument with pride and satisfaction, and a grateful remembrance of its donors, and he hoped the band would continue to hold the position of being the premier band in the colony. He then played a beautiful solo on the instrument, "You'll remember me." The health of Captain Joseph and the officers of the Volunteers Corps was proposed and responded to. Mr. C. Crawford proposed the health of the Volunteer Band, which was enthusiastically drunk, and Mr. Hallas replied while Mr. McDonald, a pupil of Mr. Hallas, played in good style a solo on the cornet. Songs and toasts succeeded, and then came dancing, for which the ladies had been impatiently waiting, and which was maintained with great spirit until a late hour.

"THE COUNTRY", The Herald [Melbourne, VIC] (27 November 1869), 2

http://nla.gov.au/nla.news-article244905421 

MR. N. HALLAS, the master of the Bendigo Rifles' band, was presented with a very beautiful baton last night at Ballarat by Mr. Stephen Byrne. The baton, which was composed of ebony, mounted in richly-chased silver, was manufactured by Mr. J. T. Sleep, Lydiard-street, and bore on one side the inscription - "Presented to Mr. N. Hallas by a few of his Ballarat admirers; Nov. 26th, 1869;" and on the reverse a delicately traced representation of the rose, thistle, and shamrock.

[News], Bendigo Advertiser (11 March 1871), 2

http://nla.gov.au/nla.news-article87968167 

HALLAS' BOROUGH BAND will perform the following selection of sacred music in the New Rotunda, Camp Reserve, commencing at three o'clock, p.m., to-morrow: -
Programme - "Church Call," introducing the chimes of the bells; "How Beautiful upon the Mountains;"
"Anthem" by Broadbent; chorus, "To thee O Lord;" Sanctus, "12th Mass," Mozart;
"Welcome Joy," 1st feast; "Stabat Mater," Rossini; chorus, "Praise His awful name," Handell;
air, "Native Worth," Haydn's Creation; chorus, "O Thou that tellest," Messiah;
"I stand alone in dark midnight;" hymn; Mozart's Gloria, "12th Mass;" finale - "God save the Queen."

"OUR LAUNCESTON LETTER {From our own Correspondent] LAUNCESTON, Tuesday Evening [3 February]", The Mercury [Hobart, TAS] (5 February 1874), 2

http://nla.gov.au/nla.news-article8928024 

A apropos of the many promised amusements spoken of in the previous paragraph, I may mention the visit of one of the principal military bands of Victoria. Mr. Stephen Byrne, who arrived by the Derwent to day has come on as avant courier on behalf of a company of instrumentalists well known to fame in the sister colony. The members of Hallas's band, one of the two leading bands in Sandhurst, Victoria, propose paying Tasmania a visit. The members of the band are mainly successful young quartz reefers, tolerably well to do, and, contemplating a pleasure trip, they have wisely determined on bringing them instalments with them, and thus endeavouring to make their trip doubly enjoyable by giving a series of entertainments and accepting engagements which will probably result in almost entirely repaying the expenses of the trip. The T.S.N. Co have behaved liberally with regard to passages, and we may, therefore, shortly expect the rare pleasure in Tasmania of being able to witness and listen to the performances of a first class military band. This band is known at Sandhurst as Hallas's Sandhurst City band, and when represented by its full strength, numbers 45 performers. Of these, from 25 to 30 may be expected in Tasmania by the special steamer Southern Cross, to arrive on Sunday afternoon. The instruments represented will be clarionette, piccolos, E flat and B flat alto horns, G trombones, and E flat bases. The band is well known amongst the military bands of Melbourne, and has gained two first prizes in the band competitions in Melbourne during the last four years. Mr. Hallas, its leader and bandmaster, will be known to many by his long connection with the orchestra of Lyster's Opera Company, in which he officiated for three years as cornet a piston. The programme, during the stay of the company in Tasmania, is already partly arranged. On the arrival of the steamer on Sunday next at the bar, the band is to play a grand selection of sacred music, and as this entertainment will, of course, be free, I anticipate a very large attendance at the wharf on Sunday. After this, four evening promenade concerts will be given at the Mechanics, when selections from various popular operas will be given. On Saturday the band will try to secure the gardens for a grand moonlight performance, and on Sunday they propose a performance, to consist entirely of sacred music, in the same place, the gross proceeds of which they offer to give to the local Benevolent Society. Their selection of sacred music has been spoken very highly of by the Melbourne press, and amongst other masterpieces they propose rendering the Hallelujah chorus (Handel), the Vital Spark (Handel), Mozart's twelfth mass, the grand and impressive Hailstone chorus (Mendelsohn) and several of the masterpieces of those great composers, Hayden and Smith. Amongst the works of the latter will be the over sublime and beautiful pieces, How Beautiful upon the Mountains, and the Church Call of the Rifles played on military church parade, and introducing the chimes of the balls, a piece that has been rendered by this band with great effect, and highly spoken of in the thriving Quartzopolis of the sister colony.

See also, "HALLAS'S BAND", The Cornwall Chronicle [Launceston, TAS] (25 February 1874), 2

http://nla.gov.au/nla.news-article66075220 

"HALLAS' SANDHURST BAND", The Mercury [Hobart, TAS] (1 February 1881), 2

http://nla.gov.au/nla.news-article8993054 

In referring to the brass bands contest, which recently took place in Melbourne, and resulted in Hallas' Sandhurst Band proving victorious, the Melbourne correspondent of the Bendigo Advertiser, under date of January 22, writes as follows: -
"It appears that the judges in the bands contest - Messrs. Elsasser, Siede, and Summers - decided ultimately, last night, at a late hour, to make their awards known in the absence of Mr. Fulton, the result being, what had very generally been anticipated by those who had carefully attended to the performances - Sandhurst, Melbourne City, and the Cerberus being i placed as first, second, and third. The last band to play last night in the regular competition was the Sandhurst, and Mr. Hallas selected, for his final effort, the 'Sanctus,' from Mozart's Seventh Mass. Many people who are familiar with every note of the same composer's Twelfth Mass, are little aware of the beauties of his Seventh, but the extraordinarily rich and ever-varying harmonies of the 'Sanctus,' as rendered by Mr. Hallas' splendid band, fairly enraptured the audience, and even the knowledge that encores were inadmissible could not restrain the majority of those present from continuing their applause in the vague hope of a repetition. The victory of Sandhurst, I may add, is very well received in musical circles here, and great admiration is expressed at the marvellous way in which Mr. Hallas performs his dual task of playing the cornet in absolutely first-class style, with one hand, while he uses the other as a conductor's baton. The nightly march of the Sandhurst men from their hotel in Little Collins-street, through the Royal Arcade and up Bourke-street, has been a great source of musical enjoyment to the residents on the route during the week; and the soldier-like, as well as musical-like, demeanour of the drum-major (Mr. Valentine Byrne) has rendered him a very popular character in Melbourne . . .

ASSOCIATIONS: Charles Elsasser (judge); Julius Siede (judge); Joseph Summers (judge); Valentine Byrne (drum-major)

"RECOLLECTIONS OF THE STAGE [BY AUSTRALIAN]", The Daily Telegraph [Sydney, NSW] (26 July 1884), 8

http://nla.gov.au/nla.news-article237258411 

. . . From motives of economy I at this time resided in a house with our cornet player. We took the "desirable residence" between us and agreed to do our own cooking. My mate was rather a character in his way, and deserves more than a mere passing notice. He was "all the way from Manchester," and almost entirely a self-taught man, so far as music was concerned [sic]. When I first knew him only a few months previous to the time of which I am writing, he could scarcely blow a note, but so greatly had he improved that he was now considered good enough to occupy the position of first cornet in the orchestra. We hadn't been living together many days before I discovered the cause of his rapid improvement - incessant practice. The first thing in the morning, long before break fast, would Mr. Nathan Hallas - that was his name - practice; frequently at intervals during the day - practice. At night when we got home - practice! No time was sacred for Mr. Hallas. At the dead of night or at cock-crow he would practice. On Sunday or holiday Nathan would practice. I was constantly disturbed in my siesta - my custom always of an afternoon - by Nat's cornet. I was aroused from my first sleep " many a time and oft'" by a furious blast from Mr. Hallas's cornet. My existence was haunted by "scales" "sustained notes" "fingerings" "double-tonguing," &c. At his meals Nat would have the instrument near him, and between the mouth-fulls he would seize it and indulge in a bray that would shake the tin plates on our porter case - that is our table. I have known him to rise from his couch - his stretcher - "in the dead waste and middle of the night," and arouse the whole neighbourhood with a sudden "run" or "flourish" that had been, I suppose, haunting him in his sleep. I used to pray earnestly for his repose, but it was of no avail. Remonstrance had no effect. If I growled he only laughed, and immediately indulged me with a solo. I have said he was from Manchester; and so he was, with a dialect that could never be taken for anything but "Lunky." I took advantage of this, and by closely watching his peculiarities of speech, became to some extent capable of reproducing them on the stage when occasion called for the use of an English dialect. I don't think that Nat was cognisant of the fact that while he was studying the cornet, I was carefully studying him; such nevertheless was the case. Nat's most praiseworthy perseverance has obtained it's reward; he is now one of the best players - if not the best - in Australia . . .

ASSOCIATIONS: Author unidentified; the recollections appear to be of theatrical seasons in central Victorian towns, c. 1860-61;
see also, "LEARNING TO PLAY", Bendigo Advertiser (23 August 1884), 1 supplement

http://nla.gov.au/nla.news-article89003480 

"CARELESS PARENTS", The Telegraph, St Kilda, Prahran and South Yarra Guardian [VIC] (24 September 1887), 6

http://nla.gov.au/nla.news-article106311594 

Nathan Hallas and Duncan McDonald were fined 20s for neglecting to send their children to school . . .

"DEATHS", Leader [Melbourne, VIC] (12 January 1889), 44

http://nla.gov.au/nla.news-article198067143 

HALLAS. - On the 2nd January, at his residence, No. 14 Clara-street, South Yarra, Nathan Hallas, formerly of Sandhurst, aged 56 years [sic].

"DEATH OF MR. NAT. HALLAS", Bendigo Advertiser (4 January 1889), 4

http://nla.gov.au/nla.news-article88558581

The many friends of Mr. Nat. Hallas, so long and favorably known in musical circles in this city, will be surprised to hear of his sudden death, which occurred at his residence, Clara street, South Yarra, on Wednesday night. The sad intelligence of his death was received yesterday morning by Mr. J. A. Whitlam, an old friend of the deceased. Mr. Hallas arrived in the colony in 1857, after having studied under the late Mr. James Mellen, the celebrated bandmaster, of the Staley Bridge Band, Lancashire. The deceased gentleman was first engaged in this colony by Mr. J. B. Lewis, of Melbourne theatrical fame. In 1858 Mr. Hallas came to Sandhurst and accepted an engagement in the orchestra in the old Haymarket Theatre in Market Square, after which he took the leading parts in the orchestra of the old Theatre Royal at the Shamrock Hotel, and at the Lyceum Theatre in Pall Mall. Shortly afterwards Mr. Hallas formed the first brass band in connection with the volunteer movement in Bendigo. Subsequently he was appointed band-master of the Phoenix brass band of this city and gained great credit by the excellent manner in which he conducted his pupils. After a professional tour to New South Wales, New Zealand and the other Australian colonies, Mr. Hallas returned and again assumed the lead of the volunteer band, which was then mostly composed of young Bendigonians. This body some time afterwards seceded from the volunteers and formed themselves into the well-known Hallas' Sandhurst city band, of which the deceased acted as band master. The many pleasant evenings' open air musical concerts given the citizens by this band in the Lower Camp Reserve will for ever cause the name of Nat. Hallas to be remembered by those who were fortunate enough to listen to the various selections. Whilst under his charge the band also gained renowned praise in this and the adjoining colonies by carrying off the leading prizes in the different competitions and contests in which they took part. In 1884 Mr. Hallas left Sandhurst to fulfil an engagement under Messrs. Williamson, Garner and Musgrove, of Melbourne, and in whose orchestras he was a general favorite, whilst his genial face and hearty laugh will be greatly missed by those with whom he was connected. Mr. Hallas was 52 years of age, and leaves a widow and large family to mourn his demise, whilst in Sandhurst he will be sadly missed by his old pupils and comrades, amongst whom may be mentioned -
Messrs. G. and C. Forster, T. A. Whitlam, R. Crawford, R. J. Meakin, T. Sayer. I. Moore, V. H. Byrne and others.
His funeral takes place to-day, and several of his Sandhurst friends have decided to pay the last tribute to the remains of one who was respected by both young and old.

ASSOCIATIONS: ? James Melling, bandmaster of the Stalybridge Old Band (c. 1850s); George Benjamin William Lewis (promoter, manager);
see also "THE LATE MR. NAT. HALLAS", The Prahran Telegraph (30 March 1889), 2

http://nla.gov.au/nla.news-article106108814 

For a reworking of the above obituary, with a photo portrait of Hallas, see "ANNALS OF BENDIGO", Bendigo Advertiser (19 December 1913), 3

http://nla.gov.au/nla.news-article89956476 

"OBITUARY", The Bendigo Independent (9 October 1907), 4

http://nla.gov.au/nla.news-article223256648 

The late Mr. Samuel Royle, who was buried in the Bendigo Cemetery on the 7th inst., was an identity of the Bendigo district for about fifty years. He arrived in Victoria by the ship "Invincible" with the late Nat Hallas' band, composed of six players. The only one now surviving is Mr. James Swift, who is still a resident, of Bendigo.

ASSOCIATIONS: Samuel Royle (musicians); James Swift (musician)

"IN MEMORIAM", The Age [Melbourne, VIC] (2 January 1909), 5

http://nla.gov.au/nla.news-article196144181 

HALLAS. - In sad and loving remembrance of our dear father, Nathan (Nat) Hallas, who departed this life at South Yarra on the 2nd January, 1889, late band master of Bendigo, and late of orchestra, Princess's Theatre, Melbourne . . .

"NAT HALLAS'S BAND.", Bendigonian [VIC] (12 April 1917), 21

http://nla.gov.au/nla.news-article90856767 

Particulars regarding Nat Hallas's Band have been kindly furnished by Mr. W. Royle, whose father came out from England to Australia with Nat Hallas in the sailing vessel Invincible in the year 1851 [sic, 1857]. Six mates members of a brass band, came out by the vessel, they being given a free passage in return for playing daily to relieve the tedium of the long trip. The others were Jim Swift, A. Middleton, Hume and Broadbent. The food on the voyage out was so bad that Hallas used to get up in the rigging and play cornet selections for biscuits to augment their bill of fare. On arrival in Melbourne they played in the streets and attracted crowds of people, who used to throw them coins in such abundance that, Mr. Royle states, they actually would not pick up anything less than half-a-crown. They were engaged to play with Lewis's circus, and travelled all over the principal gold diggings in Victoria for a couple of years. They settled in Bendigo about the years 1853 to 1854 with the exception of Royle, who pitched his tent at Castlemaine. The latter, however, used to pay frequent visits to Bendigo, and the six kept up their playing, and became the nucleus of Nat Hallas's Band, which became so famous in the musical history of Australia. Hallas went to Melbourne to play in the great Jubilee Exhibition of 1887, and four years later changed his residence permanently to the metropolis. Only one of the sextet - Jim Swift - is now alive, he being still a resident of Bendigo.

ASSOCIATIONS: Halton Middleton (musician); Benjamin Broadbent (musician); Charles Hulme [sic] (musician)

"MARRIAGES", The Age [Melbourne, VIC] (29 January 1921), 5

http://nla.gov.au/nla.news-article201696603 

WILLCOX - HALLAS. - On the 18th December, 1920, at. St. John's Church of England, Toorak, by the Rev. A. Law, Charles F., fifth son of the late Thomas Willcox and Mrs. Willcox, of Toorak,
to Annie M. M., youngest daughter of the late Nathaniel Hallas and Mrs. Hallas, late of Bendigo.


Bibliograhpy and resources:

Nathan Hallas, Find a grave

https://www.findagrave.com/memorial/212684508/nathan-hallas 




HALLIER, Henry Charles (Henry Charles HALLIER)

Musician, professor of music, piano tuner and repairer

Active Cape Town, South Africa, c. 1830s
? Arrived Adelaide, SA, 24 April 1841 (per Siam, from London and Plymouth, 1 and 12 December 1840, via Rio de Janeiro)
Active Sydney, NSW, by late 1841 to mid 1843
? Departed Sydney, NSW, 6 April 1844 (per General Hewett, for London)
Arrived Cape Town, South Africa, by 1847
Died Cape Province, South Africa, 1871

https://trove.nla.gov.au/search?l-publictag=Henry+Charles+Hallier+d1871 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALLIER-Henry-Charles (shareable link to this entry)


Documentation:

[Petition], The South Australian Government Gazette [Adelaide, SA] (13 May 1841), 3

https://books.google.com.au/books?id=mBFOAAAAMAAJ&pg=PA3 (DIGITISED)

. . . Henry Charles Hallier, Adelaide, professor of music . . .

[Advertisement], The Sydney Herald [NSW] (3 December 1841), 3

http://nla.gov.au/nla.news-article12872594

PIANOFORTE TUNING AND REPAIRING.
H. C. HALLIER, having left Mr. Ellard, Music-seller, George-street,
begs leave most respectfully to announce to the gentry and inhabitants of Sydney generally,
that he has commenced, on his own account, as Tuner and Repairer of Pianofortes,
trusting from ten years' experience as principal Tuner und Repairer in two respectable establishments at the Cape,
combined with moderate charges, to merit a share of public support and patronage.
N.B. Unexceptionable references can also be given as to ability, having tuned at the very first families in Sydney.
Terms - Every description of pianofortes tuned at five shillings.
All letters post-paid.
Any verbal applications left at Mr. Perkins' Establishment, George-street,
and Mr. Moffitt, Stationer and Bookseller, Pitt-street, will be immediately attended to.

ASSOCIATIONS: Francis Ellard (musicseller); William Moffit (bookseller)

[Advertisement], The Sydney Herald (18 March 1842), 1

http://nla.gov.au/nla.news-article12874267 

TO THE MUSICAL WORLD. H. C. HALLIER,
Pianoforte Tuner and Repairer, from Mr. Ellard's, George-street, Sydney,
respectfully informs the inhabitants of Sydney that he tunes every description of pianoforte, at five shillings per tuning.
Apply at Mr. Emanuel's, professor of the pianoforte, corner of Market and Clarence streets;
Mr. Moffitt's, Pitt-street; and Mr. Lenehan, Castlereagh street, cabinet manufactory.

ASSOCIATIONS: Abraham Emanuel (musician)

[Advertisement], The Sydney Morning Herald (1 August 1843), 3

http://nla.gov.au/nla.news-article28651411

PIANOFORTE TUNING AND REPAIRING.
H. C. HALLIER, Pianoforte tuner and repairer, begs to intimate to the Public, that from the extensive practice he has in the above arts, and the satisfaction he has given to those parties who have patronized him both in this Colony and the different parts of the world he has had occasion to touch at, allows him to presume there may he a few to compete, but not many to excel him in those branches.
All orders left at Mr. Moffitt's Bookseller, &c., will be promptly attended to.

? "Shipping Intelligence . . . DEPARTURES", The Weekly Register of Politics, Facts and General Literature [Sydney, NSW] (13 April 1844), 537

http://nla.gov.au/nla.news-article228135464 

On Saturday for London, the ship General Hewett , Hart, master, with Colonial produce. Passengers . . . Mr. Hallier . . .




HALLORAN, Henry (Henry HALLORAN; H. HALLORAN)

Poet, lyricist

Born Cape Town, South Africa, 6 April 1811; son of Laurence HALLORAN and Lydia Anne HALL
Arrived Sydney, NSW, 7 January 1822 (per Providence, from England, 13 June, via Rio de Janeiro. and Hobart Town, December 1821)
Married Elizabeth Henrietta UNDERWOOD (1822-1889), St. Peter's, Newtown (Cook's River), NSW, 13 February 1841
Died Ashfield, NSW, 10 May 1893

https://trove.nla.gov.au/search?l-publictag=Henry+Halloran+1811-1893 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-577198 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HALLORAN-Henry (shareable link to this entry)


Musical works with words by Halloran:

Lost Marguarite (1861)

Lost Marguarite; words by Henry Halloran, Esq., music by Glentworth Addison, arranged for the composer by E. H. Cobley (Sydney: James C. Fussell, [1861]; in The Australian musical bouquet)

https://trove.nla.gov.au/work/35628510 

https://nla.gov.au/nla.obj-169277761/view?partId=nla.obj-169277991#page/n2/mode/1up (DIGITISED)

ASSOCIATIONS: Glentworth Addison (composer); Edwin Harry Cobley (editor, arranger); James Fussell (publisher); Australian musical bouquet (series)

"THE AUSTRALIAN MUSICAL BOUQUET", The Sydney Morning Herald [NSW] (25 February 1861), 5

http://nla.gov.au/nla.news-article13053279 

The January number of the Australian Musical Bouquet - a collection of popular songs, operatic airs, &c., for the voice and the pianoforte, edited by Mr. Edwin H. Cobley, professor of music, Glebe Point Road, has been published by the proprietor, Mr. James C. Fussell, of Prince-street. The contents are: - A Volunteer Polka Mazurka, composed by the editor, Mr. Cobley; and a new Song, "Lost Marguerite," [sic] words by Mr. Henry Halloran, and music by Mr. Glentworth Addison. The third and last piece of music in this number (very neatly engraved by Mr. Engel) is a Christmas Hymn, as sung at Christ Church, in this city. The music and poetry of this elegant little serial are colonial; the whole thing is very prettily got up, and the price reasonable.

"THE AUSTRALIAN MUSICAL BOUQUET", Empire (5 March 1861), 4

http://nla.gov.au/nla.news-article60494003 

. . . It contains . . . Lost Marguerite [sic], the poetry by Mr. Halloran and the music by Mr. Glentworth Addison . . .

A song for the queen's birthday (1883)

A new & original song for the queen's birthday, May 24th 1883, words by Henry Halloran, music by C. S. Packer (Sydney: Anthony Hordern and Sons, 1883)

https://trove.nla.gov.au/work/21626422 

http://handle.slv.vic.gov.au/10381/151831 (DIGITISED)

ASSOCIATIONS: Charles Sandys Packer (composer)

[News], The Sydney Daily Telegraph [NSW] (24 May 1883), 2

http://nla.gov.au/nla.news-article238488345 

We have received from Messrs. Anthony Hordern and Sons a song appropriate to the day, eulogistic of her Majesty the Queen. It has been written by Mr. Henry Halloran, C.M.G., and the music to it has been composed by Mr. C. S. Packer. The stanzas are full of poetic loyalty, and the music is such as to be easily learned by the merest tyros, so that it ought to be most popular. The portrait of her Majesty appears as a frontispiece, and the printing, &c., are excellent.

See also the widely syndicated, "Sydney Sketches. BY HAROLD STEPHEN. A SYDNEY BAZAAR", The Horsham Times [VIC] (13 July 1883), 2 supplement

http://nla.gov.au/nla.news-article72948563 

See also a new song by Halloran for the same event in 1883,
"Ave Victoria. A SONG FOR THE QUEEN'S BIRTHDAY", Australian Town and Country Journal [Sydney, NSW] (26 May 1883), 28

http://nla.gov.au/nla.news-article70999747 

AVE! Victoria! Mother, Queen most royal,
We, thy proud children on this southern shore,
Shout in our love, unanimous and loyal,
God save Victoria, and bless her evermore . . . [2 more verses]
- HENRY HALLORAN.




HAMBLETON, John (John HAMBLETON; J. HAMBLETON; Mr. HAMBLETON; also, "Mr. HAMILTON" [1841-42])

Actor, vocalist, songwriter, theatrical manager, evangelist, convict, emancipist

Born Liverpool, England, c. 1820
Convicted Lancaster Quarter Sessions, England, 21 July 1834 (7 years transportation)
Arrived Hobart Town, VDL (TAS), 10 December 1835 (convict per Layton, from London 26 August 1835, aged "15/16")
Married (common law) "Miss ALEXANDER", VDL (TAS), January-February 1844
Departed ? Sydney, NSW, by October 1849 (for California)
Arrived Adelaide, SA, 11 June 1884 (per Garonne, from London)
Died Geelong, VIC, 8 December 1889, aged "69"

https://trove.nla.gov.au/search?l-publictag=John+Hambleton+c1820-1889 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMBLETON-John (shareable link to this entry)

HAMBLETON, Mrs. ("Miss ALEXANDER"; Mrs. John HAMBLETON; Mrs. HAMBLETON)

Actor

Arrived Launceston, VDL (TAS), by January 1844 (? from New Zealand)
Married (common law) John HAMBLETON, VDL (TAS), by February 1844
Active Launceston, VDL and Melbourne, NSW (VIC), until mid 1845
Active Sydney, NSW, by mid 1846
Departed Sydney or Newcastle, NSW, by October 1849 (for California)
Died San Francisco, CA, USA, 14 January 1851

https://trove.nla.gov.au/search?l-publictag=Mrs+Hambleton+d1851 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMBLETON-Mrs (shareable link to this entry)

IDENTIFICATION: Mrs. Hambleton ("late Miss Alexander" from the "Theatre Royal, New Zealand") was active in Launceston and Melbourne from January to July 1845, and in Sydney and Melbourne from January 1846; no evidence yet uncovered further identifies her; Hambleton claimed, following her death, that "for six years of struggling hardships, through poverty and sickness, she was at my side night and day"


Documentation:

Baptisms solemnized in the parish church of St. Peter, Liverpool in the county of Lancaster in the year 1820; register 1820-21, page 93; Liverpool Record Office, 283-PET-2-7

https://www.ancestry.com.au/search/collections/2196/records/3335852 (PAYWALL)

No. 742 / [1820 September] 17 / John [son of] / James & Elizabeth / Hambleton / Harrington Street / Rope maker . . .

ASSOCIATIONS: James Hambleton and Elizabeth Fisher married at St. Anne, Liverpool, on 2 September 1810

Convict record, John Hambleton, per Layton, 1835; Tasmanian names index; NAME_INDEXES:1398382

https://libraries.tas.gov.au/Record/NamesIndex/1398382 

https://libraries.tas.gov.au/Digital/CON31-1-21/CON31-1-21P137 (DIGITISED)

No. 2003 / John Hambleton / Layton (2) 10th Dec'r 1835 / Lancaster Q. S. 21st July 1834 7 [years] /
Transported for Stealing 1 handk'f. 1 Pr boots, also broke ent'd stole 3 coats 3 hats 2 lbs tea coffee & other articles.
. . . T. L. 6. 1. '40 / Free Certificate No. 545 26 July 1841

https://libraries.tas.gov.au/Digital/CON27-1-2/CON27-1-2P29 (DIGITISED)

Hambleton John / 4ft 11 1/4 in / 15 / Boy / Lancaster / 7 [years] / [born] Liverpool

https://libraries.tas.gov.au/Digital/CON18-1-13/CON18-1-13P90 (DIGITISED)

Hambleton John / No. 2003 / Liverpool / Height 4ft 11 1/4 in / Age 16 . . .

[Notice], The Hobart Town Courier [VDL (TAS)] (10 January 1840), 2

http://nla.gov.au/nla.news-article8748589

GOVERNMENT NOTICE, No. 9, Colonial Secretary's Office, January 6.
Tickets-of-Leave have been granted to the following convicts; viz. . . .
John Hambleton, [Layton] . . .

[Notice], The Courier [Hobart, VDL (TAS)] (6 July 1841), 1

http://nla.gov.au/nla.news-article2956036 

GOVERNMENT NOTICE. No. 149. Colonial Secretary's Office, June 28, 1841.
The period for which the under-mentioned persons were transported expiring at the date placed after their respective names, Certificates of their Freedom may be obtained . . . : . . .
Layton (2) . . . John Hambleton, 21st [July] . . .

[Advertisement], The Courier [Hobart, VDL (TAS)] (6 August 1841), 3

http://nla.gov.au/nla.news-article2955849 

ROYAL VICTORIA THEATRE. MONDAY, 6 AUGUST, 1841 . . .
MRS. O'FLAHERTY . . . for her BENEFIT, on which occasion will be produced . . .
THE TOWER OF NESLE; or, MARGUERITE OF BURGUNDY. CAST OF CHARACTERS:
Louis X, Mr. Hamilton [sic] . . . Marguerite of Burgundy, Mrs. O'FLAHERTY . . .

ASSOCIATIONS: Eliza Winstanley O'Flaherty (actor); Royal Victoria Theatre (Hobart venue)

Launceston, VDL (TAS) (by ? September 1841 to May 1843):

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (18 September 1841), 3

http://nla.gov.au/nla.news-article66021029 

ROYAL OLYMPIC THEATRE, LAUNCESTON. MONDAY EVENING, SEPTEMBER 20 . . .
the entertaining petite-comedy entitled VENTS IN ARMS; OR, THE PETTICOAT COLONEL.
AFTER WHICH, Song, "Dermot O'Nowland McFigg," Mr. Boyd.
"The Soldier's Dream," Mr. Hamilton.
"The Admiral," (with guitar accompanyment) Mr. O'Flaherty . . .

ASSOCIATIONS: Thomas Spencer Boyd (actor, vocalist); Henry Charles O'Flaherty (actor, vocalist), guitarist); Olympic Theatre (Launceston venue)

MUSIC: ? The soldier's dream (Attwood)

"THE THEATRE", Launceston Advertiser [VDL (TAS)] (7 October 1841), 3

http://nla.gov.au/nla.news-article84755244 

On Monday night was produced an interesting Melo-drama entitled "Mabel's Curse," which gives excellent scope for the display of Mrs. O'Flaherty's talents . . . Considerable interest was excited by the announcement in the hand bills, that the old favourite song of "Jim Crow," was to be sung in character, by a "Gentleman Amateur," who went through the song with great eclat, and at the conclusion, was greeted with such boisterous encores, that he was necessitated to make a second appearance . . . Mr. Elmar's comic song was certainly one degree too low, and Mr. Hamilton's song about as much too high.

ASSOCIATIONS: John Adam Elmer (actor, vocalist)

[Advertisement], Launceston Advertiser (18 November 1841), 3

http://nla.gov.au/nla.news-article84752929 

ROYAL OLYMPIC THEATRE. HAMILTON'S BENEFIT. THURSDAY, 28th NOVEMBER.
MR. HAMILTON Begs most respectfully to inform his friends and the public of Launceston generally,
that his benefit will take place THIS EVENING, when he hopes to meet with their liberal patronage and support.
The evening's entertainment will commence with the melo-drama, entitled
THE MILLER AND HIS MEN. Grindoff, the Miller, Mr. Hamilton.
AFTER WHICH, Comic Duet, Elmar and Hamilton.
A Scene from the MAID OF GENOA In which will be introduced A DRUNKEN COMBAT.
Song, "Lary O'Brian," Mr. Hamilton.
The whole to conclude, with the very laughable Pantomime of
HARLEQUIN TURNED BUMPKIN; OR, THE VILLAGE GHOST.
Clown - Mr. Searle. Columbine - a Lady Amateur.
Tickets to be obtained of Mr. Watson, at the Theatre . . .

ASSOCIATIONS: Mr. Searle (actor); Feltham Bold Watson (actor, manager)

MUSIC: Larry O'Brien ["I am lately returned from the ocean . . ."] (song)

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (25 June 1842), 3

http://nla.gov.au/nla.news-article66019136 

ROYAL VICTORIA THEATRE, (CAMERON'S) PATERSON STREET . . .
MONDAY, JUNE 27, 1842 . . . Duet - "Town and Country Life," by Mr. Elmar & Mr. Hamilton [sic] . . .
S. Cameron, Manager.

ASSOCIATIONS: Samson Cameron (actor); John Adam Elmer (actor, vocalist); Royal Victoria Theatre (Launceston venue)

[Advertisement], Launceston Examiner [VDL (TAS)] (9 July 1842), 3

http://nla.gov.au/nla.news-article36249168

NOTICE. To the patrons of the Victoria Theatre. WE, the undersigned members of Mr. Cameron's company of comedians, conjointly with the members of the orchestra of his theatre, having read an article in the Advertiser newspaper of Thursday last, stating that "the Victoria Theatre was on the eve of dissolution," &c., hereby beg to express our abhorence at such a calumnious statement; and further beg to observe, that had there been the slightest truth in the assertion, we would each of us have lowered our salaries; and, if that had not been sufficient, would have performed every night for nothing - so much truth do we attach to the said malicious article.
John Hambleton, J. Searle, J. Elmar, J. L. Jacobs, G. L. Gooch, James Kenny . . . Thomas Flowers . . .

ASSOCIATIONS: Mr. Searle (actor); John Lewis Jacobs (actor); George Lonsdale Gooch (actor); James Richard Kenney (actor); Thomas Flowers (musician, scene painter)

[Advertisement], The Cornwall Chronicle (6 August 1842), 3

http://nla.gov.au/nla.news-article66016875 

ROYAL VICTORIA THEATRE, PATERSON STREET . . .
FOR THE BENEFIT OF MR. J. L. JACOBS . . . MONDAY EVENING, AUG. 6 . . .
VALSHA THE SLAVE QUEEN.
AFTER WHICH A THEATRICAL OLIO, will take place by all the Company . . .
Song, 'I wish I were an Admiral,' Mr. Hamilton [sic] . . .
Grand Gallopade Dance, by the whole of the Company . . .
S. Cameron, Manager.

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (16 July 1842), 3

http://nla.gov.au/nla.news-article66018947 

ROYAL VICTORIA THEATRE (CAMERON'S), PATERSON STREET . . .
MONDAY, JULY 18, 1843 . . . Song, "Jolly Nose," Mr. Hamilton . . .

MUSIC: Jolly nose (Rodwell)

[Advertisement], The Cornwall Chronicle [Launceston, VDL (TAS)] (13 August 1842), 3

http://nla.gov.au/nla.news-article66019827 

ROYAL VICTORIA THEATRE, PATERSON STREET. FOR THE BENEFIT OF MRS. VERNON . . .
MONDAY EVENING, AUG. 15 . . . when will be produced, for the first time at this Theatre,
The grand romantic Drama, entitled THE MAID OF GENOA; THE MOUNTAIN DEVIL.
In the course of the Drama the celebrated DRUNKEN COMBAT BY MESSRS. HAMBLETON AND KENNEY . . .
After which (second time), THE BALLET DANCE, ENTITLED Hurry Scurry; or, All at Work in Launceston.
Song, Gipsey King, Mr. Hambleton,
To which will he added, An Indian Spear Dance, in character, By Mrs. Vernon and Mr. Searle . . .
S. Cameron, Manager.

[Advertisement], Launceston Examiner (27 August 1842), 5

http://nla.gov.au/nla.news-article36249736 

ROYAL VICTORIA. THEATRE . . . Mr. Searle . . . his benefit . . .
on MONDAY NEXT, August 29, 1842 . . . ROBINSON CRUSOE, AND HIS MAN FRIDAY.
AFTER WHICH - Duet, "My Pretty Page," by Mr. Hambleton and Mrs. Cameron . . .

ASSOCIATIONS: Cordelia Cameron (actor, vocalist)

MUSIC: My pretty page (Bishop)

[Advertisement], The Cornwall Chronicle (1 October 1842), 3

http://nla.gov.au/nla.news-article66017174 

The Old Trade of Basket-making. MESSRS. SEARLE & HAMBLETON
beg most respectfully to inform their friends and the public generally,
that they have commenced the above business near the Elephant & Castle, Wellington-street,
where Cane and Willow Basket Work of every description may be had on the most reasonable terms . . .

[Advertisement], Launceston Advertiser (30 March 1843), 2

http://nla.gov.au/nla.news-article84769251 

THEATRE ROYAL OLYMPIC, Under Distinguished Patronage.
MR. WATSON'S BENEFIT, ON MONDAY EVENING NEXT, APRIL 3 . . .
The performance will commence with . . . CLARI; OR, THE MAID OF MILAN.
AFTER WHICH . . . Comic Song, - MR. HAMBLETON . . .
Leader of the Orchestra - Mr. Megson . . .
Stage Manager - Mr. G. F. Arabin.
Acting Manager - Mr. F. B. WATSON.

ASSOCIATIONS: Joseph Megson (musician, leader); Gustavus Arabin (actor, manager)

[Advertisement], Launceston Advertiser (27 April 1843), 2

http://nla.gov.au/nla.news-article84771786 

THEATRE ROYAL OLYMPIC. FOR THE BENEFIT OF MR. CAMERON . . .
THIS EVENING, APRIL 27th, 1843 . . .
Favorite Duet, Messrs. Hambleton & Elmer . . .

Sydney, NSW (May to 30 September 1843):

[Advertisement], The Sydney Morning Herald [NSW] (29 May 1843), 2

http://nla.gov.au/nla.news-article12427124

ROYAL CITY THEATRE. OPEN EVERY EVENING. Proprietors, Messrs. SIMMONS and BELMORE . . .
Raymond's interesting drama, entitled THE EMIGRANT'S DAUGHTER;
in which Mr. HAMBLETON, from the Launceston Theatre, will make his first appearance before a Sydney audience, in the character of Diedricke Kidde . . .
THIS EVENING, MONDAY, the 29th May, 1843 . . .
At Seven o'clock the Orchestra will play the Overture to the Barber of Seville, and a favourite Overture by Haydn . . .

ASSOCIATIONS: Joseph Simmons (actor, manager); James Belmore (manager); City Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (8 June 1843), 2

http://nla.gov.au/nla.news-article12409256 

ROYAL VICTORIA THEATRE. OPEN EVERY EVENING. This Evening, Thursday, June 8, 1818 . . .
THE TOWER OF NESLE; or, THE CHAMBER OF DEATH. A favourite Dance, by Madame Louise;
a new song, called "Larry O'Brien," by Mr. Hambleton;
and the Army and Navy Dance (for the second time), by Mr. Torning . . .
Mr. J. LAZAR, Manager. Vivat Regina!

ASSOCIATIONS: Madame Louise (Mrs. James, dancer); Andrew Torning (dancer); John Lazar (actor, manager); Royal Victoria Theatre (Sydney venue)

MUSIC: Larry O'Brien ["I am lately returned from the ocean . . ."] (song, as see also 1842 below)

[Advertisement], The Sydney Morning Herald (11 September 1843), 3

http://nla.gov.au/nla.news-article12415718 

ROYAL VICTORIA THEATRE. Mr. HAMBLETON'S BENEFIT,
THURSDAY EVENING, 14TH SEPTEMBER, 1843 . . .
RICHARD III, in which Mr. Hambleton will have the honour of making his first appearance as the DUKE OF GLOSTER . . .
After which . . . Mr. Coppin will appear as that popular and eccentric character, with a new version of BILLY BARLOW! . . .

ASSOCIATIONS: George Coppin (actor, manager)

[Advertisement], The Sydney Morning Herald (19 September 1843), 2

http://nla.gov.au/nla.news-article12421549 

ROYAL VICTORIA THEATRE. THIS EVENING, TUESDAY, SEPTEMBER 19, 1843
(for the Benefit of MR. MERETON) . . . TIMOUR THE TARTAR . . .
Duet, Give me Brandy, by Messrs. Hambleton and Mereton . . .

ASSOCIATIONS: Thomas Mereton (actor, vocalist)

MUSIC: Brandy! give me brandy (music by John Whitaker, in Charles Dibdin's The foresters, 1826)

Hobart and Launceston, VDL (TAS) (October 1843 to June 1845):

"SHIP NEWS", Colonial Times [Hobart, VDL (TAS)] (10 October 1843), 2

http://nla.gov.au/nla.news-article8754080 

OCT. 8 - Arrived the schooner Waterlily, Hayle, master, from Sydney 30th Sept, with a general cargo. Passengers . . . Mr. M. Clarke, Monsieur and Madame Gautrot . . . Mr. Jones, and Mr. Hambleton.

ASSOCIATIONS: Michael Clarke (theatre manager); Joseph and Madame Gautrot (violinist and vocalist); Charles Edward Jones (actor); Royal Victoria Theatre (Hobart venue)

[Advertisement], The Hobart Town Advertiser [VDL (TAS)] (27 October 1843), 3

http://nla.gov.au/nla.news-article264594857 

ROYAL VICTORIA THEATRE, Campbell Street. Monday, October 30, 1843.
MRS. CLARKE respectfully begs to inform the public generally, that the season will commence on Monday next . . .
when MR. NESBITT, from Sydney,
Messrs. Jones and Hambleton, from Sydney;
Mr. Young, from the Royal Surrey Theatre, London;
and Messrs. Stubbs and Arabin, from Launceston, will make their appearance, in addition to the Company of last season . . .
Monsieur Gautrot and Mr. Leffler, Leaders. The Orchestra has been considerably increased . . .

ASSOCIATIONS: Anne Clarke (actor, vocalist, manager); Charles Young (actor); Gibson Stubbs (actor); Gustavus Arabin (actor); Edmund Leffler (musician, leader)

"THE THEATRE", Colonial Times (5 December 1843), 3

http://nla.gov.au/nla.news-article8754276 

. . . Last night, the fine tragedy of Othello, was enacted for the first time; we were sorry to find the house, although better than usual, yet by no means adequate to the excellence of the acting. Nesbitt, as the Moor, displayed a degree of ability which adds to his reputation and Hambleton, as Iago, (the most difficult character in the Play,) very agreeably surprised us, by a performance more correct, and more perfect, than he has usually displayed. To-morrow evening His Excellency honors the Theatre with a visit, when, of course, there will be a bumper house . . .

ASSOCIATIONS: Francis Nesbitt (actor)

"THE THEATRE. MRS. CLARKE'S BENEFIT", The Hobart Town Advertiser (9 February 1844), 3

http://nla.gov.au/nla.news-article264596365 

On Monday evening Weber's grand opera of Der Freischutz will be performed, with other attractive entertainments, for the benefit of the fair lessee. There will be required a large addition of violinists, to make effective the celebrated overtures . . . The difficult part of Rodolph (a male character), will on this occasion be sustained by Mrs. Clarke, and in which her varied powers, both in acting and as a vocalist, will be called into full requisition. Altogether the "cast" is a very good one; and with Mr. F. Howson as Caspar, Hambleton as Bernhard, Young as Killian, and Mrs. Stirling and Miss Young as Linda and Rose, we cannot entertain a doubt of the success of the piece; although, as we have intimated, much will depend upon the orchestra.

ASSOCIATIONS: Frank Howson (actor, vocalist); Theodosia Stirling (actor, vocalist); Emma Young (actor, vocalist, dancer, Mrs. Rogers below)

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (21 December 1844), 3

http://nla.gov.au/nla.news-article66270373 

ROYAL OLYMPIC THEATRE. Thursday Evening, Dec. 26.
THE GENTRY OF LAUNCESTON, the Patrons of the Drama, and the Public generally,
are most respectfully informed that the Theatre will be opened on the above Evening,
when Mrs. Knowles, widow of the late Mr. Knowles, of Sydney and Melbourne Theatres, and likewise of this Theatre for some time, will have the honor of appearing before them;
also, Mr. Hambleton, from the Sydney and Hobart Town Theatres, who likewise shared the Patronage of this town, will make his first appearance these two years.
The entertainments will commence with Scenes from RICHARD THE THIRD -
a variety of Singing - and conclude with a Favourite Farce . . .

ASSOCIATIONS: Harriet Knowles (actor, vocalist); Olympic Theatre (Launceston venue)

[Advertisement], The Cornwall Chronicle (11 January 1845), 3

http://nla.gov.au/nla.news-article66269305 

THEATRE ROYAL OLYMPIC. MONDAY EVENING next, January 13 . . .
when MRS. JAMES & MISS ALEXANDER, from the Theatre Royal, New Zealand, Will make their First Appearance! . . .
Comic Irish Song - Mr. Hambleton.
The whole to conclude with the laughable Farce of THE WIDOW'S VICTIM . . .
Jeremiah Clipp - Mr. HAMBLETON.
Mrs. Rattleton (her first appearance), Mrs. JAMES.
Jane Chatterly (her first appearance), Miss ALEXANDER . . .

[Advertisement], The Cornwall Chronicle (8 March 1845), 3

http://nla.gov.au/nla.news-article66271627 

THEATRE, LAUNCESTON . . . MONDAY EVENING, MARCH 10 . . .
Mr. HAMBLETON (his first appearance this season) . . .
Mrs. HAMBLETON (late Miss ALEXANDER) . . .

[Advertisement], The Cornwall Chronicle (31 May 1845), 3

http://nla.gov.au/nla.news-article66269869 

Farewell Night. FOR THE BENEFIT OF MR. COPPIN.
ON MONDAY EVENING, JUNE 2nd, 1845 . . .
COMIC SONG, BIDDY THE BASKET WOMAN, MR. HAMBLETON . . .

MUSIC: Biddy the basket woman (song)

"SHIP NEWS", The Cornwall Chronicle [Launceston, VDL (TAS)] (7 June 1845), 2

http://nla.gov.au/nla.news-article66270492 

Passengers per Swan for Melbourne . . . Mr. and Mrs. Coppin, and the following members of the Launceston corps dramatique - Mr. and Mrs. Rogers, Mrs. Thomson, Misses J. and E. Thomson, Mr. Young. Mr. and Mrs. Opie, Mr. Megson, Mr. and Mrs. Watson, Mr. and Mrs. Hambleton, Mr. Howson, Mr. Henry Howson, Mr. Wilks, Mr. and Mrs. Douglas, Mr. Ray . . .

ASSOCIATIONS: George and Maria Coppin (actors, manager); George and Emma Rogers (actors); Martha Thomson and daughters (actors); Charles and Jane Young (actors); Joseph Megson (musician); Henry Howson and brothers (musicians); John Wilks (actor); William Henry Douglas (actor); Benjamin Rae (actor);
see also "THE LAUNCESTON COMPANY", The Herald [Melbourne, VIC] (16 April 1883), 2

http://nla.gov.au/nla.news-article241145043 

. . . Copy of agreement.
Theatre, Launceston, V.D.L, March [sic, May] 30th, 1845.
We, the undersigned, hereby agree to proceed to Melbourne per ship 'Swan' under the management of Mr. Coppin, to perform at the theatre for a season, and to return to Launceston if required and bind ourselves under a penalty of L25 to be paid to the said George Coppin, that we will not perform at the theatre or any other place of amusement, unless it is under the management of Mr. Coppin, by his free will and consent,-
(Signed) M. H. [sic, G. H.] Rogers and wife, Charles Young and wife, Mrs. Thompson,
J. E. Megson,* E. A. Opie, J. Hambleton and wife, F. B. Watson,
William Howson,* Alfred Howson,* John Wilks, Ben Rae,
Witness: William Ball, Capt. of 'Swan' . . . [* = musicians]

Melbourne, NSW (VIC) (from 14 June to December 1845):

"SHIPPING INTELLIGENCE. ARRIVED", Port Phillip Gazette [NSW (VIC)] (18 June 1845), 2

http://nla.gov.au/nla.news-article224812609 

June 14 - Swan, brig, 149 tons, Bell. Master, from Launceston, 7th instant. Passengers . . . Mr. and Mrs. Coppin . . . Mr. and Mr. Hambleton . . .

[Advertisement], Port Phillip Gazette (21 June 1845), 3

http://nla.gov.au/nla.news-article224812425 

Queen's Theatre, QUEEN-STREET.
First Night of the Launceston Company . . .
On Saturday Evening, June 21 st.
Previous to the play, and during the evening the band will play -
Overture, "I Italiani in Algero," Rossini; Overture, "Fra Diavolo,"
Auber; Waltz, "Les Homages," Strauss; Quadrille, "Royal Irish," Jullien.
Wreath Dance by Mrs. Young. Song, "Should he Upbraid me," Mrs. Rogers;
Comic song, Mr. Hambleton.
Mr. & Mrs. Young will then dance the "Tarantella," in the costume of the country . . .

ASSOCIATIONS: Queen's Theatre (Melbourne venue)

"THE QUEEN'S THEATRE", Port Phillip Patriot and Melbourne Advertiser (20 August 1845), 3

http://nla.gov.au/nla.news-article226347297 

The Ladye of Lambythe; or, a Bridal Three Centuries ago, was performed on Thursday evening, and went off with eclat. A delightful Pas Seul, hy Mrs. Young, and a pleasing song by Mrs. Richards, with other entertainments, followed . . . We would just advise, that the song, with the accompanying action performed by Mr. Hambleton, be never again produced at the Queen's - verb sap. The afterpiece was Othello Travestie - an outre production, and one which we had not the patience to sit out.

ASSOCIATIONS: Dorothea Richards (vocalist)

"THE QUEEN'S THEATRE", Port Phillip Gazette and Settler's Journal (20 September 1845), 2

http://nla.gov.au/nla.news-article225065041 

It is with unfeigned gratification we announce that the Queen's Theatre on Thursday night [18 September] was crowded to excess . . . Sheridan Knowles' beautiful play [The hunchback] was "put upon the stage" in a most creditable manner . . . The difficult part of "Master Walter," [the hunchback] was sustained by Mr. Hambledon [sic], in a manner that surprised us. This gentleman is a most persevering actor, and is likely to rise very high in his profession . . . Mr. Coppin sung "Billy Barlow," to the great delight of the audience . . . "The Unfortunate Man," by Mr. Hambleton, was a comic treat. Mr. Rogers inflicted a "comic song" upon the audience. The manager should not permit this again. Mr. Rogers has neither voice nor any other recommendation to constitute him a singer; his song was deservedly hissed from the boxes, as a reward for his impudence . . .

MUSIC: The unfortunate man (song)

[Advertisement], The Port Phillip Patriot and Morning Advertiser (4 December 1845), 3

http://nla.gov.au/nla.news-article226314170 

QUEEN'S THEATRE ROYAL . . . LAST NIGHT OF THE SEASON!!
LAST APPEARANCE OF MR. COPPIN, AND THE LAUNCESTON COMPANY! . . .
ON THURSDAY EVENING, DECEMBER 4th, 1845 . . .
To conclude with the very laughable Farce of
THE DEVIL TO PAY!! Or, The Wives Metamorphised . . .
Jobson (a cobbler) - Mr. COPPIN. Doctor - Mr. HAMBLETON . . .
Music incidental to the Farce: . . .
INCANTATION - "My little spirits now appear" - THE DOCTOR . . .

PIECE: The devil to pay; or, The wives metamorphosed (Coffey); My little spirits now appear (air with tune: Spirit's song in Macbeth = Let's have a dance in "Locke's music", correctly by Richard Leveridge)

Sydney, NSW (December 1845 to November 1846):

[Advertisement], The Australian [Sydney, NSW] (25 December 1845), 3

http://nla.gov.au/nla.news-article37158711 

ROYAL VICTORIA THEATRE . . .
will be open for the Summer Season, TO-MORROW EVENING, DEC. 26, 1845 . . .
Mr. Hambleton (his first appearance these two years) . . .
STAGE MANAGER, Mr. J. LAZAR. ACTING MANAGER, MR. T. SIMES.

ASSOCIATIONS: John Lazar (actor, manager, as above); Thomas Simes (actor, manager)

[Advertisement], The Sydney Morning Herald (25 June 1846), 2

http://nla.gov.au/nla.news-article12888061 

ROYAL VICTORIA THEATRE . . . The public is most respectfully informed,
that Mrs. Hambleton will have the honour of making her first appearance at this Theatre, this evening,
in the character of Emily, in the Farce of " =Bachelor's Buttons" . . .
THIS EVENING, THURSDAY, JUNE 25 . . .

"THEATRICALS", The Australian (27 June 1846), 3

http://nla.gov.au/nla.news-article37155865 

. . . Mrs. Hambleton made, a decided hit on Thursday evening in the part of Emily, in the farce of BACHELOR'S BUTTONS. She seems to have acquired a good knowledge of stage-business, and will, we opine, prove a favourite. We consider her to be a valuable acquisition to the company . . .

[Advertisement], The Sydney Morning Herald (5 October 1846), 2

http://nla.gov.au/nla.news-article12892702 

ROYAL VICTORIA THEATRE. Mr. J. LAZAR, Stage Manager, takes . . .
his BENEFIT . . . This Evening, October 5th . . .
Song, "The Unfortunate Man," Mr. Hambleton . . .

[Advertisement], The Sydney Morning Herald (3 November 1846), 2

http://nla.gov.au/nla.news-article12897080 

ROYAL VICTORIA THEATRE. THIS EVENING. NOV 3 . . .
To conclude with, for the last time, Barnett's opera of the MOUNTAIN SYLPH.
Baillie Macwhapple, Mr. Hambleton; Donald, Mr. J. Howson;
Christie, Mr. Lazar; Hela, Mr. F. Howson;
Eolia, Mrs. Guerin; Etheria, Mrs. Ximenes; Dame Gourlie, Mrs. Gibbs.

ASSOCIATIONS: Ann Ximenes (actor, vocalist); Eliza Gibbs (actor, vocalist)

Melbourne and Geelong, NSW (VIC) (17 November 1846 to June 1848):

"SHIPPING INTELLIGENCE. ARRIVED", Port Phillip Gazette and Settler's Journal [NSW (VIC)] (21 November 1846), 2

http://nla.gov.au/nla.news-article223150203 

Nov. 17 - Christina, brig, 126 tons, Saunders, master, from Sydney. Passengers . . . Mr. and Mrs. Hambleton . . .

[Advertisement], The Port Phillip Patriot and Morning Advertiser [NSW (VIC)] (19 November 1846), 3

http://nla.gov.au/nla.news-article226348543 

QUEEN'S THEATRE. MR. and Mrs. Hambleton
having arrived from Sydney, under engagement to Mr. Smith, for the ensuing season,
intend giving a theatrical entertainment, on Monday Evening next, having engaged several of the Melbourne favourites for the occasion.
For particulars see future advertisement.

"THE QUEEN'S THEATRE", Port Phillip Gazette and Settler's Journal (30 December 1846), 2

http://nla.gov.au/nla.news-article223152938 

This elegant little Theatre was again thrown open on Monday evening, for the recreative amusement of the Melbourne public, when the fine Old English Comedy of "John Bull," by Colman, was presented for the first time . . . The broad and never failing wit of "Dennis Brulgruddery," clothed with the rich and sonorous brogue, was well sustained by Mr. Hambleton, who kept the house in roars of convulsions by his apparent innocent, though pointed jokes . . . Mr. Hambleton's song "The Unfortunate Man" was well executed; and if the third encore was an extemporaneous effusion, it was a successful hit . . .

"SUPREME COURT. NOVEMBER 5TH, 1847 . . . Smith v. Hambleton", Port Phillip Gazette and Settler's Journal (8 November 1847), 2

http://nla.gov.au/nla.news-article223152892 

This was an action, in which the proprietor of the Queen's Theatre, was plaintiff, and John Hambleton, a member of the Corps Dramatique defendant.
Mr. Williams, opened the pleadings and stated that this was an action for breach of agreement, and was brought to recover damages sustained thereby. The defendant together with his wife was engaged as an actor and singer, and she as an actress, at the rate of £3 10s. per week for both, when defendant having been cast to play the character of Renault in "Venice Preserved," he had refused the same, and left the Theatre, without notice, to the great injury of the plaintiff. Now, continued Mr. Williams, it can be proved to you that the defendant has frequently played the same part in Sydney; he absented himself on the night in which "Venice Preserved" was played, and the Monday night following, on which the piece, entitled "The Red Cow" was enacted, (great laughter), I mean the "Red Crow," your honor. In another piece, entitled "Sudden Thoughts," in which the wife of the defendant was to have played the part of Sophia; she was not present; she was absent without leave; no message was sent to the proprietor, and he was left to give the best apology he could to the audience that evening.
The damages were laid at £100. A considerable number of witnesses was called, the first of whom was
William Dodds. - Who stated, that he knew the signature of the plaintiff, and defendant. He had seen the defendant sign the agreement, the produced.
John H. Howard. - I know the defendant Mr. Hambleton; and consider that he enjoyed a considerable share of popularity. On Friday evening, the 13th August, Mr. Hambleton did not play the part of Renault in "Venice Preserved." On the Monday following, he was to have played in the farce of "Sudden Thoughts;" have known a good song to draw; Mr. Hambleton could sing a comic song very well; I have heard him sing the "Unfortunate Man."
William Henry Douglass. - Recollected the evening of Friday the 18th [sic 13th] August; was dressed for the part he was to play that evening, and was on the stage when the proprietor informed him he should have to read the character of Renault, in consequence of the refusal of Mr. Hambleton to play the part, and his subsequent non-attendance; he (Mr. Douglas) was cast in the piece of the "Red Crow" which was played the Monday following; he Douglas played the old man, (laughter); Mrs. Hambleton was to have played the part of Sophia in the afterpiece "Sudden Thoughts" but she did not; Mrs. Griffiths played it.
By His Honor, - Who played Jack Cabbage? (immense laughter). Mr. Rae, your honor.
Examination resumed. - Had always known Tragedy gentlemen, to refrain from playing in the Farces; he had been acquainted with the stage for upwards of 22 years; had known the defendant to play in Farce; and to sing between the pieces.
By the Court - Anything else? and dance too! (Laughter); have seen the great Liston at home; he was a low comedian; but have known him to play such Farces as Renault, with great study he (Douglas) had swallowed 53 sides a day.
By His Honor - How did it digest? very well; Hambleton was at the Theatre on the Saturday after "Venice Preserved" had been played.
Richard a'Beckett Evans - Recollected the "Red Crow" being played on August 16th; played Holland Howe in that piece; believe Hambleton was to have played in it (the rules and regulations of the Theatre were here put in; when this witness proved the handwriting of the defendant).
Anna Rosina Griffiths - recollected the 16th August; the piece of "Sudden Thought" was played that evening; was a member of the company at the time played Sophia that evening at three hours' notice; played it with another party's name in the bill, that was Mrs. Hambleton's; there was a better house that evening than there usually was; played it on the Friday evening following.
Richard Elrington. - Played the part of Pierre, on Monday the 16th of August; the part of Renault is a very long one; knew nothing of the circumstance of the defendant's salary being stopped except from hearing.
Mr. John Sprent, proved the fact of the defendant's having paid for his passage to Launceston per Peri, on the 16th August.
Constable Stone. - deposed to having gone to Hobson's Bay, on the 16th August, and taken the defendant into custody; whom be found on board the Peri.
The case for the plaintiff being closed.
Mr. Sydney Stephen, contended that no evidence had been produced to show a breach of either the agreement or the rules and regulations of the Theatre. There was nothing before the Jury to shew the number of nights the defendant was to perform; the defendant had fulfilled the duties incumbent upon him, and as he had not received his salary, no further claim for services could be made.
Mr. Stawell (also for the defence) contended that the agreement had been drawn up in a very ambiguous manner.
Mr. Sidney Stephen, then rose and addressed the Jury in a long and ingenious defence. He submitted that there was nothing in the declaration to prove damages; and he should take an objection to it from the fact of the rules and regulations of the Theatre not having been embodied in it. The defendant had fulfilled his agreement up to the 13th August, and although he did not play the character of Renault in Venice Preserved - yet he played a character (Narcissus Stubble) in the after-piece which was admitted by several witnesses to be a part of long study. On the Saturday following the defendant informed the plaintiff that if his salary were stopped he should play no more. This was an expressive act, the stopping of the salary was punishing the innocent as well as the guilty, (if there was guilt), for the wife of the defendant who had done no wrong, had her salary stopped also.
"Gentlemen," continued the learned barrister, "it may be all very well for the learned counsel to joke and make Bulls about Red Cows, and so on. I dare say this is considered a very good joke both by him and Mr. John Thomas Samith, but I consider it no joke to my unfortunate client to be dragged from his wife and home and incarcerated like a common felon for three long months, merely because the felt himself unable to swallow so much as some say they can do."
His Honor - Mr. Stephen, the fact of the defendant's being in jail, arises from his having been unable to find bail.
Your Honor - Could it be expected that he was to find bail in such a place as this when there is only one Theatre! Gentlemen of the Jury - Consider the position of my unfortunate client: had it been one of your servants, you would have considered him sufficiently punished with a week's imprisonment for such a trifling offence; but I will not dwell upon that; I will take the merits of the case; the plaintiff seeks to recover £100 damages; has he proved that he has sustained that loss? Most assuredly not. It remains for you to say what amount of damages he is entitled to; but I would ask you is there a coin so small that could be named that you would award as damages? I shall now leave the case entirely in your hands, and shall not call a single witness.
His Honor in summing up, said, that the defendant could have sued for his salary in the Court of Requests; it must be proved that the defendant was called upon to play the character of Renault; he was of the opinion that has not been proved; it was not on the record; it was said he had violated his engagement on two different occasions, but there was no direct evidence as to his having been asked to play one character (Renault). The fact of the defendant's having gone aboard the Peri announced his positive intention to leave the country. There was proof of his having been required to perform one part, for the rehearsal of it on the Saturday was sufficient evidence as to that. Therefore the simple question to go to the Jury was, what amount of damages they would give.
The Jury immediately returned a verdict of for the plaintiff - damages one farthing.
Mr. Williams applied to the Court for costs, which was refused.
Counsel for plaintiff, Mr. Williams; Attorney, Mr. Ross. For defendant, Messrs. Stephen and Stawell; Attorney, Mr. Francis J. Stephen.

ASSOCIATIONS: John Thomas Smith (theatre proprietor); Sidney Stephen (defence barrister); John H. Howard (actor, prompter); William Henry Douglas (actor); Benjamin Rae (actor); Richard a'Beckett Evans (actor); Anna Rosina Griffiths (actor); Richard Elrington (actor)

"THESPIS IN GEELONG", Port Phillip Gazette and Settler's Journal (17 November 1847), 2

http://nla.gov.au/nla.news-article223153715 

Mr. Hambleton, late of the Melbourne corps dramatique, his gone down to Geelong, with the intention of opening a theatre there, for the purpose of amusing the good people of that township during the dog-days, wool season, Christmas and new year's holidays, and the races. A neat and substantial edifice is now in course of erection, which, with all the paraphernalia of scenery, &c., will be fit for the recaption of the public in less than five weeks. It is situated in Ryrie-street, next to Mr. Hassett's, of the "Australian Inn." The front of the building is of brick, the back and sides being of wood. It is to be fitted up with a pit and boxes only in the meantime, thought the building will be sufficiently lofty to allow of a gallery being fitted up at any time it may be required. Mr. Hambleton will be the manager, and will have a respectable company to open with. He is a host in himself, and we have no doubt that the people of Geelong will liberally acknowledge his talent, and induce him to protract his stay among them for a considerable time. As Geelong is going so very fast a-head, we have no doubt but every encouragement will be given him - Among the first bill of fare Mr. Hambleton will dish up to the play-going citizens of Geelong, will be an entirely new version of the Unfortunate Man; which we have no doubt he will sing in a very feeling and appropriate manner.

ASSOCIATIONS: John Hassett (proprietor); New Victoria Theatre (Geelong venue)

"THEATRICAL", Geelong Advertiser [VIC] (30 November 1847), 2

http://nla.gov.au/nla.news-article91457377 

Mr. Hambleton, who is about to erect a Theatre in Geelong, applied, on Friday last, through his counsel in the Supreme Court, for a rule calling upon Mr. J. T. Smith, to shew cause why he (Hambleton) should not be entitled to his costs of suit, and why the plaintiff should not be restrained from issuing execution. The rule nisi was granted.

"SUPREME COURT (CIVIL) MARCH 21, 1848. Smith v. Hambleton", Geelong Advertiser (24 March 1848), 1

http://nla.gov.au/nla.news-article91459447 

On an application to make defendant pay costs, (damages of one farthing having been awarded,) his honor decided that the defendant must pay the costs.

But see, below, that Hambleton's antagonist, Smith, came to his rescue and gave him a benefit at the Queen's Theatre in May

"THE THEATRE", Geelong Advertiser (22 April 1848), 2

http://nla.gov.au/nla.news-article91458564 

Mr. Hambleton, the present lessee, will take his benefit on Monday night. This gentleman has had the management of the theatre in his hands since it ways first of all opened, and it is to him the public are obliged for the general good arrangements, and conduct of this house of amusement. Independently of the management, Mr. Hambleton is undoubtedly the most talented and versatile actor of the whole company, and without him, or another of equal merit, the theatre would in all probability have proved a failure. Under the present lessee's management, there has been a total absence of a practice by far too prevalent - a practice certainly much more honored in the breach than the observance; we allude to that description of double entendre dialogue, so frequently made use of in stage acting of the present day, in all of our colonial theatres. To pander to, or create a vitiated taste by a licentious stage dialogue, of so coarse a nature too, that the innocent are corrupted, and the corrupted made worse, is a crime of no small magnitude, in those who control the management of our public places of amusement. Mr. Hambleton will doubtless have a full house.

[Advertisement], The Port Phillip Patriot and Morning Advertiser [Melbourne, NSW (VIC)] (15 May 1848), 3

http://nla.gov.au/nla.news-article226355904 

THEATRE ROYAL. IMMENSE ATTRACTION.
HAMBLETON'S BENEFIT. MONDAY EVENING, May 15th, 1848. Re-appearance of Mr. HAMBLETON . . .
Mr. HAMBLETON begs most respectfully to inform his friends and the public generally, that their king patronage on the present occasion is solicited to enable him to defray very heavy expenses, unwittingly incurred during the prosecution of the late action at law . . .
Song, "The Unfortunate Man," by Mr. HAMBLETON . . .
J. T. SMITH, Proprietor.

"Shipping Intelligence . . . CLEARED OUT", The Port Phillip Patriot and Morning Advertiser (7 June 1848), 2

http://nla.gov.au/nla.news-article226356575 

June 6 . - Christina, brig, 125 tons, Saunders, master, for Sydney. Passengers . . . steerage T. Hambleton and wife . . .

Sydney and Maitland NSW (from June 1848 to October 1849):

[Advertisement], The Sydney Daily Advertiser [NSW] (17 June 1848), 2

http://nla.gov.au/nla.news-article253059342 

Royal Victoria Theatre . . . The public are respectfully informed that
MR. AND MRS. HAMBLETON Are engaged, and will shortly appear . . .

[Advertisement], The Sydney Morning Herald (29 June 1848), 2

http://nla.gov.au/nla.news-article12908259 

ROYAL VICTORIA THEATRE. THIS EVENING, JUNE 29,
WILL be produced, Weber's celebrated Opera entitled DER FREISCHUTZ! or, THE SEVEN CHARMED BULLETS.
Killian, Mr. Hambleton; Rodolph, Mr. J. Howson;
Caspar, Mr. F. Howson; Linda, Mrs. Guerin; Rose, Madame Carandini . . .

ASSOCIATIONS: John Howson (actor, vocalist); Frank Howson (actor, vocalist, as above); Theodosia Guerin (late Mrs. Stirling above); Maria Carandini (actor, vocalist)

"THE DRAMA", Bell's Life in Sydney and Sporting Reviewer (1 July 1848), 2

http://nla.gov.au/nla.news-article59765194 

On Monday evening a drama bearing the beggarly title of the "EARL OF POVERTY" was produced to a mediocre house, but in which the prompter took far too prominent a part to suit the fastidious taste of the audience. Another equally shabby affair entitled "THE BEGGAR OF BETHNAL GREEN" was presented with like equivocal success, on the following evening [27 June]. A medley extravaganza "LA POLKA, OR DANCING FOR THE MILLION," in which the humorous antics of MR. HAMBLEDON kept the house in one continued roar, terminated the performances. On Thursday the opera of DER FREISCHUTZ was revived, and received with that applause which has ever been awarded to pieces of sterling merit. It is a reflection on the common sense of the community to attempt to palm off upon them such absurdities us the two misnomered fatherless absurdities first mentioned, nor can we frame any excuse for the management in this respect; since the recent accession of unquestionable talent, in the persons of Mr. Hyde and Mr. and Mrs. Hambledon, have sufficiently reinforced the company to warrant at least an attempt at something more legitimate.

ASSOCIATIONS: John Proctor Hydes (actor)

"THEATRICALS. SIEGE OF ROCHELLE", The Sydney Daily Advertiser (18 August 1848), 2

http://nla.gov.au/nla.news-article253059137 

The performance of this opera again, last night, enables us to complete our critical survey of, and the performers engaged in it . . . The duet, "Once a wolf" in E natural, one of the very particular favourites in London, has created a favourable impression here, although Mr. Hambleton cannot be expected to possess first rate operatic powers. His attempt was highly creditable, and luckily he had the advantage of the aid of Mr. Frank Howson, whose readiness to assist in the opera business, those who are not au fait to it, is extremely well known . . .

[Advertisement], The Sydney Morning Herald (5 September 1848), 2

http://nla.gov.au/nla.news-article12906449 

ROYAL VICTORIA THEATRE. THIS EVENING, SEPTEMBER 5,
Will be produced the Opera of LA SONNAMBULA. Count Rodolph, Mr. F. Howson;
Elvino, Mr. J. Howson; Alessio, Mr. Arabin;
Notary, Mr. Hambleton; Amina, Mrs. Guerin; Liza, Madame Carandini; Dame Teresa, Mrs. Gibbs . . .

[Advertisement], The Australian Sportsman [Sydney, NSW] (11 November 1848), 3

http://nla.gov.au/nla.news-article252650862 

ROYAL VICTORIA THEATRE. THIS EVENING, NOVEMBER 11, 1848 . . .
An entirely new Song (written by himself,) Mr. Hambleton . . .
ROYAL VICTORIA THEATRE. MONDAY EVENING, NOVEMBER 13,
FOR THE BENEFIT OF Mr. F. HOWSON . . . Auber's Grand Opera of Fra Diavolo . . .
To be followed by an entirely new Local Comic Song,
"ADVANCE AUSTRALIA, or Sydney as it was, and is," Mr. Hambleton . . .

[Advertisement], The Sydney Morning Herald (18 November 1848), 2

http://nla.gov.au/nla.news-article12910194 

ROYAL VICTORIA THEATRE. THIS EVENING, NOVEMBER 18,
WILL be presented Auber's Opera, entitled GUSTAVUS THE THIRD; OR, THE MASKED BALL . . .
Count Ribbing, Mr. Hambleton . . .
"The Man wot Finn seen better Days," Mr. Hydes.
"St. Patrick was a Gentleman," Mr. Hambleton . . .

[Advertisement], The Sydney Morning Herald (23 November 1848), 2

http://nla.gov.au/nla.news-article12906359 

ROYAL VICTORIA THEATRE. THIS EVENING, NOVEMBER 23.
For the benefit of Mr. and Mrs. ROGERS . . .
New Irish Comic Song, "Norah McFriskey," Mr. Hambleton . . .

ASSOCIATIONS: George and Emma Rogers (as above)

MUSIC: Norah McFrisky (song)

[Advertisement], Bell's Life in Sydney and Sporting Reviewer (2 December 1848), 3

http://nla.gov.au/nla.news-article59765645 

ROYAL VICTORIA THEATRE. MONDAY EVENING, DECEMBER 4th, 1848.
MR. J. HOWSON'S BENEFIT. First time of a NEW GRAND OPERA, composed expressly for this occasion by Mr. J. HOWSON,
entitled THE CORSAIR; OR, CONRAD AND MEDORA . . .
Omrod (Chief Eunuch,) Mr. Hambleton; Gulnare (a favorite slave of the Pacha,) Madame Carandini . . .
Comic Song - "When I performed Othello," Mr. Hambleton . . .

MUSIC: When I performed Othello (song, written by J. Bruton)

"THE VICTORIA THEATRE", Bell's Life in Sydney and Sporting Reviewer (17 February 1849), 3

http://nla.gov.au/nla.news-article59768500 

. . . On Thursday [15 February] we were again delighted by the sweet opera of LA SONNAMBULA; followed by a brilliant farcetta entitled NATIONAL DEFENCES . . . A pas seul by Miss Hart, and one of Hambleton's raciest Hibernian songs were much applauded.

ASSOCIATIONS: Margaretta Hart (dancer)

"THE CITY THEATRE", The People's Advocate and New South Wales Vindicator (21 April 1849), 3

http://nla.gov.au/nla.news-article251537361 

Mr. Hambleton, late of the Victoria, having experienced one of the only two certainties in this sublunary existence, opened the above pretty little Theatre last evening for "His Benefit," and, from the crowded auditory, his most sanguine expectations must have been realised. The pieces selected were the "Emigrant's Daughter and the "Irish Tutor." In the former, Mr. H.'s failing (so justly censured by "the Press") was but too apparent: the part of the Dutch Trooper was quite overdone - were he not to "o'erstep the modesty of nature," he would really perform creditably. Mrs. Hambleton as the daughter, 'came out' in quite a new style, and "astonished the natives;" she played with much judgment and feeling, and had she been properly supported, the piece would have gone off well. Mrs. H. is a loss to the Victoria, where she was both useful and ornamental: as to the other characters, "least said is soonest mended" . . .

ASSOCIATIONS: City Theatre (Sydney venue)

"THEATRICALS", The Maitland Mercury and Hunter River General Advertiser [NSW] (2 May 1849), 2

http://nla.gov.au/nla.news-article703510 

on Monday evening a very fair house greeted the first performances in Maitland of Mr. and Mrs. Hambleton and Mr. Arabin, and from the warm applause the audience gave them, we think they will become established favorites here . . . The "Irish Tutor" was played well by all parties, and gave great delight to the audience, Mr. Hambleton's Dr. O'Toole being a very humorous delineation of the character, and Mr. Arabin sustaining Dr. Flail equally well. Mr. Hambleton sung the comic song of "Statty Fair" between the two farces, and received a deserved encore . . .

MUSIC: Statty Fair [The statute fair] (song)

"ATTRACTION", Bell's Life in Sydney and Sporting Reviewer [NSW] (28 July 1849), 2

http://nla.gov.au/nla.news-article59769262 

During the Victoria Theatre vacation, the City, under the direction of Mr. Hambleton has been doing good business. The performances have been varied and extremely well received. The principal attraction is Mr. Quin, whose performances on the tight-rope are of the first-rate description,

ASSOCIATIONS: Mr. Quin (tight rope dancer)

[Advertisement], The Maitland Mercury and Hunter River General Advertiser (18 August 1849), 3

http://nla.gov.au/nla.news-article700984 

MAITLAND THEATRE. Saturday Evening, August 18, 1849.
The Evening's Entertainments will commence with THE INTRIGUE; OR, THE BATH ROAD.
After which . . . Song - "THE DASHING WHITE SERGEANT," by Mrs. Chester . . .
Irish Comic Song - "THE GOLDEN KALIFORNY," Mr. Hambleton . . .
To conclude with the favorite Farce of THE IRISH TUTOR . . .

ASSOCIATIONS: Marian Maria Chester (actor, vocalist)

"THEATRICALS", The Maitland Mercury and Hunter River General Advertiser (15 September 1849), 2

http://nla.gov.au/nla.news-article700259

. . . On Thursday evening [13 September] Mr. Hambleton took his benefit at the theatre; the house was a moderate one, and the performances went off well, Mr. Hambleton announcing at the close that it was his last appearance here.

San Francisco, CA, USA (by January 1850):

[Advertisement], Daily Alta California [San Francisco, CA] (30 January 1850), 3

https://cdnc.ucr.edu/?a=d&d=DAC18500130.2.10.2 

OLYMPIC AMPHITHEATRE. Messrs. ROWE and LONG
beg leave to inform the public that this establishment will open for dramatic entertainments on
Thursday evening the 31st instant with a talented and efficient corps dramatique . . .
The entertainments will consist of an opening address written by J. E. Durivage, Esqr. for the occasion, to be spoken by Mrs. Hambleton;
after which, Shakspeare's tragedy of Othello;
after which song by Mrs. Batters. The whole to conclude with Bachelor's Buttons . . .

ASSOCIATIONS: Joseph Andrew Rowe (circus and theatrical proprietor); Caroline Wallace ("Mrs. Batters")

"CALIFORNIA", The Sydney Morning Herald [NSW] (10 June 1850), 2

http://nla.gov.au/nla.news-article12918610 

By the vessels which recently arrived here from California we have been put in possession of some interesting private letters, and from two we purpose making copious extracts . . .
The first letter is dated San Francisco, February 2, 1850, and describes the then state of California in the following words: . . .

. . . There are many smart young gentleman of my Sydney acquaintance down here not carrying "de fiddle and de bow," but the pick-axe and the hoe. We have some of your sons and daughters of Thespis arrived and flourishing in all the majesty and glorification of sock and buskin. Nesbitt and his wife, under their own name of McCron, Mr. Hambleton and his wife, and the quondam Mrs. Wallace, under the euphonious appellation of Mrs. Batters, are astonishing the sympathies and purses of the San Franciscans . . .

"THE PACIFIC NEWS", Daily Alta California [San Francisco, CA, USA] (21 November 1850), 2

https://cdnc.ucr.edu/?a=d&d=DAC18501121.2.6 

We have received the following card to the public from the committee on behalf of the Company of the Jenny Lind Theatre, relative to the article which appeared in the Pacific News of Tuesday morning, regarding Mr. Wingerd, formerly of the Jenny Lind Theatre. It appeared in the Picayune of last evening:-
To the Public. - The undersigned, members of the theatrical corps, under the management of the late J. B. Wingerd, and personal friends of the deceased, feel ourselves bound to notice an article which appeared in the Pacific News of yesterday, under the head of "Stockton street Accident," which for mean abuse of the memory of a Gentleman, could not well have been exceeded . . .
[signed] Jos. T. Downey, J. L. Byers, Michael Dillon, M. C. Faulkner,
J. Hambleton, W. H. Carey, Francis B. Harrington, A. Campbell, Theodore Hutchingson, J. McCabe, George Mitchell.

ASSOCIATIONS: Joseph Tracy Downey (actor); James Lucas Byers (actor)

"JENNY LIND THEATRE", Daily Alta California (13 January 1851), 2

https://cdnc.ucr.edu/?a=d&d=DAC18510113.2.8 

Mr. Stark and Mrs. Kirby reappeared last night in the grand drama of "Richelieu," and were greeted with a house crammed to its utmost capacity . . . "The Happy Man" was very well given, and Mr. and Mrs. Hambleton were called to the footlights by a delighted audience after the fall of the curtain . . .

"SUICIDE OF MRS. HAMBLETON", Daily Alta California (15 January 1851), 2

https://cdnc.ucr.edu/?a=d&d=DAC18510115.2.6 

We regret to announce that Mrs. Hambleton, the favorite actress, who has proved of late so attractive at the Jenny Lind Theatre, committed suicide yesterday afternoon at her residence, by taking poison. The circumstances which led to this unhappy tragedy have been detailed to us, and are substantially to the following effect. It appears that the alliance between Mr. and Mrs. Hambleton was not of a happy character, and that the latter had conceived an ardent attachment to a member of the company, Mr. Coad, who returned it with equal ardor. They had, however, determined from prudential reasons to refrain from meeting each other or conversing until some opportunity should occur when they could unite their destinies. Matters had remained in this state some days, up to yesterday, when Mr. Hambleton, who has been jealous of his wife for some time, and, and it is said, not treated her well, charged her with having bestowed her affections upon another. He informed her that if she would tell him who the individual was, he would consent to a separation, and permit her to take the object of her choice. She informed him that it was Coad, whereupon he brought that person into her presence, and told him that if he did not consent to leave he would blow his brains out or mingle their blood together, or made some threat of that character. Coad consented to go and left. Mrs. H., probably under the impression that he had deserted her, and been trifling with her affections merely, immediately swallowed a very large dose of some powerful corrosive poison. Medical aid was sent for as soon as it was discovered, but in about 10 minutes she died. As soon as the fact that the object of his affections had poisoned herself was made known to Coad, he purchased a quantity of what he supposed to be the same kind of compound and attempted to poison himself. An emetic was administered soon after, and at last accounts he was doing well, allthough suffering severely. No criminal conduct is attributed to the deceased, even by her husband. In consequence of this unfortunate event there was no performance at the Jenny Lind theatre last evening. Coroner Gallagher held an inquest upon the body last evening, when the following verdict was rendered: - "That the death of Mrs. Hambleton was an act of suicide, caused by taking a large quantity of cyanuret of potassium."

"Statement of Mrs. Kirby", Daily Alta California (16 January 1851), 2

https://cdnc.ucr.edu/?a=d&d=DAC18510116.2.4 

In consequence of a statement made by Mr. Hambleton in yesterday's Picayune, respecting the unhappy circumstances connected with the death of Mrs. Hambleton, Mrs. Kirby has handed us the following statement and affidavits. We believe that her statement is entitled to the entire confidence of the public: -

To the Public. In an article of to-day, published in the Picayune, I am most vilely slandered by John Hambleton, in charging upon me the cause of his wife's committing suicide. I became acquainted with Mr. and Mrs. Hambleton about ten months since. I knew of their living together very unhappily for more than five months past, when Mrs. Hambleton made me her confidant; and in her statements to me at that time she represented that her husband treated her unkindly, harshly, and by acts and language abused her to a cruel extent; that about one month ago she stated to me that she had been cruelly beaten by her husband, and showed me the marks of violence upon her neck, where the marks of her husband's fingers were made ehen he nearly choked her to death; the skin was removed by the nails of his fingers as she extricated herself from his grasp; her head was much bruised, as she stated, by his knocking her down; and that if Mrs. Smith, the landlady, had not taken him off he would have killed her. She represented her connection with her husband as very unhappy, some time before she became acquainted with Mr. Coad . . .
- SARAH KIRBY. The facts stated in the foregoing statement sworn to by the said Sarah Kirby. Jan. 15, 1851. J. I. PAPY, Deputy County Clerk, San Francisco County . . .

"THE SUICIDE OF MRS. HAMBLETON", Sacramento Transcript (17 January 1851), 2

https://cdnc.ucr.edu/?a=d&d=ST18510117.2.6 

We published yesterday morning the suicide of this lady. The following letter we find in the Picayune, from the husband of the deceased: - . . .

To the Public. The sudden and melancholy bereavement of all that made my life worth the keeping, together with the many false statements of unhappiness existing between myself and the late Mrs. Hambleton; statements emanating from the first and only cause of the fatal occurrence, induces me to vindicate myself, and show the public the true side of the picture. Had man asked of Almighty God a boon for his comfort and happiness through life, he would have said give me such a mate as this. For six years of struggling hardships, through poverty and sickness she was at my side night and day, with the same watchful attention as a mother would bestow on a sleeping infant until within the last two months a change had taken place like a black cloud overshadowing the bright sun. She gradually lost all affection for me, rivetting her attention on a female friend - who, like a fascinating serpent, attracted her prey until within her toils . . .
I therefore, from my heart, attribute the cause of insanity to the evil councils of Mrs. Kirby, and forgive the young man Coad, whose every action I have most acutely, though silently watched; for he was a victim as well as my poor wife.
- JOHN HAMBLETON.

"SUICIDE", The Sydney Morning Herald [NSW] (22 March 1851), 4

http://nla.gov.au/nla.news-article12925788 

We perceive by the San Francisco papers, that Mrs. Hambleton, an actress, (formerly of the Sydney Theatre) had committed suicide. Ill-treatment by her husband, who was jealous of her, was the supposed cause of the unfortunate women committing the fearful act.

"CALIFORNIA. SUICIDE OF MRS. HAMBLETON", The Cornwall Chronicle [Launceston, TAS] (19 April 1851), 242

http://nla.gov.au/nla.news-article65576099 

We regret to announce that Mrs. Hambleton, the favorite actress, who has proved of late so attractive at the Jenny Lind Theatre, committed suicide . . .
- Alta California, Jan. 15.
[Mrs. Hambleton placed for a short time at the Victoria Theatre with her husband, who was a favorite with the Sydney audience, and Mr. Hambleton has verified his celebrated song "I am a most unfortunate man," which it will be remembered he used to sing great applause in Melbourne.]

See also original Californian reports reproduced here, "Suicide of Mrs. Hambleton", Bell's Life in Sydney and Sporting Reviewer (29 March 1851), 1

http://nla.gov.au/nla.news-article59772253 

Return to Australia (1884):

"LECTURE ON 'PROPHECY'", Evening Journal [Adelaide, SA] (17 June 1884), 3

http://nla.gov.au/nla.news-article197796692 

Mr. John Hambleton, a well-known evangelist, will deliver a lecture on "Prophecy" this evening. Mr. Hambleton has been engaged in evangelistic work in Great Britain and America for the last thirty years. He arrived here by the Garonne from London last Wednesday [11 June], and will probably leave for Melbourne at the end of the week for the purpose of carrying on his work. He has been associated with most of the well-known evangelists in England.

"MR. JOHN HAMBLETON", South Australian Register (18 June 1884), 6

http://nla.gov.au/nla.news-article43661102

An evangelist whose name is well known in all parts of Great Britain, and to whose experience peculiar interest attaches, is now in Adelaide. Mr. John Hambleton recently arrived here from England by the Garonne, and in a few days will proceed to Victoria with the view of carrying on systematic evangelistic operations in that colony. This gentleman, who is now advanced in years, being between 60 and 70 years of age, has spent thirty-three years of his life in carrying on evangelistic work in England and Wales, Scotland and Ireland, and has laboured with most of the well-known evangelists in these countries . . . Mr. Hambleton had a good deal of Australian experience in his younger days, and to this fact is to be attributed his having directed so much attention to the colonies. For ten years Mr. Hambleton was a comedian, performing on the boards in Sydney and Melbourne, and his name will, without doubt, be remembered in these places by the old identities. He built the first theatre in Geelong, and was Manager of the first theatre in Melbourne. He went to California when the gold fever was attracting so many thousands to that country, and after performing there in his old capacity for a short time was converted, and persuaded to enter upon the evangelistic work, to which he has adhered for thirty-three years. Mr. Hambleton is of a retiring disposition, and was rather reluctant at first to afford an interviewer any information about himself . . .

"Deaths", The Age [Melbourne, VIC] (10 December 1889), 1

http://nla.gov.au/nla.news-article197505350 

HAMBLETON. - On Sunday, 8th December, at Geelong, John Hambleton, aged 69. Home papers please copy.


Other sources:

Buds, blossoms and fruits of the revival by John Hambleton (London: Morgan & Chase, [by c. 1869])

https://www.brethrenarchive.org/people/john-hambleton 

The converted actor: a true narrative of God's remarkable dealings with the late John Hambleton [by "E. H. B."](London: W. G. Wheeler & Co., [c. 1890])

http://archive.org/details/convertedactortr00beh (DIGITISED)

Largely reproduces Buds, blossoms and fruits (above)

Twenty-five years on the stage, or the career of an Australian actor, his experiences and vicissitudes . . . , by J. Gardiner, late polish manufacturer, Hindmarsh (Adelaide: The Christian Colonist Office, [1891]), 21-23

https://trove.nla.gov.au/work/21795499 

https://nla.gov.au/nla.obj-398659586/view?partId=nla.obj-398663413#page/n26/mode/1up (DIGITISED)

CHAPTER III. - A GEELONG EXPERIENCE [1848] I arrived there, as per engagement, and went straight from the boat to the theatre . . .
Mr. Hambleton, the manager, came in. "Oh, you are . . ." "Yes," I said; "Gardiner, at your service."
"Well, what do you think of the gaff - spicy affair, isn't it?" "Very," I replied; "it's architectural design is almost a phenomenon."
"Well," he said, "it pays, so we can dispense with beauty."
And now as this man plays a very important part in this little book, he was, as I knew him, manager and actor at that time, coarse and tyrannical. The company was only small - eight all told, exclusive of himself. He conducted everything harshly, and about as opposite to the gentleman I had left as possibly could be. But Mr. Hambleton was an enthusiast in everything to the smallest iota in his company, ladies not excepted. He was a splendid actor, a most versatile one, but about as much fit to be a manager as a blackfellow. The man was jealous of anyone getting any applause beside himself, and a more impatient, passionate man in conducting the rehearsals I never saw; in fact a real live Liverpool Irishman, ready to box any of the actors who refused to do his will, or [22] play the part he had assigned them; and it was chiefly by his assumption of Irish character that brought the money into the house; for, taking the little company for all in all, I suppose you could hardly find a more incompetent one. It was a most miserable time for me, because I and Hambleton were continually clashing in our songs; but a sudden change was approaching. This Mr. Hambleton had been born of religious parents in Liverpool, and in a little book which he published, giving the history of a life's adventures
("Buds, Blossoms, and Flowers" [sic, Fruits] is the title of the book, price 6d. Could be obtained at Clarke's, Rundle Street, and Rose's, in Freeman Street [Adelaide])
he writes that his mother was the very embodiment of religious precept and example combined. Not so his father, although he was looked upon as a most pronounced religionist, the boy knew that his father was covering up evil propensities with the cloak of religion. At twelve years of age it so disgusted him that he left his home and got away to sea as cabin-boy. In course of time he reached Australia, and eventually became an actor of some repute in Irish characters.
At the rehearsal one morning he was missing. Presently the caretaker came in and informed the company that the manager had decamped, and was on board the steamer Venus out in the Bay on his way to Melbourne. By that time the proprietor had arrived. In answer to a whole volley of questions, salary being the chief, "Oh, yes, your cheques are all right, and so is my lease. I can give no other information but this, which is, that he has started for Liverpool, assigning no other reason than that he was obliged to go." That was all; and I don't know that to this day anyone except myself knew the reason. It was just a nine days' mystery, and then was forgotten. His little book, which I have read, clears up the mystery of his sudden departure. The night previous to his going he had a most powerful dream and vision. He dreamt that his mother was dying; it shaped itself into a vision; he saw his mother and his two sisters kneeling by the bedside on which she was lying, her hands were clasped together on her breast, and she was praying for him, he felt convinced, for her voice seemed to come right to him, "Johnny! my boy! John Hambleton, come home, come home!" And upon the [23] strength of that singular vision he went; and going straight to the old home he found his sisters almost wanting the necessaries of life . . . [24] . . . When his sisters passed away he returned again to Australia, and, after the absence of thirty-five years, I had the pleasure of meeting him again, and hearing him in the [Adelaide] Town Hall, in the winter of 1884 or 1885, preach a most eloquent discourse . . . he then proceeded to Geelong. There his life of faithful usefulness ended crowned with laurels. His last act was a grand climax: he found the the old theatre, which was built expressly for him; it was being used as a general sundries store. After a great deal of trouble he, with some Christian help and influence, secured possession of it, and obtained a lease; had it cleaned and remodelled into a mission-house for God; and there night after night, within the four walls, where first he appeared as a votary of Satan exactly forty years before, now on the Lord's side preaching His grand doctrine of salvation, and selling the Bible. His wife survives him, and, I believe, carries on the work of selling Bibles in Foster-street, South Geelong.

ASSOCIATIONS: Joseph Gardiner (actor, memoirist)


Bibliography and resources:

John Hambleton, Merseyside Revival Trust, G. R. Green

https://www.1859.org.uk/the-people-god-used/john-hambleton 

John Hambleton was born in Toxteth Park, Liverpool in 1820. He does not mention his father but his mother was a very godly woman who taught him the scriptures from an early age. Unfortunately as a youngster he got into bad company and was drawn into a sinful life through his association with them. At the age of 14 he ran away from home, emigrated to Australia [sic], and entered the theatrical profession. He went to Geelong and commenced work managing a small company of theatricals . . .

John Hambleton, Find a grave

https://www.findagrave.com/memorial/164067511/john-hambleton 

John Hambleton, Convict records

http://www.convictrecords.com.au/convicts/hambleton/john/32784

Eli Daniel Potts and Annette Potts, Young America and Australian gold: Americans and the gold rush of the 1850's (Brisbane: University of Queensland Press, 1974), 123, 148

https://trove.nla.gov.au/work/10918887




HAMBLIN, Joseph (Joseph HAMBLIN; J. HAMBLIN; Mr. HAMBLIN)

Musician, teacher of flute, violin, and singing, pianoforte maker, tuner, repairer, cabinet-maker

Born Speenhamland, Berkshire, England, 20 September 1820; baptised Lower Meeting House, Newberry, 13 March 1821; son of Joseph HAMBLIN and Joanna ?
Married (1) Rebecca COMLEY (1821-1860), St. Mark, Kennington, Surrey, England, 26 July 1842
Arrived Australind, WA, 6 December 1842 (per Trusty, from London, 3 August)
Arrived Adelaide, SA, 1854; Bendigo, VIC, by 1855/56; arrived Kyneton, VIC, by August 1859
Married (2) Sarah Ann PILE (Mrs. BRITCHER) (1826-1911), Kyneton, VIC, 1861
Died Kyneton, VIC, 19 November 1899, aged "79/80"

https://trove.nla.gov.au/search?l-publictag=Joseph+Hamblin+1820-1899 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMBLIN-Joseph (shareable link to this entry)

ASSOCIATIONS: Henry Hamblin (pianoforte maker, born Kyneton, VIC, 25 November 1865); Arthur Hamblin (pianoforte maker, born Kyneton, VIC, 3 July 1867)


Joseph Hamblin (courtesy Kyneton Museum, VIC)

Joseph Hamblin (image courtesy Kyneton Museum, VIC)


Summary:

Joseph Hamblin, Australia cabinetmaker and pianoforte maker, was born in Newberry, Berkshire, the son of Joseph Hamblin (1796-1867), a shoemaker and Baptist minister, and Joanna Young (1796-1869). The family were living in London at the time of the 1841 census, in which Joseph, aged 20, is identified as an apprentice pianoforte maker. According to his own later account, he completed a nine-year apprenticeship with John Broadwood and Sons.

Joseph married Rebecca Comley in London on 26 July 1842, and a week later the couple sailed for Western Australia. During his 12 years in the colony, he was active as a cabinetmaker and music teacher, and probably also as a performer. He was an early office holder of the Swan River Mechanics' Institution.

After a brief period in South Australia (1854-55), he moved to Victoria, and had settled in Kyneton by c.1859/60. In 1877 he advertised that his piano and music store had been established 15 years. Two sons by his second marriage, Harry and Arthur, both born in Kyneton, trained as piano makers and carried on the business after Joseph's retirement in 1889.


Documentation:

Baptisms, Lower Meeting House (Independent), Newbury, Berkshire, 1821; register 1784-1837, page 30; UK National Archives, RG4/299

https://www.ancestry.com.au/search/collections/2972/records/22797 (PAYWALL)

[1821] Mar. 13 / Joseph Son of Joseph & Joanna Hamblin / Born at Newbury Sep. 20, 1820 / Baptized by me / John Winter

ASSOCIATIONS: Joseph Hamblin (1796-1867) married Joanna Young (d. 1869) at St. Mary, Speen, Berkshire, on 1 September 1817

England census, 6 June 1841, St. Peter's, St. Mary, Newington, Surrey; UK National Archives, HO107/1064/7/14/32/7

https://www.ancestry.com.au/search/collections/8978/records/10248709 

Trafalgar Street / Joseph Hamblin / 45 / Dissenting Min[iste]r / [not born county]
Joanna [Hamblin] / 45 / - // Joseph [Hamblin] / 20 / Pianoforte M[aker] Ap[prenctice] / [not born county]
George / 10 / [not born county] / Sarah / 5 // Ebenezer / 2 / [born in county]

1842, marriage solemnized at the parish church in the district of Kennington in the county of Surrey; register 1841-43, page 129; London Metropolitan Archives, P85/MRK/015

https://www.ancestry.com.au/search/collections/1623/records/922527500 (PAYWALL)

No. 257 / July 26 1842 / Joseph Hamblin / of full age / Bachelor / Joiner / Smith Street / [son of] Joseph Hamblin / [no occupation entered]
Rebecca Camley / of full age / Spinster / - / George Street / [daughter of] Thomas Camley (dec'd) / [no occupation entered] . . .

"SHIPPING INTELLIGENCE", The Perth Gazette and Western Australian Journal [WA] (10 December 1842), 2

http://nla.gov.au/nla.news-article643987 

ARRIVAL AT AUSTRALIND. On the 6th December, the Trusty, John Elsdon, Commander, from London. Out four months and two days . . . STEERAGE . . . Joseph and Rebecca Hamblin . . .

[Advertisement], Inquirer [Perth, WA] (19 February 1845), 2

http://nla.gov.au/nla.news-article65583786

GEORGE LAZENBY hereby notifies his intention to leave the colony for a short time, on a visit to England, by the Halifax Packet.
N.B. - G. L. takes this opportunity of returning thanks to his friends and the public for the liberal patronage he has received during a residence among them of upwards of 12 years, and begs to state that he has engaged Mr. Joseph Hamblin to conduct the business for him during his absence; by a reference to whom all orders will be punctually attended to.
Pianos repaired and tuned by J. H. as usual.

ASSOCIATIONS: George Lazenby (cabinet maker, carpenter)

"Shipping Intelligence", Inquirer (9 April 1845), 2

http://nla.gov.au/nla.news-article65583058 

Sailed. - On the 3rd instant, the schooner Victoria, Carroway master, for Adelaide, via Albany. Passengers . . . G. Lazenby . . . Rebecca Hamlin . . .

"CABINET WORK", Inquirer (12 August 1846), 4

http://nla.gov.au/nla.news-article65769884 

Such of our readers as are admirers of handsome furniture, will do well to visit Mr. Lazenby's, and see the splendid sideboard just made by Mr. Hamblin from our native mahogany. We have rarely seen a finer specimen of mahogany furniture at home, and we are inclined to think that our jarrah, besides its immense superiority in hardness and durability, has also a more rich and close luxuriance of shade and colour, and a greater resemblance to marble in texture, than the real mahogany known in Europe.

"Shipping Intelligence", Inquirer (13 December 1848), 1 supplement

http://nla.gov.au/nla.news-article65738773 

Arrived. - On Wednesday, 13th instant, the barque Ranee, W. B. Mills, master, from England; L. Samson Agent. Passengers: A Sister of the order of Mercy and two Lay Sisters; steerage - Mr. and Mrs. Hamblyn, and two children, Miss Hamblyn, and 10 boys from the Philanthropic Institution.

[2 advertisements], The Inquirer (22 August 1849), 1

http://nla.gov.au/nla.news-article65739465

J. HAMBLIN, WHILE returning thanks to his friends, the Inhabitants of Western Australia, for past favours,
begs to inform them that he is carrying on the business of
Carpenter, Joiner, Cabinet-Maker, and Undertaker, at Mews's Cottage, Bazaar-Street, Perth,
where he hopes, by economy and punctuality, to merit a continuance of their patronage.
Wanted, an Apprentice to the above.
Pianofortes tuned and repaired, as heretofore.
No connexion with any other house.

Music for the Million. J. HAMBLIN
begs to inform the Youth of Perth and its vicinity, that he is receiving
Pupils for instruction on the Flute, Violin, and Singing, in classes,
on such terms as will give every one an opportunity of acquiring a knowledge of that which,
in the absence of every other amusement, may be called a highly valuable science.
A separate class for Boys under 14 years of age.

[Miss] E. HAMBLIN, Teacher of the Perth Colonial School,
BEGS to inform the Inhabitants of Perth, that, to meet the wishes of many,
she will commence a private class for instruction in the following branches of useful knowledge, viz.: -
Reading, Writing, Slate and Mental Arithmetic, Grammar, Geography, History, Letter Writing, Drawing, &c.,
also Knitting, Netting; and Berlin Wool-Work.
That due attention may be given, the private class will commence after the dismissal of the Public School.

ASSOCIATIONS: Joseph's sister Eliza Hamblin (Mrs. Benjamin Mason) (1828-1903), had arrived on the Ranee in December 1848

"Local Intelligence", The Perth Gazette and Independent Journal of Politics and News (8 November 1850), 2

http://nla.gov.au/nla.news-article3172024 

We have been much gratified with a view of several specimens of our colonial timber, which are now under preparation by Mr. Hamblin, of Perth, for transmission to the Industrial Exhibition; one of the blocks is of peculiar beauty and is a section of one of those large excrescences which are found upon the York gum, marbled in the most beautiful and minute manner we can conceive it possible for wood to be, and when well polished we have no doubt will attract much attention at the Exhibition.

"Shipping Intelligence. SAILED", The Perth Gazette and Independent Journal of Politics and News (10 February 1854), 2

http://nla.gov.au/nla.news-article3174991 

On the 2nd Instant, the brig Hamlet, McKennack, master, for Adelaide and Melbourne. Passengers . . . Mr. and Mrs. Hamblin and 4 children . . . and several others in the steerage.

[Advertisement], The Argus [Melbourne, VIC] (20 April 1854), 1

http://nla.gov.au/nla.news-article4806099 

IF this should meet the eye of Joseph Hamblin, late from Swan River, please send your address immediate to William Blair, baker, Bendigo.

[Advertisement], The Kyneton Observer [VIC] (18 August 1859), 3

http://nla.gov.au/nla.news-article240897014 

TO WM. DEGRAVES, ESQ. SIR, We the undersigned electors of the Kyneton Boroughs, respectfully request that you will allow yourself to be put in nomination as a Candidate for the representation of these Boroughs . . .
. . . Joseph Hamblin . . .

Hamblin's, Kyneton, c. 1870s (courtesy Kyneton Museum, VIC)

Hamblin's, High Street, Kyneton, c. 1870s (image courtesy of Kyneton Museum, VIC)


[Advertisement], Kyneton Guardian (22 July 1871), 3

http://nla.gov.au/nla.news-article232562846 

J. HAMBLIN, PIANOFORTE MANUFACTURER, HIGH-STREET, KYNETON,
HAS on sale new and second-hand PIANOS by Broadwood and others, also to be let on hire cheap.
MISS HAMBLIN Has on hand a large assortment of Concertinas. Flutes, Violins, Violincellos, Pegs, Bridges, Strings, Music and Music Books;
also. Stationary, School Requisites, Bibles, Church Services, Prayer Books, and Books for Presents or Prizes,
Fancy Goods, and Toys of every description, Basketware, Cricketing Material, and Fishing Tackle.
The only shop in Kyneton that keeps a large assorted STOCK OF BERLIN WOOLS.

"INTERCOLONIAL NEWS", The Queenslander (9 December 1871), 10

http://nla.gov.au/nla.news-article27268785

One of the local industries of Kyneton, Victoria, is pianoforte-making. The Observer says Mr. Joseph Hamblin, of that borough, sells excellent pianofortes of his own make. They have a compass of seven octaves, have patent metal bridges, and will bear the effects of the climate better than any imported instrument. The blackwood of the neighborhood serves for wrest planks as well as English oak, and the musk wood or native walnut, which has been found in the Dandenong Ranges, yields beautiful veneers that are susceptible of a magnificent polish. The timber, before being used, is kept from four to ten years in a room continually maintained at summer heat by a furnace. Mr. Hamblin imports the keys, wire, wrest pins, and all the smaller mechanism of his instruments.

[Advertisement], The Kyneton Observer (8 November 1877), 3

http://nla.gov.au/nla.news-article240927633 

PIANOS, ORGANS, AND HARMONIUMS. J. HAMBLIN . . . Established 15 years . . .

Hamblin's, Kyneton, c.1880s (courtesy of Kyneton Museum, VIC)

Hamblin's, High Street, Kyneton, c. 1880s (image courtesy of Kyneton Museum, VIC)


"KYNETON EXHIBITORS AT THE GEELONG JUVENILE EXHIBITION", The Kyneton Observer (17 November 1887), 2

http://nla.gov.au/nla.news-article240859701 

At this exhibition, which will be opened on Tuesday next, two exhibits occupying prominent positions are the separate handiwork of two young Kyneton natives - Mr. Harry Hamblin and Mr. Arthur Hamblin, sons of Mr. Joseph Hamblin, pianoforte manufacturer, of High Street. Mr. Harry Hamblin manufactured one instrument, and his brother, the other, without any assistance. The pianos are of the class known as upright grand, full trichord, in walnut cases. The panels are engraved and picked out with gold lines. The frames are iron. The instruments have celeste soft pedal, and are replete with every modern improvement. Other pianos of precisely the same class, and manufactured by Messrs. Harry and Arthur Hamblin, are on exhibition at their establishment at High Street. The young manufacturers have given abundant proof of their aptitude for their business, and are to be complimented and congratulated upon the success they have achieved.

[Advertisement], The Kyneton Observer (24 August 1889), 3

http://nla.gov.au/nla.news-article240799386 

NOTICE IS HEREBY GIVEN that the Partnership heretofore carried on by
J. HAMBLIN & SONS, as Pianoforte Makers, High Street, Kyneton,
HATH THIS DAY BEEN DISSOLVED BY MUTUAL CONSENT:
and in future the said business will be carried on by Henry Hamblin and Arthur Hamblin, under the style of HAMBLIN BROTHERS.
All moneys owing to the late firm must be paid to them, and they will also discharge all liabilities of the late firm.
Dated this 23rd day of August 1889.
JOSEPH HAMBLIN.
HENRY HAMBLIN.
ARTHUR HAMBLIN.

[Obituary], The Kyneton Guardian (19 November 1899)

UNSEEN

"Death of Mr. J. Hamblin", The Kyneton Observer (21 November 1899), 2

http://nla.gov.au/nla.news-article240985311 

It is with sincere regret that we chronicle the death of Mr. Joseph Hamblin, of Kyneton East, which occurred at 2.30 o'clock on Sunday morning. The deceased, who had attained the age of 79 years, had been down the street on Saturday, 11th inst., and when he returned borne he complained of feeling unwell, and at once took to his bed, from which he never rose. Mr. Hamblin's complaint was at first the prevailing disease known as influenza, on which supervened bronchitis and pneumonia, and at his advanced age this complication of ailments was altogether too formidable for long resistance. Hence the patient, for whom everything that medical skill could devise was done by Dr. Faulkner, rapidly sank, and passed away at the time and hour stated above.

Mr. Hamblin was a native of Berkshire, England. He emigrated to West Australia in the forties, and was therefore one of the earliest pioneers of that colony, in which he remained for a number of years. He next settled down in South Australia, but after a residence of two years there he came to Victoria. In 1857 the deceased made his home in Kyneton, where he remained ever since. For several years he conducted a music warehouse business, which he only relinquished about 10 years ago, and which is now carried on in High street by his son Henry. Although the deceased had never either sought or filled any public position in the town, he used in years past to take a large interest in matters that concerned the town and district, and on more than one occasion publicly protested against the acts of public men which be considered would not prove beneficial. Mr. Hamblin possessed a quiet, unassuming, and cheery disposition, and was Christianlike and honorable - qualities which won for him the respect and esteem of all with whom he came in contact, and his many friends are now lamenting his death. He was formerly connected with the Baptist Church, then with the Salvation Army, and finally with the Plymouth Brethren, which sect he only joined a short time since. The deceased's wife and family of six sons and five daughters survive him. Mrs. Hamblin, who has been suffering from influenza, and was improving nicely, has not been so well since the death of her husband, which has caused her great grief. Only one of the sons, Mr. Henry Hamblin, lives in Kyneton - he and his wife are also suffering from influenza; the other sons are distributed amongst Queensland, New South Wales, Tasmania, and Victoria.

The remains of the deceased were interred in the Kyneton cemetery yesterday afternoon, and were followed to their last resting place by a good cortege of mourners. The spiritual services were conducted by Mr. Young, of the Plymouth Brethren sect, and the funeral arrangements were discharged by Mr. J. Harris, of Woodend, which was in strict, compliance with the expressed wishes of the deceased.

"DEATHS", The Age [Melbourne, VIC] (30 December 1899), 3

http://nla.gov.au/nla.news-article188655149 

HAMBLIN. - On the 19th November, at his residence, Kyneton, Joseph Hamblin, pianoforte manufacturer, in the 80th year of his age. Home and colonial papers please copy.

"PIONEERS AND ALL. JOSEPH THOMAS HAMBLIN. A FAMILY ON THE LAND", The Bendigo Independent (8 May 1913), 2

http://nla.gov.au/nla.news-article227870322 

The story of Mr. Joseph Thomas Hamblin, of Don street, Bendigo, retired gold miner and agriculturist, is replete with interest, inasmuch as it is connected with the establishment on the land in two of the States of one of the largest families of sons and daughters and sons-in-law and daughters-in-law to be found in the Commonwealth. Their portraits form the principal decorations in the residence of the pioneer, where he and the wife of his youth, their strenuous half century of industry and enterprise successfully completed are now enjoying the long and placid evening of their life.

Mr. Hamblin's father was a native of Berkshire. His trade was that of a piano-maker. He was also an artist in woodwork. One of his most skilful efforts was a mosaic table, worked, in 500 pieces of wood, and which was presented to Queen Victoria on her coronation. He was one of the earliest colonists to leave England for West Australia. One of his shipmates from England was Sir John Forrest's father. During his residence in Perth, Mr. Hamblin, senior, was commissioned by the nuns and other Catholics to make a chair of Westralian wood for the first-born baby of Queen Isabella of Spain. It was composed of sandalwood and satin-wood, beautifully polished, carved with a grape vine in full-bearing, and the whole enclosed in a case which was also a work of art. Some £40 (equal to £100 now) was paid to the workman-artist for the elegant little piece of furniture. But in early, Australia there were not many commissions for work of that character.

The subject of our life-sketch was born in Perth in 1843. His parents about a dozen years later removed to Adelaide, settling there for a couple of years, and then coming on to Bendigo. They were overlanding to Victoria with bullock-teams. But near the Murray borders their bullocks were stolen, leaving them stranded with their waggons on the plains. There was nothing for it but to go back to Mt. Barker and get fresh bullocks. They then took the waggons back to Adelaide, sold them, and came around by ship to Melbourne, thence to Bendigo. Mr. Hamblin was only a lad during his earliest term of residence in Bendigo. They resided in a frame-tent near where the Terminus Hotel in Mitchell street now stands. He first worked for Mr. Blair, who had a bakehouse and a small shop in Williamson street, next to what is now Myer's furniture establishment. Everything (except meat) was still very high in price on the diggings, and he remembers them saying that a little while before they arrived Scotch pies which the men used to eat in the Shamrock concert hall during the intervals between Thatcher's songs, were a shilling apiece. The family next moved to Kyneton, where Mr. Hamblin, senior, was a piano-maker for many years and two of his sons after him. But Joseph Thomas Hamblin, at 19 years of age, heard the call of the New Zealand diggings. In 1861 he was amongst the first of the Victorian diggers to reach Port Chalmers, and join in the Gabriel's Gully Rush. He struck no rich pockets. But his trade of carpentering stood to him as a steadily-yielding little gold mine . . .


Works:

Circular pedestal table with tilting top c. 1849, attributed to Joseph Hamblin; Canberra, National Gallery of Australia

https://cs.nga.gov.au/detail.cfm?irn=204660 

Upright piano, Hamblin Brother, Kyneton, VIC, 1907; Museum of Applied Arts and Sciences, Sydney

https://trove.nla.gov.au/work/247375668 

https://collection.maas.museum/object/11179


Bibliography and resources:

Dorothy Erickson, "Lazenby, George (1807-1895)", Australian dictionary of biography supplement (2005)

http://adb.anu.edu.au/biography/lazenby-george-13041 

. . . Lazenby employed other Methodists, the most notable being an apprentice Benjamin Mason and the pianoforte-maker Joseph Hamblin, a consummate craftsman who worked for him until 1847. Attempting to establish an export market for local timber, Lazenby took samples of furniture made from jarrah to England aboard the Victoria in 1845. Hamblin's wife and son sailed with him, while Hamblin remained to run Lazenby's business . . .

Jill Roy, The Hamblin family of Berkshire, Western Australia and Victoria (unpublished manuscript)

Dorothy Erickson, "George Lazenby", Design & Art Australia Online (2010/11)

https://www.daao.org.au/bio/george-lazenby/biography 

. . . Lazenby was in charge of the repairs to Government House in 1848 and was connected with the handsome jarrah cellarettes made at this time for Government House in Perth. These were most probably the work of Joseph Hamblyn/Hamblin who made him a sideboard of jarrah in 1846. The cellarettes have classic Regency lines - the style brought to the colony by the earliest settlers. The same people preferred their silver in this and Georgian style and as the periods represent a high period in both disciplines they retain their charm and usefulness and are treasured today. Hamblin who had undertaken a nine-year apprenticeship in England [with Broadwoods] was consummate craftsman . . .

Joseph Hamblin, Find a grave

https://www.findagrave.com/memorial/231187675/joseph-hamblin 




HAMEL, Julius (Julius HAMEL; J. HAMEL)

Lithographer, engraver, general and music printer, music publisher

Born Hamburg (Germany), c. 1822
Arrived Melbourne, VIC, 12 November 1852 (per Great Britain, from Liverpool, 21 August)
Married Harriet ELDERSHAW, VIC, 1862
Died St. Kilda, VIC, 14 May 1894, aged "72/73"

https://trove.nla.gov.au/search?l-publictag=Julius+Hamel+d1894 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-607788 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMEL-Julius (shareable link to this entry)


Documentation:

England census, 30 March 1851, Hulme Holy Trinity, Chorlton, Lancashire; UK National Archives, HO107/2221/846/7

https://www.ancestry.com.au/search/collections/8860/records/13549298 (PAYWALL)

27 Devonshire St. / Eliza Handley / unm. / 42 / [no occupation] // Mary Ann Handley / Sister / unm. / 22 / [no occupation]
Julius Hamel / Lodger / unm. / 28 / Designer & Calico Printer / [born] Germany

List of passengers per Great Britain, from Liverpool, arrived Melbourne, 12 November 1852; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FE03C7-F96C-11E9-AE98-C7AC77C28B87?image=236 (DIGITISED)

. . . Hamel J. . . .

Index to naturalisation certificates, Julius Hamel, 1856; Public Record Office Victoria

https://www.ancestry.com.au/search/collections/60711/records/7250 (PAYWALL)

Julius Hamel / Artist & draftsman / Melbourne /
Age (on date of naturalization) 32 / Native Place - Hamburgh / Date of Certificate - [14 January 1856]

[Advertisement], The Argus [Melbourne, VIC] (15 October 1861), 7

http://nla.gov.au/nla.news-article5705034 

DISSOLUTION of PARTNERSHIP. - Notice to hereby given that the
PARTNERSHIP heretofore existing between the undersigned under the style and firm of
HAMEL and Co., as lithographers and engravers, at 49 Queen-street,
has this day been DISSOLVED, by mutual consent.
All debts due to and wing by the late firm will be received and paid by Julius Hamel.
JULIUS HAMEL, ANDREW TOAL, Jun.
Witness - William Colley. Melbourne, Oct. 14, 1861.

"VICTORIAN LITHO-ARTISTS AND ENGRAVERS' CLUB", The Age [Melbourne, VIC] (22 February 1894), 14

http://nla.gov.au/nla.news-article197012018 

The Victorian Litho-artists and Engravers' Club held its monthly smoke social at the Cathedral Hotel on Wednesday, Mr. Ludwig Lang, president of the association, occupying the chair. After the transaction of formal business . . . Mr. Herbert J. Woodhouse then gave the second part of a lecturette on Victorian Pioneers of Lithographic Drawing and Engraving, the first part of which was delivered about two months ago, and the first artist mentioned was Mr. Julius Hamel, the father of Victorian lithography, who arrived in the colony in 1852 . . . A vote of thanks was passed to Mr. Woodhouse for his paper, and the evening was filled up with songs and music from the members of the club.

ASSOCIATIONS: Ludwig Lang (president); Herbert James Woodhouse (lecturer)

"DEATHS", The Age (15 May 1894), 1

http://nla.gov.au/nla.news-article197462801 

HAMEL. - On the 14th May, at his residence, No. 7 Patterson-street, St. Kilda, Julius Hamel, aged 73. A colonist of 43 years.

"THE LATE MR. JULIUS HAMEL", Leader [Melbourne, VIC] (26 May 1894), 38

http://nla.gov.au/nla.news-article196853853 

We deeply regret to announce the death of this well known chess player, which occurred at St. Kilda on the 14th inst., at the age of 73. Mr. Hamel was a native of Hamburgh, but in early life removed to Paris, where he was a frequenter of that historic seat of Caissa, the Cafe de la Regence. He shortly afterwards again changed his residence to Nottingham, where, along with his brother, Mr. M. Hamel, he became an active member of the local chess club, another brother, Mr. S. Hamel, now some years deceased, having about the same time joined the Manchester club, where he greatly distinguished himself as a player. At the age of 30 he was attracted to Australia by the discovery of gold, and has since resided in Melbourne. He continued to take a warm interest in his favorite pastime, and played in the first chess tournament held here in 1854, the first prize in which was won by Mr. Watts, an old London player, Mr. A. G McCombe, who we believe is now the only survivor among the competitors, being second. Shortly afterwards, about 1856, he formed one of a strong body of chess players, who for several years met at a cafe in Bourke-street, called the City Buffet, which has long since disappeared . . . Of late the pressure of years and failing health have compelled him to withdraw from serious contests, though he has continued occasionally to visit the club room, where his familiar presence was always welcome. He also devoted much time to the improvement of chess among the members of the Turn Verein, his services to whom will not soon be forgotten. In character Mr. Hamel was very amiable, and we believe never gave offence to a fellow member by word or deed. He will long be remembered among them with esteem and regret.


Musical editions (to c. 1861):

The Royal Victoria Volunteer Artillery Regiment grand polka (Cleary, 1859)

The Royal Victoria Volunteer Artillery Regiment grand polka, composed and arranged for the piano forte, and by permission respectfully dedicated to the hon'ble C. Pasley, R.E., Lieut't Colonel commanding the regiment, by William Cleary (Melbourne: Hamel & Co., lith'rs, 1859)

https://trove.nla.gov.au/work/16444740 

https://nla.gov.au/nla.obj-165942397 (DIGITISED)

ASSOCIATIONS: William Cleary (composer); Charles Pasley (dedicatee)


Bibliography and resources:

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 279-80

http://ro.uow.edu.au/theses/2926 (DIGITISED)




HAMERSLEY, Anne Louise (Anne Louise CORNELES; Mrs. Edward HAMERSLEY, senior; Mrs. HAMERSLEY)

Musical amateur, amateur musician, vocalist

Born c. 1816
Married Edward HAMERSLEY (1810-1874), St. Martin-in-the-Fields, London, England, 28 July 1836
Arrived Fremantle, WA, 28 March 1837 (per Shepherd, from London)
Died Guildford, WA, 22 September 1885, aged "69"

https://trove.nla.gov.au/search?l-publictag=Anne+Louise+Corneles+Hamersley+c1816-1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMERSLEY-Anne-Louise (shareable link to this entry)

HAMERSLEY, Edward (Edward HAMERSLEY, junior; also HAMERSLY)

Musical amateur, amateur musician, cornet player, composer

Born France, 1 September 1834 [sic, not 1835]; baptised St. Martin-in-the-Fields, London, 28 July 1836; son of Edward HAMERSLEY (1810-1874) and Anne Louise CORNELES
Arrived Fremantle, WA, 28 March 1837 (per Shepherd, from London)
Married Jane McLean DEMPSTER (1846-1913), Guildford, WA, 1867
Died York, WA, 14 January 1921, aged "84" [sic]

https://trove.nla.gov.au/search?l-publictag=Edward+Hamersley+1834-1921 (TROVE tagged by Australharmony)

https://nla.gov.au/nla.party-1532449 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMERSLEY-Edward (shareable link to this entry)

NOTE: The Hamersleys returned to Europe from 1843 and 1849


Documentation:

Marriages solemnized in the parish of St. Martin-in-the-Fields, in the county of Middlesex, in the year 1836; register 1833-37, page 554; City of Westminster Archives Centre, STM/PR/6/30

https://www.ancestry.com.au/search/collections/61867/records/91177701 (PAYWALL)

No. 297 / Edward Hamersley of this parish a bachelor and Anne Louise Corneles of this parish spinster a minor
were married in this church by licence by and with consent of the natural & lawful father of the said minor
this [28 July 1836] . . .

Baptisms solemnized in the parish of St. Martin-in-the-Fields, in the county of Middlesex, in the year 1836; register 1830-37, page 484a; City of Westminster Archives Centre, STM/PR/1/24

https://www.ancestry.com.au/search/collections/61866/records/1655575 (PAYWALL)

No. 318 / [1836 July] 28th / Said to be Born 1st Sept'r 1834 [sic] / Edward [son of] / Edward & Anne Louise / Hamersley / Of Trinity College Cambridge & Cockspur St. / Gent. . . .

ASSOCIATIONS: Edward Hamersley and Anne Louise Corneles were married and their two illegitimate sons baptised in dual ceremonies at St. Martin-in-the-Fields on the same day; Edward junior's younger brother Charles was born on 11 March 1836, which date, if correct, confirms that Edward could not have been born on 1 September 1835 [sic] as claimed in several authorities

"SHIPPING INTELLIGENCE. ARRIVAL", The Perth Gazette and Western Australian Journal [WA] (4 March 1837), 860

http://nla.gov.au/nla.news-article640072 

ARRIVAL. - On the 28th instant, the Shepherd, Captain Jardine, from London. - Passengers: Cabin, Sir Charles W. Burdet, Bart., Mr. and Mrs. Hammersley, and two children . . .

"THE AMATEUR CONCERT", The Perth Gazette and Independent Journal of Politics and News (25 June 1852), 3

http://nla.gov.au/nla.news-article3173549 

THE concert in aid of funds for promoting a Musical Class for the Mechanics' Institute, took place at the Court House in Perth last Friday evening . . . The two Misses Ougden performed the Overture to La Dame Blanche very pleasingly on the piano; and Mr. E. Hamersley played an excellent accompaniment to the Rosita Waltz on the Cornet a Piston; Mr. A. H. Stone ably conducted the whole performance. The vocal parts were undertaken by Messrs. William Clifton, Bell and Parry . . .

ASSOCIATIONS: Ellen and Martha Ougden (pianists); Alfred Hawes Stone (conductor); William John Clifton (vocalist); Swan River Mechanics' Institute (Perth venue)

"NEWS AND NOTES", The West Australian (23 September 1885), 3

http://nla.gov.au/nla.news-article3002374 

WE regret to hear of the death, early yesterday morning, of Mrs. Hamersley, of Pyrton. The deceased lady, one of the earliest colonists of Western Australia, had been in indifferent health for some time past, but the sad event, which throws a large number of well-known families into mourning, was, we believe, somewhat unexpected, the late Mrs. Hamersley having apparently rallied from a severe attack of influenza from which she had lately been suffering, and which about a week ago caused her friends some anxiety.

"DEATH", The Daily News [Perth, WA] (25 September 1885), 3

http://nla.gov.au/nla.news-article77283631 

HAMERSLEY - At her residence, at Pyrton, near Guildford, on Tuesday, 22nd inst., Anne Louise Hamersley, widow of the late Edward Hamersley, of Pyrton; aged 69 years.

"Obituary. MRS. EDWARD HAMERSLEY", The Northam Advertiser [WA] (2 April 1913), 2

http://nla.gov.au/nla.news-article212102292 

Mrs. Hamersley, the wife of Mr. Edward Hamersley, of Wilberforce, died on Tuesday morning at the age of 68 years . . . The deceased lady was most closely associated with the early history of the State. She was the last of the original Dempster family . . . She was born at Buckland - the beautifully situated homestead established bv Captain J. M. Dempster in the very early days of the colony - and from there was married to Mr. Edward Hamersley, another of the pioneers of Western Australia . . . Evec since her marriage about 48 years ago Mrs. Hamersley had resided at Wilberforce, where she and her cultured husband entertained largely. There was always open house at Wilberforce, particularly for the young people . . .

"DEATHS", The West Australian (15 January 1921), 1

http://nla.gov.au/nla.news-article27954079 

HAMERSLEY. - On January 14, at Wilberforce, Edward Hamersley, J.P., aged 84 years [sic].

"The Late Mr. Edward Hamersley", The Northam Advertiser (19 January 1921), 3

http://nla.gov.au/nla.news-article260049931 

By the death of Mr. Edward Hamersley, of "Wilberforce," another of the fast-diminishing pioneers of the Eastern Districts has been removed. The deceased gentleman, who was 84 years of age, was born in France, being the son of Mr. S. Hamersley [sic], a member of an ancient English family. Nearly 70 years ago he came, with his parents and other members of the family, to this State. His father settled at "Pryton," Guildford . . . When a young, man, "Wilberforce" was purchased from the Clarkson family, and there Mr. Hamersley made his home. When 30 years of age he married, at Guildford, Miss Jane McLean Dempster, daughter of the late Captain Dempster, founder of "Buckland" . . . The late Mr. Hamersley was a man of great scholarly attainments. He was an accomplished musician, as well as Composer, had a thorough knowledge of astronomy and was a gifted linguist . . . The late Mr. Hamersley was a member of the Legislative Council under the old nominee system and also after the Colony was granted responsible government. He, however, retired from public life over a quarter of a century ago . . .

"RECOLLECTIONS. By C. E. V. Shenton, nee Lochee", The West Australian (19 October 1935), 7

http://nla.gov.au/nla.news-article32902596

AS Perth from its very earliest days has always been a musical and music loving people and still remains so, I think I ought to say something of their doings. There were some very fine musicians I have been told in those early days. Mrs. Luke Leake, senior, piano; Mrs. Hamersley, singing; the Rev. Wittenoom, cello, being among the foremost . . .

ASSOCIATIONS: Mary Ann Leake (piano); John Burdett Wittenoom (cello)


Musical works:

The drawing room polka, composed by Edwd. Hamersley junr., Pyrton, Western Australia (London: J. Blackman, 120, Blackfriars Road, [n.d.])

https://trove.nla.gov.au/work/214376245 

https://nla.gov.au/nla.obj-661629856 (DIGITISED)

ASSOCIATIONS: J. Blackman advertised from 120, Blackfriars Road, from 1857 into the 1880s; from the engraving punches used, this edition probably dates from before 1860 (see also 1867 in documentation above)

"CHIPS BY A SANDAL WOOD CUTTER", The Herald (28 December 1867), 3

http://nla.gov.au/nla.news-article110068846 

. . . Thought I'd ask the [editor of the] Inquirer to send 'em an Almanack, that they [editor of the Herald] might review it - dont think he would after sayin' he wrote poetry, and sang it too. Wondered if young Mr. Hamersley made the music to the song - perhaps S. sang it to the Kangaroo Polka - Wondered Mr. Hamersley didn't PLAY his cards better, and get in for York - some people are always too late born late perhaps and never catch up the time they lost . . .

ASSOCIATIONS: Edward Hamersley junior in fact received a clear majority of votes in the York electorate

With thanks to Hamish Darby, 2020, for bringing this work to my attention.


Bibliography and resources:

"Hamersley, Edward (1835-1921)" [sic], Obituaries Australia

http://oa.anu.edu.au/obituary/hamersley-edward-13739/text24543




HAMILTON, Emma Elizabeth (Emma Elizabeth JOSCELYNE; Mrs. Archibald HAMILTON; Mrs. HAMILTON)

Musician, teacher of pianoforte, music and singing, vocalist, pianist, organist

Born Sudbury, Suffolk, England, 1 December 1834; baptised Sudbury, 19 April 1835; daughter of Samuel JOSCELYNE and Elizabeth SPARROW
Married Archibald HAMILTON (c. 1817-1884), St. Mary-Le-Strand, London, England, 2 August 1853
Arrived Launceston, TAS, 30 November 1854 (per Potentate, from London, 17 July)
Died Launceston, TAS, 26 July 1920, aged "85/86"

https://trove.nla.gov.au/search?l-publictag=Emma+Elizabeth+Joscelyne+Hamilton+1834-1920 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMILTON-Emma-Elizabeth (shareable link to this entry)


Documentation:

Baptisms, Sudbury (Independent), Suffolk, 1835; UK National Archives, RG4/1861

https://www.ancestry.com.au/search/collections/2972/records/1458178 (PAYWALL)

April 19th 1835 / Emma Elizabeth - of Samuel & Elizabeth Joscelyne born Dec'r 1st 1834

ASSOCIATIONS: Samuel Joscelyne and Elizabeth Sparrow had married at Christ Church, Spitalfields, London, on 23 July 1832

England census, 6 June 1841, Sudbury St. Peter, Suffolk; UK National Archives, HO107/1044/3/10/14/20

https://www.ancestry.com.au/search/collections/8978/records/10015498 (PAYWALL)

Market Hill / Samuel Joscelyne / 35 / Cabinet m[aker] / [not born in county] //
Elizabeth / 30 / [not born in county] // Samuel / 8 // Emma / 7 / [both born in county] . . .

England census, 30 March 1851, Sudbury St. Peter, Suffolk; UK National Archives, HO107/1789/233/63

https://www.ancestry.com.au/search/collections/8860/records/6408814 (PAYWALL)

Sepulchre Street / Elizabeth Sparrow / Head / Wid. / 81 / Gentlewoman / [born] Essex Halstead
Elizabeth Joscelyne / Daur. in Law [sic] / Mar. / 39 / Gentlewoman / [born Essex Halstead]
Emma E. [Joscelyne] / Daur. / Unm. / 16 / Scholar / [born] Suffolk Sudbury
Charles W. [Joscelyne] / Son / 6 / Scholar / [born Suffolk Sudbury] / [and female house servant 30]

1853, marriage solemnized at the parish church in the parish of St. Mary Le Strand, in the county of Middlesex; register 1848-60, page 107; City of Westminster Archives Centre, SML/PR/3/9

https://www.ancestry.com.au/search/collections/61867/records/90156600 (PAYWALL)

https://libraries.tas.gov.au/Digital/SC89-1-2/SC89-1-2-48P10 (see also DIGITISED copy in TAS divorce documentation below)

No. 213 / August 2nd 1853 / Archibald Hamilton / 36 / Bachelor / Professional Lecturer / St. Mary Le Strand / [son of] Edward Hamilton / Muslin manufacturer
Emma Elizabeth Joscelyne / a minor / Spinster / - / St. Peter's Sudbury Suffolk / [daughter of] Samuel Joscelyne / Cabinet maker & auctioneer . . .
. . . in the presence of . . . Elizabeth Joscelyne

ASSOCIATIONS: The phrenologist Archibald Sillars Hamilton (born Scotland, c. 1817; died Sydney, NSW, 10 July 1884) was a son of Agnes Sillars (Mrs. Edward Hamilton), herself a populariser of phrenology; see Roginski 2015 below

"MARRIAGES", Essex Standard [Colchester, England] (12 August 1853), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000165/18530812/027/0003 (PAYWALL)

Aug. 2nd at the Church of St. Mary-le-Strand, by the Rev. J. F. Denham, M.A., Mr. Archibald S. Hamilton, to Emma Elizabeth, daughter of Mr. S. Joscelyne, of Melbourne, Australia, and late of Sudbury.

"SHIPPING NEWS. ARRIVALS . . . LAUNCESTON. NOVEMBER 30", The Courier [Hobart, TAS] (1 December 1854), 2

http://nla.gov.au/nla.news-article2246264 

Potentate, barque, 345, Phillips, London. Cabin - . . . Mrs. Jocelyne, Master Walter Jocelyne, Mr. and Mrs. Hamilton . . .

[Advertisement], Launceston Examiner [TAS] (5 January 1860), 3

http://nla.gov.au/nla.news-article38998691 

PIANOFORTE LESSONS. - MRS. HAMILTON will re-commence her instruction in music and singing on Monday, Jan. 9.
One or two additional pupils can be received. York-street.

"LAUNCESTON MECHANICS' INSTITUTE", Launceston Examiner (28 January 1864), 3

http://nla.gov.au/nla.news-article38650454 

The annual meeting of the members of this institution was held in the large hall on Tuesday evening . . . The Secretary, Mr. W. F. Wathen, read the following REPORT . . .
Your Committee have to regret that the younger members of the community do not take more interest in joining classes in connection with the institute. Two classes only have been in operation throughout the season, viz., a Singing and a Short-hand Class . . . The Singing Class, conducted by Mrs. Hamilton, promises to be one of the most popular and successful of its kind. It numbers 38 members, and is constantly receiving accessions . . .

[Advertisement], The Cornwall Chronicle (1 July 1865), 5

http://nla.gov.au/nla.news-article72359448 

PIANOFORTE LESSONS. MRS. HAMILTON, teacher of music and singing,
will be happy to receive a few additional pupils.
Terms. - Three-quarter-hour lessons, £3. 3s., per quarter, half-hour lessons, £2. 2s.
Quarter will commence on Thursday July 6th. Upper York-street.

"SUPREME COURT . . . FRIDAY, SEPTEMBER 8th, 1871 . . . HAMILTON v. HAMILTON (Matrimonial Causes)", The Mercury [Hobart, TAS] (9 September 1871), 2

http://nla.gov.au/nla.news-article8866253 

The Attorney-General (Allport and Co proctors) moved the Court to fix the mode of trial and the manner in which the proof shall be given. The petitioner was Emma Elizabeth Hamilton, and the respondent Archibald Sillers Hamilton, the suit being for dissolution of marriage on the ground of bigamy and adultery coupled with cruelty. The citation was served on the 22nd July last, and by the affidavit produced it appeared that up to yesterday the respondent had not entered an appearance. The petitioner asked that the cause might be tried by the Court alone without the intervention of a jury; and that a portion of the case might be proved by affidavit.
The petition alleged that the marriage took place in London, in August, 1853, that the parties cohabited till November, 1854, when they arrived in Launceston, certain acts of cruelty being committed by respondent in the interim, but that they separated in November, 1854, and had not lived together since, the petitioner having maintained herself by her own exertions to the present time.
Respondent in 1864 was married by the Rev. Mr. Henderson, Presbyterian minister at Ballarat, to Emily Ellis, with whom he cohabited for three years, when Emily Ellis discovered that respondent had been previously married, and they separated. Respondent came again to Launceston in March of the present year, and wrote certain letters to the petitioner, which admitted the adultery. The evidence as to the bigamous marriage and the adultery was in Victoria and New South Wales.
Their Honors fixed the hearing of the suit to take place next term before the Court alone, the petitioner's evidence to be taken viva voce, but as to the rest the evidence by affidavit.

"TERM SITTINGS", The Mercury (1 November 1871), 2

http://nla.gov.au/nla.news-article8868232 

The Judges sat in banco yesterday, and heard the divorce suit Hamilton v. Hamilton. The petitioner, Mrs. Hamilton, gave viva voce evidence as to her marriage with respondent in London in August, 1853, at the Church of St. Mary-le-Strand, London, and of sundry acts of cruelty on the part of her husband within a fortnight of their marriage, and up to the time of their arrival in Launceston [in] November, 1854, when she separated from him. Some of the alleged nets consisted of throwing water over her, beating her about the face, and disfiguring her for a week, threatening her, and on the voyage out striking her, and confining her partially to her cabin without any cause. After Mrs. Hamilton separated from him, he waylaid her one Sunday on leaving church, seized her, dragged her down, and dragged her along until she was rescued by some friends . . . The case was heard by the Court alone, without the intervention of a jury, the respondent, better known us Professor Hamilton, of phrenological notoriety, not having entered an appearance, and the Judges made a decree nisi for dissolution of the marriage, to be returnable on the first day of the ensuing term in January next.

See also all documentation tendered in the case (other sources below); and also the Mercury's full report of Emma's viva voce evidence,
"SUPREME COURT . . . TUEDSAY, OCTOBER 31ST", The Mercury (1 November 1871), 2

http://nla.gov.au/nla.news-article8868241 

. . . She deposed to having been married to respondent on the 2nd August, 1533, by the Rev. Mr. Denham, at the Church of St Mary-le-Strand, London, and she verified the certificate furnished at the time by the officiating minister. The parties afterwards resided together at Chelmsford, Colchester, Oxford, Banbury, and other places. Witness then deposed to several acts of alleged cruelty committed by respondent, and commencing within a fortnight of their marriage. He used violent and abusive language, and threatened her without reason, having a violont temper, and losing all control of himself. When at Oxford respondent beat witness on the face, cut her lip, and disfigured her for nearly a week, because she refused to act as money-taker at one of his lectures; he wished her to take money in the passage outside the door. In consequence of her husband's ill treatment witness went home to her mother's house, where she stayed a few weeks. Respondent wrote to her and persuaded her to go back to him, promising to be kind in future, but he still continued to treat her cruelly, often threatening violence. On two occasions he threw water over her, dashing a large bedroom jug of water over her; on one of those occasions he refilled the jar, and dashed it twice over her. At other times he used force and abusive language.
They left England in July, 1854, in the ship Potentate, from London to Launceston, accompanied by witness's mother and little brother. On the voyage out respondent's conduct was more offensive than ever; he often used violent language, and once struck witness on the face with his hand. He refused to allow her to speak to the other passengers, or her own mother; and wanted to shut her up in her cabin. He did shut her up in the evenings from six o'clock, and refused to let her have a light.
They arrived at Launceston in November of the same year (1854), when witness left respondent at once on the day of arrival and refused to return, and she had never since returned to him. She saw him in July, 1865, on one occasion, a Sunday, on coming from church; respondent came and pulled her out of the porch, tried to seize her, and drag her away; he did drag her down on the ground, but some gentleman picked her up, and took her away from him. After that respondent left the colony. He returned again in April this year. On his return to the colony he wrote her a letter (produced), in which he told her he had come to Launceston, and would give her the means to commence proceedings for a divorce if she were inclined to do so . . .

"RELIGIOUS, BENEVOLENT, AND SOCIAL", Launceston Examiner (29 December 1874), 3

http://nla.gov.au/nla.news-article52896909 

After the closing practice for the year of the Prince's-Square Congregational Church Psalmody Class, the Rev. W. Law, on behalf of the class, presented to Mrs. Hamilton, the conductor, two handsome volumes as an acknowledgment of her long-continued and gratuitous services.

ASSOCIATIONS: Music in Congregational churches (general)

"OUR LAUNCESTON LETTER [From our own Correspondent] . . . Tuesday Evening", The Mercury [Hobart, TAS] (15 April 1875), 2

http://nla.gov.au/nla.news-article8936580 

An organ recital to celebrate the opening of a new organ purchased for the Prince's Square Congregational Church of which the Rev. Wm. Law is pastor, took place this evening in the church. The organ is a new instrument just imported from England, and manufactured by Messrs. Bonnington and Sons, London . . . A well selected programme of sacred music, vocal and instrumental, had been arranged, the performers being Miss Mason, Miss Button, Mrs. Hamilton, and Mr. Sharp on the organ; while Miss Sherwin, Miss McAndrew, Mr. F. L. Fysh and others, gave their services as vocalists . . .

ASSOCIATIONS: Thomas Sharp (organist); Amy Sherwin (vocalist)

"HAYDN'S ORATORIO OF THE 'CREATION'", Launceston Examiner (5 August 1876), 4

http://nla.gov.au/nla.news-article37143070 

. . . The "Musical Union" perform this Oratorio on Tuesday evening, August 8th, at the Mechanics' Hall. The strength of the Society has been' greatly increased a since the last concert . . . Mrs. Hamilton has also resumed her position in the Society as leader of the altos. Her valuable knowledge of these works will be a great assistance to that part, and to the Society generally . . .

ASSOCIATIONS: Launceston Musical Union (association)

"LAUNCESTON MUSICAL UNION", Launceston Examiner (22 November 1877), 2

http://nla.gov.au/nla.news-article37152522 

Mendelssohn's "Elijah" was performed by the Union on Tuesday evening in the large hall of the Mechanics' Institute . . . The double quartette, "For He shall give His angels," - by Mrs. J. L. Maddox, Mrs. Hamilton, Mrs. Wallace, Miss Sullivan, and Messrs. Mayhead, Sherwin, Roper, and Frost, was rendered delightfully . . .

ASSOCIATIONS: Alban Roper (vocalist)

[Advertisement], Launceston Examiner (29 September 1881), 1

http://nla.gov.au/nla.news-article38226922 

LESSONS IN MUSIC AND SINGING. - MRS. HAMILTON, Upper York-street, both visits and receives pupils. Quarter begins October 1st.

[Advertisement], Launceston Examiner (22 November 1882), 3

http://nla.gov.au/nla.news-article38277799 

PIANO FOR SALE.- Splendid trichord Collard piano in walnut case.
Imported direct to order, beautiful tone and touch. Will be sold - a bargain.
May be seen at Mrs. Hamilton's York-street.

"LAUNCESTON [From our own Correspondent] Thursday", The Mercury [Hobart, TAS] (29 December 1882), 3

http://nla.gov.au/nla.news-article9026916 

Last evening, at the Prince's Square Congregational Church, an interesting gathering took place to present an address to Mrs. E. E. Hamilton, a lady who for the past 25 years has acted as leader of the choir, and conducted the psalmody class in connection with the church. The Rev. W. Law, with a few well chosen remarks, presented the address, which alluded to the indebtedness of the congregation to Mrs. Hamilton for her valuable services, untiringly rendered, expressing the hope that her journey to England would be a safe and pleasant one, and that she would soon return amongst them. The address was suitably acknowledged.

[Advertisement], Launceston Examiner (29 November 1882), 4

http://nla.gov.au/nla.news-article38278046 

THURSDAY, NOVEMBER 30, 11 o'clock.
Catalogue Sale of Superior English-Made Furniture. Without Reserve.
HARTNOLL and FERGUSON have received instructions from Mrs. Hamilton, who is leaving the colony,
to sell by public auction, on the premises, York-street, on the above day,
The whole of her superior furniture by best English makers, comprising -
in DRAWING ROOM. - Pianoforte by Collard and Collard (a splendid instrument) . . . music stool . . .

ASSOCIATIONS: Her widowed mother, with whom she lived as carer, had died in Launceston in March

"MR. JOHN A. JAMES", Daily Telegraph [Launceston, TAS] (16 October 1891), 3

http://nla.gov.au/nla.news-article153377231 

. . . to-day we are called upon to record the death of a comparatively young colonist, Mr. John A. James, who passed away at an early hour yesterday morning . . . His musical education tion was received from Mrs. E. E. Hamilton and Mr. T. Sharp, organist of St. John's Church; and the splendid training he then received, which was aided by a great passion for music, stood him in good stead in after years, for few have done more in this city to encourage the cultivation of the voice than the deceased . . .

ASSOCIATIONS: John Abraham James (amateur musician)

"REMINISCENCES [BY B]", Launceston Examiner (12 November 1892), 2

http://nla.gov.au/nla.news-article39477627 

. . . About 59 years since (1833) my father arrived here from England . . . Who can forget genial old Jesse Biggs; Robert Sharpe, with his splendid handling of the Mechanics' organ; Samuel Joscelyne, the amateur organ builder, of whose sound workmanship and painstaking, energy the organ in the Anglican Church at Bothwell remains to this day? Mrs. Hamilton, too, amidst much teaching, found time to develop a taste and impart executive ability for the performance of high-class psalmody . . .

ASSOCIATIONS: "B" = Henry Button (memoirist), a son of Thomas Button (early colonist); Jesse Biggs (organ builder, vocalist, bassoonist); Robert Sharpe (organist); Samuel Joscelyne (organ builder, cellist)

"SACRED HARMONIC SOCIETY (W.S.)", Launceston Examiner (19 November 1892), 7

http://nla.gov.au/nla.news-article39478205 

Your correspondent H.B. in his interesting reminiscences last Saturday desired to know something more of the above society. As its secretary from start to finish I am only too glad to supply what information I possess from memory. The old society after practising in the Baptist Chapel, York-street, was dissolved. I believe in 1854 a meeting was convened at the residence of the late Mr. R. Kenworthy, Cameron-street, and there the new society was formed. It was decided to practice in the Wycliffe Chapel, York-street, and there the meetings were regularly held. The first invitation rehearsal was held in Tamar-street church, the late Rev. C. Price becoming an honorary member and an ardent supporter until its close. All the officers were honorary, and the concerts were given in aid of local charitable objects. These were held in the Cornwall Assembly Rooms. At the time of the Indian mutiny the society united with the Philharmonic and produced the "Creation" in aid of the fund for the wounded, which was a great success, the tickets being 10s 6d and 7s 6d, and the proceeds upwards of £600. The leading parts were Miss Lucy Chambers, soprano; Mrs. Hamilton, contralto; Mr. Henslow, Hobart, tenor; Mr. Farquharson, bass; Mr. J. Adams, conductor; Rev. W. A. Brook, pianist. This society then numbered 100 members, but, like everything in this city, interest and attendance declined, and eventually the society was dissolved, the property sold, and the books, etc., placed in care of the Mechanics' Institute, where, I suppose, they might be perused on application to the librarian, Mr. Johnstone, who was one of the old members.

ASSOCIATIONS: "W.S." = William Stokes (member); Launceston Sacred Harmonic Society (organisation); Lucy Chambers (soprano); Francis Hartwell Henslowe (tenor); Robert Farquharson (bass); Warren Auber Brooke (piano); Alexander Johnston (member);
and see original [Advertisement], Launceston Examiner (6 May 1858), 1

http://nla.gov.au/nla.news-article38991577 

INDIAN RELIEF FUND . . . ON THURSDAY NEXT, MAY 6TH,
Will be performed, at the Cornwall Assembly Rooms,
HAYDN'S GRAND ORATORIO OF THE CREATION, UNDER THE DIRBETION OF MR. JOHN ADAMS.
On which occasion the eminent Basso, a MR. FARQUHARSON, has promised his valuable assistance . . .

"DEATHS" and "FUNERALS", Daily Telegraph [Launceston, TAS] (28 July 1920), 1

http://nla.gov.au/nla.news-article152941134 

HAMILTON. - On the 25th July, at her residence, Spencer-street, Emma Elizabeth Joscelyne Hamilton, formerly of Sudbury, Suffolk, England. (No mourn ing, by request.)
The Funeral of the late MRS. EMMA ELIZABETH JOSCELYNE HAMILTON will leave her late residence, Spencer-street, on THURSDAY AFTERNOON, July 29th, at 2.15, for interment in the Charles-street Cemetery. Friends are invited to attend.


Other sources:

Documents in Hamilton v. Hamilton, 1871; Tasmanian names index; NAME_INDEXES:448113; SC89/1/2 1871

https://libraries.tas.gov.au/Record/NamesIndex/448113 (DIGITISED)

Includes affidavits, the original 1853 marriage certificate, and Archibald's letter to Emma dated 1 April 1871 offering to cooperate in divorce proceedings

Last will and testament, Emma Elizabeth Hamilton, proved 1920; Tasmanian names index; NAME_INDEXES:1672229; AD960-1-43 no. 13016

https://libraries.tas.gov.au/Record/NamesIndex/1672229 (DIGITISED)


Bibliography and resources:

Alexandra Roginski, Getting a head (posted 9 December 2015); National Portrait Gallery, Canberra

https://www.portrait.gov.au//magazines/51/getting-a-head 

Alexandra Roginski, The hanged man and the body thief: finding lives in a museum mystery (Clayton: Monash University Publishing, 2015)

https://books.google.com.au/books?id=o2yfCgAAQBAJ (PREVIEW)




HAMILTON, Mr. (Mr. HAMILTON) = John HAMBLETON (1841-42)

Actor, vocalist, active Hobart and Launceston, VDL (TAS), 1841-42




HAMILTON, Mr. (Mr. HAMILTON)

Amateur vocalist

Active Hobart, VDL (TAS), 1849

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMILTON-Mr-1849 (shareable link to this entry)


Documentation:

"MR. PACKER'S CONCERT", The Britannia and Trades' Advocate [Hobart Town, VDL (TAS)] (11 January 1849), 3

http://nla.gov.au/nla.news-article226532519 

It is a pleasing task to criticise that which in itself has been a source of pleasure. Such is the sentiment awakened by recalling the musical entertainment of Monday last [8 January], an entertainment highly creditable to the talent, execution and taste of the performers. On the present occasion, the Music Hall, if not actually crowded, exhibited a most respectable assemblage . . . The merit of Mr. Packer's composition was manifested in the overture "Sadak and Kalesrade," and of his singing in the success of "King Frederick's Camp," which was warmly encored. Having noticed the leader, we pass to the next performer, an amateur, a Mr. Hamilton, his first appearance as we understand as a singer in public. On this occasion he gave promise of future excellence. His voice is well adapted to songs of the class, "I will never woo by sighing," in which he was encored. He was deservedly very favourably received . . .

ASSOCIATIONS: Charles Sandys Packer (musician); Music Hall (Hobart venue)

MUSIC: I will never woo by sighing (Rodwell, song in The seven maids of Munich)




HAMILTON, Billy (Yab-bee; Yabbee; alias Billy HAMILTON) = Yab-bee - TAUNGURUNG (Nira Balug)



HAMILTON, Frederick Dicker (Frederick HAMILTON; F. HAMILTON; Frederick Dicker HAMILTON) = Frederick Hamilton DICKER

Vocalist, sportsman, journalist




HAMILTON, Mr. G. (Mr. G. HAMILTON; Mr. HAMILTON) = Mr. St. George HAMILTON

Musician, vocalist, pianist (active VIC and TAS, c. 1852-55)




HAMILTON, Octavia (Eliza Octavia SCRIVENOR; [1] Mrs. Augustus MOON; [2] Mrs. Thomas Holme DAVIS; performed as Miss Octavia HAMILTON)

Musician, soprano (mezzo soprano) vocalist, pianist, teacher of singing and pianoforte, actor

Born London, England, 6 June 1835; baptised St. Marylebone, 3 July 1835; daughter of John Walter SCRIVENOR (1798-1864) and Frances WILLIAMS (1800-1866)
Married [1] Augustus Graham MOON (1825-1891), St. Mary's, Islington, London, England, 7 June 1851
Arrived Melbourne, VIC, 8 February 1854 (per Philip van Marnix, from London, 1 November 1853)
Married [2] (? common law) Thomas Holme DAVIS (1827-1916), by c. 1865
Active professionally until 1868
Departed Melbourne, VIC, 1874 (for England)
Died Leeds, Yorkshire, England, 1907; buried 29 March 1907, aged "70"

https://trove.nla.gov.au/search?l-publictag=Octavia+Hamilton (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMILTON-Octavia (shareable link to this entry)


Documentation:

Baptisms solemnized in the parish of St. Mary-le-bone, in the county of Middlesex, in the year 1835; register 1832-41, page 68; London Metropolitan Archives, P89/Mry1/036

https://www.ancestry.com.au/search/collections/1558/records/1182356 (PAYWALL)

No. 340 / [1835 July 3] / Eliza Octavia Dau'r of / John Walter & Frances Anna / Scrivenor / Miland Place / Clerk / [born] 6 June

ASSOCIATIONS: John Walter Scrivenor (b. 1798) and Frances Anna Williams (b. 1800) married at Holy Trinity, Clapham, on 17 January 1821; John died at Queanbeyan, NSW, on 28 April 1864 (see death notice); Frances died at Fitzroy, VIC, on 7 October 1866 (see death notice)

England census, 30 March 1851, Islington, Middlesex; UK National Archives, HO107/1499/377/23

https://www.ancestry.com.au/search/collections/8860/records/1859889 (PAYWALL)

32 Matilda Street / John W. Scrivenor / Head / Mar. / 51 / Solicitor Managing Clk / [born] Surrey Clapham
Frances [Scrivenor] / Wife / Mar. / 49 / - / [born] [Surrey] Kennington
Eliza O. [Scrivenor] / Daur. / - / 15 / - / [born] Midd'x St. John's Wood
Francis E. / Son / 12 / - / [born] Surrey Walworth
Frederick W. / Son / 9 / - / [born Surrey Walworth]
Augustus G. Moon / Visitor / Unm. / 33 / Merchant's Clk / [born] Middlesex Kentish Town

1851, Marriages solemnized at the parish church in the parish of Islington in the county of Middlesex; register, 1849-54, page 90; London Metropolitan Archives, P83/MRY1/1217

https://www.ancestry.com.au/search/collections/1623/records/5534373 (PAYWALL)

No. 180 / 7 June 1851 / Augustus Moon / of full age / Bachelor / Accountant / 32 Matilda St., Caledonian Road / [son of] William Moon / Silversmith
Eliza Octavia Scrivenor / Minor / Spinster / - / [32 Matilda St., Caledonian Road] / [daughter of] John Walter Scrivenor / Solicitor . . .

NOTE: The previous day was her 16th birthday

"MARRIAGES", London Evening Standard [England] (11 June 1851), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000183/18510611/040/0004 (PAYWALL)

On the 7th inst., at St. Mary's Church, Islington, Augustus Graham Moon, to Eliza Octavia, youngest daughter of John W. Scrivenor, Esq., of Islington.

List of passengers who have arrived at the Port of Melbourne on 8 February 1854, on board the Phillips von Martznitz [sic, Philip van Marnix], from London, 1 November 1853; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AF2902C-F96C-11E9-AE98-6F3E4C825073?image=394 (DIGITISED)

Mr. Scrivenor / 54 // Mrs. [Scrivenor] / 53 // Francis [Scrivenor] / 15 // Fred'k / 12 //
Mr. Moon / 25 // Mrs. Moon / 18 // Frances do. / 1 1/2 // Walter / Inf. . . .

ASSOCIATIONS: Frances Octavia Moon (b. 1852; m. Oliver Peter Whitelaw, 1872; d. VIC, 1835) and Walter Graham Moon (b. 1853; d. 1925)

"SHIPPING INTELLIGENCE. ARRIVED", The Argus [Melbourne, VIC] (9 February 1854), 4

http://nla.gov.au/nla.news-article4802966 

February 8. - Philips Van Marnix, Dutch ship, 1090 tons, E. Von Duyn, from London 1st November. Passengers - cabin: Mr. and Mrs. Schruvener [sic] and family . . .

[Advertisement], The Argus (3 March 1854), 8

http://nla.gov.au/nla.news-article4803856

SALLE DE VALENTINO - Monster Concert.
Mr. JAMES ELLIS has the honor to announce his Benefit will take place on Monday next, 6th March,
on which occasion the Band will be considerable augmented,
together with the following vocalists, who have kindly volunteered their services -
Madame Carandini
Miss Octavia Hamilton
Mrs. George Cox, from the Philharmonic Concerts
Mr. Lavenu, and Mr. Barlow
Solo on the Cornet-a Piston, by Mr. de Gray.
Tickets to be had at the Salle de Valentino.

ASSOCIATIONS: James Ellis (proprietor, manager); Maria Carandini (vocalist); Mrs. George Cox (vocalist); Lewis Henry Lavenu (musician); Robert Barlow (musician); Henry de Grey (cornet); Salle de Valentino (Melbourne venue)

[Advertisement], The Argus (30 March 1854), 3

ttp://nla.gov.au/nla.news-article4805117

SALLE DE VALENTINO . . . Miss Octavia Hamilton, from the Philharmonic Concerts . . .

[Advertisement], The Argus (28 April 1854), 8

http://nla.gov.au/nla.news-article4806509 

MECHANICS' INSTITUTE, - In consequence of the early closing of the Salle de Valentino,
Miss Octavia Hamilton has the honor to announce that her
First Benefit Concert in this colony will take place this evening,
Friday, April 28th, 1854.
For which occasion all the available talent in the colony had been secured, including the following distinguished artistes -
Mrs. Testar, Mrs. George Cox, Miss Octavia Hamilton, Mr. Walter Frazer, Mons. Fleury, Signor Maffei, Herr Moritz.
Programme.
Part I.
Glee - Blow Gentle Gales, Miss Hamilton, Mrs. Cox, and Mr. Frazer - Bishop.
Song - Constance, Mrs. George Cox - Linley.
Duet - What Fairy like Music? Miss Hamilton and Mr. Frazer - De Pinna.
CAVATINA - Robert, toi que j'aime, Mrs. Testar - Meyerbeer
Solo - Cornet a piston, Signor Maffei
Ballad - Why do I weep for thee, Miss Octavia Hamilton - Wallace
Song - What is the Spell? Mr. Walter Frazer - Rooke
Duet - Elfin Call, Miss Hamilton and Mrs. Cox
Grand Duo, Pianoforte and Violin, Miss Hamilton and Mons. Fleury
(An interval fifteen minutes.)
Part II.
Trio - Sleep, Gentle Lady, Miss Hamilton, Mrs. Cox and Mr. Frazer - Bishop.
Song - The Blind Girl to her Harp, Mrs. Testar
Duet - Syren and Friar, Miss Hamilton and Mrs. Cox - Bishop.
Solo - Violin, Mons. Fleury
Song - Mr. Walter Frazer
Song - There is a flower that Bloometh, Miss Octavia Hamilton - Wallace
Solo - Pianoforte, Herr Moritz
The Concert will commence at Eight o'clock precisely.
Admission: - Front seats 5s.; Back Seats 3s.
Numbered Tickets to be had of the Secretary at the Institution, at Wilkie's Music Saloon, Great Collins-street,
and of Miss Hamilton, at her residence, 71, Spring-street.

ASSOCIATIONS: Elizabeth Testar (vocalist); Walter Frazer (vocalist); Achille Fleury (violin); Joseph Maffei (cornet); Herr Moritz (pianist); Joseph Wilkie (musicseller); Mechanics's Institution (Melbourne venue)

MUSIC: Why do I weep for thee (Wallace); There is a flower that bloometh (Wallace, from Maritana)

"MISS HAMILTON'S CONCERT", The Argus (29 April 1854), 5

http://nla.gov.au/nla.news-article4806598 

The Concert last evening at the Mechanics' Institution was well attended, and by a good-humored audience, who took very quietly a signal contre temps, viz, the absence of M. Fleury, who was to have played a violin solo, and a part in a duo with Miss Hamilton, but did not appear, so the lady's pianoforte performance was lost as well . . . Referring to the reception which most of the singers meet with, and to the attendance and omitting notice of the blanks, the concert may be said to have been successful.

"CONCERT AT THE THEATRE", The Banner (30 May 1854), 9

http://nla.gov.au/nla.news-article179813387 

A concert for the benefit of Madame Carandini took place at the Theatre on Saturday evening, at which there was a good attendance. The entertainments consisted of the Soprano parts (sustained of course by Madame Carandini) of the well-known Opera, The Daughter of the Regiment, which was very creditably performed. Afterwards a tolerably good concert in which appeared Miss Octavia Hamilton, who is becoming a great favorite with the Melbourne public, and who sung several songs in a very pleasing manner . . .

ASSOCIATIONS: Queen's Theatre (Melbourne venue)

"MISS E. SMITH'S CONCERT", The Argus (6 June 1854), 5

http://nla.gov.au/nla.news-article4808945 

The concert at the Mechanics' last evening was decidedly successful. The room was crowded at the commencement, and all the pieces went off well. Miss Smith was well received and performed with considerable execution some difficult fantasias . . . Mrs. Testar sang several songs, alone and in concert; among them the favorite duet from Maritana, with Monsieur Barre. Miss Hamilton was in good voice and sang some of her favorite songs with very good effect. That several pieces were encored is but little evidence of their excellence, for the Melbourne public has now got so into the habit of encoring performances, that it would sometimes seem as if the only design were to lengthen the entertainment . . . One performer, whose named did not appear on the bills, deserves mention; we allude to Mr. White, perhaps the best and most judicious accompanyist we have.

ASSOCIATIONS: Emilie Smith (pianist); Anthony Barre (vocalist); Thomas White (piano accompanist)

"THE CRITERION CONCERTS", The Argus (20 June 1854), 5

http://nla.gov.au/nla.news-article4794081 

A capital concert was given last night at the Criterion for the benefit of the gentlemen composing the orchestra . . . This evening Miss Octavia Hamilton takes her benefit, with a very attractive programme, and for her "last appearance;" though why a young lady should make a last appearance before a community which always receives her in so flattering a manner as is the case with Miss Hamilton, we confess that we are at a loss to conceive.

ASSOCIATIONS: Criterion Hall (Melbourne venue)

"PROMENADE CONCERT", The Argus (15 August 1854), 5

http://nla.gov.au/nla.news-article4796395

Mr. Winterbottom gave another vocal and instrumental concert on Saturday evening at Rowe's Circus, to, as we were sorry to remark, a very meagre audience. The programme of the evening's entertainment was of the usual popular cast, and the pieces of music were well performed. Miss Octavia Hamilton, a vocalist of more than ordinary ability, was encored in her songs. This lady possesses a voice of excellent quality, and her intonation is true; she has certainly been gifted with many of the requisites of a singer, and the remainder of the qualifications may easily be acquired by her . . .

ASSOCIATIONS: John Winterbottom (musician, conductor); Rowe's Circus (Melbourne venue)

[Advertisement], The Argus (2 September 1854), 3

http://nla.gov.au/nla.news-article4797188 

IRISH MUSICAL FESTIVAL. ROWE'S CIRCUS,
This Evening (Saturday), 2nd September, 1854 . . . when that favorite artiste
MISS OCTAVIA HAMILTON, Will sing in the Irish Festival . . .
For the lovers of Dance Music, M. Winterbottom has composed, expressly for this Concert,
The Octavia Polka, Dedicated, by permission, to Miss Octavia Hamilton,
Introducing the most admired songs of that favorite artiste,
Home, sweet Home; The Bloom is on the Rye; I'm leaving thee in sorrow, Annie . . .

MUSIC: Home, sweet home (Bishop); The bloom is on the rye (Bishop); I'm leaving thee in sorrow, Annie (Barker)

"ASTLEY'S AMPHITHEATRE", The Banner (19 September 1854), 9

http://nla.gov.au/nla.news-article179815061 

This popular place of amusement continues to maintain the character which it assumed on opening. As a building merely, the Amphitheatre ranks highest in the colony; the accommodations are ample, and the decorations elegant. The nightly programme is varied, and judiciously selected. As a musical entertainment it has surpassed our expectations. The singing of Mrs. Testar and Miss O. Hamilton are alone sufficient to warrant the continuance of public patronage. Music selected with discrimination, and chastely executed, is a recreation both interesting and elevated; and, judging from the programme of the last few evenings we have no hesitation in recommending the entertainments to the patronage of our readers. We are also led to believe that we may shortly have the pleasure of seeing the fascinating and accomplished Catherine Hayes.

ASSOCIATIONS: Catherine Hayes (vocalist); Astley's Amphitheatre (Melbourne venue)

"MISS. O. HAMILTON'S BENEFIT", The Argus (12 October 1854), 5

http://nla.gov.au/nla.news-article4798847 

Although the boisterous state of the weather last evening was sufficient to deter the less enthusiastic admirers of music and musicians from venturing abroad, yet we are glad to my that notwithstanding the absence of many who, had the night been finer, would have paid Astley's a visit, the immense building was well filled. This remark applies particularly to the boxes and gallery, the latter being literally crammed to the ceiling. The pit was comparatively empty, one large portion being solely occupied by two gentlemen, who really appeared uncomfortable from their loneliness, resembling, as a wag present remarked, two squatters with a run of sixteen miles square between them. The musical part of the entertainment was of a first rate character. The encores were numerous and well deserved. Mrs. Hancock, who appeared on this occasion for the first time at Astley's, was in excellent voice, and her chaste rendering of Bishop's sweet melody, "Tell me my heart" secured her a re-demand. Miss Warde's vocalization of "Trab Trab" was neat and musician-like, and the singer was loudly applauded. The principal song, "The Spell is Broken," although not set down in the programmes, was given by Miss Hamilton with such effect, that an encore was vociferously demanded by the audience. The singer substituted "Comin' thro' the rye," which was also encored. This lady possesses a splendid soprano voice, of extensive register, and singularly clear and bell-like in the upper notes. She has, however, adopted a staccato style which, in our opinion, greatly deteriorates from the effect which her magnificent organ is capable of producing. Her intonation is good, and, with an alteration in the particular already referred to, Miss Hamilton's pretensions to rank with the best vocalists in the colonies will be readily admitted. Mr. Barlow's vocal facetiae were, as usual, much relished, and he certainly filled up the interval between the concert and the equestrian portion of the performances in a moat amusing manner. His imitation of the hum of a "blue tailed fly" is exceedingly provocative of laughter, and drew down thunders of applause. The scenes in the circle with Mr. H. Burton's highly trained horses were very effective, and concluded as pleasing an entertainment as we have enjoyed for a long time.

ASSOCIATIONS: Mary Ellen Hancock (vocalist); Kate Warde (vocalist); Henry Burton (equestrian)

MUSIC: The spell is broken (Juliet Bellchambers)

"ASTLEY'S AMPHITHEATRE", The Age (9 November 1854), 5

http://nla.gov.au/nla.news-article154849420 

Absorbing as is the excitement which prevails with regard to the only singer which the "Green Isle" has ever produced, fertile as it has been in poetry and other branches of the Arts, still it is not all-absorbing, as the attendance which is nightly kept up at this favourite and well ordered place of amusement, abundantly testifies. The ordinary performances are now added to by a suite of equestrians and gymnastic performers, and in a few days the world renowned Tom Barry of the original Astley's celebrity, will make an appearance on these boards. Mrs. Hancock, Misses Hamilton and Warde, are daily becoming greater favourites, and the band, under the conductor Mons. Fleury is worthy of Jullien himself.

ASSOCIATIONS: Catherine Hayes (as above, from the "Green Isle"); Tom Barry (clown)

"ASTLEY'S AMPHITHEATRE", The Age (12 December 1854), 5

http://nla.gov.au/nla.news-article154851422 

We paid a passing visit to this popular place of amusement on Saturday evening and found a "beggarly account of empty boxes" in every division of the house. The truth is that last Saturday night was one of those unfortunate occasions in which failure was anticipated, and most decidedly accomplished. The whole performances were made up of songs, without any new features; the stars had all withdrawn for the night, and the public knew it, and staid away. We would suggest to Mr. Lewis the propriety of closing the theatre altogether, rather than suffer the damage to the reputation of his house by providing only for a disappointment. The performances were of the average order, so far as they went. Of Miss Hamilton we will say nothing, the public have assigned her a niche, and we bow to their decision, reluctantly, however . . .

ASSOCIATIONS: George Benjamin William Lewis (proprietor)

"WINTERBOTTOM'S CONCERTS", The Argus (18 December 1854), 5

http://nla.gov.au/nla.news-article4801921 

Mr. Winterbottom has resumed his concerts a la Jullien at Astley's. The first of the series came off on Saturday, but the attendance was very thin. The star of the evening was Mons E. Coulon, who was most enthusiastically received. Miss E. Stewart sang very sweetly, but her voice is scarcely sufficiently strong for such a large room. She was, therefore, very indifferently received at first; but merit prevailed, and on her last appearance she was encored. Miss Hamilton was encored, or course. Her "favorite songs" seem to have an unfading popularity. It is well for her that the public are so easily pleased without a bit of novelty now and then. Mr. Winterbottom's exertions deserve to be better encouraged than they are.

ASSOCIATIONS: Eliza Stewart (vocalist)

[Advertisement], The Argus (22 December 1854), 8

http://nla.gov.au/nla.news-article4802137 

MISS OCTAVIA HAMILTON. Mrs. Hancock, Miss Stewart (pupil of Miss Dolby), and Mr. George Clifford,
will sing at the Grand Concert, Entrance Hall of the New Theatre, Bourke-street . . .
Mons. C. Bial will preside at the piano at the Grand Operatic and Classic Promenade Concert
to-morrow evening in the magnificent Entrance Hall of the New Theatre Royal, Bourke-street.

ASSOCIATIONS: George Clifford (vocalist); Charles Bial (pianist); vestibule hall of the new Theatre Royal (Melbourne venue), while the main auditorium was still under construction

"CONCERT HALL", The Argus (8 January 1855), 5

http://nla.gov.au/nla.news-article4802779 

The magnificent concert room of the new theatre was filled to its fullest capacity on Saturday evening, with a most respectable and well-conducted audience. The band of the 12th regiment, conducted by Mr. Callen, performed several overtures and pieces of operatic and dance music in their usual effective manner . . . Miss Octavia Hamilton and M. Coulon sang the duet "Signorina in tanta fretta" (Don Pasquale) in the most brilliant manner. With Catherine Hayes fresh in our recollection, Miss Hamilton actually surprised us with her extremely effective rendering of her portion of this difficult, but exquisitely melodious and dramatic duet. Miss Hamilton's voice is of great purity and capacity, and her intonation is all that can be desired. With a few crudities of style corrected, this lady's position as a vocalist would be greatly advanced . . .

ASSOCIATIONS: George Douglas Callen (master, 12th band); Emile Coulon (vocalist); Band of the 12th Regiment (military)

Launceston and Hobart, TAS (February 1855):

"LAUNCESTON SHIPPING. ARRIVED", The Hobart Town Advertiser (7 February 1855), 2

http://nla.gov.au/nla.news-article264617061 

Feb. 4 - L. S.N. Co. S.S. Clarence, Thos. Robertson Commander, from Melbourne, G. Fisher, Agent. Passengers - Monsieur Coulson [sic] . . . Miss Hamilton . . .

"PUBLIC AMUSEMENTS", The Courier [Hobart, TAS] (15 February 1855), 2

http://nla.gov.au/nla.news-article2479409 

The Concert of M. Emile Coulon at the Royal Victoria Theatre was, we are happy to say, very well attended . . . As an artist, M. Coulon possesses a high degree of merit his voice is full and powerful, and he evidences considerable perfectness of vocalisation. Miss Octavia Hamilton possesses a pleasing voice, and sang the ballads entrusted to her with a very creditable modicum of taste and feeling. The instrumental part of the concert was ably carried out under the leadership of Herr Strebinger . . .
The first part of the programme presented the following features . . .
Ballad - "Truth in Absence" - Miss Octavia Hamilton - HARPER . . .
Ballad - "I'm leaving thee in sorrow Annie" - Miss Octavia Hamilton . . .
Madame Carandini sang the ballad of Estelle in very superior style . . .
In the first scene and aria by M. Coulon, he displayed a perfect vocalization, not strictly melodious, but powerfully operatic; and here we may state that the talented singer was always cheered to repetition, a proof his hearers entertained a high sense of his musical acquirements. So also with Miss Hamilton, excepting that the applause bestowed was of a less boisterous character, a fact which perhaps, were we inclined to speculate, were worth investigation, whether as owing to the "soothend" feeling excited by the sympathetic character of her ballads . . .
Part Second . . . Ballad - "Oh, yes! Thou art remembered still" - Miss Octavia Hamilton . . .

ASSOCIATIONS: Royal Victoria Theatre (Hobart venue)

MUSIC: Truth in absence (Harper)

Melbourne and country VIC (by April 1855 to May 1857):

Births in the district of Collingwood, 1855; BDM VIC

21 April 1855 / Herbert Parry son of / Augustus Graham Moon and Eliza Octavia Scrivenor

"CONCERT HALL", The Argus [Melbourne, VIC] (15 May 1855), 5

http://nla.gov.au/nla.news-article4808121

The Bourke-street Concert Hall was extensively patronised every evening last week. Miss Octavia Hamilton has reappeared with great success; and Miss Louisa Swannell has become so great a favorite that a triple encore is not unfrequently demanded . . . The orchestra maintains its reputation as the best in the colonies . . . The frequency of encores is, however, a great nuisance, and the practice has lately increased to a most annoying extent.

ASSOCIATIONS: Louisa Swannell (vocalist); "Bourke-street Concert Hall" = Theatre Royal vestibule (as above)

"MISKA HAUSER'S SECOND CONCERT", The Argus (25 May 1855), 4

http://nla.gov.au/nla.news-article4808620

. . . As it was her Majesty's birthday the concert last night was commenced by the performance of a portion of the National Anthem, which was well rendered by Mrs. Testar, Miss Hamilton and the orchestra. After the favorite song of "The Mocking Bird," by Miss Hamilton, Miska Hauser performed a fantasia on airs from the opera of "Ernani" in a masterly Style . . . Mr. Bial, on the piano forte, Mrs. Testar, and Miss Hamilton all contributed their utmost to the entertainment, which was, from beginning to end a complete success . . .

ASSOCIATIONS: Miska Hauser (violinist)

MUSIC: The celebrated mocking bird song (Bishop, in The slave)

"THEATRE ROYAL", The Argus (29 May 1855), 5

http://nla.gov.au/nla.news-article4808784 

The present is the last week of the Promenade Concerts at the Theatre Royal, the hall being afterwards required by the scene painters. On Saturday evening the usual crowded condition of the hall, on the last evening of the week, prevailed, and the efforts of the clever vocal and instrumental artistes attached to the establishment were as well received as ever. Miss King is decidedly the most talented juvenile vocalist we have ever heard, and is encored every evening in all her songs. Miss Octavia Hamilton, one of the most pleasing of Victorian singers, is also high in favor, and Miss Swannell, the Australian nightingale (a decided anachronism by the way), maintains her popularity. The orchestra is deservedly considered the finest in the Australian colonies . . . The substitution of kettle drums in parts where the composer has written for them, for the grosse caisse, is on improvement in the right direction, and shows that Mr. Callen, the conductor of the orchestra, knows how to alter defects when he has the means. The building of the theatre (proper) is proceeding with great rapidity, and, from what now appears, will be of magnificent proportions . . .

ASSOCIATIONS: Juliana King (vocalist)

"THEATRE ROYAL", The Argus (8 June 1855), 5

http://nla.gov.au/nla.news-article4809257 

Miss Octavia Hamilton was unfortunate in having bad weather on Wednesday evening, and her benefit suffered in consequence. About nine o'clock, however, a great number of persons dropped in, and although the attendance was not so numerous as the occasion deserved, the fine hall of the Theatre Royal was, soon after that hour, moderately well filled. Miss Hamilton was, of course, encored in all her songs, and although the accordance of that particular honor has become so hackneyed that its value may well be deemed questionable, yet the fair cantatrice really deserved all the applause she received. No singer familiar to Melbourne audiences has made such rapid improvement in her art as Miss Hamilton, and but few are held in equal favor with our concert-goers. The "Queen's Letter," sung for the first time by her, was a great success . . .

ASSOCIATIONS: The queen's letter (Hobbs)

"MISS O. HAMILTON", The Argus (21 June 1855), 5

http://nla.gov.au/nla.news-article4809722 

We regret to state that this charming cantatrice, who was prevented by severe indisposition from appearing at the concert on Monday evening in aid of the Hospital funds, has not yet recovered.

"MISKA HAUSER'S CONCERT", Geelong Advertiser and Intelligencer [VIC] (9 July 1855), 2

http://nla.gov.au/nla.news-article91865290 

Each succeeding opportunity of hearing Miska Hauser adds to the wonder of his audience and confirms the conviction that he is at the pinnacle of excellence in his profession . . . Miss Hamilton sung well, but not so well, we thought, as on previous occasions. "Bonnie Bessie Gray" being encored, Miss Hamilton substituted "Coming thro' the Rye," which was well received. The gentleman amateurs, by their duets, gave an agreeable variety to the concert, and Mr. Pahling played the piano very creditably . . .

ASSOCIATIONS: William Henry Paling (piano)

"BALLAARAT (FROM OUR OWN CORRESPONDENT) 16th July", The Argus (19 July 1855), 6

http://nla.gov.au/nla.news-article4812580 

. . . Amusements, principally of a musical character, are numerous and attractive. In the top of the list, of course, are the names of Miska Hauser and Miss Octavia Hamilton, who, assisted by the Misses Swannell and Madame Onn, have, during the last week rendered the "star" of Mr. McRae in the ascendant . . . [7] . . . Miss Hamilton is already a great favorite, and receives continued and well-merited applause. Our old friend, Mr. Paling, accompanies the celebrated violinist on the piano . . .

ASSOCIATIONS: Constantia Onn (vocalist); William McCrea (proprietor); Star Concert Hall (Ballarat venue)

"BALLAARAT (FROM OUR OWN CORRESPONDENT) 30th July, 1855", The Argus (1 August 1855), 4

http://nla.gov.au/nla.news-article4813881 

. . . Concerts and balls continue to succeed each other so rapidly that it is only wonderful that the are all well and numerously attended. Miss Octavia Hamilton takes a benefit at the Golden Fleece on Tuesday next and both she and Miska Hauser make their last appearance on Thursday, before visiting the other gold fields . . .

"BENDIGO [FROM OUR OWN CORRESPONDENT] Sandhurst, August 20th, 1855", The Age [Melbourne, VIC] (23 August 1855), 5

http://nla.gov.au/nla.news-article154895230 

. . . Miska Hauser, whose arrival at Bendigo I mentioned in my last, held his first concert in the concert hall of the Royal Hotel, on Saturday evening last. There was a large and very respectable audience present . . . Miss Octavia Hamilton, Miss Annie Lewis, and Miss Graham, came in for a fair share of applause.

"MISS OCTAVIA HAMILTON", Bendigo Advertiser [VIC] (6 November 1855), 3

http://nla.gov.au/nla.news-article88047909 

This accomplished vocalist, who attracted so much popularity on the occasion of her visit to Bendigo in company with Miska Hauser, has been engaged by Mr. Heffernan, to appear at the Shamrock evening concerts. Miss Hamilton is a superior artiste, who, in addition to the possession of an excellent voice, has had a good musical education, and has unexceptionable taste. We shall take an early opportunity of noticing Miss Hamilton's performances at greater length.

ASSOCIATIONS: William Heffernan (proprietor); Shamrock Concert Hall (Bendigo venue)

"(From the Courier of the Mines) . . . THE DRAMA ON THE DIGGINGS", The Age (20 December 1855), 6

http://nla.gov.au/nla.news-article154863170 

It is with much pleasure we learn that it is more than probable that in a short time the delightful and celebrated artistes Catherine Hayes, G. V. Brooke, Lola Montes, Mr. and Mrs. Holt and others of high theatrical renown, will venture forth from the precincts of the metropolis proper, for the purpose of performing on this, the metropolitan gold-field . . . Mr. Coleman, the clever polyphonist, from a series of entertainments entitled "Masks and Faces," during the course of about three months, has realised sufficient to enable him to erect a very extensive and elegant theatre here . . . Witness, also, the nightly crowded houses called together by the superior vocalism of the Misses Hamilton and Urie, as well as of the other members of the corps with which they are associated. Indeed, the high taste and refinement of society generally on these mines will at all times secure for merit its proper homage and reward . . .

ASSOCIATIONS: Gustavus Vaughan Brooke (actor); Lola Montez (actor, dancer); Clarance and Marie Holt (actors); Henry Coleman (polyphonist)

Deaths in the district of Collingwood, 1855; BDM VIC

17 December 1855 / Herbert Parry Moon / aged 8 months

"SHAMROCK CONCERT HALL", Bendigo Advertiser (24 January 1856), 3

http://nla.gov.au/nla.news-article88048658 

We understand that Miss Octavia Hamilton, who for a period of three months has been singing at the Shamrock concerts, in which she took a leading position, is about to proceed to Melbourne for a fortnight. We are informed that on her return she will renew her engagement at these popular entertainments, and that Mrs. Hancock takes her place during her sojourn in Melbourne.

"PROMENADE CONCERTS", The Argus [Melbourne, VIC] (11 February 1856), 5

http://nla.gov.au/nla.news-article4830449 

The hall of the Theatre Royal was well attended on Friday and Saturday evenings when it was opened for promenade concerts, an entertainment which appears to have lost none of its attractions for the public. Miss Octavia Hamilton has on both evenings been loudly applauded in her ballads and songs; and Signor Borsotti has also been exceedingly well received. We are sorry to find that Miss Hamilton intends returning to the gold fields, as from the sample of her vocal powers afforded to us at the Concert Hall we are inclined to think that a renewal of acquaintance with Melbourne audiences would be looked upon by the latter as a great advantage.

ASSOCIATIONS: Paolo Borsotti (vocalist)

"THE SHAMROCK CONCERT LAST NIGHT", Bendigo Advertiser (26 April 1856), 2

http://nla.gov.au/nla.news-article88049719 

If this concert was not so well attended as could have been wished, the performance at all events was such as we think has never been surpassed on Bendigo, either in the excellence of the music selected, or the manner in which it was executed. Flower, although apparently suffering from indisposition, was finer than ever - this magician of music, she turns everything into the most exquisite melody . . . Miss Hamilton was in excellent voice. As usual it was clear and bell-like. Revelling in her upper notes, she made them resound through the hall. She sang Mr. Farren's ballad "I'm alone" very prettily. Is it treason to say that we wish she would sing this and most of her songs a little more sotto voce. She has a fine organ, which is capable of much more than it has yet accomplished. Miss Urie's Scotch songs were well received, and were sung with her usual spirit . . . Mons. Coulon, as if to convince his audience of the loss which the absentees were suffering, displayed his magnificent voice with splendid effect . . . and in the aria from the opera of the "Swiss Cottage", and the buffo duetto from "L'Elisir d'Amour", with Miss Hamilton, was pertinaciously, and most legitimately encored . . .

ASSOCIATIONS: Sara Flower (vocalist); Louisa Urie (vocalist)

MUSIC: I am alone (Macfarren)

"SHAMROCK CONCERT HALL", Bendigo Advertiser (19 May 1856), 3

http://nla.gov.au/nla.news-article88050117 

This favorite place of amusement was literally crammed on Saturday evening . . . We noted and felt the absence of Miss Octavia Hamilton, who has been suddenly called to Melbourne through the dangerous illness of a near relative. We trust circumstances will permit of her return to Sandhurst at an early date.

Births in the district of Collingwood, 1856; BDM VIC, 6986/1856

23 August 1856 / Emile Augustus son of / Augustus Graham and Eliza Octavia / Moon

ASSOCIATIONS: Emile Augustus Moon (d. 1913)

"BIRTHS", The Argus (25 August 1856), 4

http://nla.gov.au/nla.news-article7135428 

On the 23rd inst., at her residence, Brunswick-street, Mrs. A. G. Moon, of a son.

"McIVOR [FROM OUR OWN CORRESPONDENT] Heathcote, Dec. 16th, 1856", Bendigo Advertiser (19 December 1856), 2

http://nla.gov.au/nla.news-article87996215 

. . . Heathcote has for some time been very barren of public amusements, until lately, when the arrival of Miss Octavia Hamilton and Mons. Emile Coulon has given us a musical treat such as we have never hitherto enjoyed in our quiet little township. Miss Hamilton's singing is much and deservedly admired, and though it has been complained that she sings the same songs too often, and that her selection must be limited, the beauty of her voice fully atones for the sameness of repetition . . .

ASSOCIATIONS: John Ottis Pierce (vocalist)

"FORTHCOMING CONCERTS", Ovens and Murray Advertiser [Beechworth, VIC] (14 January 1857), 2

http://nla.gov.au/nla.news-article113013660 

We are glad to inform our readers that there is now a prospect of their shortly enjoying entertainments of a better character than those recently offered to the public. A small company of vocalists, comprising Miss Octavia Hamilton, M. Emile Coulon, Mr. J. O. Pearce has arrived in Beechworth intending to give a series of concerts. Miss Hamilton, whose name and fame are well known throughout the colony, is a soprano singer, gifted with taste and skillful execution . . .

"THEATRICALS AND MUSIC . . . PROVINCIAL . . . ALBURY", Bell's Life in Victoria and Sporting Chronicle (21 February 1847), 2

http://nla.gov.au/nla.news-article201372513 

Miss Octavia Hamilton and M. Coulon have been giving concerts at the township, with a favourable result.

"THE STAR THEATRE", Ovens and Murray Advertiser (26 March 1857), 2

http://nla.gov.au/nla.news-article113014615 

Mr. Coulon is gradually changing his concerts into a series of operatic entertainments. Dibdin's favorite little operetta of the "Waterman" has been repeated twice or thrice, with increasing favor. We know no style of entertainment more suitable to the tastes of the population around us, and when they are well conducted and ably supported, they must be attended with financial success. Miss Hamilton possesses very good dramatic powers of a light and playful nature. Her acting as Wilhelmina in the "Waterman" was decidedly good. She was the realisation of a lively, sprightly, coquettish young woman, plagued by her parents and wavering between two lovers. Mr. Belfield makes up very artistically for the fopish gardener's apprentice, Mr. Pearce is a very nautical Tom Tug. More than a word of praise is due to Mr. Hammond for his performance of the cantankerous mother, in which he excelled himself. The unfortunate father plagued with such a scolding wife found a good representative in Mr. Benner.

ASSOCIATIONS: Francis Belfield (actor, vocalist); W. H. Hammond (actor, vocalist); Samuel Benner (actor, vocalist); Star Theatre (Beechworth venue)

PIECE: The waterman (Dibdin, ballad opera, text); The Waterman (score)

""THEATRICALS AND MUSIC . . . PROVINCIAL . . . BEECHWORTH", Bell's Life in Victoria and Sporting Chronicle (4 April 1857), 2

http://nla.gov.au/nla.news-article201380157 

Miss O. Hamilton and M. Coulon are still here. They have become great favourites.

"MELBOURNE PHILHARMONIC SOCIETY", The Argus [Melbourne, VIC] (29 April 1857), 5

http://nla.gov.au/nla.news-article7148762 

The second subscription concert for the present year was given by the society in the Exhibition Building last evening, and was patronised by a numerous audience . . . The principal vocalists were, Miss Laura Baxter, Miss Octavia Hamilton, Mrs. Goodliffe, Miss E. C. Daniel, and Mr. Farquharson . . . Miss Hamilton sang Macfarren's "I am alone," and succeeded in pleasing so far as to elicit a general re-demand. This lady's singing exhibits improvement, but she has yet much to conquer in order to acquire complete management of her voice . . . we cannot avoid complimenting Mr. Russell, the conductor, on the success . . . Mr. Gould, the pianist, and Mr. King, the leader, also performed their duties in a thoroughly efficient and praiseworthy manner . . .

ASSOCIATIONS: Laura Baxter (vocalist); Anne Goodliffe (vocalist); Emma Caldwell Daniel (vocalist); Robert Farquharson (vocalist); John Russell (conductor); Thomas Green Goold (pianist); Edward King (leader, violin); Exhibition Building (Melbourne venue); Melbourne Philharmonic Society (association);
this miscellaneous concert was her first public appearance for the society; for her first appearance for the society in oratorio, see December 1857 below

"PHILHARMONIC SOCIETY'S CONCERT", The Age (29 April 1857), 4

http://nla.gov.au/nla.news-article154825054 

. . . Our old favorite Miss Octavia Hamilton, sang Macfarren's "I am alone," in a manner which left little to be desired. She was enthusiastically applauded after each verse, and as an encore gave Lavenu's "Molly Asthore." It is now several months since we had the pleasure of hearing Miss Hamilton singing, and it is gratifying to be able to state, that her reception by the audience was as flattering as ever . . . The pianoforte accompaniments were ably given by Messrs. Gould and Pollard, and the whole conducted by Mr. Russell, whose skilful leadership was conspicuous in every department. Altogether we think this one of the most meritorious of the Society's concerts of miscellaneous music.

ASSOCIATIONS: Joseph Henry Pollard (pianist)

MUSIC: Molly Asthore (Lavenu)

Sydney, NSW (14 May to July 1857):

"SHIPPING. ARRIVALS", The Sydney Morning Herald [NSW] (25 May 1857), 4

http://nla.gov.au/nla.news-article12996088 

MAY 24. - Governor-General (s.) , 450 tons, Captain Cottler, from Melbourne 21st instant. Passengers - . . . Miss Octavia Hamilton . . .

[Advertisement], The Sydney Morning Herald [NSW] (14 July 1857), 1

http://nla.gov.au/nla.news-article12998094 

MADAME CARANDINI has the honor to announce that Messrs. Howard and Simmonds have most generously offered her a
COMPLIMENTARY BENEFIT at the Victoria Theatre on WEDNESDAY EVENING, July 15th.
The following distinguished artistes, in addition to those engaged in the theatre, have most kindly offered their valuable and gratuitous services,
Miss Octavia Hamilton (her first appearance in Sydney), Madame Sara Flower,
Mr. Farquharson, Mons. Laglaise, Mons. E. Coulon, Mr. J. Gregg, Mr. F. Howson.
The entertainments will comprise the operatic drama (with the whole of the music), of GUY MANNERING,
(embracing the dramatic and operatic cast of the Victoria and Lyceum Theatres),
a Grand Vocal and Instrumental Concert and a favourite Farce . . .

ASSOCIATIONS: Sam Howard (actor, manager); James Simmonds (manager); Jean-Baptiste Laglaise (vocalist); John Gregg (vocalist); Frank Howson (vocalist); Royal Victoria Theatre (Sydney venue)

Melbourne and country VIC (by November 1857 to May 1860):

Births in the district of Richmond, 1857; BDM VIC

8 November 1857 / Alice Florence daughter of / Augustus Graham Moon and Eliza Octavia Scrivenor

ASSOCIATIONS: Alice Florence Moon (d. 1925, as Florence Alice Moon)

"CONCERT", The Age [Melbourne, VIC] (5 December 1857), 5

http://nla.gov.au/nla.news-article154834996 

Mr. Krom's vocal and instrumental concert was held yesterday evening [recte, 2 December] at the Mechanics' Institution, and patronised by a large attendance, mostly composed of ladies . . . The occasion was signalised by the first appearance of Miss Turner (sister of Mrs. Testar) and the re-appearance of Miss Octavia Hamilton, after a long absence. This lady was in capital voice, and encored in all the pieces assigned to her in the programme.

ASSOCIATIONS: John Herman Krom (musician); Eleanor Turner (vocalist)

"PHILHARMONIC SOCIETY", The Argus (19 December 1857), 4

http://nla.gov.au/nla.news-article7143663 

The Committee of this society have been for some time past making every exertion to present to their subscribers the oratorio of "The Messiah" on Christmas Eve. The principals are already engaged, and the list will include Mr. Farquharson (at present at Launceston for the benefit of his health), Miss Octavia Hamilton, Mrs. Hancock, and Mr. Ewart . . . It has been in contemplation, we are informed, to perform Mendelssohn's "Elijah" again - about a fortnight subsequently to the Christmas concert.

ASSOCIATIONS: Thomas Ewart (vocalist)

"THE PHILHARMONIC SOCIETY'S CONCERT", The Argus (26 December 1857), 4

http://nla.gov.au/nla.news-article7144015 

The performance of Handel's "Messiah," on Thursday night, may be pronounced at least as satisfactory in its general aspect and results as any previous effort of the Philharmonic Society. The Exhibition Building was filled, both on the ground-floor and in the galleries, and the audience weie evidently well pleased with the work and its execution . . . Miss Hamilton and Mrs. Hancock sang the soprano music very commendably . . .

"THE PHILHARMONIC SOCIETY", The Age (7 January 1858), 5

http://nla.gov.au/nla.news-article154859584 

The Philharmonic Society gained new laurels on Tuesday evening [5 January] by their admirable interpretation of Mendelssohn's grand oratorio "Elijah" . . . The airs assigned to Miss Hamilton wore admirably adapted to her peculiar style of vocalization, and though encores were sedulously avoided by the conductor . . . the audience could not repress some exhibition of their applause. Her most noticeable efforts were in the grand scena between Elijah and the Widow; in the querulous dialogue with the People in the opening of the second part; and in the lovely aria "Woe unto them who forsake Him!" This beautiful composition, though written for a contralto voice, was rendered in a most satisfactory manner . . .

"PHILHARMONIC SOCIETY'S PERFORMANCE IN AID OF THE INDIAN RELIEF FUND", The Argus (3 February 1858), 6

http://nla.gov.au/nla.news-article7145993 

Last night the Melbourne Philharmonic Society performed the oratorio of "Judas Maccabaeus," in aid of the Indian Relief Fund . . . Miss Octavia Hamilton, a lady whose presence at our concerts we again welcome with much pleasure, sang the music allotted to her with great taste, and we were particularly pleased with her graceful and unaffected rendering of the air, "From mighty kings," which was very near being encored . . .

[Advertisement], The Age (11 February 1858), 1

http://nla.gov.au/nla.news-article154857903 

MECHANICS' INSTITUTION. TO-NIGHT.
Under the Patronage of HIS EXCELLENCY THE GOVERNOR.
MRS. HANCOCK, AND MISS OCTAVIA HAMILTON Have the honor to announce their
Joint Grand CONCERT, This Evening, Thursday, February 11 . . .

"GRAND CONCERT AT THE MECHANICS' INSTITUTE", The Age (12 February 1858), 4-5

http://nla.gov.au/nla.news-article154854625 

If the Melbourne public do not speedily show a greater disposition to reward the efforts of our musical celebrities, when they combine together to give a musical entertainment such as we had the pleasure of listening to last evening, we shall have to bid adieu to the chance of a repetition. Scarce a hundred persons availed themselves of the opportunity of hearing an admirable rendering of the choicest morceaux of our operatic writers, and we are very much mistaken if any sufficient excuse for such a miserable attendance can be advanced. When we say that the solo parts were sustained by Mrs. Hancock, Miss Octavia Hamilton, and MM. Coulon, Laglaise and Hancock, it is needless to indicate that the entertainment was of the most satisfactory description, and we can only re-iterate our astonishment that so small a number of persons were found to avail themselves of it. Mrs. Hancock's best efforts were the beautiful scena from "Der Freischutz," and the old Scotch song, "Auld Robin Gray," in which she was most deservedly applauded. In conjunction with Miss Octavia Hamilton, she took part in the lively duett entitled "the Cousins;" and with Mr. Hancock in Wade's favorite duo, "I've wandered in dreams." [5] Of Miss Hamilton we cannot speak too highly. Her rendering of Linley's "Estelle," and Mr. G. O. Rutter's "Beauty, sweet beauty, bright" was really admirable. This latter air is quite classic in its Style, and was rapturously encored . . . Mons. Coulon was, as usual, great in the Vendetta from "Lucretia Borgia," in Rossini's "Largo al Factotum," and in the concerted music, most of which was encored. In conjunction with Miss Hamilton he sang Donnizetti's celebrated duet "Don Pasquale" and divided the applause . . . the pianoforte accompaniments most ably rendered throughout the ovening by M. Bial . . .

ASSOCIATIONS: Edward Hancock (vocalist); George Oswald Rutter (composer, see below for song)

"MELBOURNE PHILHARMONIC SOCIETY", The Argus (31 March 1858), 5

http://nla.gov.au/nla.news-article7292067 

The Melbourne Philharmonic Society gave their first subscription concert for the year last night, in the Exhibition Building. The audience was large, nearly twelve hundred persons being present . . . The concert, which consisted of Mozart's Twelfth Mass, and Beethoven's "Christus" - or as it is now generally styled in England, the "Engedi, or David in the Wilderness," was in every respect worthy of the character of the society. "Engedi" especially was performed in a manner we scarcely expected, considering the difficulty and novelty of the work . . . The music of the Prophetess was delightfully sung throughout by Miss Octavia Hamilton. This lady has a voice of considerable power and compass, which told wonderfully in the duets with David, and in the divine trio, "How blest are those who love him" with David and Abishai, in the cave. Every one wished for the encore, but it was not accepted, perhaps judiciously, from the close connection of the music with the following chorus. Miss Hamilton displayed also great merit in the air "Praise ye Jehovah's goodness" . . . Mr. Gould [sic] conducted, and Mr. Ray [sic] presided At the organ.

ASSOCIATIONS: William Beresford Wray (organ)

"PRAHRAN PHILHARMONIC SOCIETY'S CONCERT", The Argus (22 May 1858), 5

http://nla.gov.au/nla.news-article7294985 

The first quarterly concert of this society took place at the Church Schools, Chapel-street, last evening. The attendance, though good, was not as numerous as might be anticipated. This is perhaps to be attributed to the coldness of the evening. "The Creation" was the oratorio selected for the concert . . . The gem of the many beautiful solos by "The Creation" is, "With Verdure Clad." Miss Hamilton's rendering of this last evening was truthful, graceful, and finished. We have often listened with pleasure to this lady's singing, but never, to our idea did she acquit herself so perfectly. M. Coulon, unfortunately, labored under so violent a cold that he was unable to sing more than the first solo and aria, as did also Mr. Ewart . . . We wish every success to the young society. It has commenced well, under the auspices of Mr. Radcliffe, a gentleman of great musical experience, who has been for many years, connected with the Liverpool and North of England musical festivals.

ASSOCIATIONS: Charles Radcliffe (conductor); Prahran Philharmonic Society (association)

Births in the district of Collingwood, 1859; BDM VIC

15 July 1859 / Ernest Frederick son of / Augustus Graham Moon and Eliza Octavia Scrivenor

"MADAME CARANDINI'S CONCERT", The Argus (31 July 1858), 5

http://nla.gov.au/nla.news-article7298539 

The concert given by Madame Carandini at the Mechanics' Institution last night, although honored by the presence of His Excellency the Governor, was not so numerously attended as the attractive character of the programme led us to anticipate. Better artistes than those who took part in the entertainment could not be selected at the present moment in Melbourne. Miss Octavia Hamilton deserves prominent mention; we have never heard he sing to greater advantage. In the "Ecco quel fiero istante," at the close of the first part her clear, sonorous voice was especially noticeable, the other portion of the quartette being also given in a style which left little to be wished for . . . The concluding selection from "Ernani" was admirably sung by Mesdames Carandini, Hamilton and Hancock, and Mons. Coulon . . . and Mr. Lavenu at the piano was of course able and effective.

"MELBOURNE NEWS (From Monday's Papers)", Bendigo Advertiser (17 August 1858), 2

http://nla.gov.au/nla.news-article87982694 

On Wednesday evening last [11 August] a fire occurred at the residence of Miss Octavia Hamilton, the well known vocalist, No. 17 Napier-street, Collingwood, which, although promptly extinguished, has, we understand, inflicted a very severe loss upon that lady. We are glad, however, to hear that it is proposed by several of the profession to obtain the use of one of the theatres for an evening's entertainment, by which it is hoped this misfortune will be much mitigated.

[Advertisement], The Argus (19 August 1858), 8

http://nla.gov.au/nla.news-article7299527 

SINGING. - Miss Octavia Hamilton RECEIVES lady PUPILS in SINGING and PIANOFORTE at her residence, No. 17 Napier-street, Collingwood.

"THE NEWS OF THE DAY", The Age (30 August 1858), 5

http://nla.gov.au/nla.news-article154876806 

On Tuesday evening the lovers of the opera are promised a rare treat at the Princess's Theatre on the occasion of a benefit given to Miss O. Hamilton, by her professional friends. The programme consists of the first act of "Norma," the second of "Lucrezia Borgia," and the last of "Maritana." There will also be a passage from Ricci's "Chiara di Rosemberg." This selection cannot fail to secure approbation of the public, while it affords an opportunity to the numerous artistes who have volunteered their services to engage in the performance of works to which they particularly excel. The solo parts will be sustained by Madame Carandini, Mrs. Hancock, Miss O. Hamilton, Miss Julia Harland, Mr. Walter Sherwin, Mons E. Coulon, Mr. Hancock, and Signor Grossi. The band, numbering twenty-four performers, will be led by Mr. E. King and Mr. Megson. The conduct of the whole devolves upon M. Lavenu and Mr. Linly Norman. His Excellency the Governor has announced his intention of being present. The band of the 40th Regiment will perform several popular airs throughout the evening, and the performances will conclude with the farce of "A Family Failing."

ASSOCIATIONS: Julia Harland (vocalist); Walter Sherwin (vocalist); Enrico Grossi (vocalist); Joseph Megson (violin, co-leader); Linly Norman (co-conductor); Band of the 40th Regiment (military); Princess's Theatre (Melbourne venue)

"MISS OCTAVIA HAMILTON'S BENEFIT CONCERT", The Age (1 September 1858), 5

http://nla.gov.au/nla.news-article154877144 

The lateness of the hour at which the lyrical and dramatic performance held last evening at the Princess's Theatre was brought to a conclusion precludes the possibility of our making more than the most general allusion to it. The performance being made the occasion of a complimentary benefit to Miss Octavia Hamilton by her professional friends, an immense audience was congregated, including his Excellency the Governor, and many of our most distinguished citizens. Owing to other engagements his Excellency did not arrive until the first act of "Norma" was well advanced. In this Miss Harland undertook the part of Norma, Miss Hamilton that of Adelgisa, Mr. Sherwin that of Polio, and M. Coulon that of Oroveso. The orchestra, led by Messrs. King and Megson, was powerful and effective, and rendered with every nicety the admirable music of Bellini's greatest opera. We have to regret, however, that Mr. Linly Norman, who undertook the office of conductor, did not rely upon his orchestra, but hampered his vocal forces immensely by the very questionable aid of a pianoforte hideously out of tune . . . Mr. Fawcett, the manager of the theatre, announced that on Saturday evening Madame Carandini would take her benefit, assisted by most of the artistes who had appeared during the evening. The works selected are, the whole of the opera of "Sonnambula," an act of "Lucia di Lammermoor," and the operetta of "The Swiss Cottage" . . .

ASSOCIATIONS: George Fawcett (actor, manager)

"PRINCESS'S THEATRE", The Argus (1 September 1858), 5

http://nla.gov.au/nla.news-article7300300 

Miss Hamilton's benefit concert at this place of amusement last night was in all respects an overflow. He was considered a fortunate individual who was able to secure even standing room; occupants of seats were regarded with envy, which increased in proportion to the temperature (itself something more than considerable), and the fatigue consequent upon several hours' continuance in an erect posture. So abundant a recognition of the claims of a deserving artiste must have been in no small measure gratifying to the feelings of the fair beneficiaire, and the substantial results of the performance will doubtless prove a welcome accompaniment to this pleasurable sensation. It will be remembered that some weeks ago a destructive fire occurred at the residence of Miss Hamilton, whereby she suffered a very considerable loss. To compensate her for the effects of this calamity several well-known members of the musical profession in this city generously came forward and offered their services in getting up and sustaining parts in a concert, the proceeds of which should be at her service. The efforts made to secure the success of this project have been warmly responded to, and the arrangements made for presenting an equivalent for the patronage bestowed are no less deserving of commendation. The general respect in which Miss Hamilton is held is doubtless a feeling of more than ordinary character, but the attractiveness of the programme manifestly added to the inducements to be present on so special an occasion . . . On the occasion of a performance of so peculiar a character as the one under notice it would, perhaps, be ungracious to point out with too truthful exactness such demerits as were obviously prominent, else it might be said that Miss Harland's voice was too thin and too deficient in volume for such a part as Norma; that Mr. Sherwin was suffering from a cold, which aggravated his constitutional huskiness; that the chorus was of the most extempore character, and the orchestra by no means "full," as the bills informed us it would be . . . The only part which Miss Hamilton sustained was that of Adalgisa, in the selection from "Norma." The peculiar gentleness of her manner and the sweetness of her voice were admirably appropriate to this character. She was received, as may be imagined, with much enthusiasm . . .

"THEATRICALS AND MUSIC", Bell's Life in Victoria and Sporting Chronicle (4 September 1858), 2

http://nla.gov.au/nla.news-article201372140 

If the houses at the Royal have been poor during the week, the same story may be told of the attendance at the Princess's, with the notable exception of the night of Miss Octavia Hamilton's benefit. Some time back a fire occurred in this lady's house, which is said to have caused considerable damage. The performances of Tuesday were got up with a view of paying a delicate and at the same time a substantial compliment to this pleasing vocalist. Most gratifying to her feelings must the crowded seats have proved, for almost all that Melbourne and its vicinity boasts of wealth and fashion, were present . . . The fair beneficiare sang prettily as she always does, the character of Adalgisa, in "Norma," being appropriately selected to display her gentle manner and sweet voice . . . The two things most needed were "an efficient chorus and full orchestra," both of which were paraded in the play-bills as having been procured . . .

"THE PHILHARMONIC SOCIETY", The Argus (22 September 1858), 5

http://nla.gov.au/nla.news-article7301499

The production, for the first time in the colony (as it is understood), of so stupendous a work as Mendelssohn's "St Paul," is undoubtedly an event deserving of special chronicle in musical annals . . . Miss Hamilton sang the soprano parts with much sweetness, though perhaps her success might have been increased by the exhibition of a little energy in the delivery of the more forcible passages . . .

"THE NEWS OF THE DAY", The Age (8 November 1858), 5

http://nla.gov.au/nla.news-article154874837 

The first opera season for the present year concluded at the Princess's on Saturday last by the performance of Donizetti's "Lucia di Lammermoor." The opera went much better than we have heard it for some time, and was very flatteringly received. Madame Carandini's principal success was in the "mad scene," and procured for her a large amount of applause. The Henry Ashton on this occasion was sustained by Mr. Coulon, who to a good voice adds good acting. The new opera season commences this evening with the first production in the colonies, of Donizetti's splendid opera "La Favorita." Besides the material enlargement of the band and chorus and the addition of Herr Schluter, Miss Hamilton, and Madame Leon Naej to the solo corps, engagements are pending with Mr. John Gregg and Madame Sara Flower to add to its efficiency. Besides "La Favorita" and the repetition of the most popular of the operas of last season, the subscribers are to be guaranteed Verdi's "Ernani" and Meyerbeer's "Huguenots."

ASSOCIATIONS: Adolph Schluter (vocalist); Madame Leon Naej (vocalist)

"THE THEATRES", The Argus (9 November 1858), 5

http://nla.gov.au/nla.news-article7304246 

At the Princess's Donizetti's "La Favorita" was produced for the first time in the colony . . . Miss Hamilton will acquire some credit in the performance of Inez if she will but divest herself of that excessive timidity which spoils so much of what she does . . .

"THE NEWS OF THE DAY", The Age (19 November 1858), 5

http://nla.gov.au/nla.news-article154873946 

Last evening . . . At the Princess's "Norma" was exceedingly well played to a very meagre house. The chief characters were allotted to Miss Harland, Miss Hamilton, Mr. Sherwin, and Herr Schluter. Their efforts were highly successful, and received with marked applause.

"THE NEWS OF THE DAY", The Age (4 December 1858), 4

http://nla.gov.au/nla.news-article154876299 

The performance of "Il Trovatore" at the Theatre Royal on Friday evening, for the benefit of Mr. Hoskins, drew a large and fashionable audience and was enthusiastically received. The cast did not differ in any way from that at the Princess's, and so went well, particularly as the principals were all in good voice. At the close of the opera there was the usual call before the curtain. The evening's entertainments closed at a late hour with the farce entitled "The Handsome Husband," in which Mrs. Hancock, Miss Hamilton, Miss Harland, Mr. Linly Norman, and Mr. Hoskins appeared . . .

ASSOCIATIONS: William Hoskins (actor, manager)

"PHILHARMONIC SOCIETY", The Argus (27 December 1858), 5

http://nla.gov.au/nla.news-article7306933 

The performance of the "Messiah" by this society on Christmas eve has now grown into a custom. Its repetition on Friday last, in the Exhibition Building, was marked by that progressive completeness which has for some time characterised the operations of this institution . . . The tenor passages were sustained by Mr. Ewart . . . The bass solos were represented by Messrs. Angus, Blanchard, and Mitchell . . . The other solo parts were filled by Mrs. Goodliffe and Miss Hamilton . . .

ASSOCIATIONS: Silvanus Angus (vocalist); John Blanchard (vocalist); David Mitchell (vocalist)

"THE THEATRES . . . CHARLIE NAPIER THEATRE", The Star [Ballarat, VIC] (27 December 1858), 3

http://nla.gov.au/nla.news-article66332995 

. . . tonight an opera company of no common merit performs "Lucia di Lammermoor." The cast will include Madame Carandini as Lucia, Madame Naej as Alice, M. Laglaise as Edgardo, M. Grossi as Henry Ashton, and Herr Schluter as Raymond: the whole under the management of M. Lavenu . . . To-morrow night, Miss Octavia Hamilton, of whom Ballarat has seen nothing for three years and a half, will make her re-appearance . . .

ASSOCIATIONS: Charlie Napier Theatre (Ballarat venue)

"THE CHARLIE NAPIER THEATRE', The Star (1 January 1859), 2

http://nla.gov.au/nla.news-article66333105 

The production of "Il Trovatore" at the diggings only three years after its first appearance had created a furore in the Europan musical world, is in itself a sign of the times. Its reception at the Charlie last evening was quite successful; and the way in which it was put upon the stage deserved considerable approbation . . . Miss Octavia Hamilton was hardly powerful or imperative enough for the Gypsy Queen, Auzucena, but yet fairly earned much applause . . .

"THE THEATRE ROYAL", The Star (24 January 1859), 2

http://nla.gov.au/nla.news-article66333552 

. . . This evening is the first of the opera season, which commences under very favorable auspices. The company consists of Miss Julia Harland (soprano), Miss Octavia Hamilton (contralto), M. Emile Conlon (bass), Mr. John Gregg (bass), and a chorus. The first opera performed will be "The Bohemian Girl" to be followed by the farce of "Cool as a Cucumber."

ASSOCIATIONS: Theatre Royal (Ballarat venue)

"THEATRE ROYAL", The Star (31 January 1859), 2

http://nla.gov.au/nla.news-article66333695 

It was very pleasing on Saturday night last to see so numerous an audience enjoying to the full the opera of "La Sonnambula" . . . After the opening chorus of "La Sonnambula," rather insufficiently performed, Miss Hamilton as Lisa, sang "Sounds so joyful" with much feeling and power. We regret, however, that this lady does not throw more spirit into her acting; a slight change in that respect would add much to the effect created by her rich mellow voice and good execution . . .

"THEATRE ROYAL", The Star (14 February 1859), 3

http://nla.gov.au/nla.news-article66333974 

The second performance of "Maritana," on Saturday night, was fully equal, if not superior to the first. In smoothness, perfection of orchestral arrangements, scenic business, and such like, there was an undoubted superiority, and the result was that the applause was very frequent and vehement. Miss Harland was in particularly good voice . . . The duet with Miss Hamilton, "Sainted Mother," was perhaps the gem of the performance, and unanimously encored. We believe we can detect a decided improvement in Miss Hamilton's performances. Her singing (as Lazarillo) was very good and correct, and she was dressed very nicely, but being a young actress she seems unable to accompany it with those appropriate gestures in the art of which Miss Harland and M. Coulon are such proficients. We see absolutely nothing, however, to prevent Miss Hamilton's taking a very high position as an operatic singer . . .

"THE PHILHARMONIC SOCIETY", The Age [Melbourne, VIC] (16 March 1859), 6

http://nla.gov.au/nla.news-article154839720 

The first performance for the present season took place yesterday evening at the Exhibition Building before a large and most attentive audience, and was in every respect worthy of tha advancing reputation of the society. Being the first public performance of the year, the committee of management wisely determined to signalise the occasion by the production of a new and great work . . . Handel's "Israel in Egypt" . . . the command of their ranks having again devolved upon Mr. Russell . . . The soli in "Israel in Egypt" are subordinate to the choral effects, but nevertheless of a high order of merit, though not affording a great opportunity for the display of vocal talent. Miss Octavia Hamilton's chief effort was in the florid and difficult air, "Thou didst blow with thy wind," and though the accompaniment was generally unsteady, an encore was narrowly escaped. As Miriam, this lady declaimed with the most perfect success in the unaccompanied recitatives at the close of the oratorio when she incites the Israelites to praise the Lord for their deliverance. The duet, "The Lord is my strength," by Miss Hamilton and Mrs. Stewart Ellis, was most admirably sang . . .

ASSOCIATIONS: Eliza Stewart Ellis (vocalist, Miss Stewart above)

"THE NEWS OF THE DAY", The Age (14 April 1859), 5

http://nla.gov.au/nla.news-article154837658 

The attractions of "La Traviata" and the indisputable claims of M. Emile Coulon to the most favorable consideration of the musical community, last night filled the Theatre Royal in every part, and procured for the dress circle almost unexampled brilliancy. Making every allowance for the difficulties attending the production of the opera, in consequence of the dispersion of most of the members of the old company, "La Traviata" was placed on the stage with reasonable completeness and success. The principal parts were sustained by Miss Octavia Hamilton (Violetta Valery), Mrs. F. Younge (Alfred Germont), and M. Emile Coulon (George Germont). To Miss Hamilton it is due to state that, considering her imperfect knowledge of the stage, she was eminently successful in her impersonation . . . The band was full and effective, and the conduct of the whole devolved upon Herr Siede, whose abilities in this line have never been properly known or appreciated. At the close of the performance, Mr. F. Younge announced that on Saturday evening the opera would be repeated, for the benefit of Miss Octavia Hamilton.

ASSOCIATIONS: Emma and Frederick Younge (actors, vocalist)

"HANNDEL CENTENARY CELEBRATION - FIRST CONCERT", The Argus (10 August 1859), 5

http://nla.gov.au/nla.news-article5685998 

The first portion of what has been somewhat ambitiously called the "Handel Centenary Celebration" was held last evening in the Exhibition Building, before a very numerous and select audience. The programme included selections from three of the great composer's masterpieces - namely, "Samson," "Israel in Egypt," and "Judas Maccabaeus." The principal singers were Miss Octavia Hamilton, the Misses Macarthy, Mrs. Hancock, and Mrs. Goodliffe, among the ladies and Mr. Farquharson and Mr. Ewart, among the gentlemen. The chorus, with the instrumentalists, it was promised, would number 400, but it is doubtful whether that pledge was fulfilled in its integrity. Mr. Russell was conductor, and Mr. King, leader . . . To Miss Hamilton was entrusted the trumpet air, "Let the bright Seraphim" wherein Handel's power of realising by sound an image as in a picture, is so eminently shown. It is to music what Tennyson's bugle song in the "Princess" is to poetry - a daring and successful reach beyond the conventional bounds of art . . . Miss Hamilton was tolerably successful in her air, "From mighty kings" . . . "Israel in Egypt," the third and concluding piece, was shorn of much of its grandeur and beauty in the programme, and still more in the performance . . . The crowning failure of the evening, however, was achieved by Messrs. Angus and Blanchard, who, in the grand bass duet, "The Lord is a man of war," gave evidence of the most hopeless incompetency. Never was Handel so miserably used; and not even Miss Hamilton, with all her sweet singing, could tempt the audience to stay out the glorious "Song of Miriam" - the culminating effort of Handel's genius, and the very spirit of joyous devotion . . .

ASSOCIATIONS: Georgina and Maria McCarthy (vocalists); Handel centenary (event)

"HANDEL CENTENARY CELEBRATION", The Age (10 August 1859), 5

http://nla.gov.au/nla.news-article154827573 

. . . Of the various singers we have left ourselves little space to speak. Miss Hamilton, in the "Let the bright seraphim," and "From mighty kings," showed that she is still fit to maintain the supremacy she has so long enjoyed in this style of music . . .

"HANDEL CENTENARY CELEBRATION. SECOND CONCERT", The Argus (12 August 1859), 5

http://nla.gov.au/nla.news-article5686152 

. . . But to Miss Octavia Hamilton must be awarded the chief honours, for her performance of the great song of Christian hope and faith, "I know that my Redeemer liveth" - the hymn which is as deathless as its subject, and which, if it stood alone, would prove Handel the greatest master of music that the world has known. Miss Hamilton only wants expression and feeling to be a singer as good as we have any right to have . . .

"THE NEWS OF THE DAY", The Age (10 October 1859), 5

http://nla.gov.au/nla.news-article154826596 

There was a very fair house at the Olympic on Saturday evening. The performances consisted of the Operatic Drama of "Guy Mannering." This was extremely well rendered and the singing of Miss Hamilton and Mr. Farquharson drew forth repeated expressions of approval from the audience . . .

ASSOCIATIONS: Olympic Theatre (Melbourne venue)

MUSIC: Guy Mannering (Bishop)

[News], The Argus (17 October 1859), 5

http://nla.gov.au/nla.news-article5690118 

The last of the present series of the "People's Concerts" was given on Saturday evening [15 October] in the Trades' Hall, Lygon-street, before an audience considerably more numerous than usual, but still very far inadequate to the deserts of the entertainment. After a persevering effort to establish at the Trades' Hall a rational source of amusement at a moderate rate of admission, the managers have come to the resolution of commencing a new series in some more central locality, in the hope that by such a change they may at least secure themselves from pecuniary loss. No doubt the concerts hitherto given were susceptible of improvement, and some new but very expensive features might have been introduced. It is doubtful, however, whether in the remote, almost unknown, and all but inaccessible locality, the introduction of such novelties would have had any other effect than involving the projectors still more deeply in debt . . . At the commencement of the concert it was announced that, from unavoidable circumstances, Herr Bial had not been able to attend to take the solos set down for him in the programme. Miss Hamilton had, however, kindly undertaken to play all the accompaniments in his stead. A more serious contretemps was produced by the discordant condition of the pianoforte, which, besides being an inferior instrument, had been pulled up fully a semitone above concert pitch. As may be imagined, the additional strain upon the voices was anything but comfortable, either to the singers or the audience . . .

ASSOCIATIONS: People's Concerts (Melbourne series)

"THE PHILHARMONIC CONCERT. MENDELSSOHN'S 'ELIJAH'", The Age (8 December 1859), 6

http://nla.gov.au/nla.news-article154882252 

On Tuesday evening the Melbourne Philharmonic Society gave their fifth subscription concert for the year in the Exhibition Building, and . . . drew together a very large audience . . . In the hands of these performers the various concerted pieces - which constitute one of the chief beauties of the work - were admirably rendered. The double quartet "For he shall give his Angels," and the beautiful "Cast thy burden upon the Lord," were given with a care and finish which brought out the peculiar beauties of both. But the palm of excellence must be given to the performance of the terzetto "Lift thine eyes," sung by Miss Hamilton and Mesdames Flower and Hancock, and of which the audience showed their appreciation by a unanimous call for its repetition. Miss Hamilton, who still continues her steady improvement in this style of music, although, perhaps, more at home in the works of other composers, sung the music allotted to her in a way which left little to be desired. Her most successful effort was the opening air of the second part "Hear ye Israel," the different movements of which she executed with a grace and finish which did ample justice to the music. In the duet "Zion spreadeth her hands," her voice told with fine effect, through the chorus. In this last she was assisted by Mrs. Hancock . . .

"THE SHAMROCK", Bendigo Advertiser [VIC] (19 December 1859), 2

http://nla.gov.au/nla.news-article87994299 

This house was crowded on Saturday night, and the performances were enthusiastically applauded. Miss Octavia Hamilton sang divinely, and was repeatedly encored. This lady, whose voice has become more contralto, and therefore perhaps less popular, has, however, greatly improved in her style of singing, and evinces a more cultivated musical taste . . .

[News], The Argus (26 December 1859), 4

http://nla.gov.au/nla.news-article5694289 

The Exhibition Building was nearly as full on Saturday night as during the Handel Festival . . . The "Messiah" is a work so well known that it would bo superfluous to make any remarks upon its character in this place; suffice it to say, that the Philharmonic Society has mastered most of its difficulties, and that on Saturday night it was evidently given for the most part con amore . . . Miss Octavia Hamilton sang the air, "Rejoice greatly," as difficult as it is beautiful, with much taste and skill, though not without raising a little apprehension occasionally as to her success in passages requiring great flexibility of voice and power of execution . . . The celebrated "Hallelujah" was most creditably given by the chorus, and would have been encored, but the demand was very properly refused by Mr. Russell. In the air immediately following, perhaps the most perfect of its kind that Handel ever wrote, "I know that my Redeemer liveth," Miss Hamilton was most successful, and narrowly escaped an encore. The accompaniment this time was in every respect what it ought to have been, and the encore would certainly have followed but that the audience seemed indisposed to mar the effect of so fine a piece of vocalisation . . .

"CHRISTMAS MUSICAL FESTIVAL", The Age (27 December 1859), 6

http://nla.gov.au/nla.news-article154879949 

The Melbourne Philharmonic Society's sixth subscription concert was held in the Exhibition Building on Christmas Eve. Handel's grand oratorio - The Messiah - was produced in a style that gave entire satisfaction to the large and respectable audience . . . Miss Octavia Hamilton sang the air, "Rejoice greatly, O daughter of Zion," nervously but sweetly. This beautiful air abounds in transpositions and ecstatic outbursts which are remarkable for containing some of the most difficult passages in the oratorio. On one occasion Miss Hamilton nearly lost her self possession, and made us feel particularly nervous; but she soon recovered, and received at the conclusion a hearty round of applause . . . Miss Hamilton sang the air, "I know that my Redeemer liveth" very successfully, and was warmly applauded . . .

"THEATRE ROYAL", The Argus (17 January 1860), 5

http://nla.gov.au/nla.news-article5695548

Signor and Madame Bianchi made a most favourable impression upon the audience last evening at the Theatre Royal. It was the first appearance of these artistes, who, in California, appear to have carried everything before them. The opera was the "Trovatore," in which the new arrivals personated respectively Manrico and Leonora . . . Mr. Farquharson was the Count, and acquitted himself with more than his usual felicity. Miss Octavia Hamilton, in the part of Azucena, agreeably surprised us in the ungrateful task of a soprano singing music written for a contralto. As a whole, we never witnessed a superior performance of the opera. Chorus, band and principals were in accord, and the season promises, and certainly deserves to be, a most prosperous one. We have seldom been a fuller house, or a more enthusiastic audience . . .

ASSOCIATIONS: Eugenio and Giovanna Bianchi (vocalists)

"MELBOURNE [FROM OUR OWN CORRESPONDENT] THURSDAY MORNING [19 January] ", The Sydney Morning Herald [NSW] (23 January 1860), 5

http://nla.gov.au/nla.news-article13035895 

The new singers, Signor and Signora Bianchi, who arrived a few weeks since from San Francisco have made their debut at the Theatre Royal, in "Il Trovatore," with most complete success . . . Miss Octavia Hamilton has taken every one by surprise by her excellent interpretation of the music of Azucena. She is liberally applauded. Mr. Farquharson sings, of course, well; but as undramatically as ever. The choruses are better than we have had them before, and the orchestra is effective; but, despite Mr. Winterbottom's talents, poor Lavenu's loss is more felt than ever. However, at length, we have got something like Italian opera amongst us, and I have no doubt the season will be most successful.

ASSOCIATIONS: John Winterbottom (as above, conductor); Lewis Henry Lavenu (as above, has died in Sydney in August 1859)

Sydney, NSW (May to August 1860):

"ITALIAN OPERA", The Sydney Morning Herald [NSW] (18 May 1860), 4

http://nla.gov.au/nla.news-article13040732 

Arrangements have at length been effected by Mr. Samuel Colville, the enterprising manager of the Prince of Wales Theatre, which are shortly to result in the production here, on a scale of unequalled attraction, of the grand Opera; to be continued for one month only, four nights per week . . . With this in view engagements have been already concluded with the long expected artists, the Signora and Signor Bianchi, who arrived in this city from Victoria on Friday evening last . . . By telegraphic advices Mr. Colville is informed by his agent at Melbourne of the engagement of Miss Octavia Hamilton, of whom the Victorian Press has always spoken in the highest terms of praise . . .

ASSOCIATIONS: Samuel Colville (manager); Prince of Wales Theatre (Sydney venue)

"ITALIAN OPERA", The Sydney Morning Herald (30 May 1860), 5

http://nla.gov.au/nla.news-article13041196 

ALTHOUGH expectation had been raised to a considerable degree by the announcements which preceded the performance last night at the Prince of Wales Theatre, the highest anticipations, if we may judge from the enthusiastic reception of Trovatore by a house crowded in every part, were realised to the fullest extent . . . The Azucena of Miss Octavia Hamilton was an energetic and artistic impersonation of the gipsy, notwithstanding the difficulty of supporting a contralto part with a mezzo soprano voice. Her notes are clear and full. Very much of the interest of the opera falls on Azucena, and to a certain extent dramatic declamation is absolutely necessary, particularly in the aria, "Stride la vampa," and portions of the duet which follow. The scene with Count di Luna, in the third act, was very effective, "Deh rallentate" being admirably given, and not less so "Giorni poveri," which was loudly applauded and an encore demanded; also the pleasing and [illegible] in the fifth part . . .

[News], Empire [Sydney, NSW] (30 May 1860), 4

http://nla.gov.au/nla.news-article60410980

. . . Miss Octavia Hamilton is a vocalist of great merit; without the slightest pretension to a contralto voice, the part of Azucena is beyond her power; but she poetesses a very sweet mezzo soprano, of great purity and clearness in the middle notes, and what is far superior, she sings in perfect tune . . .

"THEATRICALS. ITALIAN OPERA", Bell's Life in Sydney and Sporting Reviewer (14 July 1860), 3

http://nla.gov.au/nla.news-article59873032 

With to-night's performance the entertainment of the operatic troupe trill terminate. The season opened with Il Trovatore; Traviata, Lucrezia Borgia, Nino, Ernani, Norma, Macbeth and Attila following in rapid succession. The whole of the Operas were magnificently mounted, and all deserved, though all did not win, success. Il Trovatore and Norma drew the largest houses . . . Miss Octavia Hamilton, the mezzo soprano, was a most valuable acquisition to the corps dramatique . . . and the orchestra, under the direction of M. Paltza [sic], and the leadership of Mr. Charles Eigenschank, were very effective . . .

ASSOCIATIONS: Jacques Paltzer (conductor); Charles Eigenschenck (leader, violin)

[News], Empire (17 July 1860), 4

http://nla.gov.au/nla.news-article60413421 

. . . This evening Mr. Brooks, a harpist of some celebrity . . . will give his first concert in Sydney at the Exchange . . . assisted by Miss Octavia Hamilton, who makes her debut as a concert singer, the Misses Howson, Mr. Pierce (the concertina and rock harmonicon player), and others, and the veteran musician. Charles Packer will have the direction of the concert . . .

ASSOCIATIONS: Thomas Brooks (harpist); Emma and Clelia Howson (vocalists); John Ottis Pierce (as above); Charles Sandys Packer (pianist); Exchange Hall (Sydney venue)

MUSICAL", The Yass Courier [NSW] (25 July 1860), 2

http://nla.gov.au/nla.news-article263881190 

Miss Octavia Hamilton, M. Coulon, Mr. J. O. Pierce, and Mr. Marmaduke Wilson, were to give a concert in Goulburn on Monday last . . .

ASSOCIATIONS: Marmaduke Henry Wilson (pianist)

"MISS HAMILTON'S CONCERT", The Sydney Morning Herald (7 August 1860), 8

http://nla.gov.au/nla.news-article13044002 

Miss Octavia Hamilton, one of the late opera company of the Prince of Wales Theatre, gave a farewell concert last evening at the Exchange Hall. The weather was exceedingly unpropitious, heavy showers having fallen during the latter part of the day, thus preventing very many from attending who under less pluvial auspices would have doubtless been present. Miss Hamilton, during the opera season was an exceedingly useful and efficient member of the corps operatique, and tended in no smalll degree to the success of the musical performances; and thus, we were glad to see a larger attendance than under the adverse atmospheric influences we had expected. The first part of the programme consisted entirely of selections from Wallace's opera of "Lurline" . . . The second part of the concert formed a kind of Olla Podrida, consisting of duo, from "Marino Faliero," very beautifully given by Signori Coulon and Grossi; a solo on the concertina, which received an encore, and on the rock harmonicon, by Mr. J. O. Pierce; a German song by Herr Schluter, "Der Deserteur," sung with remarkable force and spirit, and very justly applauded; "Little Nell," by Miss Hamilton, and the beautiful quartette from Verdi's "Rigoletto" . . .

MUSIC: Little Nell (music by Charles Sandys Packer, as above)

Melbourne, VIC (August 1860 to mid 1867):

"MISCELLANEOUS", The Age [Melbourne, VIC] (24 August 1860), 5

http://nla.gov.au/nla.news-article154843125 

"NORMA" was produced last evening at the Theatre Royal to a crowded house, and the performance must be noted as another brilliant success of the company . . . Signora Bianchi as Norma was in very good voice, and was admirably supported by Miss Octavia Hamilton . . . The favorite opera "Il Trovatore' is to be produced this evening for the benefit of Miss Hamilton . . .

[News], The Argus [Melbourne, VIC] (25 August 1860), 5

http://nla.gov.au/nla.news-article5688605 

Miss Octavia Hamilton's benefit at the Theatre Royal last night was one of the most successful that have taken place for some time, the house being inconveniently crowded. Some interruption was caused to the good feeling of the audience by the curtain falling abruptly on the conclusion of the fourth act of "Il Trovatore;" and, in obedience to some angry manifestations from certain quarters, Mr. Winterbottom came forward, and stated that Signora Bianchi had been taken suddenly unwell after the third act, and was unable to sing in the last . . . Miss Hamilton was most favourably received, and deservedly so; and it seems now to rest with herself whether she will assume a prominent position as an operatic singer.

"SUMMARY FOR EUROPE . . . AMUSEMENTS", The Argus (25 September 1860), 1 supplement

http://nla.gov.au/nla.news-article5690370 

Opera has been the sole feature of the month at the Theatre Royal. The season closed on Saturday night last, with a house literally crammed to the ceiling . . . Signor Bianchi has scrupulously carried out his engagements, having presented his subscribers with no less than four new, and about a dozen stock operas, in a period of six weeks. The new operas were "Attila," "Nino," "Macbeth," and "Rigoletto," of which, perhaps, "Nino" was the most successful, and "Macbeth" the least . . . Miss Octavia Hamilton, a lady hitherto known principally as a leading vocalist at our philharmonic concerts, has taken her place on the lyic stage with considerable success . . .

"THE AUSTRALIAN MUSICAL BOUQUET", Empire [Sydney, NSW] (2 November 1860), 4

http://nla.gov.au/nla.news-article60501026 

This now firmly established an remarkably cheap publication appears with great regularity, No. 4 having been issued on its appointed day . . . A portrait of Miss Octavia Hamilton is appended; it might be a good likeness, but we can't see it: it has evidently been spoiled in the printing.

ASSOCIATIONS: Australian musical bouquet (series); Alonzo Grocott (printer, engraver, publisher)

[News], The Argus (26 December 1860), 5

http://nla.gov.au/nla.news-article5696086 

The annual Christmas performance of Handel's "Messiah" by the Melbourne Philharmonic Society took place in the Exhibition Building on Monday evening last. The attendance was extremely good, every part of the hall and galleries being crowded . . . The solos were not all so well done . . . Miss Octavia Hamilton, however, in no degree detracted from her previous fame, and "Rejoice greatly" and "I know that my Redeemer liveth," were exquisitely rendered, the calls for the encore of the latter being very properly refused . . .

"CURRENT TOPICS", Geelong Advertiser [VIC] (7 February 1861), 2

http://nla.gov.au/nla.news-article148696047 

Miss Octavia Hamilton's benefit last night, at the Theatre Royal, was in every respect as successful as the fair beneficiare herself could have desired. The dress circle and boxes were filled, and presented a very animated appearance, and the other part of the house was equally well attended. The piece de resistance was Mother Carey's Chickens, a sparkling comedy in two acts, in which Miss Hamilton sustained the part of Mrs. Spooner, (one of Mrs. Carey's daughters), with considerable vivacity and tact. Miss Kate Warde as Mrs. Fagg, another of the chickens, played her part very charmingly . . . After the comedy, Miss Hamilton sang "Good-bye Sweetheart" very sweetly and expressively, and in answer to the storm of applause with which it was received, she came forward again, and, instead of a repetition, sang "Come into the garden, Maud." Miss Hamilton was in excellent voice, and we have never seen or heard her to greater advantage than in the performance of last night . . .

ASSOCIATIONS: Kate Warde (actor); Theatre Royal (Geelong venue)

MUSIC: Come into the garden, Maud (Balfe)

"BIRTHS", The Argus (1 June 1861), 4

http://nla.gov.au/nla.news-article5700683 

MOON. - On the 29th ult., at 206 Victoria-parade, Mrs. A. G. Moon of a daughter.

ASSOCIATIONS: Eliza Rose Millicent Moon (d. 1927)

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (4 July 1861), 5

http://nla.gov.au/nla.news-article154900579 

"Norma" was last night produced at the Theatre Royal to a rather thin house. Considerable doubt existed as to who were to sustain the principal parts, and the weather was very unfavorable . . . Madame Escott's Norma was the best we have seen since Catherine Hayes graced the boards of the Theatre Royal. To enumerate her successes would be to specifically name every air pertaining to her part. Mr. Lyster's liberality in engaging Miss Octavia Hamilton for the Adalgisa merits commendation, and this lady's vocalisation fully justified his selection. She was in excellent voice, and sang exceedingly well. This redeemed her acting, which necessarily appeared tame beside the consummate performance of Madame Escott . . .

ASSOCIATIONS: Lucy Escott (vocalist); Lyster Opera Company (troupe)

"THE EXHIBITION", The Herald [Melbourne, VIC] (9 December 1861), 5

http://nla.gov.au/nla.news-article244183982 

The Victorian Exhibition was closed on Saturday evening, no less than 3959 persons having visited it during the day . . . The principal attractions, irrespective of those of the Exhibition itself, were the performances of the Philharmonic Society, in which Miss Octavia Hamilton took a prominent and effective part, and those of M. Boulanger on the pianoforte. The concert consisted principally of selections from oratorios . . .

ASSOCIATIONS: Edward Boulanger (pianist); Victoria Exhibition 1861 (event)

"THE NEWS OF THE DAY", The Age (4 March 1862), 4

http://nla.gov.au/nla.news-article154845549 

"Il Trovatore" must rank amongst the most popular of the operas of Verdi which have hitherto been produced in Melbourne. The story is highly poetic, and the music admirably illustrates each phase of sentiment. Last night, a full house paid a just tribute to Miss Hamilton's undoubted musical talent and pleasing voice. It cannot be denied that comparisons unfavorable to her powers as an actress, obtrude themselves, the part of Azucena being one in which Madame Bianchi specially distinguished herself, by the fire which she infused into the thrilling scenes which the composer has allotted to the strong passioned gipsy. Apart from this, Miss Hamilton's performance is one which does her infinite credit. The infrequency of her appearance renders her a little nervous in sustaining a prominent position before a large audience. Madame Escott, if possible, surpassed herself . . .

"THEATRICALS AND MUSIC. THEATRE ROYAL", Bell's Life in Victoria and Sporting Chronicle (8 March 1862), 2

http://nla.gov.au/nla.news-article199061118 

. . . On Monday, Miss Octavia Hamilton took her annual benefit; and produced "Il Trovatore," she essaying the role of Azucena. To say that she fully satisfied the requirements of the part, would be absurd, nor did she succeed, as Signora Bianchi did, in making the gipsy-woman the part of opera; but, aa an actress, she acquitted herself respectably, and her vocalisation was really brilliant. The Leonora of Madame Escott, the Manrico of Mr. Squires, and the Conte di Luna of Farquharson, were each excellent, and, despite the omission of one or two songs, Verdi's masterpiece met with the usual warm reception . . .

ASSOCIATIONS: Henry Squires (vocalist)

"THEATRE ROYAL", The Argus (15 May 1862), 5

http://nla.gov.au/nla.news-article5714854 

The history of Rossini's "Stabat Mater" is a somewhat curious one. It was composed thirty years ago . . . Ten distinct morceaux are comprehended in the "Stabat," and the entire composition almost assumes the proportions of a three-act opera . . . The cavatina "Fac ut portem," sung with nice expression by Miss Hodson, suffers, as a composition, by comparison with the next air, the grand "Inflammatus," which Miss Octavia Hamilton declaimed with great spirit, although the sonorous accompaniment rendered her voice inaudible at times . . . And it must be stated, to the credit of the Musical Union and of Mr. Lyster's orchestra, that (their combined strength considered) a better performance of this sublime work could scarcely be desired . . .

ASSOCIATIONS: Musical Union (association)

"TOWN TALK", The Herald (13 September 1862), 5

http://nla.gov.au/nla.news-article244406299 

A concert of sacred music by the members of the choir of St. Peter's Church, took place yesterday evening at the School-room, Eastern Hill. It was arranged that the proceeds of the performance should be appropriated to the purchase of music, to be used in the Church; and to judge by the numerous assemblage, this laudable object was appreciated. The first item on the programme, which was excellently arranged and comprised many beautiful morceaux, was a new cantata, the 95th Psalm, entitled "Oh, Come Let us Sing." This piece which, we believe, was only received from home by the last mail, was carefully executed, Miss Octavia Hamilton, Miss Mortley, and Mr. Beaumont, sustaining the soli parts in a creditable manner . . . Miss Mortley gave Mendelssohn's beautiful aria "O Rest in the Lord" with much feeling; and the duet and chorus, "Help me, man of God" and "Happy are the men who fear him," were given with considerable force and power, the solo parts being entrusted to Miss Hamilton and Mr. Moxon. In the second part the audience were, however, presented with the gem of the evening by Miss Hamilton's exquisite rendering of the sublime "Ave Maria." This piece especially was listened to, as it well deserved to be, with the greatest attention, and we have seldom heard Miss Hamilton sing more correctly or with better taste. Her voice was remarkably clear and impressionable, and the manifestations of approval on the part of the audience at the conclusion of the song were well merited, and leaves little doubt that in this particular class of music Miss Hamilton is without a rival in this colony . . . Miss Young, and Messrs. T. Ford, T. H. Davis, A. Ford, and Master Cook, rendered able assistance in the choruses . . . Mr. Pringle gave a pianoforte solo, by Beethoven, in a very masterly manner, and was warmly appreciated . . .

ASSOCIATIONS: Sarah Mortley (vocalist); Armes Beaumont (vocalist); Thomas and Alfred Ford (vocalists); Thomas Holme Davis (vocalist, and Hamilton's current or future partner); John James Cook (vocalist); George Robert Grant Pringle (musical director, pianist); St. Peter's church (Eastern Hill, Melbourne)

"BIRTHS", The Argus (15 November 1862), 4

http://nla.gov.au/nla.news-article6481180 

MOON. - On the 10th inst., at her residence, 6 Park-terrace, St. Kilda, Mrs. A. G. Moon of a son.

ASSOCIATIONS: Harry Hamilton Moon (d. 30 May 1867); his birth, if not his conception, following on the deed of separation between Octavia and Augustus on 6 May 1862 (see 1865 below), perhaps he was not Augustus's son

"THE NEWS OF THE DAY", The Age (19 May 1863), 4

http://nla.gov.au/nla.news-article154965441 

The first of a series of popular concerts, under the direction of Mr. C. E. Horsley, was given in the Town Hall, Prahran, last night . . . The performances were composed of the principal stars of the Philharmonic Society, and included Miss Octavia Hamilton, Miss H. Watson, Miss B. Watson, Mr. Black, Mr. T. J. Jackman, Mr. Amery, and Mr. J. Schott. These are all now more or less established favorites with the music-loving public, and their respective merits have been criticised on several occasions. It is but just to remark, however, that Miss Hamilton sang excellently, though apparently suffering from a slight cold, and that she executed a grand scene from "Der Freischutz" with more than customary brilliancy . . . The principal soprano solos were sung by Miss Octavia Hamilton, to whom the composer has given full opportunity for the display of such admirable vocal powers as that lady possesses. In the beautiful aria, "O, love the Lord," the expression and modulation of voice were most artistic and tasteful; this being, in our opinion, Miss Hamilton's most successful effort . . .

ASSOCIATIONS: Charles Edward Horsley (pianist); Helena and Bertha Watson (vocalists); Thomas John Jackman (vocalist); Edwin Amery (vocalist); James Arthur Schott (oboe); Prahran Town Hall (venue)

"PHILHARMONIC SOCIETY'S CONCERT", The Age (1 July 1863), 7

http://nla.gov.au/nla.news-article154963371 

Mr. C. E. Horsley's oratorio of "David" was performed in the Exhibition Building yesterday evening, as the second subscription concert for the year of the Melbourne Philharmonic Society. There was a fashionable audience of nearly a thousand persons . . . The principal soprano solos were sung by Miss Octavia Hamilton, to whom the composer has given full opportunity for the display of such admirable vocal powers as that lady possesses. In the beautiful aria, "O, love the Lord," the expression and modulation of voice were most artistic and tasteful; this being, in our opinion, Miss Hamilton's most successful effort . . .

[Advertisement], The Argus (9 September 1863), 8

http://nla.gov.au/nla.news-article6488845 

MISS OCTAVIA HAMILTON begs to inform her to friends and the public
that she ATTENDS at Messrs. Wilkie, Webster, and Co's, Collins-street,
on Tuesdays and Fridays, for the convenience of her Melbourne PUPILS.
Terms, £6 6s. per quarter, payable in advance. Two lessons a week of one hour each.

ASSOCIATIONS: Wilkie, Webster, and Co. (musicsellers)

"THE PHILHARMONIC SOCIETY", The Argus (22 June 1864), 6

http://nla.gov.au/nla.news-article5749891 

The Exhibition-building was crowded last evening, on the occasion of the performance by the Philharmonic Society, of Handel's sublime oratorio "Israel in Egypt" . . . Miss Octavia Hamilton gave the celebrated solo, "Sing unto the Lord," with great power, her clear voice ringing through the building like a bell. This display of vocal ability was much admired and applauded. Of the other airs, we would mention, "Thou didst blow," also sung by Miss O. Hamilton, and encored . . . Mr. W. C. Fisher led the band, and Mr. Charles Horsley conducted . . .

ASSOCIATIONS: Wilhelm Carl Fischer (leader, violin)

[Advertisement], The Telegraph, St Kilda, Prahran and South Yarra Guardian (2 July 1864), 1

http://nla.gov.au/nla.news-article255914072 

Cheetham Villa, Octavia-street, St. Kilda. MISS OCTAVIA HAMILTON
begs to inform her friends and. the public generally,
that she is desirous of receiving a limited number of pupils at her residence,
for instructions in Pianoforte and Singing.
TEMRS. FIVE GUINEAS PER QUARTER IN ADVANCE. Two lessons a week of one hour each.
References kindly permitted to the following gentlemen. -
The H. H. P. Handfield, St. Peter's Parsonage.
J. D. Pinnock, Esq., Wellington Parade.
Edward Wild, Esq., Royal Terrace.
John McKenzie, Esq., St. Kilda.
Dr. McCrea (N.B.) Chief Medical Officer, Collins-st.
The Hon. Charles Vaughan, Royal Terace.

ASSOCIATIONS: Henry Hewett Paulet Handfield (referee); John Denham Pinnock (referee); William McCrea (referee); Charles Vaughan (referee)

[News], The Argus (2 September 1864), 5

http://nla.gov.au/nla.news-article5743077 

The Shakspearian musical entertainment, which took place last evening at St. George's hall, though scarcely deserving the pretentious designation of "festival," proved on the whole a creditable effort. Unfortunately, the support obtained from the public was of a very limited character. The room was not half filled; and, therefore, a very large contribution to the Shakspeare statue fund, in aid of which the performance was given, is not to be expected. The programme was a formidable one. It included two overtures - Mendelssohn's "Midsummer Night's Dream," and Nicolai's "Merry Wives of Windsor" - Locke's music from "Macbeth," and some fifteen or sixteen songs and glees, which have identified the names of Dr. Arne, Sir H. Bishop, Jackson, Linley, Purcell, Macfarren, and other composers, with some of the immortal bard's most popular lyrics. To assist in the execution of this array of music a chorus fifty strong, and between twenty and thirty instrumentalists, volunteered. The principal vocalists were Miss Octavia Hamilton, Miss Mortley, Mrs. Fox, Mr. W. H. Williams, and Mr. Amery. Mr. E. King led the orchestra, Mr. G. Tolhurst, as pianist, accompanied portions of the vocal music; and Mr. G. R. G. Pringle ably discharged the arduous duties of conductor. The songs, "Oh, bid your faithful Ariel fly," and "Should he upbraid," which were among the gems of the evening, were charmingly rendered by Miss Hamilton. The duet, "I know a bank," sung by the same lady and Mrs. Fox, obtained the only encore - the audience, with commendable consistency, setting their face against recalls. A great disappointment was experienced by the omission of Miss Hamilton's song "Lo! here the gentle lark," with flute obligato by Herr Siede. The cause of the omission, as explained apologetically by Mr. W. H. Williams, was that the wretched piano used on the occasion was not up to concert pitch, and that there was no possibility of the instrument meeting Herr Siede's flute on harmonious terms . . .

ASSOCIATIONS: Sarah Hannah Fox (vocalist); William Henry Williams (vocalist); George Tolhurst (pianist); St. George's Hall (Melbourne venue)

MUSIC: O bid your faithful Ariel fly (Thomas Linley, in The tempest); Should he upbraid (Bishop, in Two gentlemen of Verona); I know a bank whereon the wild thyme blows (Horn, in The merry wives of Windsor); Lo here the gentle lark (Bishop, in The comedy of errors)

"THE NEWS OF THE DAY", The Age (12 September 1864), 4

http://nla.gov.au/nla.news-article155018010 

The third of a series of fortnightly concerts, instituted by Mr. C. E. Horsley, took place on Saturday afternoon, in the town hall, Prahran . . . The only vocalist on the occasion was Miss Octavia Hamilton, who was in capital voice, and whose arias "Oh tuneful voice" (Haydn), and "Roberto tu chi adoro," evoked hearty applause . . .

"CHRIST CHURCH ORGAN", The Star [Ballarat, VIC] (15 November 1864), 2

http://nla.gov.au/nla.news-article66349754 

Christ Church, Lydiard street, was, on Monday evening, completely filled by an audience assembled on the occasion of the inauguration of the organ lately imported from England. A grand concert of sacred music was the mode adopted to celebrate an event notable in reference to the advance of musical tastes in Ballarat . . . Miss Hamilton's voice was in excellent order, and she sang the passages allotted to her in a manner which sustained the reputation she has long enjoyed as the most tasteful oratorio soloist in Australia. Her rendering of the airs from Judas Maccabaeus, Samson, and The Messiah was a treat, indeed, and her fine ringing voice imparted a great brilliancy to the first selection from The Creation - "The Marvellous Work" . . .

"THE MESSIAH ON CHRISTMAS EVE", The Argus [Melbourne, VIC] (26 December 1864), 5

http://nla.gov.au/nla.news-article5745489

. . . Mrs. Testar, who has long retired from public performance, appeared at short notice because of Miss O. Hamilton's illness, but she did not fail to prove that she retained all her well remembered powers . . .

[News], The Argus (25 February 1865), 4

http://nla.gov.au/nla.news-article5736070

A case affecting a lady of some musical reputation in this colony was heard in the county court yesterday. The case occupied a place on the list under the title, Grose v. Moon, and was a plaint under a deed of settlement, dated 8th May, 1862, between Augustus Graham Moon and Eliza Octavia Hamilton; otherwise Moon, his wife, the claim being reduced to £49 19s. 11d. to bring it within the lower jurisdiction of the court. By the deed in question it was arranged that the defendant should pay £4 per week, but it was subsequently agreed, that the defendant, who is a Government clerk should make payments at the rate of £16per month. The plaintiff, as trustee, proved the execution of the deed, and said he did not always make the payments to Mrs. Moon herself; but left them at Mr. Davis's wine Store for her. The defence was, that after the execution of the deed, Mrs. Moon had lived with the defendant for some days, and that a stipulation that debts should not be contracted in defendant's name had been violated. The defendant in evidence proved that the deed was executed on a Friday; and that Mrs. Moon remained with him until the Monday evening following, and that he had been applied to for debts contracted by her. The judge held that the mere fact of Mrs. Moon remaining in the defendant's house for a few days did not vitiate the deed; and as the defendant had only been applied to for payment of debts contracted since the commencement of the action, the verdict must be for the plaintiff for the amount claimed.

"NEW INSOLVENTS", Leader (15 April 1865), 5

http://nla.gov.au/nla.news-article197037082 

Augustus Graham Moon, of Fitzroy, accountant. Causes of insolvency: Adverse judgment in the county court under deed of separation between him and his wife, fear of arrest, having impoverished himself by making his said wife too large an allowance out of his salary for her support.
Liabilities, £138 11s 6d; assets, £19 6s; deficiency, £119 5s. 6d. Mr. Goodman, official assignee.

"THE HARMONIC SOCIETY'S CONCERT", The Ballarat Star (17 April 1865), 1 supplement

http://nla.gov.au/nla.news-article112886070 

The performance of Haydn's charming oratorio, "The Creation," on the evening of Good Friday, was the latest achievement of the Ballarat Harmonic Society, and undoubtedly its greatest success. The hall of the Mechanics' Institute was so closely packed with people that many must have been rendered eminently uncomfortable for the greater part of the evening . . . Mr. Rutter's abilities as conductor were displayed throughout the evening . . . The solo vocalists comprised Miss Octavia Hamilton, Mr. D. Oliver, Mr. P. Cazaly, and Mr. S. Lamble . . . To the first was allotted the music of Gabriel as well as that of Eve, and it is really superfluous for us to state that the airs, "On Mighty Pens," "With Verdure Clad," and the concerted passages with Adam, in the last part, were charmingly sung . . .

ASSOCIATIONS: George Oswald Rutter (as above); Daniel Oliver (vocalist); Peter Cazaly (vocalist); Samuel Lamble (vocalist); Ballarat Harmonic Society (association)

[News], Maryborough and Dunolly Advertiser (5 July 1865), 2

http://nla.gov.au/nla.news-article253588777 

A Concert of an exceedingly pleasing nature was given in the Borough Hall, at Talbot, on Saturday evening last, and repeated on Monday evening, on both of which occasions large audiences assembled, and were delighted with the excellent rendering of a most liberal programme of songs, part songs, glees, and instrumental compositions, under the directorship of Mr. Schott. The artistes engaged, were Miss Octavia Hamilton, Mr. Thomas Ford, Mr. Alfred Ford, Mr. Sutcliffe, and Mr. Ernest King, the eminent violin soloist. Where a performance was so good and perfect in every department, it would be invidious to particularize, but we cannot omit alluding to the charming rendering of "Robert toi que j'aime," and the well-known ballad "Goodbye Sweetheart, Good-bye," by Miss Octavia Hamilton, each in its turn was loudly applauded and re-demanded . . .

ASSOCIATIONS: John H. Sutcliffe (vocalist); Ernest King (violin)

"NEWS AND NOTES", The Ballarat Star (8 July 1865), 2

http://nla.gov.au/nla.news-article112877084 

An excellent vocal and instrumental concert was given in the hall of the Mechanics' Institute last night, by a select company from Melbourne, under the direction of Mr. Schott . . . The presence of the best soprano in the colony in the person of Miss Octavia Hamilton, was enough to stamp the concert with something more than the ordinary value . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (17 August 1865), 5

http://nla.gov.au/nla.news-article155042189 

The second concert of the Orpheus Union for the present season was given at St. George's Hall, last evening. The members of the society on this occasion were assisted by Miss Octavia Hamilton, Miss Geraldine Warden, Miss Liddle, Mr. Coleman Jacobs, and Messrs. J. and F. Howson . . . Miss Octavia Hamilton was in excellent voice, and sang several of her favorite songs with unwonted animation. She also sang, with Miss Warden, the well-known duet from Norma, "Deh Conte" . . .

ASSOCIATIONS: Geraldine Warden (vocalist); Maggie Liddle (vocalist); Coleman Jacobs (pianist); Frank Howson (junior); John Howson (junior)

[News], The Herald [Melbourne, VIC] (18 August 1865), 2

http://nla.gov.au/nla.news-article244468713 

At the close of the proceedings at the Fitzroy Police Court, yesterday, Mr. Hunt made an application to the Bench under the following circumstances: - He said that his daughter was at the Orpheus Union concert at St. George's-hall, on the preceding evening, when her attention was called to two children belonging to Mrs. Moon (Miss Octavia Hamilton). They were outside the building crying. They stated that they had been deserted, and Miss Hunt knowing them from attending as a pupil at Mrs. Moon's, took charge of the children, and gave them a night's lodging. Mr. Hunt stated that he had seen Mr. Moon, who had altogether repudiated the children, and refused to have anything to do with them. The little girls appeared to be exceedingly intelligent children, and were aged respectively seven and five years. The Bench after hearing this statement ordered a summons to be issued against Mr. Moon, to be made returnable at the East Collingwood Court this morning. Mr. Hunt in the meantime promised to take charge of the children.

"MISS OCTAVIA HAMILTON AND HER CHILDREN (MATERNAL LOVE EXTRAORDINARY) (From The Herald, 19th August)", The Ballarat Star (21 August 1865), 4

http://nla.gov.au/nla.news-article112878187 

The following extraordinary case was heard yesterday, in the East Collingwood Court, before Messrs. Fawkner, Hawker, Embling, Thomas, and Levy: -
Augustus G. Moon was summoned for deserting his two children, named Alice Florence Moon and Edith Rose Moon. Mr. Duigan, the Clerk of the Court, informed their worships that the children had been taken before the Fitzroy Bench by Mr. Hunt and had been remanded to be dealt with by this Court.
Mr. Hunt was called, and stated that his daughter was at the concert at St. George's Hall on Wednesday evening, and that, as she was leaving, the two children now in court were crying and screaming: they knew his daughter, and asked her to take them to their mother. Miss Hunt went into the hall and informed Mrs. Moon that the children were there, and Mrs. Moon then said she would be obliged if Miss Hunt would take them home with her and keep them that night and in the morning take them to Mr. Moon. His daughter brought the children to his house and they were kept there that night: they were in a dirty, filthy state, and covered with vermin. Witness went to what he thought was Mr. Moon's residence, in the morning, but she was told that he did not reside there; saw him afterwards at his office, in Melbourne, and stated the case, saying that he expected Mr. Moon would take charge of the children. Mr. Moon, however, repudiated the paternity of the children, altogether, said he would have nothing to do with them, and that witness might take them to their mother. He afterwards took them to the Fitzroy Court, and they were remanded to this Court.
Miss Jessie Hunt stated that she was at the Orpheus Union Concert, on Wednesday evening, and that as she was leaving, the children, who were standing near the door, recognised her. The children knew witness through having seen her at Mrs. Moon's house. The remainder of this witness' evidence was corroborative of that given by her father.
Augustus G. Moon was then called. He said that neither of the children in the court were his. The eldest was born in November, 1857, and the youngest in May, 1861.
Mr. Wrixon who appeared for Mr. Moon, here stated that he had been instructed to take the case upon the general merits, and he thought that before going farther into the matter their Worships should see if there was any proof of desertion on the part of Mr. Moon.
The examination of the witness was, however, continued. He said that his wife was the mother of the children. She resided with him for nearly twelve months alter the youngest of them was born, but they were living separate, although in the same house. Witness parted from her at the time the child was born, as he knew by the date that it was illegitimate. Mrs. Moon had had one child since she left witness. She lived in the same house with witness from May, 1861, when the youngest child was born, to May, 1862, but although he maintained the two children he never acknowledged them. Mrs. Moon left witness at her own request. He gave her two-thirds of his income, which was £6 per week, and all the furniture he possessed. He paid her this allowance tor three years, but ceased to pay it in November last. Witness claimed his own four children, but repudiated those in court. The children were brought to his office on the day of the concert by a person who ran away and left them. He believed they were brought from Mrs. Thompson's, in St. Kilda, where they had been at school. The messenger at Witness' office asked what was to be done with them, and he replied that he knew nothing of them. Witness believed that the messenger took them to the school at St. Kilda, and as they would not take them in there, that he took them to St. George's Hall, and left them there. Witness had distinct admissions and evidence proving that the eldest child was not his. He forgave his wife for her first offence, When the second child was born they had been cohabiting for six months. Prior to that his wife had made a long visit to Sydney, and during that time he heard bad accounts of her from his own brother and other persons there. The child was born six months after she came back from Sydney. The eldest of the two children in court was born in November, 1857. His wife had been away from the latter part of the previous year, and returned to the colony in June or July of the year in which it was born. Witness allowed the children to live with him for twelve months, because he could not face the public scandal. He had been living with his wife's family, who had been very kind to him, since the separation, and it was for their sake and the children's that he wished to save the public scandal which might occur.
Mrs. Moon was in Court, but was not called; and Mr. Grave, solicitor, who appeared for her, stated that Mr. Moon admitted living with the children after they were born, and therefore he was liable to keep them. He had admitted that his wife left him at her own wish, and that he was to pay her £4 per week, and if anything had occurred to release him from maintaining his wife he was still bound to maintain the children.
Their Worships here expressed an opinion that Mr. Moon was liable to support the children, when Mr. Wrixon said the merits of the case were altogether with his client.
The Bench said they were satisfied that the merits were on Mr. Moon's side. After some discussion between the legal gentlemen on the question of desertion, the Bench said the frequent condonations of his wife's offences by Mr. Moon, and his allowing the children to live in the same house with him and to bear his name, obliged them much against their will to make an order on him for their maintenance.
Mr. Wrixon again urged that the charge of desertion had not been proved, but the Bench said it would eventually come to that. If Mr. Moon would take charge of the children they would make an order. They would willingly make the mother take charge of them if they could, but the facts they had already stated prohibited that. Mr. Wrixon then said in deference to their Worships' decision, that his client would make an allowance for the children. He was living with Mrs. Moon's mother, and had the other four children to keep, besides other heavy charges. His income was £300 per year, and he would be satisfied to pay 15s per week for their maintenance, but of course he could not take them home to his other children.
Mrs. Moon was then asked if she would take them and maintain them on the allowance of 15s per week, but she declined to do so.
The children were then ordered to be sent to the Industrial School for seven years each, and an order for the payment of 15s per week for their maintenance was made against Mr. Moon. As Mrs. Moon left the Court the children ran after her crying to be taken with her, but they were of course detained by the police, in whose custody they were.

"A SCANDALOUS DISCLOSURE", Leader [Melbourne, VIC] (26 August 1865), 12-13

http://nla.gov.au/nla.news-article197035964 

. . . [13] . . . There is one aspect of this revolting case which must not be overlooked. Mrs. Moon is, or has been until lately, a paid member of the choir of an Episcopal church in Melbourne. She was the leading vocalist of those two musical societies which enjoy so much patronage from the Melbourne public. In almost every concert programme the name of Miss Hamilton was conspicuous. We take it for granted that it is quite impossible for her to appear again before any respectable audience. People of Mrs. Moon's profession are frequently not very observant either of chastity or of marriage vows; but, whilst they keep their delinquencies from the public gaze; it is not necessary that they should present a certificate of moral character before appearing on the stage. But, whatever may be Miss Hamilton's talents or accomplishments, we imagine that no person with human instincts can regard her otherwise than with aversion, and that her appearance in the concert room would create suggestions and excite reminiscences which no respectable person would be willing that members of his family should indulge in. As to her ecclesiastical engagement, that is purely a matter of taste for the minister and congregation . . .

"HOW INDUSTRIAL SCHOOLS ARE STOCKED", South Bourke Standard (1 September 1865), 3

http://nla.gov.au/nla.news-article66906560

A certain married lady - as we suppose we must call her - named Moon, but who is well known under the professional pseudonym of Octavia Hamilton, is married to a clerk in the General Post Office, by whom she had several children. Mrs. Moon is a well-known public singer, and as she is a general stage favourite it is to be presumed that her income is at least sufficient for her personal expenses. Her husband has a salary of £6 per week, and, so far as has been made known, has always been willing to support both herself and his children. The lady however, is necessarily of peripatetic habits and therefore the domestic arrangements can never have been of the most comfortable description. It is certainly a great hardship to any man that he should be obliged to support a wife who does not perform her part of the marriage contract. But Mr. Moon does not seem to have complained of being deprived of his wife's society, and probably he has sufficient reason for being tolerably satisfied with her periodical absence on professional business. At the same time, and while he recognises his liability to provide for his wife's maintenance and that of the children born to him, it would be beyond everything unreasonable to expect that he should patiently submit to be saddled with the support of his wife's offspring, whom by all the rules of nature he knows cannot by any possibility have been born legitimately. Moon, however, has the misfortune to know that his wife has on more than one occasion been inconstant to her vows . . . It seems that this Mrs. Moon has for some time been separated from her husband, who to avoid scandal, has regularly for three years, paid his wife two-thirds of his income, although she herself must have been doing very well in her own business. Since this separation, the faithless wife has given birth to two children whose father or fathers are not known; and recently she has had the cool effrontery to call upon Mr. Moon to provide for their support . . . Unable to keep this terrible family trouble any longer a secret, Mr. Moon took such steps as resulted in his being charged with deserting the children, and the whole of the disgraceful affair was brought out in court . . .

"THE SACRED CONCERT AT THE TOWN HALL", Adelaide Observer [SA] (7 July 1866), 4 supplement

http://nla.gov.au/nla.news-article159503754 

We understand that inconsequence of the Aldinga having been laid up in Melbourne for repairs, Miss Octavia Hamilton is prevented from fulfilling her engagement to sing at the sacred concert on the 10th instant. Mr. Shakespeare has, however, succeeded in securing the valuable services of Mr. and Mrs. George Loder, which, will doubtless enable him to carry out his programme with perfect satisfaction to the public.

ASSOCIATIONS: James Shakespeare (musician); George and Emma Loder (musicians)

[News], The Argus (6 July 1867), 4

http://nla.gov.au/nla.news-article5771649 

Several musical favourites are about to proceed on a starring tour. A small company has been formed, consisting of Miss M. A. Liddell, Miss Octavia Hamilton, Mr. Melvyn, Mr. Rainsford, Mr. Bent, Mr. Linley Norman, and Mr. Thomas Holme Davis. The company will leave Melbourne at an early date for Sydney, where they will give concerts in conjunction with Mr. C. E. Horsley. They will then visit Queensland, Mauritius, the Cape, India, and China.

ASSOCIATIONS: James Hadock Melvyn (vocalist); Thomas Harris Rainford (vocalist); William Horace Bent (vocalist)

On tour (September and October 1867):

[Advertisement], Empire [Sydney, NSW] (26 September 1867), 1

http://nla.gov.au/nla.news-article60845238 

SCHOOL OF ARTS. PITT-STREET. GRAND OPENING NIGHT, MONDAY, 30th SEPTEMBER,
Of the Celebrated Original ENGLISH GLEE AND BURLESQUE OPERA COMPANY, Their first appearance in Sydney . . .
Their fashionable and admired entertainments consist of the gems of
English glees, madrigals, Orpheus quartettes, trios, duets, ballads, eccentric comedy, pianoforte fantasias, and burlesque operas . . . THOMAS HOLME DAVIS, Business Director.

ASSOCIATIONS: Mechanics' School of Arts (Sydney venue)

"ENGLISH GLEE AND BURLESQUE COMPANY", Empire (7 October 1867), 4

http://nla.gov.au/nla.news-article60845629 

The attendance during the past week, at the School of Arts, where these admirable artistes are performing, has been very poor . . . The company is composed of clever people, not mere tyros . . . Miss Octavia Hamilton, remembered doubtless, as the brightest ornament of the Bianchi troupe . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (8 October 1867), 4

http://nla.gov.au/nla.news-article185505123 

Another "strange story" was told by a child miserably clad and wretched looking, who was brought up at the City Police Court, yesterday. She stated that she was a daughter of the well-known Octavia Hamilton, and that she had been living with a Mrs. Montgomery, at Collingwood, who had ill-used her. In confirmation of her statement, she showed her arms and head, which were covered with bruises and swellings. She said that she had that morning been taken from her home by a Mrs. Tibbits, who had left her at the Yarra Yarra Dining-rooms. There the people were unable to do anything for her, and handed her over to the police. She refused to go back to Mrs. Montgomery's, Mr. Sturt therefore remanded her until Wednesday, to enable the police to inquire into the truth of her statement.

"DESERTED CHILD", The Sydney Morning Herald (14 October 1867), 5

http://nla.gov.au/nla.news-article13154766 

The Melbourne Argus of Thursday reports that Florence Moon, one of the children of Miss Octavia Hamilton, was brought before the City Court on Wednesday, as a neglected child. Mr. Moon said he had always repudiated the paternity of the child, but that he had been ordered by the Fitzroy Bench to support her. She was taken from the Industrial School, after she had been there for some time, and placed in charge of Mrs. Thompson, of St. Kilda,) but as this lady was not regularly paid, the girl was again sent to the Industrial School. Mr. Moon afterwards removed her, and placed her in charge of a Mrs. Montgomery, who, he had been given to understand, was a very respectable person, and he had heard nothing of the child until she was brought before the Court. The Bench ordered the girl to be sent to the Industrial School for seven years, and directed Mr. Moon to contribute towards her support. In the issue of the same journal on the Tuesday previous, when the child was first brought before the police, it is stated that "It was evident from the bruises on the poor child's arms and head that she had been hardly dealt with."

"THE BURLESQUE OPERA TROUPE", The Sydney Morning Herald (19 October 1867), 6

http://nla.gov.au/nla.news-article13158230 

Messrs. J. H. Melvyn and T. H. Rainford, of the English Glee and Burlesque Opera Company, took a benefit before a very fair house at the School of Arts last night, the performance being under the patronage of the Mayor and Aldermen of Sydney . . . Miss Octavia Hamilton, and Miss M. A. Liddle were in excellent voice, while the two beneficiares sang with their accustomed vigour and success. The company give their farewell performance to-night.

"THEATRICAL", Bell's Life in Victoria and Sporting Chronicle (16 November 1867), 2

http://nla.gov.au/nla.news-article199057719 

The English Opera and Burlesque Company . . . having made a tour through New South Wales and Queensland, have dissolved. Miss Hamilton arrived in Melbourne on Tuesday, the remainder of the troupe still sojourning in New South Wales.

Melbourne, VIC (1868 to January 1874):

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (25 May 1868), 5

http://nla.gov.au/nla.news-article176997012 

A lad eleven years of age, named Augustus Moon, was on Saturday [23 May] sent by the Richmond bench to the Industrial School for five years, as a neglected child. The boy, who had all the appearance of having received a fair education, said he wished to be sent to the school to learn a trade, as by that means he was told he would become a "great man". He is a son of the well-known vocalist, Octavia Hamilton, whose name has been made notorious by her systematic and brutal neglect of her offspring. We believe she is now travelling in India, and no doubt earning a very "respectable" livelihood while this colony is obliged to support her children. The boy in question is, we believe, the fourth child of this woman now in the industrial establishments.

"BRIGHTON COURT (THIS DAY)", The Herald [Melbourne, VIC] (7 May 1869), 3

http://nla.gov.au/nla.news-article244917608 

. . . Mr. G. R. G. Pringle, professor of music, appeared to charge a poor unfortunate girl, named Florence Irving Moon, the daughter of Miss Octavia Hamilton, with being a neglected child. The bench sent her to the Industrial School for four years . . .

[Advertisement], The Argus (15 January 1874), 4

http://nla.gov.au/nla.news-article5879473

THIS DAY, At Twelve O'Clock.
Extensive Clearing Sale of VICTORIAN WINES, Stout and Ale, Utensils in Trade.
By Order of Mr. Thos. Holme Davis, At his Stores, 108 Collins-street West
(In Consequence of his Departure for England) . . .

England (from 1874):

England census, 1881, Lewisham, London; UK National Archives, RG11/730/6/5

https://www.ancestry.com.au/search/collections/7572/records/7742563 (PAYWALL)

3 [Heath Terrace] / Eliza Davis / Wife / Mar. / 44 / Wife of Wine Mer. / [born] Surrey Camberwell
Ernest E. / Son / 15 / Com. Clerk / [born] Melbourne Australia
Mabel F. / Daur / 5 / - / [born] Kent Ramsgate
Beatrice C. / 2 / [born] Lewisham . . .

[News], The Argus (11 October 1887), 5

http://nla.gov.au/nla.news-article7911177       

About 10 o'clock last night a man named Augustus Moon, 30 years of age, was arrested by Constable Boban on a charge of behaving indecently to two young girls in Simpson's road who were returning from church. The accused was placed in the Richmond lock-up, and will be brought before the local Bench.

Register of burials in the Leeds Burial Ground, consecrated portion (Anglican), March 1907; Leeds Cemetery, LC/CEM (B)/1/5, 78001-97840 (1900-30)

https://www.ancestry.com.au/search/collections/8999/records/50008 (PAYWALL)

No. 89397 / Eliza Davis / 21 Roundhay View, Leeds / Wife of Thomas H. / [buried] March 29th / 70 years


Musical sources:

When I was young (Compton, 1859)

When I was young, song, sung by Miss Octavia Hamilton, written by Henry F. Chorley, the music composed by Charles H. Compton (Melbourne: For the composer by Clarson, Shallard & Co., 1859)

https://trove.nla.gov.au/work/28502915

https://collection.sl.nsw.gov.au/record/74Vvxjwk3xVA (DIGITISED)

ASSOCIATIONS: Charles Henry Compton (composer); Henry Fothergill Chorley (lyrics); Clarson, Shallard & Co. (printers, publishers)

[Advertisement], The Age (19 April 1859), 1

http://nla.gov.au/nla.news-article154837172 

THEATRE ROYAL, MELBOURNE. GRAND MUSICAL ENTERTAINMENT AND THEATRICAL PERFORMANCE . . .
Mr. CHARLES H. COMPTON has the honor to announce . . . his GRAND CONCERT . . . On TUESDAY (This Evening), 19th APRIL . . .
PROGRAMME OF CONCERT . . . Song, "When I was Young" (composed expressly for, and sung by, Miss O. Hamilton)
(a copy of which will be presented to each lady visiting the dress circle) - Compton . . .

"THE THEATRES", The Argus (20 April 1859), 5

http://nla.gov.au/nla.news-article5679862 

. . . Weber's magnificent and scene-suggesting overture was played by the band with well-sustained precision, after which Miss Hamilton sang a pleasing ballad, entitled, "When I was young," composed by Mr. Compton expressly for the occasion. The air is simple and not inexpressive, but there is nothing very strikingly original in the conception of it . . .

The light from the mountain (Nelson, 1859)

The light from the mountain, favorite ballad by an Australian lady, the music by S. Nelson, as sung by Miss O. Hamilton (Melbourne: Edward Arnold, [1859]); "De Gruchy & Leigh, lith."

https://trove.nla.gov.au/version/22289758

https://nla.gov.au/nla.obj-179711347 (DIGITISED)

ASSOCIATIONS: Sidney Nelson (composer); Louisa Atkinson ("an Australian lady"); Edward Arnold (publisher); De Gruchy and Leigh (lithographers, printers)

[News], The Argus (17 October 1859), 5

http://nla.gov.au/nla.news-article5690118 

The last of the present series of the "People's Concerts" was given on Saturday evening [15 October] in the Trades' Hall, Lygon-street . . . The programme on Saturday did not present anything remarkably novel, except perhaps the first public performance of Nelson's new song "The Light from the Mountain," which was very pleasingly sung by Miss Hamilton. As an encore the lady substituted Lavenu's "Molly Asthore" . . .

[Advertisement], The Argus (18 October 1859), 8

http://nla.gov.au/nla.news-article5690189 

THE LIGHT FROM THE MOUNTAIN, Nelson's popular song.
Sung by Miss Hamilton, and rapturously encored at the People's Concerts.
Published by Edward Arnold, 56 Elizabeth-street

Our native clime (Wilson, 1860)

Our native clime, ballad, written and composed expressly for Miss Octavia Hamilton, by Marmaduke H. Wilson (Sydney: Australian Musical Bouquet Office, [1860]

https://trove.nla.gov.au/work/7444024 

https://collection.sl.nsw.gov.au/record/74VKDxXbMVE3/oxmNWrjyZRm8v (DIGITISED)

ASSOCIATIONS: Marmaduke Henry Wilson (composer); Alonzo Grocott (publisher)

"MISS HAMILTON'S CONCERT", The Sydney Morning Herald (7 August 1860), 8

http://nla.gov.au/nla.news-article13044002 

Miss Octavia Hamilton . . . gave a farewell concert last evening at the Exchange Hall . . . Miss Hamilton sang a ballad, "Our native clime," written and composed expressly for her by Mr. M. H. Wilson. There is nothing particular, either in the words or the music of the ballad, but it was sung with some taste, and as each lady who visited the concert had received gratuitously a copy of the words and music the audience naturally felt bound to encore the "Morceau," and encored it accordingly was . . .


Bibliography and resources:

Harold Love, The golden age of Australian opera: W. S. Lyster and his companies, 1861-1880 (Sydney: Currency Press, 1981), 58, 90, 127

https://trove.nla.gov.au/work/25720103 

Alison Gyger, Civilising the colonies: pioneering opera in Australia (Sydney: Pellinor, 1999), 104, 105, 108, 110, 111-12, 115, 116, 117, 123

https://trove.nla.gov.au/work/32587155 

Patricia Kennedy, The rise and demise of Octavia Hamilton: a study of colonial celebrity and scandal (M. A. thesis, University of New South Wales, 2017)

https://trove.nla.gov.au/work/225832192 

http://hdl.handle.net/1959.4/57964 (DIGITISED)




HAMILTON, Mr. St. George (Mr. St. George HAMILTON; Mr. G. HAMILTON; Mr. HAMILTON)

Musician, vocalist, pianist, pupil of Frederick Crouch

Active Melbourne, VIC, 1852

https://trove.nla.gov.au/search?l-publictag=Mr+St+George+Hamilton+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMILTON-Mr-St-George (shareable link to this entry)


Documentation:

"THE CONCERT", The Argus [Melbourne, VIC] (13 March 1852), 5

http://nla.gov.au/nla.news-article4783771

The following is the programme of the Concert this evening [Saturday]: -
PART I. Overture - Siege of Rochelle.
Song - Our parting is near, Madame F. Allan.
Song - In happy moments, Mr. Bancroft.
Solo - Tuba Basso.
Song - Kathleen Mavourneen, Mr. St. George Hamilton, (pupil of the composer)
Song - Will you love me then as now, Madame F. Allan.
Waltzes - Eliza, W.
PART II.
Overture - Maritana.
Song - I'm going Jessie, Mr. St. G. Hamilton.
Song - The Swiss Girl, Madame F. Allan.
Piano - Mr. Buddee.
Song - I'm afloat, Mr. Bancroft.
Polka - Mazurka.
Buffo Song - Skying a Copper, Mr. Cooze.
Finale - God save the Queen.

ASSOCIATIONS: Francesca Allen (vocalist); Richard Bancroft (vocalist); Julius Buddee (pianist); William Joseph Cooze (vocalist); Mechanics' Institution (Melbourne venue)

MUSIC: Kathleen Mavourneen (Crouch)

"THE CONCERT", The Argus (18 March 1852), 3

http://nla.gov.au/nla.news-article4783858

The following is the Programme of the Concert for this evening [Thursday]: -
PART I. Overture - Il Barbiere de Seviglia.
Song - Mr. St. George Hamilton.
Song - The Captive Greek Girl, Mrs. Testar.
Solo - Tuba Basso, Mr. Hunerbeine.
Buffo Song - Wanted a Wife, Mr. Cooze.
Quadrille - Susanna.
PART II.
Overture - Le Cheval de Bronze.
Aria - Stanca di plu combatiere, Mrs. Testar.
Solo - Violin, Mr. Megson.
Song - Mr. St George Hamilton.
Song - I'm a Merry Zíngara, Mrs. Testar.
Polka - Jenny Lind.
Song - Mr. St. George Hamilton.
Finale - God save the Queen.

ASSOCIATIONS: Elizabeth Testar (vocalist); August Christian Huenerbein (tuba); Joseph Megson (violin, leader); Thursday concerts (weekly series)

"THE CONCERT", The Argus (20 March 1852), 5

http://nla.gov.au/nla.news-article4783906

The following is the programme of the Concert this evening [Saturday]: -
Overture - Don Pasquale.
Song - Cavalier, Mr. St. George Hamilton . . .
Song - The Ivy Green, Mr. St. George Hamilton . . .
PART II. Overture - Bohemian Girl.
Song - The Maniac, Mr. St. George Hamilton . . .
Ballad - Home and Friends around us, Mr. St. George Hamilton . . .

MUSIC: The ivy green (Henry Russell); The maniac (Henry Russell); Home and Friends around us (Alexander Lee)

[Advertisement], The Argus (26 May 1852), 5

http://nla.gov.au/nla.news-article4785276

MR. ST. GEORGE HAMILTON having recovered from a severe illness, will have the honor of reappearing at the Mechanics' Institution Concert on THURSDAY next, 27th May.

"THE CONCERT", The Argus (27 May 1852), 4

http://nla.gov.au/nla.news-article4785309

The following is the programme of the Concert for this evening: -
PART I . . . Song - The Angels' Whisper, Mr. St. George Hamilton . . .
PART II . . . Song - Sally, Sally, Mr. St. George Hamilton . . .
Again we have to congratulate the public upon a very good programme.
The re-appearance of an old friend, Mr. Hamilton, after a serious illness, is something gratifying . . .

[Advertisement], The Argus (3 June 1852), 5

http://nla.gov.au/nla.news-article4785482

HERR MATER'S FIRST GRAND CONCERT, WILL take place on Saturday, June 5, 1852, at the Mechanics' Institute, Collins-street.
PRINCIPAL PERFORMERS: Mrs. TESTAR, Mr. St George Hamilton, Mr. Charles Walsh, Messrs. Buddee . . .
PART I. Overture - Il Don Giovanni - Mozart.
Solo - "Kathleen Mavourneen," Mr. Hamilton - F. N. Crouch . . .

ASSOCIATIONS: Charles Albert Frederic Mater (musician); Charles Walsh (vocalist)

"THE CONCERT", The Argus (10 June 1852), 4

http://nla.gov.au/nla.news-article4785668 

The following is the programme for this evening [Thursday]: -
PART I. Overture - Cenerentola.
Song - The Heart Bowed Down, Mr. St. George Hamilton . . .
PART II. Overture - Der Freyschutz . . .
Song - Widow Machree, Mr. St. George Hamilton . . .

MUSIC: The heart bowed down (Balfe); Widow Machree (Lover)

"WEEKLY CONCERTS", The Argus (15 June 1852), 3

http://nla.gov.au/nla.news-article4785778 

Some little unpleasantness occurred ut the Concert of last Thursday evening, in consequence of one or two omissions in the programme; and things seemed likely to have taken a disagreeable shape if Mr. Wheeler and Mr. Hamilton had not very good temperedly rushed to the rescue . . .

ASSOCIATIONS: Stephen Thomas Wheeler (musician); see also "THE WEEKLY CONCERTS", The Argus (28 June 1852), 5

http://nla.gov.au/nla.news-article4786098

. . . with respect to the concert spoken of [Thursday 10 June] . . . Two singers being absent . . . the good tempered efforts of Mr. Hamilton to fill the gap . . .

[Advertisement], The Argus (10 December 1852), 5

http://nla.gov.au/nla.news-article4788418

THIS EVENING. FRIDAY DECEMBER 10th. MECHANICS' INSTITUTE.
The greatest combination of artists ever known in Melbourne.
Mr. CHARLES MIRAN, Of the Theatre Royal Drury Lane, has the honour to announce that he will give a
GRAND CONCERT, On Friday Evening Next, December 10,
On which occasion the following distinguished artists will appear: -
VOCAL - MISS LEWIS, of the Royal Italian Opera;
Signor Georgi, of the Opera Francais and the leading Concerts of Paris;
Mr. Gregg, the favorite Bass singer;
Mr. Moseley, of the principal London Concerts;
Mr. George Lunt, of the Liverpool Concerts, his first appearance;
and Mr. Hamilton, of the leading Concerts . . .
PROGRAMME. PART I . . . Ballad - In happy moments, Mr. Hamilton - Wallace . . .
PART II . . . Song - Come, Brothers, awake! Mr. Hamilton - Russell . . .
Song - Robin Ruff, Mr. Hamilton - Russell . . .

ASSOCIATIONS: Charles Miran (actor, manager); Annie Lewis (vocalist, Mrs. Salamon); Signor Georgi (vocalist); John Gregg (vocalist); Mr. Moseley (vocalist); George Lunt (vocalist)

MUSIC: Robin Ruff (Henry Russell)

[Advertisement], The Argus [Melbourne, VIC] (22 February 1853), 8

http://nla.gov.au/nla.news-article4790047 

MELBOURNE COAL HOLE, Manchester Hotel, Queen-street, opposite the Theatre,
REMOVED from the Royal Exchange, Collins-street.
Open every evening at Eight o'clock. Admission One Shilling.
PRINCIPAL PERFORMERS:
Mr. Cumming (the celebrated Ballad Singer)
Mr. Laberne (the popular Comic Singer)
Mr. Hamilton
Mr. Moran
Mr. Stewart
Cornopean Player: Mr. Reid
Pianists: Hamilton and Jenkins.
Chops, Steaks, Kidneys, Sandwiches, &c. ready at all hours during performance at reasonable prices.

ASSOCIATIONS: Mr. Cumming (vocalist); George Laberne (vocalist); Melbourne Coal Hole (venue)

[2 advertisements], The Argus (28 February 1853), 1

http://nla.gov.au/nla.news-article4790186 

GOORE & BELLAMY'S MELBOURNE COAL HOLE . . .
Mr. Cumming, the celebrated Ballad Singer
Mr. Laberne, the popular Comic Singer . . .
Mr. Hamilton . . . Pianists - Messrs. Hamilton and Waller . . .

ROYAL EXCHANGE HOTEL, Great Collins-street, TEMPLE OF HARMONY.
THE Splendid Room of the above Hotel has been entirety re-decorated regardless of expense, and will be opened every evening at 8 o'clock.
The public are respectfully informed that, in order to render this the teal Temple of Harmony,
no songs are allowed to be sung that could offend the ear of purity itself,
consequently the price of admission has been raised, for the purpose of procuring the highest available talent in the colony,
and also that females may not be prevented from enjoying an evening's delightful recreation in company with their male friends.
Male Vocalists.
Mr. McLaren, the celebrated Chin Melodist.
Mr. Riley, Comic.
Mr. James, the popular Negro Vocalist.
Mr. Charlton, Ballad singer.
Mr. Bruce, Tenor.
Mr. Hamilton, Sentimental.
Pianist, Mr. Thompson . . .
Female Vocalists will, if possible, be engaged.
Single Ticket, 1s. 6d; Gentlemen and Lady, 2s. 6d.

[Advertisement], The Argus (1 March 1853), 8

http://nla.gov.au/nla.news-article4790250 

GOORE and BELLAMY's Melbourne Coal Hole,
open every evening, at 8 o'clock, at the Manchester Hotel, Queen-street, opposite the Theatre; admission 1s.
Vocalist, Mr. John Gregg, Mr. Cumming, Mr. Labern, Mr. Hamilton, Mr. Stewart. Mr. Morani [sic].
Mr. St. Albin will appear after Thursday next. Chops, steak, kidneys, &c.

ASSOCIATIONS: Edmund St. Albin (vocalist)

[Advertisement], Geelong Advertiser and Intelligencer [VIC] (12 May 1853), 2

http://nla.gov.au/nla.news-article94360112 

GREAT ATTRACTION! MR. T. GREEN, begs to inform the public of Geelong,
that the Royal Hotel Saloon, Malop Street, will be opened nightly, on and after Wednesday evening next, May the 11th, with a
GRAND CONCERT, IN THE LONDON STYLE.
The Programme, which will be varied every evening will comprise come of the best comic and sentimental Songs and Glees.
PRINCIPAL VOCALISTS: Mr. CUMMING, the favourite Tenor, from the Melbourne Concerts.
Mr. HAMILTON, the admired singer of Russell's songs.
Mr. MORAN, from the Melbourne Theatre, &c.
Mr. LABERNE, the celebrated comic singer, from the Melbourne Cider Cellars, &c.
Mr. GREEN, &c., &c.
PIANIST, MR. HAMILTON.
ADMISSION, ONLY ONE SHILLING . . .

[Advertisement], Geelong Advertiser and Intelligencer (20 June 1853), 2 supplement

http://nla.gov.au/nla.news-article94359083 

ROYAL HOTEL SALOON CONCERTS. MESSRS. CUMMING & HAMILTON
beg to inform their friends and the public, that the above Saloon is OPEN NIGHTLY.
Admission - One Shilling.

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (2 November 1853), 1

http://nla.gov.au/nla.news-article65715437 

MR. G. HAMILTON, Pianist & Vocalist (from the London, Melbourne, and Geelong Concerts) is now making his stay in Launceston.
G. H. will be happy to receive pupils.
All communications addressed to Mr. Gardner's Boarding-house, St. John-street, Launceston.
N.B. Quadrille parties attended.

[Advertisement], Launceston Examiner (10 December 1853), 3

http://nla.gov.au/nla.news-article36270751 

GRAND VAUXHALL GALA, WILL TAKE PLACE
WEDNESDAY NEXT, 14TH DECEMBER, 1853, AT THE HORTICULTURAL GARDENS . . .
The St. Joseph's Band will commence playing at 7 o'clock.
THE CONCERT WILL TAKE PLACE ON THE NEWLY-ERECTED STAGE IN THE PAVILION.
Vocalists: Mr. G. HAMILTON; Mr. W. BLACK, the celebrated Buffo singer; and Mr. P. CUMMING.
PIANIST - Mr. HAMILTON, (by permission of Mr. Blake.)
A MONSTER BALLOON, Prepared by Dr. KENWORTHY, will ascend, wind permitting, which will discharge FIREWORKS in the air . . .

ASSOCIATIONS: St. Joseph's Band (association)

[Advertisement], The Age [Melbourne, VIC] (14 July 1855), 8

http://nla.gov.au/nla.news-article154896852 

KILMORE. - Grand Concert given by Herr Veit Rham, the celebrated Tyrol singer, Miss Fitzgerald, Mr. G. Hamilton, on Saturday the 2lst, and Monday the 23rd of July.

ASSOCIATIONS: Veit Rahm (musician); "Miss Fitzgerald" = Maria Wallace (vocalist)

"MOUNT BLACKWOOD (From a Correspondent) Sept. 20, 1855", Bendigo Advertiser [VIC] (26 September 1855), 2

http://nla.gov.au/nla.news-article88047551 

. . . With regard to amusements, I would mention that the system of erecting concert rooms in connection with every public house that is built, is being universally adopted here. At Golden Point there are at present four hotels (all of which, by-the-bye, are very inferior buildings) that have concert rooms attached to them, which are thrown open to the public free, the landlord hoping to pay the professionals employed, and to make a profit for himself out of the quantity of "brandy hot, &c." consumed. At the Red Hill there is one public house, the Eastern Exchange, where free concerts take place, and also bal masques. To go to the latter entertainment you have, however, to pay. In my opinion this system of free concerts, besides being decidedly a low kind of amusement, is injurious, inasmuch the diggers here have got imbued with a notion that all amusements ought to be free; and I believe that even the best theatrical, vocal, or instrumental talent would be very badly supported if any charge were made for admission. Mr. Rignold, Mrs. Rignold, Mr. Shearcroft, and a Mr. Hamilton, are now giving concerts at Gregory's Hotel, Golden Point, being engaged by the landlord. As there is nothing to pay, the room is of course very well attended . . .

ASSOCIATIONS: Charles Henry Rignold and wife (actors, vocalists); Edwin Shearcroft (actor); Blackwood (VIC)

"MOUNT BLACKWOOD DIGGINGS (FROM OUR OWN CORRESPONDENT) 24th September . . . THE AUSTRALIAN RUSSELL", The Argus [Melbourne, VIC] (26 September 1855), 6

http://nla.gov.au/nla.news-article4819291 

So Mr. G. Hamilton delights to placard himself as; and his particular friends, Messrs. W. W. Gibson, Shearcroft, C. P. Rignold and, though last, not least, Miss E. Thom, have been amusing (I hope to their own pecuniary advantage) the people of Mount Blackwood with concerts and a varied list of dramatic entertainments, in the large entertainment room of mine host Gregory, at Golden Point.

ASSOCIATIONS: Eliza Thom (actor)




HAMMOND, Adela Ann (Adela Ann HAMMOND)

Amateur musician, composer (never visited Australia)

Born Lambeth, Surrey, England, 21 October 1821; baptised St. Mary, Newington, 14 November 1821; daughter of Munden HAMMOND and Lucy Margaret WOOLLETT
Married John Cooper FORSTER (1823-1886), Bathwick, Somerset, England, 19 November 1850
Died Bournemouth, Hampshire, England, 23 October 1899

https://trove.nla.gov.au/search?l-publictag=Adela+Ann+Hammond+Forster+1821-1899 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMMOND-Adela-Ann (shareable link to this entry)


Summary:

A pencil annotation on the State Library of Victoria's copy of a printed song, The shadow of the heart, the music composed by Adela Ann Hammond, notes that "This is the first song & music published in Melbourne prior to 1845" (MSS 12831, McCrae Family Papers).

However, this is clearly incorrect.

The edition was certainly not published in Melbourne, but in London in 1837, by the father of the composer, Munden Hammond (1798-1871), printer and publisher of 27 Lombard-street, and later compiler and publisher of Hammond's list of London and provincial newspapers (1850s). Prue Neidorf (1999) identified the (? cover) lithography as the work Henry Lingham, who was active in Melbourne by c. 1846.

Hammond is not to be confused with the early 20th-century English song composer, Adela E. Hammond.


Musical work:

The shadow of the heart (London, England, 1837)

The shadow of the heart, the poetry by W. H. Harrison Esq. to whom the music is respectfully inscribed by his obliged young friend, Adela A. Hammond, Melbourne (London: [Hammond], 27 Lombard-street, [1837])

https://trove.nla.gov.au/work/21614686

"POETRY", Derbyshire Courier (22 April 1837), 4

https://www.britishnewspaperarchive.co.uk/viewer/BL/0000395/18370422/042/0004 (PAYWALL)

THE SHADOW OF THE HEART. BY W. H. HARRISON, ESQ. . . .
[- verse 1 as below, and verse 2 - ]
Miss Adela A. Hammond, of London, a young lady remarkably precocious talent, has arranged the above beautiful lines an original melody of her composition - the music of which is in happy unison with the feeling the poetry. A considerable advance in musical erudition is apparent in this composition and Miss Hammond surpasses her former pretty fairy song, "Sleeping in Lily Bells," which, we believe, was published at the early age of 10 years. The "Shadow of the Heart" is a sweet song, and we trust its own intrinsic merits will win for it a deserved place in public estimation.

"NEW MUSIC", The News [London, England] (23 April 1837),

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002258/18370423/020/0005 (PAYWALL)

THE SHADOW OF THE HEART. Poetry by W. H. Harrison; Music by Adela. A. Hammond. London, 27, Lombard-street . . .

"NEW PUBLICATIONS", The Literary Gazette [London, England] (8 July 1837), 437

http://books.google.com.au/books?id=9r9LAAAAYAAJ&pg=PA437 (DIGITISED)

The Shadow of the Heart. The Poetry by W. H. Harrison, Esq.; the Music by Adela A. Hammond.

We are given to understand that the composer of this beautiful air is but sixteen; if so, she is indeed a young lady of the greatest promise, for the composition would do credit to one of sixty - ay, even one who had grown gray among gamuts. There is what Dyer happily calls "the sweet diapason melancholy," sadly, and thrillingly interwoven with the words, which not only chains down the ear to "marble listening," but sinks deeply into the heart, like feelings arising from the remembrance of happy and bygone days. The poetry, too, is of an order such as we seldom meet with in songs of this class. It is exquisitely simple, without being maudlin, and touches the sweet cord of sympathy by the natural emotions which it awakens; for who has not sighed while contemplating the past? We give one stanza:

"The bird sings as sweetly his melody wild,
From the old hazel copse, as when I was a child;
And the sun shines as bright upon blossom and tree,
And the river goes dancing as blithe to the sea.
Whence the change that I feel? not in Nature, I trow,
For she smiles at the mourner, and mocks at his wo.
'Tis my heart! my own heart - which once know not a care -
Casts the shade of its sadness o'er all that is fair."

We would fain extract the whole song, were it not for infringing too much upon the rights of the publisher. To those, however, who understand and can feel poetry, we are certain that this verse will be sufficient to create an appetite for the remainder.

"REVIEWS OF MUSIC", The Idler and Breakfast-table Companion (15 July 1837), 76

https://books.google.com.au/books?id=WGAJAAAAQAAJ&pg=PA76 (DIGITISED)

The Shadow of the Heart. The Poetry by W. Harrison Esq.; the Music by Adela A. Hammond.
The Words and the Music of this song are alike commendable. The former are so sweet, and yet simple withal, that we subjoin a specimen: -
[ - as above - ]
The air is plaintive, and pleasingly melancholy; and affords ample proof of the talent, ability, and soul of the fair composer.


Bibliography and resources:

Prue Neidorf, A guide to dating music published in Sydney and Melbourne, 1800-1899 (M.A. thesis, University of Wollongong, 1999), 41-42, 280

http://ro.uow.edu.au/theses/2926 (DIGITISED)

"Henry Lingham", Design & Art Australia Online (DAAO)

http://www.daao.org.au/bio/henry-lingham 




HAMMOND, J. P. (J. P. HAMMOND; Mr. HAMMOND)

Actor, theatrical manager

Active Sydney, NSW, c. 1853-55

https://trove.nla.gov.au/search?l-publictag=J+P+Hammond+actor (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMMOND-J-P (shareable link to this entry)


Documentation:

[Advertisement], Empire [Sydney, NSW] (11 July 1853), 3

http://nla.gov.au/nla.news-article61325949 

MALCOM'S ROYAL AUSTRALIAN AMPHITHEATRE, YORK-STREET . . . THIS EVENING, July 11th, 1853 . . .
HOW TO DIE FOR LOVE; OR, THE RIVAL CAPTAINS . . .
Captain Blumenfed, Mr. Byers; Trick, Mr. Hammond; Trap, Mr. Raymond . . . Charlotte, Mrs. Howard . . .
The whole to conclude with the laughable Farce of THE IRISH TUTOR . . . Dr. Flail, Mr. Hammond . . .

ASSOCIATIONS: James Lucas Byers (actor); Edward Raymond (actor); Malcom's Amphitheatre (Sydney venue)

"THEARTRICALS", The People's Advocate and New South Wales Vindicator [Sydney, NSW] (22 April 1854), 3

http://nla.gov.au/nla.news-article251542257 

Mr. and Mrs. Stark have been "starring it" during the week at the Victoria, and bumper houses have nightly testified by universal applause to the great merit of these highly gifted tragedians . . . Mr. Hammond and Mr. Montague, are generally selected to sustain the somewhat unenviable characters of the grand villains of the performances, and have done so with great effect . . .

ASSOCIATIONS: James and Sarah Stark (actors); Royal Victoria Theatre (Sydney venue)

"ROYAL ALBERT THEATRE", The People's Advocate and New South Wales Vindicator (5 August 1854), 3

http://nla.gov.au/nla.news-article251544022 

This little place of amusement has received a fair share of public patronage during the past week. The new farce of The Russians in Sydney has been eminently successful, and has drawn respectable and crowded houses. We perceive that Mr. Hammond takes his benefit on Monday evening next, for which occasion he has provided a very excellent bill of fare. Mr. Hammond is a young and rising actor of much promise, and we trust that on this occasion he will meet with that encouragement which his merit deserves.

ASSOCIATIONS: Royal Albert Theatre (Sydney venue)

[Advertisement], Empire [Sydney, NSW] (16 December 1854), 1

http://nla.gov.au/nla.news-article60201402 

ROYAL LYCEUM THEATRE, YORK-STREET.
MR. HAMMOND begs most respectfully to inform his friends and the Public,
that having made arrangements with the proprietor, he will open the above elegant and fashionable place of amusement,
on MONDAY next, December 18th, and trusts the entertainments he has selected will meet with their approval.
On MONDAY, December 18th, 1861, the evening's entertainments will commence with a Nautical Drama in 3 Acts entitled THE LARBOARD FIN, or Twelve Months Since:
Colonel Travers, Mr. Briarly; Frederick Trevanion, Mr. Sydney;
Bob Stay (a seaman), Mr. Russell; Cann (a wrecker), Mr. Hammond;
Simon Swipes, Mr. Byron; Stranger, Mr. Rogers;
Julia (niece to Colonel Travers), Miss Cooke; Mary (her attendant, and daughter to Cann), Mrs. Howard.
After which the petite Comedy, called LOVE IN HUMBLE LIFE, or the Noble Soldier.
Ronelaus (a soldier), Mr. Hammond; Carlitz (a peasant), Mr. Sydney;
Brondt (a waiter), Mr. Byron; Christine, Mrs. Howard.
To conclude with the laughable farce of BOX AND COX.
John Box (a journeyman printer), Mr. Hammond; John Cox (a journeyman hatter), Mr. Russell;
Mrs. Bouncer (a Lodging house keeper), Mrs. Howard.
Price, as before.
J. P. HAMMOND, Manager.

ASSOCIATIONS: Lyceum Theatre (Sydney venue, formerly Malcom's Amphitheatre)

"THE LYCEUM THEATRE", The People's Advocate and New South Wales Vindicator (23 December 1854), 3

http://nla.gov.au/nla.news-article251541938 

This neat little place of amusement is to be re-opened on Tuesday evening next, under the management of Mr. Hammond, an actor of considerable ability and energy. Though Mr. Hammond has not been very long upon the boards, he has shown, in many respects, he possesses no ordinary talent, and we trust that his enterprise will be successful. We understand that he has engaged a very efficient company . . . Miss Anna Maria Quinn, and Mr. Vinson, who have just arrived from California, are to make their first appearance . . .

ASSOCIATIONS: Anna Maria Quinn (actor); James Hetters Vinson (actor)

"LYCEUM THEATRE", Bell's Life in Sydney and Sporting Reviewer (30 December 1854), 2

http://nla.gov.au/nla.news-article59759613 

. . . Under the liberal management of Mr. Hammond the Lyceum promises to offer superior attractions than heretofore.

[Advertisement], Empire (8 September 1855), 4

http://nla.gov.au/nla.news-article60168202 

PRINCE OF WALES THEATRE. THIS EVENING, Saturday, September 8, 1885,
the Evening's entertainments will commence with Balfe's Grand Opera of THE BOHEMIAN GIRL.
Thaddeus (a proscribed Pole), Mr. J. Howson; Florestein (nephew of the Count), Mrs. Guerin;
Devilshoof (chief of the Gipsy tribe), Mr. F. Howson;
First Gipsy. Mr. Hammond; Arline (the Count's daughter), Miss Catherine Hayes;
Queen of the Gipsies, Madame Sara Flower; Buda, Mrs. Rogers . . .

ASSOCIATIONS: John Howson (vocalist); Theodosia Guerin (vocalist); Frank Howson (vocalist); Catherine Hayes (vocalist); Sara Flower (vocalist); Emma Rogers (vocalist); Prince of Wales Theatre (Sydney venue)




HAMMOND, Thomas Jackson (Thomas Jackson HAMMOND)

Musician, pianist

Born Ireland, c. 1859 (raised Glasgow, Scotland); son of Joseph HAMMOND and Ellen JACKSON
Arrived Melbourne, VIC, by June 1882
Died Melbourne, VIC, 8 December 1902, aged "43/44"

https://trove.nla.gov.au/search?l-publictag=Thomas+Jackson+Hammond+c1859-1902 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMMOND-Thomas-Jackson (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860


Documentation:

"PERSONAL", The Argus [Melbourne, VIC] (9 December 1902), 5

http://nla.gov.au/nla.news-article9088594 

Members of the musical profession will regret to hear of the death of Mr. Thomas Jackson Hammond, which occurred yesterday at his residence, Airlie-street, South Yarra. Mr. Hammond was in his usual health on Sunday, but yesterday suddenly collapsed, death being due to suffusion of blood on the brain. The deceased gentleman was 44 years of age and unmarried.

[News], The Arena (11 December 1902), 8

http://nla.gov.au/nla.news-article255913338 

By the sudden death on Monday last of Mr. Thomas Jackson Hammond, Melbourne loses one of its most talented musicians, and one who was esteemed by very many outside musical circles. Mr. Hammond besides being organist of the Presbyterian Church, South Yarra, director of the Victorian College of Music and pianoforte examiner for the Musical Society, devoted much time to teaching and many a musical education has received its finishing touches in Burke and Wills Chambers. "T.J.," as he was affectionately known to his friends, was a man of genuinely aesthetic and literary tastes, and a delightful companion. It will probably be found that he has left some melodious compositions behind him. Death resulted at the age of 43, from suffusion of blood on the brain.




HAMMOND, W. H. (Mr. W. H. HAMMOND; also Mr. W. J. HAMMOND; Mr. W. HAMMOND; Mr. HAMMOND)

Vocalist, comic vocalist, actor, song writer

Active VIC, c. 1855-59

https://trove.nla.gov.au/search?l-publictag=W+H+Hammond+vocalist (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HAMMOND-W-H (shareable link to this entry)


Documentation:

[Advertisement], The Argus [Melbourne, VIC] (14 July 1855), 8

http://nla.gov.au/nla.news-article4812084 

SALLE DE VALENTINO. - Stewart, the Celebrated Cornopeanist, Every Evening. Go and hear him. Admission, one shilling.
SALLE DE VALENTINO. - Barre, Hammond, and Campbell. Concert at eight; Dancing at nine. Admission, one shilling.

ASSOCIATIONS: Edward Stewart (cornopeon); Anthony Barre (vocalist); Mr. Campbell (vocalist); Salle de Valentino (Melbourne venue)

[Advertisement], The Argus (25 July 1855), 8

http://nla.gov.au/nla.news-article4813133 

BRUNSWICK HOTEL - Concert, Wednesday and Saturday Evenings. Messrs. Murphy and Robinson at home, as usual. Come and see comical Hammond. Admission, Free.

ASSOCIATIONS: Thomas Murphy (vocalist); Music on licensed premises (general)

[Advertisement], The Argus (10 August 1855), 8

http://nla.gov.au/nla.news-article4814812 

HAMMOND sings in Character every night at Mooney's National Hotel, Bourke-street.

[Advertisement], The Argus (23 August 1855), 8

http://nla.gov.au/nla.news-article4816106 

BELVIDERE HOTEL, Concert To night. Best Singing in Melbourne, Hammond and Murphy will be there.

[Advertisement], The Argus (28 August 1855), 8

http://nla.gov.au/nla.news-article4816562 

ROYAL ARCH CONCERT ROOM, Gertrude-street. Best singing in Collingwood. Murphy and Hammond every evening.

[Advertisement], The Argus (1 September 1855), 8

http://nla.gov.au/nla.news-article4816972 

TO Night! - The best Singing in the cosiest room in Collingwood. Royal Arch Hotel, Gcrtrude-street.
TO Night! - Royal Arch Hotel, Gertrude-street. Come and hear Hammond's new song "Billy Barlow."
TO Night! - Royal Arch Hotel, Gertrude-street. Mr. Murphy takes the Chair. Mr. Collin, Pianist.

ASSOCIATIONS: Leopold Frederick Collin (pianist); Billy Barlow (song in character)

[Advertisement], The Argus (6 September 1855), 8

http://nla.gov.au/nla.news-article4817371 

BILLY BARLOW, - The greatest hit of the day. Hear Hammond's New Version. Royal Arch Hotel, Collingwood.

[Advertisement], The Argus (8 September 1855), 8

http://nla.gov.au/nla.news-article4817550 

ROBINSON CRUSOE! Jack Rag! Billy Barlow! - To-night a new selection of Comic Songs, by Hammond, who is acknowledged by all to be the best in his line in the colony.
Mr. Murphy takes the chair at half-past seven, sharp, and will sing some of his choicest English, Irish, and Scotch Songs.
Mr. Collins, pianist. These Concerts are bound to take the lead in Collingwood. Good singing, cosy room, and respectable company.
Royal Arch Hotel, Gertrude-street. Admission free._

"COUNTY COURT OF BOURKE. £10 JURISDICTION. Saturday, 6th October, 1855", The Age [Melbourne, VIC] (8 October 1855), 6

http://nla.gov.au/nla.news-article154892632 

MURPHY v. MACLELLAN. In this case the plaintiff, Thomas Murphy, sued the defendant Macklellan, the proprietor of the Belvidere Hotel, Collingwood, for damages sustained by a breach of contract. The plaintiff had been engaged for one month at the rate of £4 10s. per week, as a vocalist, and manager of that addition to the defendant's establishment, and after the first few days the speculation appearing likely to be an unprofitable one, the defendant wished to dismiss the plaintiff summarily, under the plea that the engagement had been made conditionally upon the success of the undertaking.
The agreement having been put in it was found to be an unconditional agreement for one month.
The defendant then urged that the plaintiff and his party had evidently considered the agreement a loose one, for they had accepted an engagement of a similar nature at the Royal Arch Hotel, Gore street, Collingwood, but His Honor called attention to the fact that the plaiutilf had given him the full benefit of his earnings at the other establishment, although he might have attempted to conceal the circumstance. A verdict was then returned for £8 5s. and costs, this being the amount claimed.

HAMMOND. v. THE SAME. This was a similar claim to the last. The plaintiff had been engaged as comic vocalist at the same rate of remuneration, and for the same period. Verdict for £8 5s., with costs.

COLLINS V. THE SAME. A third claim for professional services by the plaintiff, Leopold Collins, a pianist, but in this instance the remuneration was to be at the rate of £5 10s. per week. Verdict for the amount claimed, £10, with costs.

ASSOCIATIONS: Thomas McClelland (publican)

[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (1 January 1857), 1

http://nla.gov.au/nla.news-article113013495 

STAR. GRAND PROMENADE CONCER AND BALL. Every Evening, Admission one shilling.
MR. JAMES ELLIS, originator of the first casino in England, viz, the Adelaide Gallery, Strand, and Cremorne Gardens, London;
the Salle de Valentino and Cremorne Gardens, Melbourne; -
begs to inform the public, that having secured the services of the celebrated Mdalle. Schluter, who has created such a sensation at the Theatre Royal, Melbourne,
together with Messrs. Burchall, King, and Hammond, and a host of other available talent,
he intends giving a series of Promenade Concerts on a scale unequalled in Beechworth.
Musical director - Herr Collin.
Leader - Mr. Ferdinand Osborne.
Maitre de ceremonies - Mr. King.
Concert commences at 8. Dancing at 10 o'clock . . .

ASSOCIATIONS: James Ellis (proprietor); Alwine Schluter (vocalist); Ferdinand Osborne (violin, leader); Star Theatre (Beechworth venue)

"AMUSEMENTS", Ovens and Murray Advertiser (3 January 1857), 2

http://nla.gov.au/nla.news-article113013521 

Mr. Ellis's entertainments at the Star Theatre seem to take well. On Thursday evening there was a crowded audience, and Mr. Hammond acquitted himself to the evident satisfaction of all. It is a style of entertainment which suits the taste of the million; and the price of admission, 1s., affords every one an opportunity of enjoying a lounge, combined with vocal and instrumental amusement.

[Advertisement], Ovens and Murray Advertiser (10 January 1857), 4

http://nla.gov.au/nla.news-article113013604 

WHAT!!! - Not seen Hammond as Billy Barlow, at the Star - then you have lost a great treat.

[Advertisement], Ovens and Murray Advertiser (30 January 1857), 3

http://nla.gov.au/nla.news-article113013858 

STAR THEATRE . . . On Wednesday will be produced for the first time here,
The Farce of the SWISS COTTAGE. Characters by Miss LORETTE, Mr. SEYMOUR, and Mr. W. HAMMOND.
With a MISCELLANEOUS CONCERT & BALL. Admission One Shilling.
JAMES ELLIS, Manager.

ASSOCIATIONS: Miss Lorette (vocalist, actor)

[Advertisement], Ovens and Murray Advertiser (12 February 1857), 3

http://nla.gov.au/nla.news-article113014016 

STAR THEATRE. GRAND MONSTER CONCERT. MR. JAMES ELLIS . . . THIS EVENING, THURSDAY, FEB. 12 . . .
PROGRAMME. PART I . . . Comic Song - "Sam Slick" - Mr. Hammond - Wilson . . .
PART II . . . Comic Song - "Ethiopian Sernaders" - Mr. Hammond - Hammond . . .
Comic Song - "Billy Barlow" (the last new version) - Mr. Hammond - Hammond . . .
Pianist - Mr. S. Benner . . .

ASSOCIATIONS: Samuel Benner (pianist, vocalist)

[Advertisement], Ovens and Murray Advertiser (12 February 1857), 4

http://nla.gov.au/nla.news-article113014013 

THIS EVENING. Star Theatre. THURSDAY NEXT, FEBRUARY 12.
Grand Complimentary Benefit to Mr. James Ellis,
ON which occasion the following Artistes have in the most handsome manner tendered their services -
MISS OCTAVIA HAMILTON, MADM. SCHLUTER, MISS LORETTE;
M. EMILE COULON, MR. J. O. PIERCE,
" SEYMOUR, " S. BENNER, " W. HURST,
« W. H. HAMMOND.
MUSICAL CONDUCTOR - MR. FERDINAND OSBORNE . . .

ASSOCIATIONS: Octavia Hamilton (vocalist); Emile Coulon (vocalist); John Ottis Pierce (vocalist, instrumentalist); W. Hurst (vocalist)

"MR. ELLIS'S BENEFIT", Ovens and Murray Advertiser (14 February 1857), 2

http://nla.gov.au/nla.news-article113014056 

. . . Mr. Hammond's original comic song on the Ethiopian Serenaders, elicited [illegible] of laughter.

[Advertisement], Ovens and Murray Advertiser (25 February 1857), 3

http://nla.gov.au/nla.news-article113014200 

TO-NIGHT. STAR THEATRE . . .
PART FIRST . . . Song - "Yankee Wonders" - Mr. Hammond . . .
Song, Comic - Mr. Hammond . . .
PART SECOND . . . Comic Song - "Ratcatcher's Daughter" - Hammond . . .

MUSIC: Tarnation strange; or, Yankee wonders (song, words by Henry Coleman, also active in VIC); The ratchatcher's daughter (Cowell)

[Advertisement], Ovens and Murray Advertiser (28 February 1857), 1

http://nla.gov.au/nla.news-article113014260 

TO-NIGHT. STAR THEATRE. GRAND MUSCAL FESTIVAL . . .
PROGRAMME. PART I . . . 4. Comic Song, "Fancy Ball," Mr. Hammond . . .
10. Comic Medley, Mr. Hammond.
PART II . . . 8. Comic Song, "Billy Barlow," Mr. Hammond . . .
That peculiar, characteristic, serio-comic Vocalist,
MR. W. J. HAMMOND, wil also appear nightly as Billy Barlow, the Rat-Catcher's Daughter, and the never-to-be-forgotten Lord Lovell . . .

MUSIC: Lord Lovell (song)

[Advertisement], Ovens and Murray Advertiser (6 March 1857), 4

http://nla.gov.au/nla.news-article113014334 

RE-OPENING. STAR THEATRE. THIS EVENING. GRAND CONCERT
IN WHICH MISS OCTAVIA HAMILTON, MR. EMILE COULON, MR. J. O. PIERCE,
MR. W. H. HAMMOND, MR. MACK. RADFORD, MR. S. BENNER Will Appear.
ADMISSION - 2s. 6d.

ASSOCIATIONS: Mark Radford (musician, violinist)

THE STAR THEATRE, Ovens and Murray Advertiser (26 March 1857), 2

http://nla.gov.au/nla.news-article113014615 

Mr. Coulon is gradually changing his concerts into a series of operatic entertainments. Dibdin's favorite little operetta of the "Waterman" has been repeated twice or thrice, with increasing favor. We know no style of entertainment more suitable to the tastes of the population around us . . . Miss Hamilton possesses very good dramatic powers of a light and playful nature. Her acting as Wilhelmina in the "Waterman" was decidedly good. She was the realisation of a lively, sprightly, coquettish young woman, plagued by her parents and wavering between two lovers. Mr. Belfield makes up very artistically for the fopish gardener's apprentice, Mr. Pearce [sic] is a very nautical Tom Tug. More than a word of praise is due to Mr. Hammond for his performance of the cantankerous mother, in which he excelled himself. The unfortunate father plagued with such a scolding wife found a good representative in Mr. Benner.

ASSOCIATIONS: Francis Belfield (actor)

[Advertisement], Ovens and Murray Advertiser (2 April 1857), 4

http://nla.gov.au/nla.news-article113014709 

NEW RUSH TO THE BRITANNIA HOTEL, WOOLSHED. GRAND CONCERTS.
MR. DE BERG BEGS to announce that he has succeeded in engaging for two nights, The Celebrated Vocalists,
MESSRS. HAMMOND, BENNER, HURST, McKENZIE,
who will sing at the above well-known hotel on
WEDNESDAY & SATURDAY EVENINGS NEXT, 1st and 4th APRIL.
Mr. Hammond will sing BILLY BARLOW In character.
AND Mr. Benner will come out before a Woolshed Audience for the first time in his celebrated and highly Comic Irish Song, PADDY MALONE, &c., &c.
ADMISSION FREE.

ASSOCIATIONS: Jacob Van den Berg (proprietor)

[Advertisement], Ovens and Murray Advertiser (20 April 1857), 4

http://nla.gov.au/nla.news-article113014950 

EUROPA HOTEL. GRAND CONCERT.
MESSRS. HAMMOND & BENNER RESPECTFULLY announce,
that previous to their departure from the Ovens district, they intend giving a
FAREWELL CONCERT At the EUROPA HOTEL, Europa Gully,
On Monday Evening, April 20th, Assisted by
MADEMOISELLE SCHLUTER, Who will appear in some of her favorite operatic selections;
And MR. FERDINAND OSBORNE, Premier Violinist, Royal Academy, Paris . . .
Admission, Half-a-crown . . .

[Advertisement], Ovens and Murray Advertiser (24 April 1857), 4

http://nla.gov.au/nla.news-article113015020 

STAR THEATRE. MESSRS. HAMMOND AND BENNER,
BEG leave to announce to the inhabitants of Beechworth, that their
BENEFIT Is fixed to take place On MONDAY Evening, April 27, 1857
When they intend giving their Farewell Performance!
Previously to their Departure from the Ovens district . . .

[Advertisement], Ovens and Murray Advertiser (2 May 1857), 3

http://nla.gov.au/nla.news-article113015122 

BRITANNIA HOTEL, Upper Woolshed. GRAND CONCERT . . . SATURDAY and MONDAY Evenings . . . Last appearance of MR. HAMMOND, At the Woolshed . . .

[Advertisement], Bendigo Advertiser [VIC] (14 August 1857), 3

http://nla.gov.au/nla.news-article88001068 

FAREWELL CONCERT AT THE CAMP HOTEL, Eaglehawk.
TO-NIGHT, THE 14th OF AUGUST, 1857,
For the Benefit of MESSRS. R. McEWEN, A. KERR, AND S. KNOTT.
The following Artists will appear, assisted by the whole of Radford's Band: -
MR. W. WHITE, The celebrated Banjoist, and delineator of Negro Character.
MR. G. SMALL [sic], The well known local Comic Singer.
MR. W. HAMMOND, The characteristic Comic Singer.
MR. W. HURST, MR. JN. McEWEN.
Pianist - Mr. W. Hunter.
Leader of the Band - Mr. S. Radford.
Admission: front seats, 3s.; back do., 2s.
N.B. The usual Quadrille Assembly will be held after the Concert.

ASSOCIATIONS: M. W. White (serenader); Joe Small (vocalist); McEwen brothers (musicians); Sidney Radford (musician)

[Advertisement], Bendigo Advertiser (30 January 1858), 1

http://nla.gov.au/nla.news-article87978444 

SHAMROCK CONCERT HALL. GRAND MUSICAL SOIREE.
MR. HENRI WALLERSTEIN'S Grand Evening Concert will take place
on Thursday next, February 4th, by the kind permission of W. Heffernan, Esq.,
who has in the handsomest manner given the use of the above-named splendid Hall for the occasion.
On Thursday, next, the 4th of February, the following eminent Artistes have kindly proffered their valuable services -
MISS LOUISA SWANNELL,
MISS GRAHAM (The celebrated Contralto, her first appearance),
MR. DIXON (The admired Tenor),
MR. SMALL (Comic Vocalist - first appearance),
MR. WHITE (The favorite Tenor - first appearance),
MR. HAMMOND (Comic Vocalist - first appearance),
Mr. LINDSAY (The admired Baritone - first appearance),
Pianoforte - MR. HENRI WALLERSTEIN (His first appearance on Bendigo).
EDWARD SALAMAN, Conductor . . .

ASSOCIATIONS: Henri Wallerstein (pianist); William Heffernan (proprietor); Louisa Swannell (vocalist); Amelia Graham (vocalist); Frederick Dixon (vocalist); Edward Salamon (pianist, accompanist); Shamrock Concert Hall (Bendigo venue)

"TARRANGOWER (FROM OUR OWN CORRESPONDENT)", Mount Alexander Mail [Castlemaine, VIC] (28 May 1858), 4

http://nla.gov.au/nla.news-article197087106 

. . . The Princess's Company at the Kangaroo, continue to take as any company containing Miss Fanny Sinclair and McGowan, and Hammond must do. McGowan, is, without exception, the best low comedian that has yet appeared in Tarrangower; and Hammond the best comic singer. Mr. Ellis has made arrangements to add to his company Miss Rose Forrest, Mr. Lawrence, and Mr. Coleman, while Mr. Hammond accepts an engagement as comic singer at the Royal. There is no fear of any dearth of amusements now . . .

ASSOCIATIONS: Lachlan and Fanny McGowan (actors, vocalist, "Miss Fanny Sinclair"); Edward Ellis (publican, Kangaroo Hotel)

"ABBOTT'S LYCEUM", Bendigo Advertiser (27 September 1858), 3

http://nla.gov.au/nla.news-article87983663 

There can be very little doubt of the success of the new company whose services Mr. Abbott has secured for his theatre. On Saturday night the place was crammed; indeed the lower part was as well filled as we recollect to have seen it during the successful career of Miss Stanley. The company were well selected, all of them being known on Bendigo. Miss Urie sang some of her most favorite songs, and it is needless to say sustained the reputation she had already earned elsewhere. Several comic songs were sung by Mr. Hammond, which apart from their merits as "funny productions," were possessed of real musical value, a thing somewhat unusual in such productions. Mr. Leeman sung several very effective songs, and Mr. Dixon came before the audience two or three times. The gentleman rejoicing in the euphonious cognomen of the Great American Picco, performed a series of solos upon the violin, or, rather, upon one string of that instrument, very cleverly. The peculiar positions in which he managed to play appeared to surprise most of the audience, who did not fail to give him his work to do by repeated encores. Throughout, the performances were decidedly successful, and Mr. Abbott well deserves the signal success he has achieved.

ASSOCIATIONS: Joseph Henry Abbott (proprietor); Emma Stanley (actor); Louisa Urie (vocalist); Frederick Leeman (vocalist); American Picco (musician); Lyceum Theatre (Bendigo venue)

"ABBOTT'S LYCEUM", Bendigo Advertiser (8 November 1858), 3

http://nla.gov.au/nla.news-article87984738 

On Saturday evening Miss Graham, a time-honored professional on Sandhurst, again presented herself before a Bendigo audience at this place of amusement in a novel style of entertainment, styled the "Catharistrian." The attendance was not as large as the novelty of the entertainment might have induced . . . A concert, in which Messrs. Leeman, Fairchild, and Hammond (accompanied by Mr. Salamon) appeared, made a very pleasant finale to this novel and successful entertainment. We understand that the "Catharistrian" will be again presented this evening, and we cordially wish it the success which the talent displayed in bringing it out deserves.

ASSOCIATIONS: Amelia Graham (as above); Joseph Fairchild (vocalist)

"THE STAR CONCERT HALL", The Star [Ballarat, VIC] (31 January 1859), 3

http://nla.gov.au/nla.news-article66333695 

This agreeable concert room is still abundantly patronised by the public, who are never tired when Mr. Wilson and Mr. White are the performers. The latter gentleman, together with Mr. Morgan, have frequently during the week sung "Robin Rough" in a most approved style; and the quaint homely words, fine sentiment, and pretty music, are so well brought out that an encore is the almost invariable result. Mr. Hammond, a comic singer, and the instrumental performances of Messrs. Piper (pianist) and Mather (violinist) agreeably vary the evening's amusements.

ASSOCIATIONS: Thomas Wilson (vocalist); M. W. White (vocalist, instrumentalist, serenader); J. W. Morgan (vocalist); Edward John Piper (pianist); William Mather (violin); Star Concert Hall (Ballarat venue)

"TARRENGOWER [sic] (FROM OUR OWN CORRESPONDENT) . . . AMUSEMENTS", Mount Alexander Mail (17 January 1859), 2

http://nla.gov.au/nla.news-article199048755 

. . . Tarrengower has lately been somewhat barren of amusements, but now we are about to have a surfeit. Mr. Ellis, of the Kangaroo, has engaged Mr. and Mrs. King. Mr. Cooper, of Eaglehawk, has Miss Clifford and Mr. Hammond . . .

ASSOCIATIONS: Minnie Clifford (vocalist, pianist, actor)

"TARRANGOWER (FROM OUR OWN CORRESPONDENT) . . . THEATRICAL", Mount Alexander Mail (19 January 1859), 2

http://nla.gov.au/nla.news-article199052277 

Miss Graham (not Miss Clifford as stated in your last), Mrs. Mitchell; and Mr. Hammond, had rather a thin room at the Eagle Hawk on Saturday. They play at the Royal this (Monday) evening, after which they depart for Maryborough.

[Advertisement], The Star (10 February 1859), 3

http://nla.gov.au/nla.news-article66333897 

STAR CONCERT HALL. Complimentary Benefit to MR. IRWIN, Proprietor,
ON SATURDAY EVENING, 12th FEB, Tendered by the following performers, being the last night of the season:
MISS S. SUTHERLAND, MR. HAMMOND,
MR. M. W. WHITE, MR. J. W. MORGAN,
MR. EVANS. MR. MATHER, And a Host of Talent . . .
Pianist - MR. PIPER . . .

ASSOCIATIONS: William Irwin (proprietor)

[Advertisement], The Star (30 May 1859), 3

http://nla.gov.au/nla.news-article66053318 

CRITERION HOTEL. THIS EVENING, MONDAY . . .
For the BENEFIT OF PROFESSOR RISLEY AND SON, And last Night of his Engagement
First Appearance of Mr. Wilson, The Celebrated Comic Vocalist. Also,
Mr. W. Hammond, Popular Characteristic Comic Singer, who has kindly Volunteered on this occasion only.
Also, Mr. Piper, Mr. Barlow, And the Entire Company will appear on this occasion.
Admission as usual.

ASSOCIATIONS: Richard Risley (performers); Robert Barlow (vocalist, instrumentalist, delineator); Criterion Concert Hall (Ballarat venue)




HANCE, William (William HANCE; Mr. W. HANCE; Mr. HANCE)

Musician, organist, organ keeper, organ builder, schoolmaster, hotel keeper

Born ? England, c. 1792
Married Ann WEST (c. 1796-1859), by c. 1815
Arrived Hobart Town, VDL (TAS), 26 September 1823 (per Mariner)
Died Hobart Town, VDL (TAS), 10 October 1842, aged "50"

https://trove.nla.gov.au/search?l-publictag=William+Hance+c1792-1842 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HANCE-William (shareable link to this entry)


Summary (after Rushworth):

In 1825 Hance erected the John Gray organ, imported from London, in St. David's Church. He was also for a while organist, prior to the appointment of J. P. Deane. He worked variously as a schoolmaster, farmer, publican, poundkeeper and postmaster. In 1832 he was building an organ for one of Hobart's masonic lodges, the first documented instance of an organ being built in the colonies.


Documentation:

Baptisms, St. Dunstan, Stepney, 1816; register 1813-37; London Metropolitan Archives, P93/Dun/168

https://www.ancestry.com.au/search/collections/1558/records/1217216 (PAYWALL)

[1816 January] 21 / William Henry son of William & Ann Hance [Mile End Old Town] Wine Cooper . . .

ASSOCIATIONS: William Henry Hance (d. Surrey Hills, VIC, 20 October 1889) joined his father in the colony in 1834; much later, in 1854, his widowed mother, Ann West, who had remained in England, joined him in Victoria; shortly after Ann's arrival, William Henry was convicted of manslaughter and sentenced to 3 years in prison; she died at Elsternwick, VIC, on 17 September 1859, aged "63"

"SHIP NEWS", Hobart Town Gazette and Van Diemen's Land Advertiser [VDL (TAS)] (27 September 1823), 2

http://nla.gov.au/nla.news-article1089973 

Arrived yesterday from England the ship Mariner, Captain Herbert, with merchandize, and 57 passengers; namely, . . . Mr. Hance . . .

[News], Hobart Town Gazette and Van Diemen's Land Advertiser (25 October 1823), 2

http://nla.gov.au/nla.news-article1089987 

We feel pleasure in complying with a request to give publicity to the following letter: -
"We, the undersigned, passengers by the ship Mariner, hereby tender to Capt. Herbert our thanks and acknowledgments for the kind and liberal treatment we experienced from him, during the whole period of our voyage from England to Van Diemen's Land . . .
[signed] . . . W. Hance . . .

[News], Hobart Town Gazette and Van Diemen's Land Advertiser (15 April 1825), 2

http://nla.gov.au/nla.news-article1090678 

The organ for St. David's Church has at length arrived per the Lady East.

ASSOCIATIONS: The organ, built in London by John Gray (d. 1849), arrived in Hobart in the convict transport, Lady East, on 9 April 1825;
St. David's church (Hobart); Music in Anglican churches (general)

"AN ODE. Addressed to the Organ of St. David's Church", Hobart Town Gazette (13 May 1825), 3

http://nla.gov.au/nla.news-article1090751

. . . The "Organ" has arrived, and's to be seen
In David's Church; - and there in awful state
it stands majestic, - this, the will of fate!
Inexorable fate has doomed it there to stand
The Organ metropolit' of this land.
For ever and for ever! - ah. - but whence
Has come this mighty far-famed Organ hence.
From London it has come, from Fitzroy-square . . .

[News], Hobart Town Gazette and Van Diemen's Land Advertiser (13 May 1825), 2

http://nla.gov.au/nla.news-article1090752 

The Organ will be played on next Sabbath [15 May], by, as we understand, an excellent musician.

[News], The Hobart Town Gazette (28 January 1826), 2

http://nla.gov.au/nla.news-article8791159 

We have again the melancholy task to add one more to the number of the painful recitals of enormities committed by the bushrangers. About half past 8 o'clock on Saturday evening last, six men armed with muskets and bayonets, appeared at Mr. Hance's, River Plenty. Mr. Hance was from home, but Mr. J. W. Sampson, Master Salter, a young gentleman under the tuition of Mr. Hance, and his servant Samuel Young, were in the house . . .

"GOVERNMENT ORDER", The Hobart Town Gazette (25 February 1826), 2 supplement

http://nla.gov.au/nla.news-article8790505 

ABSTRACT of the PRODUCE of the REVENUE of VAN DIEMEN'S LAND, for the Year ending 31st December, 1825 . . .
CLERICAL AND SCHOOL DEPARTMENT . . . DISBURSEMENTS . . .
W. Hance, for erecting and repairing the Organ / £25 0 0 . . .
W. Hance, for [removal of baggage from Austin's Ferry] to the School-house, River Plenty, from Hobart Town / £2 7 0 . . .

[Advertisement], Colonial Times [Hobart, VDL (TAS)] (28 September 1831), 1

http://nla.gov.au/nla.news-article8646089

The following are the details of the proceeds of the Concert on the 21st of Sept., 1831, viz: -
Amount received for tickets sold £38 17 0
Paid Mr. J. E. Cox for refreshment for performers and band £6 5 6
Paid Mrs. Hodges 2 2 0
Do. Mr. Williams, Master of the band 2 2 0
Do. 3 men from do. 1 10 0
Do. door-keeper 0 10 0
Advertisements 1 7 0
Concert bills 2 10 0
Music paper and copying 1 12 6
Mr. Deane and family ---
Mr. J. E. Cox. ---
Mr. Langford. ---
Mr. Marshall ---
Mr. Hickson, 63d band ---
Mr. Hance. ---
Mr. Bock. ---
[total expenses] £17 19 0 . . .

ASSOCIATIONS: William Williams (master, 63rd band); John Philip Deane (musician); John Marshall (amateur); Hugh Hickson (musician, 63rd band); Thomas Bock (amateur); Band of the 63rd Regiment (military)

[News], The Hobart Town Courier (21 April 1832), 2

http://nla.gov.au/nla.news-article4199601

The friends of masonry will be pleased to learn, that a second lodge has been established in Hobart town. It is held at Mr. Whitaker's, Freemason's Tavern, Harrington street. Mr. Hance, we are happy to learn, is engaged in building an organ for the lodge.

[News], The Hobart Town Courier (29 June 1832), 2

http://nla.gov.au/nla.news-article4198012

The anniversary of the nativity of St. John the Baptist happening this year on a Sunday, our two masonic lodges, in order not to interfere with each other, agreed to observe the celebration of the day, the one on the Saturday previous and the other on the Monday after. The Brotherly Union being the junior lodge of the two had the precedence, and in the evening a very numerous and respectable assemblage of the craft dined at the Lodge room, Freemason's Tavern . . . On Monday the original Tasmanian Lodge observed the memorable day in a similarly agreeable and elegant manner, through the help of Mrs. Cox at the Macquarie hotel, Mr. Lempriere, the master, filling the chair. The splendid organ building by Mr. Hance for the Brotherly Union is, we are glad to see, already in an advanced state.

(Ross's) Van Diemen's Land annual and Hobart Town almanack for the year 1834 (Hobart Town: James Ross, 1834), 7

https://nla.gov.au/nla.obj-3008849314/view?partId=nla.obj-3008886390#page/n26/mode/1up (DIGITISED)

CLERICAL ESTABLISHMENT . . . Established Church
Hobart-town. Rural Dean and Chaplain, Rev. Philip Palmer
Chaplain, Rev. William Bedford. Clerk, Mr. Smails;
Organist, Mr. J. P. Deane; Organ Keeper, Mr. William Hance;
Pew-opener and Sexton, Mr. J. Bryant; Clock-keeper, Mr. Alexander Morrison
Churchwardens, Joseph Hone and Alfred Stephen, Esqrs.

ASSOCIATIONS: Joseph Hone (warden); Alfred Stephen (warden)

"BALL", The Tasmanian (12 February 1836), 7

http://nla.gov.au/nla.news-article232801302 

On Friday evening the "Bachelors" of Hobart Town gave a very handsome entertainment at the Macquarie Hotel. It was attended by the families of most of the respectable inhabitants of the town and neighbourhood, and went off admirably. Mr. Hance, the new proprietor of the Macquarie, spared neither exertion nor expence to afford satisfaction to his numerous guests, who separated long after sun-rise, highly gratified with the evening amusement.

[Advertisement], The Tasmanian (27 May 1836), 8

http://nla.gov.au/nla.news-article232801520 

Concert at the Macquarie Hotel. ON TUESDAY, THE 31ST INST.
MRS. CLARKE begs most respectfully to announce to the Ladies and Gentlemen of Hobart Town and its vicinity,
that she intends, previous to her departure for Launceston,
giving a Concert of Vocal and Instrumental Music, on Tuesday, the 31st inst.,
at the above Hotel, which Mr. Hance has gratuitously offered for the occasion.
She will be assisted by the valuable services of the
Band of the 21st Fusileers, which Major Fairweather has most kindly promised her.
TICKETS 5s. EACH, to be had of Mr. Hance, at the Macquarie Hotel.
May 24, 1836.

ASSOCIATIONS: Anne Remens Clarke (vocalist); Band of the 21st Regiment (military)

[Advertisement], The Hobart Town Courier (5 May 1837), 3

http://nla.gov.au/nla.news-article4172138

In the matter of the Insolvency of William Hance of Macquarie street, Hobart town, in the Island of Van Diemen's Land, Hotel-keeper . . .

1842, deaths in the district of Hobart; Tasmanian names index; NAME_INDEXES:1185022

https://libraries.tas.gov.au/Record/NamesIndex/1185022 

https://libraries.tas.gov.au/Digital/RGD35-1-1/RGD35-1-1P124 (DIGITISED)

No. 1183 / [1842] 10th October / William Hance / Male / Fifty years / Postmaster . . .

"Notes by the Way", Critic [Hobart, TAS] (1 April 1916), 3

http://nla.gov.au/nla.news-article169022068 

. . . the organ used in the Rokeby church was the first instrument of the kind ever imported into the colony. It was originally the first organ of St. David's, and when a newer instrument arrived, the old one was purchased and erected in St. Matthew's, Rokeby. On one of the front panels can be found following inscriptions -
"This organ was first publicly opened, May 15, 1825, by William Hance, organist. Prayers read by Rev. W. Bedford. Sermon preached by Rev. Robert Knopwood, M.A. . . .

"MUSIC & MUSICIANS. St. Matthew's, Rokeby. An Historic Organ", The Mercury (17 October 1928), 6

http://nla.gov.au/nla.news-article24247131 

The very first pipe organ set up in Tasmania was built in London, in 1824, for old St David's Church, Hobart, and is still in use at St. Matthew's, Rokeby. The name plate of the builder bears the words: John Gray, No. 9 New Road, Fitzroy Square, London. Upon the case is written in ink:

This organ was made by Mr. John Gray, of London, in 1824, under the superintendence of Geo. Cooper, organist of St. Sepulchre's, London, and was erected in St. David's, Hobart, in 1825, and opened by Mr. Nance. [sic]

The last name is probably that of the first organist of old St. David's, and the inscription is signed by "Wm. Bedford, chaplain," who followed on the Rev. Robert Knopwood, M.A. (Cantab.), the first Tasmanian chaplain, whose grave is in Rokeby churchyard. The organ was transferred to St. Matthew's in 1858 when a larger instrument was bought for old St. David's.

"CENTENARY OF ST. DAVID'S CHOIR", The Mercury (21 June 1937), 3

http://nla.gov.au/nla.news-article25407442

. . . The first organ was built by John Gray and Son, of London, brought out from England in 1825, and installed in the old church. The first organist appointed was Mr. J. P. Dean, a celebrated colonial musician of the period. About three years later Mr. W. Hance was appointed organ keeper . . .

ASSOCIATIONS: John Philip Deane (musician)


Bibliography and resources:

Graeme Rushworth, "Notes on some early Tasmanian organs and also on the commencement of the Hobart Town Choral Society", OHTA Journal (April 1999), 33-39

https://ohta.org.au/wp-content/uploads/Rushworth-TasOrgans.pdf 

St Matthew's Anglican Church, Rokeby, Organ Historical Trust of Australia (OHTA, 2011)

https://www.ohta.org.au/organs/organs/Rokeby.html 




HANCHETT, John Justinian (John Justinian HANCHETT; J. J. HANCHETT; later HANCHETTE)

Musician, professor of music, pianist, piano tuner, surgeon, medical practitioner

Born London, England, 13 September 1818; baptised St. George, Hanover Square, 19 October 1818; son of John Martin HACHETT [sic] and Irene Ann BRIDGEMAN
Active Launceston, VDL (TAS), by 1841
Married Jane BAXTER (c. 1822-1901), Pontville Church, VDL (TAS), 31 December 1845
Died Northcote, VIC, 14 August 1894, aged "75" [sic]

https://trove.nla.gov.au/search?l-publictag=John+Justinian+Hanchett+1818-1894 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HANCHETT-John-Justinian (shareable link to this entry)


Documentation:

Baptisms solemnized in the parish of St. George's, Hanover Square, in the month of October 1818; register 1816-33, page 85; City of Westminster Archives Centre, STG/PR/2/7

https://www.ancestry.com.au/search/collections/61866/records/757329 (PAYWALL)

No. 719 / [1818 October] 19 / John Justinian [son of] / John Martin & Irene Ann / Hanchett / St. Marylebone / [born] 13 Sept'r 1818 / Capt'm Royal Navy

ASSOCIATIONS: John Martin Hanchett (1780-1862); Irene Ann Bridgeman (d. 1838); no marriage record found

"LAUNCESTON SHIP NEWS", The Tasmanian [Hobart Town, VDL (TAS)] (13 July 1838), 4

http://nla.gov.au/nla.news-article232803126 

July 6 - Arrived the ship Henry, W. Walmsley, master, from London. Passengers . . . Mr. Hanchett . . .

"Concert at the Assembly Rooms, Campbelton", Launceston Advertiser [VDL (TAS)] (6 May 1841), 3

http://nla.gov.au/nla.news-article84754069 

On Wednesday week last these rooms were filled with company to enjoy a Morning Concert . . . Such was the universal satisfaction with which both Ball and Concert came off, that the lists for the two coming meetings for October and March were numerously signed, so that these elegant periodical amusements may now he fairly considered and established. The Quadrille Band (at the Ball) gave entire satisfaction; their most attractive performance was, some entirely new sets of quadrilles, from the latest French operas, arranged by Musard for the piano forte, &c. These were gone through with the greatest precision and spirit (as under).
First Violin - Mr. Kowarzik; Second ditto - Mr. Clair;
Tenor - John McLeod. Esq.; Double Bass - Mr. Russel;
Piano Forte - Dr. Hanchette; Clarionet - Mr. Rabelin; Cornupia [sic] - McDonald.

ASSOCIATIONS: Francis Kowarzik (violin); John McLeod (viola); William Wilkins Russell (double bass); John Rablin (clarinet); Alexander McDonald (cornopean);
for another report of the concert and ball, the music for which was directed by Angus McLeod, see "The Campbelton Ball", Launceston Courier (3 May 1841), 2

http://nla.gov.au/nla.news-article84675576 

1845, marriages in the district of Brighton; Tasmanian names index; NAME_INDEXES:833061; RGD37/1/4

https://libraries.tas.gov.au/Record/NamesIndex/833061 

https://libraries.tas.gov.au/Digital/RGD37-1-4/RGD37-1-4P324 (DIGITISED)

No. 2127 / 31 December 1845 / Pontville Church / John Justinian Hanchett / 28 / Surgeon bachelor
Jane Baxter / 23 / Spinster . . .

[Advertisement], The Courier [Hobart, TAS] (19 September 1849), 1

http://nla.gov.au/nla.news-article2964941 

A Card. MR. HANCHETT, PROFESSOR of MUSIC,
Member of the Conservatoire Royale, Paris,
whose present professional engagements occupy four days in each week,
would be happy to treat with the head of a family, or the principal of a school,
to whom his services two days per week may be desirable.
Any communication addressed to Symonds and Huxtable, Murray-street;
or J. W. H. Walch, Elizabeth-street, will be immediately attended to.
Brighton, September 15.

ASSOCIATIONS: John Alfred Huxtable (musicseller); James Walch (senior, bookseller, stationer)

[Advertisement], Colonial Times [Hobart, VDL (TAS)] (28 January 1851), 1

http://nla.gov.au/nla.news-article8768645 

MR. HANCHETT, Professor of Music,
Member of the Conservatoire Royale de Musique of Paris,
HAVING a portion of two days a week unoccupied, would feel happy to give
instruction on the Piano Forte in one or two families in Hobart Town.
Apply to Messrs. Huxtable & Co., Murray-street,
or to Mr. Hanchett, at Mrs. Mills' Coach Office, Liverpool-street, on Wednesdays and Saturdays.
January 28, 1851.

[Advertisement], The Courier (1 May 1852), 3

http://nla.gov.au/nla.news-article2959105 

A CARD. MR. HANCHETT, PROFESSOR OF MUSIC,
And Member of the Conservatoire Royale de Musique of Paris,
CONTINUES to give Instruction on the Pianoforte and in the French Language, in Hobart Town.
Communications addressed to Mr. HANCHETT, at Mr. Walch's Library,
or Mr. Williams' Music Warehouse, will be punctually attended to.

ASSOCIATIONS: John Williams (pianoforte maker, musicseller)

[Advertisement], The Courier (4 August 1852), 4

http://nla.gov.au/nla.news-article2958658 

Musical Instruments.
THE Undersigned, being on a professional tour in the neighbouring colony,
begs to intimate to his numerous employers that he has made an arrangement with
MR. HANCHETT, Teacher of Music and Tuner of Pianofortes,
by which they may have proper attendance during his temporary absence.
Just received, an extensive assortment of Musical sundries of the best description, and at reduced prices.
J. WILLIAMS, Pianoforte Maker.

1852, Births in the district of Brighton; Tasmanian names index; NAME_INDEXES:994655; RGD33/1/31

https://libraries.tas.gov.au/Record/NamesIndex/994655 

https://libraries.tas.gov.au/Digital/RGD33-1-31/RGD33-1-31P116 (DIGITISED)

No. 10 [36] / December 31st 1852 / Gertrude Mary [daughter of] / Justinian Hanchett [and] Jane Hanchett (formerly Baxter) / Music Master / . . . Pontville

ASSOCIATIONS: At the birth of Justinian Martin, in 1850, for all their preceding children, and for all later children in the 1850s, John Justinian's occupation was recorded as "surgeon"; but for Ada Christina in 1860, it was "musician"; for Frederick Percy in 1862, "Teacher of music"; and for Albert Sidney in 1866, "Professor of Music"

"QUARTER SESSIONS", The Hobart Town Mercury (4 March 1857), 3

http://nla.gov.au/nla.news-article3243119

John Wilshire was charged with stealing on the 6th of November, one watch of the value of £10, one guard chain of the value of £4, and one watch-key of the value of £1, from the person of John J. Hanchett. A second court charged the prisoner with feloniously receiving the same. The prosecutor, a professor of music, residing at Pontville, stated, that he was at the Brighton Races when he lost his watch &c.; he had been in the booths, but knew nothing about the watch, except that he lost it; he next saw it at the Police Office, nearly three months after the races . . . The Chairman having summed up, the Jury retired, and, in five minutes, returned into Court, finding the prisoner Guilty on the second count, for feloniously receiving. He was remanded for sentence

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (16 November 1859), 1

http://nla.gov.au/nla.news-article65992435 

Music and French. MR. HANCHETT, pupil of the Conservatoire Royale de Musique of Paris, Teacher of Music and French at Horton College, Ross, having some time unoccupied, is desirous of meeting with a few engagement either in Schools or families in Launceston and its environs.
Mr. H. having passed the greater portion of his life in Paris is able to impart to his pupils a pure Parisian accent.
Communications addressed to Mr. Hanchett, Breadalbane;
Messrs. Walch and Son, or Mr. Hudson, Booksellers, Brisbane street, will be attended to.

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle [Launceston, TAS] (7 July 1860), 4

http://nla.gov.au/nla.news-article65993332

Amongst the auxiliaries to education lately established in Launceston, we may mention that Mr. Hanchett, a member of the "Conservatoire Royale" of Paris has commenced giving instruction in music. Mr. Hanchett is a highly proficient pianist and has for a length of time resided in one of the country districts, where he was much esteemed by a number of pupils whom he still instructs, amongst whom we may mention are the young gentlemen of Horton College. Wishing however to extend his sphere of action Mr. Hanchett has come to Launceston, in which place we welcome him, and trust that he may be as successful as he deserves to be.

[Advertisement], The Cornwall Chronicle (17 November 1860), 7

http://nla.gov.au/nla.news-article65989787 

[A CARD.] MR. HANCHETT, (Member of the Conservatione [sic] de Musique, Paris)
Having removed to Launceston, will take additional pupils for instruction on the Piano Forte.
Communications to be left at Mr. Hudson's, Brisbane street.

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (14 December 1861), 4

http://nla.gov.au/nla.news-article65570112 

We visited Mr. J. J. Pollard's Pianoforte maker, of Brisbane Street, and had much pleasure in examining several pianofortes . . . On looking over the many testimonials of efficiency presented to Mr. J. J. P. we notice the following names: -
. . . Mr. Hanchett, (Professor of Music) . . . Mr. F. A. Packer, (Professor of Music) . . . Mr. S. Tapfield, (Professor of Music) . . .

ASSOCIATIONS: James Joseph Pollard (pianoforte maker); Frederick Alexander Packer (musician); Samuel Tapfield (musician)

[Advertisement], The Cornwall Chronicle (15 January 1862), 1

http://nla.gov.au/nla.news-article65569500 

Piano Forte Lessons. MR. HANCHETTE (late teacher of music at Horton College) will resume the duties of his Profession on the 7th of January.
References are permitted to the Rev. W. Quick, Horton College, Ross.

"INSOLVENT COURT. THURSDAY, MAY 29", Launceston Examiner (31 May 1862), 3

http://nla.gov.au/nla.news-article41453571 

In re JOHN JUSTINAN HANCHETT, of Launceston, professor of music.
First meeting. Proofs - Wanstead, £6 13s 2 1/2d;
William Sharp, £18; Anthony Hart, £22; William Branegrove, £22 10s;
Launceston Examiner, £2 18s; Walch and Sons, £8 17s 9d;
Mary Strout, £13 11s 2d; William Pullen, £13; O'Reilly and Co., £10 16s.
Mr. Hobkirk was appointed permanent assignee.
Insolvent's household furniture was voted to him.
The second meeting and on application for discharge fixed for the 12th of June.

ASSOCIATIONS: William Sharp (creditor); Anthony Hart (creditor)

"DEATHS", Launceston Examiner (16 October 1862), 4

http://nla.gov.au/nla.news-article41456456

At the Bagni di Lucca, Tuscany, on the 5th of July, 1862, Capt. John Martin Hanchett, of her Majesty's Royal Navy, aged 84, father of Mr. John Justinian Hanchett, of this town.

[Advertisement], Launceston Examiner (6 January 1863), 6

http://nla.gov.au/nla.news-article41458211 

PIANOFORTE LESSONS. MR. HANCHETT begs to announce to his pupils in Launceston and Longford, that he will, resume the duties of his profession on Monday, January 12. Oak Cottage, Brisbane Street. January 5.

[Advertisement], Launceston Examiner (12 January 1864), 1

http://nla.gov.au/nla.news-article38650074 

MUSIC AND FRENCH. MR. HANCHETT, of the Conservatoire Royale de Musique, Paris, begs to inform his pupils that he will resume the duties of his profession on Wednesday, the 13th of January.
Mr. H. having been educated in Paris, is capable of imparting to his pupils the pure Parisian accent.
The highest references can be given. Terms moderate.
Oak Cottage, Brisbane-street, January 6.

"COUNTRY INTELLIGENCE. LONGFORD (From our own Correspondent)", Launceston Examiner (12 May 1864), 3

http://nla.gov.au/nla.news-article38652554 

On Monday morning, as Mr. H. Hanchett [sic], teacher of music, was on his way to Longford; and when coming down the Gibbet Hill, near Perth, his horse stumbled and fell heavily. Mr. Hanchett endeavored to throw himself clear, but without success. The saddle came violently in contact with his left arm, the bones of which were broken. He proceeded on to Longford, were Dr. Wigan set the broken bones.

[Advertisement], The Cornwall Chronicle (6 July 1864), 1

http://nla.gov.au/nla.news-article66459661 

MUSIC AND FRENCH. MR. HANCHETT, professor of music, continues to give instructions in the above branches of education.
A French Class for ladies, at Mr. Hanchett's residence twice a week.
The quarter to commence on the day the pupil first attends.
Terms on application to J. J. Hanchett, Oak Cottage, Upper Brisbane-street.

"INSOLVENCIES SINCE LAST SUMMARY", Launceston Examiner (23 August 1864), 4

http://nla.gov.au/nla.news-article38654632 

John Justinian Hanchett, of Launceston, professor of music. Liabilities, £107 18s 3d; assets, £44.

"INSOLVENT COURT. THURSDAY AUGUST 25", Launceston Examiner (27 August 1864), 2

http://nla.gov.au/nla.news-article38654717 

In re JOHN JUSTINIAN HANCHETT, of Launceston, Professor of Music. First meeting.
George Butterworth, £29 0s. 6d.; Mrs. Hazlewood, £16; W. B. Dean, £14 11s. 3d.; Jas Curry, £19 18s. (subject to a set-off, of £2 2s.).
Mr. Hobkirk was elected permanent assignee. Mr. Hobkirk said that a portion of the furniture consisting of a pianoforte and some other articles were at Bell and Westbrook's auction mart, having been taken in execution by a creditor. Of course he (Mr. Hobkirk) prevented them from being sold. Mr. Johnson, on behalf of Mr. Curry, proposed that the whole of the household furniture should be allowed to insolvent, as well as the pianoforte, for he considered that was part of insolvent's tools of trade, insolvent being a professor of music. Mr. Hobkirk remarked that some portion of the furniture would have to be sold to pay the court fees.
The creditors then voted the furniture to the insolvent, subject to the payment of the fees.

[Advertisement], The Cornwall Chronicle (4 January 1865), 6

http://nla.gov.au/nla.news-article66457353 

Music and French. MR. HANCHETT, of the Conservatoire Royale de Musique, Paris,
begs to inform his pupils that he will resume the duties of his profession on the 10th of January, 1865.
Roslin Cottage, Elphin Road, Dec. 31, 1864.

"OUR MONTHLY SUMMARY", Launceston Examiner (18 May 1867), 4

http://nla.gov.au/nla.news-article36643686 

Tne second of the series of Penny Readings was given in the Mechanics' Institute on Thursday night . . . The entertainment was opened by Mr. Hanchett giving a pretty and lively medley on the pianoforte . . .

ASSOCIATIONS: Launceston Mechanics' Institute (venue)

"Penny Reading at the Mechanics' Institute", The Cornwall Chronicle (28 August 1867), 5

http://nla.gov.au/nla.news-article72181377 

Another Penny Reading was given in the hall of the Mechanics' Institute on Thursday evening last . . . the second [part] was commenced by a solo on the pianoforte by Mr. Hanchett, whose execution is very vigorous and clever, but a simple well-known air would give more satisfaction to such a mixed audience than the most brilliant rondo . . . [and to close] Mr. Hanchett favored the audience with the National Anthem; and either the Duke of Edinburgh's expected visit or the merits of the performer, had such an effect in arousing their loyalty, that no one seemed disposed to run away until the music ceased.

ASSOCIATIONS: Alfred (royal visitor)

"THE CONCERT AT THE MECHANICS' INSTITUTE ON FRIDAY LAST [29 December 1871]", The Cornwall Chronicle (3 January 1872), 2

http://nla.gov.au/nla.news-article66029232 

In our notice of this concert in Monday's issue, the overture to each part of the concert is attributed to the string band of the Messrs. Roberts. Our reporter was not present when the first overture was performed, but we are informed on good authority it was a brilliant performance. It was the overture to "Guy Mannering" by Mr. McIver, leader (first violin), Mr. Chick (second violin), Mr. J. M. Davies (flute), Mr. Harris (cornet), Mr. A. Day (cornet), Mr. Charles Galvin (clarionet), and Mr. Hanchett (pianoforte). A correspondent also thinks the mention of the quartette by the Messrs. Roberts and Hanchette "calculated to mislead" . . .

ASSOCIATIONS: Henry Roberts (violinist, dancing master); Arthur McIver (or one of his brothers, violin); John Chick (violin); John Morris Davies (flute); Robert Douglas Harris (cornet); Andrew John Day (cornet); Charles Galvin (clarinet)

"MEETINGS OF CREDITORS. To the Editor of the Examiner", Launceston Examiner (17 September 1874), 4

http://nla.gov.au/nla.news-article52895146 

SIR, - The Chronicle's report of the meeting of Edlin's creditors would lead the public to believe that I insulted Mr. Douglas in his own office. The facts are these. In the list of debts the name of Hanchett appeared as a creditor for a large amount, which I felt sure was false, and expressed my opinion on the matter . . . and as I am well acquainted with Hanchett's family, I offered my assistance in the investigation . . . I admit that I did express myself warmly, but not more than the occasion justified when I saw a clerk of Edlin's put down as a creditor for over £200, and learned that goods to the amount of £212 had been secured to him on 20th August and shipped away by last steamer; knowing also that this clerk, who is said to have lent his employer between £200 and £300, was no other than a son of Mr. Hanchett, the music master, formerly of this town, whose family left here a short time ago in very indigent circumstances . . .
Sir, yours, &c., E. L. DITCHMAN . . .

ASSOCIATIONS: For more on this case, between Hanchett's son and his employer, the merchant W. B. Edlin, see "COURT OF BANKRUPTCY, LAUNCESTON", The Tasmanian (19 December 1874), 2

http://nla.gov.au/nla.news-article198923962 

"DEATHS", The Argus [Melbourne, VIC] (15 August 1894), 1

http://nla.gov.au/nla.news-article8694320

HANCHETTE [sic]. - On the 14th inst., at his residence, Weeroona, Westbourne-grove, Northcote, John Justinian Hanchette, aged 75 years.


Other sources:

Letters, from John Martin Hanchett, to his son, John Justinian Hanchett; Tasmanian Library and Archive, NS672/1/1 Letters

https://libraries.tas.gov.au/Record/Archives/NS672




HANCOCK, Edward (Mr. Edward HANCOCK; Mr. HANCOCK)

Musician, bass vocalist, singing class instructor, concert promoter, manager, ironmonger

Born Bury St. Edmunds, England, 18 July 1825; baptised St. James, Bury St. Edmunds, 5 January 1826; son of William HANCOCK and Ann RANSON
Married Mary Ellen BARTON, St. Andrew's, Holborn, London, 26 January 1850
Arrived Melbourne, VIC, 15 October 1852 (quarantined until 25 November, per Lady Eveline, from London, 29 June)
Departed Melbourne, VIC, 29 May 1861 (per Suffolk, for London)
Died St. John's Wood, Hampstead, London, England, 25 July 1868, aged "43/44"

https://trove.nla.gov.au/search?l-publictag=Edward+Hancock+1825-1868 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HANCOCK-Edward (shareable link to this entry)

HANCOCK, Mary Ellen (Mary Ellen Foster BARTON; Mary Ellen BARTON; Miss BARTON; Mrs. Edward HANCOCK; Mrs. HANCOCK)

Musician, soprano (mezzo-soprano) vocalist, teacher of singing and music

Born London, England, 9 February 1826; baptised St. Andrew's, Holborn, 14 February 1826; daughter of Charles BARTON and Mary Colman DRAY
Married Edward HANCOCK, St. Andrew's, Holborn, London, England, 26 January 1850
Arrived Melbourne, VIC, 15 October 1852 (quarantined until 25 November, per Lady Eveline, from London, 29 June)
Departed Melbourne, VIC, 29 May 1861 (per Suffolk, for London)
Died Shepherds Bush, London, England, 5 December 1894, aged "67" [sic]

https://trove.nla.gov.au/search?l-publictag=Mary+Ellen+Barton+Hancock+1826-1894 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Mrs+Edward+Hancock+vocalist+c1852-61 (TROVE tagged)

http://nla.gov.au/nla.party-1664905 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HANCOCK-Mary-Ellen (shareable link to this entry)


Summary:

Edward and Mary Ellen Hancock arrived in Melbourne, VIC, on the Lady Eveline from London on 15 October 1852, as members of a musical party of four vocalists, the so-called City of London Glee and Madrigal Union, directed by his William Charles Lyon, and also including Lyon's brother, Edgar Ray. However, cases of smallpox having been found among the 250 intermediate and steerage passengers, the party was quarantined for over a month, until finally being released on 25 November.

Joined by another recent arrival from London, Harriet Cawse Fiddes, the group presented its first concert at the Mechanics' Institution on Saturday, 4 December, followed, though December and January, by half a dozen other appearances in Melbourne, and at least one at the Theatre Royal in Geelong.

During eight and half years spent in Australia, mainly in Victoria, they appeared professionally in opera, concert, and oratorio.

With thanks to Kurt Ganzl for biographical information (January 2015); and to Duncan Taggart (2021) for kindly bringing to my attention the quarantine of the Lady Eveline's passengers


Documentation:

Baptisms, St. James, Bury St. Edmunds, Suffolk, 1826; Suffolk baptism index

https://www.findmypast.com.au/transcript?id=GBPRS/B/220148291 (PAYWALL)

5 January 1826 / born 18 Jul 1825 / Edward son of / William Hancock and Ann Hancock (late Ranson)

Baptisms solemnized in the parish of St. Andrew, Holborn, in the county of Middlesex, in the Year 1826; register 1824-28, page 268; London Metropolitan Archives, P69/And2/A/01/Ms 6667/22

https://www.ancestry.com.au/search/collections/1558/records/598607 (PAYWALL)

No. 2139 / [1826 February] 14 / Mary Ellen Foster [daughter of / Charles [and] Mary Colman / Barton / New Ormond St. / Conveyancer / Born 9 Feb'y 1826 . . .

ASSOCIATIONS: Charles Barton (1796-1840) and Mary Colman Dray (d. 1833) had married in Kent, on 26 February 1825

[News], Cheltenham Looker-On [Gloucestershire, England] (20 April 1844), 9

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000226/18440420/013/0009 (PAYWALL)

An Evening Concert was given by our respected townsman Mr. Thornton, last Thursday, at the Old Well Room, which was very well attended. He was assisted on the occasion by the Misses Barton, as also by Messrs. Cianchettini, Uglow, Davies, Butt, Finlayson, &c.. The selection of music was quite classical, and reflected the greatest credit on the "beneficiaire." Various excellent glees were sung, as also one of John Barnett's best songs Why did I Love by Miss Barton, and one of Bellini's by Mr. Uglow - this latter was unanimously encored. Miss Barton's song was also much applauded . . .

ASSOCIATIONS: Pio Cianchettini (pianist, accompanist)

"MISS BARTON'S CONCERT", Cheltenham Looker-On [England] (22 February 1845), 9

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000226/18450222/005/0009 (PAYWALL)

An Evening Concert was given by Miss Barton, on Wednesday, in the Lecture Room of the Literary Institution. It was very well attended, and went off better than its unpretending claims had prepared us to expect. Miss Barton herself sang three or four songs, not, certainly, in a brilliant or showy style, but still with considerable effect. Her Angels ever bright was given with an accuracy that evidenced correct teaching, and a careful desire, on her own part, not to attempt more than a naturally weak voice was capable of accomplishing. Miss Fisher, of Stroud, a second fair vocalist, who we heard for the first time on this occasion, sang two songs, and was loudly applauded in both . . . Mr. Alban Croft contributed his powerful aid to the success of the Concert, singing, with his usual ability, an Italian and an English song . . . and Mr. Cianchettini conducted and accompanied the various songs . . .

[Advertisement], Leeds Intelligencer [Yorkshire, England] (15 March 1845), 1

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000193/18450315/067/0001 (PAYWALL)

THE GRAND CONCERT for the BENEFIT the LEEDS PUBLIC DISPENSARY
under the Patronage of the Earl of MEXBOROUGH and the MASONIC BODY,
fixed to take place Monday Evening, April 7th.
PRINCIPAL PERFORMERS. VIEUXTEMPS (the extraordinary Violinist.)
MISS DOLBY, MISS E. BIRCH, MISS BARTON (her first appearance)
MR. ROHNER, MR. CALKIN, MR. JNO. PARRY.
Leader of the Band, Mr. R. A. BROWN.
Conductor the Concert. Mr. HOPKINSON. Further Particulars will duly announced.

ASSOCIATIONS: Henri Vieuxtemps (violinist); John Hopkinson (pianist)

"GRAND CONCERT - VIEUXTEMPS, THE VIOLINIST", Leeds Times (12 April 1845), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000336/18450412/019/0005 (PAYWALL)

The concert in aid of the funds of the Leeds Dispensary came off on Monday evening last. The great attraction of the evening was M. Vieuxtemps, the celebrated violinist, a Belgian, and pupil of De Beriot . . . We must not conclude without mentioning the highly creditable debut of Miss Barton, a pupil of Mr. Hopkinson's. She possesses a voice of good compass and considerable sweetness; and with practice and experience, will, we have no doubt, prove an honour to her instructor.

"HUNSLET MUTUAL IMPROVEMENT SOCIETY", Leeds Intelligencer (25 September 1847), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000193/18470925/082/0005 (PAYWALL)

The second annual soiree of this interesting society was held on Tuesday evening last . . . To add to the evening's entertainment, two duets (the Wedding March, and the Gipsy's March) were performed on the piano-forte, Mr. F. Hird, and Mr. Wm. Bower. The services of Miss Barton, the vocalist, of Leeds, were also engaged, who gained for herself the encore and warm applaudits from her audience . . .

"CONVERSAZIONE OF THE LEEDS SCHOOL OF DESIGN", Leeds Times (9 October 1847), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000336/18471009/018/0005 (PAYWALL)

Last evening, the first "conversazione" and exhibition of local manufactures, took place . . . After Miss BARTON had sung an Italian Aria, the pupils of the school were introduced and exhibited specimens of their drawings, which excited very great interest . . .

[News], Leeds Intelligencer (24 February 1849), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000193/18490224/035/0005 (PAYWALL)

We are pleased to see that Miss Barton, of this town, made a most favourable debut on Tuesday last, at Crosby Hall, London, at a concert given by Miss Matthews, in which Miss Lucumbe, Mr. Sims Reeves, Mr. Whitworth, &c., took apart. Miss Barton was deservedly encored in that beautiful song, "Lillian, I turn to thee."

ASOCIATIONS: Sims Reeves (vocalist)

1850, marriage solemnized at the parish church in the parish of St. Andrew, Holborn, London, in the county of Middlesex; register 1849-51, page 24; London Metropolitan Archives, P69/AND2/A/01/MS 6672/16

https://www.ancestry.com.au/search/collections/1623/records/1377153 (PAYWALL)

No. 48 / January 26th 1850 / Edward Hancock / full age / Bachelor / Ironmonger / Kirby Street / [son of] William Hancock / Upholsterer
Mary Ellen Barton / full age / Spinster / - / Kirby Street / [daughter of] Charles Barton / Barrister . . .

"HANOVER-SQUARE ROOMS", Morning Herald [London, England] (25 March 1850), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002408/18500325/041/0003 (PAYWALL)

The first concert of the Royal Academy of Music took place on Saturday morning, at the Hanover-square Rooms, in the presence of an audience not so large as usual . . . The indifferent displays were more numerous. Mr. Edward Hancock, Mr. W. Lyon, Mr. Baylis, and one or two others, are as yet quite unfit to meet the public ear . . .

ASSOCIATIONS: William Charles Lyon (vocalist, as see below); Royal Academy of Music (London)

"ROYAL ACADEMY OF MUSIC", The musical world [London, England] (1 June 1850), 340

https://books.google.com.au/books?id=dwoVAAAAQAAJ&pg=PA340 (DIGITISED)

The third concert for the present season took place on Saturday morning in the Hanover Square Rooms, and was a decided improvement on the others. The following was the programme: . . .
PART II . . . Song - "Should he upbraid," - Mrs. Edward Hancock - Sir H. Bishop . . .

MUSIC: Should he upbraid (Bishop)

[Advertisement], Hull Advertiser and Exchange Gazette [Yorkshire, England] (27 December 1850), 4

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001280/18501227/101/0004 (PAYWALL)

MUSIC-HALL. JARRATT-STREET. Mr. E. W. HAIGH'S ANNUAL GRAND CONCERT
will take place on THURSDAY, the 2nd January, 1851, at Eight o'clock in the Evening,
when will be assisted by the following Artistes: Mrs. EDWARD HANCOCK, from the Royal Academy of Music;
Miss ATKINSON, from the Leeds Concerts; Mr. W. WINN, from the London Concerts;
Mr. HEMINGWAY, from the Cathedral, Durham, and Mr. HENRY HAIGH, Pupil of Signor Furtado . . .

"MESSRS. BIRD AND BOWLING'S CONCERT", Leeds Intelligencer [Yorkshire, England] (18 January 1851), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000193/18510118/021/0005 (PAYWALL)

On Thursday evening [16 January] . . . The vocalists were Mrs. Edward Hancock, (whom some of our readers will remember as Miss Barton,) who, with Mr. W. Winn, was formerly inhabitant of this town . . . Mrs. Hancock has improved since we last heard her, but was evidently labouring under indisposition . . .

England census, 30 March 1851, Cavendish Square, St. Marylebone, Middlesex; UK National Archives, HO107/1487/128/1

https://www.ancestry.com.au/search/collections/8860/records/2292940 (PAYWALL)

3 Upper Weymouth St. / Edward Hancock / Head / 24 / Ironmongers Assistant / [born] Suffolk Bury St. Edmunds
Mary E. [Hancock] / Wife / 23 / Teacher of Music / Middlesex London

"WHITTINGTON CLUB", Morning Chronicle [London, England] (18 February 1851), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18510218/007/0005 (PAYWALL)

A well-selected and efficiently-performed concert was given by Miss Eyles last night. The principal vocalists were the beneficiare, Mr. Leffler, Mr. Land, Miss Messent, and Mrs. Edward Hancock. Miss Eyles obtained two encores, and the music, which was a selection of ballads, duets, and glees, requiring no very particular notice, gave satisfaction to a crowded audience.

ASSOCIATIONS: Adam Leffler (vocalist, brother of Edmund Leffler, violinist active in Australia)

"MAIDSTONE CHORAL SOCIETY", Maidstone Journal and Kentish Advertiser [Kent, England] (23 December 1851), 3

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001428/18511223/027/0003 (PAYWALL)

Handel's oratorio "Samson" was performed by this society yesterday se'nnight . . . The principal vocalists were Mrs. Edward Hancock, and Mr. Donald King, of the Exeter Hall concerts, - Mr. Armes and Mr. Harcourt, Rochester Cathedral, - and Mr. Palmer, of Canterbury Cathedral . . . Mr. H. Tolhurst led the band . . . and also recognised with pleasure the veteran father of oratorio practice in Maidstone, Mr. Tolhurst, sen., who kindly came to render his assistance his former associates in the "good work" . . . Mrs. Hancock was scarcely equal to the music entrusted to her, her voice being deficient in compass and power . . .

ASSOCIATIONS: William Henry Tolhurst (arrived Melbourne, December 1852)

"PEOPLE'S CONCERTS, LEEDS", Leeds Intelligencer (12 June 1852), 5

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000193/18520612/023/0005 (PAYWALL)

The fifth concert of the original series, with Mr. Spark as conductor, took place on Saturday evening last [5 June], at the Music Hall . . . The "stars" at this concert ware Mrs. Sunderland, Mrs. Hancock (from London), and Mr. Winn . . . Mrs. Hancock, who has a mezzo-soprano voice of much sweetness, sang in Leeds some years ago as Miss Barton . . .

Melbourne and Geelong, VIC (arrived 15 October 1852, quarantined until 25 November; to February 1854):

Names and descriptions of passengers per Lady Eveline, from London, 29 June 1852, for Port Phillip, 15 October 1852 (quarantined until 25 November); Public Record Office Victoria

https://prov.vic.gov.au/archive/33FE03C7-F96C-11E9-AE98-C7AC77C28B87?image=328 (DIGITISED)

Rae [sic] Edgar / 23 / Gentleman // Lyon William / 26 / [Gentleman]

https://prov.vic.gov.au/archive/33FE03C7-F96C-11E9-AE98-C7AC77C28B87?image=329 (DIGITISED)

Hancock Edward / 25 / Ironmonger // Hancock Ellen / 24 / - // Hancock William / 34 / Artist

ASSOCIATIONS: William Charles Lyon (musician); Edgar Ray (musician, Lyon's younger brother)

[Advertisement], The Argus [Melbourne, VIC] (3 December 1852), 8

http://nla.gov.au/nla.news-article4788340

MECHANICS' INSTITUTION. GRAND CONCERT. December 4th, 1852.
THE CITY OF LONDON GLEE AND MADRIGAL UNION,
Under the direction of Mr. WILLIAM C. LYON, professor of the Royal Academy of Music, and late Vicar Choral of St. Paul's Cathedral and Westminster Abbey,
Beg to announce to the gentry and inhabitants of Melbourne,
that their first grand concert will take place on Saturday, December 4th, 1852,
on which occasion several of the finest glees, trios, duets, and songs, by the first authors, will be performed.
Artists:
Mrs. Edward Hancock, Professor of the Royal Academy of Music.
Mr. W. C. Lyon, R.A.M.
Mr. Edgar Ray, late of her Majesty's Chapel Royal, St. James, and
Mr. Edward Hancock,
assisted by Mrs. Fiddes, formerly Miss H. CAWSE.
PROGRAMME. PART I.
Glee - O by the Rivers, Mrs. Hancock, Mrs. Fiddes, Mr. W. C. Lyon, Mr. Edgar Ray, and Mr. Hancock - Sir H. R. Bishop.
Duet - I would that My love, Mrs. Hancock and Mrs. Fiddes - Mendelssohn
Glee - The Gipsies' Laughing Trio, Mrs. Hancock, Mrs. Fiddes and Mr. Hancock - Glover
Song - My Boyhood's Home, Mr. E. Ray - Rooke
Glee - O who will o'er the Downs so free, Mrs. Hancock, Mrs. Fiddes, Mr. W. C. Lyon, Mr. E. Ray, and Mr. Hancock - Pearsall
Song - Why do I weep for thee, Mrs. Fiddes - Wallace
The Pirates' Chorus, Mrs. Hancock, Mrs. Fiddes, Mr. W. C. Lyon, Mr. E. Ray, and Mr. Hancock - Balfe
An Interval of Ten Minutes.
PART II.
Glee - How merrily we live, Mrs. Hancock, Mrs. Fiddes, and Mr. Hancock - Michael Este
Song - Should she upbraid, Mrs. Hancock - Sir H. R. Bishop
A Christmas Madrigal, Mrs. Hancock, Mrs. Fiddes, Mr. W. C. Lyon, Mr. E. Ray, and Mr. Hancock - Dr Tom [Thomas Ions]
Song - Mr. W. C. Lyon
Duet - O, wert thou in the cauld blast, Mrs. Hancock, and Mrs. Fiddes - Mendelssohn
Glee - Sleep gentle lady, Mrs. Fiddes, Mr. W. C. Lyon, Mr. Edgar Ray, and Mr. Hancock - Sir H. R. Bishop
National Anthem.
Tickets, 5s. each, to be had at the Institution, and Residence of the Secretary, 46, Russell-street.
EDGAR RAY, Secretary.

ASSOCIATIONS: Harriet Cawse Fiddes (vocalist); City of London Glee and Madrigal Union (troupe); Mechanics' Institution (Melbourne venue)

MUSIC (solos): Should he upbraid (Bishop, in Two gentlemen of Verona);

MUSIC (glees): O by rivers [sic] (Bishop); O who will o'er the Downs so free (Pearsall); How merrily we live (East); A Christmas madrigal (Ions); Sleep gentle lady (Bishop)

[Advertisement], The Argus (7 December 1852), 5

http://nla.gov.au/nla.news-article255612805 

THE CITY OF LONDON GLEE AND MADRIGAL UNION
BEG to acquaint the profession and inhabitants of Melbourne, that they are open to engagements for concerts.
For terms apply at their residence, 46 Russell-street. EDGAR RAY, Secy.
N.B. - Mr. W. D. Lyon and Mrs. E. Hancock, professors of the Royal Academy of Music, London, give lessons in singing, pianoforte, and harmony.

"VICTORIA", The Sydney Morning Herald [NSW] (10 December 1852), 2

http://nla.gov.au/nla.news-article28644331 

. . . Amidst all the excitement of gold and its attendant crime, the effervescent Melbournites are resolved to be classical in some of their doings at least. A series of concerts were in progress, at which Mrs. Fiddes, formerly Miss Harriet Cawse, had made her debut, before a Melbourne audience . . . She has only just arrived at Port Phillip, and has been very warmly greeted . . . Mr. and Mrs. Edward Hancock, from the Royal Academy of Music, London, are also among the new arrivals; and the selections at these musical re-unions display the best taste.

"THE WEEKLY CONCERTS", The Argus (23 December 1852), 5

http://nla.gov.au/nla.news-article255612918 

The following is the programme for this evening: -
Part 1. Overture. - Zauberflote - Full band.
Glee. - O, by rivers. - Mrs. Hancock, Mrs. Fiddes, Messrs. Lyon, Ray, and Hancock.
Solo (Cornopean). - Air and variations - Mr. Chapman.
Duet. - O wert thou in the cauld blast - Mrs. Hancock and Mrs. Fiddes.
Serenade. - Sleep lady mine. - Mr. E. Ray.
Grand Wedding March. - Full band.
Song. - Love now. - Mrs. Hancock.
Glee. - Sleep gentle lady. - Mrs. Hancock, Mrs. Fiddes, Messrs. Lyon, Ray, and Hancock.
Part II. Overture. - II barbiere di Seviglia.
Trio - The magic wove scarf - Mrs. Hancock, Mr. Ray, and Mr. Hancock.
Waltz - Die Rheinfahrt.
Duet, - The May bells. Mrs. Hancock and Mrs. Fiddes.
Overture - Guy Mannering. (By desire.)
Song. - Beautiful Venice. - Mrs. Fiddes.
Trio, - The gipsies' laughing trio. - Mrs. Hancock, Mrs. Fiddes, and Mr. Hancock.
National Anthem. - Solo, duet, and trio.

ASSOCIATIONS: George Chapman (cornopean); Thursday concerts (Melbourne series, at the Mechanics' Institution, as above)

"MUSICAL", The Argus (29 December 1852), 4

http://nla.gov.au/nla.news-article255613004 

We feel that we have deserved some blame in having failed before this to notice a series of musical entertainments of a very refined and elegant character, which have lately been presented to the public of Melbourne through the agency of a newly-arrived company, entitled "The Glee and Madrigal Union." With the valuable aid of Mrs. Fiddes, the "Union" has given several very high class concerts, which have well deserved the support of such portion of the public as has really a taste for good music. The most striking singer is the Mrs. Hancock who so completely took the audience of the last Thursday's weekly concert by surprise, in suddenly presenting to them one of the sweetest singers ever heard in Melbourne. Their programmes are full and varied, and everything presented is good of its kind. They lack, indeed, the agreeable variety furnished by a few overtures, &c. but if this difficulty were removed, these entertainments would probably become the most popular in the city. A novelty was presented last evening in the shape of a bassoon solo, most admirably played by a Mr. Winterbottom, who was very deservedly encored for his perfect mastery over an instrument usually considered a little gloomy and unmanageable.

ASSOCIATIONS: John Winterbottom (musician)

[Advertisement], The Argus (17 January 1853), 5

http://nla.gov.au/nla.news-article4788978

MRS. EDWARD HANCOCK begs to inform in her Pupils and Friends that she has removed to No. 44, Elizabeth-street, where she will give lessons in Singing, as usual.

[Advertisement], The Argus (24 January 1853), 8

http://nla.gov.au/nla.news-article4789192

HULLAH'S SINGING CLASSES. Mr. E. HANCOCK (certificated pupil of the above master)
begs to announce that he intends forming classes on Hullah's System. For terms, apply at 44, Elizabeth-street.

ASSOCIATIONS: John Hullah (English singing master)

[Advertisement], The Argus (25 January 1853), 8

http://nla.gov.au/nla.news-article4789243 

PROMENADE CONCERTS, a la Jullien, Olympic Circus, top of Bourke-street, east.
The Public are respectfully informed, that this Establishment will open on
Saturday next, 29th January, and every evening during the week (for one month only),
the Promenade will be splendidly decorated and brilliantly illuminated,
after the style of the original Promenade Concerts given by Monsieur Jullien in England.
Band of forty performers. Mrs. E. Hancock, will sing the favourite ballads of "Trab, Trab," and "Coming through the Rye."
Conductor, Mr. J. Winterbottom. Doors open at 1/2 past 7, commence at 8, and terminate at 10 o'clock.
Admission One shilling. Dress Circle, half a crown.

ASSOCIATIONS: Louis Jullien (musical entrepreneur active in England); Noble's Olympic Circus (Melbourne venue)

"MUSICAL", Geelong Advertiser and Intelligencer [VIC] (14 February 1853), 1 supplement

http://nla.gov.au/nla.news-article94358889 

At the Concert on Saturday Mr. Royal made a very creditable first appearance in Geelong. He is a flute player of great excellence, and his two solos were loudly encored. Mr. Thom's solos on the violin were also well received and deservedly applauded. Mrs. Fiddes had not fair scope for displaying her vocal talents, as her principal song, in the programme was without a word of explanation or apology, omitted, and the audience were, in consequence, too much out of humour to listen complacently to the next duet in which she sung . . . . We cannot conclude this short critique without mentioning the very sweet singing of Mrs. Hancock, and the orchestral accompaniments to her songs, under Mr. Thom's leadership.

ASSOCIATIONS: Creed Royal (flute); Bream Thom (violin); Theatre Royal (Geelong venue)

"THE WEEKLY CONCERTS", The Argus [Melbourne, VIC] (17 February 1853), 5

http://nla.gov.au/nla.news-article4789873 

The following is the programme for this evening: . . .
PART III. The whole of Lock's celebrated Music of Macbeth.
First Witch, Mrs. Hancock; second Witch, Mrs. Fiddes;
third Witch, Mr. Sayer; Hecate, Mr. Hancock.
Introduction - Piano.
Solo - Speak, Sister, Speak; first Witch.
Solo - Ill Deeds are Seldom Slow; second Witch.
Chorus - He Must! - He Must!
Chorus - We Should Rejoice.
Solo - When Cattle Die About; Hecate.
Solo - Sometimes About a Hollow Tree; second Witch.
Solo - Let's Have a Dance; third Witch.
Trio - The Night Raven's Dismal Voice; first, second, and third Witches.
Chorus - Then Nimbly, Nimbly.
Solo (Recit.) - Now I'm Finished; Now I go! Now I Fly! Hecate.
Chorus - We Fly by Night.
Recit - Black Spirits and White; Hecate.
Chorus - Around, Around About.

ASSOCIATIONS: William Francis Sayer (vocalist)

MUSIC: Locke's music in Macbeth (ed. Boyce, 1776); Locke's music in Macbeth (ed. Boyce, another edition); Locke's music in Macbeth (Garrick manuscript)

"THE WEEKLY CONCERTS", The Argus (24 February 1853), 4

http://nla.gov.au/nla.news-article4790100 

. . . PART II. Selections from Bellini's Opera, Norma.
Norma, Mrs. Testar; Adalgisa, Mrs. Hancock; Pollio, Mr. Sayer; Flavius, Mr. Gregg; Oroveso, Mr. Hancock.
Introduction - Pianoforte.
Solo - High on yon Mountain.
Chorus - With thy prophetic Oracle.
Cavatina - With me in Rome.
Chorus - Druids, behold!
Chorus - Norma cometh.
Cavatina - Casta Diva.
Duet - Yes, in Rome.
Trio - Oh! how his Art deceived thee.
Duet - Deh! conte . . .

ASSOCIATIONS: Elizabeth Testar (vocalist); John Gregg (vocalist)

"THE WEEKLY CONCERT", The Argus (3 March 1853), 5

http://nla.gov.au/nla.news-article4790293 

. . . PART 2. Selections from Bellini's opera Sonnambula.
Quartet - Lisa, too, can I wrong her.
Cavatina - As I view these scenes so charming - Mr. Hancock.
Recitativo e Cavatina - All is lost now - Mr. Sayer.
Cavatina - Care compagne - Mrs. Hancock.
Duet - Take now this Ring - Mrs. Hancock and Mr. Sayer.
Cavatina - Ah non Giunge - Mrs. Testar.
Finale - Sleep Gentle Lady.

"CONCERT", The Argus (18 April 1853), 9

http://nla.gov.au/nla.news-article4791721 

A most admirable programme is furnished for this evening, at the Mechanics' Institution, by a lady fast rising in the good graces of the music-loving portion of the people of Melbourne. But Mrs. Hancock does not rest upon her own claims to support, to the exclusion of other aids and additions; and she enlists the services of the military band, and of almost all the other musical talent of high caste in the city. We trust that the result will be as satisfactory as the effort deserves; for we have lately lost one or two musicians of high character, and we are so far tenacious of the tide of talent of every sort now flowing into the colony, that we watch with considerable regret any tendency to flow out of it again. And if Mrs. Hancock should put out her wings and flee away, Melbourne will then, perhaps, find that it has lost one of the sweetest singers ever yet heard in Victoria . . .

ASSOCIATIONS: Band of the 40th Regiment (military)

"THE CONCERT", The Argus (19 April 1853), 9

http://nla.gov.au/nla.news-article4791789 

Mrs. Hancock's concert last evening passed off with great spirit. The room was crowded in every part; and although the ungallant desertion of one of her male singers led to some little alteration of the programme, the audience, by constant applause and numerous encores, showed how much they were gratified with the whole. We are very glad that this spirited experiment has been so brilliantly successful.

"CONCERT", The Argus (6 June 1853), 7

http://nla.gov.au/nla.news-article4793254 

Mrs. Hancock gives a concert this evening, at the Mechanics Institute, and furnishes the temptation of a very good programme. A new singer, of the name of Dr. Lardner, is announced; scarcely, we should think, the well known savant of that name. Herr Strebinger, the violin-player, who was so rapturously received at his own concert of Tuesday, is to play a solo, and several of the pick of the fine band of the 40th are also to favor us in the same manner upon their respective instruments. By the way, our readers will be sorry to hear the rumor that the very popular songstress who this evening appeals to the Melbourne public, is likely shortly to desert our musical corps, Mr. Hancock having entered into some commercial pursuit in Geelong. We confess to be bearing some ill-will to the good gentleman for thus cruelly severing the very friendly bond which was fast growing up between his talented lady and the good people of Melbourne, and, in fact, we find ourselves sometimes betrayed into a sort of doubt as to how far a lady so capable of affording pleasure to crowded audiences of her fellow colonists, ought to be monopolised by one happy fellow no way related to her probably, except by marriage. We have no wish to advocate any innovation, but we do grieve over the withdrawal of one of our musical stars, and although we suppose that we must bow to any decision which Mr. Hancock may have come to, we cannot help warning him of the odious nature of all selfishness.

ASSOCIATIONS: William Lardner (vocalist); Frederick Strebinger (violin)

[Advertisement], Geelong Advertiser and Intelligencer (19 August 1853), 2

http://nla.gov.au/nla.news-article86412036 

CHORAL PRACTICE. MR. E. HANCOCK begs to announce that he is about to form a
CLASS for the practice of VOCAL MUSIC, both sacred and secular, under the above title.
Mr. H. has a valuable collection of Music, which, with the necessary number of vocal parts, will be at the service of the members.
For particulars and other information, apply at Mr. BROWN'S Library, Moorabool-street.

ASSOCIATIONS: Thomas Brown (bookseller, musicseller)

"To the Editor of the . . .", Geelong Advertiser and Intelligencer (6 August 1853), 1

http://nla.gov.au/nla.news-article86413898 

SIR, - I think it is generally believed that the inhabitants of Geelong are backward in patronizing any movement projected for their amusement. T'is true an Evening Concert or Ball may occasionally meet any thing but a fair share of support; but I think this only occurs at such times when the mud maintains its ground, or that the moon is on a tour. These two causes, serious as they are to both projector and supporter, I can only attribute to the scanty attendance at our Theatre, during the present week. The introduction of Operas by our spirted Lessee, reflects upon his taste and judgment the highest credit, and fully deserved the support of every lover of music and every advocate of a genuine evening's amusement . . . I was only aware of Mr. Coppin's musical festivity yesterday morning by the advertisement in your own columns. So, Mr. Editor, I do hope that when anything so unusual, and for which I believe your readers would risk a little mud, occurs, you will from your news store give us a fair and due warning. T'is now a thing gone by, the delightful notes so sweetly and expressively warbled by Mrs. Hancock; her exquisite acting and delightful singing in "La Fille de Regimento" has been almost lost, but in its own sacred echo. Let, respected Mr. Editor, this be unto you a fair warning, and with your good pen awake us to that which should show that the Geelongites can give anything in the shape of talent, musical or otherwise, its due.
I am, Sir, Your obedient servant,
WILLIAM MOLESWORTH.
Ryan's Cottage, New Town, August 4th, 1853.

ASSOCIATIONS: George Coppin (actor, manager); Theatre Royal (Geelong venue, as above)

"To the Editor of the . . .", Geelong Advertiser and Intelligencer (9 August 1853), 1 supplement

http://nla.gov.au/nla.news-article86414133 

SIR, - I was somewhat puzzled by a letter in your columns of yesterday, emanating from the pen of a Mr. Molesworth. It is a queer combination of mind and music, but I am afraid the former commodity haunts Mr. M's brain more than the latter, for, if I understand him aright, he is angry at you for the omission of a notice after a performance . . .
Mr. M. would lead the Geelong public to the belief, that Mrs. Hancock is an "exquisite actress." It is unpleasant to comment upon a lady's performance, but it must have been the feeling of every one who saw that lady on the boards, that she should never have left her proper sphere, the concert room. Fancy a lady acting the sprightly, fascinating Diana Vernon, with the gloomy expression of a widow going to a funeral, and with a voice scarce above a whisper. Such was Mrs. Hancock's rendering of the part.
Why did Mrs. Thom not get it? If ever there was a lady-like and delightful actress, (and modest and unassuming with it), she is that one. But, I forgot, she belongs to Geelong. That certainly is against her.
As to Mr. Hancock, he might get, perchance, an engagement at Sadler's Wells, as one of the dumb "lords," who sit and partake of Macbeth's Banquet; and who are understood, all "to know their own degree."
Possibly your absence of a notice was "more in sorrow than in anger," but you have been attacked for it, and as Mr. Molesworth has taken wrong premises, he must be served with a writ of ejectment.
I am, Sir, Your most obedient servant,
- DRAMATICUS.

ASSOCIATIONS: Eliza Thom (actor, wife of Bream Thom, above)

"To the Editor of the . . .", Geelong Advertiser and Intelligencer (13 August 1853), 2

http://nla.gov.au/nla.news-article86413621

SIR, - In reply to a letter which appeared in your paper, on the 9th, I can only say that I am truly sorry the names of Mrs. Hancock and myself should have been brought before the public so unpleasantly, particularly as it is very clear that Dramaticus is not aware of two facts, - first that Mrs. Hancock or myself never received a lesson in acting; and, second, that we did not profess to do well what we had never been instructed in. I am quite ready to allow that Mr. Molesworth, in his kind enthusiasm, has estimated our humble efforts far too highly; but, if that gentleman has not displayed any great musical knowledge, I cannot see that he is in any way surpassed by Dramaticus, who has not criticised that part of our performance at all, although he must have known perfectly well, if he has been in the colony any time, that this was the only ground on which we could have stood an attack.
I must further remark, that I never saw a letter in any public journal in this colony, that showed such a want of gentlemanly expressions towards any lady coming forward to afford recreation, hitherto not attempted in a musical performance. Dramaticus's letter is not only a bad specimen of composition, but he has evidently not understood his subject, from the fact that he asserts that the character of Diana Vernon is "sprightly and fascinating," when the libretto informs us she is rather a melancholy heroine than otherwise. To make matters worse, he institutes comparison between an actress (Mrs. Thom) of some years' experience, and Mrs. Hancock's seven days' preparation.
Again, Mr. M. speaks of Mrs. Hancock's singing and acting in "La fille de Regimento." Dramaticus writes to say he is puzzled; no wonder! because he does not comprehend! hence his remarks about Diana Vernon. His award of praise to myself is highly complimentary; for, if he has been to Sadlers' Wells lately, he must have seen every gentlemen playing their part properly.
I must now conclude by requesting you will suffer this to occupy a portion of space in your columns; and I sincerely hope they will never again contain such wretched, unworthy and personal remarks. A fair critique will always be acceptable to
Yours obediently,
E. HANCOCK.
Myers-street, Geelong. August 11th, 1853.

[Advertisement], Geelong Advertiser and Intelligencer (27 August 1853), 1 supplement

http://nla.gov.au/nla.news-article86414738 

MUSICIANS, VOCAL & INSTRUMENTAL, open to engagement, are requested.
to apply to Mr. E. HANCOCK, Masonic Hall, Union-street, between the hours of 11 and 12 am.

[Advertisement], Geelong Advertiser and Intelligencer (1 September 1853), 1 supplement

http://nla.gov.au/nla.news-article86414045 

MASONIC HALL. GEELONG GRAND CONCERTS, under the direction of Mr. E. HANCOCK.
The above Concerts will commence on MONDAY. 5th September, in the large room of the above Hall, which has been beautifully and tastefully decorated for the entertainments.
Mrs. HANCOCK, and other eminent Artists, Vocal and Instrumental, are secured for these Concerts.
Further particulars will be duly announced.

[Advertisement], The Argus [Melbourne, VIC] (7 September 1853), 3

http://nla.gov.au/nla.news-article4796723

MECHANICS' INSTITUTION. - MRS. EDWARD HANCOCK
begs to announce to her friends and the public, that she will give a
Grand Vocal and Instrumental Concert on Monday, the 13th September,
under the patronage of the Right Worshipful the Mayor, at which the following Artistes will appear: -
Vocalists: Mrs. Testar, Miss Miabella Smith, Mrs. Hancock, and Mr. Hancock;
Instrumentalists; Solo Piano, Miss E. Smith, pupil of Madlle. Clara Lovedey. Clarionet, Mr. Johnson; accompaniment, Mr. Buddee.

ASSOCIATIONS: Meabella Smith (vocalist); Emilie Smith (solo pianist); Henry Johnson (clarinet, master 40th band); Julius Buddee (pianist, accompanist)

"THE GEELONG MONDAY CONCERTS. To the Editor of the . . .", Geelong Advertiser and Intelligencer (20 October 1853), 2

http://nla.gov.au/nla.news-article86412410

SIR, - Surely the good people of Geelong cannot be aware that for the last six weeks there has been held, at the Masonic-hall, in Union-street, one of the best and most ably conducted concerts ever yet held in this town, otherwise the perseverance and ability of Mrs. and Mr. Hancock would have been better rewarded with crowded rather than with empty benches. For myself, I can answer (as a stranger, almost, in the colony) that I have hardly ever felt more pleasure, or spent a more comfortable evening, than in listening to the melodious notes of the Geelong warbler, Mrs. Hancock. Under the present circumstances it seems likely that the remarks of the Argus, to the effect "that it was a pity Mrs. Hancock should waste her talents on the deserts of Geelong," will be near about right, unless her efforts to please the public are a little better appreciated.
I am, Sir, Your most obedient servant,
A. T.
Great Ryrie-street, Geelong, October 18th, 1853.

"MONDAY'S CONCERT", Geelong Advertiser and Intelligencer (25 October 1853), 2

http://nla.gov.au/nla.news-article86414292 

The concert last night went off with considerable eclat, although the audience was not so numerous as the programme deserved. We trust that Mr, Hancock will persevere in establishing these weekly concerts, and that on future occasions the public of Geelong will come out a little more freely than they have done hitherto without pretention to great musical acumen. We would remind them that Mrs. Hancock is by many considered equal, and by some, superior to Mrs. Testar; and that Mr. Royal is allowed by all to be the best flautist in the colony.

[Advertisement], Geelong Advertiser and Intelligencer (31 October 1853), 6

http://nla.gov.au/nla.news-article86412583

MRS. EDWARD HANCOCK begs to inform her friends and the public that she has commenced giving LESSONS in SINGING and MUSIC. For terms, apply at her residence.

"THE CHRISTMAS CONCERTS AT THE CIRCUS", Geelong Advertiser and Intelligencer (30 December 1853), 8

http://nla.gov.au/nla.news-article86415719 

The promenade concerts at the Olympic appear to suit the taste of our fellow-townsmen better than any of the musical entertainments that have hitherto been prepared for their recreation. On Monday last, the number of the audience must have been sufficiently large to encourage the talented artistes to give us more than one repetition of their performances, although we heard some express their disappointment at finding they were not to witness the surprising equestrian feats of Mr. Noble, and his justly celebrated troupe; and this may account for a somewhat thinner attendance on Wednesday last. The various performers acquitted themselves much to our satisfaction. Of Mrs. Hancock's singing it would be superfluous for us to give any opinion, as she has long ago taken her place as one of the brightest ornaments of the concert-rooms of Victoria. Perhaps we may, however, remark that her quiet and tasteful style reminds us more of an accomplished lady, presiding at her drawing room piano, than of one striving to gain the popular ear. Mr. Laberne has not appeared so frequently amongst us; but . . . we venture to say that his popularity as a buffo singer, will increase when he has become better known to us . . . Mr. Rogers has a good voice, and sings with spirit, but he does not appear quite able to modulate it sufficiently for a concert room. The canvass roof, however, had a softening effect upon his notes, that made them very agreeable, and the song of the "True-born Englishman" found an echo in every heart. Mr. Weston's solos on the violin were executed with precision and taste . . . The solo on the cornet was far from good; but, on the whole, the concerts have gone off very well, and we can only add a wish that the denizens of Corio may for the future meet their entertainers half way, and out of the abundance they are enjoying, through the prosperity of the times, devote a portion to the support of that sublime art, of which we may say with the poet, "emollit mores, nec sinet esse feros."

ASSOCIATIONS: George Laberne (vocalist); John Rogers (vocalist); John Weston (violin); John Sullivan Noble (equestrian); Olympic Circus (Geelong venue)

Sydney, NSW (February to September 1854):

[Advertisement], The Sydney Morning Herald [NSW] (13 February 1854), 1

http://nla.gov.au/nla.news-article12957676 

MR. W. J. PALMER has the honour to announce to his friends and the public of Sydney in general, that he purposes giving a
Grand Evening Concert, at the Royal Hotel, on Monday, February 20th . . .
The following distinguished artists are already engaged -
VOCAL. - Miss Flora Harris, Mrs. Hancock (from the Hanover Square Rooms), her first appearance;
Mr. Hancock (from the Exeter and Crosby Hall Concerts), his first appearance;
Mr. Fairchild, and Mr. W. J. Palmer.
INSTRUMENTAL. Pianoforte - Mr. C. S. Packer. Conductor, Mr. Packer.
Further particulars will be duly announced.

ASSOCIATIONS: W. J. Palmer (vocalist); Flora Harris (vocalist); Joseph Fairchild (vocalist); Charles Sandys Packer (pianist, accompanist); Royal Hotel (Sydney venue)

"MR. W. J. PALMER'S CONCERT", Empire [Sydney, NSW] (22 February 1854), 2

http://nla.gov.au/nla.news-article60149531 

A very select, if not a numerous audience, honoured Mr. Palmer with their attendance, at the Royal Hotel, on Monday evening . . . The music performed consisted principally of ballads of the ordinary concert class. On this occasion, Mr. and Mrs. Hancock, two new arrivals from Melbourne, made their first appearance before a Sydney audience. Mrs. Hancock possesses a nice voice, with a very quiet and chaste style of singing. Mr. Hancock seemed to be suffering from a severe cold, which prevented him being heard to advantage . . .

[Advertisement], The Sydney Morning Herald (23 February 1854), 1

http://nla.gov.au/nla.news-article12958992 

MRS. E. HANCOCK (pupil of Sir George Smart and Signor Crivelli) begs to announce that she gives lessons in singing.
For terms apply to Messrs. MARSH and CO., music publishers, George-street.

ASSOCIATIONS: George Smart (English musician); Domenico Crivelli (English musician); Henry Marsh (musicseller)

"PUBLIC AMUSEMENTS . . . ROYAL POLYTECHNIC EXHIBITION", Illustrated Sydney News (25 March 1854), 2

http://nla.gov.au/nla.news-article63614122 

This exhibition is a step in the right direction and is superior to any that has yet appeared in the colony. It consists of a series of well executed dissolving views, some of which may truly be called works of art, taking the spectator from Ramsgate on the English Coast to Marseilles and across the Continent of Europe to Turkey and the Holy Land. A brief description is given of each picture and appropriate musical illustrations by Mr. and Mrs. Hancock and Mr. Fairchild accompany the whole. The magic wonders of the chromatrope with medallions of her Majesty and Prince Albert close the exhibition . . .

ASSOCIATIONS: Royal Polytechnic (Sydney venue)

"MR. WINTERBOTTOM'S GRAND CONCERT", Illustrated Sydney News (6 May 1854), 3

http://nla.gov.au/nla.news-article63614269 

On the evening of Monday last [1 May], M. Winterbottom's Musical Festival collected in the Bazaar-Saloon of the Royal Hotel a more crowded and brilliant assemblage than is often brought together for any purpose in Sydney. Indeed, the sitting accommodation was quite inadequate, and not a few were compelled to stand during the entire performance. Mrs. Hancock and Miss Flora Harris delighted the audience with their "most sweet voices" - but we must say that the pleasure would have been still greater if the selection had been more judicious . . .

ASSOCIATIONS: John Winterbottom (musician, as above)

"THE ROYAL POLYTECHNIC", Empire (11 May 1854), 2

http://nla.gov.au/nla.news-article60196518 

This excellent little place of entertainment was crowded yesterday evening, on the occasion of the benefit of one of the ladies of the company, Mrs. Hancock. The programme of the evening embraced two parts, the first comprising a variety of very good songs, glees, and ballads, with pianoforte accompaniments, the second part consisting of a series of dissolving views and chromatropes. Among the most successful of the vocal performances may be mentioned "Why do I weep for thee?" and the "Wishing Gate" by Mrs. Hancock, and "the Cousins" by that lady and Miss Flora Harris . . .

[Advertisement], Empire (2 June 1854), 1

http://nla.gov.au/nla.news-article60194962 

ROYAL VICTORIA THEATRE. WHIT MONDAY. June 5th, 1851.
MR. FRANK HOWSON'S BENEFIT! First and only representation of Balfe's splendid Opera
THE BOHEMIAN GIRL. Count Arnheim (his 1st appearance) - Mr. Hancock
Thaddeus (for the first and only time this season) - Mr. John Howson.
Florestein (on this occasion only) - Mr. Rogers.
Devilshoof - Mr. Frank Howson. Arline - Mrs. Guerin.
Queen of the Gipsies (her first appearance) - Mrs. Hancock . . .

ASSOCIATIONS: Frank Howson (vocalist, actor); John Howson (vocalist, actor); George Herbert Rogers (vocalist, actor); Theodosia Guerin (vocalist, actor); Royal Victoria Theatre (Sydney venue)

[Advertisement], The Sydney Morning Herald (3 July 1854), 1

http://nla.gov.au/nla.news-article12956748 

ROYAL POLYTECHNIC. - Notice. - Mr. and Mrs. HANCOCK beg to Inform their friends, the public, that they will discontinue Singing at the above Institution after Monday, July 3.

Edward only, Brisbane, NSW (QLD) (November 1854:)

[Advertisement], The Moreton Bay Courier [Brisbane, NSW (QLD) (11 November 1854), 3

http://nla.gov.au/nla.news-article3709216 

GRAND CONCERTS. JOHN COOLING HAS much pleasure in announcing the undermentioned Artistes
to his series of Concerts, on Monday, November 20, Wednesday 22, Friday 24.
MISS FLORA HARRIS, The celebrated cantatrice, from Sydney.
MR. F. H. DICKER, From the English Opera House, London.
MR. E. HANCOCK, From the Royal Victoria Theatre.
MR. A. EMANUEL, Pianist and Conductor . . .

ASSOCIATIONS: John Cooling (concert promoter); Flora Harris (vocalist); Frederick Hamilton Dicker (vocalist); Abraham Emanuel (pianist);
on these concerts, see also "IN THE 50's. MUSIC IN BRISBANE. FIRST PROFESSIONAL CONCERT", The Brisbane Courier (17 September 1929), 18

http://nla.gov.au/nla.news-article21489706 

"MR. COOLING'S CONCERTS", The Moreton Bay Courier (25 November 1854), 2

http://nla.gov.au/nla.news-article3710720 

The musical entertainments provided by Mr. Cooling, of this town, have been very successful. Owing to the unfavourable state of the weather the attendance on Monday was not so large as it would otherwise have been, but on Wednesday evening and last night the audience was greater, and on each occasion the performers were greeted with much applause . . . Miss Flora Harris has won golden opinions . . . "By sad sea waves," and "I should like to marry," were most pleasing specimens of this lady's versatile talent . . . Mr. Hancock's is eminently adapted for such songs as "The white squall" and "Hurrah for the red and the blue" in which he acquitted himself so as to draw down loud and prolonged applause. Mr. Dicker's performances on the Cornet and Post horn were much applauded, as were also the duett "We come to thee Savoy," by this gentleman and Mr. Hancock, and the Laughing trio "Vadasi via di qua," by Miss Harris, Mr. Dicker and Mr. Hancock.

Melbourne, VIC (from September 1854:)

"MUSICAL", The Argus [Melbourne, VIC] (25 September 1854), 5

http://nla.gov.au/nla.news-article4798093 

One of the pleasantest features of the gold discovery in Victoria consists of the effect that it has had in making this colony the great centre of attraction for nearly all the talent in Australia. In musical matters, and those connected with amusement generally, this is particularly the case, and visitors from Victoria comment with no little severity upon the poverty of the means of entertainment in adjacent colonies. Amongst various established favorites here, however, we have long wondered to find that Sydney had seemed to secure our friend Mrs. Hancock, whose presence at our various concerts had always lent them such an additional zest. We are very glad, however, to find the name of this talented lady amongst the passengers by one of the steamers arrived yesterday, and we hope that the Melbourne public will take measures to prevent her from ever again deserting us.

"THE EXHIBITION", The Argus (14 November 1854), 4

http://nla.gov.au/nla.news-article4800319 

The various counter attractions of last week, such as the races, Miss Hayes's concerts and also, we fear, the commercial depression under which Melbourne is temporarily suffering, operated to cause a less numerous attendance at the Exhibition than might have been expected when the reduction of the charge for admission is considered . . . The selection from the oratorio of Judas Maccabaeus was repeated on Friday evening, the solos being well performed by Mesdames Testar, Hancock, and Edwards, and Messrs. Hackett and Ewart. The vocalists exerted themselves to the utmost, the noble music of Handel receiving a correct interpretation from them. As particularly noticeable for being well executed, mention may be made of "From Mighty Kings," by Mrs. Testar; "Wise Men Flattering," most tastefully sung by Mrs. Hancock; and the duet, "O Never bow we down," by the same lady and Mrs. Edwards [sic] . . .

ASSOCIATIONS: Catherine Hayes (touring vocalist); Miss Edwards (vocalist); Thomas Ewart (vocalist); Edward Hackett (vocalist); Melbourne Philharmonic Society (association); Victorian Exhibition 1854 (event); Exhibition Building (Melbourne venue)

"EXHIBITION CONCERTS", The Age (21 November 1854), 5

http://nla.gov.au/nla.news-article154851602 

The Philharmonic Society gave their fourth grand Concert on Friday evening last, to the most crowded and delighted audience ever assembled within the walls of the Exhibition building. The music chosen for the occasion was Handel's "Acis and Galatea," and a miscellaneous selection . . . Mrs. Hancock, in the part of Damon, delighted us as usual. In the songs "Shepherd, what art thou pursuing," "Would you gain the tender creature," "Consider, fond shepherd," and in the second part, Bishop's song - "Should he upbraid," (which procured her a well-merited encore,) she fully sustained her reputation . . . and it is not a small commendation to the gentlemen connected with it as conductor and leader, Mr. John Russell and Mr. Joseph Griffiths, that from the first they have assiduously and constantly aided, by their well-directed efforts, the progress of the society . . .

ASSOCIATIONS: John Russell (conductor); Joseph Griffiths (leader, violin)

"EXHIBITION CONCERTS", The Age (9 December 1854), 5

http://nla.gov.au/nla.news-article154850645 

The seventh, and we presume the last of this series of concerts, was given by the Philharmonic Society, on Thursday evening . . . Mrs. Hancock gave us "John Anderson, my Jo," in such a sweet and simple style, that we felt ourselves quite falling in love with the old Scotch Ballad. She was encored, and sang instead "There is nae luck aboot the house." She was equally successful in her singing "Should he upbraid;" and for the encore introduced "Comin' thro' the rye," which was received with loud applause . . .

[Advertisement], The Argus (6 December 1854), 10

http://nla.gov.au/nla.news-article4801371 

MRS. E. HANCOCK begs to announce to her friends and the public that she will give a
Grand Evening Concert, on Monday, December 11th, (previous to her departure for Sydney) at the Mechanics' Institution . . .

"CONCERT AT THE MECHANICS' INSTITUTE", The Age (12 December 1854), 5

http://nla.gov.au/nla.news-article154851422 

Last evening, Mrs. Hancock made her last appearance before the Melbourne public, in the Hall of this Institute, supported by a brilliant array of professional talent. We think we never heard Mrs. Hancock - a favourite as she has always been - so brilliant as on this occasion, and her singing abundantly satisfied the large expectations her former performances had raised . . . A duet between Mrs. Hancock and Monsieur Coulon, in the place of "We come to thee, Savoy," was the principal success of the evening, and was really an elegant performance. The bulk of the performers were seriously affected by the extreme heat which prevailed, and even Mrs. Testar and some of her friends were most decidedly "out of voice" from its effects. The audience was not so full as might have been expected from the patronage of the mayor and corporation; and we fear that Mrs. Hancock's last appearance must be considered a failure, although she made extra efforts to redeem it from such a catastrophe.

ASSOCIATIONS: Emile Coulon (vocalist); in the event, the Hancocks did not go to Sydney

"CONCERT AT RICHMOND", The Age (23 December 1854), 5

http://nla.gov.au/nla.news-article154852144 

A grand concert of sacred music was given last evening, in St. Stephen's School, Richmond, by Mrs. E. Hancock, Miss Stewart, Mr. Hackett, and Mr. Lyall. The attendance was good, and of a highly respectable character. Mrs. Hancock was well received, and executed the pieces assigned her with much taste and brilliancy. The solo from the Creation, "The Marvellous Work," was rendered in a highly effective manner . . .

ASSOCIATIONS: Eliza Stewart (vocalist); Charles Lyall (vocalist)

"CONCERT AT THE THEATRE ROYAL", The Age (29 December 1854), 5

http://nla.gov.au/nla.news-article154850817 

On Wednesday evening last we paid our second visit to the concert room of the New Theatre Royal, Bourke-street, and were grieved to find the attendance so limited . . . An apology was offered for Mrs. Hancock, on the score of hoarseness, but we failed to detect it, and the apology appeared unnecessary, for she obtained a unanimous encore to the first song she sang. We must not omit to notice the musician like manner in which M. Bial played the accompaniments . . .

ASSOCIATIONS: Charles Bial (pianist, accompanist); concerts were held in the vestibule hall of the new Theatre Royal while the main auditorium was still under construction

[Advertisement], The Argus (29 January 1855), 3

http://nla.gov.au/nla.news-article4803684 

GRAND PROMENADE CONCERTS. Concert Hall; Theatre Royal.
Immense Attraction. To-night. To-night. To-night. This and every night.
Miss Louisa Swannell, the Australian Nightingale, nightly received with unbounded applause.
For the first time, Mr. and Mrs. Hancock, (in character,) as Jeannette and Jeannot.
For the first time, Mons. Emile de Granville will sing the highly admired and favorite airs Vive l'Amour et le Cognac, Partant pour le Syrie, And the Marseillaise.
Mr. Lyall, the admired tenor.
Band of twenty solo performers. Conductor. Mr. Callen.
Solo on the Opheiclide and Clarionet, by Messrs. Johnson and Hartigan.
Concert to commence at Eight. One Shilling.

ASSOCIATIONS: Louisa Swannell (vocalist); Emile De Granville (vocalist); George Douglas Callen (conductor); Henry Johnson (clarinet, master 40th band); Joseph Hartigan (ophicleide, 40th band)

MUSIC: Jeannette and Jeannot (duet, music by Charles William Glover) ; see also Jeannette and Jeannot (Wikipedia)

Diary of John Buckley Castieau, Melbourne, VIC, 11 February 1855; original MS, National Library of Australia; transcribed and edited by Mark Finnane, online at Centre for 21st Century Humanities, University of Newcastle

https://trove.nla.gov.au/work/21875533 

https://c21ch.newcastle.edu.au/textmaptext/castieaudiaries (TRANSCRIPT)

[Sunday 11 February 1855] Went to Church this morning . . . Got home, had some tea, and went again to church. The Music was very good yesterday [i.e. Sunday]. Mr. and Mrs. Hancock well known professional Vocalists, giving their assistance to the Choir . . .

ASSOCIATIONS: John Buckley Castieau (diarist, theatrical amateur); St. Paul's church (Melbourne)

"GRAND CONCERT", The Argus (30 March 1855), 5

http://nla.gov.au/nla.news-article4806065 

Madame Carandini, one of the most pleasing vocalists that we have heard in the colonies, takes a benefit this evening at the Theatre Royal, in Bourke-street. The programme is unusually seductive in character, announcing as it does the performance of the entire first act of Bellini's "Norma" with Madame Carandini as Norma, and Mrs. Hancock as Adalgisa . . .

ASSOCIATIONS: Maria Carandini (vocalist)

"THEATRICAL AND MUSICAL CHIT-CHAT", The Argus (9 April 1855), 5

http://nla.gov.au/nla.news-article4806467 

. . . The promenade concerts at the Theatre Royal will be re established on Tuesday. The orchestra is to be enlarged, and the principal vocalists include Madame Carandini, Mrs. Hancock, and Misa Louisa Swannell . . .

"THEATRICAL AND MUSICAL", The Argus (15 May 1855), 5

http://nla.gov.au/nla.news-article4808121 

Mr. and Mrs. Hancock and Mr. Lyall have accepted a two months' engagement at the Sir Charles Napier Concert Room, Ballaarat. They left Melbourne yesterday.

ASSOCIATIONS: Charlie Napier Theatre (Ballarat venue)

"BALLAARAT (FROM OUR OWN CORRESPONDENT) . . . 11th June. 1855", The Argus (16 June 1855), 5

http://nla.gov.au/nla.news-article4809671 

The diggers find amusing and delightful recreation at the "Charlie Napier," nightly. Mrs. Hancock's sweet and thrilling ballads, Mr. Thatcher's inimitable local travesties, and Herr Rahm's singular but musical notes on the zitter, form a tout ensemble rarely to be met with. Mr. Underwood, the proprietor, enforces the greatest order and decorum . . .

ASSOCIATIONS: Charles Thatcher (vocalist, songwriter); Veit Rahm (vocalist, zither player); Robert Underwood (proprietor)

"MELBOURNE (FROM OUR CORRESPONDENT)", The Sydney Morning Herald [NSW] (10 October 1855), 2

http://nla.gov.au/nla.news-article12977247 

. . . The Olympic has been well-filled. Macbeth, produced with great care, has been most successful; no less so has been the English opera, Mr. and Mrs. Hancock, and Mr. Lyall being a powerful reinforcement of the musical department of Mr. Coppin's capital company . . .

ASSOCIATIONS: George Coppin (actor, manager); Charles Lyall (vocalist); Coppin's Olympic Theatre (Melbourne venue)

"THE OPERA", The Argus (19 October 1855), 5

http://nla.gov.au/nla.news-article4821266 

. . . Nothing daunted by the great opposition with which he is threatened, Mr. Coppin also intends to enter the field with opera, and having received a most important reinforcement of his company in the persons of Mdlle. Dimier, a beautiful and accomplished figurante, and M. Coulon, has put in rehearsal Auber's sparkling ballet opera "Le dieu et la Bayadere." The opera will be powerfully cast, the dramatis personae including Mrs. Hancock and Mdlle. Dimier, who will respectively sustain the roles of the singing and dancing Bayaderes, and Messrs. Coulon, Hancock and Lyall. "The Bayadere," is, irrespective of its musical and terpsichorean attractions, a very interesting drama, and as a spectacle is sure to be popular here. But the music is, perhaps, as happy an illustration of Auber's style as could be furnished, and we have no doubt will be correctly interpreted by the excellent artistes whom Mr. Coppin has had the tact to secure. We hope, however, to be able to notice some improvement in the instrumental department, which at present badly needs reform, for in the performance of opera the orchestral music is scarcely to be considered only of secondary importance.

ASSOCIATIONS: Aurelie Dimier (dancer)

"SHAMROCK CONCERT HALL", Bendigo Advertiser (24 January 1856), 3

http://nla.gov.au/nla.news-article88048658 

We understand that Miss Octavia Hamilton, who for a period of three months has been singing at the Shamrock concerts, in which she took a leading position, is about to proceed to Melbourne for a fortnight. We are informed that on her return she will renew her engagement at these popular entertainments, and that Mrs. Hancock takes her place during her sojourn in Melbourne.

ASSOCIATIONS: Octavia Hamilton (vocalist); Shamrock Concert Hall (Bendigo venue)

"BENDIGO (From the Courier of the Mines) . . . MUSICAL", The Age (15 February 1856), 4

http://nla.gov.au/nla.news-article154864393 

The various concert rooms continue to attract a fair share of patronage, and deservedly so . . . We visited the Shamrock, a few evenings since, and were much pleased to notice the great additional effect of the music in the new hall . . . It was the first time we had had the pleasure of hearing Mrs. Hancock in operatic music. She possesses a clear full soprano, and sings with much taste. If there is any predominant quality in her voice, it is that of a charming sweetness, even in the highest notes, and she sings very high - she took the D in alt in "Oh, Lucia." She uses the half-note very well, too, and her turns are good. But a little animation would render Mrs. H.'s style more effective; as for instance, in a delightful ballad she sings - "There's a path by the river," - a capital opportunity for its introduction, and which we have heard given to advantage with more archness and spirit. 'Tis a defect most easily overcome by a lady who possesses such professional abilities as Mrs. Hancock. Miss Urie's fine voice also experienced the benefit of an enlarged theatre for its display . . .

"THE FINE ARTS", The Age (24 June 1856), 3

http://nla.gov.au/nla.news-article154867837 

For the last fortnight the Italian opera has been in full action in the Theatre Royal, with Madame Anna Bishop as prima donna, Mrs. Fiddes, Mrs. Guerin, Mrs. Hancock, M.M. Laglaise, Coulon, F. Howson, Hancock, and others as soloists, and a capital band and chorus. Mr. Geo. Coppin, the enterprising manager, is entitled to the greatest possible credit for the very effective manner in which he has already produced "Norma" and "Sonnambula," and Madame Bishop appear this evening, for the first time here, in Flotow's comic opera "Martha."

ASSOCIATIONS: Anna Bishop (vocalist); Theodosia Guerin (vocalist); Jean-Baptiste Laglaise (vocalist); Frank Howson (vocalist); Theatre Royal (Melbourne venue)

"L'ELISIR D'AMOUR", The Age (29 July 1856), 3

http://nla.gov.au/nla.news-article154865726

This delightful opera buffo was produced at the Royal for the first time on Saturday evening, with the most decided success. Madame Bishop as Adina, Laglaise as Nemorino, Howson as Belcore, Coulon as Dulcamara, and Mrs. Hancock as Gianetta, were all admirable, and the chorus sang with unwonted spirit, precision, and effect. The only thing we had to regret was the wretchedly thin house which I assembled to hear this high musical treat. The applause however was enthusiastic, and encores very numerous . . .

"MUSIC AND THE DRAMA", The Age (3 September 1856), 3

http://nla.gov.au/nla.news-article154872544 

Madame Carandini, M.M. Lavenu, Howson, Lyall, and Mr. and Mrs. Hancock are delighting the million at the Shamrock Concert Hall, at Sandhurst [Bendigo]. The attendance has been so large that Mr. Heffernan, the proprietor, has been obliged to open another room over the way [Epsom], and divide his vocal company, - and shift them from one to the other as occasion may require.

ASSOCIATIONS: Lewis Henry Lavenu (musician); William Heffernan (proprietor); Shamrock Concert Hall (Epsom venue)

"MR. AND MRS. HANCOCK", The Age (15 November 1856), 5

http://nla.gov.au/nla.news-article154872353 

We regret to say that the Shamrock company is to be deprived of the services of Mr. Hancock and his talented wife, as the term of their engagement has expired. They will be much missed by the frequenters of that favorite place of amusement, and if they leave Bendigo, will, we are assured, carry with them the cordial good wishes of the hundreds for whose amusement and gratification they have so efficiently exerted themselves during their stay amongst us. - Ibid. [Courier of the Mines]

"MUSIC AND THE DRAMA . . . THE PROVINCES . . . [BENDIGO]", The Age (30 March 1857), 5

http://nla.gov.au/nla.news-article154823722 

Messrs. Heffernan and Crowley's concerts, at the Shamrock, are still enjoying the services of Mrs. Hancock, Miss Urie, Mons. Laglaise, Mr. Leman, and Mr. Thatcher.

"SHAMKOCK CONCERT HALL. MR. LINLY NORMAN'S BENEFIT", Bendigo Advertiser (25 July 1857), 3

http://nla.gov.au/nla.news-article88000631 

Last evening this gentleman took his farewell of Bendigo . . . Miss Julia Harland, Mrs. Hancock, and Miska Hauser, at the same time appeared in the Concert Hall for the last time, at least for the present season, - and if we were not all aware of the ability, judgment, and spirit of the proprietors, Messrs. Crowley and Heffernan, to cater for the amusement of their customers, we might with reason regret the departure of those eminent professionals . . . Mrs. Hancock, simple and undesigning as she appears, was determined to make an impression, and succeeded, in the charming ballad she sang when called upon for an encore, which was applauded to the echo . . .

ASSOCIATIONS: Linly Norman (pianist, musical director); Julia Harland (vocalist); Miska Hauser (violinist); John Crowley (co-proprietor)

"MUSICAL MOVEMENTS", The Age (7 August 1857), 4

http://nla.gov.au/nla.news-article154832735 

Miss Julia Harland, Mr. Walter Sherwin, Mr. and Mrs. Hancock, and Mr. Linly Norman have undertaken a musical tour throughout Tasmania, and will appear for the first time on Monday night, at Launceston, im Bellini's opera of "Somnambula."

"THEATRICALS IN THE PROVINCES", The Argus [Melbourne, VIC] (10 November 1857), 5

http://nla.gov.au/nla.news-article7141783 

The Nelson Family have been fulfilling a remarkably successful engagement at Ballaarat; and an operatic company, which includes Miss Harland, Mr. and Mrs. Hancock, and Mr. Sherwin, opened at the Theatre Royal, Castlemaine, Monday night, in "Norma."

ASSOCIATIONS: Nelson Family (entertainers); Walter Sherwin (vocalist); Theatre Royal (Castlemaine venue)

"OPERATIC ENTERTAINMENT", The Argus (21 April 1858), 4

http://nla.gov.au/nla.news-article7293178 

Various attempts have been made from time to time to establish an operatic company in Melbourne, but hitherto without sufficient success to warrant persistency in the experiment. We are glad to learn, however, that we are not to be permitted altogether to forget the choicest morceaux of the greatest composers, a series of operatic entertainments of a somewhat novel character being about to be given at Hockin's New Assembly Room by the following artists: - Miss Julia Harland, Mrs. Hancock, M. Coulon, Mr. Sherwin, Mr. Linley Norman, and Mr. Hancock. Each concert is to consist of an entire opera, so far as the same can be judiciously rendered without theatrical accompaniments. The public of Melbourne will thus have an opportunity afforded it of making its first acquaintance with the new operas produced in Europe during the last few years. It is probable that the introductory performance will take place next week.

ASSOCIATIONS: Hockin's Rooms (Melbourne venue)

"THE STAR", Ovens and Murray Advertiser [Beechworth, VIC] (15 February 1858), 2

http://nla.gov.au/nla.news-article113236694 

This place of amusement was well attended on Saturday night; every part of the house, dress, tier, stalls, and pit being full. Of the performance we can only repeat our former encomiums - everything in its way was excellent; though if we were to particularise we should say that the gem of the evening was Miss Harland's "Coming through the Rye" given as an encore. To-night Mr. and Mrs. Hancock are to appear in Lucia di Lammermoor.

ASSOCIATIONS: Star Theatre (Beechworth venue)

"THE OPERA AT BEECHWORTH", The Age (19 March 1858), 6

http://nla.gov.au/nla.news-article154859006 

The Ovens Constitution speaking of operatic performances at the Star Theatre, Beechworth, says: - "The Elixir of Love," as performed on Saturday evening, entirely erased the very unfavorable impression which had been created on the previous occasion. Miss Harland's indisposition seemed to have passed away, and she both sang and acted with excellent spirit and taste . . . Mr. Hancock was more au fait, as Dulcamara, than on the previous night; his acting more natural and his singing, when compared with Friday night, highly commendable. Mr. Hancock can sing when he pleases; it's a pity that it does not always please him to do so. We hope he may acquit himself as creditably on Tuesday evening . . . Mrs. Hancock, who is a very formidable looking Sergeant Belcore, was particularly so in the finale of the first act . . .

"THEATRICALS AND MUSIC . . . PROVINCIAL . . . BALLARAT", Bell's Life in Victoria and Sporting Chronicle (26 June 1858), 2

http://nla.gov.au/nla.news-article201373974 

The opera company at the Charlie Napier has been augmented by the accession of Mr. John Gregg, who has appeared during the past week as Colonel Ashton in "Lucia di Lammermoor," and the Count in the "Bohemian Girl," in both of which characters he was well received. In the latter named opera the company has been the most successful. Miss Julia Harland being warmly encored in "I dreamt that I dwelt," and Messrs. Sherwin and Gregg in "When the fair land of Poland" and "The heart bowed down." Mrs. Hancock made an excellent Gipsy Queen, and Mr. Hancock played Devil's hoof very creditably . . . At the Montezuma, the Ballaarat Philharmonic Society gave their first concert on Wednesday evening. Handel's "Messiah," and a collection of glees, madrigals, etc, were performed, and the public crowded to it as they always do on Ballaarat to anything good . . . Beyond Mrs. Hancock (treble), Mr. W. H. Williams (tenor), Mr. Hancock (bass), and a few instrumentalists, none but Ballaarat people took part. Of those, Mrs. Turner (alto), Mrs. Moss (treble), and Dr. Kupferberg (bass), are the most deserving of mention. On Thursday evening, the concert cert was repeated on the township . . .

ASSOCIATIONS: John Gregg (vocalist); William Henry Williams (vocalist); Charlotte Turner (vocalist); Mrs. Moss (vocalist); Florian Kupferberg (vocalist); Charlie Napier Theatre (Ballarat venue); Montezuma Theatre (Ballarat venue); Ballarat Philharmonic Society (association)

"THE OPERA SEASON", The Age (15 September 1858), 6

http://nla.gov.au/nla.news-article154877381 

The opera season at the Princess's has commenced very auspiciously, and from the quality of the two first performances, there is little room to think that subsequent presentations will lessen the favorable impression already made. The production of an opera in Melbourne is an enterprise of no ordinary difficulty, and it is creditable to the management that they have availed themselves of every element which was at their disposal . . . The band, under the direction of Messrs. Lavenu and Linly Norman, is quite competent to give due effect to the instrumentation while the chorus, formed of well-trained voices, though deprived of the advantage of regular and continuous practice, are yet able to second the efforts of the principal vocalists in a manner which leaves little to be desired . . . Wallace's "Maritana" has formed the subject of two nights' very enjoyable entertainment . . . The Lazarillo of Mrs. Hancock was, in all respects, one of the most telling performances in the opera, and contributed very largely towards its success. Mrs. Hancock is an old favorite with Melbourne audiences, and does more than maintain her position . . .

ASSOCIATIONS: Princess's Theatre (Melbourne venue)

"ODDS AND ENDS", Bendigo Advertiser (22 February 1859), 3

http://nla.gov.au/nla.news-article87987223 

. . . The Ballarat Times says the accomplished artiste Mrs. Hancock has determined to remain for a time on Ballarat, and purposes giving instructions in singing . . .

"THEATRICALS AND MUSIC . . . THE OPERA", Bell's Life in Victoria and Sporting Chronicle (29 October 1859), 2

http://nla.gov.au/nla.news-article201378811 

It is a matter for congratulation to the public and to the management of the leading metropolitan theatre, that Opera once more asserts its sway in Melbourne . . . After a very successful season in Sydney, a company comprising Mesdames Carandini and Sara Flower, and Messrs. Walter Sherwin and John Gregg, have come to this city, and associated themselves with Mr. Farquharson, Mrs. Hancock, and (for the lady's sake we mention him) Mr. Hancock; and all have been engaged by Mr. G. V. Brooke to produce opera in the perfectest manner that our comparatively limited resources will admit of. For the active part he has taken to provide this delightful entertainment for the public, Mr. Brooke deserves honour. Mr. Winterbottom, the conductor of the orchestra at the Royal, has assumed the baton for the opera. "Il Trovatore" was produced on Monday evening, and repeated on Tuesday and Thursday evenings . . . We understand that two new operas are in rehearsal already . . .

ASSOCIATIONS: Sara Flower (vocalist); Robert Farquharson (vocalist); Gustavus Vaughan Brooke (actor, manager); Theatre Royal (Melbourne venue)

"CHRISTMAS MUSICAL FESTIVAL", The Age (27 December 1859), 6

http://nla.gov.au/nla.news-article154879949 

The Melbourne Philharmonic Society's sixth subscription concert was held in the Exhibition Building on Christmas Eve. Handel's grand oratorio - The Messiah - was produced in a style that gave entire satisfaction to the large and respectable audience . . . An additionally attractive feature on Saturday night was the presence of Madame Sara Flower, Mrs. Hancock and Mr. Farquharson . . . Of Madame Sara Flower's second aria, "He shall feed his flock," it is only necessary to say she acquitted herself to the satisfaction of the audience. Mrs. Hancock followed with the chaste pretty air, "Come unto him," which she sung with charming effect, withal as uapretentingly as though she had been a debutante. The company had almost encored it, when the leader judiciously pressed forward . . . Mrs. Hancock sang "How Beautiful are the Feet" in a clear, distinct, sweet voice, and was listened to with breathless attention. It struck us that this performance was second in point of ability only to the air by Madame Sara Flower, "O thou that tellest." Mrs. Hancock is becoming a great favorite with the public, and deservedly so. There is something modest and unassuming about this lady's singing that adds lustre to all her performances . . .

"THEATRICALS AND MUSIC . . . THE ITALIAN OPERA", Bell's Life in Victoria and Sporting Chronicle (14 January 1860), 2

http://nla.gov.au/nla.news-article201376751 

A brief season of Italian opera will commence on Monday next at the Theatre Royal, and will introduce to us Signor and Signora Bianchi, supported by Miss Octavia Hamilton, Mrs. Hancock, Mr. Farquharson, and Herr Schluter. The chorus has been considerably increased and the band greatly augmented, and a greater operatic treat will be provided, than Melbourne, to say the least, has enjoyed for a considerable time . . . The programme includes "La Traviata," and "Rigoletto" or "Attila", in addition to "Il Trovatore," "Lucrezia Borgia," and "Norma."

ASSOCIATIONS: Eugenio and Giovanna Bianchi (vocalists); Adolph Schluter (vocalist)

"THEATRICALS AND MUSIC . . . PROVINCIAL . . . CASTLEMAINE", Bell's Life in Victoria and Sporting Chronicle (5 May 1860), 2

http://nla.gov.au/nla.news-article201380172 

On Tuesday last at the Royal the "Creation" was performed by the Philharmonic Society, assisted by Mrs. Hancock, Mr. W. H. Williams, and Dr. Kafferburg. The house was crowded.

ASSOCIATIONS: William Henry Williams (vocalist, as above); Florian Kupferberg (vocalist, as above); Castlemaine Philharmonic Society (association)

[News], The Argus (18 July 1860), 4

http://nla.gov.au/nla.news-article5686320

On Friday night next Mrs. Edward Hancock, a lady most favourably known to the musical world of Melbourne for the last eight years, and whose talents, though unassuming, have been fully appreciated, both in opera and at the concerts of the Philharmonic Society, takes a benefit at the Theatre Royal. An opera will be produced on the occasion; and as that class of entertainment has at present something of novelty for the public, independent of the claims of Mrs. Hancock to support, it may be expected that there will be a large attendance.

[News], The Age (20 July 1860), 5

http://nla.gov.au/nla.news-article154843879

Mrs. Hancock, an old favorite among the theatre-going and music-loving people of Melbourne, takes her benefit tonight at the Theatre Royal. The entertainments are to commence with "The Sonnambula," with Madame Carandini as Amina, and Mrs. Hancock as Liza. The names of Messrs. Sherwin and Farquharson also appear. The opera is to be followed by a concert, in which the Philharmonic Society lend substantial aid, and the whole is to conclude with the burlesque of "The Miller and his Men." Mrs. Hancock is sufficiently well known, and her talents are so well admired, that the announcement of her benefit should alone fill the house; but with the attractions offered in the bills, we can scarcely deem it likely that any invitation is needed from us to the admirers of musical entertainments to give a befitting reception to one of their oldest favorites.

"THEATRICALS AND MUSIC. THEATRE ROYAL", Bell's Life in Victoria and Sporting Chronicle (21 July 1860), 2

http://nla.gov.au/nla.news-article201376371 

Last night, "La Sonnambula" was performed for the benefit of Mrs. Hancock, when the house was literally crammed to the doors. Doubtless many that were at the theatre went solely to hear an opera in which Madame Carandini, Mrs. Hancock, Mr. Farquharson, and Mr. Sherwin sang; but the large proportion, we opine, repaired thither to pay a substantial respect to the beneficiaire, who for many years past has laboured industriously and quietly at her profession, and who, though never holding a commanding lead, has always been a great help to any company in which she has been engaged. The opera was followed by a concert, and the burlesque brought the evening's programme to a close at a late hour.

"THEATRICALS AND MUSIC . . . PROVINCIAL . . . GEELONG", Bell's Life in Victoria and Sporting Chronicle (29 September 1860), 2

http://nla.gov.au/nla.news-article201376799 

. . . On Thursday evening the English opera company made their first appearance in "La Sonnambula." The Advertiser states: "The house was fairly attended, but by no means crowded, and the opera went off rather tamely for want of a chorus and an orchestra . . . Were it not for Mrs. Fred. Younge, who came to the rescue by playing the pianoforte, which, by the way, she did in a very effective manner, the opera must have broken down, and not the slightest explanation or apology was vouchsafed for the strange hiatus in the programme. Madame Carandini was in excellent voice, and drew forth enthusiastic plaudits in her role of Amina. Mrs. Hancock as Lisa was entirely successful, and in the non musical portions proved herself a good actress as well as an accomplished singer. Mr. Farquharson, with his glorious bass, played the Count exceedingly well, as also did Mr. Sherwin as Elvino. With the stage portion of the business no fault could be found, but the want of a chorus, and of people in the orchestra fit to play the music, was very vexatious, and sadly marred the effect of the piece as a whole. The Italian opera company is announced to appear shortly at this theatre.

ASSOCIATIONS: Emma Jane Younge (pianist)

"THEATRICAL AND MUSICAL . . . COLONIAL. LAUNCESTON", Bell's Life in Victoria and Sporting Chronicle (27 October 1860), 2

http://nla.gov.au/nla.news-article201377828 

Signor and Signora Bianchi have been well received in Launceston. The subjoined account of their opening night at the Royal, we abridge from the Examiner of the 16th instant: - A brilliant assemblage filled the Theatre Royal last evening, when Signor and Signora Bianchi made their first appearance in Tasmania in Verdi's opera of "Il Trovatore," which was most effectively put upon the stage . . . Mrs. Hancock, as Azucena, Mr. John Gregg as Count de Luna, and Mr. E. Hancock a Ferando, went through their several parts in a very creditable manner. A small but effective chorus, and an orchestra led by M. Paltzer, with Mr. R. Sharpe at the pianoforte, completed the arrangements, and we may venture to assert that never has "Il Trovatore" been put upon the stage in Tasmania in a more creditable manner.

ASSOCIATIONS: Jacques Paltzer (leader, violinist); Robert Sharpe (pianist)

"THE MONTH", The Mercury [Hobart, TAS] (22 November 1860), 3

http://nla.gov.au/nla.news-article8794547 

An Italian Opera Company arrived in Hobart Town, from Launceston, and opened a short campaign at the Theatre Royal, on the evening of the 22nd ultimo. The Company consisted of Signor and Signora Bianchi, Mons. Paltzer, Mr. and Mrs. Hancock, Messrs. J. Gregg, Megson, and Winterbottom, the well-known bassoon-player. They remained only a week, and although they introduced, and well performed, some of the choicest works of the modern lyric drama, they were not patronised so liberally as they deserved to be.

ASSOCIATIONS: Joseph Megson (violin)

"SUMMARY [FOR EUROPE] . . . AMUSEMENTS", Geelong Advertiser (24 November 1860), 3

http://nla.gov.au/nla.news-article148888030 

At the Theatre the Italian Opera Season opened on the 19th inst., Signor and Signora Bianchi, Mr. and Mrs. Hancock and Mr. Gregg, with an efficient chorus forming the company, Mons. Paltzer conducting. The talent of the company is undoubted, but the patronage hitherto has not kept pace with their merits. The cause of this however was an ill-judged scale of prices which are now altered with good results. Trovatore, Lucrezia Borgia, Norma and La Sonnambula have been already produced . . .

"THE NEWS OF THE DAY", The Age (8 February 1861), 5

http://nla.gov.au/nla.news-article154887697 

The shilling Promenade Concerts at the Prince of Wales, seem rising in public favor. Some credit is due to the lessees, Messrs. Hancock and Varley, for the enterprising manner in which they have conducted them. The vocalists comprise Mrs. Hancock, Madame Carandini, Miss Chalker, Walter Sherwin, and Mr. Hancock. There is an efficient band under the direction of Mr. E. King, and Mr. George Tolhurst presides at the pianoforte.

ASSOCIATIONS: Frank Varley (manager); Marie Chalker (vocalist); Edward King (violin, leader); George Tolhurst (piano); Prince of Wales Theatre (Melbourne venue)

"TOWN TALK", The Herald (28 February 1861), 5

http://nla.gov.au/nla.news-article244310397 

Mrs. Hancock, the vocalist, who is about leaving this colony for England, after a residence of eight years amongst us, takes her farewell benefit at the Princess's this evening. The opera selected is "Fra Diavolo," and as it is some time since we have had this species of entertainment at any theatre in Melbourne, we have no doubt that the unobtrusive and unostentatious merits of Mrs. Hancock will secure to her a bumper house.

"CURRENT TOPICS", Geelong Advertiser (5 March 1861), 2

http://nla.gov.au/nla.news-article148696749 

We have to remind our readers of Mrs. Hancock's farewell benefit Concert, to-morrow evening. The loss of this talented and amiable lady will be greatly felt by our Harmonic Society's choirs throughout Victoria, all of which she has assisted at various times very considerably during the last nine years. It must be very gratifying to Mrs. Hancock to be supported at her concert by the entire strength of the Geelong Harmonic Society; such assistance, we believe, has never been accorded to any persom before, and shows the great respect in which this lady is held . . .

ASSOCIATIONS: Geelong Harmonic Society (association)

"MELBOURNE NEWS (Argus)", Bendigo Advertiser (18 March 1861), 2

http://nla.gov.au/nla.news-article87375595 

A committee of gentlemen have kindly undertaken to interest themselves in a concert to be given by Mrs. Hancock previous to her departure for England. It is a source of regret that a lady so long and favorably known amongst us, is returning home with rather less than her fair share of the profits of "these diggins;" and the object of the present arrangement is that of endeavoring to add to the store with which she leaves our shores.

[News], The Argus (15 May 1861), 6

http://nla.gov.au/nla.news-article5700224

We understand Mrs. Edward Hancock has determined finally to leave Melbourne, and has taken her passage in the ship Suffolk, to sail on the 25th inst. The members of the choir of St. Peter's Church intend giving that lady, on Monday evening next, in the schoolroom adjacent to the church, a complimentary benefit concert, as a parting token of their regard and esteem; and we trust that Mrs. Hancock's friends will muster in sufficient numbers to give this lady a substantial recognition of her professional abilities. As a singer of sacred and church music Mrs. Hancock has held a first position, and her absence from the choir of St. Peter's will be much felt by members of the congregation of that church.

ASSOCIATIONS: St. Peter's Eastern Hill (Melbourne)

Names and descriptions of passengers per Suffolk, from Melbourne, 28 May 1861, for London; Public Record Office Victoria

https://prov.vic.gov.au/archive/238FF803-F7F0-11E9-AE98-F3FD07F091BE?image=144 (DIGITISED)

2nd Cabin // Mrs. Hancock / 31 [sic] . . .

"THEATRICALS AND MUSIC", Bell's Life in Victoria and Sporting Chronicle (1 June 1861), 2

http://nla.gov.au/nla.news-article201377391 

. . . An unusually large number of the members of the histrionic profession have left us during the week. By the Great Britain and Suffolk, Mr. Brooke, Mr. Young, Mr. Wallack, Mr. and Mrs. Hancock, the Misses Clifford, and Miss Jones, have sailed for England. It will be a long time before we look upon their like again, and we fear that, for a time at least, the legitimate drama will be under a cloud.

. . . BENDIGO. The Lyster opera company continue to draw good houses at the Lyceum. "The Bohemian Girl" was repeated on Saturday last [25 May], with an alteration in the cast caused by the indisposition of Mr. Farquharson, whose part - Devilshoof - was sustained by Mr. Hancock . . .

ASSOCIATIONS: Lyster Opera Company (troupe); Lyceum Theatre (Bendigo venue)

After Australia:

"DEATHS", The morning advertiser [London, England] (29 July 1868), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0001427/18680729/054/0007 (PAYWALL)

On the 25th inst, at his residence, St. John's-wood, Edward Hancock, aged 44, son of the late William Hancock, of Bury St. Edmund's, and nephew the late Thos. Hancock, Esq., of Marlbro' Cottage, Stoke Newington, much regretted.

England, national probate calendar, Mary Ellen Hancock, 1894

https://www.ancestry.com.au/search/collections/1904/records/2578983 

HANCOCK Mary Ellen of 19 Camden-gardens Shepherd's bush Middlesex widow died 5 December 1894 . . .


Musical editions:

My ain dear Nell (March 1860)

My ain dear Nell, sung by Miss Emma Stanley & Mrs. Hancock, a new Scottish ballad written and composed by A. Hume, fourth edition (Melbourne: McCulloch and Stewart, [new edition 1860])

https://trove.nla.gov.au/work/16850264

https://nla.gov.au/nla.obj-166133437 (DIGITISED)

ASSOCIATIONS: Emma Stanley (vocalist, actor); Alexander Hume (Scottish poet and composer); McCulloch and Stewart (musicsellers, publishers)

[Advertisement], The Argus (27 September 1859), 8

http://nla.gov.au/nla.news-article5688883 

MY AIN DEAR NELL, Nelly Brown, sung by Mrs. Hancock, at the People's Concerts, with great applause. Published by McCulloch and Stewart, 27 Collins-street west.

[Advertisement], The Argus (5 March 1860), 3

http://nla.gov.au/nla.news-article5678275 

JUST PUBLISHED, new edition of the favourite Scotch Ballad, MY AIN DEAR NELL (Nelly Brown), sung by Mrs. Hancock and Miss Emma Stanley. McCulloch and Stewart.


Bibliography and resources:

Alison Gyger, Civilising the colonies: pioneering opera in Australia (Sydney: Pellinor, 1999), 103, 106, 116

https://trove.nla.gov.au/work/32587155 




HANCOCK, Frederick (Frederick HANCOCK) - birth name of Charles MIRAN (actor, manager)



HAND, Josiah (Josiah HAND; J. HAND; also Josiah HANDS; J. HANDS)

Vocalist, venue proprietor, publican, concert promoter, founder of Hobart Town Serenaders, occasional music publisher, publican, constable, convict, emancipist

Born Wolverhampton, Staffordshire, England, 30 August 1813; baptised Queen Street Chapel (Independent), Wolverhampton, 17 October 1813; son of William HAND and Lucy HAWTIN
Convicted Birmingham, Warwickshire, England, 9 July 1841 (7 years transportation)
Arrived Hobart Town, VDL (TAS), 11 August 1842 (convict per Surrey, from England, 9 March)
Married (1) Mary LOVELL, York St. Baptist Chapel, Launceston, VDL (TAS), 18 March 1846
Married (2) Maria BEESON, Chalmers Free Church, Hobart, TAS, 1 August 1860 Married (3) Sarah Jane HORSLEY, Launceston, TAS, 23 March 1882
Died Launceston, TAS, 9 June 1893, aged "80"

https://trove.nla.gov.au/search?l-publictag=Josiah+Hand (TROVE tagged by Australharmony)


Documentation:

Baptisms, Queen Street Chapel (Independent), Wolverhampton, 1813; register 1785-1836, page 40; UK National Archives. RG4/1428

https://www.ancestry.com.au/search/collections/2972/records/952000 (PAYWALL)

No. 83 / Josiah, son of William and Lucy Hand, of Wolverhampton, was born August 30th, and baptised October 17th 1813 . . .

ASSOCIATIONS: William Hand and Lucy Hawtin married at Holy Trinity, Stratford On Avon, on 23 October 1810

England census, 6 June 1841, Lady Wood, Birmingham, Warwickshire; UK National Archives, HO107/1140/4/11/6/4

https://www.ancestry.com.au/search/collections/8978/records/10922225 (PAYWALL)

No. 6 Nelson St. / Lucy Hand / 55 / Widow / [not born in county]
Josiah [Hand] / 25 / Clerk / [not born in county]
Joshua / 20 / Printer / [not born in county]
James / 15 / Tailor // Lucy / 11 // [both born in county]

"PUBLIC OFFICE . . . FRIDAY [18 June]", Birmingham Journal [Warwickshire, England] (19 June 1841), 7

https://www.britishnewspaperarchive.co.uk/viewer/bl/0000223/18410619/007/0007 (PAYWALL)

A young man Josiah Hands, who had formerly been respectably connected in the town, but who had lately been engaged as a witness for O'Callaghan the informer, was placed in the dock, charged in company with a young man named Gosling with having stolen a quantity of lead from the roof of a house in Moor Street, belonging to Mr. Joseph Harris.
Mr. Harris stated that on Wednesday last he missed from roof of house a considerable quantity of lead, which he had seen safe the evening before. He examined the premises and in an adjoining house he found several pieces of lead which he knew belonged to him. He apprised a police officer, and a watch was placed upon the house, and in the evening the prisoner came to the place, and went to the spot where the lead was. He was immediately taken into custody.
Frederick Balieu, police constable, stated that after he apprehended Gosling, he made inquiries and found he had sold some lead which he then produced, to Mr. Richards of Freeman Street.
Benjamin Richards stated that the prisoners came to his father's house on Thursday, and Gosling offered him some lead for sale, which he weighed and put by, telling him he must call again for the money, as his father was not at home. The prisoners went away and Hands afterwards called himself for the money.
John Wall, police constable, proved that he saw the two prisoners going into Richards's shop and Gosling had some lead in his hand.
Mr. Harris identified the lead and said it corresponded with that found in the outhouse. The prisoners were committed.

Josiah Hands [sic], convict records; Tasmanian names index; NAME_INDEXES:1398689

https://libraries.tas.gov.au/Record/NamesIndex/1398689 

https://libraries.tas.gov.au/Digital/CON33-1-27/CON33-1-27P107 (DIGITISED)

6515 / Hands Josiah / Tried Warwick Birmingham 9 July 1841 7 yrs /
Emb'd 9 March 1842 / Arr'd 11 August 1842 / Protestant. Can Read and Write /
Transported for stealing lead . . .
Trade - Clerk / Height - 5 ft 5 in / Age - 29 / Complexion - Sallow . . . Hair - Black . . . Native place - Wolverhampton . . .
7th April 1846 Ticket of Leave . . . Conditional Pardon Approved 5th October 1847 . . .
Tried [Supreme Court] Hobart Town 13th April '59, Forgery, Not Guilty

Marriage permissions, 1846; Tasmanian names index; NAME_INDEXES:1252695; CON52/1/2 Page 374; RGD37/5: 1846/425f

https://libraries.tas.gov.au/Record/NamesIndex/1252695 

https://libraries.tas.gov.au/Digital/CON52-1-2/CON52-1-2P194 (DIGITISED)

6515 / Hand Josiah / Surrey 4 // 274 / Mary Lovell / Garland Grove // 26 [January 1846] / App'd

1846, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:837667; RGD37/1/5 no 425F

https://libraries.tas.gov.au/Record/NamesIndex/837667

https://libraries.tas.gov.au/Digital/RGD37-1-5/RGD37-1-5P243 (DIGITISED)

No. 69 / March 18 1846 at York St. Chapel Launceston / Josiah Hand / 32 / Bachelor / [rank illegible] . . .
Mary Lovell / 23 / Spinster . . . Married in the Baptist Chapel York St. . . .

"Hobart Town Police Report", Colonial Times [Hobart, VDL (TAS)] (12 September 1848), 2

http://nla.gov.au/nla.news-article8763489 

. . . Constable Josiah Hands, whose, peculiar duty it is to discover female passholders illegally at large, has been very successful in discovering several of these runaways in very disreputable houses. More than one of the proprietors of such houses have been fined from £2 to £3 for the offences charged against them . . .

"QUARTER SESSIONS. LICENSING DAY. Monday, May 7, 1849", Colonial Times [Hobart, VDL (TAS)] (8 May 1849), 2

http://nla.gov.au/nla.news-article8764897 

The transfers granted were - . . . Josiah Hand, Waterman's Arms, from James Cunningham . . .

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (7 September 1850), 2

http://nla.gov.au/nla.news-article173057993 

Waterman's Arms, LIVERPOOL STREET, HOBART TOWN.
IN Consequence of Instrumental Music of every description being suppressed,
it is the intention of the PROPRIETOR of the above Establishment to open his
LARGE ROOM, Up Stairs, on MONDAY, WEDNESDAY, and SATURDAY, EVENINGS, in each Week,
for the purposes of Singing in the Old English Style of
FREE AND EASY, When persons can enjoy themselves in a rational manner, by either Singing, or listening to a Song.
Wanted. - A COUNTER TENOR and a TENOR, to make up a Glee Party, none but those who thoroughly understand Music need apply.
- JOSIAH HAND. Sept. 6th, 1850

ASSOCIATIONS: Free and easy (general); Music on licensed premises (general)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania [TAS] (1 May 1852), 1

http://nla.gov.au/nla.news-article173061778 

MELOPHONIC CONCERT ROOM, WATERMAN'S ARMS, LIVERPOOL STREET.
JOSIAH HAND begs to intimate to his FRIENDS, to the
PUBLIC, as well as to all admirers of genial harmony,
THE FACT that in addition to the Company which, for so many months,
has delighted the frequenters of his house, he has happily succeeded in ENGAGING EXTRA TALENT.
[REDACTED] MELODIES AND ETHIOPIAN NOVELTIES will be produced in rapid succession, and no pains will be spared to make the
"Waterman's Arms," THE RESORT OF ALL LOVERS OF HARMONY.

ASSOCIATIONS: Melophonic Concert Room (Hobart venue)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (20 November 1852), 1

http://nla.gov.au/nla.news-article173063018 

MELOPHONIC CONCERT ROOM, "WATERMAN'S ARMS," Liverpool Street,
The Public are respectfully informed, that the above Fashionable Place of Amusement will be
Closed for a week, to enable the Proprietor to avail himself of the services of a First-rate Artiste,
whose stay in Hobart Town is limited the express purpose of decorating, improving and laying down
AN ENTIRE NEW STAGE, So that for beauty of design, and elegance of workmanship,
it shall not be surpassed, IF EQUALLED, by any place of the kind in VAN DIEMEN'S LAND.
And in returning his thanks for the immense support he his received from a discerning public,
he assures his kind patrons that the room re-opening ETHIOPIAN MELODIES.
JOSIAH HAND, PROPRIETOR. 17th November, 1852.

"LOCAL INTELLIGENCE . . . MELOPHONIC CONCERT ROOM", Hobarton Guardian, or, True Friend of Tasmania (24 November 1852), 3

http://nla.gov.au/nla.news-article173063023 

We beg to direct the attention of the public to Mr. J. Hands' Concert Room, which has been newly decorated in a style, comprising great elegance, with, much neatness. It will be seen by an Advertisement, that the usual performances are resumed and, with additional sources of amusement and rational entertainments.

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (25 December 1852), 2

http://nla.gov.au/nla.news-article173063236 

BOXING NIGHT AND EVERY EVENING NEXT WEEK,
THE MELOPHONIC CONCERT ROOM, "WATERMAN'S ARMS," Liverpool Street, Will be open for Public Enjoyment.
THE Proprietor of the above fashionable place of amusement,
ever anxious to facilitate to the Comforts of THE PEOPLE, has spared neither pains nor expense in Decorating his
CONCERT ROOM, in procuring the BEST SINGERS and MUSICIANS in the Southern hemisphere.
No Charge Made for Admission!
JOSIAH HAND, PROPRIETOR. 24th December, 1852.

"BROWN'S RIVER", Hobarton Guardian, or, True Friend of Tasmania (29 January 1853), 3

http://nla.gov.au/nla.news-article172859377 

On Thursday last, the celebrated Ethiopian Serenaders, from Mr. Hand's Melophonic Concert Room, "Waterman's Arms," Hobart Town, gave a musical entertainment at Mr. Fisher's, the "Retreat Inn," and by the performance of their inestimable melodies, won golden opinions amongst our country people. Mr. Fisher, with his usual liberality, provided an excellent spread for his visitors; after which, the lovers of dancing betook themselves to that healthful aud exhilarating exercise . . .

ASSOCIATIONS: Hobart Town Serenaders (troupe)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (5 February 1853), 2

http://nla.gov.au/nla.news-article172859424 

MELOPHONIC CONCERT ROOM, "WATERMAN'S ARMS," Liverpool Street.
THE PROPRIETOR Of the above Fashionable place of Amusement respectfully intimates, to his numerous Patrons, that he has succeeded in engaging
MR. CHARLES SLOMAN, The Celebrated Comic Singer, who has just arrived per Steam Ship "TASMANIA," From Melbourne, and will appear
THIS EVENING! ALSO, Entirely New Melodies, BY THE ETHIOPIAN SERENADERS.
SIGNOR TAMBURINI'S performance in conjunction with the only Novelty of the kind in Van Diemen's Land THE GLASS PERFORMER.
No Charge Made for Admission! Commence at Eight o'clock.
JOSIAH HAND, PROPRIETOR. 5th February, 1853.

ASSOCIATIONS: Charles Sloman (vocalist); Signor Tamburini (musical glasses player)

[Advertisement], The Courier (4 March 1853), 1

http://nla.gov.au/nla.news-article2240517

MELOPHONIC CONCERT ROOM, "WATERMAN'S ARMS," LIVERPOOL-STREET.
The Public of Hobart Town are respectfully informed by the Proprietor of the above Rooms,
that he has now in his possession the original music and poetry of that deservedly popular and beautiful sentimental song,
"BEN BOLT," (As sung by Rainer's Company of Serenaders at Launceston).
The original Hobart Town Serenaders will sing the same on SATURDAY EVENING,
Accompanied by an Eminent Performer on a powerful and rich-toned 6 1/2 Octave PIANOFORTE, Being its first introduction to an Hobart Town Audience.
The music and the words of the song can be obtained by application to the Proprietor any day between the hour of 11 and 12 o'clock.
- JOSIAH HAND, Proprietor.

ASSOCIATIONS: Rainer's Serenaders (troupe)

MUSIC: Ben Bolt (as sung by Rainer's Serenaders) (song)

"Police . . . Hand v. Johnson", The Tasmanian Colonist (31 March 1853), 2

http://nla.gov.au/nla.news-article226522533 

This case, which was tried on Monday, was an information under the hired servants' Act, preferred by Mr. Josiah Hand of the "Waterman's Arms" against Charles Johnson, one of the singers, for absenting himself from his service without leave on the 23rd inst.: the defendant pleaded not guilty,
and Mr. Hand being sworn, stated the charge to the following effect: witness had engaged the defendant four or five weeks ago, as a hired servant, to sing in his concert room at £1 per week, and his board and lodging: the defendant, however, left his service on the day mentioned, without permission, and, as it appeared, without rime or reason. The next day Mr. Hand met him in the street, and asked him, why he had left him? Johnson replied, that he was no ticket-of-leave or passholder, and if every one was of his good way of thinking they would make him, Mr. Hand, "eat humble pie."
The defendant cross-examined Mr. Hand with a view to show, that he had not been hired by him, but by his fiddler, Mr. Thomas John Turner: in this however he failed, as Mr. Hand clearly proved the servitude and the payment of weekly wages to the defendant.
In his defence, Johnson indignantly repudiated his liability to the Hired Servants Act: he was a "professional" person, a vocalist and a comedian, (great laughter) and was in no way whatever amenable to the Act.
Mr. Wilmot enquired if Mr. Hand wished the defendant punished? He replied, that although no advocate for punishment in general, yet he wished some example to be made in the present case: his men always had their money regularly, when they became saucy and insolent, and put him at defiance, presuming they were not liable to the Hired Servants Act; but he, Mr. Hand, thought, that, by the clause, under which he had laid the present information, his liability would be apparent.
Mr. Wilmot thought so, too, as, by the new act, a person serving "in any capacity," was liable to its provisions: his Worship enquired if any wages were due? Mr. Hand replied in the negative.
The defendant, now "dropped down" a bit, and said, he had no intention to leave Mr. Hand's service, and would willingly return, and perform the duties allotted to him.
Mr. Hand said, he did not want him, as he had obtained the services of a person from Launceston.
The defendant was then sentenced to fourteen days' imprisonment in her Majesty's Gaol.

ASSOCIATIONS: Charles Johnson (vocalist); Thomas John Turner (fiddler)

[Advertisement], The Courier (19 April 1853), 3

http://nla.gov.au/nla.news-article2245722 

THE TASMANIAN QUADRILLE BAND.
MR. JOSIAH HAND, of Liverpool-street, has great pleasure in intimating that he has succeeded in forming
a very superior QUADRILLE BAND, consisting of 6 or 8 instruments,
(under the leadership of Mr. EDWARD MYERS), the members of which are known professional men, who have passed many years in the study of music.
Mr. J. H. will be happy to attend to the applications of any private family who may at any time require the services of the above band.
19th April, 1853.

ASSOCIATIONS: Edward Myers (musician)

[Advertisement], Hobarton Guardian, or, True Friend of Tasmania (7 May 1853), 2

http://nla.gov.au/nla.news-article172859834 

MELOPHONIC CONCERT ROOM.
AS great pleasure in calling the attention of his numerous patrons, H and of the public in general, to the fact that the above
Popular Place of Amusement (which has been closed for several weeks in order to complete its
ORNAMENTAL AND COMMODIOUS RE-CONSTRUCTION AND EMBELLISHMENTS)
will re-open on the night of MONDAY, the 9th of May, instant.
The attractive nature of the AMUSEMENTS will be duly announced.
J. H. may add, that without reference to the Splendour of the Apartment, unequalled in the Southern hemisphere,
he has, by liberal outlay, secured all the available talent in Hobart Town.
A collection of selected novelties will be ofiered, to ensure the approbation of his kind patrons.
VIVAT REGINA.
MELOPHONIC CONCERT ROOM, "WATERMAN'S ARMS, Liverpool Street.
JOSIAH HAND, the proprietor, begs to intimate to his numerous supporters that it is his intention
to re-open the above named popular place of recreation, on Monday Evening next, with the following attractive
PROGRAMME - PART I.
National Anthem - Company
Overture - Il Tancredi - Full Band
Song - Come Brothers Arouse - Mr. Hayward
Trio instrumental - Campagnoli - two violins and violoncello - Mr. Crompton and two Gent. Amateurs
Trio vocal - Lightly Tread -with Pianoforte accompaniment - Messrs. Turner, Hand, and Gent. Amateur
Song - Old Sexton - Russell - Mr. Hand
Comic Song - Mr. Sloman
Finale to Part I - Banjo Quadrilles - Full Band.
PART II.
Overture - Figaro - Full Band
Song - Ship on Fire - Russell - Mr. Smith
Comic Song - Mr. Somerville
Medley - composed for the occasion, comprising several popular melodies - Full Band.
PART III. - A GRAND [REDACTED] CONCERT.
Overture - La Dame Blanche - Serenaders.
Belle of Tenesse - Bones.
History ob de world - Tambo.
Rosa Lee - 1st Banjo.
Life by de galley fire - 2nd Banjo.
The Etheopian Dirge - Tambo.
My [REDACTED] dear (original) - 1st Banjo.
Uncle Ned and paraphrase - Tambo and Bones.
Grand Finale, overture Lodoiska - Serenaders.
A period of ten minutes between the parts.
It will be seen by the above selection that the proprietor has endeavoured to cater for the amusement of his kind patrons so as to confer credit upon himself.
He has been enabled to secure all the available talent in the colony, and will continue to ensure the success of the Melophonic Concert Room, by presenting such novelties as will administer to the amusement and rational gratification of his visitors.
The following is amongst the number of his corps musicale: -
First Violin - Mr. Turner.
Second do. - Mr. Gratton.
First Banjo - Mr. Sloman.
Second do. - Mr. Smith.
Bones - Mr. Hayward.
Tamborine - Mr. Hilder.
Pianoforte - Mr. Crompton.
Musieal Director - MR. TURNER.
Admittance Gratis by Ticket only, to be had at the bar of the Waterman's Arms.

ASSOCIATIONS: Richard Pickering Crompton (pianist); Mr. Hayward (vocalist)

"LOCAL . . . THIS EVENING'S CONCERT", The Hobart Town Advertiser (9 May 1853), 2

http://nla.gov.au/nla.news-article264627384 

Mr. Josiah Hand's newly-enlarged Concert Room will be opened under promising auspices this evening. As stated in the "official notice" elsewhere, and to which for full particulars we refer, a handsome proscenium has been erected at the eastern end of the spacious apartment for the use of the corps musicale, who are to make their entre by a side entrance a la theatre, and will thus be seen and heard to greater advantage by the numerous patrons of the "Melophonic," for whose comfort special accommodation has been provided in the body of the room. From the preparations made, and the promising programme of this evening's entertainment, a bumper house will, no doubt, honor Mr. Hand's re-opening with a view of encouraging his public spirit, and enjoying the really rich treat for which he has been so long catering.

"LOCAL", The Hobart Town Advertiser (12 May 1853), 2

http://nla.gov.au/nla.news-article264627453 

THE MELOPHONIC Concert Room was the centre of amusement on Monday evening. In accordance with advertisement, the room was reopened, and great was the astonishment of the visitors at the perfect metamorphosis produced; the stage is removed to the eastern side of the room, and over the old stage is a gallery capable of accommodating fifty persons, the front of which presents a pleasing specimen of rich and curiously knotted Macquarie Harbour pine, lightly polished; the panels enclosed in deep gold mouldings, supported by pilasters of the same, and in the centre, a beautiful dial; showing the proprietor's unremitting efforts and unsparing expense in fitting up the room as one having no competitor in the Southern Hemisphere.
The room was excessively crowded, and many were unable to obtain admission. The National Anthem by the full band, was given with much effect and feeling; after which followed that universally popular overture "Il Tancredi," the chasteness of execution of which, taste and musical precision were apparent. Then came "Come Brothers arouse" by Mr. Hayward, which was loudly applauded; after which, a difficult instrumental Trio from Campagnoli, on two violins and violencello; the audience highly appreciating the masterly style performance of the first violin. A Vocal Trio given By Mr. Hand, Mr. Turner, and a Gentleman Amateur, "Lightly tread," was the vocal gem of the evening; the voices harmonised and the effect was pleasing and satisfactory. Mr. Hand gave "The Old Sexton," in his best style, deep, sonorous and bold, accompanied by the pianoforte, two violins and violincello, and elicited the unrestrained applause of the audience. Mr. Somerville, as a substitute for Mr. Sloman, who was labouring under an attack of influenza, gave the "School-Boy," in character, and the company were convulsed with laughter; the singer being rapturously encored, sang "Billy Barlow," and was allowed to retire. On his later appearance, as per programme, he was trebly encored - thus singing five songs during the evening. The Banjo Quadrilles were much admired.
In the second part, the Overture to Figaro by Mozart, full band, was well given and highly appreciated. A concluding Medley by an Incog. resident, too modest to allow his name to appear; the composition reflecting the greatest credit for refined taste and judicious selection.
Part third, was a [REDACTED] Concert, comprising some of the most popular melodies.
All was harmony and decorum; not the slightest disorder. A respectable and convenient room, well conducted, provided with good music, and where families can go without being brought in contract with the vulgarisms and obscenity of the pot-house, has long been required, and will, doubtless, be liberally sustained. Mr. Hand addressed the company during the evening, assuring them his sole object was to supply such. - Communicated.

MUSIC: Lightly tread (glee by "John Scotland", alias of George Berg); The old sexton (Henry Russell); Billy Barlow (song in character)

"LOCAL INTELLIGENCE . . . THE QUEEN'S BIRTHDAY", Hobarton Guardian, or, True Friend of Tasmania (21 May 1853), 4

http://nla.gov.au/nla.news-article172859872 

On reference to our advertising columns, it will be seen that Mr. Josiah Hand will cause a splendid Balloon to ascend from the front of the "Waterman's Arms," on Tuesday next, in honor of of Her Majesty's birthday. In the evening the Serenaders will perform as usual, with other instruments, at the "Waterman's Arms," which is now nightly crowded by the residents of this city.

[Advertisement], The Hobart Town Advertiser (21 May 1853), 3

http://nla.gov.au/nla.news-article264627558 

MELOPHONIC CONCERT ROOM, WATERMAN'S ARMS, LIVERPOOL STREET.
THE Proprietor of the above fashionable place of amusement has great pleasure in informing his numerous patrons,
that he has received (from his agent in London) per "Honduras," the undermentioned songs,
the production of the eminent composer and vocalist,
MR. HENRY RUSSELL, Which have created so great a sensation in the musical world in England,
and sung by him upwards of 100 nights in his new entertainment, entitled
"NEGRO LIFE"
"The African Village" - RUSSELL.
"The Slave sale; or come who bids" - "
"The parting Tear; or Farewell, a last Farewell" - "
"Long parted have we been" - "
"Far, far, upon the Sea" - "
"The Chase - Let every inch of canvass" - "
"Land - Land - Land" - "
"The Slave Auction" - "
"Uncle Tom's Lament lor the Old Folks at Home" - "
"The old Folks at Home" - "
ALSO, "The Ethiopian Dirge" - "
The above Songs have been placed in active rehearsal, and will be produced in rapid succession.
Musical Director, Mr. T. J. TURNER. Pianist, Mr. R. CROMPTON.
Conductor, Mr. GEO. HIBBERT.
JOSIAH HAND, Proprietor.
Copies of the words and music of the above songs, as also upwards of 200 Ethiopian melodies, may be had on application to either the Musical Director or Pianist.
May 19th, 1853.

ASSOCIATIONS: Henry Russell (English composer, vocalist)

[Advertisement], The Courier (8 July 1853), 3

http://nla.gov.au/nla.news-article2244962 

MELOPHONIC CONCERT ROOM.
PROGRAMME FOR THE WEEK Commencing 11th July.
Part I.
NANCY TEAL
Julius's Bride
Will you walk into de Canebrake?
THE PARTING TEAR - (from UNCLE TOM'S CABIN)
Oh! Roley, Boley, Oh!
ETHIOPIAN DIRGE
BEN BOLT
The Fine Old Colour'd Gentleman
LONG PARTED HAVE WE BEEN - (from UNCLE TOM'S CABIN)
SWEEP'S REFRAIN (with Tyrolean Imitations)
The Veteran's Return - (UNCLE TOM'S CABIN)
An Interval of Ten Minutes.
Part II.
Commence, Ye Darkies all
PICAYUNE BUTLER
I would I were a Boy again
THE SLAVE CHASE - (UNCLE TOM'S CABIN)
OLD FOLKS AT HOME
Merry is the Minstrel's Life
I'm Off for Baltimore
The Pretty Little Dark Eye'd Maid
Let's be Gay
Finale - GOD SAVE THE QUEEN!
Musical Director - MR. T. J. TURNER.
Pianist - MR. R. P. CROMPTON.
Conductor - MR. G. HIBBERT.
JOSIAH HAND, Proprietor.

[Advertisement], The Courier (13 October 1853), 2

http://nla.gov.au/nla.news-article2244349 

TO-MORROW EVENING. THEATRE ROYAL, CAMPBELL STREET.
UNEQUALLED ATTRACTION!! MRS. A'BECKETT EVANS' BENEFIT . . .
TO-MORROW EVENING, 14TH OCTOBER . . . The Entertainments-will commence with a Descriptive Drama,
in Three Acts, from the story of the age, arranged and produced by Mr. A'Beckett Evans, entitled
UNCLE TOM'S CABIN; OR, SLAVE LIFE IN AMERICA.
During the progress of the Drama the Nubian Minstrels will sing the appropriate Songs, Choruses, &c, so highly illustrative of Negro Life . . .
Phineas Fletcher a Quaker backwoodsman, Mr. A'Beckett Evans . . .
Adolph, Mr. J. Hand; Andy, Mr. Frederick Howson . . .
Cudjoe, Mr. T. J. Turner; Sambo Slick, Mr. Hayward - slaves on the estate . . .
THE NUBIAN MINSTRELS Will then have the honour of appearing in full costume, and introduce their Budget of Wit and Whims, Odds and Oddities, and their unrivalled Harmony. -
See! Sir, See! - Company.
Dinah Blake - Cohen.
Commence, ye Darkies all - Hayward.
I would I were a Boy again - Smith.
Picayune Butler - Hand.
Sweep's Refrain (with Tyrolean imitations by Smith) - Turner.
Slave Chase - Hand . . .

ASSOCIATIONS: Eliza and Richard A'Beckett Evans (actors); Royal Victoria Theatre (Hobart venue)

"CLARENCE THEATRE", The Cornwall Chronicle [Launceston, TAS] (3 December 1853), 4

http://nla.gov.au/nla.news-article65712495 

Amusement-seeking folks, desirous of wiling away an evening pleasantly, should patronise the Clarence. Besides the attraction of Mr. Hand's serenaders, the dramatic productions, under the management of Mr. Gardner, are judiciously selected, and prove very attractive. Those who have not patronised the "Little Clarence' should do so without delay . . .

ASSOCIATIONS: Joseph Gardiner (actor, manager); Clarence Theatre (Launceston venue)

"MR. HAND'S SERENADERS", The Cornwall Chronicle (17 December 1853), 4

http://nla.gov.au/nla.news-article65712234 

This company performed at Mr. Johnston's, the Great Western Hotel, Deloraine, on Tuesday and Wednesday evenings last. Their performances were received with enthusiastic applause by the numerous audiences which assembled to witness the entertainment. The serenaders will perform at tho same place during Christmas week, when they are sure to be met by bumper houses.

[Advertisement], The Cornwall Chronicle (24 December 1853), 6

http://nla.gov.au/nla.news-article65715481 

SERENADE CONCERT. HANDS COMPANY of SERENADERS will give an
ENTERTAINMENT at Mr. Robinson's Large Room, Westbury, on Boxing Night, the 26th instant,
and at Mr. Johnstone's, Great Western Hotel, Deloraine, on the 27th and 28th instant.
Tickets, 5s. each - to be had at the Bar of each place.
T. J. TURNER, Musical Director. W. LOVE, Agent.

[Advertisement], The Cornwall Chronicle (7 January 1854), 5

http://nla.gov.au/nla.news-article65712581 

EVANDALE. HAND'S COMPANY OF SERENADERS WILL GIVE THEIR
Second Ethiopian Serenade CONCERT At MR. WRIGHTS ASSEMBLY ROOMS, on TUESDAY, the 10th Jan. 1854,
Under the distinguished Patronage of JAMES R. KEWWORTHY, ESQ., M.D.
Tickets, 5s. each, to be had of Mr. Wright, and Mr. W. Dean, Confectioner, Evandale.
T. J. TURNER, Musical Director. Mr. LOVE, Agent.

"NEW INSOLVENT", The Hobart Town Mercury (17 August 1857), 3

http://nla.gov.au/nla.news-article3244758

Josiah Hand, Licensed Victualler, of Harrington-street . . .

"SERENADING", The Courier (29 January 1858), 3

http://nla.gov.au/nla.news-article2461685

Recent reverses of fortune having befell Mr. Josiah Hand, the original introducer of Ethiopian Serenaders in this city, on appeal to the public, in the shape of a serenade for a benefit for him, is announced at the Albert Theatre on Monday evening next.

ASSOCIATIONS: Royal Albert Theatre (Hobart venue)

"GENERAL INTELLIGENCE", The Tasmanian Daily News (4 May 1858), 3

http://nla.gov.au/nla.news-article199791029 

PABLO FANQUE gave the first of his three entertainments last evening, in a marquee erected upon the piece of vacant ground at the rear of the Public Offices. The main portion of the entertainment was sustained by Mr. Fanque, assisted by Mr. Josiah Hand's Band of Serenaders, who sang a few negro melodies, and the customary facetiae of a clown . . .

"GENERAL INTELLIGENCE", The Tasmanian Daily News (5 May 1858), 2

http://nla.gov.au/nla.news-article199790929 

. . . We stated that Mr. Fanque was assisted by Mr. Josiah Hand's Band of Serenaders. This was not so: the band of Serenaders that so well added to the harmony of the entertainment was merely an amateur band.

1860, marriages in the district of Hobart; Tasmanian names index; NAME_INDEXES:862097; RGD37/1/19 no 211

https://libraries.tas.gov.au/Record/NamesIndex/862097 

https://libraries.tas.gov.au/Digital/RGD37-1-19/RGD37-1-19P110 (DIGITISED)

No. 183 / 211 / Aug't 1st 1860 Chalmers Free Church / Josiah Hand / 42 / Clerl / . . . Widower
Maria Beeson / 26 / Spinster . . .

On Hand and Beeson, see also, the charge of forgery brought against them, of which they were found not guilty; "SUPREME COURT", The Hobart Town Daily Mercury (15 April 1859), 3

http://nla.gov.au/nla.news-article3254428 

1882, marriages in the district of Launceston; Tasmanian names index; NAME_INDEXES:894637; RGD37/1/41 no 704

https://libraries.tas.gov.au/Record/NamesIndex/894637 

https://libraries.tas.gov.au/Digital/RGD37-1-41/RGD37-1-41P343 (DIGITISED)

No. 88 / March 23rd 1882 in the minister's house York Street Baptist Church Launceston /
Josiah Hand / 60 / Accountant / . . . Widower // Sarah Jane Horsley / 21 / Domestic Servant . . .

See also the case brought against Horsley, "BIGAMY", Launceston Examiner (20 August 1886), 2

http://nla.gov.au/nla.news-article39519986 

1893, deaths in the district of Launceston; Tasmanian names index; NAME_INDEXES:1241248; RGD35/1/62 no 171

https://libraries.tas.gov.au/Record/NamesIndex/1241248 

https://libraries.tas.gov.au/Digital/RGD35-1-62/RGD35-1-62_16 (DIGITISED)

No. 789 / 9 June 1893 / Josiah Hand (died Elizabeth St.) (Born England) / Male / 80 years / Clerk / Senility . . .

"Deaths", Launceston Examiner (10 June 1893), 1

http://nla.gov.au/nla.news-article90219805

HAND. - On 9th June, at his residence, Elizabeth-street, Josiah Hand, aged 80 years.

"BY ELECTRIC TELEGRAPH", The Mercury [Hobart, TAS] (10 June 1893), 1

http://nla.gov.au/nla.news-article13284796 

Josiah Hands, an old colonist, died today, aged 80. He was at one time connected with the police in Launceston, and some years ago was licensee of a hotel in Hobart. Latterly he was engaged as a bailiff in the North. He was of a quiet unassuming disposition, and generally respected by all who knew him.

"AT THE CAPITAL", Daily Telegraph [Launceston, TAS] (24 October 1903), 3

http://nla.gov.au/nla.news-article153905187 

. . . At the corner of Argyle and Liverpool streets, over 50 years ago, stood the "Waterman's Arms. At the present day the site of this old-time pub is filled by an up-to-date drapery establishment. The "Waterman's Aims" was a popular hostelry, and did an enormous trade. Owing to it being in one of the largest traffic arteries of the city, and its close proximity to the Albert Theatre, a Thespian temple which ran some very excellent stock company dramas. In the year 1853 Josiah Hand was the licensee of the "Waterman's Arms." Mr. Hand was a very energetic, far-seeing individual, and having musical and dramatic instincts, he determined to run an opposition show against the legitimate Drama Temple across the road. Hands built a large concert room running parallel with the Argyle-street frontage, which he called the "Melophonic." This was fitted with a stage, boxes, seats, and embellished in an elaborate way, and for some years it was a very fashionable place of amusement. Then it died out, and degenerated to a mere dancing room of a not too select character. In the sixties the whole building was destroyed by fire, and for many years its bare, blackened walls was one of the eyesores of the chief thoroughfare of the city. Some speculative genius purchased the place, and converted it into a couple of small shops, in which a profitable grocery business was carried on until the present proprietor acquired possession. When the building was pulled down the following well-thumbed document was found under a portion of the flooring which had escaped the ravages of the fire. It was dated 1853, and ran as follows: . . .
The world went very well in those days, and an old hand who attended those Melophonic concerts told one that it was the custom to lubricate the thoraxes of both sexes freely with the prevailing beverages of the day after the show was over.

For the original advertisement quoted (". . .", see above, 21 May 1853;
see also, "Notes by the Way", Critic (17 September 1915), 3

http://nla.gov.au/nla.news-article169019326 




HANMER, Sarah (Sarah Ann McCULLOGH; HANMER; Mrs. Leicester HANMER; Mrs. HANMER; also HAMNER, HAMMER)

Actor, theatrical manager

Born London, England, 27 May 1820; baptised St. Pancras, 20 August 1820; daughter of William McCULLOGH and Hannah LEWIS
Married Henry Augustus Leicester HANMER, St. James, Clerkenwell, London, England, 10 August 1844
Arrived Melbourne, VIC, 17 August 1853 (per Lady Flora, from London, 13 April)
Died Adelaide, SA, 9 August 1867, aged "46"

https://trove.nla.gov.au/search?l-publictag=Sarah+Ann+McCullogh+Hanmer+1820-1867 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HANMER-Sarah (shareable link to this entry)

HANMER, Julia (Julia Ford HANMER; Miss Julia HANMER; Miss HANMER; Mrs. William Henry SURPLICE)

Actor

Born c. 1840
Arrived Melbourne, VIC, 17 August 1853 (per Lady Flora, from London, 13 April)
Married William Henry SURPLICE (1824-1906), VIC, 1856
Died Sydney, NSW, 27 January 1920, aged "80"

https://trove.nla.gov.au/search?l-publictag=Julia+Hanmer+Surplice+c1840-1920 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HANMER-Julia (shareable link to this entry)


Documentation:

Baptisms, St. Pancras Old Church, 1820; England, Select births and christenings

https://www.ancestry.com.au/search/collections/9841/records/40954697 (PAYWALL)

20 August 1820 / born 27 May 1820 / Sarah Ann daughter of / William and Hannah / Macullough / Coal dealer

ASSOCIATIONS: William McCullogh and Hannah Lewis married at St. George, Bloomsbury, on 21 February 1811

1844, marriage solemnized at the parish church in the parish of St. James Clerkenwell in the county of Middlesex; register 1837-45, page 143; London Metropolitan Archives, P76/JS1/046

https://www.ancestry.com.au/search/collections/1623/records/6170264 (PAYWALL)

No. 285 / [1844] August 10th / Henry Augustus Leicester Hanmer / Full age / Bachelor / Comedian / 7 Union Terrace Bagnigge Wells Road / [son of] Thomas Hanmer / Merchant
Sarah Ann McCullogh / Full age / Spinster / - / 7 Union Terrace Bagnigge Wells Road / [daughter of] William McCullogh / Merchant . . .

Names and descriptions of passengers per Lady Flora, from London, for Melbourne, August 1853; Public Record Office Victoria

https://prov.vic.gov.au/archive/3404E19C-F96C-11E9-AE98-FBBBD63BD0BC?image=366 (DIGITISED)

. . . Hanmer Sarah A. / 26 [sic] // Julia [Hanmer] / 12 . . .

[Advertisement], Geelong Advertiser and Intelligencer [VIC] (16 May 1854), 3

http://nla.gov.au/nla.news-article91933912 

ADELPHI THEATRE, RED HILL, BALLARAT.
MRS. LEICESTER HANMER has the honor to announce to her friends and the public,
that she is about opening at the above place, on or about the 15th instant, in a style worthy of herself and the colonies.
An engagement is open to a leading man and light comedian.
Applications from ladies will be unnecessary, as the Press have declared, without hesitation,
she possesses the best female talent in the country. May 7th, 1854.

ASSOCIATIONS: Adelphi Theatre (Ballarat venue)

"BALLAARAT (FROM A CORRESPONDENT) May 11th . . . NEW THEATRE", The Argus [Melbourne, VIC] (18 May 1854), 6

http://nla.gov.au/nla.news-article4807743 

Preparations are being made for the establishment of a new theatre. On the Red Hill is to be its site, and the Adelphi its name. Mrs. Leicester Hanmer, who, with her daughter has been all along the chief, if not the sole attraction of the Queen's, Eureka, is now making arrangements with several efficient members of the corps dramatique, and will open the above theatre at the earliest opportunity. Should this lady meet with half the success in her managerial capacity which she has obtained professionally, her greatest admirers will have ample reason to congratulate her.

[Advertisement], Lyttelton Times [Christchurch, NZ] (14 January 1863), 5

https://paperspast.natlib.govt.nz/newspapers/LT18630114.2.25.2 

TOWN HALL, CHRISTCHURCH. DRAMATIC ENTERTAINMENT!!!
First appearance of that celebrated Tragedienne MRS. LEICESTER HANMER
(From the principal Theatres, Sydney, Melbourne, and America.) FRIDAY EVENING, JAN. 16, 1863 . . .

[News], The Brisbane Courier [QLD] (24 December 1864), 4

http://nla.gov.au/nla.news-article1266131 

By an advertisement which appears in another column, it will be seen that Mrs. Hanmer, the lady who engaged to open Mason's New Concert Hall with a series of dramatic entertainments, will make her appearance in Brisbane for the first time on Monday evening next, and will repeat the performance on the two following evenings. Mrs. Hanmer is an actress of established reputation in the southern colonies, and will doubtless meet with a cordial reception from the people of Brisbane.

"DEATHS", South Australian Register [Adelaide, SA] (13 August 1867), 2

http://nla.gov.au/nla.news-article39178324 

HANMER. - On the 9th August, at Brown-street, Adelaide, of cancer, Mrs. S. A. Lenister Hanmer, one of the first settlers at Ballarat, and widow of the late Henry Lenister Hanmer, of Wiltshire, England.

"DEATHS", The Daily Telegraph [Sydney, NSW] (28 January 1920), 8

http://nla.gov.au/nla.news-article239660081 

SURPLICE. - January 27, at her late residence, "Albion," Alt Street, Waverley, Julia Ford Surplice, widow of the late William Henry Surplice, C.E., and beloved mother of Leonard, Percy, Frederick, and Francis Surplice, aged 80 years. She being dead yet speaketh.


Bibliography and resources:

Clare Wright, "'New brooms they say sweep clean': women's political activism on the Ballarat goldfields, 1854", Australian historical studies 3/39 (2008), 305-21

https://www.tandfonline.com/doi/abs/10.1080/10314610802263307 (PAYWALL)

Sarah Ann McCullough Hanmer, Find grave

https://www.findagrave.com/memorial/159098999/sarah-ann-hanmer 

Julia P. Surplice, Find a grave

https://www.findagrave.com/memorial/204940767/julia-p-surplice 




HANSEN, Johann Christian (Johann Christian HANSEN; J. C. HANSEN)

Musician, organist (Pirie-street Chapel), pianist, composer, schoolmaster

Born Osterby, Schleswig-Holstein (Denmark), c. 1815
Active Adelaide, SA, c. 1848 (? 1847)
Departed Adelaide, SA, c. 1877
Died Jardelund, Schleswig-Holstein (Germany), 18 May 1885, aged "70"

https://trove.nla.gov.au/search?l-publictag=Johann+Christian+Hansen+c1815-1885 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HANSEN-Johann-Christian (shareable link to this entry)


Documentation:

"BOARD OF EDUCATION", Adelaide Times [SA] (14 February 1853), 3

http://nla.gov.au/nla.news-article207010553 

Return of the Children who have attended the School of Town Teachers at Adelaide during the Month of December, 1852 . . .
J. C. Hansen, 29 boys, 13 girls . . .

"SCHOOL EXAMINATIONS", South Australian Register (2 June 1858), 3

http://nla.gov.au/nla.news-article49774124

Mr. J. C. Hansen, of Pirie-street, gave notice to the Board that the public examination of his pupils will take place previous to the holidays.

"PIRIE-STREET CHAPEL", South Australian Register (20 December 1862), 2

http://nla.gov.au/nla.news-article50176025

We understand that Mr. J. C. Hansen has been appointed organist of Pirie-street Chapel. A correspondent informs us that Mr. Hansen held a similar situation for many years in his native land, and is a man of considerable musical attainments.

ASSOCIATIONS: Music in Wesleyan churches (general)

"WESLEYAN BAZAAR", South Australian Register (26 October 1863), 5

http://nla.gov.au/nla.news-article50157193 

The bazaar in aid of the funds of the Pirie-street Trust was opened in the Lecture Hall, Pirie-street, on Tuesday, October 13 . . . During the bazaar the organist of the chapel, Mr. Hansen, performed on the organ. The weather was very favourable on the occasion, and the attendance of visitors considerable . . .

"ADELAIDE WESLEYAN MUTUAL IMPROVEMENT ASSOCIATION", Adelaide Observer (30 July 1864), 2 supplement

http://nla.gov.au/nla.news-article159525550 

A novel but very pleasant entertainment was provided on Friday evening, July 22, by the members of the Adelaide Wesleyan Mutual Improvement Association, in commemoration of their second anniversary . . . The first hour was occupied by music and recitations. The former was rendered by an efficient choir under the able management of Mr. Hansen, the organist of the church, and included the choruses "All among the Barley," "The Gipsy Chorus," "May Day," and "Awake, Aeolian Lyre" . . .

"SACRED MUSIC", South Australian Register (3 February 1869), 2

http://nla.gov.au/nla.news-article41401299 

We have had frequent opportunities of bringing under the notice of the public the compositions of resident artists who have made the principles of music considered as a science their special study. On Tuesday evening we were favoured with an opportunity of witnessing a rehearsal in White's Masonic Hall of several pieces of sacred music, composed by Mr. J. G. Gibbs, of Rundle-street. Mr. Gibbs is an ardent lover of sacred music, and his enthusiasm has inspired his compositions with a considerable amount of the pathos, solemnity, and high, toned feeling of his own mind . . . And he states, further, that he is under special obligations to Messrs. Shakespeare, Dawes, and Hansen for many hints in harmonizing his compositions . . .

ASSOCIATIONS: James Gordon Gibbs (composer); James Shakespeare (musician); Robert Daws (musician)

"DEATHS", South Australian Register (21 July 1885), 4

http://nla.gov.au/nla.news-article44947420

HANSEN. - On the 16th May, at Jardelund, by Wallsbüll, J. C. Hansen, late of Unley, South Australia, aged 70 years.

"THE LATE MR. J. C. HANSEN", South Australian Register (21 July 1885), 5

http://nla.gov.au/nla.news-article44947416 

Our obituary notices record the death of Mr. J. C. Hansen, on May 16 last, at Jardelund, near Flensburg, in Schleswig-Holstein. The deceased was born at Osterby, in the same Duchy, in 1815, and arrived in this colony about the year 1848. He was for several years the first master of a school in Pirie-street, after which he removed to Unley and occupied his leisure in teaching music, which, however, he had studied more as a science than as an art. Previous to his arrival in this colony Mr. Hansen resided some years at Heligoland, in the North Sea, and while there he applied his powerful mind to the investigation of the exact sciences, in the study of which he attained to great proficiency. He particularly excelled in the more abstruse departments of geometry, algebra, and fluxional analysis. He left this colony for his native land about the year 1877. There are many of his old friends living in Adelaide who greatly respected him, not only for his talents but for his sterling worth as a man, and who will hear of his death with much regret.

"OLD-TIME MEMORIES. AMUSEMENTS No. III [BY A NATIVE]", South Australian Register (8 September 1891), 6

http://nla.gov.au/nla.news-article48241700

. . . During the year 1859 Henry Charlick, a mere boy, was in the habit of attending the old Institute in Neales's Buildings, Gresham Chambers, and there made the acquaintance of Messrs. Griffin (watchmaker;), W. J. and A. L. Fullarton, Hansen (music teacher and mathematician), with whom he had the presumption to play chess, and he did it very well . . .


Musical works:

Corrobbero (1868)

Corrobbero, a musical picture, representing the performance of a sort of religious war-like rite among the natives of Australia, at the time of full moon, composed by J. C. Hansen, dedicated to H.R.H. the Duke of Edinburgh, K.G. (Adelaide: S. Marshall, [1868]); "Penman & Galbraith, lith."

https://trove.nla.gov.au/work/6435758

ASSOCIATIONS: Alfred (royal visitor); Samuel Marshall (musicseller, publisher); Penman and Galbraith (lithographers, printers)

"CORROBBERO - More music", South Australian Register (23 March 1868), 2

http://nla.gov.au/nla.news-article39175250

The facilities offered by the lithographer and printer of music from moveable types tend very much to encourage the publication of compositions, the product of "native industry". Genius is not confined to any particular locality, clime, or country, and no fiscal laws can restrain its manifestation. The number of musical compositions that have issued from our own colonial press would fill a capacious folio. Their performance would occupy a long evening without an encore. "Corrobbero" is the name given to a composition by Mr. J. C. Hansen, just published by Marshall, of Rundle-street. The title-page informs us that it is "a musical picture, representing the performance of a sort of religious warlike rite among the natives of Australia at the time of full moon". It has been lithographed by Penman and Galbraith, and dedicated to H.R.H. the Duke of Edinburgh. The front page is adorned with a gorgeous representation in coloured oils, of what a sprightly imagination might very well suppose to be an eruption of Vesuvius, were it not for the presence of a score or two of borbdignagian black spiders in impossible attitudes that stand on the activity of the mountain. The artist has evidently done his best. With regard to the music, though there are here and there some slight defects, it is on the whole one of the best compositions of the kind we have seen. It opens with an introduction in G major, compound common time, intended to awaken the peaceful and heart-cheering emotions produced in the mind by the full-orbed moon rising in "unclouded majesty". The next strain is an andante in common time, commencing in E minor, and terminating in B minor. It is ritualistic, and preparatory to the grand corrobboree described in musical language in the next strain. This is an allegro, and the rubric informs the instrumentalists that it represents the "grotesk (sic) dancing among the aborigines of Australia at the time of full moon, accompanied with a national song". The native "wabble, wabble, boo boo", is cleverly indicate in this "song with out words". An interlude follows. It is an adagio in E major for the organ, and is descriptive of the calm repose of "a beautiful moonlight night". This is we think the most artistic part of the whole composition. The corrobboree is then repeated, and winds up (or down) with a rushing presto. The composer has manifestly taken much pains over the work. It will, we think, become a favourite with the pianist. It is not of difficult execution (if we except the impossible holding-note in alto upon the fourth page), and in other respects it possesses the elements of popularity. It might with advantage be further elaborated and arranged as a quartette or for a quadrille band.

"TOPICS OF THE DAY", The South Australian Advertiser (24 March 1868), 2

http://nla.gov.au/nla.news-article31976503

Another piece of colonial music composed by Mr. J. C. Hansen (organist of Pirie-street Chapel), lithographed by Penman and Galbraith, and published by Marshall, has just been issued. It is called "The Corrobero," a musical picture of the natives' dance at the full moon. It is decidedly the best colonial production we have been favored with lately, and although it is the first time it has appeared in print, it is not new, the composer having long played it to his intimate friends. The music, though simple, is weird-like, and when well interpreted gives a fair idea of a corroboree. In one place it will puzzle a few to finger it; but when it is properly done, the performer will be well repaid for the trouble. It ought to find favor with every pianist.

Other:

The holy bible (music by J. G. Gibbs; German translation by Hansen; 1869)

The holy bible, a sacred song, by permission respectfully dedicated to Lady Daly by her Ladyship's very obedt. servt., James G. Gibbs, the words by the Rev'd J. Hall, M.A., the German translation by Joh. Chr. Hansen, musical professor (Adelaide: S. Marshall, [1869])

https://trove.nla.gov.au/work/9511217 

https://www.samemory.sa.gov.au/site/page.cfm?c=525 (DIGITISED)

ASSOCIATIONS: James Gordon Gibbs (composer)




HANSON, Thomas (Thomas HANSON; Tom HANSEN [sic]; "Tom the fiddler")

Musician, violinist, fiddler, builder

Died Trangue, NSW, 18 May 1906, aged "65" [BDM NSW "Hanson"]

https://sydney.edu.au/paradisec/australharmony/register-H-1.php#HANSON-Thomas (shareable link to this entry)


Documentation:

"Death of Mr. Tom Hansen", The Castlereagh [Gilgandra, NSW] (25 May 1906), 1

http://nla.gov.au/nla.news-article86282356 

On Friday last, at Trangue, there passed away in the person of Mr. Tom Hansen, who was known by the title of "Tom the Fiddler," one of the best known identities on the Castlereagh. He died suddenly at the railway station when he was about to board a train for Dubbo. Poor old Tom was very popular from one end of the river to the other, and supplied music for the official ball at the opening of the bridge over the Castlereagh at Gilgandra, a quarter of a century ago. The last job he did at Gilgandra was renovating the interior at Mr. C. A. Wood's private residence. He was one of those big-hearted genial men, who were the product of the free open life of the west. For the part 40 years he has been about the river, and many a one will fell a pang of regret on hearing that he has gone over to his fathers.







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