- P - ( Pi - Pz) -

Introductory note:

The primary focus of the biographical register is musical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.

A major upgrade of the contents of this page was completed in February 2021, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.

Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibliographic and biographical records.

The texts given in gold aim for the most part to be diplomatic transcriptions, wherever practical retaining unaltered the original orthography, and spellings and mis-spellings, of the printed or manuscript sources. Occasionally, however, some spellings are silently corrected (for instance, of unusual music titles and composers, to assist identification), and some orthography, punctuation and paragraphing, and very occasionally also syntax, editorially altered or standardised in the interests of consistency, clarity, and readability.

PICCO, J. A. (? John PICCO; J. A. PICCO; "the American PICCO")

Multi-instrumentalist, player on the tin whistle, violin, banjo, banjoline, African lute, musical grid-iron ("The Australian Paganini"; "The Great American Picco")

Arrived Melbourne, VIC, by November 1856 (? 10 November 1856, per Merlin, from Liverpool, 31 July, aged "21")
Active Bendigo, VIC, until July 1860

https://trove.nla.gov.au/search?l-publictag=American+Picco+c1856-60 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PICCO-J-A (shareable link to this entry)

Summary:

Reports, first of the existence, and then of the London debut season of a new prodigy, Joseph Picco, "The Blind Sardinian Minstrel", a virtuoso on the shepherd's pipe (zuffolo, also later known as the picco pipe), were circulated in the Australian press between April and September 1856.

There was even a humorous report in early November from the "London Correspondent" of Melbourne Punch that:

. . . Picco, the blind Sardinian and famous performer on the short pipe, is engaged by Jullien to accompany him to Melbourne. Jullien pays the piper in advance, and finds him tobacco for the term of his engagement . . .

The first appearances of "the great American Picco", a performer on the tin whistle, followed in Melbourne in November 1856. Later also billed as Mr. J. A. Picco, he continued to appear in Victoria, mainly in and around Bendigo, until the middle of 1860.

References:

"THE NEW MUSICAL PHENOMENON", The Tasmanian Daily News (23 April 1856), 3

http://nla.gov.au/nla.news-article202385875 

"PICCO, THE BLIND SARDINIAN MINSTREL", The Sydney Morning Herald (26 June 1856), 8

http://nla.gov.au/nla.news-article12984126

"FROM OUR LONDON CORRESPONDENT", Melbourne Punch (6 November 1856), 7

http://nla.gov.au/nla.news-article171431445 

Documentation:

? Names and descriptions of passengers, per Merlin, for Melbourne, from Liverpool, 31 July 1856; Public Record Office Victoria

https://www.ancestry.com.au/imageviewer/collections/1635/images/30796_125451__0115-00594 (PAYWALL)

[? Jno.] Picco / 21 / [?s] . . .

[Advertisement], The Age (24 November 1856), 4

http://nla.gov.au/nla.news-article154870633 

THEATRE ROYAL. Barnett's Opera of THE MOUNTAIN SYLPH. After which, the AMERICAN PICCO will perform a solo on a common whistle . . .

"THEATRE ROYAL", The Argus (24 November 1856), 5

http://nla.gov.au/nla.news-article7140544 

. . . This evening "The Mountain Sylph" will be produced for the first time at this theatre; and after the opera an American double of the Sardinian Picco (whose performances upon a tin pipe have created such a sensation in England) will make his first appearance.

[Advertisement], The Age (24 November 1856), 1

http://nla.gov.au/nla.news-article154870642 

THEATRE ROYAL . . . First appearance in the Colonies of the Celebrated AMERICAN PICCO.
The greatest possible Solo Performer on the COMMON WHISTLE in the world, will make his first appearance in the Colonies, having just arrived from England. The extraordinary compass of, and manipulations on, this single Instrument, have elicited the highest encomiums from the crowded audiences and the Press of England and America . . .
. . . the Celebrated AMERICAN PICCO Will perform a Solo ON A COMMON WHISTLE.
THE PICCO. - The first performer on this instrument was a Sardinian blind shepherd, who, to beguile the time while tending his sheep, had rendered himself proficient on the pipe. He was heard by chance, and induced to visit England, where his performances have caused a great sensation and excitement.
THE AMERICAN PICCO combines Musical Education with untiring practice, and has brought it to a perfection surpassing the original.
THE INSTRUMENT. - On a piece of common tin, with six holes in it, he will produce the most wonderful sounds, many passages with a brilliancy of touch and execution equal to a Nicholson on the most modern flute . . .

"PUBLIC AMUSEMENTS THIS EVENING", The Age (27 November 1856), 4

http://nla.gov.au/nla.news-article154870613 

THEATRE ROTAL. Benefit of MR. FARQUHARSON - Balfe's Opera of THE BOHEMIAN GIRL. The AMERICAN PICCO . . .

ASSOCIATIONS: Robert Farquharson (bass vocalist, member of the English Opera Company then engaged at the Theatre Royal)

"PUBLIC AMUSEMENTS THIS EVENING", The Age (2 December 1856), 4

http://nla.gov.au/nla.news-article154872512 

CREMORNE. The Wizard LENNOX. - Madame Dallecasse will make a grand ascent and descent on a rope across the Lake, the American PICCO, and other Entertainments.

ASSOCIATIONS: Anna Dalle Case (gymnast, circus performer)

[Advertisement], The Age (9 December 1856), 1

http://nla.gov.au/nla.news-article154869827 

SECOND AND LAST GRAND FETE CHAMPETRE, AT CREMORNE GARDENS, Thursday Evening, December 11th, 1856 . . .
THE AMERICAN PICCO Will open his budget of eccentricities, introducing the sayings, doings, and peculiarities of the Negro race, with solos on the violin (played here, there, and everywhere) bangoline, musical gridiron, and the common whistle . . .

[Advertisement], The Age (20 December 1856), 1

http://nla.gov.au/nla.news-article154872653 

CREMORNE GARDENS. Grand Juvenile Night. This Evening, Saturday.
Last Night of MR. and MRS. H. T. CRAVEN,
Last Night of THE AMERICAN PICCO.
Mr. LEWIS'S EQUESTRIAN COMPANY,
Last Week of MADAME DALLECASSE and M. LALANNE . . .

ASSOCIATIONS: Eliza and Henry Craven (actor-vocalist and actor-playwright); Felix Lalanne (partner of Anna Dalle Case)

[Advertisement], Mount Alexander Mail [Castlemaine, VIC] (5 January 1857), 1

http://nla.gov.au/nla.news-article202634179 

RED HILL MUSIC HALL. Proprietor Mr. LOW. GRAND OPENING NIGHT!!
FOR the purpose of giving eclat to the opening of the above elegant place of amusement, the following Artistes of the highest dramatic and musical talent in the colonies have been engaged: -
Mrs. H. T. CRAVEN, the celebrated vocalist and actress, from Covent Garden and Drury-lane Theatres.
L. SWANNELL, of the Theatre Royal, Melbourne.
Mr. H. T. CRAVEN, the popular author and actor, of Drury-lane Theatre.
Mr. F. DIXON, the popular tenor singer, of Melbourne.
Mr. SMALL, the famous comic vocalist;
and The world renowned AMERICAN PICCO.
Mr. OTTO LINDEN will preside at the Pianoforte, and conduct the musical arrangements.
On SATURDAY, Jan. 3rd, Monday, Jan. 5th, and during the week, the performances will commence with a grand MUSICAL ENTERTAINMENT . . .
The Celebrated AMERICAN PICCO Whose Instrumental Performances and Imitative Eccentricities peculiar to his illustrations have called forth unqualified approbation and patronage through out the four quarters of the globe, will appear in his original Entertainment, entitled
LIFE IN OLE VIRGINNY,
Introducing the sayings, doings, oddities, peculiarities, and eccentricities of the sable genus of humanity - the slaves of America; in which he will perform on the following Instruments:-
Violin (played here, there, and everywhere), Banjoline, Musical Gridiron, and the Common Tin Whistle.
This performance has excited the wonder, and been then theme of discussion amongst the greatest musical connoisseurs of England and America. The effects produced have hitherto been considered attainable only by the Concert Flute of the most recent improvements . . .

ASSOCIATIONS: Louisa Swannell (vocalist); Frederick Dixon (vocalist); Joe Small (comic vocalist); Otto Linden (pianist)

"THE CRITERION THEATRE", Bendigo Advertiser (6 March 1857), 3

http://nla.gov.au/nla.news-article87997751 

The Alpine Minstrels repeated their performances last night, and though the house was by no means a good one, those who attended appeared to appreciate the performances. The American Picco with his tin whistle was "all there," and we regret much that the inhabitants of Sandhurst were not all there also, as the evening's entertainment was really deserving of patronage and support.

ASSOCIATIONS: Alpine Minstrels (Margeritta Kramer and Julius Haimberger and family)

"THE AMERICAN PICCO", Mount Alexander Mail (1 June 1857), 3

http://nla.gov.au/nla.news-article197085468 

This artiste was very cordially received by a crowded house at the Red Hill, Forest Creek, on Saturday evening. He performs to-night at Campbell's Creek, and next day at the Junction.

"ARARAT [FROM OUR OWN CORRESPONDENT]", Mount Alexander Mail (16 October 1857), 4

http://nla.gov.au/nla.news-article197086259 

At the Duchess of Kent Hotel a large Hall or Theatre has been erected, in which performances are given every evening, and no expense spared in the engaging of artistic talent. A charge is made for admission. I visited this place twice, and was highly gratified with the performances. The celebrated German Brothers performed some of the most extraordinary acrobatic feats I ever witnessed. Hall and Davies, late of Rainer's Serenaders, sustained their well-earned reputation. A Miss Stewart sung; the American Picco performed in his usual style; and a comic singer, whose name I forget, sang ridiculous songs which he seemed to think comic. The house is capable of accommodating upwards of 300, but only about 80 were present. On a subsequent evening, when the famed Kohler Brothers gave specimens of their superior performances on various musical instruments, and when a crowded house was anticipated, the audience only numbered about 30 . . .

ASSOCIATIONS: Eliza Stewart (vocalist); Rainer's Serenaders (minstrels); Richard and John Kohler (multi-instrumentalists)

"ABBOTT'S LYCEUM", Bendigo Advertiser (27 September 1858), 3

http://nla.gov.au/nla.news-article87983663

There can be very little doubt of the success of the new company whose services Mr. Abbott has secured for his theatre. On Saturday night the place was crammed . . . The company were well selected, all of them being known on Bendigo. Miss Urie sang some of her most favorite songs . . . Several comic aongs were sung by Mr. Hammond . . . Mr. Leeman sung several very effective songs, and Mr. Dixon came before the audience two or three times. The gentleman rejoicing in the euphonious cognomen of the Great American Picco, performed a series of solos upon the violin, or, rather, upon one string of that instrument, very cleverly. The peculiar positions in which he managed to play appeared to surprise most of the audience, who did not fail to give him his work to do by repeated encores . . .

ASSOCIATIONS: Louisa Urie (vocalist); Frederick Leeman (vocalist); W. H. Hammond (comic vocalist)

"HAYMARKET THEATRE. BENEFIT OF MISS FANNY YOUNG", Bendigo Advertiser (5 October 1858), 3

http://nla.gov.au/nla.news-article87983993 

. . . At the conclusion of the first piece, the American Picco favored the audience with a performance on the tin whistle, and Mr. Moore, the able violinist, performed on the violin. An agreeable interlude of dancing by Miss Fanny Young and Mrs. Moore occupied the attention of the audience before the concluding farce came on . . .

ASSOCIATIONS: Andrew and Rachel Moore (violinist and vocalist-dancer); Fanny Young (dancer, actor)

[Advertisement], Bendigo Advertiser (30 March 1859), 1

http://nla.gov.au/nla.news-article87988018 

TERPSICHORE'S JUBILEE. APOLLO'S FETE. SHAKESPEARE'S TRIUMPH AT THE VICTORIA MUSIC HALL.
EVERYBODY MUST COME TO ENJOY THEMSELVES, AS THEY HAVE ALWAYS DONE, FOR NOTHING!
TO SEE JOHNNY BURGESS, Dance, acknowledged, without doubt, the Greatest Dancer in the World.
MR. SHARP, Stands Unrivalled as a Banjoist.
MR. J. A. PICCO, The Australian Paganini, and Soloist on various Instruments.
MASTER BURGESS, Still gains Laurels as a Juvenile Vocalist.
Pianist - MR. BUSH.
Leader - Mr. J. A. Picco.
Admission Free.

ASSOCIATIONS: Johnny Burgess (dancer); Henry Sharp (banjo); James Bush (piano)

"THE VICTORIA THEATRE", Bendigo Advertiser (19 April 1859), 2

http://nla.gov.au/nla.news-article87988480

A crowded audience assembled at this favorite place of amusement last evening, and the entertainments, as they usually are, were of such a character as to afford them the highest gratification. Everything as announced in the programme went off in the happiest manner, with the exception of an unfortunate hitch which occurred in the unavoidable absence of Mr. Burbank, who, it is stated, had received the permission of Mr. Heffernan to dance against Mr. Burgess, which 0permission was withdrawn, it was stated at the eleventh hour, much to the disappointment and vexation of those assembled. The other performances, however, were capitally gone through, and reflected the highest credit on the company. They were given as a grand complimentary benefit to Mr. J. Burgess, who, notwithstanding the unexpected absence of his challenged antagonist, exerted himself to the uttermost to render the entertainments of the evening pleasing and satisfactory. The performances of Mr. J. A. Picco on the violin, the gridiron, whistle, and other instruments, were received with uproarious applause, and the great gun trick of the Wizard of the North was performed in a manner which created deservedly a very powerful sensation. The evenings entertainment on the whole was highly successful, and the audience were evidently highly delighted throughout.

ASSOCIATIONS: Otto Burbank (minstrel, serenader, dancer); William Heffernan (proprietor); John Henry Anderson ("wizard of the north")

[Advertisement], Bendigo Advertiser (26 May 1859), 1

http://nla.gov.au/nla.news-article87989355 

ABBOTT'S LYCEUM, PALL MALL, SANDHURST. SATURDAY, 28TH MAY PROFESSOR PARKER'S GRAND ASSAUT D'ARMES AND MUSICAL SOIREE. Grand Fencing Match between Professor Parker and Mons. Lissignol, Officer of the Legion of Honor, and Commander of several Foreign Orders (late of the Red Royal French Hussars) . . . MONS. LISSIGNOL, the celebrated Pianist, will preside at the Pianoforte, assisted by Mr. Picco, Violinist . . .

ASSOCIATIONS: Eugene Lissignol (swordsman, pianist); George Parker (swordsman, d. 1871)

"THE MASONIC BALL. To the Editor", Bendigo Advertiser (25 June 1859), 3

http://nla.gov.au/nla.news-article87990100

Sir, - The letter of Mr. J. A. Picco, which appears in the columns of your contemporary, unfortunately calls for a reply from me, inasmuch as his statement is utterly incorrect, and it is a matter of regret that the above gentleman in his anxiety to rush into print has not been more careful in his assertion.
I will simply state that Mr. Picco occupied in the orchestra the very same position that he describes as having been occupied by me. I was the recognised leader of the band, as the gentlemen of the orchestra can testify.
Regretting that I have been compelled to intrude upon your space,
I am, Sir, yours obediently,
JOSEPH BIRD BURGESS.
Barnard-street, Sandhurst, 24th June, 1859.

"THE MASON'S BALL", Bendigo Advertiser (27 June 1859), 2

http://nla.gov.au/nla.news-article87990152 

We have received a letter from J. A. Picco, denying that Mr. Burgess was the leader of the band at the late Masons' Ball. The subject is of no public interest, and we therefore must decline inserting any more letters about it.

ASSOCIATIONS: Joseph Bird Burgess

[Advertisement], The Argus (26 July 1859), 1

http://nla.gov.au/nla.news-article5685123 

AMERICAN PICCO, Ethiopian Delineator, Soloist on Violin, Banjo, Musical Gridiron, Common Whistle, &c, open to ENGAGEMENT, town or country. Address London Tavern, Elizabeth-street.

"THE THEATRES. PRINCESS'S", The Argus (2 August 1859), 5

http://nla.gov.au/nla.news-article5685547 

. . . A gentleman described as the "American Picco" has also been engaged. He performs with remarkable skill upon the common tin whistle, out of which he extracts music which, if not "eloquent," is at least very clever. His feats upon the violin, however, have been made familiar long ago by Mr. Barlow, of "Blue-tailed Fly" celebrity . . .

ASSOCIATIONS: Robert Barlow (comic vocalist, instrumentalist)

[Advertisement], The Argus (20 September 1859), 8

http://nla.gov.au/nla.news-article5688349 

HANOVER PRIVATE ASSEMBLY ROOMS, 2 La Trobe-street east. A QUADRILLE PARTY THIS EVENING. Leader, Mr. Picco.

[Advertisement], The Argus (25 October 1859), 1

http://nla.gov.au/nla.news-article5690524 

A COMIC SINGER and LADY VOCALIST WANTED, for the country. Apply J. A. Picco, l95 1/2 King-street.

[Advertisement], Ovens and Murray Advertiser [Beechworth, VIC] (2 November 1859), 3

http://nla.gov.au/nla.news-article112905523 

Star Theatre. Preliminary Announcement.
ARRIVAL OF MISS CASTINE, THE celebrated Soprano, from the principal London and Melbourne Concerts. (First appearance.)
MR. GEORGE ELLIS, The inimitable comic character, Irish and Dialogue Vocalist. (First appearance.)
AND THE RENOWNED AMERICAN PICCO, The celebrated delineator of Negro Life and Character - and Soloist on the Violin, African Lute, Musical Gridiron, and the Common Whistle. (First appearance.) . . .

ASSOCIATIONS: Emma Castine (vocalist); George Ellis (comic vocalist)

"STAR THEATRE", Ovens and Murray Advertiser (7 November 1859), 2

http://nla.gov.au/nla.news-article112905564 

A crowded house on Saturday evening testified by its applause the feeling they entertained of the merits of those who catered for their amusement. First, according to etiquette comes Miss Castine, a most charming vocalist . . . Mr. George Ellis, the comic singer, improves vastly upon acquaintance . . . As for Mr. Picco, the only name we can give that gentleman, we can safely say that he is, without exception, one of the most clever and versatile musicians we have ever met with. Nothing comes amiss to him, from a violin to a penny whistle and as a delineator of negro songs he may take high rank. Altogether, a very pleasant evening may be spent in witnessing the performances of this company.

"STAR THEATRE", Ovens and Murray Advertiser (9 November 1859), 2

http://nla.gov.au/nla.news-article112905584 

The performances at this house last evening were if anything superior to those hitherto given by this talented company. Miss Castine was positively charming, the feeling evinced by her and her admirable voice drew down great applause. Mr. Picco by his drolleries and splendid music and Mr. George Ellis by his comicalities and whimsicalities succeeded a merveille in pleasing the audience.

[Advertisement], Ovens and Murray Advertiser (9 November 1859), 3

http://nla.gov.au/nla.news-article112905579 

Star Theatre . . . MISS CASTINE . . . MR. GEORGE ELLIS . . .
MR. J. A. PICCO, In his Inimitable Performances . . .
Pianist - MR. RUXTON.

ASSOCIATIONS: Henri Ruxton (pianist)

"STAR THEATRE, CHILTERN", Ovens and Murray Advertiser (15 November 1859), 2

http://nla.gov.au/nla.news-article112905666

One of the largest audiences ever witnessed in the above place of amusement assembled on Saturday evening to greet Miss Castine and company . . . Mr. Picco is a first rate violinist, and his performances in that capacity surprised while it pleased his hearers. His solos on the gridiron, banjo, and whistle together with his droll sayings, tended with the endeavours of his companions to send every one home well satisfied.

[Advertisement], The Argus (21 January 1860), 8

http://nla.gov.au/nla.news-article5695705 

BRUNSWICK DANCING ACADEMY. - Select ASSEMBLY THIS EVENING Gentlemen, 2s.; Ladies by ticket. Mr. Jackson, M.C.
TO-NIGHT, Select ASSEMBLY, new Dances, all new Music. Leader - Mr. Picco,
BRUNSWICK DANCING ACADEMY, opposite Belvidere.

"ABBOTT'S LYCEUM", Bendigo Advertiser (2 July 1860), 3

http://nla.gov.au/nla.news-article87944781 

. . . There was some excellent Scotch dancing on Saturday evening, which was deservedly encored. The singing of Mrs. Ellis, Miss Bartley, Messrs. Leeman and Fairchild forms an agreeable variety in the evening's amusements . . . Mr. Picco still continues to draw melodious tones from that extremely odd looking instrument - the tin tube . . .

ASSOCIATIONS: Marie Kramer Ellis (vocalist); Miss Bartley (vocalist); Joseph Fairchild (vocalist)

"ABBOTT'S LYCEUM", Bendigo Advertiser (21 July 1860), 2

http://nla.gov.au/nla.news-article87945281

. . . We must not omit to mention that Mr. Picco was called upon to repeat his clever performance on the tin tube . . .

PICILOMO, Josephine (Josephine PICILOMO; ? pseudonym)

Vocalist, pianist

Active Sydney, NSW, March-April 1858

https://trove.nla.gov.au/search?l-publictag=Josephine+Picolomo (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PICILOMO-Josephine (shareable link to this entry)

PICILOMO (Monsieur PICILOMO; ? pseudonym)

Basso vocalist

Active Sydney, NSW, March-April 1858

https://trove.nla.gov.au/search?l-publictag=Monsieur+Picolomo (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PICILOMO-Monsieur (shareable link to this entry)

Documentation:

[Advertisement], Empire (13 March 1858), 1

http://nla.gov.au/nla.news-article60423623 

[Advertisement], The Sydney Morning Herald (16 March 1858), 1

http://nla.gov.au/nla.news-article13007632 

MONDAY NEXT. TOOGOOD'S SALOON will be opened under different management, and as pulling will not be resorted to it will be merely necessary to mention the following names as a proof of the proprietor's sincerity to make his place the greatest attraction in the city. Behold ! all this talent at TOOGOOD'S SALOON, EVERY NIGHT, for One Week, with other artistes. The Buckingham Family and troupe. Largest operatic company out of England. Having at great expense engaged the following artistes:
Madame Josephine Picilomo, the eminent pianist and cantatrice; Monsieur Picilomo, the talented basso;
Madame A. J. Glogoski, the charming ballad singer; Signor Glogoski, the Prussian violinist; Miss Buckingham, the talented singer; Mr. G. H. Buckingham, the buffo singer; Master G. K. Buckingham, the flute player; Master W. Buckingham, the tenor singer, called the old musketeer; Master C. Buckingham, Irish singer, Paddy Malone; Master H. Buckingham, the nautical singer, Red, White and Blue, &c. . . .

[Advertisement], The Sydney Morning Herald (5 April 1858), 1

http://nla.gov.au/nla.news-article13008353 

GREAT TREAT FOR EASTER WEEK . . .
TOOGOOD'S GRAND CONCERT SALOON, To witness the BUCKINGHAM FAMILY and troupe . . .
With a variety of songs, duetts, glees, chorusses, &c., by Madame Glogoski, Madame Josephini, M. Glogoski, Mr. Webster, Master G. Buckingham, and a host of other talented artists. Admission free.

ASSOCIATIONS: Buckingham Family (musicians, entertainers); Simon Glogoski

PICKERING, George Ferrers (George Ferrers PICKERING; Mr. G. F. PICKERING)

Journalist, editor (Bell's Life in Sydney), music and theatre reviewer and commentator, poet, songwriter

Born Chester, England, 1821; baptised St. Werburgh's church (RC), Chester, 16 September 1821; son of George PICKERING (1794-1857) and Magdalene Lucy FERRERS (1793-1860)
Arrived Sydney, NSW, 19/20 February 1841 (per Ferguson, from Port Phillip, 6 February)
Married Ellen Mary ELLIS, St. Patrick's chapel, Parramatta, NSW, 23 June 1844
Died Levuka, Fiji, 14 July 1876

https://trove.nla.gov.au/search?l-publictag=George+Ferrers+Pickering (TROVE tagged)

https://trove.nla.gov.au/search?l-publictag=George+Ferrers+Pickering+1812-1876 (TROVE tagged by Australharmony)

https://nla.gov.au/nla.party-1647452 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PICKERING-George-Ferrers (shareable link to this entry)

Documentation:

"Shipping Intelligence. ARRIVALS. FRIDAY", The Sydney Monitor and Commercial Advertiser (22 February 1841), 2

http://nla.gov.au/nla.news-article32188368 

FERGUSON, ship, 555 tons, Virtue, master, from Port Phillip on the 7th instant. Cargo - Sundries . . . Passengers . . . From Port Philip - Messrs. Cavenagh, Soutley, Pickering . . .

"THEATRICALS. PRINCE OF WALES", Bell's Life in Sydney and Sporting Reviewer (13 August 1859), 3

http://nla.gov.au/nla.news-article59871067 

. . . Last night the house presented a brilliant array of fashion, the performances being in aid of the Lavenu Benefit Fund. The opera of Il Trovatore was the piece selected, between the 4th and 5th Acts of which, Mr. Burford delivered the following Address of Acknowledgment, written for the occasion by Mr. G. F. Pickering:-

A parting word, ere yet the curtain falls.
To you, kind patrons of fair Thespis' halls,
Who lend your sympathising presence here
To stay the Widow's and the Orphan's tear.
He whom ye mourn - the Minstrel called away
To join the choirs of Eternal Day -
Sleeps in a stranger's grave, by Friendship's hand
Consigned to dust, far from his native land.
For him is o'er life's brief and fitful dream;
His harp, late strung to Earth's imperfect theme,
Now, tuned by hand celestial, wakes its chords
To strains immortal, and to holier words.
Where Bochsa's broken lyre - meet emblem - shows
The spot where Genius found its last repose,
Plant we a willow that shall weeping wave
O'er Music's Sons - companions in the grave.
Peace to his ashes! Yet the while we mourn
That dust must to its kindred dust return,
Turn we our gaze upon the loved ones left -
The Widow of her gifted spouse bereft,
The Orphans clinging to that mother's knee,
Unconscious of her speechless agony.
When the sad tidings shall to her be borne
That tells of father from his offspring torn,
Still in Affliction's cup infused the tear
Of Sympathy, so freely rendered here,
Will yield a balm to heal the bleeding smart
And soothe the anguish of the widowed heart.
For her, for them kind friends, we thank you all
Nobly responding to sweet Pity's call,
As ye have done so be it done to you
When to Life's fleeting stage ye bid adieu! . . .

ASSOCIATIONS: Lewis Henry Lavenu (musician, deceased); Nicholas Bochsa (musician, died 1856; the lyre on his grave in Newtown Cemetery was apparently already broken); Charles Henry Burford (actor, d. 1899)

"DEATHS", The Sydney Morning Herald (18 August 1876), 1

http://nla.gov.au/nla.news-article13378502 

PICKERING. - July 14, at Levuka, Fiji, George Ferrers Pickering, late editor and proprietor of Bell's Life in Sydney.

"FIJI", The Sydney Morning Herald (18 August 1876), 6

http://nla.gov.au/nla.news-article13378505 

The death is announced of Mr. G. F. Pickering, which event took place at his residence on the 14th July. The deceased gentleman was well known in New South Wales, of which colony he was a very old resident. For some years Mr. Pickering was a member of the Legislative Assembly, in which he represented the Northern Gold Fields. He was closely connected with the Press, and during a considerable period of his residence in the sister colony was editor and proprietor of Bell's Life in Sydney. Mr. Pickering has been in Fiji for five years, and his quiet unobtrusive demeanour, coupled with his geniality and talent, had made him many friends.

"Rowland Ferrers Pickering", Truth (7 September 1913), 7

http://nla.gov.au/nla.news-article202663502 

In the early forties there arrived in Sydney two brothers, Rowley John Ferrers Pickering and George Ferrers Pickering, grandson of Earl Ferrers. The first named was a captain in the Mercantile Marine, and was for some years trading between Sydney and Chinese ports. He was a benefactor to this country in a way . . . Mr. George Ferrers Pickering was a highly cultured and interesting man, with all the characteristics of the polished gentleman. He married Ellen Mary, the only daughter of Lieutenant Eyre Ellis, of H.M. 62nd Regiment, and Captain of County Police, Meath, Ireland, and sister of Mr. Eyre Ellis, a well-known solicitor, who founded the firm of Eyre and Mackinnon, and Mr. Thomas Ellis, who for many years carried on an extensive auction business in George-street, near the railway station. The recently deceased Mr. R. F. Pickering was the issue of the marriage, which took place on June 23, 1844, at St. Patrick's, Parramatta, the ceremony being performed by Rev. Nicholas, afterwards Dean, Coffey. In January, 1845 Thomas Revel Johnson started "Bell's Life In Sydney." He had little or no capital, and was involved in debt and borrowed money from Mr. Joseph Roberts, who took over the paper, and who died on May 7, 1849. Mr. Roberts had married Martha Hutchinson, whose sister Sarah married Isaac D. Nichols abovementioned. Shortly after Mr. Roberts death, Mr. Charles Hamilton Nichols, father of Mr. G. R. Nichols, of Llandilo, became the purchaser of "Bell's Life," and took Mr. G. F. Pickering into partnership. Mr. Nichols looked after the business part of the paper, and Mr. Pickering supervised the literary department. The pair remained in partnership until shortly before Mr. Nichols' death in 1869 . . .

ASSOCIATIONS: Charles Hamilton Nichols

Songs, lyrics etc.:

"The Song of the Gold!", Bell's Life in Sydney and Sporting Reviewer (17 February 1849), 2

http://nla.gov.au/nla.news-article59768506 

[The following lines, suggested by HOOD'S celebrated "Song of The Shirt" . . .]

With arms all shrunken and weak,
With frame exhausted by toil,
with lustreless eye, and ghastly cheek,
He delveth beneath the soil -
Sift - sift - sift!
The unwholesome death-laden mould -
Still at times would the digger his voice uplift
Singing the "SONG OF THE GOLD."

. . . [9 more verses and first verse repeated at end] . . .

"THE SONG OF THE PEN!", Bell's Life in Sydney and Sporting Reviewer (3 March 1849), 3

http://nla.gov.au/nla.news-article59768557 

With fingers bloodless and wan,
With eyelids drooping with pain,
There sat in his garret a lonely man,
Earning "bread from brain"
Write - write - write!
No sound in that cheerless den,
Awaking the echoes of silent night,
Save scratch of that writer's PEN!

. . . [4 more verses] . . .

MUSIC: The song of the shirt (Thomas Hood); for a characteristic American setting (c. 1847) see The song of the shirt; or for Henry Russell's tune, set to a parody, see The song of the shirt

"SONG OF THE LASH", Bell's Life in Sydney and Sporting Chronicle (15 May 1869), 4

http://nla.gov.au/nla.news-article65469773 

. . . (Suggested by Russell's celebrated Song of "the Life Boat") . . .

Rig the grating! Rig the grating!
Boatswain, cheerily pipe all hands;
Rig the grating! Rig the grating!
Quick prepare your knotted strands.

. . . [10 more verses] . . .

MUSIC: Man the life boat (Henry Russell)

PICKERING, Jane Lightfoot (Jane Lightfoot CLARKE; DODSWORTH; Miss DODSWORTH; Mrs. William Phelps PICKERING; Mrs. PHELPS PICKERING)

Teacher of Practice and Theory of Music, pupil of Kalkbrenner and Logier

Born London, England, 14 March 1805; baptised St. Michael Cornhill, London, 19 December 1809; daughter of William CLARKE and Sarah Lightfoot BACKE
Married (1) William Francis DODSWORTH, St. Pancras parish chapel, London, England, 21 November 1826
Married (2) William Phelps PICKERING, Christ church, Sydney, NSW, 28 October 1846
Departed Sydney, NSW, February 1849 (per Louis and Miriam, for Wellington, NZ)
Died Wellington, NZ, 21 May 1871, aged "68"

https://trove.nla.gov.au/search?l-publictag=Jane+Lightfoot+Clarke+Dodsworth+Pickering+1805-1871 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PICKERING-Jane-Phelps (shareable link to this entry)

Summary:

Wife of the pardoned convict, master mariner, and insolvent, William Phelps Pickering (c. 1815-1877; per Portenia), she advertised in Sydney in January 1848 as "formerly pupil" of Frederic Kalkbrenner, and John Bernard Logier, offering young ladies "class instruction in Practice and Theory of Music".

Documentation:

Register of baptisms, 1809, St Michael Cornhill; register 1803-12, page 6; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1624/images/31281_a102102-00007 (PAYWALL)

Jane Lightfoot Daughter of William & Sarah Lightfoot Clarke was born 14th March 1805 and Christened 19th December 1809
Sarah Eliza Daughter of . . . born 6th January 1807 and Christened 19th December 1809
William Son of . . . born 6 December 1808 and Christened 19th December 1809

"FROM THE HOBART TOWN GAZETTE", The Cornwall Chronicle (15 February 1845), 4

http://nla.gov.au/nla.news-article66270111

It it hereby notified to the under-mentioned I individual, that it is the Lieutenant-Governor's intention to recommend him to the gracious consideration of Her Majesty the Queen for a Condition Pardon, available within the limits of the Australian Colonies: - William Phelps Pickering, Portenia.

[Advertisement], The Sydney Morning Herald (7 January 1848), 1

http://nla.gov.au/nla.news-article12896515

MUSICAL CLASS INSTRUCTION.
Mrs. PHELPS PICKERING (formerly pupil of Kalkbrenner, and J. B. Logier),
proposes to receive a limited number of young ladies for class instruction of Practice and Theory of Music.
Terms, and hours of attendance, to be ascertained at the residence of
Mrs. P. Pickering, Palmer-street, near William-street, Wooloomooloo.

[Advertisement], The Sydney Morning Herald (11 November 1848), 3

http://nla.gov.au/nla.news-article12910852

IN THE SUPREME COURT OF NEW SOUTH WALES.
BETWEEN FRANCIS SHEA, PLAINTIFF, AND WILLIAM PHELPS PICKERING, DEFENDANT,
WHEREAS an action has been commenced in this Court of the suit of the above named Francis Shea against the above named William Phelps Pickering, to recover the sum of twenty-four pounds seven shillings, being the amount of a promissory note dated the nineteenth day of April last, made by the aaid William Phelps Pickering in favour of Patrick Hickey, and payable four months after the date thereof. And it being alleged that the said William Phelps Pickering does not reside within this colony or its dependencies, a writ of foreign attachment has been issued, returnable on the twenty-second day of November, instant, wherein George Kenyon Holden, of Sydney, in the colony aforesaid, Esq., and Jane Pickering, of Sydney, aforesaid, wife of the said William Phelps Pickering, are garnishees . . .

"SHIPPING NEWS. ARRIVALS", Wellington Independent (10 March 1849), 4

https://paperspast.natlib.govt.nz/newspapers/WI18490310.2.10

March 5, brig Louis and Miriam, 150 tons, Pilfold, from Sydney. Passengers . . . Mrs. Pickering . . .

[News], Wellington Independent (16 December 1854), 3

https://paperspast.natlib.govt.nz/newspapers/WI18541216.2.5 

A very pleasing reunion of the Members of the Mechanics' Institute took place in their Hall on Thursday evening . . . several pieces of music were ably performed on the organ by Mrs. Pickering; and the band of the 65th Regt. poured out their spirit-stirring strains . . .

"DIED", Wellington Independent (22 May 1871), 2

https://paperspast.natlib.govt.nz/newspapers/WI18710522.2.5 

PICKERING - On the 21st May, at Molesworth street, Wellington, Jane Lightfoot, the wife of William Phelps Pickering, of Loxley Hall, Kaiwarra, aged 68 years.

PICKET, John (John PICKET)

Singer

Active Hobart, TAS, 1850

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PICKET-John (shareable link to this entry)

Documentation:

"AN ETHIOPIAN", Hobarton Guardian, or, True Friend of Tasmania (9 November 1850), 3

http://nla.gov.au/nla.news-article173058378 

John Picket of Ethiopian dye, was charged by constable Greengrass with being "toxicated" on Monday evening last, and with having, when in that state, indulged in unlawfully serenading in the public streets, thereby causing what the constable termed, a disturbance of the peace. Master Picket seemed quite indignant at his melodious accents being misrepresented to the bench, and he would have willingly indulged in an exhibition of his musical powers before the bench, had not the Police Magistrate felt satisfied on that point, and imposed a fine of 5 shillings for each offence. Poor Picket appeared much crest-fallen at the decision of his worship.

PIERCE, E. W (E. W. PIERCE)

Minstrel serenader, flautist, flute player (Howard's Serenaders)

Active Sydney, NSW, June to September 1852

https://trove.nla.gov.au/search?l-publictag=E+W+Pierce+serenader (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIERCE-E-W (shareable link to this entry)

Documentation:

[Advertisement], Empire [Sydney, NSW] (4 June 1852), 1

http://nla.gov.au/nla.news-article60136269 

HOWARD'S SERENADERS. 175TH CONCERT IN SYDNEY. GRAND EVENING CONCERT, THIS EVENING, FRIDAY, June 4th, in the Saloon of the Royal Hotel. PROGRAMME. PART I. Overture - (Medley) - Company . . .
Part II . . . Trio - Flute, Flutina and Tambo - Pierce, Howard, and Howard . . .

ASSOCIATIONS: Charles and George Mason (alias Howard); Howard's Serenaders

[Advertisement], The Sydney Morning Herald (27 August 1852), 1

http://nla.gov.au/nla.news-article12939560

HOWARD'S SERENADERS. Increased attraction the Sydney Friday Concerts -
Favourite and eccentric Programmes.
The Company consists of five performers, each and all unrivalled, viz.,
Charles V. Howard, tambourine; J. W. Sandford, Guitar; E. W. Pierce, Flute; Walter Howson, Banjo; and J. P. Hall, Bones.
187th Ethiopean Entertainment, THIS EVENING, Friday August 27, in the Saloon of the Royal Hotel.
PROGRAMME. Part I. Overture - Caliph of Bagdad - Company . . .
Part II . . . Trio - Flute, Guitar, and Bones - Pierce, Sandford and Hall . . .

ASSOCIATIONS: Walter Howson (musician); J. W. Sandford (musician); J. P. Hall (musician)

"THE SERENADERS", The People's Advocate and New South Wales Vindicator (18 September 1852), 3

http://nla.gov.au/nla.news-article251530711 

The 192nd serenade, for the benefit of Mr. E. W. Pierce, the Flautist, comes off at the Royal Hotel on Monday night, when we trust that that deserving and finished performer will have a bumper house. His abilities are of no mean order, and contribute to make Howard's entertainments so justly popular as they are universally admitted to be.

[Advertisement], The Sydney Morning Herald (24 September 1852), 1

http://nla.gov.au/nla.news-article12940257

HOWARD'S SERENADERS . . . 193rd Grand Evening Musical Soiree.
For the Benefit of Mr. WALTER HOWSON, Banjo Player, THIS EVENING, Friday, September 24 . . .
PROGRAMME. Part I. Overture, Fra Diavolo - Company . . . Part II . . . Duet - Flute and Guitar- Pierce and Sandford . . .

[Advertisement], The Sydney Morning Herald (27 September 1852), 1

http://nla.gov.au/nla.news-article12940289 

HOWARD'S SERENADERS. Last Night of the Season. For the Benefit of Mr. J. P. Hall - Bones . . .
Part I. Overture, Fra Diavolo - Company . . . Part II . . . Duet - Flute and Guitar - Pierce and Sandford . . .

PIERCE, John Ottis (John Ottis PIERCE; ? Otis; Mr. J. O. PIERCE)

Musician, vocalist, minstrel performer (New York Serenaders, Totten's Harmoneons, San Francisco Minstrels), multi-instrumentalist, concertina and flutina player, musical director

Arrived (1) George Town, near Launceston, TAS, 26 February 1851 (per Spartan, from California, via Tahiti)
Departed (1) Fremantle, WA, 10 December (per Royal Saxon, for Calcutta)
Arrived (2) Melbourne, VIC, 2 May 1853 (per Marlborough, from Calcutta, 12 March)
Arrived Sydney, NSW, 16 May 1853 (per Mary and Ellen, from Melbourne)
Departed (2) Melbourne, VIC, July-August 1861 (? with Dave Carson, 6 August, per Prince Consort, for Calcutta, India)
Active India, until 1875 or later

https://trove.nla.gov.au/search?l-publictag=J+O+Pierce+(serenader) (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=J+O+Pierce+serenader (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIERCE-John-Ottis (shareable link to this entry)

Documentation:

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (1 March 1851), 133

http://nla.gov.au/nla.news-article65574870

THE NEW YORK SERENADERS take pleasure in announcing to the citizens of Launceston and its vicinity their arrival at this place, and will have the honour of appearing in Ethiopian character at the "Cornwall Hotel," on TUESDAY evening next.
This company is among the first which were organised in New York, and have given very successful Concerts throughout the United states, South America, California, and the islands of the Pacific, and are now visiting the Australian Colonies en route to the East Indies and the Continent of Europe.
From long experience in the business they are enabled to give a legitimate American Negro performance. All the music of the day having been sent them from New York, a new and varied programme will be offered.
The company is composed of the following gentlemen:
W. H. White, Violin - C. Cushing, 1st Banjo
J. P. Nash, Guitar - J. Kitts, 2nd ditto
J. O. Pierce, Tamborine - J. C. Lee, Bone castanets
PROGRAMME OF PERFORMANCE, On Tuesday evening, March 4, 1851.
PART I. - AS DANDY NEGROES.
Overture - Introducing selections from the Operas
of I Puritani, and La Dame Blanche - Full band
Let's be gay, from Robert le Diable - Mr. Nash
Julius' Bride - Mr. Cushing
Mary Blane - Mr. Kitts
Trio - Colored Fancy Ball - Messrs. Nash, Kitts, and Pierce.
Juliana, Phebiana, Constantina Brown - Mr. Pierce
Virginia Rosebud, from the Bronze Horse - Mr. Nash
Phantom Chorus, from La Sonambula - Company
Stop dat knocking an Operatic Burlesque - Mr. Pierce
PART II.
Banjo Solo - Mr. Cushing
Trio - Violin, Guitar, and Bones - Messrs. White, Nash, and Lee
Burlesque on Mesmerism - Company
PART III. - AS PLANTATION DARKIES.
Bulgine, Slambang, Humbug - Overture - Full band
Give is chaw tobacco - Mr. Cushing
History of the world - Mr. Pierce
Old Napper - Mr. Lee
Picayune Butler - Mr. Pierce
Bowling Green - Mr. Cushing
[REDACTED] from de Souf - Mr. Pierce
Old tar River - Mr. Lee
Tickets to be obtained at the "Cornwall Hotel," "Launceston Hotel," and at the door, on the evening of performance.
Price of admission, 2s. Doors open at Seven o'clock, commence at half-past Seven. March 1, 1851.

ASSOCIATIONS: Charles Cushing (minstrel); James Edward Kitts (minstrel); W. H. White (minstrel); J. C. Lee (minstrel); J. P. Nash (minstrel); New York Serenaders

[Advertisement], Launceston Examiner (8 March 1851), 2

http://nla.gov.au/nla.news-article36259782 

The New York Serenaders
RESPECTFULLY ANNOUNCE another Concert for this (Saturday) evening, when the following programme will be presented.
PART I.
Introductory Overture - Selectlons from "I Puritani" and "La Dame Blanche" - Full Band.
Darkies Life - music from "Maritana" - Company.
Gal wid de blue dress on - Mr. Pierce.
Mary Blane - Mr. Kitts.
Virginia Rose-bud - music from "The Bronze Horse" - Mr. Nash.
Louisiana Belle - Mr. Cushing.
Dearest Mae - Mr. Nash.
Stop dat Knocking (an operatic burlesque) - Mr. Pierce.
PART II.
Overture "La Fille de la Regiment" - Full band.
Sugar Cane Green - Mr. Kitts.
Nelly was a Lady - Mr. Pierce.
Julia Green - Mr. Nash.
Rosa Love - Mr. Cushing.
Juliana Phebiana Constantina Brown - Messrs. Pierce & Kitts.
Grey Goose - Mr. Lee.
Carry me back - Company.
Tickets of admission, 2s. Children, half price . . .

"NEW YORK SERENADERS", The Courier [Hobart, TAS] (22 March 1851), 2

http://nla.gov.au/nla.news-article2961160

. . . Mr. Pierce's imitation of darky humour was inimitable. The richness of his chuckle - the all-overjoyousness and triumph of his short laugh on the "other darkies" giving a wrong answer to a conundrum, as suddenly arrested as excited - the laborious attention with which he bent forward to listen to an answer - the mighty mouthing of his words, lips put up and down, and teeth glistening - the vivacity of every action and the impulsive character of his whole acting, were the African to perfection; leaving us nothing to wish but that he were the genuine article, the real potato. The other darkies must have been republican born, and felt it necessary to support the dignity of the everlasting Yankee nation; they had nothing, except skin and wool, in common with "their broder." Mr. Pierce's treble is a voice of fine quality and great compass. Mr. Kitts' bass is, if possible, more admirable . . .

"THE NEW YORK SERENADERS . . .", The Courier (19 March 1851), 3

http://nla.gov.au/nla.news-article2961173 

. . . On this occasion the selection from the overture of "La Figlia" and "The Bohemian Girl", afforded the leading instrumentalists, Messrs. White and Pierce, an opportunity for displaying their talents. Mr. White's execution on the violin was faultless; his part was played with infinite skill, taste, and feeling; whilst the tone and fingering on the flute in the selection from the "Bohemian Girl", which was deservedly applauded, and drew down a rapturous encore, were so soft and remarkable for precision, as to convince the most sceptical that Mr. Pierce is a master of his instrument.

"NEW YORK SERENADERS", The Courier (22 March 1851), 2

http://nla.gov.au/nla.news-article2961160 

. . . There are six performers in the company, and the instruments used were two banjos, a violin, guitar, bone castanets, tamborine and flute. The latter are played alternately by Mr. Pierce . . .

"THE SERENADERS", Colonial Times (1 April 1851), 2

http://nla.gov.au/nla.news-article8768999

On Friday evening we again attended one of the entertainments at the Victoria Theatre, and enjoyed the vocal and instrumental performances of these professionals. On this occasion the selection from the overture of "La Figlia" and "The Bohemian Girl," afforded the leading instrumentalists, Messrs. White and Pierce, an opportunity for displaying their talents. Mr. White's execution on the violin was faultless; his part was played with infinite skill, taste, and feeling; whilst the tone and fingering on the flute in the selection from the "Bohemian Girl," which was deservedly applauded, and drew down a rapturous encore, were so soft and remarkable for precision, as to convince the most sceptical that Mr. Pierce is a master of his instrument. Among the vocal treats . . . Mr. Pierce gave "The Mail Coach Travel" with very pleasing as well as risible expression. The trio of "The Coloured Fancy Ball," by Messrs. Nash, Pierce, and Kitts, was the best song of the evening, harmoniously sung, and irresistible . . .

"Shipping Intelligence . . . DEPARTURES", The Britannia and Trades' Advocate [Hobart, TAS] (9 June 1851), 2

http://nla.gov.au/nla.news-article225556592 

June 6 - Brig Maid of Erin, Ellis, for Sydney, with sundries. Cabin, Messrs. Charles Cushing, J. C. Pierce [sic], J. C. Lee, J. Kitts, W. White, W. Williams, J. P. Nash . . .

[Advertisement], Bell's Life in Sydney (5 July 1851), 3

http://nla.gov.au/nla.news-article59772802

Ethiopian Grand Musical Soirees.
BY THE NEW YORK SERENADERS.
THE NEW YORK SERENADERS, experience much gratification in acknowledging the very flattering reception with which they have been greeted on the occasions of their SIX FIRST APPEARANCES In Sydney, and respectfully announce the following Entertainments for the ensuing week, on each evening of which the Programme will be diversified, retaining only those melodies stamped as sterling by the approbation of their audience.
On MONDAY. WEDNESDAY, & FRIDAY, IN THE GREAT SALOON of the ROYAL HOTEL.
The Company is composed of the following gentlemen :
W. White - Violin.
J. P. Nash - Guitar.
C. Cushing - First Banjo.
J. E. Kitts - Second Banjo.
J. O. Pierce - Tamborine.
J. C. Lee - Bone Castanets.
Admission - 2s. . . .

"DEPARTURES", The Sydney Morning Herald (27 October 1851), 2

http://nla.gov.au/nla.news-article12931572

October 26. - Royal Saxon, barque, 510 tons, Captain Charlesworth, for Calcutta via Hobart Town. Passengers . . . Messrs. J. C. Kitts, J. P. Nash, J. C. Lee, W. H. White, W. J. Reading, J. C. Pierce [sic] . . .

ASSOCIATIONS: J. W. Reading [sic] (minstrel)

"THE NEW YORK SERENADERS", The Courier [Hobart, TAS] (15 November 1851), 3

http://nla.gov.au/nla.news-article2959904

. . . Mr. Pierce, the musical "[REDACTED] of all, work," plays the German Flute, the French Accordion, add the Turkish Tambourine.

"THE NEW YORK ETHIOPIAN SERENADERS", The Perth Gazette and Independent Journal of Politics and News [WA] (12 December 1851), 4

http://nla.gov.au/nla.news-article3172950 

A party of minstrels under the above name, arrived in the colony on Saturday last, per Royal Saxon, from Sydney, on their way to Calcutta, and on the evenings of Monday and Tuesday last, enlivened our metropolis with two vocal and instrumental concerts. It is no cause for surprise that the Court House, where the concerts were given, were crammed with hearers on both occasions, for in addition to the novelty of this kind of entertainment, the vocal as well as instrumental performances could not have failed to have given general satisfaction; the solos on the violin, flutina, and banjo, were applauded in the most hearty manner. Both evenings' entertainment were under the immediate patronage of His Excellency the Governor and Mrs. FitzGerald, who with their suite, were present on Monday evening.

India and USA (1852-53):

[News], Bombay Gazette [India] (21 July 1852), 3

The New York Serenaders, as will be seen from our advertising columns, have arrived in Bombay, and propose entertaining the public, shortly, with a series of musical concerts. The company, organised in the United States in 1848, are now on a tour round the world. From the States they passed over to California, and made a trip to the Sandwich Islands, where they had the honor of a visit from King Kamehameha. In February 1851, they made their debut at Launceston, at which place, and at Hobart Town and Sydney, their performances were most successful, and received most distinguished patronage. In November they left New South Wales for Calcutta, and from the presidency proceeded to Madras and Ceylon, sustaining even before so criticising a public as that of which India boasts, the reputation earned by them in more indulgent climes. With such brilliant antecedents, they have little to fear that their accomplishments and skill will be unappreciated by the good people of this city. We wish them that success which we believe they deserve, and which, we feel se equally persuaded they will enjoy. The subjoined extract of a notice of their last performance at Hobart Town, which appeared in one of the local leaflets, bears testimony to their abilities, and will prepare our readers for the coming soiree:

"They seemed to do every thing with ease, and betrayed no outward manifestation of anxiety. Rousseau says "the more time is beaten, the less it is kept." The New Yorkers appear to agree with the Frenchman. Their instrumental efforts were alike successful. Mr. White, who we believe possesses an absorbing but quiet enthusiasm for music - is a violinist of high order. His play is not less remarkable for extraordinary volume and power, than for sweetness, and oiliness of touch. Mr. Reading has assumed Mr. Cushing's place as banjoist. Mr. Kitts performs the second instrument of that character, and is a bass singer of no mean capacity. Mr. Nash is the performer upon the guitar, and a sweet and pleasing singer; his "Virginia Rosebud," - "I would I were a Boy again," - "Dinah Crow," - "Nelly was a Lady" - "Jenny Lane," etc., will long be referred to with delight. Mr. Lee beats the bones, in which he is sometimes linked with the first banjo, who is also clever on these nondescript instruments; and Mr. Pierce, the musical "[REDACTED] of all work," plays the German Flute, the French Accordion, and the Turkish Tambourine. Their physical capabilities and grotesque delineations of negro character must be seen to be appreciated."

[News], Bombay Gazette [India] (20 October 1852), 3

THE SECOND ETHIOPIAN SERENADE, since the return of the New York Serenaders to Bombay, came off on Monday evening at the Grant Read Theatre . . . Mr. Nash's admirable songs were invariably encored. Mr. Lee's dexterous performances on bones kept the house in roars of laughter. We are sorry that from our position it was impossible to catch Mr. Pierce's Puns and Conundrums, but , what is of more importance, those to whom they were intelligible appeared highly delighted. In his attempts to outvie Mr. Lee with the bones in the "Trio" Mr. Reading was very successful; he is decidedly a very humorous player. "The Locomotive Rail Road Overture" was very ingenious and entertaining. The "Picayune Butler" sung by Mr. Pierce was a special favorite.

Arrived (2) Melbourne, VIC, (2 May 1853):

"SHIPPING INTELLIGENCE. ARRIVED", The Argus (3 May 1853), 4

http://nla.gov.au/nla.news-article4792228 

May 2 - Marlborough ship, 1250 tons, Allen Young, from Calcutta, 12th March. Passenger - cabin . . . J. W. Reading, J. O. Pearce, J. C. Lee. J. E. Kitts, J. P. Nash . . .

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Morning Herald (17 May 1853), 2

http://nla.gov.au/nla.news-article12945867 

May 16. - Mary and Ellen, schooner, 140 tons, Captain Tucker, from Melbourne 11th instant. Passengers . . . Messrs. Kitts, Pearce, Lee, Redding, Watson, and 15 in the steerage. Morris and Co., agents.

[Advertisement], The Sydney Morning Herald (6 June 1853), 1

http://nla.gov.au/nla.news-article61324876

RETURN OF THE NEW YORK SERENADERS FROM INDIA.
FIRST CONCERT MONDAY EVENING, At the Royal Hotel.
THE New York Serenaders beg respectfully to announce to the ladies and gentlemen of Sydney and its vicinity, that they have returned from a successful tour through India.
In Calcutta they were patronised by the Most Noble the Governor-General of India and the Marchioness of Dalhousie; in Madras, by Sir Henry Pottinger, K.C.B., Governor of that Presidency; by Sir William Anderson, C.B., Governor of Ceylon; by the Honourable Lord Falkland, Governor of Western India; and the elite of all places visited by the Company.
Thu New York Serenaders beg to announce that they will give a short series of Entertainments prior to their departure for America.
PROGRAMME.
PART I.
Introductory Overture - By the Company
Opening chorus, "Ever be happy" (Music from the Enchantress) - Company
Poor Aunt Dinah - Mr. Pierce
The Dandy Broadway Swell - Mr. Kitts
All the Old Folks are gone - Mr. Nash
Jenny get your hoe cake done - Mr. Reading
The Darky Schoolmaster, trio - Messrs. Kitts, Nash, and Pierce
Poor Mary Cook - Mr. Nash
Stop dat Knocking - Mr. Pierce
(intermission of ten minutes.)
PART II.
Duet, flutina and guitar - Messrs. Pierce and Nash.
PART III.
Medley Overture and Chorus - Company
Black-eyed Susannah - Mr. Nash
The Old Folks at Home - Mr. Kitts
Way down in Cario [sic, Cairo] - Mr. Reading
Picayune Butler - Mr. Pierce
Jenny Lane - Mr. Nash
Old Tar Riber - Mr. Lee
The [REDACTED]s from the South - Mr. Pierce
Prices of admission: - Reserved Seats, 4s.; Stall Seats, 3s.; Back Seats, 2s. . . .

"THE NEW YORK SERENADERS", Bathurst Free Press and Mining Journal [NSW] (10 September 1853), 2

http://nla.gov.au/nla.news-article62053438 

The monotony of our Bathurst existence has been broken during the past week by the performances of the New York Serenaders, who on Monday night last hanselled Mr. White's Theatre Royal, with a bumping house and have since been performing nightly. Their programmes have consisted of popular duets, glees and quartettes, and negro melodies. Of the latter they have an excellent assortment, many of which have never before been heard in Bathurst. Their choruses are generally executed in a superior style, the beauty of which consists in their well attuned voices, the result of long practice. Mr. Kitts bass is full, deep, and powerful, and Mr. Pierce has a respectable tenor, and plays very tastefully on the concertino [sic]; but the forte of the company evidently consists in chorus singing. By their advertised notices we perceive that they purpose visiting the Turon in a few days, where we doubt not their presence will be gladly hailed.

"NEW YORK SERENADERS", Illustrated Sydney News (29 October 1853), 6

http://nla.gov.au/nla.news-article63613617

We were glad to see such an excellent attendance in the Royal Hotel, on Monday last. The programme was well selected, and the company, individually, went through it with much spirit. "Old Folks at Home," "Phantom Chorus," "Nelly was a Lady," "Way Down in Cairo," "Life by the Galley Fire," and "Old Tar River," were sung with the same good taste which so evidently marked the success of Rainer's party. We admired Mr. Pierce's solo on the flutina. He bids fair to rival our old friend Bryant. The evening's enjoyments were sustained with the usual quiet joke and repartee. The concert announced for Wednesday evening was put off till last night, in consequence of the inclement state of the weather.

[Advertisement], Illustrated Sydney News (11 March 1854), 6

http://nla.gov.au/nla.news-article63614072

GRAND MOVING PANORAMA of the AFRICAN AND AMERICAN SLAVE TRADE, in the great saloon of the Royal Hotel, every Evening next week. Ethiopian Melodies, &c., by Mr. Kitts.
Solos on the Concertina and Flutina each Evening, by Mr. J. P. Pierce [sic], late of the New York Serenaders.
Cards of Admission - 2s. to all parts of the House . . .
J. E. KITTS, Agent.

[Advertisement], The Argus [Melbourne, VIC] (1 June 1854), 8

http://nla.gov.au/nla.news-article4808615 

CRITERION HALL, Great Collins-street. Thursday Evening, June 1st, 1854.
Unrivalled Success of TOTTEN'S HARMONEONS . . .
Kitts, Pierce, Thayer, and Dixon . . . Baker . . . Lee . . . Clarke . . .
Musical Director - Mr. J. O. Pierce . . .

ASSOCIATIONS: Elbert Totten (manager); Mark Thayer (minstrel); Frederick Dixon (minstrel); Mr. Baker (minstrel); Mr. Clarke (minstrel); Totten's Harmoneons

[Advertisement], Adelaide Times (7 September 1854), 1

http://nla.gov.au/nla.news-article49198142

ROYAL VICTORIA THEATRE, GILLES ARCADE.
THIS EVENING (Thursday), September 7th, 1853.
First Grand ETHIOPIAN MUSICAL SOIREE of TOTTEN'S HARMONEONS . . .
The Company consists of the following gentlemen of acknowledged talent
Messrs. Pierce - Concertina and Flutina.
Kitts - Guitar.
Thayer - Violin.
Clark - Banjo.
Baker - Tambourine.
Lee - Bone Castanets . . .
The Music consists chiefly of the gems of different Operas, which have been parodied and adapted to the Ethiopian character . . .
E. TOTTEN, Manager.

"TOTTEN'S HARMONEONS", South Australian Register (14 November 1854), 3

http://nla.gov.au/nla.news-article49203352 

This company completed their short but successful season last evening . . . Pierce, in a short valedictory address, acknowledged gratefully on the part of the company, the success which has attended their South Australian campaign; and the entertainment concluded with "The Coloured Fancy Ball," which was repeated in compliance with an enthusiastic requisition . . .

[Advertisement], Adelaide Times (16 November 1854), 1

http://nla.gov.au/nla.news-article207019462 

THIS IS TO CERTIFY that we, the undersigned, do from this day resign all connection with the Company of Serenaders, known as TOTTEN'S HARMONEONS, having by mutual consent DISSOLVED PARTNERSHIP. ELBERT TOTTEN. JOHN O. PIERCE.

[Advertisement], The Argus [Melbourne, VIC], (9 December 1854), 8

http://nla.gov.au/nla.news-article4801552 

CREMORNE GARDENS. - Grand Gala and Nocturnal Fete. To-night, Saturday, entire change of Entertainments. Engagement of the Celebrated Herr Veit Rahm, the Tyrolese Singer and performer on the New Instrument, the Zither, in his national costume, as performed before Her Majesty, Mr. J. O. Pierce, the Renowned soloist on the Concertino and Flutina, will also have the honor of appearing, Mr. James Shaw, the admired Comic Vocalist, from the Theatre Royal, Liverpool, is also engaged . . .

ASSOCIATIONS: Veit Rahm (zither); James Shaw (comic vocalist)

[Advertisement], The Argus [Melbourne, VIC] (24 February 1855), 8

http://nla.gov.au/nla.news-article4804821

CONCERT HALL, Theatre Royal. Renewed Attraction . . .
The following Vocal Artistes are under engagement: -
Mrs. Hancock; Miss Louisa Swannell; Mrs. Onn; Mr. Hancock; Mr. Lyall; Mr. Sayers;
Mr. Pierce; Mr. Bryant; M. De Granville; Band of Twenty Solo Performers . . .
Mr. J. O. Pierce, in Local Songs . . .
Director, Mr. Callen.
Programme . . . Part I . . . Comic Song: "Life in Australia" - Mr. Pierce
Part II. . . . Solo, Concertina - Mr. Pierce . . .
Comic Song, "Two years ago" - Mr. Pierce . . .

ASSOCIATIONS: George Douglas Callen (conductor); Mary and Edward Hancock (vocalists); Louisa Swannell (vocalist); Constantia Onn (vocalist); Charles Lyall (vocalist); W. F. Sayer (vocalist); Mr. Bryant (not Jerry or Neil Bryant); Emile de Granville (vocalist)

"POLICE COURTS. ADELAIDE: FRIDAY, SEPTEMBER 14. CHARGE OF CONSPIRACY", Adelaide Observer (15 September 1855), 4 supplement

http://nla.gov.au/nla.news-article158105548 

Elbert Totten, Harriet Totten, Townsend Duryea, Elizabeth Mary Duryea, and John Holthouse [Ottis] Peirce, were charged, on the information of Emanuel Solomon, with falsely and fraudulently conspiring to carry off Elizabeth Dorsetta Solomon, for the sake of the property she was entitled to as the daughter of the complainant; and also with conspiring to bring about a marriage between Miss Solomon and the said John Holthouse Peirce. The Crown Solicitor appeared for the prosecution; Mr. Sandford appeared for Mr. and Mrs. Totten; Mr. Moulden for Mr. and Mrs. Duryea; and Mr. Smith for Mr. Peirce. Emanuel Solomon stated that he is an auctioneer, and resides in Gilles-arcade. Elizabeth Dorsetta Solomon is his daughter. She was 16 years of age on the 26th of last July. He (complainant) knew the defendant, Mr. Totten; knew Mr. Duyea and his wife. Had some knowledge of Mr. Peirce as a professional musician. None of those parties were intimate with him or his family, so far as he knew. He never permitted an intimacy between his daughter and Mr. Peirce, nor did be know of it until the previous Friday night . . .

Elizabeth Dorsetta Solomon, who occupied a chair on the Bench, stated that she lived with her father, and was 16 last birthday. First knew Mr. Peirce about twelve months ago. Saw him at the Theatre. Her father did not know that she was acquainted with him. He never visited at her father's house. Had meetings with him at North Adelaide; the meetings were proposed by Mr. Peirce, and were not known to Mr. or Mrs. Solomon. Mr. Peirce, during these meetings, made no particular proposition to her . . .

The counsel for the defendants here protested against the mode in which the examination was conducted, as the actual answers of the witness were not heard. An alterations of position was made, and the examination was resumed - Mr. Peirce proposed to meet her (witness) at Mrs. Totten's, and she met him there about eight months ago. He made no other proposition to her. He talked to her of marriage . . . Mr. Peirce left the colony about seven months ago. After that time she received letters from him. She destroyed the letters after reading them. Believed they had been written by Mr. Peirce, having seen him write. She had answered some of the letters. The letters she received were addressed to Mr. Totten's . . .

"POLICE COURTS . . . WEDNESDAY, SEPTEMBER 19 . . . CHARGE OF CONSPIRACY", Adelaide Observer (22 September 1855), 4

http://nla.gov.au/nla.news-article158105608 

Elbert Totten, Harriet Totten, Townsend Duryea, Elizabeth Mary Duryea, and John Holthouse [Ottis] Pierce, appeared on remand, charged with conspiring to carry off Elizabeth Dorsetta Solomon . . . The defendants were bound over in their own recognizances to answer any charge that might be preferred against them at the Sessions.

ASSOCIATIONS: Emanuel Solomon (c. 1800-1873; NSW convict, per Lady Castlereagh, 1818); Elizabeth Dorsetta Solomon (born SA, 1839; died NSW, 1914; married Samuel Myers, SA, 1858); Townsend Duryea (photographer)

"LAW AND CRIMINAL COURTS", South Australian Register (30 November 1855), 3

http://nla.gov.au/nla.news-article49296666

Elbert Totten, Harriet Totten, Townsend Duryea, Elizabeth Mary Duryea, and John Ottis Pierce were charged with conspiracy, and pleaded not guilty. John Ottis Pierce was absent, and therefore his plea was not recorded, although evidence respecting him as principal was allowed to be given . . .

The case was opened by the reading of the several counts charging the defendants above-named with a conspiracy to inveigle and take away Elizabeth Dorsetta Solomon, an infant under age, and unmarried, from her father's (Emanuel Solomon's) care, and against his will and consent, for the purpose of marrying the said Elizabeth Dorsetta Solomon to John Ottis Pierce, one of the defendants, for motives of lucre and gain . . .

"BENEFIT OF MR. J. O. PIERCE", Bendigo Advertiser [VIC] (21 August 1856), 3

http://nla.gov.au/nla.news-article88052272

This gentleman who for some 18 months has been a popular singer at the Shamrock Hall concerts, takes his benefit to-night . . . There are local songs by Thatcher, various musical pieces by Mr. Hancock and Messrs. Howson and Lyall, choruses by the whole company, and last, not least, comic songs by Mr. Pierce himself. Then there is the excellent playing on the cornet a-piston by the Messrs. Kohler, and the beautiful accompaniment of Mr. Salaman on the piano-forte . . . Mr. Pierce, too, is well entitled to the patronage of the Bendigo public, for he has been assiduous in his efforts to please and he has been exceedingly successful. He has a fund of comic humor, and is rather clever at original composition. The success and popularity of the concerts at this place have been in a considerable degree owing to him, and the public should not forget old friends to whom they owe the obligation of having beguiled many an otherwise tedious hour. We believe that the greater portion of the old company are about to leave, at all events for a time, and this is announced as Mr. Pierce's last benefit . . .

ASSOCIATIONS: Charles Thatcher (comic vocalist); Frank Howson (vocalist); Richard and John Kohler (cornets); Edward Salamon (piano)

"MUSIC AND THE DRAMA", The Age [Melbourne, VIC] (2 February 1857), 3

http://nla.gov.au/nla.news-article154823966 

The Ovens Constitution, in speaking in the most favorable terms of the vocal efforts of Miss Octavia Hamilton, and M. Emile Coulon, at the El Dorado, Beechworth, enters a very strong but just protest against the style of Mr. Pierce's comic singing. Our contemporary says: - "He is, without doubt, a very talented comic singer, with a huge conception of the ridiculous, but an overpowering leaning towards the vulgar, if not the obscene. Mr. Pierce has mistaken the style of song suitable for a Beechworth audience. We all appreciate anything comic; but, when we are in the company of the softer sex, we tremble while listening to vulgar songs, lest each succeeding line should produce something worse. We have no hesitation whatever in characterising a few of the songs sung by Mr. Pierce, on the evening in question, as disgustingly obscene in their inferences, and scarcely less refined in their language. It is a pity that M. Coulon should have permitted this to take place, since it places a great bar in the way of the fair sex attending his concerts a second time, and thus deprives many of what is in reality, with the exception we have named, a very great treat. The piano accompaniments and the operatic solos of Herr Collin, deserve especial notice . . ."

ASSOCIATIONS: Octavia Hamilton (vocalist); Emile Coulon (vocalist); Leopold Collin (piano)

"CONCERT", The Sydney Morning Herald (20 August 1857), 8

http://nla.gov.au/nla.news-article12999630 

The Committee of the New South Wales Alliance for the Suppression of Intemperance gave a musical entertainment last evening in the School of Arts. The musical performances by the brothers Kohler and Mr. J. O. Pierce were superior, and elicited great applause from the audience, which was pretty numerous . . .

"THE XYLOPHONISTS", The Star [Ballarat, VIC] (24 September 1857), 3

http://nla.gov.au/nla.news-article66044394 

We regret that pressure on our space for the lats few days has prevented our noticing at length the performances of these talented musicians at the Montezuma Theatre. This much we briefly assure the public, that they discourse nightly most novel and eloquent wood-music, the Xylophones being none other than wooden instruments; while, on the cornet-a-pistons, the Brothers Kohler may claim to be without rivals in Victoria. Mr. J. O. Pierce, who is associated with them, is more than tolerable as a solo-singer . . .

[Advertisement], Portland Guardian and Normanby General Advertiser (1 April 1859), 3

http://nla.gov.au/nla.news-article64510646 

GRAND VOCAL AND INSTRUMENAL CONCERT AT MAC'S HOTEL, PORTLAND,
Supported by MR. J. O. PIERCE, The Renowned Vocal and Instrumental Performer,
and MR. J. SMALL, The Great Irish Comedian and Characteristic Vocalist, and
MONSR. F. LINDEN [sic], The celebrated Pianist . . .

ASSOCIATIONS: Joe Small (vocalist); Otto Linden (piano)

[Advertisement], The Age (26 May 1859), 1

http://nla.gov.au/nla.news-article154838018 

HIPPODROME. Lonbdale Street . . . Wednesday and Thursday, May 25 and 26.
Elegant and Classical Olympian Sports, worthy the palmy days of Ancient Rome.
Nightly Achievements at the Hippodrome.
J. O. PIERCE Will sing his New Song, which was received with shouts of applause last night . . .

"THEATRICALS AND MUSIC . . . HEATHCOTE", Bell's Life in Victoria and Sporting Chronicle (24 September 1859), 2

http://nla.gov.au/nla.news-article201379497

An excellent company of serenaders have been performing at the Heathcote hotel for the last month, consisting of Messrs. Small, Pierce, Dixon, Carson, Brown, and Kitts, and are still drawing good attendances. They present the most varied and attractive Ethiopian entertainment we have had on this gold field. Herr W. Gollmick is the pianist.

ASSOCIATIONS: Dave Carson (minstrel); Brown (minstrel); William Gollmick (piano)

"THEATRICALS AND MUSIC . . . HEATHCOTE", Bell's Life in Victoria and Sporting Chronicle (15 October 1859), 2

http://nla.gov.au/nla.news-article201375799 

Messrs. Kitts, Small, Pierce, Dixon, and Herr Gollmick (pianist), are still at the Heathcote Hotel, drawing good audiences . . .

"THE BACKUS MINSTRELS", Bell's Life in Tasmania [Hobart, TAS] (28 December 1859), 3

http://nla.gov.au/nla.news-article232483949 

The first performance of this Minstrel company took place at the theatre on Monday . . . Miss Backus [sic] and Mr. Pierce were repeatedly welcomed.

ASSOCIATIONS: Charles Backus (minstrel); Backus Minstrels

"THE RISLEY TROUPE", The Hobart Town Daily Mercury (18 April 1860), 2

http://nla.gov.au/nla.news-article19469532 

Professor Risley and his troupe will repeat their entertainment this evening at the Tasmanian Assembly Rooms, Bathurst Street, assisted by Mr. J. O. Pierce and his wonderful dog Don.

ASSOCIATIONS: Richard Risley Carlisle (gymnast)

[News], Empire (14 May 1860), 4

http://nla.gov.au/nla.news-article60410206 

Every class of entertainment must have its representative, as every science has its exponent, every art its master, and each will undoubtedly command the sympathies of a large number of followers and admirers according to the skill displayed by them in their respective spheres. All that is required to retain them is a due amount of proficiency of superiority, and Professor Risley and his assistants possess these in a very high degree. The Temperance Ball was, on Saturday evening, well attended, and these entertainments, when fully known, will no doubt attract crowded audiences, as every one on the present occasion appeared delighted with the amusement offered. The performance commenced with the exhibition of the really extraordinary executive musical powers of Mr. J. O. Pierce, known here as being connected formerly with a company of sable minstrels, who, in addition to his very delightful solo on the concertina, equal in point of musical perfection to that of any artist on this instrument, gave specimens of his ability on other instruments not known here, but which well deserve a word or two. The Rock Harmonicon, on which Mr. Pierce played " Old Dog Tray," "Scottish Melodies," and other pieces, was invented by one Richardson, a stonemason, who, with his sons (all gifted with most musical ears), whilst hewing the rocks in the quarries of Cumberland, was attracted by the musical sounds emitted. The family set to work, and did not rest till they had shapen the requisite number or keys in every gradation of the musical scale, an operation of the greatest difficulty, the stones frequently breaking, and the greatest nicety being required to effect purity of tone. A frame-work having been made the stone-keys were placed on ropes covered with straw, in two rows, the semi-tones being placed above. With this monster "rock band," as it was called - producing the tone of a full orchestra - the Messrs. Richardson - their music having been arranged a trois mains - created a furore throughout Europe. A similar instrument but on s smaller scale, is used by Mr. Pierce, and certainly if ever stones spoke they do under his manipulative powers. A second novelty introduced by him is the Sardinian tabor pipe, playing the most delightful variations on popular melodies, imitations of birds, &c. Of this instrument we need say that it is known by the name of the "Picco," being the little pipe with which the blind Sardinian minstrel Picco (whose portrait at the time appeared in the Illustrated London News) delighted and astonished all Europe. Another instrument, foreign to our orchestras was introduced by Mr. Pierce - an Hawaiian pianoforte, with wooden keys and, like the rock harmonicon played with the hammer. A similar instrument we remember to have seen in boyhood's days, at the East India Museum in London. Simple as its construction is, Mr. Pierce made the wood discourse most musically. Indeed, this part of the entertainment alone is worthy of many visits; and in its description we have left ourselves no space to describe the very elegant gymnastic evolutions of Professor Risley, his son, and M. Devoni . . .

ASSOCIATIONS: Joseph Richardson and the Rock harmonicon

"MISS HAMILTON'S CONCERT", The Sydney Morning Herald (7 August 1860), 8

http://nla.gov.au/nla.news-article13044002 

Miss Octavia Hamilton, one of the late opera company of the Prince of Wales Theatre, gave a farewell concert last evening at the Exchange Hall . . . The second part of the concert formed a kind of Olla Podrida, consisting of a duo, from "Murino Fialiero," very beautifully given by Signori Coulon and Grossi. A solo on the concertina, which received an encore, and on the rock harmonicon, by Mr. J. O. Pierce, a German song by Herr Schluter . . .

ASSOCIATIONS: Octavia Hamilton (vocalist); Emile Coulon (vocalist); Enrico Grossi (vocalist); Adolph Schluter (vocalist)

"PRINCE OF WALES THEATRE", Empire (27 August 1860), 4

http://nla.gov.au/nla.news-article60497039 

The programme for Friday night consisted of fifteen selections, and concluded with the laughable ballet of "The Village Coquette." The songs "Lilly Bell" and "Wait for the Waggon," were very tastefully rendered; and the already celebrated "Nip-up-dee-doe-den-dum," elicited roars of laughter from the audience. The performance on the rock harmonicon and the pine-stick by Mr. Pierce were very pretty, and the music discoursed by these rude instruments was astonishingly sweet and effective. "The Grand Challenge Dance," by Messrs. Burbank and Carson, was tumultuously applauded, and the "Village Coquette" kept the house in roars for nearly an hour. The success of the San Francisco Minstrels continues uninterrupted, and they draw crowded houses nightly. It is understood that a dramatic company will shortly be formed.

"THEATRICALS AND MUSIC . . . PRINCE OF WALES THEATRE", Bell's Life in Victoria and Sporting Chronicle (22 September 1860), 2

http://nla.gov.au/nla.news-article201377161 

Mr. Colville has become the lessee of this theatre, and he has initiated his reign with a bold stroke in favour of "black lyrics." The San Francisco Minstrels form a band of some seven or eight performers, and what they do is undoubtedly very clever. Mr. Walsh, who, since we daw him last, has adopted burnt cork - we trust to the advantage of his complexion - has a beautiful baritone, and sings in an unaffected, although not uncultivated, style. Mr. O. Burbank is an excellent dancer and a capital burlesque actor, and Mr. D. Carson, as a low comedian, need not fear comparison with any competitor of the same line. Mr. Demerest's utilities as a mock danseuse are well-known, and Mr. J. O. Pierce unites in himself many of the qualities of a good vocal and instrumental musician. The house has been exceedingly well attended.

"AUSTRALIAN THEATRICALS (FROM OUR OWN CORRESPONDENT) MELBOURNE, SEPTEMBER 25 . . . THE PRINCE OF WALES'S", The era [London, England] (18 November 1860), 13

Mr. Colville, of the Sydney Theatre, is now the lessee of this house, and opened with a troop of [REDACTED] melodists calling themselves the Californian Minstrels. There are nine of them; those worthy of notice, if any, are Walsh, a baritone; O. Burbank, dancer and burlesque actor; D. Carson, low comedian; Demerest, mock danseuse; and J. O. Pierce, a very fair instrumentalist.

ASSOCIATIONS: Samuel Colville (lessee); George Washington Demerest (minstrel); Otto Burbank (minstrel); Charles Walsh (minstrel); San Francisco Minstrels

"THEATRICALS AND MUSIC . . . HAMILTON", Bell's Life in Victoria and Sporting Chronicle (19 January 1861), 2

http://nla.gov.au/nla.news-article201372108 

The "metropolitans," Messrs. Johnson, Kitts, Linden, and Master Charlie Johnson, with Mr. Pierce and his wonderful canine performer, "Signora Don," have been playing to good audiences in this township. They are announced to appear at Portland on Monday next, the 21st, after which they proceed to Belfast and Warrnambool.

ASSOCIATIONS: Dog's name a reference to the actor and vocalist Emily Don

[Advertisement], The Argus (13 April 1861), 8

http://nla.gov.au/nla.news-article5699297 

ROYAL CHARTER MUSIC-HALL.
Mr. J. O. PIERCE, Mr. PERCIVAL, And SIGNORA DON
Are nightly applauded to the echo of
Johnson's last Comical and Musical Sketch
A PAPA'S PERPLEXITIES.
The great Irish Delineator,
PADDY DOYLE
Commences on Saturday.
Admission free.

ASSOCIATIONS: Charles Percival (vocalist); Jovial Johnson (comic vocalist)

[Advertisement], The Argus (27 June 1861), 8

http://nla.gov.au/nla.news-article5701376

PRINCE OF WALES THEATRE. THIS EVENING, JUNE 27.
BENEFIT of Mr. T. P. BROWER, Of the San Francisco Minstrels,
On which occasion the following artistes will appear: -
Dave Carson, J. O. Pierce, G. W. Demerest, Billy White, W. Robson, A. Martin, and J. Lockyer,
In conjunction with the GREAT EQUESTRIAN TROUPE.

India and south Asia (1861-75):

"SHIPPING INTELLIGENCE . . . PASSENGERS DEPARTED FROM CALCUTTA", Homeward Mail from India, China and the East (26 February 1863), 8

Per Nubia - For Madras - Capt. Manderson, Mr. J. O. Pierce, Mr. T. P. Brower, Mr. D. Carson, Mr. Palin, and Mr. Campbell . . .

"OUR PORTRAIT GALLERY. DAVE CARSON, ETHIOPIAN COMEDIAN AND MANAGER", New York Clipper [USA] (25 May 1867), 2

https://idnc.library.illinois.edu/?a=d&d=NYC18670525.2.6 

The subject of our sketch was born in March 1837. He has visited, professionally, almost every part of the globe. Left New York in '53, when only sixteen years of age, for Melbourne, Australia, where he arrived after a voyage of one hundred and five days. After visiting the principal gold mines, and performing with success at each, in 1856 he joined the party consisting of Tom Brower (Frank's brother, since dead), Otto Burbank (now with George Christy), W. A. Porter, G. W. Demerest, D. F. Boley, J. O. Pierce, and a number of others. The company was styled the San Francisco Minstrels, under which appellation they performed throughout New South Wales, Victoria, South Australia, Queensland, Van Dieman's Land and New Zealand . . . .

. . . Carson and Brower organized a company for India, which left Australia in August, 61. They arrived in due time at Calcutta . . . The company remained in India over five years, all the time as the San Francisco Minstrels, and there is not the slightest doubt that owing to the facility with which Carson attained Hindostaneee, the language of the country, and the manner in which he mimicked and caricatured a certain class of the native people, the great success with which the company met with was obtained. In May, '66, the boys dissolved partnership, owing to the desire to sea their native land once more. Brower died on the 15th of March, eight months after arriving home. Carson attended to him up to the last, and was one of the chief mourners at the funeral - Brower having been away sixteen years, Pierce about seventeen, and Carson nearly fourteen. Previous to their leaving India Carson and Pierce entered into an agreement with Tom McCollum, the great two horse rider, who had been coining money at Bombay with his circus; to bring out a circus, minstrel and ballet troupe. We clip the following from the Times of India, May 3rd, '66: -

"We are glad to be able to inform our readers that arrangements are in progress for providing Bombay with entertainments of a superior nature during the approaching cold season. The names of Messrs. McCollum, Carson and Pierce - the promoters of the scheme - will be a sufficient guarantee that it is no mere bubble. These gentleman have determined upon proceeding at once to Europe for the purpose of organizing an equestrian troupe, for which no one is more qualified than Mr. McCollum, a ballet troupe and a band of minstrels, to be presided over, as usual, by the facetious Dave. This latter gentleman wishes it to be particularly understood that he has no intention of laying aside the characters and impersonations which have made him so well known in India, but that he is merely proceeding to Europe by the overland route to pick up a renewed stock of health, fresh ideas, and the latest novelties . . ."

The arrangement fell through, owing to Pierce banking out at the last moment. Carson left India for Europe on the 6th of May, 1866 . . .

[News], The Age [Melbourne, VIC] (19 August 1867), 5

http://nla.gov.au/nla.news-article185507585 

[From New York Clipper article above]

[News], The Age (19 August 1867), 5

http://nla.gov.au/nla.news-article185507585 

WHAT old colonist is there who does not remember jovial Dave Carson? The N. Y. Clipper has some interesting facts relating to him and others once well known in Australia. It appears that Burbank (the best negro minstrel this colony has ever seen) is not dead. It will be remembered that Carson, Brower, and J. O. Pierce organised a company for India, which left Australia in August, '61. They arrived in due time at Calcutta, where they astonished the Hindoos and Mohammedans not a little with their representations of the sports and pastimes of the Ethiopian race in the United States of America. After performing a season at Calcutta, with satisfaction to themselves and the public, they left the "City of Palaces" for a tour through Hindostan. The company remained in India over five years, all the time as the "San Francisco Minstrels," and there is not the slightest doubt that, owing to the facility with which Carson attained Hindostanee, the language of the country, and the manner in which he mimicked and caricatured a certain class of the native people, the great success with which the company met with was obtained. In May, 1866, the boys dissolved partnership, owing to the desire to see their native land once more. Brower died on the 15th of March, eight months after arriving home. Carson attended to him up to the last, and was one of the chief mourners at the funeral; Brower having been away sixteen years, Pierce about seventeen, and Carson nearly fourteen. Mr. Carson proposes leaving New York for Europe early in June, to organise another entertainment for India, in which country he is known as a favourite and established caterer for public amusements. Mr. Carson wears some magnificent diamonds, presented to him by Mr. Cowasjee Manockjee Limjee, a wealthy merchant of Bombay.

"CALCUTTA . . . PASSENGERS ARRIVED", Homeward Mail from India, China and the East (5 January 1874), 26

Per Sultan . . . Dave Carson and troupe, viz., Mr. Dave Carson, Mrs. Dave Carson, Mr. Harry Leslie, Mrs. Harry Leslie, Mr. J. O. Pierce, Mrs. J. O. Pierce, Mr. W. Hogarth, Mr. G. Nowille, Mr. G. H. Henri, Mr. J. C. Talbot . . .

"ORPHEUS OPERETTA COMPANY", Times of India (1 September 1875), 3

On Monday evening the above company, which is performing at Grant Road Theatre, changed their programme, and offered to the public a treat which was fully equal to that of the preceding week. The opening piece was Bishop's "Mynhear von Dunk" sung as a trio, and the rendering of it was such as to put the audience on the alert for something good to follow, as there could be no mistake about the excellent quality of Mr. Norville's tenor and Mr. Hogarth's baritone . . . Mr. Geo. Norville is a very good tenor . . . Harry Leslie was as comic as ever . . . Mr. J. O. Pierce sang a very humourous medly, called "Our Royal Guest, - which he has composed in reference to the approaching visit of the Prince of Wales. The same gentleman also performed on the lithophone with very great skill, and we hardly know whether the clear "ring" of the stuccato [sic] passages or the trilling of the legato passages were the more pleasing to the ear . . . The performance ended with a burlesque on the opera "Maritana" . . . It remains to add that Mrs. J. O. Pierce is an excellent accompaniest, and her playing all throughout was effective. Altogether the entertainment is one deserving of extensive patronage.

Bibliography and resources:

William L. Slout (ed.), Burnt cork and tambourines: a source book for Negro minstrelsy (n.p.: Borgo Press, 2007), 114 (San Francisco Minstrels), 147 (Carson, Dave)

https://books.google.com.au/books?id=TbOyfBvi32YC&pg=PA114 (PREVIEW)

https://books.google.com.au/books?id=TbOyfBvi32YC&pg=PA147 (PREVIEW)

Matthew W. Wittmann, Empire of culture: U.S. entertainers and the making of the Pacific circuit (Ph.D dissertation, University of Michigan, 2010), 51-53

http://hdl.handle.net/2027.42/75991 (DIGITISED)

PIERCE, Richard (Richard PIERCE; PEARCE)

Musician, violinist, fiddler, naval serviceman

Born Gillingham, Kent, England, 28 October 1829
Active Sydney, NSW, 1858

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIERCE-Richard (shareable link to this entry)

Documentation:

[Notice], New South Wales Government Gazette (13 April 1858), 621

http://nla.gov.au/nla.news-article228398779 

DESCRIPTION of Stragglers from H. M. S. "Iris": -

Richard Pearce, musician, age 29 years, native of Gillingham, Kent, 5 feet 8 inches, black hair, hazel eyes; a very good fidler, and sings comic songs well. Former ship, "Hannibal" . . .

James Dery, private R. M., age 22 years, native of London, 5 feet 7 inches, dark hair, grey eyes; very ugly, round shoulders, and sings comic songs well; has been on the stage.

[Notice], New South Wales Government Gazette (17 September 1858), 1521

http://nla.gov.au/nla.news-article229601212 

DESCRIPTION of Stragglers from Her Majesty's Ship "Iris": -

Richard Pierce, musician, native of Chatham, 27 years of age, 5 feet 8 inches high, black hair, hazel eyes, former ship "Hannibal" . . .

[Notice], New South Wales Government Gazette (7 December 1858), 2158

http://nla.gov.au/nla.news-article229602946 

[Notice], New South Wales Government Gazette (27 March 1860), 613

http://nla.gov.au/nla.news-article230041226 

. . . Richard Pierce, musician, native of Gillingham, Kent, born 28 October, 1829, 5ft. Sin. high, black hail, hazel eyes, former ship, "Hannibal."

PIERSON, Eliza (Eliza PIERSON; Mrs. E. PIERSON)

Professor of the harp, pianoforte, and guitar

Born ? England, c. 1784/85
Arrived (1) Sydney, NSW, ? by March 1834
Arrived (2) Sydney, NSW, 23 January 1838 (per Marquis of Hastings, from London and Cowes, 20 September 1837)
Died Sydney, NSW, 5 August 1849, aged 65

https://trove.nla.gov.au/search?l-publictag=Eliza+Pierson+d1849 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIERSON-Eliza (shareable link to this entry)

Documentation:

[Advertisement], Cheltenham Journal and Gloucestershire Fashionable Weekly Gazette [England] (22 June 1829), 2

https://www.britishnewspaperarchive.co.uk/viewer/bl/0002214/18290622/012/0002 (PAYWALL)

MRS. PIERSON, Teacher of the Spanish Guitar, Piano Forte, and the French Language, HAS the honour to acquaint the Nobility and Gentry, that the Midsummer Vacation having commenced, she is now more disengaged to GIVE PRIVATE LESSONS to YOUNG LADIES and ADULTS on MODERATE TERMS, at home or abroad.
MISS PIERSON continues to give Lessons, as usual, on the HARP, DANCING, and DRAWING.
MONTAGUE COTTAGE, Portland Street, Cheltenham, Next to the Masonic Hall,

[Advertisement], The Sydney Herald (24 March 1834), 1

http://nla.gov.au/nla.news-article12848951 

PRIVATE TUITION, ON the Spanish Guitar and Piano Forte, by Mrs. PEARSON [sic], No. 105, Pitt-street, Sydney.
Mrs. P. continues to give lessons in the French Language, Geography, and the use of the Globes.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (27 March 1834), 1

http://nla.gov.au/nla.news-article2215734 

PRIVATE TUITION, ON the Spanish Guitar and Pianoforte, by Mrs. PIERSON, No. 105, Pitt-street, Sydney.
Mrs. P. continues to give Lessons in the French Language, Geography, and the "Use of the Globes.

[Advertisement], The Sydney Gazette and New South Wales Advertiser (21 February 1835), 3

http://nla.gov.au/nla.news-article2197388 

BOARD AND LODGING (OR LODGING ONLY), AT PITT-STREET, NEAR THE COURTS AND OFFICES. FOR Gentlemen or Families, in an Establishment of respectability, conducted by Mrs. Pierson, recently arrived from England, No. 105, Pitt-street, Sydney.

"SHIPPING INTELLIGENCE. ARRIVALS", The Sydney Herald (25 January 1838), 2

http://nla.gov.au/nla.news-article12861282

From London, on Tuesday, having left Cowes September 20, the ship Marquis of Hastings, Captain Simpson, with merchandise. Passengers . . . Mrs. Eliza Pierson . . .

[Advertisement], The Sydney Herald (15 February 1838), 3

http://nla.gov.au/nla.news-article12861124

A CARD. A LADY recently arrived from London, Mrs. E. Pierson, Teacher of the Harp and Pianoforte, begs to acquaint the Gentry and Families of Sydney and its environs, that she gives Lessons on that fashionable instrument the Harp, either at home or abroad. Mrs. E. P. has likewise imported a quantity of new Music elegantly arranged for the Harp, Piano-forte, and Guitar. Terms may be known at Mrs. Best's, 105, Pitt-street.

[Advertisement], The Sydney Herald (20 July 1838), 1

http://nla.gov.au/nla.news-article12855858

MRS. E. PIERSON having changed her Residence from Pitt-street to Hunter-street, near Macquarie-street, requests to inform the Gentry and Inhabitants of Sydney, that she continues to give Lessons both at home and abroad, on the Harp and Pianoforte, also on the Guitar. Instruction Books and Music may be had for the above Instruments. A fine brilliant toned double-action Harp to be sold, and a beautiful Piccolo Pianoforte on Trusses, made by Wernum [sic] the sole Inventor and Patentee.
N. B. - Wanted a steady Man Servant that can Cook; likewise a Housemaid.

ASSOCIATIONS: Robert Wornum (pianoforte maker)

[Advertisement], The Colonist (29 December 1838), 4

http://nla.gov.au/nla.news-article31722277

MRS. E. PIERSON, Professor of the HARP, PIANOFORTE, and GUITAR, requests to inform the Inhabitants of Sydney and its vicinity, that she has removed from Hunter-street, to No. 5, Terry's Buildings, Pitt-street, near Hunter-street, where she continues to give lessons at home and abroad on the Harp, Pianoforte, and Guitar. Mrs. P. has Instruction Books, and Music for the above Instruments.
* Harps and Pianofortes to be let on hire.

[Advertisement], The Sydney Herald (1 July 1839), 1

http://nla.gov.au/nla.news-article12862135

MRS. PIERSON, requests to inform her Friends and the inhabitants of Sydney and its vicinity, that she continues to give lessons on the HARP, PIANOFORTE, and GUITAR at home and abroad. Residence at No. 4, Terry's New Buildings, Pitt-street.
N. B. Harps, Pianofortes, and Guitars lent on hire.

Memorial, 9 September 1839, lease and counterpart, Rosetta Teryt to Eliza Pierson; land grants, registers of memorials, 1793-1839; State Records Authority of NSW

https://www.ancestry.com.au/imageviewer/collections/5117/images/41492_330033-00204 (PAYWALL)

. . . situate on the East side of Pitt Street Sydney now in the occupation of the s'd Eliza Pierson . . . One hundred and sixty pounds per annum payable quarterly to hold for the space of five years from the date of lease . . .

ASSOCIATIONS: Rosetta Terry (widow of Samuel Terry)

[Advertisement], The Sydney Herald (28 October 1839), 2

http://nla.gov.au/nla.news-article12856070

A CARD. - Mrs. Pierson requests to inform the Inhabitants of Sydney and its vicinity, that she continues to give Lessons on the Harp, Piano Forte and Guitar, at her residence, 4, Pitt-street, North, three doors from King-street.

[Advertisement], The Sydney Herald (2 February 1841), 1

http://nla.gov.au/nla.news-article12867640

[A CARD.] MRS. PIERSON requests to inform the friends of her pupils and the inhabitants of Sydney that she has recommenced giving lessons to young ladies on the pianoforte, harp, and guitar, both at home and abroad. No. 4 Pitt-street, near King-street.

[Advertisement], The Sydney Morning Herald (5 December 1843), 3

http://nla.gov.au/nla.news-article12413810 

A CARD. MRS. PIERSON requests to inform the inhabitants of Sydney, that she intends to receive a limited number of young ladies as daily pupils, either to commence or finish their education. They will be taught English and French grammatically, Writing, Arithmetic, Geography, History, ancient and modern, also plain and fancy Needlework.
£ s. d Terms - for the above general Instruction - per quarter - 2 2 0
Music / Pianoforte - 2 2 0
Harp and Guitar, each - 3 3 0
Singing - 2 2 0
Drawing - 1 10 0
Dancing - 2 2 0
School to commence 9th January, 1844, at Mrs. Pierson's residence, No. 4, Pitt-street, near King-street.

[Advertisement], The Sydney Morning Herald (29 June 1844), 3

http://nla.gov.au/nla.news-article28651534

EDUCATION. MRS. PIERSON begs leave to inform the inhabitants of Sydney and its environs that, in addition to her daily pupils, she proposes to receive four young ladies as BOARDERS, between the ages of six and sixteen, to educate them like gentlewomen, and where they will be taught every useful and elegant accomplishment, based upon solid principles - not very often regarded in the tuition of young minds, but which Mrs. Pierson considers of the first importance, as the mind is the stature of the man or woman.
The school re-commences on the 8th July.
312, Pitt-street, near King-street.

[Advertisement], The Sydney Morning Herald (8 July 1847), 1

http://nla.gov.au/nla.news-article12901226

THE Pianoforte, Harp, and Guitar, taught by Mrs. Pierson, who requests to inform the parents and friends of her pupils, that the Midsummer vacation ends on Thursday, 15th instant, when she will be happy to resume their instruction on the Pianoforte, &c., &c.
Mrs. Pierson receives young ladies at her residence, to teach all, or any of the above fashionable instruments, or can attend at their houses.
No. 312, Pitt-street, July 7.

[Advertisement], The Sydney Morning Herald (30 December 1848), 3

http://nla.gov.au/nla.news-article28646993 

THE PIANOFORTE. HARP, AND GUITAR. YOUNG LADIES are taught the M. above elegant accomplishments by Mrs. PIERSON, at her house, 312, Pitt-street, or at the residence of her pupils. The Christmas vacation ends 15th January, 1849. Mrs. Pierson also gives instruction in the French language. December 30.

[Advertisement], The Sydney Morning Herald (7 July 1849), 1

http://nla.gov.au/nla.news-article12904505 

INSTRUCTION ON THE PIANOFORTE, HARP, AND GUITAR. MRS. PIERSON requests to inform her pupils that the Vacation ends on the 16th July, when she will be happy to resume their Musical studies. Mrs. Pierson would receive two more at her house, to instruct on the above fashionable instruments. 312, Pitt-street, July 7.

"DIED", The Sydney Morning Herald (6 August 1849), 3

http://nla.gov.au/nla.news-article12910869

Mrs. Eliza Pierson, at her residence, 312, Pitt-street, Sydney, after a few days' illness, aged 65 years, much regretted by all who knew her.

PIESSE, Frederick Henry (Frederick Henry PIESSE; F. H. PIESSE)

Musical amateur

Born London, England, 1822; baptised St. James, Clerkenwell, 13 October 1822; son of Charles Augustus PIESSE (1787-1836) and Elizabeth MARSH (d. 1840)
Active Hobart Town, VDL (TAS), 1849
Died Hobart, TAS, 21 March 1886, aged "64/65"

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIESSE-Frederick-Henry (shareable link to this entry)

Documentation:

[Advertisement], The Courier (21 July 1849), 3

http://nla.gov.au/nla.news-article2965455 

Hobart Town Choral Society. Hobart Town, July 17, 1849.
SIR, - We Respectfully request you will be pleased to convene a Special General Meeting of the Members of the Choral Society, for the purpose of considering the state of its funds, and for other business connected therewith. - We are, Sir, your obedient servants,
Joseph Hone, Jos. Reichenberg, James Thomson,
B. H. Creswell, J. Marshall, J. Martin, W. Dossetor,
W. Belbin, Henry Elliott, C. F. Creswell.
The Secretary Hobart Town Choral Society.
In compliance with the above requisition, I hereby convene a SPECIAL GENERAL MEETING of the members of the Hobart Town Choral Society, to take place in the Hall of the Mechanics' Institute, Melville street, on TUESDAY EVENING NEXT, 24th instant, at 7 o'clock precisely. F. H. PIESSE, Hon. Sec. Hobart Town, July 20, 1849.

"OBITUARY", The Mercury (22 March 1886), 2

http://nla.gov.au/nla.news-article9119312 

PIESING, James (James PIESING)

Leader of a juvenile temperance band, amateur musician, musical instructor

Born Guernsey, Channel Islands, 1821
Married Julia BOWDEN (d. 1893), by 1851
Arrived Adelaide, SA, by December 1854
Arrived VIC, c. 1860
Died Melbourne, VIC, 1904, aged 83

https://trove.nla.gov.au/search?l-publictag=James+Piesing+821-1904 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIESING-James (shareable link to this entry)

Documentation:

Channel islands census, 1841, St. Peter Port, Guernsey; UK National Archives, HO 107 / 1460 / 11

https://www.ancestry.com.au/imageviewer/collections/8980/images/GUEHO107_1460_1460-0481 (PAYWALL)

Henry Piesing / 51 / Tobacconist / [born England]
Charity [Piesing] / 53 / - / [born England] . . .
James H'y [Piesing] / 20 / Painter & Glazier / [born Guernsey]

Channel islands census, 30 March 1851, St. Heliers, Jersey; UK NAtional Archives, HO 107 / 2527

https://www.ancestry.com.au/imageviewer/collections/8862/images/JERHO107_2527_2527-0270 (PAYWALL)

21 Hils Street / James Peercy [sic] / Head / 29 / Painter / [born] Guernsey
Julia [Peercy] / Wife / 28 / - / [born] England

"TEMPERANCE MEETING", Adelaide Times (2 December 1854), 3

http://nla.gov.au/nla.news-article207019889 

A respectably attended meeting of the Total Abstinence Society was held yesterday evening in the Christ Church School room, North Adelaide, Mr. Wm. Crabb in the chair; and entertaining and impressive addresses were delivered by Mr. S. Morcom and Mr. Thos. Williams, followed by an address from Mr. Piesing, a temperance lecturer just arrived from Jersey, who in a telling manner set forth the evils arising from drunkenness. At the close of the meeting several persons signed the pledge.

"THE TEMPERANCE MOVEMENT", South Australian Register (4 November 1856), 2

http://nla.gov.au/nla.news-article49759673

A number of juvenile musicians, who have been for some months past under training by their superintendent, Mr. Piesing, of Tynte-street, North Adelaide, occupied a prominent position on the orchestral platform, and with their "merry, merry fifes and drums", made the spacious hall reverberate with dulcet harmony.

"TEMPERANCE MEETINGS", South Australian Register (4 November 1857), 3

http://nla.gov.au/nla.news-article49208331

The annual gathering of the members of the Total Abstinence Society and their friends took place during the present week under circumstances of more than ordinary interest . . . A temperance hall of capacious dimensions has been commenced in Tynte street, North Adelaide, and though only the bare walls have been erected, the members of the Society have contrived to turn it to present account by means of an awning and other appliances . . . On Sunday last three sermons were preached on behalf of the temperance enterprise . . . Mr. King presided at the harmonium. On Monday evening the aggregate meeting of the Band of Hope look place in the same building . . . The juvenile band, led by their Superintendent, Mr. Piesing . . . played several airs . . .

"THE FORMER DAYS. By REV. T. E. KEEN", Australian Christian Commonwealth (18 December 1908), 13

http://nla.gov.au/nla.news-article213590024 

"Ye hills and ye dales in praises abound,
Ye mountains and vales continue the sound,
Break forth into singing ye trees of the wood,
For Jesus is bringing lost sinners to God."
These words were often sung in the Adelaide Bible Christian circuit back in the year 1855 . . . what is more natural than that some one present should strike up the above verse of a hymn to the tune of "Portugal New," which admits of the first part of the last line being thrice repeated?
. . . And when I think of my fellow-workers, the late Samuel Coombe, John Rundle, Peter P. Dungey, J. Venning, J. Piesing, Geo. Denman, and many others . . .

MUSIC: Portuguese new (hymn tune) = Adeste fideles

"DIAMOND JUBILEE OF BOWDEN METHODIST SUNDAY-SCHOOL", Australian Christian Commonwealth (24 May 1912), 14

http://nla.gov.au/nla.news-article213594321 

. . . Other Sunday-school superintendents in pioneer times were John Robins Rundle, James Piesing, Joseph Barnes, and Samuel Coombe. I have just received pictures of Mr. and Mrs. Piesing and their son, the latter now resident in Balaclava, Victoria. These pictures are the gift of the son and will be hung in one of our classrooms . . .

PIETERSZOON, Cornelis ("den dicke trompetter" [Cornelis the fat trumpeter])

Under-trumpeter (Batavia)

Active Houtman Abrolhos, WA, 1629
Died, ? 1629

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIETERSZOON-Cornelis (shareable link to this entry)

Documentation:

https://sydney.edu.au/paradisec/australharmony/chronicle1542-1800.php#1629-06-04-Batavia 

Bibliography and resources:

Csilla E. Ariese, Databases of the people aboard the VOC ships Batavia (1629) and Zeewijk (1727) - An analysis of the potential for finding the Dutch castaways' human remains in Australia (Fremantle: Australian National Centre of Excellence for Maritime Archaeology, 2012)

https://openaccess.leidenuniv.nl/handle/1887/23580

https://trove.nla.gov.au/version/187154703

Ralph J. G. Henssen, Trompetters en tamboers in de Zeeuwse zeevaart ten tijde van de Republiek: plichten en Praktijken (thesis, Utrecht University, 2011)

http://dspace.library.uu.nl/handle/1874/204412

PIETZKER, William (William PIETZKER; Mr. PIETZKER; HERR W. PIETZKER)

Professor of music, pianoforte, violin, accordion, singing, merchant, horticulturalist

Born Berlin, Prussia, c. 1820; son of Charles (Carl) PIETZKER and Augusta
Arrived Melbourne, VIC, by June 1849 (from Berlin)
Naturalised Melbourne, VIC, 23 December 1852 (aged "32")
Married Rebecca INNIS (d. 1870), Ovalau, Fiji, c. 1859/60
Died Darlinghurst, Sydney, NSW, 3 February 1898, aged 78

https://trove.nla.gov.au/search?l-publictag=William+Pietzker+d1898 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIETZKER-William (shareable link to this entry)

PIETZKER, Florence Maud (Florence Maud PIETZKER; Mrs. Edward John Fitzgerald MARTIN)

Pianist, vocalist

Born Fiji, c. 1860/61; daughter of William PIETZKER and Rebecca INNES
Married Edward John Fitzgerald MARTIN, Sydney, NSW, 6 July 1878

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIETZKER-Florence-Maud (shareable link to this entry)

Summary:

Billed as a "Professor of Music from Berlin" and a "pupil of" Felix Mendelssohn, Pietzker first appeared in a Melbourne concerts in April and June 1849 as a pianist playing Weber and Beethoven, and again in December playing second violin in Haydn's "Emperor" quartet under Joseph Megson.

He was last billed in Melbourne among the violins in the Philharmonic band in December 1854.

By 1859, he was in Fiji, and by late 1863 in Maryborough, Queensland, where for the next seven years he was a prominent in community, agricultural, and business circles. After an insolvency in 1868/69, he returned to music teaching, and continued to teach music after settling in Sydney in 1871 and until as late as mid 1892.

A keen horticulturalist, Pietzker set up a fruit-growing business at Mildura in 1893, which was later taken over by his nephew, Hugo Pietzker, a former major in the Swiss Army.

In 1880, his Fijian-born daughter Florence Pietzker launched her career a pianist and teacher in Tasmania.

Documentation:

[Advertisement], The Melbourne Daily News (14 April 1849), 3

http://nla.gov.au/nla.news-article226472382 

Mechanics' Institution. MUSIC CLASS.
Patrons - His Honor the Superintendent. His Honor the Resident Judge.
THE Members of the Class beg to announce that they will give their Public Concert, in the Room of the Mechanics' Institute, On TUESDAY Next, 17th Inst.
PROGRAMME. 1st Part. Overture - "Tancredi" - Rossini.
Song - "Der erste Kuss" - "The first Kiss" (by Mr. M. Sachs) - German.
Solo - Pianoforte (by Mr. Pietzker) - Weber . . .
Solo - Violin (by Mr. Megson) - L'Maurer.
Part II . . . Song - "Hear me gentle Maritana" - Opera "Maritana" - Violin Obligato - (by Mr. Griffiths) - Wallace . . .

ASSOCIATIONS: Joseph Megson (violin, leader); Joseph Griffiths (violin)

[Advertisement], The Argus (8 June 1849), 3

http://nla.gov.au/nla.news-article4769324

Mechanics' Institution. MUSIC CLASS . . . their Fourth Public Concert, in the Room of the Mechanics' Institute, ON TUESDAY EVENING, 12th INSTANT. PROGRAMME: 1ST PART. Overture - L'Italiana in Algieri - Rossini. Vocal Quartette - Die Kapelle, (German) - Kreutzer. Solo - Piano forte, (by Mr. Pietzker) - Beethoven Song - "The delightful flower," (by Mr. Young) - Balfe . . . SECOND PART . . . Solo - Violoncello - (by Mr. Thompson) . . .

ASSOCIATIONS: Charles Young (vocalist); John Charles Thompson (cello)

[Advertisement], The Argus (2 July 1849), 3

http://nla.gov.au/nla.news-article255610529 

[A Card.] MR. W. PIETZKER, From Berlin, PROFESSOR OF MUSIC,
AT the commencement of a new quarter has the honor to inform the gentry of Melbourne that he continues to give lessons on the Piano-forte, Violin, and Accordion, and singing, on reasonable terms, which may be learned on application at his residence, Great Bourke-street, Barwick Terrace.
Pianos thoroughly repaired and tuned, as well as all other kinds of Musical Instruments.

[Advertisement], The Argus (29 September 1849), 3

http://nla.gov.au/nla.news-article4772312

A CARD. MR. W. PIETZKER, From Berlin, PROFESSOR OF MUSIC,
AT the commencement of a new Quarter, has the honor to inform the gentry of Melbourne, that be continues to give lessons on the Pianoforte, the Violin, and other Instruments, on reasonable terms, which may be learnt on application at his residence, Russell Street, next door to the Australia Felix Hotel.
Pianos thoroughly repaired and tuned.

[Advertisement], The Argus (6 December 1849), 3

http://nla.gov.au/nla.news-article4771711

Mechanics' Institute. MUSIC CLASS . . .
their SEVENTH PUBLIC CONCERT . . . THIS EVENING (THURSDAY) 7th December.
PROGRAMME: PART I. - Overture - 'Masaniello' - Auber . . .
Overture: 'Bohemian Girl' - Balfe.
PART II. Overture: 'Zauberflote' - Mozart . . .
Quartette: (Instrumental) God preserve the Emperor - Haydn (introduced under Mr. Reed)
Principal Violin: Mr. Megson.
Second Violin: Mr. Pietzker.
Violin: Mr. Reed.
Violoncello. Mr. Thomson . . .

ASSOCIATIONS: Thomas Reed (viola)

[Advertisement], The Melbourne Daily News (26 January 1850), 3

http://nla.gov.au/nla.news-article226323571\ 

GRAND CONCERT . . . MRS. REYNOLDS . . .
in the hall of the MECHANICS' INSTITUTE, ON THURSDAY EVENING, 3 1st JAN., 1860.
MRS. REYNOLDS will be kindly assisted in the Vocal Department by several Amateur Singers.
Leader of the Band - MR. MEGSON.
Solo Violinchello - MR. THOMPSON.
Solo Violin - MR. MEGSON.
Pianist - MR. PIETZKER.
PROGRAMME: PART I. OVERTURE - "Le Nozze di Figaro" - Mozart
SONG - "We may be happy yet" Mrs. Reynolds - Balfe
SOLO - Violin - Mr. Megson - Maurer
DUET - "Jeannette and Jeanot" - Mrs. Reynolds and Mr. Young - Glover
SONG - "Afloat on the Ocean" - Mr. Salter - Loder
SONG - "I knew him in his childhood," - Words by Mr. Reynolds - Music by Mr. Megson.
SONG & CHORUS - "Rosa Lee" - Mr. Young and gentlemen -
PART II. OVERTURE - "Semiramide" - Rossini
SONG - "Rataplan" (by desire) - Mrs. Reynolds - Donizetti
SOLO - "Violinchello -
SONG - "The old Watermill" - Mr. Young -
DUET - "I'll watch for Thee" - Miss Somers and Mrs. Reynolds - Loder
SONG - "Drink, Sing, Laugh" - Mr. Salter - Romer
DUET - Singing Lesson, Sol Fa - Mrs. Reynolds and Mr. Young - Parry
FINALE - (Vocal and Instrumental) - "God save the Queen" . . .

ASSOCIATIONS: Mrs. Reynolds (vocalist); Mr. Salter (vocalist)

[Advertisement], The Argus (25 March 1850), 2

http://nla.gov.au/nla.news-article4771630

QUEEN'S THEATRE ROYAL. SARA FLOWER'S FAREWELL CONCERT ON TOMORROW EVENING, 26TH. INST.
MR. REED HAS the honor to announce the above Concert, assisted by
MISS EMMA REED, MR. YOUNG, MR. TROY KNIGHT, MR. MEGSON, MR. THOMSON, MR. LORD,
MR. PEITZKER [sic], MR. TOMKIN, MR. HOOLEY, MR. GREENWOOD, MR. WOODWARD, &c., &c.
And the SAX HORN BAND.
CONDUCTOR - MR. REED . . .

ASSOCIATIONS: Sara Flower (vocalist); Troy Knight (vocalist)

[Advertisement], The Argus (28 May 1850), 2

http://nla.gov.au/nla.news-article4773493 

Mechanics' School of Arts Music Class.
THE Members of the class beg to announce that they will give a public concert in the Room of Mechanics' Institute on Thursday evening, 30th instant, under the direction of Mr. Reed.
VOCAL PERFORMERS - Mr. Young, Mr. Troy Knight, Mr. Walter, Mr. S. Kawerau, Mr. T. Kawerau.
INSTRUMENTAL PERFORMERS - Mr. Reed, Mr. Woodward, Mr. Pietzker, Mr. Gooch, Mr. Jenkins, Mr. Lord, Mr. Greenwood, Mr. Smith, and the members of the music class . . .

ASSOCIATIONS: Frederick and Theodore Kawerau (vocalists)

[Advertisement], The Argus (31 July 1850), 1

http://nla.gov.au/nla.news-article4770257

MR. W. PIETZCKER, PROFESSOR OF MUSIC,
IN removing from his former residence in Russell-street to the New House in Stephen-street South, next door to Mr. Dalgety's, begs to tender his sincere thanks for the patronage with which he has been hitherto favored, and to state, that he continues the practice of his profession as Teacher of the Piano, the Violin, and Singing, and will be happy in give his attendance at Schools and Private Houses on moderate terms.

[Advertisement], The Argus (13 March 1851), 3

http://nla.gov.au/nla.news-article4776702 

A CARD. MR. W. PIETZKER, PROFESSOR OF MUSIC,
IN removing to the country begs leave to thank his friends and the public, for the kind patronage they have bestowed upon him, and to intimate, that he continues to give lessons on the piano, the violin, and in singing in town and country, including St. Kilda and Brighton.
Pianos tuned upon the best principle.
For terms apply to Mr. T. Hunter, Bookseller, Elizabeth-street, where all orders and messages are to be left.

"INSOLVENT COURT. Monday, May 12th", The Melbourne Daily News (13 May 1851), 2

http://nla.gov.au/nla.news-article226517731 

Before R. W. Pohlman Esqr., Chief Commissioner.
In the estate of Edward Butterfield, for Melbourne, schoolmaster: first and only meeting . . .

The Commissioner said that Mr. Pietzker could not prefer any claim until he had actually paid money on account of the bill.

Insolvent examined by Mr. Stephen . . . I do not recollect selling anything for the last two years. I sold a piano to Mr. Horton for £24. It was my own, I bought it of Mr. Pietzker, I paid for it partly in cash and partly by board and lodging. I have entirely paid for it. This is my signature (document produced being an agreement to rent a piano from Mr. W. Pietzker on payment of £2 2s monthly, the piano to become the property of Mr. Butterfield when the value of it was paid up, which world occupy one year). I paid Mr. Pietzker the rent for three months and then Mr. Pietzker came to live in my house to pay me at the rate of £70 per annum. He lived with me for six or nine months so that the piano was paid for. The arrangement for the board and lodging was of course consented to by Mr. Pietzker but there was no stipulation that it was to be set off against the piano. I had never received any money from Mr. Pietzker. He taught my pupils music &c. in part payment of his board, I never had any settlement of account with Mr. Pietzker. I have had no other dealings with Mr. Pietzker. Mr. Pietzker appears on my schedule as a creditor, on a bill for £12, and £3 balance of current account. He holds a bill for £15 for these amounts. I never balanced accounts with Mr. Pietzker. I owe him £15. I made a note of it, which is at Mrs. Butterfield's house. I think he taught eight, including both Mrs. Butterfield's school and my own; for teaching them he would receive two guineas for seven of these, and £1 10 for the other; during the three months before he lodged with me, he only taught two of my pupils - for one of them I paid him two guineas, and for the other I did not get paid myself. During the time he lodged with me, I think that his pupils, in my school, averaged five; he had played for the dancing class for tree months; he was to receive three guineas for this. He did not play at all for me for the time he lodged with me . . .

[Advertisement], The Argus (23 July 1851), 4

http://nla.gov.au/nla.news-article4779282 

MECHANICS' INSTITUTION MUSIC CLASS.
Under the patronage of His Excellency the Lieutenant Governor, His Honor the Judge, and His Worship the Mayor.
Thursday Weekly Subscription Concerts.
Principal Vocal and Instrumental Performers.
Mrs. Testar, Soprano
An Amateur, Alto and Violoncellist
Mr. H. F. Hemy, Tenore, and Pianist
Mr. Wheeler, Basso and Cornetto
Mr. Cooze, Buffo and Flautist
Mr. Pietzker, Violino Primo
Amateurs, Violini
Au Amateur, Clarionett
An Amateur, Saxe Tuba
Chorus &c. &c. by the Members of the Music class.
Conductor - Mr. Henry F. Hemy . . .

ASSOCIATIONS: Elizabeth Testar (soprano vocalist); Henry Frederick Hemy (tenor vocalist, pianist); Stephen Wheeler (bass vocalist, cornet); William Cooze (vocalist, flute)

[Advertisement], The Argus (24 January 1852), 3

http://nla.gov.au/nla.news-article4782822 

MR. W. PIETZKER, Professor of Music . . . on moderate terms, which may be learnt on application to Mr. John Hunter, Bookseller, Elizabeth-street. Pianos tuned upon the best principle.

[Advertisement], The Argus (26 October 1854), 8

http://nla.gov.au/nla.news-article4799436 

VICTORIAN EXHIBITION. Melbourne, 1854. This Evening, Thursday, October 26th.
The Philharmonic Society will perform a Selection from Handel's Grand Oratorio of JUDAS MACCABAEUS . . .
Principal Instrumentalists: Violins: Messrs. Griffiths, King, Fleury, Strebinger, Wm. Radford, M. Radford, Ryder, Pietzker . . .

[Advertisement], The Argus (7 December 1854), 8

http://nla.gov.au/nla.news-article4801396

VICTORIAN EXHIBITION, Melbourne. Thursday Evening, December 7th, 1854 . . .
a Grand Miscellaneous, Vocal, and Instrumental Concert . . .
Instrumentalists: Violins: Messrs. Griffiths, King, Fleury, Strebinger, W. Radford, M. Radford, Ryder, Pietzker . . .

ASSOCIATIONS: Joseph Griffiths (violin); Edward King (violin); Achille Fleury (violin); Frederick Strebinger (violin); William and Mark Radford (violins); George Ryder (violin)

After 1854:

"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register [Adelaide, SA] (12 March 1856), 2

http://nla.gov.au/nla.news-article49751343 

Tuesday, March 11 . . . The ship Meteor, 1067 tons, S. Pike, master, from Hongkong January 26. Cleve and Co., agents. Passengers - Mr. W. Peitzker, in the cabin; and 455 Chinese in the steerage.

[Advertisement], The Sydney Morning Herald (6 April 1859), 1

http://nla.gov.au/nla.news-article13023359 

CAUTION. - From THIS DATE I will not be responsible for any debts or agreements Mr. HUGO PIETZKER may contract in my name. WILLIAM PIETZKER, Ovalau, Fee jee Islands, February 20th, 1859.

[Advertisement], The Courier [Brisbane, QLD] (5 October 1863), 4

http://nla.gov.au/nla.news-article3166079

[A CARD.] MR. W. PIETZKER, FROM BERLIN, PROFESSOR OF MUSIC.
HAS the honor to inform the Gentry of Brisbane and its vicinity that he will be happy to give LESSONS on the Pianoforte, Violin, and in Singing, on reasonable terms, which may be learned on application at his residence in Mary-street, second house from Edward-street.
Instruments tuned and repaired.

Maryborough, QLD (1863-70):

[News], Maryborough Chronicle, Wide Bay and Burnett Advertiser (3 December 1863), 2

http://nla.gov.au/nla.news-article150315362 

Mr. Pietzker, a professor of languages and of music, has been induced to settle in Maryborough to practice his profession. The field is a small but still an enlarging one, and we hope Mr. Peitzker will not be disappointed, even if at first the public support is scanty. The opportunity of acquiring these accomplishments often gives birth to the wish to do so. We would suggest to the committees of the School of Arts and of the Choral Society, that they would do well to secure the services of Mr. Pietzker, and form classes for the teaching of French, German, and Music. Mr. Pietzker has been also an extensive cultivator of cotton, and would be most happy to afford any information in his power, to persons wishing to experiment in this article. We believe it is Mr. Pietzker's intention to commence the cultivation of coffee himself as soon as he can procure suitable land in the neighbourhood of the town.

[Advertisement], Maryborough Chronicle, Wide Bay and Burnett Advertiser (3 December 1863), 3

http://nla.gov.au/nla.news-article150315351 

MR. W. PIETZKER, PROFESSOR OF MUSIC, ANN STREET,
SOLICITS Pupils for PIANO, VIOLIN, and SINGING, at home, or at the residence of his Pupils.
Terms: £3 3s. per quarter.
Pianos and all kinds of Musical Instruments Tuned and Repaired.
A Magnificent PIANO for sale.

[News], Maryborough Chronicle, Wide Bay and Burnett Advertiser (15 October 1868), 2

http://nla.gov.au/nla.news-article148012678 

At a recent meeting of the committee of the School of Arts, the Secretary, Mr. Pietzker, who has held that office for nearly six years, tendered his resignation of the same. The resignation was accepted, but Mr. Pietzker was requested to continue to hold the post until the 14th of the next month, for the purpose of inducting his successor into office . . .

"POLICE COURT. Monday, December 28 (Before the Police Magistrate)", Maryborough Chronicle, Wide Bay and Burnett Advertiser (31 December 1868), 2

http://nla.gov.au/nla.news-article148013266 

William Pietzker appeared on his own recognisances to answer the charge of using threatening language towards his wife, and also of assaulting her. Mr. Corser appeared for defendant. No appearance of complainant. Mr. Corser argued the case could not be dealt with in the absence of the complainant, and that defendant denied that complainant was his wife. The Police Magistrate held that it could be dealt with, and bound defendant in his own recognisances of £80 to keep the peace for three months.

[Advertisement], Maryborough Chronicle, Wide Bay and Burnett Advertiser (23 January 1869), 3

http://nla.gov.au/nla.news-article148015306 

In the Insolvent Estate of W. Pietzker, Maryborough,
ALL Parties Indebted to the above Estate are requested to Settle without delay with the undersigned, who have full authority to grant Receipts and transact all Business connected with the above Estate.
DICKSON & DUNCAN, Agents for W. H. MISKEN, Official Assignee.

[Advertisement], Maryborough Chronicle, Wide Bay and Burnett Advertiser (7 August 1869), 3

http://nla.gov.au/nla.news-article148018957 

MR. W. PIETZKER, PROFESSOR OF MUSIC,
HAVING resumed his Profession, will be happy to give LESSONS on the VIOLIN, the PIANO, and in SINGING.
Pianos Tuned and Repaired.

[Advertisement], Maryborough Chronicle, Wide Bay and Burnett Advertiser (22 January 1870), 3

http://nla.gov.au/nla.news-article148016077 

Unrealised Assets, &c., of the Insolvent Estate of W. Pietzker . . .
to sell by public auction . . . THIS DAY . . .
All the Book Debts, together with the Official Assignee's right, title, and interest in the unrealised Assets . . .
Terms cash.

[Advertisement], Maryborough Chronicle, Wide Bay and Burnett Advertiser (9 August 1870), 1

http://nla.gov.au/nla.news-article148036016 

In the Supreme Court of Queensland. ECCLESIASTICAL JURISDICTION. In the Goods of REBECCA INNIS, late of John-street, in the town of Maryborough in the Colony of Queensland, spinster, formerly bearing and using the name of Rebecca Pietzker, of Lennox-street, Maryborough afore?' said, deceased . . . that Probate of the Will of the Goods, Chattels, Credits, and Effects of the above named deceased may be granted to William Pritchard Morgan, late of Lennox-street, Maryborough aforesaid, but now of Adelaide-street, Maryborough aforesaid, Solicitor's Articled Clerk, the sole Executor and Trustee in the Will named . . .

After 1871:

[Advertisement], The Sydney Morning Herald (19 April 1871), 1

http://nla.gov.au/nla.news-article13215819

MR. W. PIETZKER, Professor of Music (pupil of Mendelssohn). -
Instruction on the violin, the piano, and in singing, either at home or at the residence of his pupils.
Evening Classes for gentlemen. Schools attended to at reduced rates.
100, Harrington-street, Church-hill,

"MARRIAGES", The Sydney Morning Herald (20 July 1878), 1

http://nla.gov.au/nla.news-article28393635 

MARTIN - PIETZKER. - July 6, at St. Michael's Church, by the Rev. Canon King, Edward J. Fitzgerald, late Lieutenant Bengal Calvary, fourth son of Major Martin, retired list, Bombay Artillery, to Florence Maud, only daughter of William Pietzker, Esq.

"AN EXTRAORDINARY DIVORCE SUIT", Newcastle Morning Herald and Miners' Advocate (31 March 1879), 3

http://nla.gov.au/nla.news-article136008327 

. . . The respondent, his wife, Florence Maud Martin, formerly Florence Maud Pietzker, is a very prepossessing young lady of only nineteen years, and a native of Fiji, in the South Sea Islands. She is highly accomplished, being a perfect artist on the pianoforte, sings exquisitely, and is a fluent speaker of two or three foreign languages. Her father is a scholar and a music teacher of some note, and is now a resident in Sydney . . .

"UNPARALLELED DIVORCE CASE . . . THE DEFENCE", Evening News (2 May 1879), 3

http://nla.gov.au/nla.news-article107151909 

. . . Mr. Pietzker, father of. respondent, examined by Mr. Pilcher: Witness is a native of Berlin. Been 30 years in the colonies, and 10 years in this colony. Witness is a professor of music. Mrs. Martin is witness's daughter. Remember when Mrs. Martin was married. Martin came, and said to witness that he wanted witness to lend him two or three hundred pounds to extend his business. Witness would not lend the money. Martin came three or four days after his marriage, and said he was fortunate in his wife. Witness knew his daughter was a good girl, but a little wild and extravagant. Martin said he would not take £1,000,000 for her. He came on a Monday, and said to witness, "Send your pupil away, I want to speak to you. Your daughter has committed suicide. I have got a diary." He said it was awful, and that 14 or 16 gentlemen had had criminal intimacy with Mrs. Martin. Martin read some pages, saying, "You and her have had intercourse." He would not let witness see the papers. Witness said, "You must have been disappointed she did not die." Martin said, "I came yesterday twice, and if you had been here I would have shot you dead." He further said, "I will ruin you, unless you let me clear out. You have had two children; although not rich, you have more than you require." Witness got out a warrant for threatening language, but that matter was settled. Witness paid about £40 for his daughter's wedding. Ever since his daughter's marriage, his relations have not been the same, and witness said he never would go and see Martin, but that did not extend to his daughter. There was no truth in the assertion that witness had intercourse with Mrs. Martin. Witness solemnly called God to witness that what he had just stated was true. Martin beat his wife until she wrote that letter. Witness is 60 years old. (Letter dated July 10, 1878, four days after the marriage, read to the witness). Witness knows of something that occurred the night before the wedding, but it is too disgusting for him to reveal. (Letter dated 12, 1878, written by the witness to his daughter, read).

Cross-examined by Mr. Buchanan: Witness's wife died 11 or 12 years ago when he was living with her. She was a little out of her mind, and they were not separated. Witness was married in Fiji by the American Consul, Mr. Williams, at Ovalau. He has had three children by his wife, one was given for adoption . . .

Charles Albert Pietzker, examined by Mr. Pilcher, stated he was son of the last witness. Was a clerk in the Castlemaine Brewery, and lived with his father and sister most of the time up to Martin's marriage. It is utterly untrue that witness had any improper intercourse with his sister. Remember telling his father of a disgusting act of Martin's just before the marriage. His father sent him downstairs to tell Martin to leave the house. Witness narrated some disgusting conversation he overheard Martin use, Martin told witness he would ruin his father by going round and telling the pupils . . .

[Advertisement], The Sydney Morning Herald (2 January 1880), 1

http://nla.gov.au/nla.news-article13449490

HERR W. PIETZKER, Professor of Music, will resume Tuition on Thursday, the 8th instant. 7, Stanley-st.

[Advertisement], Launceston Examiner (17 January 1880), 3

http://nla.gov.au/nla.news-article38254382

MONDAY POPULAR CONCERTS. PAVILION. FIFTH SERIES. JANUARY 19, 1880.
Great Attraction!!! Fraulein Pietzker, The Great German Soloist,
Daughter of Herr Pietzker, pupil of MENDELSSOHN.
Engaged to perform on the Grand Pianoforte, by Lipp kindly lent to the management by A W. Birchall, Esq. . . .

"MUSICAL", Launceston Examiner (20 February 1880), 2

http://nla.gov.au/nla.news-article38255517

We understand that Miss Florence Pietzker, pianiste, has been engaged by Signor Pompei to proceed to Hobart Town to take part in three operatic concerts which it is proposed to give at the capital, and in which Signora Fabris, Miss Eliza Sherwin, and lady and gentleman amateurs will take part. The combination will probably visit Launceston before leaving for New Zealand.

[Advertisement], The Sydney Morning Herald (30 July 1892), 16

http://nla.gov.au/nla.news-article28265847 

HERR W. PIETZKER, Prof. of Music (piano, violin, singing), resumed tuition, 6 Park-st., 1st floor.

"ROUND THE SETTLEMENT. A Nest of Progressive Plantations. MEN WHO DESERVE SUCCESS", The Mildura Cultivator [VIC] (31 March 1894), 3

http://nla.gov.au/nla.news-article76594592

. . . The kinsmen of William Tell generally make very desirable colonists, and the representatives who are here are certainly not the exceptions which prove the rule. One of them, although still brimful of patriotism for his native country, now claims to be an Australian, as well he might, for he has been a good citizen in the colonies for nearly 40 years. We refer to Mr. W. Pietzker, the owner of that progressive plantation in Koorlong-avenue to which has been given the name, "OVALAU." A strange name, some will say; still a name that was chosen for substantial reasons. It will be interesting to relate how this name came to be selected. About 30 years ago, after Mr. Pietzker had, in a few years, amassed several thousand pounds in Victoria, he, being of an adventurous disposition, joined an expedition to explore the islands in the Southern Pacific. It was intended to be a pleasure trip, although surrounded at that time with many difficulties. A schooner was fitted up in Sydney for the cruise, and was provisioned with all the good things that money could buy. Large supplies of gimcrack presents were stored on board for distribution among the natives - a very necessary precaution in those days. A11 went well until the Fiji group vas reached. The boat was making for Levuka, the then capital, where King Thakomban resided, when, by some blunder on the part of the skipper, she was driven on the rocks and became a total wreck. The passengers and crew were saved, and it was 12 months before they were able to return to civilisation. Mr. Pietzker, by making judicious presents to Thakomban , he having saved a good deal from the wreck, was very well treated by the dusky monarch, and he amused himself during his enforced stay on the island of Overlau, whereon Levuka is situated, by studying the flora and doing a little in the way of practical horticulture. He has so many pleasant recollections of his year's residence among the Fijians that he decided to call his new home in Mildura, and what he hopes to make his last earthly home, "Ovalau." And this "Ovalau" promises to be a pretty as well as a profitable home . . .

"Deaths", The Sydney Morning Herald (4 February 1898), 1

http://nla.gov.au/nla.news-article14178989

PIETZKER. - February 3, 1898, at St. Vincent's Hospital, William Pietzker, aged 78 years.

"Music and Musicians", Table Talk (11 February 1898), 14

http://nla.gov.au/nla.news-article145860887

William Pietzker, who died last week at St. Vincent's Hospital, Sydney, at the age of 78 years, used to advertise himself as "a pupil of Mendelssohn."

Bibliography and resources:

William Thomas Pritchard, Polynesian reminiscences: or, Life in the South Pacific Islands (London: Chapman and Hall, 1866), 259-60

https://books.google.com.au/books?id=krOxFi-KHVAC&pg=PA259 (DIGITISED)

PIGUENIT, Mary Ann (Mary Ann IGGLESDEN; Mrs. Frederick PIGUENIT)

School teacher, ? teacher of music

Born Dover, England, 20 March 1808; daughter of William IGGLESDEN and Sarah HAYWARD
Arrived Hobart Town, VDL (TAS), December 1832
Married Frederick PIGUENIT (d. 1886), St. David's church, Hobart, 18 February 1833
Died Hunter's Hill, Sydney, NSW, 25 June 1892, aged 84 years

https://trove.nla.gov.au/search?l-publictag=Mary+Ann+Igglesden+Piguenit+1808-1892 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1483899 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIGUENIT-Mary-Ann (shareable link to this entry)

Summary:

Mary Ann Igglesden came to Tasmania in 1832 to join her future husband, a transported convict Frederick Piguenit (d. 1886). They married on 18 February 1833; the painter William Charles Piguenit (1836-1914) was their son. She ran a school for young ladies, that offered French, music, and drawing as extras.

Documentation:

Register of births, Dover Baptist chapel, Kent, 1730-1837; UK National Archives

https://www.ancestry.com.au/imageviewer/collections/2972/images/40612_B0148169-00018 (PAYWALL)

Mary Ann Igglesden daughter of William & Sarah born at Dover March 20 1808 . . .

Marriages solemnized in the parish of Hobart Town . . . in the year 1833 ; Tasmanian names index; NAME_INDEXES:820198; RGD36/1/2 no 2088

https://stors.tas.gov.au/NI/820198 

https://stors.tas.gov.au/RGD36-1-2$init=RGD36-1-2P78 (DIGITISED)

No. 629 / Frederick Piguenit (Convict) of this Parish Bachelor (Per Royal George)
Mary Anne Igglesden of this Parish Spinster were married in the Church by Banns . . . this 18 February 1833 . . .

[Advertisement], Colonial Times (28 June 1836), 2

http://nla.gov.au/nla.news-article8649187

Removal. MRS. PIGUENIT begs to inform her friends and the public, that she has removed her establishment from Kent House, New Town Road, to her former residence, Stanwell Hall, situate at the top of Barrack and Melville-streets, where she anticipates on the 4th July, re opening her seminary for the education of young ladies in every branch of useful and ornamental education, at her usual terms as under:
Annual Boarders, per quarter £9 0 0
Weekly ditto ditto 5 0 0
Day ditto ditto 3 0 0
Day Pupils ditto 2 0 0
French, music, dancing, and drawing are extras.
N B. - A quarters notice required prior to the removal of a pupil.
June 28, 1836.

"Deaths", The Sydney Morning Herald (28 June 1892), 1

http://nla.gov.au/nla.news-article28269229

PIGUENIT. - June 25, at Saintongo, Hunter's Hill, Mary Ann, relict of the late Frederick Le Geyt Piguenit, aged 84 years.

Bibliography and resources:

"Mary Ann Piguenit", Design & Art Australia Online (DAAO)

http://www.daao.org.au/bio/mary-ann-piguenit

"Piguenit, William Charles (1836-1914)", Australian dictionary of biography 5 (1974)

http://adb.anu.edu.au/biography/piguenit-william-charles-4400

"William Piguenit", Wikipedia

http://en.wikipedia.org/wiki/William_Piguenit

PILGRIM, Ebenezer Pearson (Ebenezer Pearson PILGRIM)

Amateur vocalist, organist, choir-master

Born Hitcham, Suffolk, 7 December 1837; son of John PILGRIM and Susanna PEARSON
Arrived Adelaide, SA, 29 January 1850 (per Bolivar, from Gravesend, 5 October)
Married Sarah EKINS, North Adelaide, SA, 13 October 1875
Died Hyde Park, SA, 22 February 1916

https://trove.nla.gov.au/search?l-publictag=Ebenezer+Pilgrim+1837-1916 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PILGRIM-Ebenezer (shareable link to this entry)

Documentation:

"PERSONAL", The Advertiser (23 February 1916), 6

http://nla.gov.au/nla.news-article8694173 

The death occurred on Tuesday evening at his residence, Westall-street, Hyde Park, of Mr. Ebenezer Pearson Pilgrim, who was a grand-nephew of Captain Matthew Flinders, the discoverer of South Australia. Mr. Pilgrim was born on December 7, 1837, at Chapel Farm, Hitcham, Suffolk, and was educated at the Newmarket Academy, Ipswich. He came to Australia with his parents in the ship "Bolivar" in January, 1850, and was first employed in the "Times" newspaper office, and later was associated with Messrs. Green & Co., land agents, and with Messrs. Parr & Luxmoore, who took over the business. He entered the Government service in the early seventies, and was connected with the accounts branch of the General Post-Office till 1904. Mr. Pilgrim, who was of a genial disposition, and was well liked, resided in North Adelaide for over 60 years, and he took a great interest in religious work in that part of the city. He was connected with the North Adelaide Congregational Church from its inception over 56 years ago, and he was organist at the church for two years, a deacon for 22 years, secretary for eight years, and treasurer for 11 years. He was an ardent worker in connection with the Sunday-school. The Philharmonic Society claimed him as a member for many years, and he was also associated with the Musical union. He left a widow, three sons (Messrs. E. P. Pilgrim, jun., of the Union Bank, Melbourne; J. F. Pilgrim, of the American Trading Company, Perth; and F. S. Pilgrim, of the Union Bank, Adelaide), and one daugnter (Miss F. K. Pilgrim, of Hyde Park).

ASSOCIATIONS: Matthew Flinders

"CARL LINGER MEMORIAL", The Advertiser (20 February 1936), 20

http://nla.gov.au/nla.news-article35410163 

. . . An interesting certificate has been brought to light by Mr. Fred Pilgrim, whose father took part in the first performance of Handel's "Messiah" conducted by Carl Linger in 1859. The certificate is signed by the chairman of the Handel festival committee (E. B. H. Granfield), the conductor (Carl Linger), choral master (J. W. Daniel), and the leader of the orchestra William Chapman). The certificate states that performances were given on April 13, 14, and 21 of the "Messiah" and "Alexander's Feast" in White's Rooms (where the Majestic Theatre now stands) . . .

ASSOCIATIONS: Carl Linger (conductor); Josiah Daniel (chorusmaster); William Chapman (leader)

PILKINGTON, Miss (Miss PILKINGTON)

Proprietor of dissolving views show, ? pianist, vocalist

Active Melbourne, VIC, June 1855

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PILKINGTON-Miss (shareable link to this entry)

Documentation:

[Advertisement], The Argus (4 June 1855), 8

http://nla.gov.au/nla.news-article4809074

COSMOPOLYGRAPHICON. - First Night of Miss Pilkington's Evening Party, to which everybody is invited . . .
Entire Change of Views, Music, and Monologue . . .
English, Scotch, and Irish Scenes, accompanied by appropriate national music, every evening at eight o'clock.

PILKINGTON, Anna Elizabeth (Anna Elizabeth NORTH; Mrs. Henry PILKINGTON)

Professor of music

Arrived Melbourne, VIC, 27 June 1855 (per Marco Polo)
Died Ballarat, VIC, 19 March 1872

https://trove.nla.gov.au/search?l-publictag=Anna+Elizabeth+North+Pilkington+d1872 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PILKINGTON-Anna-Elizabeth (shareable link to this entry)

PILKINGTON, Anna Alicia (Anna Alicia Whitestone PILKINGTON; Miss PILKINGTON; Mrs. Thomas Cave WILKINSON)

Pianist, professor of music, mezzo-soprano (soprano), contralto vocalist

Born Ireland, c. 1840/44; elder daughter of Henry PILKINGTON and Anna Elizabeth NORTH
Arrived Melbourne, VIC, 27 June 1855 (per Marco Polo)
Married Thomas Cave WILKINSON (c. 1844-1933), VIC, 9 September 1871 (divorced VIC, 1902, aged "58")

https://trove.nla.gov.au/search?l-publictag=Anna+Alicia+Pilkington+Wilkinson (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PILKINGTON-Anna-Alicia (shareable link to this entry)

Summary:

Anna Elizabeth Pilkington and her two daughters, Anna Alicia (aged "15") and Henrietta Margaretta Pilkington ("13") arrived in Melbourne on the Marco Polo on the 27 June 1855.

Documentation:

[Advertisement], The Argus (12 July 1855), 8

http://nla.gov.au/nla.news-article4811777

ROYAL MAIL SHIP MARCO POLO.- Williamstown, Australia, 27th June, 1855. -
Dear Sir,- We, the undersigned passengers by the Marco Polo, from Liverpool to Melbourne, cannot separate without expressing the high sense we entertain of your kindness and gentlemanly deportment towards us during the voyage . . .
We are, Dear Sir, Yours very faithfully . . .
Anna E. Pilkington . . . Anna A. Pilkington, Henrietta Pilkington . . .

[Advertisement], The Argus (27 February 1856), 7

http://nla.gov.au/nla.news-article4831753

PIANOFORTE, Harmonium, and Harp.
Mrs. and Miss Pilkington give instruction after the most approved methods on the above instruments. Classes will be formed for concert-playing. For terms, &c., apply at 8 Regent-street, Collingwood, opposite Carlton Gardens.

[as above]

"VICTORIAN SOCIETY OF FINE ARTS", The Argus (16 December 1856), 4

http://nla.gov.au/nla.news-article7141700

The Victorian Society of Fine Arts held their opening conversazione last night in the Exhibition Building. About 200 persons were present, including a very large proportion of ladies. Among the company were F. R. Wilkinson, Esq., the President of the Society . . . The President then called upon Mr. James Smith to deliver the inaugural address . . . An interlude devoted to the discussion of tea, coffee, fruit, &c., was followed by vocal and instrumental music. A Mr. Massett kindly volunteered his services, and effectually amused the company by some very unique, and at the same time clever comic imitations of two singing-girls, one supposed to be a Yankee, and the other a German, who are seeking an engagement. The airs burlesqued were, "Home, sweet home," and "I dreamt that I dwelt in marble halls," and raised a hearty laugh. These were succeeded by other songs from the same gentleman, alternated with two brilliant displays on the pianoforte, by a young lady present, who set the very praiseworthy example of breaking through the icy decorum, which is the bugbear of an English audience. The President called upon the ladies, and might perhaps have called in vain but for the kindness and good sense of the particular young lady in question, who at once came forward and delighted all ears by her masterly execution. Miss Pilkington (we make no difficulty of mentioning her name) deserved the thanks of the Society, for giving them an excellent illustration of the way in which their reunions may always be made successful. We trust the example will be repeatedly followed, and that we may have the pleasure of bearing testimony to the musical talents of many a fair debutantes . . .

ASSOCIATIONS: James Smith (journalist); Stephen Massett (vocalist)

[Advertisement], The Argus (12 January 1857), 8

http://nla.gov.au/nla.news-article7143011

MRS. and Miss PILKINGTON, professors, give Finishing LESSONS to advanced Pupils on the PIANOFORTE and in SINGING. For terms apply 8 Kyte's-Buildings, Collingwood.

"SIGNOR CUTOLO'S CONCERT", The Argus (1 July 1858), 4

http://nla.gov.au/nla.news-article7296908

Signor Cutolo's concert last evening at the Mechanics' Institution was extremely well attended, and the programme, both as regards the vocal and instrumental portions of it, was of a varied and agreeable character. The only drawback to the complete success of the entertainment was the indifferent quality of the instruments employed; one of which was unpleasantly metallic in its tone, while the keys of the other chattered like the teeth in the head of an old crone afflicted with the palsy, so that the effect of Signor Cutolo's splendid execution was marred by this sort of castanet accompaniment. Miss Pilkington, a pianiste of great promise, appeared for the first time in public, and made a decidedly favorable impression upon a critical audience. Her tone is delicate, and she plays with taste and feeling, being deficient chiefly in that confidence which time and habit will inspire. Miss O. Hamilton and M. Conlon sang . . . The concluding rondo for two pianos elicited great applause and we hope on the next occasion we have the pleasure of hearing Miss Pilkington and Signor Cutolo, they may be more fortunate in the instruments available for their use.

ASSOCIATIONS: Cesare Cutolo (piano); Octavia Hamilton (vocalist); Emile Coulon (vocalist)

[Advertisement], The Argus (29 December 1858), 7

http://nla.gov.au/nla.news-article7307060

MISS PILKINGTON, Pianist, gives LESSONS In Melbourne and Suburbs, and at her residence, 8 Kyte's-buildings.

[Advertisement], The Argus (28 December 1859) 7

http://nla.gov.au/nla.news-article5694418

MISS PILKINGTON, pianist, gives LESSONS on the PIANOFORTE, and in Singing. Schools attended. 8 Kyte's-buildings, Prince's-street, Collingwood.

"THE NEWS OF THE DAY", The Age (15 April 1862), 5

http://nla.gov.au/nla.news-article154846283 

Mrs. Butler's classical and musical entertainment, of yesterday evening, proved a less decided success than the known ability of the lady, and the programme of the evening's performances, had led her and her audience to anticipate . . . The dramatic pieces were relieved with musical performances on the piano, including airs from "La Sonnambula," Schulhoff's "Carnival de Venice," and a funeral march from Beethoven's sonata - by Miss Pilkington, of whom it is commendation enough to say that she was repeatedly applauded by the audience (almost two hundred in number), and that it was scarcely possible for her performances to have been surpassed.

ASSOCIATIONS: Mrs. Samuel Butler (actor, dramatic reader, active VIC, 1858-67; widow of Samuel Butler, actor active in northern England, who died in 1845)

MUSIC: Carnaval de Venise (Schulhoff); Marcia funebre from Sonata in A flat major, op. 26 (Beethoven)

"NEWS AND NOTES", The Star [Ballarat, VIC] (22 August 1863), 2

http://nla.gov.au/nla.news-article72516664 

The hall of the Mechanics' Institute was crowded last evening . . . Last night's programme was as follows: - Duett, "The Call," Mrs. James Bunce and Miss Liddle; pianoforte duett (Mendelssohn), Mrs. King and Mr. Turner . . . grand fantasia, "La Cracovienne" (Wallace), Miss Pilkington . . . madrigal, "A peerless rose," Mr. A. T. Turner; grand fantasia "Irish and Scotch Airs" (Osborne), Miss Pilkington . . .

"SOCIAL", The Star [Ballarat, VIC] (24 August 1863), 1s

http://nla.gov.au/nla.news-article72516714

The hall of the Ballarat Mechanics' Institute having been ceiled and redecorated . . . there have been lectures on chemistry . . . exhibitions of dissolving views . . . and musical performances, liberally undertaken by Mr. and Mrs. A. T. Turner, and other members of the late Philharmonic Society, assisted by Miss Liddell, vocalist, Melbourne, and Miss Pilkington, an accomplished pianist, formerly of Dublin . . .

ASSOCIATIONS: Austin and Charlotte Turner (pianist, vocalist); Eliza Ann King (pianist); Charlotte Bunce (vocalist); Maggie Liddle (vocalist)

MUSIC: La cracovienne (Wallace)

"ST. PATRICK'S CHURCH MUSICAL FESTIVAL", The Star (10 November 1863), 2

http://nla.gov.au/nla.news-article72511311 

A musical festival was held in St. Patrick's Church, Sturt street, on Monday evening, in aid of the church's building fund . . . The music selected was highly classical, the first portion of the programme consisting for the most part of selections from Rossini's "Stabat Mater," while the second portion was composed of selections from the "Messiah" and the "Creation" with two or three pieces from Mendelsohn's "Elijah," the "Qui Tollis" of Balfe and the aria "Lord have Mercy" of Pergolesi . . .

"ST. GEORGE'S HALL", The Argus (3 December 1866), 5

http://nla.gov.au/nla.news-article5780126

A grand concert, given at St. George's-hall on Saturday evening last, in aid of the Magdalen Asylum and Juvenile Reformatory at Abbotsford, was not over well attended, although the programme was rich, and most of the performers of the best. Miss Julia Mathews made an appearance as a concert singer . . . Mrs. Testar also distinguished herself . . . Mr. Albert Richardson, who has not been before the public lately, sang twice . . . Herr Schott's undeniable skill on the oboe failed to make its tones suit the exigencies of an elaborate operatic scene. Herr Kohler played a corno obligato to one of Mrs. Testar's songs . . . Miss Pilkington as a pianist exhibited but a crude ability, although a piece de concert which she played as an encore piece was far better done than that for which she was entered in the programme. The performances by the band of the 14th Regiment were too loud for the room . . .

ASSOCIATIONS: Elizabeth Testar (soprano vocalist); Julia Mathews (vocalist); Albert Richardson (vocalist); James Arthur Schott (oboe); Franz Kolher (French horn)

Assessment to the borough rate made this [9 January 1867]; rate book, 1865-69, City of Fitzroy, folio 12; Public Record Office Victoria

https://www.ancestry.com.au/imageviewer/collections/60706/images/44442_347008-00191 (PAYWALL)

[No.] 208 / Pilkington / Anna / Professor of Music / [Owner] Kyte, Ambrose / 8 Kyte's Build'gs / [Brick House] 7 [rooms] . . .

Sands' Melbourne directory 1867 (Alphabetical), 392

https://www.ancestry.com.au/imageviewer/collections/60845/images/44411_b219695-00425 (PAYWALL)

Pilkington, Mrs., professor of music, 8 Princes-street F[itzroy].

[News], The Herald (26 July 1867), 2-3

http://nla.gov.au/nla.news-article244402255 

The Hospital for the insane, at the Yarra Bend, on Wednesday evening was the scene of a musical entertainment that might have been a great success anywhere in Melbourne. To the patients who were present to the number of about 250, and to nearly 100 visitors, it evidently afforded considerable gratification if the enthusiastic applause and the crowds of happy faces that issued from the doors be accepted as indications. The company was a strong one, if small numerically considered; and the leading performers were Mrs. Gibbons, Miss Pilkington, Herr Collin, Mr. Donaldson, and Mr. Amery . . . [3] . . . Miss Pilkington's excellent accompaniments must be duly acknowledged . . .

[Advertisement], The Argus (8 August 1867), 8

http://nla.gov.au/nla.news-article5774564 

MISS PILKINGTON, pianist, RECIEVES PUPILS at Messrs. Wilkie, Webster, and Co.'s, where address all letters, &c.

[Advertisement], The Argus (14 January 1868), 3

http://nla.gov.au/nla.news-article5788452 

SINGING and PIANOFORTE - Miss Pilkington RECEIVES PUPILS at Mr. Glen's music warehouse, Collins-street east.

[Advertisement], The Argus (12 August 1869), 1

http://nla.gov.au/nla.news-article5811271 

MISS PILKINGTON, pianist, continues to RECEIVE PUPILS. Four to ten guineas per quarter. 6 Prince's street, Fitzroy.

[News], The Argus (26 August 1869), 4

http://nla.gov.au/nla.news-article5812754

The novel experiment of holding a tea meeting and concert in conjunction at a theatre was tried, with a very successful result, at the Academy of Music (late Princess's Theatre) last night, when a tea-meeting, followed by a vocal and instrumental concert, took place in that building, the proceeds being devoted to the funds of St. John's Church, Melbourne . . . Mr. Towers, in the absence of Miss Pilkington, acted as accompanyist very efficiently . . .

ASSOCIATIONS: Frederick Wilson Towers (pianist, organist)

"THE TOWN", Leader (31 December 1870), 11

http://nla.gov.au/nla.news-article196688327 

The musical arrangements at St. Francis' Cathedral on Sunday were of more than usual excellence. They commenced with the chorus And the Glory of the Lord, from Messiah, and this, admirably sung, was followed by one of the best performances of Mozart's twelfth mass yet heard in this city. The soloists, Madame Hildebrandt, Miss Pilkington, Mr. Towle, and Mr. W. R. Furlong, gave great satisfaction; and a small orchestra, under the leadership of Mr. E. King, was very successful in adding effect to the performance of this popular composition . . . the organist, Mr. C. E. Horsley . . .

ASSOCIATIONS: Henry Francis Towle (vocalist); William Furlong (vocalist); Charles Edward Horsley (organist); Edward King (violin)

[Advertisement], The Argus (31 May 1871), 1

http://nla.gov.au/nla.news-article5848840 

SINGING And PIANOFORTE - Miss Pilkington, 3 Lee-terrace, Drummond-street, Carlton. Four to twelve guineas per quarter.

"ENTERTAINMENTS", The Australasian (8 July 1871), 19

http://nla.gov.au/nla.news-article138084200 

Among coming events is the concert to be given by Miss Pilkington, a lady long known as an accomplished pianiste, and more recently distinguished in the choir of St. Francis's as a mezzo-soprano of considerable power and sweetness. Miss Pilkington has such a large number of friends that her concert must of necessity be well attended.

[Advertisement], The Argus (21 July 1871), 8

http://nla.gov.au/nla.news-article5851822 

SIGNOR UGO DEVOTI (of Lyster and Smith's Opera Troupe) having resolved on giving finishing lessons in the Italian school of singing, assisted by Miss Pilkington (as pianist), is prepared to RECEIVE PUPILS at No. 3 Lee-terrace, Drummond-street, Carlton, and No. 1 Victoria-parade.

ASSOCIATIONS: Ugo Devoti (vocalist)

"THE NEWS OF THE DAY", The Age (24 July 1871), 3

http://nla.gov.au/nla.news-article203013946 

Miss Pilkington, well known as a pianist long before many of our present professors arrived in Victoria, will give a concert in Weber's room (late Hockin's) next Thursday evening. All the principal vocal and instrumental talent not engaged at the opera has been retained for the occasion, including Miss Amelia Bailey, Herr Schott, and Signor Devoti, and the programme is extremely well selected. The price of admission to the reserved seats is perhaps rather high for the times, but during her long residence in Melbourne Miss Pilkington must have made a host of friends, who will doubtless rally round her . . .

ASSOCIATIONS: Amelia Bailey (vocalist)

[Advertisement], The Argus (4 September 1871), 8

http://nla.gov.au/nla.news-article5854468

COMPLIMENTARY BENEFIT CONCERT to Signor UGO DEVOTI, at Weber's Assembly Rooms, on Tuesday, September 5, at 8 o'clock, assisted by Miss Bertha Watson, Signor Contini, Miss Pilkington, Herr Siede, Mr. Johnny Cowan, and Mr. Towle . . .

ASSOCIATIONS: Bertha Watson (vocalist); Julius Siede (flute)

"TOWN TALK", Geelong Advertiser (9 September 1871), 3

http://nla.gov.au/nla.news-article150417978 

Our musical readers will be glad to learn that Mr. F. W. Towers, late organist of Christ Church, in this town, has been appointed organist of St. Francis' Chapel, Melbourne. In the choir are included Miss Amelia Bailey, Miss Pilkington, and several other accomplished singers.

"MARRIAGES", The Argus (13 September 1871), 4

http://nla.gov.au/nla.news-article5854987 

WILKINSON - PILKINGTON. - On the 9th inst., at St. Jude's Church, by the Rev. Charles Stuart Perry, Thomas Cave Wilkinson to Anna Alicia Whitestone, eldest daughter of the late Henry A. B. Pilkington, Esq., of Granard, County Longford, Ireland.

"DEATHS", The Argus (22 March 1872), 4

http://nla.gov.au/nla.news-article5860866

PILKINGTON. - On the 19th inst., at Drummond-street, Ballarat, Anna Elizabeth, eldest daughter of the late William North, of Northbrook, county Galway, Ireland, and widow of the late Henry A. B. Pilkington, of Granard, county Longford, Ireland. English and Irish papers please copy.

[Advertisement], The Argus (22 March 1872), 3

http://nla.gov.au/nla.news-article5860874

IN the SUPREME COURT of the COLONY of VITORIA:
In Its Ecclesiastical Jurisdiction. - In the Will of ANNA ELIZABETH PILKINGTON (In the will called Anna Pilkington), Late of Ballarat, in the Colony of Victoria, Widow, Deceased. Notice is hereby given that . . . PROBATE . . . be granted to Henrietta Margaretta Pilkington, of Ballarat, the daughter of the said deceased, and the Reverend Percy Whitestone, of the City of Melbourne, in the said colony, minister of the gospel, the executrix and executor named in and appointed by the said will . . .

[Advertisements], The Age (10 December 1881), 8

http://nla.gov.au/nla.news-article201992085 

MRS. CAVE WILKINSON, vocalist (mezzo soprano), will, after this month, accept concert and church engagements.

[Advertisements], The Age (11 December 1886), 5

http://nla.gov.au/nla.news-article196008719 

CHURCH, Concert Engagements. - Mrs. Thomas Cave-Wilkinson, mezzo-soprano. 1 Normanby-terrace. Punt-rd., Windsor.

Divorce papers, Wilkinson v. Wilkinson, 1902; Public Record Office Victoria

https://www.ancestry.com.au/imageviewer/collections/61565/images/47971_302022005615_1290-00006 (PAYWALL)

In the Supreme Court of the State of Victoria, 1902, No. 110 / Divorce and Matrimonial Causes Jurisdiction / Anna Alicia Whitestone Wilkinson Petitioner against Thomas Cave Wilkinson Respondent / I Anna Alicia Whitestone Wilkinson of Little Lonsdale Street Melbourne . . . make oath and say . . . /
3. That I am 58 years of age and was born in Ireland . . .
5. That before said marriage I was a spinster my maiden name was Pilkington and I resided with my mother, and I was partly supported by her and partly by teaching; and after said marriage until about 1889 I was supported by the respondent and from about 1889 my means of livelihood have been partly by my earnings as teaching partly by charity and partly by money from respondent through Orders of Police Courts.
6. That there are three living children of said marriage . . .

"THE DIVORCE COURT. CASES HEARD TODAY . . . WILKINSON V. WILKINSON", The Herald (21 November 1902), 1

http://nla.gov.au/nla.news-article242010749 

A petition by Amelia [sic] Alicia Whitestone Wilkinson, 58 years of age, for a dissolution of her marriage with Thomas Cave Wilkinson (58), on the ground of desertion.

"PERSONAL", Examiner [Launceston, TAS] (25 March 1933), 6

http://nla.gov.au/nla.news-article94313008 

Bibliography and resources:

"Henrietta M. Pilkington", Design & Art Australia Online (DAAO)

http://www.daao.org.au/bio/miss-henrietta-m-pilkington

Marjorie J. Tipping, "Thomas, Margaret (1843-1929)", Australian dictionary of biography 6 (1976)

http://adb.anu.edu.au/biography/thomas-margaret-4707

"PASSENGERS BY AND SINCE THE DEPARTURE OF THE MARCH MAIL", The Argus (27 April 1867), 6

http://nla.gov.au/nla.news-article5765414 

Omar Pasha, for London. Cabin . . . Miss Pilkington, Miss Thomas . . .

PROV: Henrietta Pilkington, aged 40 [sic]

[England, probate calendar], Wills and administrations, 1927 [Labat-Pyzer], 656

https://www.ancestry.com.au/imageviewer/collections/1904/images/31874_222497-00665 (PAYWALL)

PILKINGTON Henrietta Margaretta of Countryside Croft-lane Norton Letchworth Hertfordshire spinster died 15 April 1927 Probate London 29 April to Margaret Thomas spinster Effects £313 9s. 7d.

PIPER, Charlotte Jane (Charlotte Jane PIPER; Mrs. Thomas ROWE)

Keyboard (seraphine) player

Born Sydney, NSW, 23 June 1838 (date on headstone); daughter of William PIPER (1798-1859) and Sarah Matilda NEALE (1801-1874)
Married Thomas ROWE, Centenary Chapel, York Street, Sydney, 21 May 1857
Died Manly, NSW, 19 March 1877, aged 38

https://trove.nla.gov.au/search?l-publictag=Charlotte+Jane+Piper+Rowe+1838-1877 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIPER-Charlotte-Jane-ROWE (shareable link to this entry)

Documentation:

"WESLEYAN NEW SUNDAY SCHOOL, SUSSEX STREET", The Australian Band of Hope Review, and Children's Friend (2 August 1856), 247-48

http://nla.gov.au/nla.news-article72484066 

. . . The children who had been selected for this purpose, sang the anthem, "The Promised Land," Miss Charlotte Piper presiding at the seraphine, whose excellent performance on that instrument contributed, in no small degree, to the pleasures of the evening - though in one of the pieces the singers were at too great a distance from the instrument to do either themselves or the player justice.

"MARRIAGE", The Sydney Morning Herald (29 May 1857), 1

http://nla.gov.au/nla.news-article12996225 

On the 21st, by special license, at Centenary Chapel, York-street, by the Rev. John J. Millard, assisted by the Rev. William Hessel, Mr. Thomas Rowe, to Charlotte Jane, fourth daughter of William Piper, Esq., Wesley House, Woolloomooloo.

"DOWLING-STREET WESLEYAN CHURCH", Empire (3 October 1868), 5

http://nla.gov.au/nla.news-article60600527 

. . . Several anthems and other select pieces were performed by the choir - Mrs. Rowe presiding at the harmonium . . .

"DEATHS", The Sydney Morning Herald (21 March 1877), 1

http://nla.gov.au/nla.news-article13384978 

ROWE. - March 19, at Roseville, Manly Beach, Charlotte Jane, dearly beloved wife of Thomas Rowe, aged 38.

PIPER, Edward John (Edward John PIPER; Mr. E. J. PIPER; Mr. PIPER)

Musician, pianist, vocalist, violinist, viola player

Born England, 30 August 1828; baptised St. Philip's, Birmingham, 20 September 1828; son of John Clement PIPER and Sophia HOLLIS
Arrived Melbourne, VIC, by November 1855
Married Sarah Ann WATTON, St. Peter's church, Melbourne, VIC, 10 August 1858
Died Ballarat, VIC, 3 January 1887, aged "57"

https://trove.nla.gov.au/search?l-publictag=Edward+John+Piper+1828-1887 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIPER-Edward-John (shareable link to this entry)

PIPER, Edward John Clement (Edward John Clement PIPER)

Musician, violinist

Born Ballarat, VIC, 1859; son of Edward John PIPER and Sarah Ann WATTON
Died Ballarat, VIC, 7 March 1889, aged 29

https://trove.nla.gov.au/search?l-publictag=Edward+John+Clement+Piper+1859-1889 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PIPER-Edward-John-Clement (shareable link to this entry)

Documentation:

[Advertisement], The Argus (27 November 1855), 8

http://nla.gov.au/nla.news-article4824336 

GO to the Victoria Hotel, Little Bourke-street east, to hear a good Song. Conductor, Mr. McDonald; pianist, Mr. Piper.

[Advertisement], The Argus (1 January 1856), 8

http://nla.gov.au/nla.news-article4827073

NEW YEAR'S DAY - Great Attraction. National Hotel, Bourke-street.
Admission Free. Grand Concert every evening, supported by the following talented and favorite artistes : -
Mrs. Davis Butler
Madame Florini
Mr. E. J. Piper
Mr. H. J. Lindsay
Signoi Bardini, and
Mr. James Macdonald
Conductor, Mr. Lindsay.
Musical director and pianist, Mr. Piper.

[Advertisement], The Argus (24 March 1856), 8

http://nla.gov.au/nla.news-article4833764

TILKE'S CITY HOTEL, Bourke-street.
The proprietor begs to announce that the magnificent new Music Hall of the above Hotel, which has been decorated and lighted at immense expense, will open this Evening, Monday, 24th March, with a grand Vocal and Instrumental Concert, supported by the following artistes:
Madame D. Butler, the celebrated soprano.
Mr. J. W. Morgan, the eminent basso.
Mr. Frank Martin, tenor.
Mr. E. J. Piper, pianist.
Also a Select Band, including soloists on the Concertina, Violin, Flute, &c.
To Commence at Eight o'clock.

ASSOCIATIONS: William Tilke (proprietor); Madame Butler, stagename of Emily Davis (vocalist); J. W. Morgan (bass vocalist)

[Advertisement], The Argus (27 March 1856), 8

http://nla.gov.au/nla.news-article4834025 

TILKE'S CITY HOTEL. Bourke-street.
A grand selection of Vocal and Instrumental Music (solo and concerted) will be given Every Evening in the New Splendid Music Hall of the above hotel, by an efficient company.
The following artistes will have the honor of appearing:-
Vocalists. - Madame D. Butler, the celebrated Soprano; Mr. Frank Martin, Tenor; Mr. J. W. Morgan, the eminent Basso.
Instrumental. -
Violin - Mr. Clifford.
Flute - Mr. Foote.
Harp - Mr. J. Young.
Concertina - Mr. Geo. Clifford.
Pianoforte - Mr. E. J. Piper,
Commence at Eight o'clock.

ASSOCIATIONS: Jacob Young (harp); George Clifford (concertina); Mr. Foote (flute)

"CONCERT AT THE CITY HOTEL", The Age (8 May 1856), 3

http://nla.gov.au/nla.news-article154868247 

On Wednesday evening a concert which had been originated for the benefit of necessitous sufferers by the late unfortunate occurrence at this establishment, was held in the concert-hall of the hotel . . . The music consisted of selections from the works of Donizetti, Bishop, Mazzinglie [Mazzinghi], Wallace, Shield, Calcott and others, which were generally rendered with marked success. Madame Butler, and Messrs Morgan, Leveson, and Friend undertook the concerted music, and also performed several solos. Madame Butler was in excellent voice, and sang with much spirit, "Bid me discourse," and the finale from "La Sonnambula," in each of which she was encored. With Mr. Leveson in Barnett's capital duett, "The Singing Lesson" she also gained considerable applause, and, as in her other efforts, an encore was demanded and granted. Mr. Leveson's rich voice told to great advantage in Wallace's "Hear me, gentle Maritana," as also in the concerted music. Nor must we neglect to refer to Mr. H. J. King's spirited delivery of "The Ship on Fire." Mr. Morgan's fine bass voice was heard to great advantage in the songs which he had selected as his portion of the entertainment, and his efforts contributed much to the success of the whole. This gentleman, who has sung for many years in the Exeter Hall and other London concerts, stands alone in the colony for richness and power of tone, and for the extremely low notes to which his fine organ can reach. Parry's scena "The Flying Dutchman," and Shield's splendid song "The Wolf," afforded him opportunities of displaying the wonderful volume and compass of his voice, which were not lost upon the audience, who applauded enthusiastically, and exacted from him an encore to each. Besides the vocal portion of the entertainment, the lovers of violin music had a perfect treat in Mr. E. King's solo with variations by De Beriot. Mr. Foote's tasteful flute-playing, and Mr. Piper's pianoforte accompaniments, were also the theme of general admiration. An excellent band played at intervals throughout the evening . . .

ASSOCIATIONS: "The late unfortunate occurrence" = a case of food poisoning; Piper was a member of the concert organising committee; John Leveson (vocalist); Edward King (violin); Henry John King (vocalist)

[Advertisement], The Argus (8 August 1856), 8

http://nla.gov.au/nla.news-article7134491 

NATIONAL MUSIC HALL, BOURKE-STREET, EAST. Immense Attraction!
The best Entertainment, and the most talented Company in Melbourne. The following Artists will appear Nightly:
MADAME BUTLER, (The talented Soprano.)
MRS. G. WILLIAMSON, (The celebrated comic vocalist.)
MR. G. WILLIAMSON, (Who is acknowledged the most talented comic vocalist in the colony.)
M. BARDINI, (The admired baritono.)
HERR VEIT RAHM, (The celebrated Tyrolese minstrel.)
Pianoforte - Mr. E. J. PIPER.
Proprietor - W. HUTCHINSON.
Admission Free.

ASSOCIATIONS: Veit Rahm (zither, vocalist); Mr. and Mrs. G. Williamson (vocalists); ? William Hutchinson (proprietor)

[Advertisement], Bell's Life in Victoria and Sporting Chronicle (21 March 1857), 1

http://nla.gov.au/nla.news-article201373541 

NATIONAL HOTEL MUSIC HALL, BOURKE STREET EAST, Near the Parliament Houses.
The following Performers are engaged: -
Madame LEON NAEJ, From the Grand Opera, Paris.
Miss MORTIMER, Of the London and Liverpool Concerts.
Mr. G. NEWMAN, The popular Comic Vocalist.
Mr. WHITE, Late of Rainer's Serenaders . . . v Mr. CHARLES SMITH, Late of San Francisco and Sydney Concerts.
Pianist and Conductor - Mr. E. J. PIPER . . .

ASSOCIATIONS: Madame Leon Naej (vocalist); Bill White (formerly with Rainer's Serenaders)

[Advertisement], The Argus (7 July 1857), 1

http://nla.gov.au/nla.news-article7134879 

MUSICAL. - Mr. Piper, Pianist, late of Tilke's and the National, OPEN to ENGAGEMENT. Address National Hotel.

[Advertisement], The Argus (8 August 1857), 8

http://nla.gov.au/nla.news-article7136739 

MARKET HOTEL, EMERALD HILL. -
WILLIAM CROTTY begs to announce to his friends and the public of Emerald Hill, that he has taken the above commodious Hotel . . .
A Concert is given every Monday, Wednesday, and Saturday, assisted by Mrs. G. Ellis, Mr. G. Ellis, and Mr. Power: Pianist, Mr. Piper.
N.B. - The best Bagatelle-table on the Hill.

ASSOCIATIONS: George and Kate Ellis (vocalists); William Power (vocalist)

[Advertisement], The Star [Ballarat, VIC] (22 May 1858), 3

http://nla.gov.au/nla.news-article66048249

STAR CONCERT HALL . . . New Engagements . . .
First appearance, on Monday next, 24th instant, of
MR. ANDERSON, The inimitable Highland Dancer, who had the honor of performing before her Majesty, accompanied by
MR. McLEOD, The celebrated Scottish Piper.
MR. WILSON, The incomparable Irish Comic Vocalist, in the new and original song of "Daniel O'Neill," and other novelties.
MR. W. F. SAYER, The admired tenor.
PROFESSOR SAMPSON, In his wonderful feats of agility. MR. PIPER, Pianist; and the celebrated EUROPEAN BAND. Dancing at 10 o'clock.

ASSOCIATIONS: W. F. Sayer (vocalist)

[Advertisement], The Argus (2 August 1858), 8

http://nla.gov.au/nla.news-article7298589

MR. J. WATTS'S QUADRILLE ASSEMBLY.
THIS EVENING, at his Academy, 80 Fitzroy-street, Collingwood.
J. W. has much pleasure in informing the public he has engaged the celebrated clarionet performer, Mons. FAURE, late of Jullien's Concerts at the Crystal Palace, Sydenham, who, on this occasion, will perform Bear's Great Solo, accompanied by Mr. Piper, the eminent pianist . . .

ASSOCIATIONS: Gustav Faure (clarinet)

1858, marriages solemnized in the district of St. Peter's Melbourne; register, 1857-59; St. Peter's Eastern Hill

https://www.ancestry.com.au/imageviewer/collections/9732/images/43331_1831109387_0167-00028 (PAYWALL)

No. 997 / This [10 August 1858] at St. Peter's Church / Edward John Piper / Bachelor / [born] Birmingham / Musician / 30 / [resident] Collingwood / [son of] John Clement Piper, Surgeon, Sophia Hollis . . . I am a member of the Church of England . . .
Sarah Ann Watton / Spinster / [born] Birmingham / - / [resident] Collingwood / [daughter of] John Watton, Licensed Victualler, Abigail Hunt . . . I am a member of the Church of Rome . . .

"STAR CONCERT HALL", The Star (30 August 1858), 3

http://nla.gov.au/nla.news-article66049946 

Mr. Wilson, who sings Irish comic songs with much humor and force, is the chief attraction at this popular place of amusement. Miss Spiden sings Scottish ballads very nicely, and is generally much applauded. The European Band still retain their popularity. The entertainment is varied by very tolerable athletic performances, by one Professor Sampson. Mr. Piper is the accompanyist, and manages his business with great tact and skill.

ASSOCIATIONS: Alice Spiden (vocalist)

[Advertisement], The Star (8 September 1858), 3

http://nla.gov.au/nla.news-article66050070

STAR CONCERT HALL. THE BEST ENTERTAINMENT on Ballarat.
WILSON, Every evening.
Miss Spiden, Professor Sampson, And the European Band.
Conductor and pianist - MR. E. J. PIPER.
The programme for this and following evenings will include several new songs and comicalities by Mr. Wilson.
Also, the celebrated overture to the "Bohemian Girl," and ether novelties by the European Band.
Dancing at 10 o'clock. M.C., Prof. Sampson.

"STAR CONCERT HALL", The Star (29 November 1858), 2

http://nla.gov.au/nla.news-article66051426 

Mr.Irwin's star never shone more serenely on his concert room than at the present time. With Messrs. Wilson, White, Smith and Evans for his company - to whom Mr. Piper, the pianist, and Mr. Mather, the violinist, render good service - little more could be desired; and the good people of Ballaarat seem well inclined to witness the entertainment.

[Advertisement], The Star (19 March 1859), 3

http://nla.gov.au/nla.news-article66334653

STAR CONCERT HALL . . . THE MISSES CREED ROYAL . . .
MR. CREED ROYAL, Pianist and Conductor.
The proprietor begs to announce that an entirely new company will appear on Monday evening next, including Mr. WILSON, the established favorite Irish vocalist, and Mr. Piper, vocalist and pianist . . .

"STAR CONCERT HALL", The Star (20 December 1858), 3

http://nla.gov.au/nla.news-article66332887 

The Christmas season at this pleasant place of amusement is inaugurated by the advent of Mr. White's serenaders. These gentlemen are all well known to us. They consist of Messrs. M. W. White, (tenor}, Morgan (bass), Mather (violin), Evans (bones), and Smith (tamborine). Their performances will, however, only form a portion of the entertainment, as the "Irish vocalist," Mr. Wilson, will still be found in his place, and no doubt his Hibernian whimsicalities and character songs will find as much favor as before. Mr. Piper, the pianist, is a performer of merit, and we are pleased to find him remaining with the company.

"NEWS AND NOTES', The Star (7 June 1859), 2

http://nla.gov.au/nla.news-article66053481 

The Criterion Concert Hall still continues to exert its powers of attraction with success. The company has been somewhat altered, and Professor Risley and son, Mr. Barlow, Mr. Wilson, Mr. Percival, and Miss Chalker are performing nightly to crowded houses, with continually repeated applause. Mr. Piper presides at the pianoforte. We cannot but compliment Mr. Emery upon the spirit he has shown in thus catering for public amusement . . .

ASSOCIATIONS: Richard Risley Carlisle (gymnast); Robert Barlow (comic vocalist); Marie Chalker (vocalist)

"CRITERION CONCERT HALL", The Star (4 July 1859), 3

http://nla.gov.au/nla.news-article66053931 

Mr. and Mrs. Newman, Mr. Percival and Mr. Piper are the corps de compagnie at this favorite place of entertainment. The first mentioned lady and gentleman are comparatively strangers, some time having elapsed since they last appeared on Ballarat. Their forte lies in their duets, which partake of a comically colloquial character, and are sung by them with much ability . . . Mr. Percival's tenor songs are as much a favorite as ever, and Mr. Piper's capital accompaniments are of high merit . . .

ASSOCIATIONS: Charles Percival (vocalist)

[Advertisement], The Star (12 March 1861), 3

http://nla.gov.au/nla.news-article72465533 

STAR CONCERT HALL.
COME AND HEAR JOE SMALL, The Great Local, Comic, and Characteristic Singer. -
An entire change of performance every evening;
MISS SUTHERLAND, M. W. WHITE, P. DOYLE, &c.
MR. MATHER, In several New Burlesques, Songs, Duets, &c.
For particulars see programme of the evening.
Pianist and Conductor - Mr. E. J. PIPER.
N.B.- The strictest order and decorum enforced.
Reserved Seats for Ladies.

ASSOCIATIONS:

"NEWS AND NOTES", The Star (8 July 1861), 2

http://nla.gov.au/nla.news-article66340455

A grand concert will be given this evening in the large hall of the Mechanics' Institute, for the benefit of Mr. Irwin, the proprietor of the Star Hotel, which was destroyed in the last Main road fire. The entertainment comprises a large and varied selection of vocal and instrumental music, and the roll of performers includes Miss Harland, Mrs. Turner, the Misses Wiseman, Miss Cazaly, and a host of Philharmonic talent; Messrs A. T. Turner and E. J. Piper being conductors. Mr. Irwin has lost his whole property nearly, and his friends will no doubt rally round him on this occasion.

ASSOCIATIONS: Robert Irwin (proprietor, Star Concert Hall); Julia Harland (soprano vocalist); Charlotte and Austin Turner (pianists and vocalists)

"SATURDAY NIGHT", The Star (8 September 1862), 1 supplement

http://nla.gov.au/nla.news-article66327012 

. . . On, till we come to the Star late John O'Groat Hotel, where another "free" concert room attracted us. The room is long and narrow, with two rows of tables along the whole length, save the uttermost end, where there is a platform for the "talented company," to whom "Mr, E. J. Piper, pianist, &c," plays accompaniments, and a crowded room accords as much attention as can be spared from glasses of drink, pipes, cigars, and the gossip of the week. While we were there, a constant circulation of waiters, with trays of drink, was kept up, the appearance of members of the "talented company" causing no cessation in the industry of the waiters or the imbibers. We listened to a comic song by a gentleman and lady on the platform, the former attired as a shopman, with a long apron and bib, and the latter in what looked through the intervening vapors as a "loud" patterned chintz gown. The burden of the song appeared to be a discussion "in character" of what the pair would do on entering into the chandler's shop line; the lady at one highly applauded juncture intimating to her spouse that the rooms up-stairs should be let to single men, and that -
"You shall mind the shop below,
While I make the beds above."
The talented couple having vanished amid a "furor of applause," we went away wondering how long the orient would adhere to these "popular entertainments" . . .

"THE SHORT HOURS SOIREE", The Star (21 November 1862), 3

http://nla.gov.au/nla.news-article66328872

Pursuant to public announcement, the soiree of the Short Hours Association was held on Thursday evening, in the hall of the Mechanics' Institute . . .
Miss Binder, piano, "The blue bells of Scotland," with variations.
Mr. P. Cazaly, song, air "Simon the Cellarer."
Miss Beaumont, song, "The Mocking Bird," accompanied by Mr. E. J. Piper. The song was nicely sung, and was encored. By way of substitute for the encore, "Who shall be Fairest" was given . . .

"CONCERT AT THE MERCHANICS' INSTITUTE", The Star (27 October 1863), 3

http://nla.gov.au/nla.news-article72518228 

A miscellaneous concert was given in the hall of the Mechanics' Institute, on Monday evening, under the auspices of the officers and members of the I.O.O.F. M.U., of Ballarat, and in aid of the fonds of the District Hospital. The hall was filled on the occasion, and the proceeds of the benefit will be something handsome, even after the expenses are deducted. The first part of the programme consisted of solo and part singing, and flute and piano music, an overture "Nino" (Verdi) being played by Messrs E. J. Piper and Schrader. Mrs. Little played several pieces on the piano, and Messrs Hobson, Towl, and A. Oliver on the flute. The German Liedertafel were there, and their singing was among the best treats of the evening. An old Ballarat favorite appeared as a soloist, in the person of Mrs. J. Comb, better known in the musical world as Miss Anna Gould, Messrs D. Oliver, O. and P. Cazaly, Master Burnett, and Mr. E. Evans also took part in the first part of the programme . . .

ASSOCIATIONS: Samuel Schrader (musician); Daniel Oliver (vocalist); Peter Cazaly (vocalist); Anna Gould Comb (vocalist)

"THE WELSH CONCERT", The Star (11 December 1863), 3

http://nla.gov.au/nla.news-article72512070 

A concert in aid of the funds of the Mechanics' Institute was given in the hall of the Institute on Thursday evening, by the Sebastopol Welsh Choir, assisted by Mr. David Lloyd as conductor, Mr. Llewelyn Thomas as harpist, and Mr. E. J. Piper as pianist. The orchestra was composed of about 40 performers, one-third of whom were ladies, and the programme was various and well-chosen. As an amateur concert, the conductor of which is a working miner, the highest praise we can give the performers is, that they deserve to be criticised . . .

ASSOCIATIONS: Llewelyn Thomas (harp)

[Advertisement], The Star (12 December 1864), 3

http://nla.gov.au/nla.news-article66350406

FREE AND EASY.- BRITISH HOTEL, Sturt street. Saturday and Monday, 8 p.m. Admission by Ticket only. E. J. PIPER, Pianist.

[Advertisement], The Ballarat Star (23 July 1867), 3

http://nla.gov.au/nla.news-article112876659 

COTTAGE Pianoforte, by Erard (trichord oblique), for Sale, a bargain . . .
PIANOFORTES, by Aucher, Erard, Stodart, &c., for Sale. Just received. . E. J. Piper, Dawson street south.

[News], The Ballarat Star (4 January 1887), 2

http://nla.gov.au/nla.news-article203946836 

The friends of Mr. E. J. Piper, of Dawson street south, father of Mr. Piper, of Messrs. James and Piper, architects, will regret to hear that he died on Sunday afternoon. The deceased had been ailing for some time past, and during the last 12 months his constitution has been gradually breaking up, so that his death was not unexpected.

"DEATHS", The Ballarat Star (5 January 1887), 2

http://nla.gov.au/nla.news-article203946908 

PIPER. - At 70 Dawson street south, Edward John Piper, aged 57 years.

"PIANOS AND PIANISTS", The Ballarat Star (26 June 1888), 4

http://nla.gov.au/nla.news-article209443771 

. . . Mr. E. J. Piper, who died quite recently, and whose sons are still resident here, was in the early days the only pianist of any repute. A quiet, gentle, unassuming man, he was publicly known as a thoroughly capable performer. Having, however, devoted himself to orchestral playing, he never developed into a pianist of note . . .

"SUPREME COURT. Thursday, 10th February", The Age (11 February 1887), 5

http://nla.gov.au/nla.news-article197453136 

His Honor granted probate in the wills of the following deceased persons: . . .
Edward John Piper, £3900, on the motion of Mr. Wynne . . .

"COUNTRY NEWS. BALLARAT, THURSDAY", The Age (8 March 1889), 6

http://nla.gov.au/nla.news-article196986794 

Mr. E. J. C. Piper, musician, of Ballarat, died to-day from disease of the brain. Deceased, who was brother of the well-known architect, was ill only for a few days, and the news of his death has caused great surprise in the district.

"SUPREME COURT. THURSDAY, 23RD MAY. PROBATE AND ADMINISTRATIONS", The Age (25 May 1889), 13

http://nla.gov.au/nla.news-article197325369 

. . . Statements of accounts, filed by executors and administrators in the following estates, have been passed during the week commencing on the 16th inst. The second column represents the amounts at which the estates were sworn when probate or administration were applied for; and the third column the amounts available for duty after the deduction of liabilities, or the addition of increased values of property; and the fourth column the amounts of duty paid . . .
E. J. C. Piper - [estimated value £] 190 / [net value £] 158 / [duty £] 1 11 7 . . .

"Deaths", The Ballarat Star (11 November 1895), 2

http://nla.gov.au/nla.news-article203765867 

PIPER. - On the 10th November, at his residence, Mair street, Ballarat west, William Henry Piper, architect, aged 34 years. At rest.

PIPER, John (Captain PIPER)

PIPER, Mary Ann (Mary Ann SHEERS; Mrs. John PIPER)

PIPER, Ann Christiana Frances (Ann Christiana Frances PIPER)

Also CAPTAIN PIPER'S BAND

See main page "Piper family and Captain Piper's Band"

https://sydney.edu.au/paradisec/australharmony/piper-family-and-band.php 

PITMAN, George Joseph (George Joseph PITMAN)

Lecturer on music, amateur vocalist, solicitor

Born London, England, 2 May 1803; baptised St, Pancras Old Church, 10 January 1806 [sic]; son of Thomas Dix PITMAN and Ann
Married Clara Matilda HAMILTON, St. Pancras, 12 November 1827
Arrived Adelaide, SA, 4 June 1850 (per Santipore from London, 12 February)
Active Bendigo, VIC, by 1856
Died Hawthorn, VIC, 14 January 1896, aged 92

https://trove.nla.gov.au/search?l-publictag=George+Joseph+Pitman+1803-1896 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PITMAN-George-Joseph (shareable link to this entry)

Documentation:

Baptisms 1805-06, St. Pancras Old Church; register 1802-09; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1624/images/31280_189580-00116 (PAYWALL)

[1806 January] 10th / Thomas son of Thomas Dix and Ann Pitman [born] Dec. 31st 1801
George Joseph Son of [ditto] [born] May 2nd 1803
Amelia Madelina D. of [ditto] [born] July 31st 1805

Marriages solemnized in the Parish of Saint Pancras . . . in the year [1827]; register, 1824-28. page 353; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1623/images/31280_195011-00481 (PAYWALL)

No. 744 / George Joseph Pitman of the Parish of St. George's Bloomsbury, Bachelor and
Clara Matilda Hamilton of this parish spinster a minor were married in the churchg by License with the consent of Samuel Hamilton the natural & lawful father of the said minor
this [15 November 1827] . . .

"SHIPPING INTELLIGENCE. ARRIVED", South Australian Register (5 June 1850), 2

http://nla.gov.au/nla.news-article38441162 

Tuesday, June 4 - The barque Santipore, 515 tons, Robinson, master, from Gravesend 12th February and Plymouth 2nd March. Passengers - ( Dr Smith, surgeon) For Adelaide . . . Mr. George Pitman wife and five daughters, Mr. Edward Pitman . . .

"THE MECHANICS' INSTITUTE", South Australian Register (21 May 1851), 3

http://nla.gov.au/nla.news-article38434985 

The Quarterly Conversatione took place last evening in the Exchange, when that capacious apartment was thronged with the respectability, beauty, and fashion of the city. Mr. Pitman (solicitor) delivered a clever lecture on Music, which was illustrated by Mrs. Murray on the pianoforte and the lecturer's voice. The late hour at which the entertainment closed prevents our more than noticing the lecture in this paper, but we shall probably give a specimen of it tomorrow. It was heard with marked attention, and the illustrations, anecdotes, and beautifully apposite quotations, elicited frequent bursts of applause . . .

"MECHANICS" INSTITUTE", South Australian Gazette and Mining Journal (22 May 1851), 3

http://nla.gov.au/nla.news-article195942397 

The meeting of the subscribers to the Institute on Tuesday evening was very numerously and most respectably attended." Mr. Pitman's lecture on Music, illustrated "most excellently by Mrs. Murray and himself was exceedingly interesting. The performances that followed in which Madame Cranz, Mrs. Murray, Mr. Wallace, Mr. Daniels, and Master White assisted also gave unmingled satisfaction. The Impromptu, particularly, by Wolff and De Beriot for the violin and pianoforte, played by Mrs. Murray and Master White was deservedly admired and applauded. Indeed, this young gentleman promises to be a first-rate violinist very soon to take his place' beside his talented instructor, Mr. Wallace. At the close of the meeting, F. S. Dutton, Esq., in a neat and brief speech proposed a vote of thank to Mr. Pitman and to the ladies an3 gentlemen who had contributed so much to the pleasure of the evening. Mr. Dutton's proposal, we need scarcely add, was carried by acclamation.

ASSOCIATIONS: Georgiana Murray (pianist, vocalist); Richard Baxter White (violin); Mathilde Cranz (vocalist); Spencer Wellington Wallace (violinist); Josiah Daniel (vocalist)

"MORAL EFFECTS OF MUSIC", South Australian Register (22 May 1851), 3

http://nla.gov.au/nla.news-article38437949 

There is scarcely a village in our mother country which has not its band of rustic musicians who are induced to abandon the alehouse parlour and its demoralizing gratifications for the culture and practice of this delightful art, thereby becoming sober, industrious, and respected members of society. Then again look at the beneficial effects it has produced in Germany. Since music has been taught scientifically in their schools, the Germans have become remarkable for their sobriety. There is now scarcely a member of that nation who cannot take a part in vocal harmony (as is sufficiently shown by our German fellow-colonists). Meetings for vocal harmony are matters of every-day occurrence in Germany, and are never abused in any respect; and so thoroughly have the temperate habits of the Germans been ascertained, that, in the large sugar-houses in England, where the least proneness to drinking is attended with great danger to life and property, German workmen are invariably employed in preference to Englishmen. - Pitman's Lecture on Music.

"CONVERSAZIONE", Adelaide Times (24 May 1851), 5

http://nla.gov.au/nla.news-article207007029 

The Quarterly Conversazione of the Mechanics' Institute took place on Tuesday evening at the Exchange. The room was crowded to excess, and the company were respectable and orderly. Mr. Pitman, of the S.A. Bar, delivered a lecture upon Music, which very happily illustrated the subject, although the lecturer had to talk against time, the limits for the delivery of the lecture being fixed, we believe, to one hour. He commenced with disclaiming any intention of descanting upon the theory of the art, and proceeded in a fluent and easy manner to touch upon its history. The lecture was necessarily a mere outline from the reason we have given. Some poetical quotations were introduced in good taste, and the lecturer sang several pieces of music illustrating various styles of composition, among which we singled out a ballad of Horsley's as being in particular beautifully rendered. Mrs. Murray was the accompanyist, and did the lecturer full justice . . .

"ECCLESIASTICAL MUSIC", South Australian Register (4 June 1851), 2

http://nla.gov.au/nla.news-article38448511 

The music of the Roman Catholic Church may be said to have been fixed by Gregory I, who was born at Rome A.D. 550. He composed the well-known "Gregorian Chaunt," upon the model of which the prayers, responses, and litanies of our Cathedral service are formed, and upon which Luther formed his ritual, in which the choral service is retained with great splendour and magnificence. Sensible of the importance of music in religious worship, Luther became its strenuous defender. He was himself a musician, and the composer of several psalms and hymns. - Pitman's Lecture on Music.

"LECTURE ON MUSIC", Bendigo Advertiser (29 December 1863), 2

http://nla.gov.au/nla.news-article87940680 

The lecture on music by Mr. Pitman, which was to have been delivered to-night in the Town Hall, in aid of the funds of the Benevolent Asylum, has been postponed until further notice.

"COMPLIMENTARY CONCERT TO MRS. ELLIS", Bendigo Advertiser (5 October 1867), 2

http://nla.gov.au/nla.news-article87955343 

In the large hall of the Mechanics' Institute an amateur concert took place last night as a complimentary benefit to Mrs. Ellis . . . A duet by Mrs. Ellis and Mr. Pitman "Giorno d'orrore e di contente," was greatly appreciated by many in the hall, and was much applauded . . .

ASSOCIATIONS: Eliza Stewart Ellis (vocalist)

MUSIC: Giorno d'orrore e di contento (Rossini, from Semiramide)

"DEATHS", The Argus (15 January 1896), 1

http://nla.gov.au/nla.news-article8887735 

PITMAN. - On the 14th inst., at Leyburn, 46 Manningtree-road, Hawthorn, George Joseph Pitman, solicitor, in his 93rd year.

"COUNTRY NEWS . . . BENDIGO, THRUSDAY EVENING", The Argus (17 January 1896), 6

http://nla.gov.au/nla.news-article8888068 

Mr. G. J. Pitman, who died at Hawthorn on Tuesday in his 93rd year, was well known to old residents of Bendigo. Forty years ago he practised as a solicitor in Bendigo, where he was much esteemed. He left for Melbourne 30 years ago.

PITMAN, Timothy Goodwin (Timothy Goodwin PITMAN; Mr. PITMAN)

Musical amateur, merchant

Born USA, c. 1792
Died Wahoo, Sandwich Islands, 28 March 1832, aged "40/41"

https://trove.nla.gov.au/search?l-publictag=Timothy+Goodwin+Pitman+c1792-1832 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PITMAN-Timothy-Goodwin (shareable link to this entry)

Documentation:

"THE SYDNEY AMATEUR CONCERT", The Australian [Sydney, NSW] (21 June 1826), 3

http://nla.gov.au/nla.news-article37073597 

The second Concert will be performed this evening at the Court-House, Castlereagh-street . . . Leader, Mr. Edwards.
Directors for the Evening, Mr. Pitman, Mr. Parker, Mr. Foster, Mr. Robertson . . .

ASSOCIATIONS: John Edwards (musician); James Foster (steward); Sydney Amateur Concerts (association, series); Old Court House (Sydney venue)

"DIED", The Sydney Monitor (25 July 1832), 3

http://nla.gov.au/nla.news-article32141712 

PITT, William (William PITT; W. PITT; Mr. PITT)

Theatrical and operatic scenic artist

Arrived Melbourne, VIC, 1853
Died St. Kilda, VIC, 17 January 1879

http://nla.gov.au/nla.party-1484284 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PITT-William (shareable link to this entry)

Documentation:

"DER FREISCHUTZ", The Age (4 July 1856), 3

http://nla.gov.au/nla.news-article154865359 

Weber's magnificent opera of Der Freischutz was produced for the first time at the Theatre Royal on Thursday evening. Expectation was on tiptoe, and making allowances for the imperfections of a first appearance, was not doomed to be disappointed. In fact, consider ing the complicated business of the opera, and the shortness of time allowed for rehearsal, it surprised us that the whole went off with so few hitches and shortcomings . . . The manner in which tho work has been put on the stage is beyond all praise. No expense seems to have been spared in order worthily to got up the scenic accessories, and realise the mysterious horrors which play so important a part in the work. Most of the scenery is new, and of such excellence that it might cut a respectable figure on a London stage, though it is scarcely a compliment to a man of Mr. Pitt's ability and repute to say that of it. Nor can we assign less credit to Mr. Brogden for his properties, transformations, and diablerie, which wore thoroughly up to the mark. The band was full and effective, and excellently under control - thanks to Mr. Lavenu . . . Madame Bishop was in excellent voice . . . Mr. Howson as "Caspar" . . .

ASSOCIATIONS: James Brogden (properties and machinist); Lewis Henry Lavenu (conductor); Anna Bishop (vocalist); Frank Howson (vocalist); Theatre Royal (Melbourne venue)

PITTS, Bessie (Elizabeth PITTS; Miss Bessie PITTS; Miss PITTS; Mrs. J. H. WATMUFF)

Vocalist, Melbourne Philharmonic Society

Arrived Melbourne, VIC, 1 February 1855 (per Amazon, from Plymouth, aged "11")
Died Mildura, VIC, 1912

https://trove.nla.gov.au/search?l-publictag=Bessie+Pitts+Watmuff+d1912 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PITTS-Bessie-Watmuff (shareable link to this entry)

PLAISTED, Philip (Philip Charles PLAISTED; P. C. PLAISTED; Philip PLAISTED)

Musician, vocalist, chorister, organist, composer, amateur cricketer

Born Dulwich, Surrey, England, 1 October 1844; son of John PLAISTED (1800-1858) and Ann GREEN (1801-1882)
Arrived (1) Adelaide, SA, 12 April 1850 (per Rajah, from London, 27 November 1849)
Departed Melbourne, VIC, 4 April 1864 (per Pride of the ocean, for London)
Arrived (2) Melbourne, VIC, 29 July 1865 (per Kent, from Plymouth, England)
Married Alice Catherine WALLER (1846-1889), Particular Baptist church, Melbourne, VIC, 17 January 1867
Died Mont Park Hospital, VIC, 23 August 1920

https://trove.nla.gov.au/search?l-publictag=Philip+Charles+Plaisted+1844-1920 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1639072 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLAISTED-Philip (shareable link to this entry)

Philip Plaisted (c. mid 1860s)

Summary:

Plaisted's father, John, was a wine and spirits merchant, and he had first arrived in South Australia with his family in 1850. They had settled in Melbourne by early 1852, where Philip received his early musical training as a boy chorister at St. Peter's church, on Melbourne's Eastern Hill. He was a pupil of George Pringle, and later received mentorship from Charles Edward Horsley. By 1863-64, he was organist of St. Stephen's church, Richmond,

He sailed for England in April 1864, and spent time in London studying with the organist George Cooper, and informally with Edward John Hopkins, before arriving back in Melbourne in July 1865.

In 1869, George Nichols published his The canticles and hymns of the church, arranged for chanting.

Early in 1873 W. H. Williams engraved and printed his Jerusalem the golden ("The favourite hymn sung at the Intercolonial Musical Festival held at the Town Hall, Melbourne, 1872, the music composed by P. C. Plaisted".

His New tunes to favorite hymns was published by W. H. Glen in January 1878.

He continued his public career as church and concert musician into the mid 1880s, despite suffering increasing mental health problems.

Having been an inmate at asylums several times in the previous year, on 9 May 1889 he murdered his wife at Box Hill. He was returned to Kew Asylum the following day. Having pleaded guilty, he was admitted permanently to care on 25 June. At the time, the Argus printed a summary of his career, that would, in the event, have to serve as his own, albeit very premature, public obituary.

On 19 July 1889 he was transferred to Ararat Asylum for the Criminally Insane and spent the next 30 years as an inmate there. Finally sent back to Melbourne, on 13 April 1920 he was admitted to the Mont Park Mental Hospital. There, according to the inquest (2 September) into his death, he took ill in June and died on 23 August at 10.25 p.m. in the presence of an attendant. He had self-inflicted wounds on his hand and left hip.

Documentation:

"SHIPPING INTELLIGENCE", South Australian (16 April 1850), 2

http://nla.gov.au/nla.news-article71626067 

April 12. - The barque Rajah, 352 tons, Ferguson, from London, 27th November, and Plymouth 2nd December. Touched at Trieste d'Cuno, 2nd February. Passengers - . . . Mr. and Mrs. Plaisted, Miss Plaisted, John Plaisted jun., Thomas Plaisted, Arthur Plaisted, Walter Plaisted, Philip Plaisted . . . and 98 in the steerage. No deaths.

"TO TIIE EDITOR OF . . .", The Age (16 October 1860), 5

http://nla.gov.au/nla.news-article154882912 

SIR, - Have the kindness to insert, for the satisfaction of the public, that it was clearly understood by the committee of the Horticultural Society I could not furnish a band for the evening during their show, in consequence of most of the members of the band which played during the afternoon having professional engagements; but I proposed to them their applying for the use of the Philharmonic organ as a substitute, and to assist the committee, I waited on Mr. Lewis, the Philharmonic organist, and asked him to preside at it, which he promised to do. I also called on Mr. Plaisted, who very kindly offered to play, and was at the Exhibition Building for that purpose, but was pre vented from getting at the organ by the non-attendance of Mr. Lewis, who had the key with him, and who did not make his appearance either to play or unlock it. I am, Sir, Yours obediently, H. JOHNSON, Bandmaster. Prince's Bridge Barracks, 15th October, I860.

ASSOCIATIONS: Henry Johnson (formerly master of the Band of the 40th Regiment); Louis Lewis (organist of the Melbourne Philharmonic Society)

[Advertisement], The Argus (19 January 1861), 3

http://nla.gov.au/nla.news-article5696830 

TO the SUBSCRIBERS and MEMBERS of the MELBOURNE PHILHARMONIC SOCIETY.
Gentlemen, - I beg most respectfully to inform you that I am a CANDIDATE for the appointment of HONORARY ORGANIST to your society for the present year.
Being unknown to many, and my daily occupation not allowing me to wait upon those with whom I am acquainted, I take this mode (perhaps an unusual one) of soliciting your votos and patronage at the ensuing election, on Monday, the 21st inst.
Though young, and feeling somewhat diffident in offering myself for such an onerous position, at the same time I feel my ability equal to the performance of the required duties, and would draw your attention to the following testimonial.
I am, gentlemen, your most obedient servant,
PHILIP C. PLAISTED.

I beg to state that I consider Mr. P. C. Plaisted is perfectly competent to perform the duties of organist to the Melbourne Philharmonic Society. He has a good organ touch, can read well at sight, has good talent and great perseverance. From his having been a pupil of mine for some time I am in a position to bear testimony to the above.
(Signed) GEO. R. G. PRINGLE,
Organist of St. Peter's Church, Melbourne, late of South Hackney Church, London.

"THE PHILHARMONIC SOCIETY. To the Editor of . . .", The Herald (22 January 1861), 6

http://nla.gov.au/nla.news-article244310095 

SIR, - My attention has been drawn to a paragraph in your Town Talk of to-day relative to the conductorship of the above society . . .
I will also avail myself of the present opportunity to correct another paragraph which appeared in The Herald about the time of the late performance of "The Messiah," purporting distinctly that Mr. L. L. Lewis was to be the organist for this year. As the office of organist is filled at the same time as that of conductor, and subject to the same rule, all I have said above equally applies to Mr. Lewis. He is one of two candidates, the other being Mr. Plaisted, a pupil of, and highly recommended by, Mr. G. R. G. Pringle, and whose circular to the members and subscribers of the society has now been some days before the public.
Both of the above nominations were made in writing, at the society's room a week ago, so that there is no excuse for a want of proper information on the subject by your informant, whose object I cannot well understand. I am, Sir, yours truly,
W. H. WILLIAMS. 21st January, 1861.

ASSOCIATIONS: William Henry Williams (correspondent); George Pringle (organist, teacher)

"THE NEWS OF THE DAY", The Age (31 January 1861), 5

http://nla.gov.au/nla.news-article154889117 

After several adjournments, the annual meeting of the Melbourne Philharmonic Society was held yesterday evening, at the Mechanics' Institute . . . Mr. Elsasser was elected the leader of the society by a large majority over Mr. S. Kaye, who was the other candidate; and Mr. L. Lewis was elected organist, the other candidate being Mr. Plaisted.

ASSOCIATIONS: Charles Elsasser (conductor); Samuel Kaye (candidate)

[News], The Argus (7 August 1862), 5

http://nla.gov.au/nla.news-article5719760 

The soiree which took place last evening at Hockin's Assembly-rooms, in aid of the funds of St. John's Church, Elizabeth street, was in every respect a success. Although upwards of 500 tickets had been printed, more were required . . . the choir of St. John's Church sang various solos, duets, and choruses, of sacred and secular music, commencing with the anthem of "Blessed be thou, Lord God of Israel." Mr. S. Greenwood, the organist of St. John's, acted as conductor, and Mr. Plaisted presided at the pianoforte and harmonium . . .

ASSOCIATIONS: Samuel Greenwood (conductor)

[News], The Argus (4 September 1862), 4

http://nla.gov.au/nla.news-article5721526 

A conversazione and concert, in behalf of Trinity Church, Sandridge, are to take place this evening in the Naval Brigade Orderly-room, under the presidency of the Bishop of Melbourne . . . The musical programme is to be sustained by Miss Octavia Hamilton and Miss Liddle, and Messrs. Plaisted, Beaumont, Wilkinson, and Brown, who have kindly volunteered their services.

"TOWN TALK", The Herald (23 December 1862), 5

http://nla.gov.au/nla.news-article244406058 

Last evening a conversazione and concert was given in the Trades' Hall, Sandridge, in aid of the funds of Trinity Church. There was a large and respectable attendance, T. Swallow, Esq., presiding. The musical portion of the entertainment comprised a selection of sacred and secular pieces, sustained by Miss Octavia Hamilton, Miss Liddle, Master [sic] A. Ford and Mr. Brown, Mr. P. C. Plaisted presiding at the pianoforte. In the sacred selections, the pieces most favourably received were the air from the "Elijah," "Rest in the Lord," by Mr. A. Ford, and the trio, "Lift thine eyes," from the same oratorio, by Miss Hamilton, Miss Liddle, and Mr. Ford . . . .

ASSOCIATIONS: Octavia Hamilton (vocalist); Maggie Liddle (vocalist); Armes Beaumont (vocalist); Alfred Ford (vocalist)

{news], The Argus (26 March 1863), 5

http://nla.gov.au/nla.news-article6484471 

A parochial tea-meeting was held last evening, in the schoolroom attached to St. Stephen's Church, Richmond. The main object was to raise funds to pay off the old debt on the church building . . . As soon as tea was over, the party adjourned to the church, when the choir performed a selection of sacred music. The merit of their performance may be guessed from the fact that they numbered among their members several vocalists of note, including Mr. W. H. Williams and Madame Stuttaford. This over, the audience returned to the schoolroom, to listen to a miscellaneous concert, in which Miss O. Hamilton, Miss Bailey, Miss A. Bailey, Master W. H. Ford, and Messrs. W. H. Williams, Angus, and Plaisted were the performers. Mr. C. E. Horsley presided at the piano, and obliged his hearers with several solos . . .

ASSOCIATIONS: Charlotte Stuttaford (vocalist); Amelia Bailey (vocalist); Silvanus Angus (vocalist); Charles Edward Horsley (pianist)

"THE NEWS OF THE DAY", The Age (9 July 1863), 5

http://nla.gov.au/nla.news-article154961423 

The third season of the subscription concerts of the Orpheus Union was initiated last night, at St. George's Hall, the concert being under the patronage of his Excellency the Governor, and the Mayor. His Excellency, with Lady Barkly and Captain Bancroft, were present, and remained the whole of the evening. Despite the very unfavorable state of the weather, the Hall was well filled in each part. The programme was composed principally of madrigals, part songs and glees, all of which were skilfully rendered by the members of the union, who sang in admirable time. The conductor, Mr. G. R. G. Pringle, has not yet recovered from the accident which befel him a short time ago, and must have labored under some little difficulty in wielding the baton with his left hand. Mr. Plaisted presided at the pianoforte. Among the concerted pieces, the glee, "Where the bee sucks," was undoubtedly the best, and it was enthusiastically re-demanded. The madrigal "Fire, fire, my heart," and especially the glee "Discord, dire sister," were delivered with good effect. Harmony and strict time were, indeed, attained in every instance, and the two young gentlemen who sang alto contributed much to the former, by sustaining their parts with the due prominence which is seldom observable in the alto in choruses. Madame Stuttaford sang the scena from "La Sonnambula," "Dearest companions," with great animation and effect, and obtained an encore. She also sang "The soldier tired of war's alarms," and being recalled, gave the favorite ballad, "Molly asthore," with great applause. Meyerbeer's song "Robert, toi qui j'aime," was sung by Miss Octavia Hamilton, who obtained her usual share of well-deserved commendation. This lady also sang "Through every chance and change," which was encored, and answered with "Good bye, sweetheart, Good bye." This ballad was delivered with much expression and feeling. Mention should not be omitted of the solo, "I love to roam in the fields," which was very prettily sung by Miss Mortley, and had to be repeated. Among the instrumental performances, one of the most deserving of notice was a pianoforte solo from "Le Prophete," which was played by Miss Horwitz (a very young lady, who is a pupil of Mr. Pringle's,) with great execution. The violin fantasia of Herr Strebinger was a treat, and the performance fully deserved the large measure of applause bestowed upon it. He was recalled, but the second piece was brought to a premature conclusion by the unfortunate breaking of a string. Mr. Marsh played the pianoforte accompaniment to the fantasia, and contributed much to its effect. The concert, on the whole, was a most successful one, and reflects great credit upon Mr. Pringle, the conductor, and the members of the union generally.

ASSOCIATIONS: Sarah Mortley (vocalist); Frederick Strebinger (violin); Stephen Hale Marsh (piano); Orpheus Union

[News], The Argus (25 February 1864), 5

http://nla.gov.au/nla.news-article5744716 

The fourth anniversary of the Industry Lodge of Oddfellows, Richmond, was celebrated last evening by a soiree and concert, at the orderly-room, Gipps-street. About 250 persons, about half of whom were ladies, sat down to tea. The concert was attended by nearly 500 persons, the large room being densely crowded. Songs and glees were rendered, in varied succession, by Mrs. Fox, Mr. W. H. Williams, and Mr. H. Palmer, assisted by a numerous chorus . . . The musical performances were conducted by Mr. Williams; Mr. P. C. Plaisted, organist of St. Stephen's, accompanying on the piano.

ASSOCIATIONS: Sarah Fox (vocalist)

"SHIPPING . . . CLEARED OUT", Leader (9 April 1864), 14

http://nla.gov.au/nla.news-article197293565 

April 4 . . . Pride of the Ocean, ship, 1169 tons, John Kyle, for London. Passengers - saloon . . . Mr. and Mrs. John Plaisted [jun.] and two children . . . Mr. P. C. Plaisted . . .

"SHIPPING INTELLIGENCE . . . ARRIVED", Bendigo Advertiser (31 July 1865), 2

http://nla.gov.au/nla.news-article87925191 

July 28 . . . Kent, ship (Messrs. Money Wigram and Sons' line), 1,000 tons, Frederick Anderson commander, from London. Passengers - cabin . . . Mr. Plaisted . . .

[News], The Argus (16 November 1865), 4

http://nla.gov.au/nla.news-article5789891

The members of St. Stephen's Church, Richmond, brought their fourteenth anniversary to a close by a tea-party on Tuesday evening. After tea, a nice selection of music was got through, under the able conductor Mr. P. C. Plaisted, organist of the church . . .

"MARRIED", The Age (18 January 1867), 4

http://nla.gov.au/nla.news-article155030382 

PLAISTED - WALLER. - On the 17th inst., at the Particular Baptist Church, Lonsdale-street, Melbourne, by the Rev. Jno. Turner, Philip Charles Plaisted, Esq., youngest son of the late John Plaisted, Esq., to Alice Catherine, youngest daughter of W. W. Waller, Esq., late of Merton Rush, Gipps Land. No cards.

[News], The Argus (2 April 1869) 5

http://nla.gov.au/nla.news-article5826134 

Some few days since we mentioned the purchase of an organ, described as the largest and finest in the colony, from Mr. Philpott, of Toorak, for the purpose of re-erecting it at St. Stephen's Church, Richmond. We may now add that this splendid instrument was built by Mr. Walker, of Tottenham Court road, expressly to the order of Mr. Philpott, from designs furnished by Mr. Coward, organist to the Crystal Palace Company. The services of Mr. P. C. Plaisted, pupil of Mr. George Cooper, organist to her Majesty, have been secured as organist to St. Stephen's.

[News], The Argus (29 April 1869), 5

http://nla.gov.au/nla.news-article5813606

. . . Mr. P. C. Plaisted, originally a pupil of Mr. Pringle, of this city, and subsequently of Mr. George Cooper, and Mr. Hopkins, of London, presided, as the newly-appointed organist of the church, and we must say that we never before heard in this part of the world a more legitimate style of organ-playing. Mr. Plaisted not only manifests sound judgment in his "combinations," but he displays a power and a smoothness of manipulation, together with a facile use of the pedals, which certainly entitle him to be placed in the foremost rank of executants on the instrument which he has chosen for the exercise of his musical talents. Whether in the matter of ordinary, voluntary, fugue, or accompaniment, he can scarcely be too highly praised for his abilities . . .

"MELBOURNE AND ITS ORGANISTS", Geelong Advertiser (4 July 1873), 3

http://nla.gov.au/nla.news-article147273554 

There are at-the present time in Melbourne, three professionals who have been qualified by their training and skill as genuine cathedral organists. They may be enumerated according to seniority as Messrs. David Lee, P. C. Plaisted, and John Hill . . . To return to Mr. Plaisted. Having left England in childhood, his musical education was commenced in this colony. For some years he was a valued employee in the office of James Henty and Co., and, at that time, cultivated music only as an amateur. As time rolled on, his musical tastes predominated over any hopes of acquiring fortune or fame in mercantile pursuits, and he determined to visit England for the purpose of study. He selected, as his teacher, the eminent organist of St. Sepulchre's, Mr. George Cooper, besides having ample opportunities of observing the style of Hopkins, (of the Temple Church), Goss, Best, and other great masters of the instrument. On his return to the colony, he resumed, his position as organist of St. Stephen's, where he plays on the largest and best church organ in the colony - with three rows of keys - by Walker. Mr. Plaisted's great characteristic is enthusiasm, whatever labour and conscientious devotion to his art can do, he will always be able to accomplish. The most perfect of instruments, as we all know, and perhaps the most difficult, is the violin, then came the piano and organ. The piano is difficult from its simplicity of resource, the organ from its complexity. The "touch" of an Arabella Goddard is the result of years of closest labour, and to produce orchestral effects with no other material than afforded by the ivory key-board is the result of consummate skill. An organ is itself an orchestra, and the performer has not only to do the pianist's work, but to vary his instrument, play a separate organ with his feet, and produce the effects of "touch," with an independent piece of mechanism. To bring out these resources of the instrument is the object of organ composers; indeed, some of the highest efforts of the great masters, such as Handel, Mendelssohn, Beethoven, and last, but not least, Bach, have been compositions written for the organ. Many of these are of surpassing difficulty, and such as can only be appreciated by educated musicians. In this legitimate organ-school, Mr. Plaisted delights. He is an incomparable pedalist, has a keen sense of the sublimity of his instrument, and whatever intricacies may exist in the composition he is always prepared honestly to face them, at the same time he has wide sympathies. The organ as we know it, and as connected with our earliest associations, is the instrument of England and Germany, and organ music seems to have its analogy with English oratory and German subtlety of thought, but of late years a French school has sprung up, light, graceful and fascinating, combining the rapid execution of the piano with the more ponderous movements of the pedal organ. Amateurs are familiar with the offertoires of Wely and the exquisite andantes of Baptiste, whilst English imitators amongst whom Scotson Clark takes the lead, follow in their wake. Of this school Mr. Plaisted is a successful interpreter. As a composer Mr. Plaisted is, to say the least, a worthy disciple of Horsley, of whose compositions he often reminds us. Apparently we are entering upon a new phase in our musical history and feeling our way to wider developments. Mr. Plaisted is young, enthusiastic, and persevering, full of high aims and with abundant material of intellect and taste. We wish him well.

ASSOCIATIONS: David Lee (organist); John Hill (organist)

[Advertisement], The Argus (12 January 1878), 8

http://nla.gov.au/nla.news-article5917048

JUST published, price 2s. 6d., NEW TUNES to FAVOURITE HYMNS by P. C. Plaisted, organist of St. Stephens, Richmond, Melbourne; W. H. Glen and Co.

14 April 1884, Yarra Bend Asylum Case Books of Male Patients, 1872-1912, vol. 6; Public Record Office Victoria

https://www.ancestry.com.au/interactive/61566/47970_1831101454_0157-00107/24601 (PAYWALL)

Philip Plaisted / Heidelberg / 39 years / Married / Organist / . . . [duration of present attack] one week / [one week] in Yarra Bend / . . . / [form of insanity] Mania & delusions / 22-4-84 Has evidently been drinking to excess . . .

4 November 1885, Yarra Bend Asylum Case Books of Male Patients, 1872-1912, vol. 6; Public Record Office Victoria

https://www.ancestry.com.au/interactive/61566/47970_1831101454_0157-00447/24759 (PAYWALL)

Philip Plaisted / Box Hill / . . . / Organist / . . . [duration of present attack] fortnight / Mania & delusions / He is excited and very talkative; says he wants to go to Yarra Bend. He has some grand scheme to ameliorate the condition of the women of the town by prayer. Does more work than any man in the world except General Von Moltke; Wife says that for some time she has had attendants from Asylum to watch him; he struck one of them; throws his knife & fork about at meal times . . . 18 - 10 - 86 discharge . . .

7 March 1888, Yarra Bend Asylum Case Books of Male Patients, 1872-1912, vol. 7, Public Record Office Victoria

https://www.ancestry.com.au/interactive/61566/47970_1831101454_0158-00445/23818 (PAYWALL)

Philip Charles Plaisted / Heidelberg / 41 years / Professor of Music / [disordered before] Yes, in Yarra Bend twice . . . 4 - 6 - 88 / he was sent to the Kew Asylum as he is unsuitable for this Asylum

"THE CALAMITY AT BOX HILL. FURTHUR AFFECTING PARTICULARS. HOW THE DEED WAS COMMITTED. MR. PLAISTED'S CAREER", The Argus (11 May 1889), 10

http://nla.gov.au/nla.news-article6245874

The report of the murder of Mrs. Plaisted by her husband at Box Hill, which appeared in The Argus of yesterday, proves to be only too true in its leading particulars. Further details have since been gleaned, and they all tend to intensity the sad circumstances surrounding the tragedy, in that they place almost beyond doubt the fact that the unfortunate man was insane at the time of the murder, and that he and his wife had lived together for upwards of 20 years in the happiest manner conceivable. She bore with him during all the times of his mental aberration, and when he recovered again he rewarded her tenderness and patience with an ardent affection.

They have six children living, three girls and three boys. Two of the girls are grown up. The elder of the two inherits some of her father's musical talent, and has a number of pupils in and around Box Hill . . . The eldest son, who is a smart, intelligent lad, says that they were an exceedingly happy family, and that his father never seemed to be able to do enough for his mother. His father was kind and indulgent to himself and his brothers and sisters, but at times he got strange. He used to say that if he died he would not like his wife to outlive him, and during the past week or ten days he had got an idea into his head that he was about to die . . .

Mr. Plaisted is the son of an old colonist, and when he first came to the colony he was only eight years old. From his childhood he showed passionate love for music, and as a boy sang as one of the principal choristers in St. Peter's Church, Eastern Hill. When about 15 years of age he accepted the position of junior clerk in the bonded store of Messrs. Allison, Knight, and Co., in Flinders Lane. He did not take much interest in business, and all his spare time was devoted to music. The organ was the instrument he loved. Its rich full tones seemed to soothe and comfort his excitable nature, but organs were scarce in those days, and stories, full of pity now, are told by those who knew him then, of the eager, passionate way in which he pleaded to be allowed to practise on the organ in St. Peter's Church, where he had so long sung as a choir boy. The permission was granted him, and he advanced so rapidly in his studies that he was permitted to preside at the organ during one of the services. From that time he became a slave to music. He developed a deeply religious trait in his character, which only found expression when he was playing church music on his favourite instrument. From the bonded store he went to Messrs. James Henty and Co.'s employ as bookkeeper, and it was while here that his playing attracted the attention of Mr. Charles Horsley, a well known London organist, who was then on a visit to the colonies. He advised him strongly to go home and devote himself to the study of the organ, prophesying for him a brilliant future. The enthusiasm of the young man was so much admired by his employers that they generously undertook, to assist him in carrying out this plan. Accordingly he and his young wife, who was a Miss Alice Waller, the daughter of a Gippsland squatter, started for England [sic, correctly, it was before his marriage]. He studied there under Mr. George Cooper who was spoken of by Mendelssohn as the greatest of organists, and he won his veteran masters warm approval.

When his period of study was completed Mr. Cooper pressed him to remain in England but he refused to do so and returned once more to his old position in Messrs. Henty' and Co's. He was appointed [sic, recte re-appointed] organist at St. Stephen's Church, Richmond and his services were eagerly sought after for all sorts of charitable purposes. He never grudged them but played night after night in different places. The great strain began to tell on him and the first symptoms of the lamentable disease which has brought the present calamity on the family began to assert itself. The doctors ordered absolute rest and he and his wife went down to Lorne. It was here that he first and for the only time showed sign of homicidal mania, and it was found necessary to have him confined. When he was released from the asylum the musical profession tendered him a grand complementary concert, and from that time he has devoted all his attention to music. He has held the position of organist in most of the churches round Melbourne and won the regard of every person with whom he came in contact. The fatal disease, which the doctors at the asylum attribute to softening of the brain, seized him again and again, but no sooner did he recover from an attack than, in spite of his infirmity, one of the churches was always ready to receive him as organist.

He acted as honorary organist to the Melbourne Liedertafel and it was at one of their concerts that he first played Lemmen's organ fantasia, "The Storm." The success which greeted this performance was so great that he repeated it three or four times. On the last occasion of its performance his mind was just wavering, and he played as he had never played before, but next day he had once more to be taken to the asylum. Since then his periods of intelligence time been less frequent, and it is only about eight months since he was last discharged.

The family were in somewhat straitened circumstances, but a few of his closest friends started a subscription privately, and a goodly sum was collected. This was vested in trustees and they have been allowing him so much a week. Mr. Fuller, the organ builder of Kew, placed an organ at his disposal, and on this he used to instruct his pupils. For the past few weeks he has been exceedingly melancholy, and it was feared that another attack was coming on, but no such terrible seizure was anticipated as the one which has caused the present calamity.

Such is briefly the career of a man who, with a little more constitutional strength, might have ranked as one of the world's greatest musicians, who unquestionably possessed that genius which is so akin to madness, and who now lies in prison charged with the murder of his wife.

The funeral of the murdered woman is advertised to take place at the Box Hill Cemetery on Monday.

"AN APPEAL ON BEHALF OF THE PLAISTED FAMILY", The Argus (14 May 1889), 6

http://nla.gov.au/nla.news-article6246408

[News], The Argus (31 May 1889), 5

http://nla.gov.au/nla.news-article6251121

The trial of Philip Plaisted the well known musician, who murdered his wife, Alice Catherine, at Box Hill on the 9th inst., was called on at the Supreme Court criminal sittings yesterday before his Honour Mr. Justice Hodges. A jury was empannelled for the purpose of deciding whether the prisoner was of sufficient mental capacity to plead. Dr. Shields, the Government medical officer, and Dr. Dick, the inspector of lunatic asylums, stated that they had examined the accused on that day and previously, and found that he was hopelessly insane, and would not be able to understand the nature of the trial. The jury thereupon decided that the prisoner was not in a fit state of mind to plead, and his Honour then ordered him to be kept in custody pending the pleasure of His Excellency the Governor.

"SUMMARY OF EVENTS", Illustrated Australian News and Musical Times (1 June 1889), 3, 6

http://nla.gov.au/nla.news-article60621269

A terrible tragedy occurred about a fortnight ago at Box Hill, when a well known and respected musician, Mr. P. C. Plaisted, while in a fit of insanity, murdered his wife. The unfortunate man, who had lived most happily with his wife and family, had been under restraint in the Kew Asylum, but had been allowed out for some time. Immediately prior to the act he had become moody and melancholy, and the funeral of a relative precipitated the crisis. While seated at luncheon in company with Mrs. Plaisted, there being no other person in the house, the wretched man suddenly struck her a violent blow with a flat iron on the head; other blows were rapidly inflicted, and he then cut the poor woman's throat, causing death in a few minutes. He left the house [6] and wandered about the locality for a few hours, when he was found loitering near his home. When taken into custody it was discovered that he had been endeavoring to commit suicide, having inflicted a number of wounds upon himself with a penknife. His mental state was apparent, but at the inquest the jury returned a verdict of wilful murder. Mr. Plaisted is now hopelessly insane, and will be incarcerated permanently at one or other of our lunatic asylums.

"THE PLAISTED FAMILY FUND", The Argus (26 September 1889), 8

http://nla.gov.au/nla.news-article6282316

Published works:

The canticles and hymns of the church, arranged for chanting, edited by Philip Charles Plaisted (Melbourne: George Nichols, 1869)

https://trove.nla.gov.au/work/22368801 

Grand march performed on the great organ in the Melbourne Town Hall at the opening recitals, August, 1872, and arranged for the pianoforte by the composer, P. C. Plaisted (Melbourne: [printed by] C. Troedel, [1872])

https://trove.nla.gov.au/work/5884008 

https://nla.gov.au/nla.obj-166575935 (DIGITISED)

Jerusalem, the golden! the favourite hymn, sung at the Intercolonial Musical Festival held at the Town Hall, Melbourne, the music composed by P. C. Plaisted, organist of St. Stephen's church, Richmond (Melbourne: [printed by] W. H. Williams, [1873])

https://trove.nla.gov.au/work/16895821 

https://nla.gov.au/nla.obj-166198137 (DIGITISED)

New tunes to favorite hymns, composed by P. C. Plaisted, organist and director of the choir at St. Stephen's, Richmond, dedicated (by permission) to the right reverend Dr. Moorhouse, bishop of Melbourne (Melbourne: W. H. Glen, [1878].

https://trove.nla.gov.au/work/228626800 

https://nla.gov.au/nla.obj-169075397 (DIGITISED)

Abide with me!
Nearer, my god, to thee
My God and father, while I stray
Jerusalem the golden!
Just as I am
Sun of my soul
Saviour, breathe an evening blessing.

Bibliography and resources:

Enid Noel Matthews, Colonial organs and organ builders (Melbourne: Melbourne University Press, 1969), 60, 74, 75-76, 82-83, 138, 147-48, etc.

John Maidment, "St. Stephen's Anglican Church, Richmond", Organ Historical Trust of Australia (2006)

https://www.ohta.org.au/organs/organs/RichmondStStephens.html 

John Maidment, "Baptist Church, Collins Street, Melbourne", Organ Historical Trust of Australia (2016)

https://www.ohta.org.au/organs/organs/MelbourneCollinsStBaptist.html 

"Philip Charles Plaisted", Ancestry.com.au

https://www.ancestry.com.au/family-tree/person/tree/6122493/person/1188758537/facts (PAYWALL)

PLATT, Mrs. James (Mrs. James PLATT; Mrs. PLATT)

Musician, pianist, poet

Active Sydney, NSW, 1857-59; 1863; 1867
Active Armidale, NSW, 1860

https://trove.nla.gov.au/search?l-publictag=Mrs+James+Platt+pianist+poet+c1857-67 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLATT-Mrs (shareable link to this entry)

Documentation:

[Advertisement], The Sydney Morning Herald (27 February 1857), 1

http://nla.gov.au/nla.news-article12992623

CONCERT! Concert!! Concert!!! - Great attraction.
Mr. H. LESLIE, the great American bone-player and delineator of Ethiopian character, is continuing his engagement at the
Rainbow Tavern Concert Hall, Mr. MYERS' (late Mr. Toogood's).
The managers have much pleasure in announcing to the public that they have succeeded in closing an engagement with the celebrated
Miss HARRIET DASTON (late of the Royal Academy, London).
Mrs. Platt, pianist; managers, Mr. Platt and Shearsby;
singers, Miss H. Daston, Mr. Turner, H. Leslie, Mr. Smith, Mr. Davis. Admission free.

ASSOCIATIONS: Harriet Daston (vocalist); John Turner (vocalist); Harry Leslie (entertainer); formerly Toogood's Saloon (Sydney venue)

[Advertisement], The Sydney Morning Herald (6 March 1857), 1

http://nla.gov.au/nla.news-article12992892

CONCERT. CONCERT. CONCERT. - Great attraction. - Mr. HENRY LIESLY, the great American bone player, and delineator of Ethiopian character is continuing his engagement at the Rainbow Tavern Concert Hall, Mr. MYERS, late Mr. Toogood's, corner of Pitt and King streets; and the managers have much pleasure in announcing to the public they have succeeded in closing an engagement with the celebrated Miss Harriet Daston, (late of the Royal Academy, London), and, united with the following company, are nightly drawing a crowded and delighted audience. Pianist, Mrs. Platt; singers, Miss H. Daston, Mr. Turner, Mr. H. Liesly, Mr. Smith, Mr. Davis.
Managers, Messrs. Platt and Shearby.

[Advertisement], The Sydney Morning Herald (25 April 1857), 1

http://nla.gov.au/nla.news-article12994668 

CONCERT, CONCERT. - Great attraction - MELBOURNE HOTEL, King-street, MONDAY EVENING, April 27th, for the Benefit of Mrs. JAMES PLATT, pianist. In addition to the usual talent many eminent and well-known old favourites, both vocalists and instrumentals [sic], have offered their services. HENRY LESLIE, the celebrated bone player and delineator of Ethiopian character, assisted by Mr. BRICE, banjo player, who has also kindly volunteered, when Mr. Leslie will appear in the course of the evening, and sing for the first time in Sydney, his great comical burlesque song of "Root Nog or Die." Open at 7. Cards of admission, 1s., to be had at the bar of the Melbourne Hotel.

[Advertisement], The Sydney Morning Herald (18 April 1857), 1

http://nla.gov.au/nla.news-article1299434

CONCERT ! Concert ! Concert ! - Great attraction - TO-NIGHT at the Melbourne Hotel, King-street East. Mrs. Platt, pianist; Mr. Platt, manager. Admission free.

[Advertisement], The Sydney Morning Herald (10 June 1857), 1

http://nla.gov.au/nla.news-article12996750 

CONCERT, CONCERT - MONDAY. WEDNESDAY, and SATURDAY EVENINGS, Red Cow Hotel, Parramatta,
Celebrated Thomas Webster (late Evans' Saloon, Sydney), characteristic and vocal comic singer, will THIS EVENING make his first appearance.
Mrs. Platt, pianist Admission free. Mr. Platt, manager.

[Advertisement], Empire (21 November 1857), 1

http://nla.gov.au/nla.news-article60265899

CONCERT! CONCERT! - LYCEUM HOTEL, York-street. -
Mr. ISAAC SOLOMON intends to open his Saloon THIS EVENING,
with a talented company of Vocalists and Instrumentalists.
Doors open at half past seven o'clock. Admission free. Mr. J. PLATT, Manager.

[Advertisement], Empire (12 February 1858), 7

http://nla.gov.au/nla.news-article60264147

J. R. HARMAN'S CONCERT-ROOM, Liverpool Arms, Lower George-street, open every Evening.
The best of talent engaged. Mrs. PLATT, Pianist; Mr. HAYWARD and LITTLE DICK, the celebrated Comic and Sentimental Singers.
Admission, Free.

[Advertisement], Empire (10 April 1858), 1

http://nla.gov.au/nla.news-article60429319

TOOGOOD'S CONCERT SALOON. GREAT DISPLAY, THIS EVENING.
In addition to the Artistes who have already appeared with the Buckingham Family, some old and new faces will be presented this Evening: -
H. Rich, J. Haines, G. Brandon, H. Groner, Mrs. Platt, the well-known Pianist, and Mr. A. V. Thompson, the eminent Basso.
Others from Melbourne are hourly expected.
Pianists, Miss Buckingham, Madame Josephine, and Mrs. Platt.
Room for one more Buffo Singer.
Apply by letter, to G. H. BUCKINGHAM, TOOGOOD'S GRAND CONOERT SALOON.
The Ethiopian Serenaders will appear during the ensuing week

ASSOCIATIONS: George Buckingham and family (musicians, entertainers)

[Advertisement], The Sydney Morning Herald (8 January 1859), 4

http://nla.gov.au/nla.news-article13016242

CONCERT, at the Swan-with-Two-Necks, corner of George and Park streets. Admission free. Mrs. PLATT, pianist.

[Advertisement], The Armidale Express and New England General Advertiser (30 June 1860), 1

http://nla.gov.au/nla.news-article188961707 

Concert! Concert! "FREE AND EASY" held Every Evening at MR. JONES'S, the "Farrier's Arms,"
The well-known Pianiste MRS, PLATT will preside at the Pianoforte. Admission Free.

[Advertisement], The Armidale Express and New England General Advertiser (6 October 1860), 1

http://nla.gov.au/nla.news-article188962029 

[As above]

[Advertisement], The Sydney Morning Herald (25 July 1863), 1

http://nla.gov.au/nla.news-article13082094 

A FREE CONCERT, TO-NIGHT. Lachlan Hotel, Haymarket. Pianist, Mrs. PLATT.

[Advertisement], The Sydney Morning Herald (10 November 1866), 7

http://nla.gov.au/nla.news-article13151908 

ARMY and Navy CONCERT. - Free and easy Every Evening. Liquor at bar prices. Ice Hotel, South Head Road, opposite the Ice Company. Mrs. Platt, pianist, E, HARDY, Proprietor.

Published poetry:

? "Poetry", The Maitland Mercury and Hunter River General Advertiser (4 February 1860), 6 supplement

http://nla.gov.au/nla.news-article18657644 

"ORIGINAL POETRY", The Armidale Express and New England General Advertiser (28 January 1860), 4

http://nla.gov.au/nla.news-article188961250 

"ORIGINAL POETRY", The Armidale Express and New England General Advertiser (9 June 1860), 4

http://nla.gov.au/nla.news-article188961652 

"ORIGINAL POETRY. ON MUSIC", The Armidale Express and New England General Advertiser (23 June 1860), 4

http://nla.gov.au/nla.news-article188961696 

Hail, sweet enslaver of the soul!
Thy charm is felt from pole to pole;
In every breast thy secret power
Is felt at some soft, thrilling hour . . .

. . . So doth its varying tones express
What's hidden in the soul's recess,
For 'tis the language of the heart - !
Hail! sweet, enslaving, mystic art!

MRS. JAMES PLATT. Armidale, 15th June, 1860.

"CHANGE", The Armidale Express and New England General Advertiser (4 August 1860), 4

http://nla.gov.au/nla.news-article188961804 

"STANZAS", The Armidale Express and New England General Advertiser (11 August 1860), 4

http://nla.gov.au/nla.news-article188961820 

"ORIGINAL FAREWELL TO 1860", The Armidale Express and New England General Advertiser (26 January 1861), 4

http://nla.gov.au/nla.news-article192530558 

"ORIGINAL", The Armidale Express and New England General Advertiser (11 May 1861), 4

http://nla.gov.au/nla.news-article192530862 

PLATTS, Charles (Charles George Eastland PLATTS; Charles PLATTS; Mr. PLATTS)

Musician, music teacher, pianist, organist, vocalist, musicseller, bookseller, stationer, publisher

Born London, 9 December 1813; baptised St. James, Piccadilly, 2 January 1814; son of James PLATTS (1770-1832) and Sarah NORTHLEIGH (1834)
Married Mary Ann (Marie Louisa) BATT (c. 1795-1880), St. James, Westminster, 16 July 1835
Arrived Adelaide, SA, 22 March 1839 (per D'Auvergne, from London, 13 November 1838)
Died Mitcham, SA, 14/15 November 1871, aged 58

https://trove.nla.gov.au/search?l-publictag=Charles+Platts+1813-1871 (TROVE tagged by Australharmony)

https://trove.nla.gov.au/search?l-publictag=Charles+Platts (TROVE public tag)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLATTS-Charles (shareable link to this entry)

Summary:

London (1813-1838):

Charles Platts was the elder son of James Platts, musicseller of Berwick Street, London, and his second wife Sarah Northleigh, who had married at St. George's, Hanover Square, on 28 April 1811.

James Platts (baptised St. Sepulchre, Holborn, 5 August 1770) was son of a London blacksmith and musician, Martin Platts (senior, 1737-1807). He was apprenticed in 1788 to the musician Thomas Whittell for seven years; his elder brother, Martin, had likewise, in 1776, been apprenticed to the musician William Burnett. By the early 1790s, James was in business as a musician, musicseller and publisher, and was a published composer (see WorldCat).

James was declared bankrupt in 1816, but continued to trade as a music seller and publisher into the 1820s. He was still advertising, from 9, John-street, Oxford-street, in 1829. He died there early April 1832, and was buried on 9 April in the graveyard of St. Faith's under St. Paul, in the city of London. Sarah, his widow, died less than 2 years later, on 2 January 1834, after which Charles continued the family business for at least a couple of years from the same John-street address.

On 16 July 1835 he married Mary Ann Batt at St. James's, Piccadilly, the same church at which he was baptised. According to the South Australian death index, she was born c. 1795 [sic], and at her death in 1880 was registered as Marie Louise Platts.

In his first advertisement in South Australia, Platts also stated that he had been organist of St. Mary's, Aldermary, and St. Paul's chapel, Great Portland-street (Portland chapel).

South Australia:

In April 1839, Charles Platts announced his arrival in Adelaide from London, and begged "to offer his services as teacher of the Piano Forte, which he has studied under the most eminent foreign and English masters".

By September 1839, he was organist of Trinity Church. In October, Platts, "the organist", played the Dead march in Saul at the funeral of colonel William Light. He also delivered "a lecture on the Music of the 17th Century at the Mechanics' Institute, with illustrations including "a concerto from Corelli", and was billed as "Director of the Music", with Philip Lee as leader of the orchestra, for Samson Cameron's "dramatic entertainments".

In December 1839, he and another recent arrival, George Bennett, advertised jointly as "Professors and Teachers of the Pianoforte, Violin and Singing", as well as offering music and instruments for sale, along with tuning and repairs.

In February 1840, Platts and Bennett advertised what was immediately hailed to be Adelaide's "first professional concert".

In August 1843, however, Platts was curtailing his musical activities, as reported:

We regret to learn that the congregation of Trinity Church are deprived of Mr. Platts's performances on the Seraphine. He has been for four years a practical and able director of the congregational singing. The tasteful pieces which he executed pleasingly filled up those long intervals which occur between certain portions of the Church of England service. The great liabilities of the Trustees, is we believe the cause of their dispensing with the instrument.

Thereafter, Platts continued to be the town's leading bookseller, and in 1860 assisted Cesare Cutolo by publishing locally his song God bless you, farewell and his piano nocturne Remembrances of the pyramids.

Having meanwhile spent a few years in Britain, Platts resumed his business in Adelaide, but was insolvent by early 1871, and he died in November. According to his obituary:

His kindly spirit and quaint and genial humour attracted all who knew him intimately, and he received a gratifying proof of the esteem in which he was held in the number of friends who rallied round him in his late misfortunes. His love of music and his skill in that science brought him into connection with the profession very soon after his arrival; but in after years his increasing business connections absorbed the whole of his attention.

Documentation:

London (1813-1838):

Baptisms solemnized in the parish of Saint James, Westminster . . . in the year 1814; register 1813-14, page 2; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1558/images/31547_212695-00359 (PAYWALL)

No. 13 / January 2 [1814] Born Dec'r 9 [1813] / Charles George Eastland / [son of] James & Sarah / Platts / Berwick Street / Music Seller . . .

"DIED", The morning advertiser (10 January 1834), 4

On the 2d inst., Mrs. Sarah Platts, widow of Mr. James Platts, of John-street, Oxford-street, music-seller, aged 54.

[Advertisement], The morning post (25 March 1835), 1

HARP MUSIC. - "GOD PRESERVE THE EMPEROR," arranged with Introduction and brilliant variations, dedicated to the Right Hon. Lady Cust, by Henry [Horn ??] "In Mr. Horn's variations of this celebrated air he [???] perfectly clear of plagiarism. This is in itself no inconsiderable merit, considering the multitude of variations for different [? ? ?] for which the air has furnished a theme. Mr. Horn's [? are] exceedingly brilliant, and the whole piece forms a very [? ? ] for the harp." - Court Journal - C. Platts, 9, John-street, Oxford-street, near Regent-circus.

ASSOCIATIONS: Henry Horn (harpist)

Marriages solemnized in the parish of St. James, Westminster . . . in the year 1835; register, 1835-37, page 21; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/61867/images/61865_324054000599_0258-00028 (PAYWALL)

No. 199 / Charles George Eastland Platts of this Parish and Mary Ann Butt were married in this church by banns this [16 July 1835] . . .
In the presence of Maria Sophia Batt, Benj. Travers, Frederick Platts

[Advertisement], John Bull (6 March 1836), 1

TO SINGERS. - A distinguished PROFESSOR, of SINGING, who has studied in Italy for years, begs to acquaint Amateurs of Vocal Music, and young Artists preparing themselves for the Stage or Concerts, that he has OPENED a SINGING CLASS, for cultivating the Voice, and for Classical and Operatic Singing of the highest order. - Five Guineas per Quarter, paid in advance. - Address and particulars may be known by a personal application at the Music Warehouse of C. Platts, John-street, Great Portland street.

"AS I SAW FAIR CHLORA", The musical world (213 October 1837), 46

https://books.google.com.au/books?id=EgkVAAAAQAAJ&pg=RA2-PA46 (DIGITISED)

Mr. Charles Platts informs us that Mr. Parry is in error in attributing the above duet to Hayden; it being the composition of John Weldon, who succeeded Dr. Blow as one of his Majesty's organists in 1708.- Your proof, Mr. Platts.

"AS I SAW FAIR CHLORA", The musical world (29 September 1837), 70

https://books.google.com.au/books?id=EgkVAAAAQAAJ&pg=RA2-PA70 (DIGITISED)

SIR, In support of my argument of this duet being the composition of John Weldon, I beg to refer you to the following extract from Burg's Anecdotes, vol. 2, page 316.

"As a secular composer Weldon had his admirers; his song for two voices 'As I saw fair Chlora walk alone,' was long in favour with the public; and his air in the Judgment of Paris, 'Let ambition fire thy mind,' is a melody so natural and pleasing, that, like an evergreen in vegetation, it will always be fresh and blooming, and there is no air in greater estimation that this, even at present, as sung in the English Opera of 'Love in a Village,' to the words 'Hope, thou nurse of young desire.'"

Weldon died in 1736, and was succeeded in the King's Chapel by the late excellent Dr. Boyce.
CHARLES PLATTS.
Oct. 4th, 9, John Street.

South Australia (1839-71):

[Advertisement], South Australian Gazette and Colonial Register (13 April 1839), 4

http://nla.gov.au/nla.news-article31750525

MUSICAL. MR. PLATTS, late Organist of St. Mary's Aldermary, and St. Paul's Chapel, Great Portland-street, has the honor to announce his arrival from London, and begs to offer his services as teacher of the Piano Forte, which he has studied under the most eminent foreign and English masters. Address to the office of this paper.

[Advertisement], South Australian Gazette and Colonial Register (8 June 1839), 3

http://nla.gov.au/nla.news-article31750652 

THE TOWN CLOCK. THE arrangements for setting the Town Clock going having been completed, the public are informed that the subscriptions already received are totally inadequate to meet the expences incurred . . . [subscriptions received o date] . . . Charles George Platts - 0 10 0 . . .

[Advertisement], South Australian Register (14 September 1839), 1

http://nla.gov.au/nla.news-article27440801 

MR. PLATTS of London, performing the duties of Organist at Trinity Church, Adelaide, has the honor to offer his services as Teacher of the Piano Forte. 128, west end of Curr[i]e-street, corner of North-street. A large selection of New and Fashionable Music on sale.

[Advertisement], Southern Australian (9 October 1839), 2

http://nla.gov.au/nla.news-article71685575 

Literary and Scientific Association AND Mechanics' Institute,
A LECTURE will be delivered by Mr. PLATTS, assisted by several Professional Gentlemen, on Friday evening, the 11th Inst., at 7 o'clock, on Music, at the Baptist Chapel, Hindley-street.
Admittance to non-subscribers, 1s.
Persons desirous of joining the Institution, may have tickets on-application to
HENRY. WATSON, Hon. Secretary . . .

"THE MECHANICS' INSTITUTE", Southern Australian (9 October 1839), 3

http://nla.gov.au/nla.news-article71685569 

IT will be seen by the advertisement of the Institution, that a Lecture on Music is to be delivered on Friday night by Mr. Platts. We understand that the meeting will be quite a Musical Festival.

"DEATH OF COLONEL LIGHT. THE FUNERAL", South Australian Register (12 October 1839), 4

http://nla.gov.au/nla.news-article27440879

. . . On Thursday, the day appointed for the funeral, at a little before 12 o'clock, the hearse containing the body, accompanied by the friends of the deceased, proceeded from Thebarton towards Adelaide. From the time the procession left Thebarton till its arrival at Trinity Church, minute guns were fired by a party stationed at Hindmarsh, and the colors at Government House were hoisted half-mast . . . they proceeded to the Chapel, and the body was placed on a raised platform, the dead March in Saul being played by Mr. Platts, the organist, during these arrangements. Part of the funeral service was then read . . .

ASSOCIATIONS: William Light

MUSIC: Dead march in Saul (Handel)

"MECHANICS' INSTITUTE", South Australian Register (19 October 1839), 4

http://nla.gov.au/nla.news-article27440903

On Friday week, Mr. Platts gratified the members of the Literary Association by delivering a lecture on the Music of the 17th century. He was duly assisted by Messrs. Bennett and Ewens who have recently arrived from Chichester. We congratulate the colony upon this accession of musical talent. Mr. Platts, after an interesting narrative of the progress of the science at that period, illustrated his subject by several beautiful performances, among which we may particularly "Non Nobis Domine" - the duet "Could a man be secure" - a beautiful concerto from Corelli - Purcell's song "Mad Tom" - and "God save the Queen." The company was extremely numerous and respectable, and repeatedly evinced their gratification with the performance. At the close of the lecture, the Secretary suggested the propriety of having an amateur concert for the benefit of the Infirmary. We hope that our fellow colonists may encourage the project, and have frequent opportunities, in the present dearth of public amusement, of enjoying the innocent and intellectual recreation derived from music.

"MECHANICS INSTITUTE", Southern Australian (23 October 1839), 3

http://nla.gov.au/nla.news-article71685600 

WE much regret that we should have omitted last week to take notice of the interesting lecture delivered by Mr. Platts, on Music on the 14th instant. The number present upon the occasion, which could not be less than 250, plainly evidenced the growing popularity of the Institutions, and the very able manner in which Mr. Platts elucidated the subject of his lecture, certainly tended much to establish its popularity. Mr. Platts reviewed the history of music from its earliest trace down to the present day, and during his lecture gave some pleasing specimens of the prevailing musical taste at different periods. The assembly repeatedly evinced their satisfaction with the performance of lecturer who was assisted by Messrs. Bennett and Ewens, recently from England. At the conclusion of the lecture the secretary suggested the propriety of getting up an amateur concert for the benefit of the infirmary, a suggestion which we most warmly second; and which we have no doubt the philanthropic ladies and gentlemen of Adelaide, will endeavour to carry into effect. It is announced that Mr. Weston will deliver a lecture on chemistry on Friday evening next, in the Baptist Chapel.

ASSOCIATIONS: George Bennett (musician); William Ewens (vocalist)

MUSIC: Could a man be secure (Starling Goodwin); Tom of Bedlam (attr. Purcell)

[Advertisement], South Australian Register (26 October 1839), 3

http://nla.gov.au/nla.news-article27440926 

DRAMATIC ENTERTAINMENTS.
MR. CAMERON (of the Hobart Town, Launceston, and Sydney Theatres) has the honor of announcing to the Ladies and Gentlemen of Adelaide and its Vicinity that he purposes shortly giving a series of Dramatic Entertainments upon a perfectly select scale; and he trusts from the arduous nature of the undertaking, and the careful manner in which the business of the Theatre will be conducted, that he will obtain that patronage and support to merit which will ever be his greatest study.
The Musical Department will be placed under the direction of MR. PLATTS . . .
Full particulars will appear in future bills and advertisements.
VIVAT REGINA!

[Advertisement], South Australian (30 October 1839), 2

http://nla.gov.au/nla.news-article71685619

Dramatic Entertainments. MR. CAMERON . . .
Leader of the Orchestra - Mr. LEE.
Director of the music - MR. PLATTS.
The Painting, Scenery, and decorations executed by MR. OPIE . . .
Further particulars will appear in future bills and advertisements . . .

ASSOCIATIONS: Samson Cameron (actor); Philip Lee (violin, leader); Edward Opie (scenic artist)

[Advertisement], South Australian Register (28 December 1839), 6

http://nla.gov.au/nla.news-article27441067 

MUSICAL - Messrs. Platts and Bennett have the honor to offer their services as Professors and Teachers of the Pianoforte, Violin, and Singing.
Crippen-street, near the Church.
ON SALE, a large selection of Vocal and Instrumental Music, Pianofortes, Violins, Bows, Pegs, &c.;
Harp, Guitar, Violencello and Violin strings; ruled Music Paper;
Pianofortes, Harps, Violins, &c, tuned and repaired.
PLATTS & BENNETT. Crippen-street, near the Church.
CONCERT - Messrs. PLATT & BENNETT beg to announce that they intend to give a CONCERT early in the ensuing month.
Crippen-street, near the Church.

"FIRST PROFESSIONAL CONCERT IN ADELAIDE", South Australian Register (15 February 1840), 6

http://nla.gov.au/nla.news-article27441184

On a spot that three years ago was a desert waste, now stands a public assembly room. In a place that no longer ago was a howling wilderness, is now advertised the first professional Concert. Where the owl shrieked, and the wild dog yelled in emulation of his savage master, the strains of art and fancy - the notes of Beethoven, Martini, Bishop, &c., are to sing their varied melody. Success to you, Messrs. Platts and Bennett, we know not your performers, and speak not of merits which we can only guess at; but credit and encouragement be yours for the attempt. A crowded and a good natured audience, we hope, will smile upon your efforts.

[Advertisement], South Australian Register (15 February 1840), 1

http://nla.gov.au/nla.news-article27441202 

Under the immediate Patronage of His Excellency the Governor.
CONCERT - at Mr. Solomon's Rooms, Currie-street.
Programme of Messrs. PLATTS and BENNETT's Concert, Wednesday Evening, 19th instant: -
Part First.
OVERTURE - "Samson" - Handel.
GLEE - A LADY, Messrs. EWENS, BENNETT, and EDWARDS. - "Here in cool grot" - Mornington.
SONG - Mr. EDWARDS "Mariners of England - Neukomm.
SOLO - Violin, Mr. BENNETT - Mori.
DUETTO - A LADY and Mr. PLATTS, "E fia Ver" - Mercadante.
GLEE - A LADY, Messrs. EWENS and PLATTS, "The Wreath" - Mazzinghi.
OVERTURE - "Henry the Fourth." - Martini.
Part Second.
OVERTURE - "Men of Prometheus." - Beethoven.
ROUND - A LADY, Messrs. EWENS, PLATTS, and EDWARDS, "Yes, 'tis the Indian drum" - Bishop.
SONG - Mr. EWENS, "Maiden I will ne'er" - Rodwell.
DUETT CONCERTANTE - Violin and piano, Messrs. PLATTS and BENNETT, "Air from Ma Fanchette." - Herz and Lafont.
CATCH - Messrs. EWENS, PLATTS, BENNETT, "Would you know [my Celia's charms]" - Webbe.
FINALE - "God save the Queen."
Tickets, 7s. each, to be had at this office, at the Southern Australian office, and at Messrs. Platts and Bennett, Crippen-street, near the Church.

[News], Adelaide Chronicle and South Australian Advertiser (18 February 1840), 3

http://nla.gov.au/nla.news-article195859655 

Many of our friends at home, who may have been startled by Mr. Horton James's veracious assertion, that a person might lose himself in the bush in the city of Adelaide, and sleep all night under a tree, for want of a better roof, will be a little surprized to see in the advertizing columns of the Adelaide papers, a notice of the concert to be given on Wednesday, next, by Messrs Platts & Bennett; and will agree with us in thinking, that an evening may be much more agreeably passed under the roof-tree of such really elegant rooms as those of the Messrs. Solomon, in listening to the strains of the masterspirits of harmony of our own land, and to the vocal melody of the our emigrant brethren, than in endeavouring to repose under the finest South Australian gum-tree, listening to, and shrinking from, me monotonous howling of the corrobories of our sable brethren. Still more surprized will they be, if they should happen to see the handsome tinted "programmes" of the music selected for the occasion, creditable alike to the taste of our "masters of the tuneful art," and to the neatness of the "printer's hand" in South Australia. We trust Messrs. Platts and Bennett will have liberal encouragement to renew their praiseworthy endeavours to provide elegant and innocent amusement for the evening hours of our lieges.

[Advertisement], Southern Australian (20 February 1840), 2

http://nla.gov.au/nla.news-article71619000 

The Concert. MESSRS. PLATTS & BENNETT beg to inform the Public that in consequence of the unfavourable state of the weather, they Were compelled to postpone the CONCERT advertized to take place last night, to THIS EVENING, 20th February, at Messrs, Solomon's Rooms, Currie-street. Tickets may be had of Messrs. Platts and Bennett, and at the newspaper offices. 20th February, 1840.

"FIRST PROFESSIONAL CONCERT", South Australian Register (22 February 1840), 4

http://nla.gov.au/nla.news-article27441216 

The first professional concert given in Adelaide on Thursday night was so successful, and so numerously attended by the most respectable inhabitants, that we confidently look forward to an early repetition of the attempt. Making due allowance for the embarrassment of first appearances, we can conscientiously say that the whole affair was worthy of most, and superior to many, similar entertainments which are "got up" in the provincial towns of England, boasting of a population double that of Adelaide. The concerted pieces were perhaps the most defective. Instrumental music admits of no mediocrity; but the songs were very respectably given. The most ambitious effort of the evening, Mercandante's duett "E, fia ver," was creditably sung by Mr. Platts and Mrs. Elliott. Mr. Ewens, who is a steady, and evidently a good, musician, sustained his part in several glees, and sung a very sweet English song by Rodwell, the name of which we forget at this moment, with great simplicity and taste. Mr. Edwards gave Neukomm's "Mariners of England" with much vigour, and he afterwards introduced another very beautiful song, well suited to his superb voice, in which he was rapturously encored. Lord Mornington's celebrated glee "Here in cool grot," and Webbe's catch "Would you know" gave very general pleasure, although we thought they might have been done greater justice to had the singers possessed the advantage of a little more practice and a better knowledge of each other's powers. Upon the whole, however, the concert was a good one, and such as we would willingly, and as we earnestly hope to see, in Adelaide for the future at no distant intervals.

ASSOCIATIONS: Caroline Elliot (vocalist); William Povall Edwards (vocalist)

MUSIC: Overture to Samson (Handel); E fia ver (Mercadante, from Elisa e Claudio); The wreath (Mazzinghi); Overture to Henry the Fourth (Martini); Overture to Creatures of Prometheus (Beethoven); Yes, 'tis the Indian drum (Bishop, from Cortez; or, The conquest of Mexico); Air from Ma Fanchette (Herz and Lafont); Would you know my Celia's charms (Webbe)

[Advertisement], South Australian Register (11 April 1840), 1

http://nla.gov.au/nla.news-article27441337 

JUST ARRIVED, STRAUSS Waltzes, and other music; violin, harp, and guitar strings, &c.; books, maps and atlasses, in great variety; stationery. C. PLATTS, Gilles-arcade.

[Advertisement], South Australian Register (25 April 1840), 3

http://nla.gov.au/nla.news-article27441367 

SCHOOL ATLASSES, Waltzes, Quadrilles. New Songs, and other Music. Violin, Harp, and Guitar Strings, &c. Maps, Books, and Stationery. A Valuable Violin. C. PLATTS. Gilles arcade. Near the Exchange Rooms.

[Advertisement], South Australian Register (9 January 1841), 3

http://nla.gov.au/nla.news-article27442163 

GILLES ARCADE CIRCULATING LIBRARY.
A Large addition of Novels, Romances, &c.
On Sale, 228 Violins and bows, from ten shillings each to fifteen guineas.
Splendid violin and harp strings.
Slates and school books; Blackwood; Tait; Evangelical Magazine.
C. PLATTS. Gilles Arcade Circulating Library.

[News], South Australian Register (2 August 1843), 2

http://nla.gov.au/nla.news-article73841384 

Mr. Charles Platts has now been leader of the singing part of the devotions of the Trinity Church congregation for a period of three years and upwards, by playing on Seraphine, under the promise of a stated salary, but this, we regret to hear, the congregation have not been able to pay, and they are now about to be deprived of his services. Surely, a congregation, which boasts of most of the salaried officers of Government among its number, to say nothing of the standing of others as possessors of large property in the Province, will hardly permit a circumstance so little to their credit to take place, without some effort to prevent it. A subscription set on foot would at once realise what is required, hard as the times are at present, and before the congregation suffer it to be said, that they cannot pay the leader of their singing, we hope this method will be tried.

[News], South Australian (4 August 1843), 2

http://nla.gov.au/nla.news-article71617613

WE regret to learn that the congregation of Trinity Church are deprived of Mr. Platts's performances on the Seraphine. He has been for four years a practical and able director of the congregational singing. The tasteful pieces which he executed pleasingly filled up those long intervals which occur between certain portions of the Church of England service. The great liabilities of the Trustees, is we believe the cause of their dispensing with the instrument.

[Advertisement], Adelaide Times (8 July 1850), 2

http://nla.gov.au/nla.news-article207117179 

ANTI-ROAD AND DRAY TAX SONG.
Just Published, at PLATT'S, price One Shilling,
THE PATRIOT'S SONG, "We've severed ourselves from our friends and home."
The words and music by F. Lancelott.
Platt's Book and Music Warehouses, Hindley-street.

ASSOCIATIONS: Francis Lancelott (composer, lyricist)

[Advertisement], South Australian Register (15 March 1854), 2

http://nla.gov.au/nla.news-article48552884 

NEW and POPULAR MUSIC -
Warrior's March - Irish Quadrilles
Pop goes the Weasel - Sturm March Galop
Post-Horn Galop - Rats Quadrilles
Uncle Tom Quadrilles - Indiana Waltz.
A selection of the newest Songs, Polkas, Operatic Airs, Duets for four hands. Overtures, etc. etc, from Addison and Hollier, is received monthly.
- PLATTS.
Harmoniums. Seraphines, Pianofortes, and other Musical Instruments for sale or hire.

"PROVINCIAL GRAND LODGE OF FREEMASONS", South Australian Register (16 November 1854), 3

http://nla.gov.au/nla.news-article49205723

Yesterday more than one hundred and fifty members of the mystic craft attended the installation of their newly-appointed Grand Master, Benjamin Archer Kent. The meeting being strictly private, we are unable to say what occurred within the Masonic Hall, but at 5 o'clock the brothers walked in procession to Trinity Church, in the dresses of their various ranks, and with the banners of the different Lodges . . . We have been favoured with a list of the new officers, viz.: - D.P.G.M. John Lazar, P.G. . . . Organist C. G. E. Platts . . .

ASSOCIATIONS: Benjamin Archer Kent (amateur musician); John Lazar (theatre manager, actor)

[Advertisement], Adelaide Times (27 August 1855), 1

http://nla.gov.au/nla.news-article207073038 

PIANOFORTES. - The largest stock of Pianofortes, which can be warranted, is open for public in spection at PLATTS'S (Established 1839).
These instruments are manufactured expressly for this climate, under the directions of an old resident, and possess a solidity in the construction producing a fullness and roundness of tone unequalled by Pianos shipped on mere speculation.
Pianos purchased at PLATTS'S are exchanged within six months if not approved of.

[Advertisement], South Australian Register (15 September 1858), 1

http://nla.gov.au/nla.news-article49781631 

SONG BOOKS. - Choice Variety. -
Cremorne Comic Song Book.
Duncombe's Ethiopian Songster and Mississippi Screamer, containing all the newest and most popular [REDACTED] Songs.
Duncombe's Drawingroom Songster, a collection of Sentimental Songs.
Duncombe's Irish Songster, containing all the newest and most popular Irish Songs.
The Crotchet, or the Songster and Toast-Master's Companion, consisting of several thousand favourite Songs and popular Toasts.
Kyle's American Vocalist, words and music.
Labern's New Funny Song Book.
Do. Original Comic Song Book.
Do. Popular Comic Song Book.
Do. New Comic Song Book.
Do. Own Comic Song Book.
Thatcher's Colonial Songster.
Victoria Songster.
PLATTS, 1, 95, 97, Hindley-street.

ASSOCIATIONS: Charles Thatcher (vocalist, songwriter)

[Advertisement], South Australian Register (16 February 1863), 1

http://nla.gov.au/nla.news-article50174765 

THE KANGAROO GALOP, by James Cassidy, composer of the celebrated "Burlesque Galop."
PLATTS'S Music Rooms, Hindley and King William streets.

ASSOCIATIONS: James Cassidy (c. 1824-1869; Irish composer, never came to Australia); for an American edition, see here Kangaroo galop (Boston: Oliver Ditson & Co., [c. 1862])

"DEATHS", South Australian Register (15 November 1871), 4

http://nla.gov.au/nla.news-article39241860

PLATTS. - On the 15th November, at Fullarton, Mr. Chas. G. E. Platts, aged 58.

"OBITUARY. MR. CHARLES PLATTS", South Australian Register (5 December 1871), 6s

http://nla.gov.au/nla.news-article39254655

Another of our early colonists has been removed from us by death. Mr. Charles George Eastland Platts, who for about a third of a century carried on business as bookseller and stationer in Adelaide, died on Tuesday, November 14, at his residence near Mitcham. Mr. Platts was formerly an organist in one of the churches in the City of London. He arrived in the colony in 1839, and commenced business in Gilles-arcade, whence he subsequently removed to more commodious premises in Hindley-street, nearly opposite Rosina-street. Still later he opened the extensive premises at the corner of King William and Hindley streets, and for several years his success in business was very great. Mr. Platts then visited Europe with a view to recruiting his health, and returned to the colony some three or four years ago. But his constitution, which was never very strong, gave way beneath the pressure of accumulated troubles and disappointments. Under careful medical treatment his health latterly seemed to have been partially restored; but a somewhat sudden relapse took place on Monday evening, and at 2 o'clock on Tuesday morning his sufferings were relieved by death. Mr. Platts was a quiet inoffensive citizen, who in life was very generally respected. He has left behind him a wife and a large circle of friends to deplore his death. His kindly spirit and quaint and genial humour attracted all who knew him intimately, and he received a gratifying proof of the esteem in which he was held in the number of friends who rallied round him in his late misfortunes. His love of music and his skill in that science brought him into connection with the profession very soon after his arrival; but in after years his increasing business connections absorbed the whole of his attention. The immediate cause of death was rheumatic gout. It was thought he was recovering from a sharp attack, and he was congratulating himself on recovering the use of his legs and hand when the disease suddenly attacked the brain. For a few hours his sufferings were intense, but delirium supervened, and in that state he died.

"DEATHS", South Australian Register (11 January 1875), 4

http://nla.gov.au/nla.news-article40092802 

PLATTS. - On the 19th November, 1874, Frederick Thomas Platts, of London, brother of the late Charles Platts, of Adelaide, aged 59.

"DIED", The South Australian Advertiser (23 October 1880), 4

http://nla.gov.au/nla.news-article30807865 

PLATTS. - On the 22nd October, at the residence of W. Bacon Carter, College Town, Marie L., relict of the late Charles Platts.

According to the death index, Marie Louisa Platts, born c. 1795 [sic]

Bibliography and resources:

George Loyau, Notable South Australians; or, Colonists past and present (Adelaide: Carey, Page &. Co, 1885), 259

http://archive.org/stream/notablesouthaus01loyagoog#page/n306/mode/2up (DIGITISED)

https://en.wikisource.org/wiki/Notable_South_Australians/Charles_Platts 

Charles Platts, WHO for over thirty years was a bookseller in Adelaide, was born in London, and arrived here in 1839. From a small beginning he worked up one of the largest businesses in South Australia, and retired on a competency. He was an accomplished church organist, and his services were often in request. Mr. Platts was universally liked for his genial temperament and bonhomie, and his death, which took place at Mitcham, near Adelaide, on November 14, 1871, was much lamented.

E. Harold Davies, "MUSIC IN EARLY DAYS", The Advertiser (30 September 1933), 9

http://nla.gov.au/nla.news-article47005310 

E. Harold Davies, "TO DIVERT COLONISTS", The Advertiser (7 October 1833), 9

http://nla.gov.au/nla.news-article36447815 

"New World Music", The Advertiser (1 September 1936), 95

http://nla.gov.au/nla.news-article74319208 

Philip H. Highfill et al., A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800; volume 12: Pinner to Rizzo (Carbondale: Southern Illinois University Press, 1987), 31-33

https://babel.hathitrust.org/cgi/pt?id=mdp.39015066321996&view=1up&seq=41 (DIGITISED)

Beth Duncan, Mary Thomas, founding mother, the life and times of a South Australian pioneer (Adelaide: Wakefield Press, 2007), 86, 87, 88

https://books.google.com.au/books?id=z1lJSeUm0dMC&pg=PA86 (PREVIEW)

Brian Dickey, Holy Trinity Adelaide 1836-2012: the history of a city church [2nd edition] (Adelaide: Trinity Church Trust, 2013), 31, 33, 36, 37, 39

https://f001.backblazeb2.com/file/trinitycity/history/chapter-2.pdf (DIGITISED)

Paul Cooper, James and Martin Platts, dance publishers, 1780s-1820s (paper 33), RegencyDances.org

https://www.regencydances.org/paper033.php#jpv01 

James Platts, musical compositions and publications, c. 1791-c. 1815; WorldCat

https://www.worldcat.org/search?q=au:Platts+James&fq=s0%3A40000000&dblist=638

PLAYFORD, John Joseph (John Joseph PLAYFORD)

Amateur bell ringer, bell captain, change ringer, ringing instructor

Active Sydney, NSW, c. 1850-62

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLAYFORD-John-Joseph (shareable link to this entry)

Documentation:

"ADDRESS TO MR. PLAYFORD", Empire [Sydney, NSW] (15 March 1862), 5

http://nla.gov.au/nla.news-article60506592 

A meeting of the bell-ringers connected with the various Roman Catholic churches of Sydney was held in the belfy attached to St Mary's last evening, for the purpose of presenting the following address to Mr. John Joseph Playford, who is about leaving Sydney: -
"Sydney, 14th March, 1862. To Mr. John Joseph Playford. -
Dear Sir - It is with unfeigned regret that the ringers of St. Mary's, St. Benedict's, and the Sacred Heart have heard of your intention to leave Sydney for a foreign land. We regret it the more from the knowledge we possess of your untiring exertions for the last twelve years to make proficient in the art of bell-ringing those who then took but little interest in it. We, the ringers at St. Mary's Cathedral, beg to thank you most sincerely for your kind and gentlemanly conduct to us; and we only wish it were in our power to present you with a more substantial testimonial than the one now presented, to mark our sense of your unflagging exertions in making us proficient in the art of bell-ringing. -
We, the ringers of St. Benedict's and the Church of the Sacred Heart, deplore most sincerely your departure from amongst us, for thereby we not only lose an instuctor, but a sincere friend. We assure you that the loss of your valuable aid will be severely felt in the belfries of our various churches. In conclusion, we sincerely thank you for the great assistance you have at all times, and on all occasions, rendered us, to the no small loss of time, and trouble to yourself. With God's blessing, we wish you success and prosperity in the land you go to. -
We remain, dear sir, your most affectionate friends."
(Here follow the signatures of the ringers of the various churches.)

"MR. M. J. CONLON'S RECOLLECTIONS. THE BEGINNINGS OF ST. BENEDICT'S", Freeman's Journal (11 July 1907), 13

http://nla.gov.au/nla.news-article108040378 

. . . Bell-ringing was introduced in St. Benedict's Church about the year 1858 by John Henry Playford, an Englishman, who had been a great bell-ringer in the old country. He arranged to teach seven of the youths from St. Benedict's the art of bell-ringing. The names of the seven aspirants to bell-ringing fame were: Thomas Hyndes, M. McNamara, Joe Woods, and James Cull, who have since died, whilst the living are Jim Murtough, the well-known Botany resident, at present enjoying the sea breeze at Manly; John George Cotter, still employed at Fowler's Pottery, and myself. We reached a high pitch of excellence in this art, and our training was carried on for some fourteen or fifteen years . . .

"THE HOME OF OUR COADJUTOR-ARCHBISHOP: ST. BENEDICT'S STORY", Freeman's Journal (12 October 1922), 12

http://nla.gov.au/nla.news-article116747243 

. . . In connection with the erection of the bells in the steeple, perhaps a few facts would be interesting. Bell-ringing was introduced in St. Benedict's about the year 1858 by John Henry Playford, an Englishman. He arranged to teach seven of the youths of the parish the art of bell ringing. The names of the seven aspirants were Thomas Hyndes, M. McNamara, Joe Woods, James Cull, Jim Murtough (at present a respected resident of Manly), John Cotter and Michael Condon [sic, Conlon] (formerly the well-known potter of Glebe) . . .

PLEASANTS, George (George PLEASANTS; Mr. G. PLEASANTS; Mr. PLEASANTS; PLEASEANT; PLEASANCE)

Amateur musician, vocalist, violoncello player, cellist, blacksmith and wheelwright

Born Beccles, Suffolk, England, c. 1822; son of George PLEASANTS (1789-1861) and Hester LEGGATT
Married Emma HAYWARD (d. 1889), Ipswich, Suffolk, 1844 (4th quarter)
Arrived Melbourne, VIC, 4 August 1853 (per Chowringhee, from London, 16 April, aged "31")
Died Surrey Hill, VIC, 18 February 1902, aged "81" (reg. PLEASANCE)

https://trove.nla.gov.au/search?l-publictag=George+Pleasants+c1822-1902 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLEASANTS-George (shareable link to this entry)

Documentation:

England census, 30 March 1851, Beccles, Suffolk; UK National Archives, HO107/1804/401/27

https://www.ancestry.com.au/imageviewer/collections/8860/images/SFKHO107_1804_1805-0104 (PAYWALL)

Hungate Lane / George Pleasants / Head / Mar. / 29 / Shoeing Smith employing man & boy / [born] [Suffolk Beccles]
Emma / Wife / 25 // Ellen / Daur. / 5 // Charles / Son / 9 months / [all born Suffolk Beccles]

Names and descriptions of passengers per Chowringhee from London, 16 April 1853, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/3404E19C-F96C-11E9-AE98-FBBBD63BD0BC?image=380 (DIGITISED)

. . . Pleasant George / 31 / Blacksmith . . .

Names and descriptions of passengers per Kent from London, 4 May 1855, for Melbourne; Public Record Office Victoria

https://prov.vic.gov.au/archive/3AFAF4A2-F96C-11E9-AE98-C1235E0566FF?image=237 (DIGITISED)

. . . Pleasants Emma / 28 // Ellan / 9 // Charles / 4 // Frederick / 2 . . .

"MALMSBURY (FROM OUR OWN CORRESPONDENT) November 16th . . . THE GLEE CLUB", The Kyneton Observer (17 November 1860), 2

http://nla.gov.au/nla.news-article240850518 

On Tuesday evening, the members of the Glee Club met at the residence of Mr. G. Pleasants for the purpose of transacting business. A full attendance of members having been present, Mr. Pleasants stated that at a former meeting, held in the previous week, he had been elected President of the Club, in room of Mr. I. L. French, who had ceased to identify himself with the Club. Seeing their Secretary (Mr. John French) present, he would ask him, if he was prepared to do so, to lay before the meeting the accounts and then to resign, and, if be thought proper, to offer himself for re-election. The Secretary apologised for not having his balance-sheet made out, but promised to have the same ready by their next meeting. It was then proposed and carried - "That a concert in behalf of the Malmsbury School should be given on Monday, the 26th inst., in the hall of the Duke of Kent Hotel." Several arrangements were entered into regarding the above concert, after which the meeting was adjourned until Friday (this evening), to meet at the Schoolroom. It is the intention of the Club to make the concert above alluded to a first class entertainment, and as they have some good musicians among them, they will have a selection of instrumental music performed during the evening. The funds to be derived from this concert will be given to the school, for the purpose of purchasing prizes to be distributed at the Christmas examination.

ASSOCIATIONS: Malmsbury Glee Club (group)

[Advertisement], The Kyneton Observer (8 December 1860), 3

http://nla.gov.au/nla.news-article240850704 

CONCERT By Special Desire, at the DUKE OF KENT HOTEL.
THE MALMSBURY GLEE CLUB Will give a GRAND VOCAL AND INSTRUMENTAL ENTERTAINMENT
On MONDAY, 10th DECEMBER, Assisted by MR. BARLOW, the celebrated Comic and Negro Singer.
Pianiste - Madame FRANCIS.
Violinist - Mr. LEECH.
Cornet-a-Piston - Mr. ROGERSON.
Violincello - Mr. PLEASANTS.
PROGRAMME.
PART I.
Overture - "Fra Diavolo" - Auber
Glee - "Awake! AEolian Lyre" - Danby
Song - Mr. Lyons
Glee - "Hark! 'tis the Bells"
Lily of the Valley Waltz - D'Albert - Band
Comic Song - Mr. Barlow
Glee - "The Sun's Gay Beams" - Callcott
Song - Mr. Gowing
Solo Violin - De Beriot - Mr. Leech
Glee - "Dame Durden"
Interval of Ten Minutes.
PART II.
Overture - "Tancredi" - Rossini
Glee - "Here in Cool Grot" - Earl of Mornington
Song - Mr. Hughes
Glee - "To all you Ladies now on Land" - Callcott
Mr. Barlow's Negro Entertainment.
Laughing Galope - Farmer - Band
Song - Mr. Weir
Duett - "Hark! the Goddess Dianna" - Mr. Weir & Mr. Hughes
Solo - Pianoforte - Madame Francis
Finale "God Save the Queen."
Prices of admission - Front seats, 3s; back seats, 2s.
Tickets to be had of Mr. Tyson, Mr Pleasants, Messrs. Hewitt and Hall, Mr Ward, Albion Hotel, Taradale; Mr Peterson, Mechanics' Institute, Kyneton, and at the door.
Doors open at half past Seven, to commence at Eight o'clock.

ASSOCIATIONS: Robert Barlow (vocalist); Sophie Francis (piano); Frederick Leech (violin)

MUSIC: Awake! AEolian lyre (Danby); Dame Durden (glee); Here in cool grot (Mornington); To all you ladies now on land [The mariner] (Callcott)

[Advertisement], The Kyneton Observer (20 September 1862), 1

http://nla.gov.au/nla.news-article240898898 

GEORGE PLEASANTS, BLACKSMITH AND WHEEL RIGHT, of Malmsbury.
BEGS respectfully to thank the Gentlemen and Farmers of the district for the support they have accorded him during the last seven years, and in taking leave of them, begs to assure them that he can confidently recommend his successor, Duncan McGregor as particularly deserving their notice and patronage . . .

[Advertisement], The Kyneton Observer (12 July 1866), 3

http://nla.gov.au/nla.news-article240657558 

FOR SALE, a good violoncello. Apply George Pleasants, Malmsbury.

"New Insolvents", Mount Alexander Mail [Castlemaine, VIC] (17 April 1867), 2

http://nla.gov.au/nla.news-article197543828 

George Pleasant, of Malmsbury, journeyman blacksmith. Causes of insolvency: Bad debts, and losses in business. Liabilities, L130 18s 1d ; assets, L1; deficiency, L129 18s 1d.

PLEITNER, Johanna Augusta (Johanna Augusta EIMEN; Mrs. Heinrich Wilhelm PLEITNER; Madame PLEITNER)

Musician, violinist, violin player, vocalist

Born ? Hanover (Germany), c. 1843
Married Heinrich Wilhelm PLEITNER (d. 1913), VIC, 1865
Died Menindie, SA, 22 April 1913

https://trove.nla.gov.au/search?l-publictag=Johanna+Eimen+Pleitner+c1843-1913 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLEITNER-Johanna (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Summary:

Following the long Australian visit of the first international woman violinist to visit Australia, Jenny Claus (1873-76), Johanna Pleitner was one of the first generation of resident settler women on record to play the violin in public semi-professionally. While a resident of Chiltern, VIC, in the later 1870s, she formed a regular performing partnership with local pianist, John Bennett, continued later in Adelaide in the early 1880s, after both the Pleitners and Bennetts moved there. Bennett and his wife named their shortlived last son Augustus Pleitner Bennett after her.

Documentation:

"MUSICAL ENTERTAINMENT AT CHILTERN", Ovens and Murray Advertiser [Beechworth, VIC] (21 April 1870), 2

http://nla.gov.au/nla.news-article196420111 

A musical entertainment was given on Monday evening at the Star Theatre, for the benefit of Mr. J. Bennett, a well-known local amateur. The programme was a long and varied one . . . Mrs. Mackay sang some difficult operatic airs, having to accompany herself on the piano; Mrs. Mackay's kindness in presiding at the piano during the evening was fully appreciated by the committee. Mrs. Hutton and Mrs. Pleitner also sang several songs, which were warmly applauded . . .

[Advertisement], Ovens and Murray Advertiser (28 April 1877), 5

http://nla.gov.au/nla.news-article198225521 

BENNETT & PLEITNER, MUSICIANS (Piano and Violin), CHILTERN.
PUBLIC or Private Balls and Assemblies attended in all parts of the district.
Address: Mr. J. Bennett, Chiltern.

"FIRE BRIGADE BALL". The Albury Banner and Wodonga Express [NSW] (11 May 1878), 14

http://nla.gov.au/nla.news-article257958392 

The members of the Albury Volunteer Fire Brigade purpose celebrating their anniversary by a ball, to be held at the Exchange Assembly Rooms on Tuesday, 28th May. The fact that Mrs. Pleitner and Mr. Bennet have been engaged for the occasion affords a sufficient guarantee that the music will be all that could be desired.

"CHILTERN MEMS", Ovens and Murray Advertiser (16 September 1879), 2

http://nla.gov.au/nla.news-article200193034 

On Tuesday evening last (the night of the Agricultural Show) an entertainment on behalf of the funds of local Church of England was given in the Star Theatre, and was a most successful affiur in every respect. About 300 persons were present, and all expressed themselves as highly delighted with the intellectual treat provided. Mr. Bennett and Mrs. Pleitner acted as accompanists throughout the evening, and as such gave, as usual, universal satisfaction . . .

"ALBURY (FROM OUR OWN CORRESPONDENT) March 30", Ovens and Murray Advertiser (3 April 1880), 5

http://nla.gov.au/nla.news-article200192894 

The Foresters' gala day and sports took place yesterday . . . In the evening a concert took place in the Exchange Concert-room, which was crowded, the fair sex predominating; and about 30 couples attended the Forester's Ball at the Mechanics' Institute, and kept the music going till about 5 o'clock in the morning. Bennett and Pleitner managed the music, and their name is a sufficient guarantee that it was first-class.

[Advertisement], The Express and Telegraph [Adelaide, SA] (14 February 1882), 1

http://nla.gov.au/nla.news-article208255243 

GRAND PROMENADE CONCERT will be held in Temperance Hall, Tynte-street, North Adelaide, in connection with ST. LAURANCE'S CHURCH, THURSDAY, February 16.
Tickets, to include Dancing, 2s. Violiniste, Madame Pleitner; Pianist, Mr. Bennett.

"CHILTERN RESIDENTS ABOARD", Ovens and Murray Advertiser (30 March 1882), 4

http://nla.gov.au/nla.news-article200457297 

By a letter received on Tuesday, from Adelaide, from a former resident of Chiltern (Mr. Bennett) the "Standard" learns that Mr. W. Pleitner, another old Chilternese, has been made mining manager to an important claim at Woodside, situated about 20 miles from Adelaide, and also for another claim in the same place.

"DEATHS", Evening Journal [Adelaide, SA] (5 April 1883), 2

http://nla.gov.au/nla.news-article197784183 

BENNETT. - On the 4th April, Augustus Pleitner, youngest son of the late John Bennett, North Adelaide (late of Melbourne), aged three months.

PLOCK, Adam (Adam PLOCK; Herr PLOCK)

Musician, professor of music, band leader, composer, arranger, merchant, dealer

Born Hesse Cassel, Germany, 13 October 1824; son of Adam PLOCK and Gerte GERARD
Married Louisa HICKLING (c. 1830-1911), St. Ann's, Jamaica, 2 October 1850
Arrived Melbourne, VIC, May 1853 (per Baltimore, from the Caribbean, aged "27")
Died Windsor, Melbourne, VIC, 2 June 1903, "aged 78 years"

https://trove.nla.gov.au/search?l-publictag=Adam+Plock+1924-1903 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLOCK-Adam (shareable link to this entry)

PLOCK, Gertrude (Gertrude Gerhard Louisa PLOCK; Gertrude PLOCK; Miss PLOCK)

Musician, violinist, band leader

Born Jamaica, 1851
Arrived Melbourne, VIC, May 1853 (per Baltimore, from America, aged 2)
Died Flinders Island, SA, 27 April 1927

https://trove.nla.gov.au/search?l-publictag=Gertrude+Plock+1851-1927 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLOCK-Gertrude (shareable link to this entry)

PLOCK, Emily (Harriet Emilie PLOCK; Emily PLOCK Mrs. Walter HUME)

Musician, pianist, cellist, ? violinist

Born Emerald Hill, VIC, 1856
Married Walter HUME, Windsor, VIC, 20 July 1886
Died Elwood, VIC, 14 November 1933

https://trove.nla.gov.au/search?l-publictag=Emily+Harriet+Plock+Hume+1856-1933 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLOCK-Emily (shareable link to this entry)

Adam Plock (with baton, standing centre right) and bandsmen, Melbourne, c. 1890

Documentation:

George Washington Peck, Melbourne, and the Chincha Islands: with sketches of Lima, and a voyage round the world (New York: Scribner, 1854), 123

http://www.archive.org/stream/melbourneandchi00peckgoog#page/n126/mode/2up 

. . . At the theatre [in Melbourne in May-July 1853] was a German Double bass player, whom I had known in Boston . . .

ASSOCIATIONS: George Washington Peck (author)

"AGENTS FOR THE BANNER", The Banner (23 May 1854), 16

http://nla.gov.au/nla.news-article179813253 

MELBOURNE . . . Mr. ADAM PLOCK, 27, Flinders Street . . .

[Advertisement], The Argus (19 October 1854), 8

http://nla.gov.au/nla.news-article4799178 

TO-NIGHT! Melbourne Casino to-night.
The great night of the season. For the Benefit of the Band.
On this occasion the following eminent Artists,
Among many other professional friends, have kindly volunteered their services: -
First violins - W. and S. Radford.
Second violins - Chate, Edwards, and Griffiths.
Tenor - J. Baker.
Double basses - W. Tranter and Herr Plock.
Cornet-a-Pistons - P. C. Burke and W. Carey.
French Horn - Herr Khoeler [sic].
Clarionette - G. Wilson.
Harp - T. King.
Principle [sic] Clavicore - C. Roe.
Trombone - J. Hawkes.
Oboe - H. Sorge.
Drums - Fred. Sharpe.
Piano - R. Owen.
To commence with a Grand Concert in which Messrs. William and Sydney Radford will play a duet on one violin, first time in Australia; and the celebrated duet from Les Huguenots, for the cornet and violin, by P. Burke, and W. Radford. To conclude with a Fancy Dress Ball.
Admission, 5s.

ASSOCIATIONS: William and Sidney Radford (violins); Alfred Chate (violin); Joseph Griffiths (violin); William Tranter (double bass); Peter Constantine Burke (cornet); Franz Andreas Kohler (horn); Thomas King (harp); Richard Owen (pianist)

[Advertisement], The Argus (21 December 1855), 8

http://nla.gov.au/nla.news-article4826305

MRS. THOM to the undersigned and Gentlemen of the Theatrical and Musical Profession in Melbourne . . . my very sincere thanks for the handsome testimonials of your esteem and regard with which you have presented me . . .
I remain, Very faithfully yours, ELIZA THOM.
Miss Catherine Hayes | Mr. F. Webster
Mrs. C. Poole | - L. McGowan
Madame Carandini | - H. Richardson
Mrs. E. Hancock | - H. R. Chapman
Madame Strebinger | - H. H. Oates
Mrs. Chester | - J. Welsh
- Moor | - J. Byron
Mr. John Gregg | - J. Lavenu
- Lyall | - F. Strebinger
- E. Hancock | - F. Coppin
Signor Carandini | - H. Berg
G. V. Brooke, Esq. | - Sundborg [Lundborg]
G. Coppin, Esq. | - Prinz
C. Poole, Esq. | - E. D. King
Mr. Richard Younge | - A. Moore
- H. N. Warner | - H. Johnson
- G. H. Rogers | - H. Kohler
- E. H. Burford | - H. B. Gover
- S. Howard | - P. Thomas
- E. Russell | - Hurlerbein
- T. Nunn | - Kohler
- W. Chester | - A. Plock
- J. E. Renno | - J. Murrell
- Charles | - G. Naughton
- Radford | - R. Ilsay.
F. L. Bayne, Esq. | W. Bushnell, Esq.
J. Baurie, Esq. | - Jacomb, Esq.
Melbourne, December 19th, 1855.

ASSOCIATIONS: Eliza Thom (actor); Lewis Henry Lavenu (musical director); Frederick Strebinger (violin, leader)

[2 advertisements], The Argus (11 August 1856), 8

http://nla.gov.au/nla.news-article7134621 

ACCORDIONS, Flutinas, Concertinas, Repaired at moderate charges. Plork and Kahler [sic], 45 Flinders-street west.

QUADRILLE BANDS.- Small and large bands from two to twenty musicians provided at the shortest notice and at lowest terms, by applying at No. 45 Flinders-street west.

ASSOCIATIONS: Franz Andreas Kohler (musician, business partner)

[Advertisement], The Argus (14 October 1857), 1

http://nla.gov.au/nla.news-article7140336 

WANTED MEN for Making-Up Oilskin Suits for Sailors. Plock and Kohler, 45 Flinders-street west.

"POLICE", The Argus (25 February 1858), 6

http://nla.gov.au/nla.news-article7147120 

James Dillon and John Roland, two American sailors, were charged with having created a disturbance, destroyed property, and assaulted Messrs. Kohler and Plock, ship chandlers, in their shop in Flinders-street, on the previous day. Mr. Plock's head and face exhibited several bruises, the result of the violence of the prisoners; and it was stated that Mr. Kohler's leg was either severely fractured or broken by the prisoner Dillon. The prisoners appeared to have gone to the shop for a "spree," and when ordered out they resorted to violence of the most brutal and wanton character, and when the police arrived the prisoners assaulted them also. Dr. Gerrard, the surgeon of the Hospital, was called, and proved that Mr. Kohler was admitted into the Hospital on the previous evening, suffering from a fracture of the thigh, which would keep him in bed for three or four months. Roland threw all the blame of the transaction on Dillon. The Bench committed both of them for trial.

[Advertisement], The Argus (8 February 1859), 3

http://nla.gov.au/nla.news-article7309435 

NOTICE. - The PARTNERSHIP hitherto subsisting between the undersigned, under the style of Plock and Kohler, is this day, DISSOLVED, by mutual consent.
ADAM PLOCK.
FRANZ KOHLER.
Witness - Duncan Carter.
February 7, 1859.

[Advertisement], The Argus (8 March 1860), 7

http://nla.gov.au/nla.news-article5678453 

NOTICE To PASSENGERS proceeding to England and other countries - The cheapest house in town for supplying CLOTHING of every description, Bedding, blankets, Tinware, and all necessary articles for a sea voyage, is No. 21 Elizabeth-street, opposite the Black Ball Line of Packets office.
COPPIN and PLOCK.

ASSOCIATIONS: George Coppin (business partner)

"THE LATE TOBACCO ROBBERY", The Age (4 September 1860), 6

http://nla.gov.au/nla.news-article154884410 

William Kemp, Thomas Phillips, and Adam Plock were brought up, yesterday, at the City Police Court, on bail, charged with robbing the premises of Messrs. Politz and Rose, Queen street, of a large quantity (940 lb.) of tobacco, on the evening of August 15th, and previous occasions. In addition to these, George Smithers, alias Ned, and Dick, alias William Kinsman, were now brought up charged with being two of three persons who actually committed the robbery . . . At the conclusion of this evidence counsel addressed the Bench. Thomas Phillips, William Kinsman and George Smithers were committed for trial. Adam Plock and William Kemp were discharged, the evidence being found insufficient for their committal.

[Advertisement], The Age (27 December 1862), 8

http://nla.gov.au/nla.news-article154966887 

GERMAN PIC-NIC ON NEW YEAR'S DAY, 1st JANUARY, 1863.
The German Gymnastic Association beg to inform their countrymen and the public in general that their Annual Pic-nic will take place in the Survey Paddock, Richmond, near the Pic-nic Railway station.
Johnson's splendid Band has been engaged for the occasion.
Admission tickets for Gentlemen, at 2s. 6d. each, can be obtained at Messrs L. Meyring, Bushman, J. Kruse, A. Plock, Nissen, Carp, and Leemann, and in the paddock.
Ladies and Children, Free. D. HENNO, Hon. Sec.

[News], The Argus (2 May 1863), 5

http://nla.gov.au/nla.news-article6485455

The fourth anniversary fete of the German Gymnastic Association was celebrated last evening, at the hall, in Russell-street south, and the building was tastefully decorated in honour of the occasion. The entertainment consisted of three parts - first, gymnastic displays by chosen members of the association, who performed the exercises skilfully and gracefully. The second division of the evening was given to the supper . . . The "Liedertafel" followed with the national song of the Germans. Mr. A. Plock next gave - "Victoria, the Land of our Adoption," amidst great applause. Several excellent speeches were delivered; after which dancing commenced . . .

[News], The Herald (29 April 1868), 2

http://nla.gov.au/nla.news-article244956266 

A meeting of the Victorian Musical Association took place yesterday, at the Adam and Eve hotel, for the annual election of officers for the ensuing year, Mr. Lundberg in the chair. The usual vote of thanks to the retiring officers was passed, and Mr. Caws, the secretary, having read the report showing the affairs of the society free from any liabilities, Mr. Siede was again elected secretary and sole conductor; Mr. E. Bently, treasurer; Mr. W. St. J. M. Caws, Secretary; with the following committee: - Messrs. G. R. G. Pringle, Lundberg, S. Hore, J. Hore, C. Plock [sic], and E. A. Jager; to meet on Thursday next at 3 p m. A vote of thanks to The Herald, Argus and Age, for their kind support to the "claims of the profession" was unanimously passed.

[News], The Argus (2 May 1868), 5

http://nla.gov.au/nla.news-article5815208 

The new committee of the Victorian Musical Association met, as appointed, on Thursday, the 30th ult. Present - J. Siede (president), Messrs. Pringle, Lundberg, S. Hore, T. Hore, Jager, Plock, Bentley, and Caws (secretary). Several rules were amended, and it was decided to call an ordinary meeting on Thursday, 7th inst., at six o'clock, to adopt the same.

ASSOCIATIONS: Julius Siede (conductor); St. John Caws (secretary); Charles Edward Horsley (musician); George Pringle (musician); Hore brothers (musicians); Ernest Jager (musician);

[Advertisement], The Argus (21 May 1868), 8

http://nla.gov.au/nla.news-article5816886 

POPULAR READINGS, West Melbourne Orderly Room, William-street, - Opening Night, Friday . . .
Pianist - Mr. Plock. Front seats, 6d.; back seats, 3d.

[Advertisement], The Telegraph, St. Kilda, Prahran and South Yarra Guardian (11 July 1868), 2

http://nla.gov.au/nla.news-article108125873 

PUBLICAN'S LICENSE. To the Bench of Magistrates at Prahran. -
I, ADAM FLOCK, now residing at Trinian-street, in the borough of Prahran, do hereby give notice that it is my intention to apply . . . for a CERTIFICATE authorising the issue of a PUBLICAN'S LICENSE for a house situated at the South Yarra Railway Station, containing one sitting room and a bar. The House is not licensed, and will be known under the sign of the "Railway Refreshment Rooms," and is rented of the Melbourne and Hobson's Bay United Railway Company, by Carl Plock, and occupied by the said Carl Plock.
ADAM PLOCK. The 9th day of July, 1868.

ASSOCIATIONS: Carl Adam Plock was presumably a relative, a younger brother, nephew or cousin; he had arrived in in July 1860 (per Magdalena, aged "19"), and died in Sydney in 1906

[Advertisement], The Argus (19 June 1869), 8

http://nla.gov.au/nla.news-article5822336 

GRAND COMPLIMENTARY CONCERT to HERR PLOCK,
Conductor of the Charitable Minstrels (amateurs), Town hall, Prahran, Monday, June 28,
The anniversary of the Queen's Coronation. Under Distinguished Patronage . . .
Herren Staab and Siede, Messrs. Whiteman, M.L.A., Hart, Hore, and Keiley (amateur), have kindly given their services.
The Charitable Minstrels (consisting of violoncello, basso, violins (two), cornet, flute, triangles, bones, tambourine, and piano, who have successfully performed for the Brighton and Emerald hill Ladies' Benevolent Societies) will also appear . . .

[News], The Argus (29 June 1869), 5

http://nla.gov.au/nla.news-article5824855 

The complimentary concert given last evening to Herr Plock by his friends and pupils at the Prahran Town-hall, proved most successful. The attendance was numerous, and the music, both vocal and instrumental, eminently praiseworthy. Amongst those who aided in the performance were Herr Staab, Herr Siede, Mr. Keily, Mr. Whiteman, and the members of the Charitable Minstrels' troupe. An excellent and varied programme was provided, embracing some of the most admired operatic and popular selections. Mr. Whiteman's rendering of "Barney Maguire's Account of the Coronation" (from the Ingoldsby Legends), chosen in honour of the anniversary of the coronation of the Queen and which was sung to the tune of the "Groves of Blarney," was an agreeable and amusing feature in the entertainment, and was warmly applauded. The performance by the minstrels was also well received. Several of the songs, particularly "Susan Rayne" and the "Basque Muleteer" were sung with considerable taste and vocal ability. The "Jewel Belt" dance was also noticeable and characteristic, and seemed thoroughly enjoyed by the audience. Herr Plock presided at the piano. On the whole, the concert was one of the most enjoyable of the kind given for some time.

[Advertisement], The Argus (11 August 1869), 8

http://nla.gov.au/nla.news-article5819023

FREEMASONS' BALL. - A MEETING of the musicians who were engaged at the Freemasons' Ball will be held This Evening, at 7 o'clock sharp, at Dancker's Exchange Hotel, William-street. Important business. Adam Plock.

[Advertisement], The Argus (4 September 1876), 8

http://nla.gov.au/nla.news-article5901147

NICHOSON and ASCHERBERG'S BAND (String and Brass Instruments) has long been known as the first orchestra for dance music in the colony.
The BAND Consists of 80 MEN. Conducted by the well-known Herr PLOCK, possessing the largest and most choice repertoire of music of any band this side of the equator.
Any number from one to 80 can be engaged. Engagements may be made and all particulars obtained at Nicholson and Ascherberg's.
Quadrille pianist, Herr Plock.

ASSOCIATIONS: Eugene Ascherberg and James Nicholson (musicsellers)

"MELBOURNE", The musical times and singing-class circular [London, England] (1 December 1876), 709

https://books.google.com.au/books?id=i3IPAAAAYAAJ&pg=PA709 (DIGITISED)

At the second matinée musicale [September 1876] given by Messrs. Nicholson and Ascherberg since entering their new premises at Collins Street East, Orchestral selections formed part of the programme. The band, under the able guidance of Herr Plock, performed the overture to the Crown Diamonds, a selection from Sonnambula, and some waltzes . . .

"MELBOURNE GOSSIP", Gippsland Times (14 September 1877), 4

http://nla.gov.au/nla.news-article61829974

. . . A lady plays the harp in the Opera House band during the performance of "Lohengrin." In Simonsen's Opera band a young lady played the flute. Herr Plock, of Melbourne, has formed a ladies' band, of whom three play violins and one violoncello. In Vienna there is a ladies' orchestra of twenty-five performers, including violins, violincellos, flutes, and other instruments . . .

"Marriages", The Argus (26 May 1877), 1

http://nla.gov.au/nla.news-article5923403 

THORNE - PLOCK. - On the 17th inst., at the residence of the bride's parents, by the Rev. Wm. Moss, Louis James, only son of James Thorne, of Lansdowne-street, East Melbourne, to Elizabeth, third daughter of Adam Plock, of High street, Prahran. Home papers please copy.

"HERR PLOCK'S MATINEE MUSICALE", The Argus (19 January 1878), 5

http://nla.gov.au/nla.news-article5917763

The elegant music saloon at Messrs, W. H. Glen and Co.'s, in Collins-street, was crowded on Friday afternoon by an audience well qualified to judge the merits of the musical entertainment provided. Herr Plock had surrounded himself with an efficient band, numbering 18 players, nearly all of them being instrumentalists of acknowledged rank. The orchestral selections were Flotow's fine overture to "Stradella," and a selection from "Ernani" by Verdi (a new arrangement by Riviere). Some slight want of rehearsal was noticeable in the performance of the last-named selection. The players generally were both accurate and spirited in their performance of the work allotted to them. Their principal shortcoming was to be noticed in the matter of fineness and piano playing, and this again is the principal fault which can be alleged in their performance of the most interesting number on the programme, the "Elsa Waltz." Herr Plock has often before now given to our Melbourne salons his own arrangements of favourite themes skilfully transcribed for dancing purposes, but in this instance he has achieved something entirely beyond his usual mark. The "Elsa Waltz," as the title denotes, is founded on salient themes from "Lohengrin," and it is surprising to find how well these melodious Wagnerian strains have been harmonised and adapted to one uniform tempo to suit the measure of the waltz. Thus we have the reception music of the first act, the procession music of the second, and the wedding music of the third act, each introduced in turn with excellent taste, the identity well preserved in each case, and a truly admirable waltz as the result. The performance was loudly applauded, and the conductor fully deserved the hearty compliment which was paid to him. We take this opportunity to acknowledge the pianoforte copies of the "Elsa Waltz" published yesterday, and sent by Herr Plock to this office. Miss Lily Balderaon played De Sivrai's pianoforte fantasia on "American airs," and gave a very praiseworthy interpretation of that ingenious and fanciful composition. Miss Galloway was also successful with Thalberg's andante movement for pianoforte (in five flats, Op. 82); and we must mention with special praise the name of Miss Beatrice Lewellin, who played Nollet'a charming fantaisie, "Les ondes en lumeire," with such nice discrimination in tasteful reading and sympathetic delicacy of touch as to merit well any distinction we may make in her favour. These young ladies were all pupils of Herr Plock. The andante and finale movements from the Reissiger quintette (Op. 90) for two violins, alto and two violoncelli, was played by Messrs. Thompson, Hailes, Thorne, L. Thorne, and Miss Emily Plock. Compositions of this class require a great deal of private practice before they are fit for production in public; each instrument should by right be in the hands of a solo player. We are told that the "Glen Saloon" is to be brought more frequently into use for concert purpose than it has been of late.

ASSOCIATIONS: Hailes (musician, a son of George Hailes?); James Thorne (musician); Louis James Thorne (musician)

"DEATHS", Record [Emerald Hill, VIC] (29 April 1881), 1

http://nla.gov.au/nla.news-article108471755 

THORNE. - On the 16th inst., at Stanmore, near Sydney, Lizzie, the beloved wife of Louis F. Thorne [sic], and daughter of Herr Plock, of this city, aged 22.

[Marriages], The Argus (28 July 1886), 1

http://nla.gov.au/nla.news-article11567096 

HUME - PLOCK. - On the 20th inst., at the residence of the bride's parents, by the Rev. W. Moss, Walter Hume to Emily Harriett, second daughter of Herr Plock, of Windsor, Melbourne.

"Marriages", The Argus (7 April 1888), 1

http://nla.gov.au/nla.news-article6115600 

THORNE - PLOCK. - On the 2nd inst., at the residence of the bride's parents, Louis James, of Sloane-street, Summer-hill, near Sydney, New South Wales, son of the late James Thorne, to Louisa, youngest daughter of Herr Plock, of The Avenue, Windsor, Victoria.

"Herr Adam Plock", Table Talk (15 March 1889), 6

http://nla.gov.au/nla.news-article146023592 

A MAN who has been providing the Melbourne public with dance music for the last thirty five years, may fairly be considered one of the social influences of the time; and now that we are summing up our national development of our musical taste, it should be borne in mind that whatever the culminating point of the national musical taste may be, we are largely indebted to the men who have worked along so steadily at their professions, that the appellation of "musical pioneers" is the truest and most expressive term for describing their social value.

Herr Adam Plock was born in 1824, near Hessen Cassel, in Germany. His father was the curate of the Calvinistic Church in the village, while his grandfather, George Plock, served under Frederick the Great in the seven years' war, and won much distinction for his bravery, at the same time having the good luck to be wounded only once. Adam Plock was instructed in music by his father until he made such progress that he was placed under it Herr Ritter for the violin and clarionette, and shortly after Dr. Volkner was chosen as his tutor for the piano. The young man was regarded by all his friends and acquaintances as possessing great musical genius, and high expectations were formed of him.

However, in 1842 Adam Plock loft his native land and embarked for New York, for the double purpose of seeing the world and winning a reputation. His resolution and energy were all the more remarkable inasmuch as he could not speak a word of English, and did not have a single acquaintance. Yet, on the second night of his arrival in New York, he was engaged by the manager of a French opera company to play second violin in the orchestra. Once he gained a footing, he worked his way steadily forward, and his next engagement was as double bass player in the orchestra of in opera company sailing for Kingston, Jamaica. He like the island so much that he accepted the position of organist at St. Ann's, which he continued to hold till he sailed for Victoria. As an instance of his musical ability and the thorough training he had received, it may be mentioned that while playing in a band on Long Island, a lady brought a piano score, to the bandmaster, of the newly published Bohemian Girl, with the request to have it played next evening at her house. The bandmaster was in despair, as the copy was only for the piano, and not another copy could be obtained. In response to his questionings, the musicians about him did not offer to help him out of his difficulty in any way, but Herr Plock, though quite a lad, did not let the opportunity pass. "I'll do it," he exclaimed, "You!" "Yes, and I'll bring you the complete band parts by eleven o'clock to-morrow." And he kept his word. The bandmaster stared at him, and then simply said, "Sir, you are a musician." During his residence in Jamaica Herr Plock visited Panama, Lima, and several other notable South American towns, and during one of these trips married the daughter of a West Indian merchant.

Herr Plock set foot in Melbourne in 1853, and at once fell in with an old shipmate - the late Mr. John Hydes - popularly known an Johnny Hydes - who was at that time successfully managing the old Queen's Theatre in Queen street. Hydes engaged Herr Plock to play double bass at this theatre, and his second engagement was with Mr. George Coppin at the Olympic. The musician now entered into a little business of his own in Flinders-street, and finding it prospering, he threw up his engagements, but subsequently the business did not turn out as successful as was anticipated, consequently Herr Plock once more reappeared in the orchestra.

In 1871-3 he began to be well known in connection with a small band which he himself conducted, and Lady Bowen discovered that she required his services at Government House, for a series of small dances. An aide-de-camp interviewed the musician "What do you ask for providing a band of three or four players? he demanded. "Two guineas," promptly replied Herr Plock. "What!" gazed the official. "Two guineas." "She'll never pay that," exclaimed the aide-de-camp. "Say thirty shillings." So thirty shillings was agreed on, although the musician slily remarked when mentioning the affair to a friend, "I'd have taken nothing at all, only he didn't know that, for ever since then I have been engaged for all the fashionable social festivities in Melbourne."

Herr Plock has been instrumental in introducing the highest class of dance-music, notably German compositions, into the colony, and at the series of moonlight concerts given in the Melbourne Cricket Ground in 1882, he attracted thousands of listeners by the excellence of his programmes. He also held several promenade concerts at the Albert Park Drive, but his name is a household word all round Melbourne through his continual appearance with his band at all the garden parties, weddings, balls, and other fashionable entertainments of the time. Several of his own musical compositions have been published by Chappell and Co., of London, and Glen and Co., of Melbourne. Herr Plock is also busily engaged in teaching - both publicly and privately - the Church of England Grammar School and St. Francis Xavier's College being among his public duties, while he numbers several of the leaders of fashion among his former pupils. Distinguished visitors have recognised his ability, and Prince Louis of Battenburg complimented him warmly on his musical skill at a ball given at St. Kilda by the officers of the Flying Squadron. Herr Plock's success has been very pronounced during the last few years, a fact which may be ascribed to his thorough knowledge of the capabilities of each member of his band, for as he has been a bandsman himself, it stands to reason that he knows every detail of the workings of a musical organization.

"MANY HAPPY RETURNS OF THE DAY", Table Talk (11 October 1889), 1

http://nla.gov.au/nla.news-article147280144 

. . . On Sunday, October 13 . . . To Mr. Adam Plock; musician, born 1824 . . .

"A TALK WITH HERR PLOCK", The Argus (29 July 1893), 4

http://nla.gov.au/nla.news-article8675487 

"A TALK WITH HERR PLOCK", The Australasian (5 August 1893), 24

http://nla.gov.au/nla.news-article138658261 

"A trained hand captain eke was he."

Herr Plock, or, as he is better and more widely known, and as he delights to style himself, "Old Plock," is the Bill Adams of the ballroom. The fact of the Governor and the lesser lights that rule the night being present would count for nothing were not that stalwart form, with bent head peering over glistening spectacles and baton resting lightly on the music stand in evidence in the orchestra gallery.

Herr Plock has been playing music night and day, with the necessary intervals for rest and refreshment, for the last forty years, and during that time has had many strange experiences. Like old Sol. Gills, he is so "chock full" of anecdotes that it is difficult to keep him to one subject, and it is no uncommon thing to find he is running three yarns at once, "mit his bipe going like a shimney-pot" all the time. He has had during his time what he characteristically calls lots of "oops and downs, and sometimes over the vall together." But he has plugged on, ever coming up smiling behind his spectacles to time, and ready with his best music for ball, wedding, or picnic.

He is always on the look-out for the comical side of things, and from his exalted station in the music gallery has had ample opportunities. He has a good word for everybody, even for the Bounders of the Boom, whom he misses and regrets. "By shimmeny," he says, "they did tings well. Plenty viz, plenty money, plenty everyting. Ach! it was a peautiful tream, and ve all toomple oot of pet on to the floor and roob the place ve hurt the most, generally our preeches pocket."

What difference has the change in affairs made to you?

"Well, as far as regard the moosic none at all, but there is no more three and four in the morning mit vix going all the time. That's all knocked on the head, and a goot job too. Now we have light revreshments, and shoot up shop at 12 o'clock sharp. For me and gentlemen who have to be at their pisiness next day the shange is joost capital, and we can all get our hats on in the morning mitout a shoehorn."

In those times it must have been difficult to keep all your engagements?

"I nefer disappointed a barty-gifer in my life but vunce," replies the musician, with a twinkle in his eye, "and that was in the very olt days. My bandt had been at a vedding in the afternoon, and the vix was so goot and the day so varm that my bandt got in a very bad vay. I found my first violinist in bed with his boots and hat on. My trombone player had fallen on his instrument and smashed it as vlat as an omelette, and the oder members of the bandt I disgovered valtzing togeder in a vine-shop. I talked to them like a Dootch oncle, and they were so ashamed of themselves that they nefer came for their vages at the end of the veek."

Chuckling, as a he recalls that unique occasion, Herr Plock starts a capacious briar-root pipe, which he keeps loaded in his vest pocket. As he stands with his back to the fire and you talk music his face lightens up wonderfully. He a not, in personal appearance, as trim and natty as, say, Signor Zelman, but the musician is stamped all over him. Once wound up he takes a long time to run down.

"At the age of 15 I landed in New York in company with a five-franc piece. I didn't know much moosic then, but as no one else did I got plenty to do. After a time I went to Jamaica and got married, returned to America, and came out here. My first engagement was at the old Queen's Theatre, where I played the clarionet, double bass, and a few other instruments. In the day-time I was doing nothing, so I said to myself, 'Plock, this will nefer do, running your nose against every pooblic house,' and so I went into business as a general dealer in Swanston-street with a partner named Kohler, and made £3,000 in three months. I got so clever that I started to buy wrecks - there's one of mine at King's Island now, The Swallow - and very soon I lost all the money I'd made. That was a lesson in sharps and flats that I never forgot. For two, three, four years my luck was out. But it's a long vorm that has no turning, and at last it change. I went to the moosic again and I said, 'If I can make £3 a week I shall do.' Then I made £6, then £9, then £20, and I throw oop my hat.

"There is one thing I most tell you in connection with my partner Kohler. A watchmaker known as Bendigo Moses came to him one day and wanted a loan of £300 on his stock. While Kohler was looking it over a man came in, and slapping Bendigo Moses on the shoulder asked him what he'd take for his land at Brighton. 'Forty pounds an acre,' answered Moses, 'and not a penny less.' 'Hullo!' said Kohler to himself, 'that's good enough - and so he lent him £150. In less than a week Moses and his stock had disappeared. About six months afterwards the Brighton land buyer came into the shop again and asked Kohler if he'd give a tenner to know where Bendigo Moses was. The bargain was struck for five pounds. 'He's in the Sydney cemetery,' was the information. 'I was at his funeral last week.

"Some funny experiences? My word you may say that. I remember a gentleman - a very wealthy man, too - coming to me and saying, 'Plock, I want you to play at my house from eight to twelve.' I make my charge, and then he screws me down. 'All right,' I say, 'old chap, I think two can play at that game.' And so when the night come we give 'em all the old stuff till half-past eleven. Then we start out and play the best moosic as be-a-utiful as we can, and then the people don't want to go - and don't go. Twelve o'clock arrive, and the gentleman come to me, tearing his hair, and say, 'Plock, they won't go, they are dancing away like mad. 'All right,' I say, 'my contract finish at twelve.' 'But you can't go.' 'But I will,' I say. 'Yumping Yehosophat,' he shriek, 'you must go on.' 'If you say so, all right,' and on I go. Next day I send him a bill for double the price agreed on.

"Oh! but the young ladies - how I love 'em, and they love me too. Sometimes, one comes to me and say so sweeet, 'Herr Plock I've got such a noodle of a partner; do play quick and get it over;' and I promise. Then, another one come, and she say, 'Hair Ploque, I have got yoost so goot a Johnnie for this waltz; go slow, please do.' And I promise her, too. Then I go mine own way, and play yoost as I always do; and then they come again, and thank me, and say, 'Plock, you are a brick, that was yoost the very ting.'

"I remember, in the boom time, a lady dressed so beautiful, coming to me for my band. 'Hair Plog' - that's what she call me - 'Hair Plog, I want you to play at my party, piano and horn, you know.' 'Horn,' I say, gammoning not to understand; 'do you mean cow's horn?' 'No, Hair Plog,' she reply. 'I mean that roundabout brass thing you tootle on; a hornet, I think you call it. I want the music loud, so that my neighbours will know I'm giving a hop.'

"All new chums are bad dancers. The Earl of B. was the worst I ever saw: buck joomper, I christened him. I can tell a lady or gentleman in a ballroom that's fresh from home in the twinkling of a jiff. I asked one how it was the English Johnnies danced so badly.' Well, he say, you see at home we get scarcely any dancing at all. We rush to three, four, and fife balls in one night, and a jam at each. Out here we get only one ball a night, and can dance all the time."

"Captain Willoughby was a good dancer, though, but whew! what a speed he did go. I say to my daughter one evening, we will try and keep up with him for once, but it was no good - the quicker we went the quicker he went. Do what we could he was always a bar ahead, and going like vun o'clock. We never tried it again."

"Sir George and Lady Bowen were always quarrelling about the music. Sir George would say, 'Plock, play a polka,' and then her ladyship would come over and say, 'Herr Plock, will you kindly play a waltz?' Well, I didn't know what to do, and so I play some tings of mine own. Then they would both come up and go for me, but I keep the music going, and could not hear what they said, and they make their remarks in dumb show. When I finish I apologise, and say to each, 'I am so sorry; I must have misunderstood you.' And Sir George would shout, 'Plock, you old scoundrel, I know you Sharmans. Come and have a glass of wine;' and I would reply, 'No, thank you, Sir George; but if you will give us a little room we could eat and drink twice as much, and have our smoke-pipes as well!"

On being asked which instrument he likes best, Herr Plock replies with a smile that ripples all down his waistcoat, "The one I get the most notes out of." But he explains that that is only one of his "chokes." Seriously he says, "I love 'em all, like I do the pretty girls. But there is one thing I do object to, and that is the people waltzing when I play polka music. I don't mind if they can do it well, but nine out of every ten make such exhibitions of themselves that sometimes I think I will stop and say, 'Laties and gentlemen, dance if you like, but don't play the tarn fools.' Then I think that would be no goot, as they would go on doing what they please. Some times lovers come and sit in my gallery in amongst the ferns, and chatter away joost so as I can hear all they are saying. 'Oh, it's only old Plock,' they think, 'he don't count.'

"MARRIAGES", The Argus (6 October 1900), 9

http://nla.gov.au/nla.news-article9558764

PLOCK - HICKLING. - On the 2nd October, 1850, by special license from Sir Charles Edward Gray, Governor of Jamaica, W.I., at the parish church, St. Ann's, by Rector John Smith, Adam Plock to Louisa Hickling, daughter of George Hickling, Esq., Clarmont, Pedroes, St. Ann's, Jamaica. (Golden wedding.)

"Deaths", The Argus (3 June 1903), 1

http://nla.gov.au/nla.news-article9816706

PLOCK. - On the 2nd June at his residence, 25 The Avenue, Windsor, Herr Adam Plock, beloved hus- band of Louisa Plock, and native of Hesse Cassel, Germany, aged 78 years.

"MELBOURNE GOSSIP, BY VIVA", The Sydney Mail and New South Wales Advertiser (10 June 1903), 1418

http://nla.gov.au/nla.news-article165189617 

The keen frosts of last week "slit the thin-spun thread" of the lives of several Victorian veterans . . . Herr Plock was another of the veterans who succumbed to the frosts. He died last Tuesday at the ripe age of 78. The old bandmaster appeared at balls with his musicians until some three months since, when his daughter took his place as conductor of the band. Miss Plock inherits her father's gift, and is in request at all the fashionable balls of the season. Experienced dancers declare that there is no music like that of Plock's Band, and the belles and beaux of Melbourne ballrooms have a kindly feeling for the old bandmaster just called to his rest. His dance music was calculated to make "Soft eyes look love to eyes that spoke again." On his retirement Lady Madden organised a subscription for him among his friends. A sweet and womanly letter, very characteristic of the writer, appeared in the daily press from the wife of the Chief Justice. She reminded those who had danced to the strains of Plock's Band how often the old musician had played the accompaniment to the sweetest song of their lives, and asked them to make a purse as an expression of sympathy with Herr Plock, whose last days had been somewhat clouded by financial embarrassments. A purse with more than £50 in it reached the veteran the day before his death with a kindly letter from Lady Madden. Melbourne society is not yet altogether heartless.

"WILLS AND ESTATES", The Argus (30 July 1903), 6

http://nla.gov.au/nla.news-article9824157

Adam Plock, late of 25 The Avenue, Windsor, professor of music, who died on June 2, under a will dated January 25, 1895 left real estate valued at £1,110 and personal property valued at £1,156 in trust for the benefit of his widow, children, and grandchildren.

"DEATHS", The Argus (3 May 1927), 1

http://nla.gov.au/nla.news-article3852148 

PLOCK - On the 27th April at the residence of her niece (Mrs. L. L. Webster), Nalinga, Flinders Island, Gertrude Gerhard Louisa, eldest daughter of the late Adam Plock, and loved aunt of Mrs. A. H. Cottman, of East Malvern.
PLOCK - On the 27th April, 1827 (pneumonia) at Flinders Island, Gertrude, loved sister of Emily Hume, and daughter of the late Adam and Louisa Plock.

"MUSIC NOTES", The Australasian (7 May 1927), 49

http://nla.gov.au/nla.news-article140733398 

The death is announced of Miss Plock, eldest daughter of Mr. Adam Plock, who was well known to the older generation of Melbourne music-lovers as a musician and conductor. Miss Plock is remembered by many as a teacher of music associated with leading schools.

"DEATHS", The Age (16 November 1933), 1

http://nla.gov.au/nla.news-article203366567 

HUME. - On the 14th November (suddenly), at her residence, No. 54 Cole-street, Elwood, Emily Harriet, the beloved wife of Walter, and dearly loved mother of Linda, Rita, George, Karl and Gertrude. Interred privately 15th November.

"ABOUT PEOPLE", The Age (16 November 1933), 9

http://nla.gov.au/nla.news-article203366699 

The friends of the late Mrs. Walter Hume will learn with regret of her death, which took place suddenly on 14th inst. at her residence, 54 Cole-street, Elwood. Mrs. Hume will be remembered by older members of Melbourne society as a daughter of the late Herr Adam Plock, who was a leading member of the musical world in Melbourne during the eighties. Mrs. Hume is survived by her husband and an adult family of two sons and three daughters. She was a very versatile musician and a well-known teacher, her professional name being Emily Plock, and her connection with the musical life of Melbourne dated from the regime of Lord and Lady Bowen at Government House.

Selected musical works:

Plock's little footsteps galop (Melbourne: J. C. W. Nicholson, [1874])

https://trove.nla.gov.au/work/9940237 (DIGITISED)

Queen of the woods waltz, introducing the admired melodies "To the woods", & "Breathe not at parting" by A. Plock, as performed by Plock's band (Melbourne: W. H. Glen & Co., [1877])

https://trove.nla.gov.au/version/13976155 (DIGITISED)

Elsa waltz from Lohengrin by A. Plock, composer of the Queen of the woods waltz, respectfully dedicated to Miss Bowen, second edition ([Melbourne]: Published by the composer, [1878])

https://trove.nla.gov.au/work/21500709 (DIGITISED)

Stolen kisses waltz, in Glen's Exhibition album (Melbourne: W. H. Glen, [1880])

https://trove.nla.gov.au/work/32923928 (DIGITISED)

The Age polka by Herr Plock (Melbourne: W. H. Glen & Co., [1880])

https://trove.nla.gov.au/work/203933835 (DIGITISED)

New highland schottische arranged by A. Plock (Melbourne: W. H. Glen & Co., [1881])

https://trove.nla.gov.au/work/12121602 (DIGITISED)

The Bulletin polka composed by Herr Plock, dedicated to his pupil, Miss Annie Wright; supplement to the Melbourne Bulletin (3 March 1882)

https://trove.nla.gov.au/work/9869621 (DIGITISED)

Fatinitza polka arranged by A. Plock, as played by Plock's Band, second edition (Melbourne: W. H. Glen & Co., [1881])

https://trove.nla.gov.au/work/22498930 (DIGITISED)

PLUMPTON, Alfred (Alfred PLUMPTON)

Composer, music critic, choral director, conductor, teacher

Born Islington, London, England, 1842
Arrived Melbourne, VIC, 20 June 1878 (per Assam, from Europe, via Bombay)
Departed Melbourne, VIC, February 1891 (per Victoria, for London)
Died London, England, 2 April 1902

https://trove.nla.gov.au/search?l-publictag=Alfred+Plumpton (TROVE public tag)

http://nla.gov.au/nla.party-488581 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLUMPTON-Alfred (shareable link to this entry)

PLUMPTON, Carlotta (Charlotte TASKER; Mrs. Alfred PLUMPTON; Madame Carlotta TASCA; Madame TASCA)

Pianist, organist, lyricist, songwriter, teacher of music

Arrived Melbourne, VIC, 20 June 1878 (per Assam, from Europe, via Bombay)
Departed Melbourne, VIC, February 1891 (per Victoria, for London)
Died London, England, 1902

https://trove.nla.gov.au/search?l-publictag=Carlotta+Tasca (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1541199 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLUMPTON-Carlotta-TASCA (shareable link to this entry)

THIS ENTRY IS A STUB ON PERSONNEL FIRST ACTIVE IN AUSTRALIA AFTER 1860

Summary:

An Alfred Plumpton, a London vocalist, appeared in Sydney in 1869, by 1871 his promoters billing him as "the great Tenor, the Sims Reeves of Australia". Was this perhaps Alfred's father (mentioned in his later publicity)? Or even Alfred himself?

Alfred and his wife Carlotta Tasca anyway arrived in Melbourne in June 1878 from Bombay. The patriotic song To arms, to arms "composed by Mr. Alfred Plumpton, the words by Madame Tasca, both of whom are now in this city." Carlotta Tasca was introduced by Emily Soldene that month.

Alfred was musical director at Presbyterian Ladies' College (1883-86) where he taught the pianist-novelist Henry Handel Richardson, and choir director at St. Francis's church and St. Patrick's cathedral; music critic for the Melbourne Age and Leader (from 1882), and the Victorian review (1882-83); and president of the Society of Musicians of Australasia (1890).

At a banquet in Melbourne Town Hall on the departure of the governor and his wife for Mauritius in 1879, his setting of Marcus Clarke's poem Victoria's farewell to Lady Bowen (see other Clarke setting below) was sung, and Tasca played his piano fantasia Hibernian echoes. His Mass in G for choir and orchestra, first performed at the cathedral in January 1881 and repeated several times that year, has disappeared, though some organ works have survived.

Other larger compositions included the cantatas The apotheosis of Hercules (1882) and Endymion (1882), and The Victorian jubilee ode (words by Edwin Exon) for the Metropolitan Liedertafel in 1887. His two-act opera, I due studenti was premiered by the New Italian Opera Company in December 1887. In 1890 he conducted a season with Nellie Stewart's opera company, and in 1891 Stewart, Plumpton and Tasca left for England. Later, in 1895, J. C. Williamson's toured the operetta An arcadian eve (libretto: Huan Mee) to Adelaide, Brisbane, Melbourne and Sydney. He was a prolific composer of published songs both in London and Australia, many with words by Tasca.

Documentation:

[Advertisement], The Sydney Morning Herald (19 July 1869), 8

http://nla.gov.au/nla.news-article28420605

[Advertisement], The Sydney Morning Herald (9 December 1871), 4

http://nla.gov.au/nla.news-article13248946

"THEATRE ROYAL. BENEFIT AND FAREWELL OF MISS SOLDENE", The Argus (29 June 1878), 8

http://nla.gov.au/nla.news-article5938213

[News], The Argus (20 February 1879), 5

http://nla.gov.au/nla.news-article5933001

"PLUMPTON'S MASS", The Argus (10 January 1881), 6

http://nla.gov.au/nla.news-article5969121

"MR. PLUMPTON'S CANTATA THE APOTHEOSIS OF HERCULES. TO THE EDITOR", The Argus (25 February 1882), 11

http://nla.gov.au/nla.news-article11533258

"THE MELBOURNE MUSIC FESTIVAL. ENDYMION", The Argus (27 December 1882), 7

http://nla.gov.au/nla.news-article11563581

"THE OPERA I DUE STUDENTI", The Argus (28 December 1887), 5

http://nla.gov.au/nla.news-article7923643

"THE EVENING CONCERT", The Argus (5 October 1888), 10

http://nla.gov.au/nla.news-article6904166

"Social", Table Talk (9 May 1890), 14

http://nla.gov.au/nla.news-article147281953

The children's operetta of "Red Riding Hood," in aid of St. Mark's Parish Mission, was performed on Thursday evening, May 1, before a crowded audience in the Fitzroy Town-Hall. The operetta has been carefully dramatized by Miss A. M. Heinbockel from the cantata of the same name, and her efforts have resulted in such complete success as to win for her widespread praise and approbation. The principal character, Red Riding Hood, was sustained by Miss Louie Nathan with good effect, and with her ware creditably associated Miss Nellie McWilliams, Master Davies, Master Favargor, Miss Adelaide Osmond, Miss Marie Carroll, Miss Cara Plumpton, and Miss Dora Palmer. One of the attractions of the operetta was the fairy dance by the pupils of the Misses Hyams. The accompanist, Miss Louie Kennedy, got through her part of the work skilfully.

[News], The Argus (13 February 1891), 4

http://nla.gov.au/nla.news-article8475067

A goodly number of members of the musical and dramatic professions are announced to take part in the farewell matinee to Mr. Alfred Plumpton in the Opera-house tomorrow afternoon . . .

"THEATRE ROYAL", South Australian Register (2 July 1895), 6

http://nla.gov.au/nla.news-article54570708

"OBITUARY. MR. ALFRED PLUMPTON", The Sydney Morning Herald (4 April 1902), 7

http://nla.gov.au/nla.news-article14442678

"MUSICAL AND DRAMATIC NOTES", The West Australian (5 April 1902), 4

http://nla.gov.au/nla.news-article24742126

"AUSTRALIANS ABROAD (FROM A SPECIAL CORRESPONDENT) LONDON, April 4", The Australasian (10 May 1902), 45

http://nla.gov.au/nla.news-article139758221

Mr. Alfred Plumpton, who has just died, was a man who had made many friends, though his stronghold was what might be termed cultured Bohemia. There he presided as a chief night after night, and not infrequently morning after morning, as a continuation; and the hours flew by to his favourite song of Melbourne memories. Plumpton did much for the musical dramatic profession. He was a brilliant conductor, a writer of tuneful music, and a very staunch friend to his friends. No vocalists from Australia wanting a trial ever appealed in vain to him as conductor of the orchestra at the Palace Theatre of Varieties. If they were not quite "up," the condemnatory verdict was accompanied with such kindly, encouraging advice that the applicant almost felt an engagement had been offered. It must have been a great change from the choirmastership of St. Francis's R.C. Church, Melbourne, to the orchestra of the Palace. But Plumpton, a natural cosmopolitan and man of the world, never seemed to realise that there had been a change. As a musician, in the conductor's chair, he did not have his superior in London, and the bold experiment of the Palace directors in engaging, at a handsome salary, a man of such ability was justified by their securing in return the patronage of the best and most fashionable audience that had ever visited a "Theatre of Varieties". He has left behind him a sturdy, bright-witted, and gifted daughter to console his widow, whom Australians may not have forgotten under her professional name of Madame Carlotta Tasca.

"MUSICAL AND DRAMATIC NOTES", The West Australian (12 July 1902), 5

http://nla.gov.au/nla.news-article24749854 

The death is announced of Madame Carlotta Tasca, widow of Alfred Plumpton, whose death was also recorded quite recently. Madame Tasca was for many years a successful teacher of music in Melbourne, and, in addition to her musical gifts, was a highly cultivated woman. She died at her residence, Highgate, London, after a long illness.

Marcus Clarke settings:

This is love, words by Marcus Clarke, music by Alfred Plumpton, in Nicholson's Australian musical magazine 41 (1897)

http://nla.gov.au/nla.obj-173718205-v (DIGITISED)

Those vanished years, song written by Marcus Clarke, composed by Alfred Plumpton, sung by Maggie Stirling (Melbourne: Marian Clarke, 1898)

https://trove.nla.gov.au/work/33056426 (DIGITISED)

What hopes the patriot's bosom holds, written by Marcus Clarke, composed by Alfred Plumpton, in Nicholson's musical magazine 58 (1901)

http://nla.gov.au/nla.obj-170964774-v (DIGITISED)

Other works (selection):

Overture Macbeth (for orchestra; performed Melbourne, October 1888)

Darling (words: Carlotta Tasca; "Sung by Mr. Armes Beaumont"), The Illustrated Australian News and Musical Times (1 July 1889), 12-13

http://nla.gov.au/nla.news-page5975425

Oh, lovely voices of the sky (hymn for Christmas), words by Mrs. Hemans, dedicated to Miss Fraser, Toorak, music by Alfred Plumpton, in The illustrated Australian news and musical times (1 January 1890), 12-13

https://trove.nla.gov.au/work/17070372 

PLUMSTEAD, Henry (Henry PLUMSTEAD; Mr. H. PLUMSTEAD)

Professor of music, organist, pianist, piano tuner

Born London, 20 April 1819; baptised St. Mark's, Kennington, 3 May 1845 [sic]; son of William Henry PLUMSTEAD (c. 1795-1856) and Caroline
Married (1) Maria Louisa PLUMSTEAD (1825-1851), Lambeth, 1846 (first quarter)
Arrived Adelaide, SA, 5 March 1849 (per Athenian, from London, 8 November 1848)
Married (2) Ellen PLAYER (1833-1819), Adelaide, SA, 1 January 1852
Died Norwood, SA, 27 August 1886, in his "68th year"

https://trove.nla.gov.au/search?l-publictag=Henry+Plumstead+1819-1886 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLUMSTEAD-Henry (shareable link to this entry)

Summary:

Henry Plumstead was a son of the London musician, composer, and arranger, William Henry Plumstead, and his wife Caroline.

Plumstead senior was born on 21 April 1795, and baptised on 17 May at St. Leonard's, Shoreditch, a son of William Plumstead and Jane Wynne, who had married at St. Luke's, Finsbury, on 2 December 1792. His "favorite waltz", Non mi ricordo, appeared in print in 1825. He was described as "of the Theatre Royal, Drury Lane" on the cover of the first edition of his musical anthology, The musical golconda, which appeared in 1825 with a dedication to John Braham, and which was reissued in 1827 as The beauties of melody, and again in an unattributed edition of 1833. His pamphlet Observations on the present state of congregational singing appeared in 1846. He died at the beginning of September 1856 and was buried at St. Matthew's, Brixton, on 4 September, aged 61.

Henry was living with his parents in Lambeth at the time of the June 1841 census, and working as a clerk. He married his first cousin, Maria Louisa Plumstead, early in 1846, and they sailed from London for South Australia on the Athenian on 8 November 1848. A girl, was born the couple 9 March, at their home in Kermode Street, North Adelaide, but the mother, Maria, died three months later, on 12 June.

Plumstead married for a second time, to Ellen Player, in Adelaide on 1 January 1852.

Documentation:

England census, 6 June 1841, Kennington, Lambeth, Surrey; UK National Archives, HO 107 / 1056 / 7

https://www.ancestry.com.au/imageviewer/collections/8978/images/SRYHO107_1055_1057-0457 (PAYWALL)

Stattford [?] Wyndham [Rd. ?] / William Plumstead / 41 / Teacher of Music / [not born in Surrey]
Caroline [Plumstead] / 40 / - / [not born in Surrey]
Henry [Plumstead] / 20 / Clerk / [not born in Surrey]

Adelaide, SA (1849-52):

"ARRIVED", South Australian Register (7 March 1849), 2

http://nla.gov.au/nla.news-article50245709

Monday March 5th - The barque Athenian, 679 tons, W. H. Taylor, master, from London and Plymouth. Passengers . . . Mr. and Mrs. Cobbin and family, Mr. and Mrs. Plumstead . . . in the steerage.

ASSOCIATIONS: William Cobbin (musician)

[Advertisement], South Australian (30 March 1849), 3

http://nla.gov.au/nla.news-article71623394 

MR. PLUMSTEAD begs to inform the inhabitants of Adelaide and its vicinity, that he gives lessons on the Pianoforte, Seraphine, and Organ; and also in Singing. Pianofortes tuned. Mr. P. has been honored with a letter commendatory from the Lord Bishop of Adelaide, and can give references to persons of the highest respectability in the colony. Address at Platts's Library.

ASSOCIATIONS: Augustus Short (bishop); Charles Platts (bookseller)

[Advertisement], South Australian (3 April 1849), 1

http://nla.gov.au/nla.news-article71623425

[as above] . . . N.B. - A Piccolo Pianoforte for sale.

[News], South Australian Register (26 May 1849), 2

http://nla.gov.au/nla.news-article50245739

One object of the special services at St. John's Church, as advertised in another column, is a reduction or extinction of a debt of £181. His Excellency has signified his intention to the present, and Mr. Plumstead, an eminent organist lately arrived from England, will preside at the organ.

"ST. JOHN'S CHURCH", South Australian (29 May 1849), 2

http://nla.gov.au/nla.news-article71623797 

Two sermons were preached at St. John's Church, on Sunday, by the Lord Bishop, and the Venerable Archdeacon Hale . . . The performance of Mr. Plumstead on the organ and the singing of the choir was deservedly admired, as adding much to the solemnity and beauty of the service.

[News], South Australian Register (30 May 1849), 3

http://nla.gov.au/nla.news-article50248141

. . . The singing of the choir was exceedingly good, and the performance of Mr. Plumstead on the organ greatly admired.

[Advertisement], Adelaide Times (1 October 1849), 1

http://nla.gov.au/nla.news-article206981184 

SINGING CLASS.
AT the request of many of his friends, Mr. Plumstead, will open a Class at the Native School Room, Adelaide, on Monday Evening, the 22nd October, and on every following Monday, at 8 o'clock, for the study of Vocal Music, on a simple and expeditious system, by which persons previously unacquainted with Music, may in a short time be enabled to read at sight, and join in Glees, Choruses, &c., &c.
Terms, 10s per quarter. Tickets may be had of Mr. Ross, at the Native School; at Platts' Library; Mr. Wigg, Rundle-street; and of Mr. Plumstead, North Adelaide.

"LOCAL INTELLIGENCE", South Australian Register (24 November 1849), 2

http://nla.gov.au/nla.news-article50246344

A most interesting meeting took place on Thursday evening last, at the Trinity Church school-room, being the first general meeting of the South Australian Church of England Sunday School Institute . . . The Lord Bishop of Adelaide presided . . . The meeting was kindly favoured by Mr. Plumstead with some pieces of music on the seraphine . . .

[Advertisement], Adelaide Times (28 January 1850), 1

http://nla.gov.au/nla.news-article207114840 

A CARD. MR. PLUMSTEAD., Teacher of the Pianoforte and Singing, Archer-street, North Adelaide, opposite Christ Church; or, address at Platts's Library.

Geelong, and Ballarat, VIC (1852-62):

[Advertisement], Geelong Advertiser (30 April 1852), 3

http://nla.gov.au/nla.news-article91927716

MR. HENRY PLUMSTEAD, teacher of the Pianoforte, Organ, Seraphine, and Singing; and PIANOFORTE TUNER, intends practising his profession in Geelong and its vicinity, hoping to meet with encouragement and patronage from the residents.
Address at Mr. J. J. Williams, Stationer, Market Square.

[Advertisement], Adelaide Observer (17 July 1852), 8

http://nla.gov.au/nla.news-article160110111 

THIS DAY. HOUSEHOLD FURNITURE. SAMSON, W1CKSTEED, & CO.,
Are instructed by Mr. Plumstead (now resident in Melbourne), to sell by Auction, at the Mart, at 12 o'clock -
A First-rate Cottage Piano, Chairs, Cheffonier, Sofas, Culinary Utensils, &c.
The above being too bulky to be conveniently removed to Port Phillip, will be sold at the Mart as above.
N.B. - The Piano is well known to many parties, and the ale takes place This Day at the Mart.

[Advertisement], Geelong Advertiser and Intelligencer (23 July 1852), 4

http://nla.gov.au/nla.news-article91927123 

MUSIC. MR. HENRY PLUMSTEAD, Professor of Music, and Pianoforte Tuner, returns his thanes to the residents of Geelong and its vicinity, for the very flattering patronage he has received, and he trusts by strict attention to his professional duties, to merit a continuance of their favours.
Address at Mr. Williams, Stationer, Market-square.

[Advertisement], Geelong Advertiser and Intelligencer (7 February 1853), 2

http://nla.gov.au/nla.news-article94362264 

PIANO-FORTE TUNING. - Mr. PLUMSTEAD having returned to town, and not contemplating a lengthened stay, begs to inform his friends who have previously tested his abilities, that he will be happy to attend to Piano-fortes while in Geelong. Address by letter, or otherwise, at Mrs. Carmichael's, South Geelong. February 5th, 1853.

[Advertisement], Geelong Advertiser and Intelligencer (18 February 1853), 2

http://nla.gov.au/nla.news-article94359509 

PIANOFORTE AND SINGING. MR. PLUMSTEAD, at the desire of many of his friends and late pupils, begs to notify his intention of resuming his profession in Geelong. For Terms, address at Mrs. Carmichael's, South Geelong. Pianofortes Tuned. February 17th, 1853.

"THE ST. PAUL'S TEA MEETING. To the Editor of the . . .", Geelong Advertiser and Intelligencer (1 June 1855), 2

http://nla.gov.au/nla.news-article91868130

Sir,- I went to the anniversary meeting of St. Paul's last night, having been given to understand that an efficient choir would be in attendance. I was greatly disappointed by not hearing any sacred music sung, and seeing the choir were in attendance, I naturally inquired the reason of their non-performance. The answer was, "That they had brought with them their own organist, who understood their several capabilities, and from what had previously taken place, were given to understand that that gentleman would be allowed to play for them; such, however, was not permitted, therefore the choir refused to perform." I think the Archdeacon, who particularly (so I am given to understand) requested the choir to attend, might have used his influence in the affair, as I think singing is a great incentive to any attending such meetings, and that Mr. Plumstead, the gentleman who presided at the seraphine, might have given way with a very good grace . . .
Your's respectfully, A CHURCHMAN. May 31st, 1855.

"THE ST. PAUL'S TEA MEETING. To the Editor of the . . .", Geelong Advertiser and Intelligencer (2 June 1855), 2

http://nla.gov.au/nla.news-article91865144 

SIR, - I have never had occasion to thrust myself before the public through the columns of a newspaper (except by advertisement), but I would beg to inform "A Churchman" that I am quite as able to accompany an efficient choir as Mr. Walton, the late organist of Christ church, - at least I think so.
I am, Sir, yours respectfully, H. PLUMSTEAD,
Professor of Music, Organist of St. Paul's, June 1st, 1855. Geelong.

ASSOCIATIONS: Thomas Walton (organist)

[Advertisement], Geelong Advertiser and Intelligencer (16 October 1855), 3

http://nla.gov.au/nla.news-article91863887 

MR. HENRY PLUMSTEAD, Professor of Music, has for sale, at his residence, Fyans'-street, South Geelong, Two Splendid Pianos, which be can warrant for twelve months; also, an assortment of flrst-class music recently received. Mr. P. takes this opportunity to thank the public of Geelong for their patronage during the past three years, and trusts, by attention, to maintain their good opinion. In pianoforte tuning he will compete with any practitioner in the colonies.

[Advertisement], Geelong Advertiser and Intelligencer (29 November 1855), 4

http://nla.gov.au/nla.news-article91864038 

GEELONG Musical Repository. -
Mr. Plumstead begs to inform the public that he has opened a Musial Repository in conjunction with the exercise of his profession, in Ryrie-street west, a few yards beyond the new Post-office.
Pianofortes for sale and hire. Pianofortes tuned, regulated and repaired.
A select assortment of first-class Vocal and Instrumental Music on sale.
Pianoforte and Singing taught.

"MECHANICS' INSTITUTE SOIREE", Geelong Advertiser and Intelligencer (20 March 1856), 2

http://nla.gov.au/nla.news-article91870753 

The soiree to celebrate the opening of the Mechanics' Institute was held last evening in the Town Hall. At six o'clock, the visitors, to the number of about three hundred and fifty, sat down to tea and other refreshments, provided by the committee. The Hall was lighted up gratuitously by Mr. Finch, of the South Sea Oil Company. The programme of the evening's entertainments was very well arranged, consisting of vocal aid instrumental musical performances, under the direction of Mr. J. Rogers, late conductor of the Geelong Sacred Harmonic Society, Mr. Plumstead presiding at the pianoforte, and interspersed with addresses from many well-known and influential friends of the Institution.

ASSOCIATIONS: John Rogers (conductor)

"CONCERT", Geelong Advertiser (25 July 1856), 2

http://nla.gov.au/nla.news-article93144018

The first concert of the Geelong Choral Society took place last evening in the Town Hall; conductor Mr. I'erson. The performance was very creditable, and the attendance was numerous as the size of the hall could comfortably admit, every seat being occupied. Mr. Plumstead presided at the piano forte. The following was the programme of the Concert:

Part I - Part song, The Allies. Partant pour la Syrie; chorus, Sing Loud a Joyful Strain, Gluck; part song, Freemen Rejoice, Purcell. The music in Macbeth, Locke - with quartette accompaniment.

Part II. - Solo on cornet a' piston; glee, O Hills, O Vales of Pleasure, Mendelssohn; song, The Four-leaved Shamrock; madrigal Nymphs of the Forest, Horsley; song, The Fairies' well, Sporle; song, Scenes that are brightest, Wallace; glee, Hark, the hollow woods resounding, Smith; song, I'll ne'er forget thee Kathleen, Williams; glee, Awake AEolian lyre, Danby; song, Man the life boat, Russell; glee, Bragela, Stevens; song, The death of Nelson, Braham; glee, The vale of rest, Mendelssohn; song, The heart bowed down, Balfe; glee, Upon the poplar bough, Paxton; song The reefer, Rockstro; part song, The blue bell of Scotland, Neithardt; duet, All's well, Braham.

The whole of the audience appeared very much pleased with the performance. The National Anthem concluded the concert.

ASSOCIATIONS: Thomas I'Erson (conductor)

[Advertisement], The Argus (11 July 1857), 7

http://nla.gov.au/nla.news-article7135113 

GEELONG GRAMMAR SCHOOL. - Head Master, Rev. G. O. Vance, M.A. . . .
Music by Mr. Plumstead . . .

[Advertisement], The Argus (23 October 1857), 8

http://nla.gov.au/nla.news-article7140914 

GEELONG GRAMMAR SCHOOL . . . Singing Master: Mr. Terson [I'Erson].
Extra Classes conducted by Messrs. Sasse, Plumstead, Herbst . . .

[Advertisement], Geelong Advertiser (3 January 1859), 1

http://nla.gov.au/nla.news-article150074845 

TO LET - The brick dwelling house in Yarra-street, opposite St. Mary's Cathedral, now in the occupation of H. Plumstead, Esq. . . .

[Advertisement], Geelong Advertiser (10 June 1859), 4

http://nla.gov.au/nla.news-article150079190

GEELONG RECREATIVE SOCIETY. SATURDAY EVENING CONCERTS FOR THE PEOPLE.
THE First Concert in connection with the above Society will be held in the hall of the Mechanics' Institute, on Saturday, June 11th.
Vocalists:- Miss Juliana King, Mr. Ewart, (of the Melbourne Philharmonic) assisted by several Amateurs.
Stoneham's celebrated band has also been engaged.
Principal Instrumentalists: Cornet, Mr. Stewart (of the 40th Regiment); 1st Violin, Mr. Gabb; Pianist, Mr. Plumstead; Director, Mr. Stoneham.
Doors open at Seven, to commence at half-past Seven precisely. Admission - One Shilling; Children under 12, Half price.
W. STITT JENKINS, Hon. sec.

ASSOCIATIONS: Juliana King (vocalist); Thomas Ewart (vocalist); Stewart (of the Band of the 40th Regiment); John Gabb (violin); William Stoneham (conductor); William Stitt Jenkins (secretary)

[Advertisement], Geelong Advertiser (25 June 1859), 4

http://nla.gov.au/nla.news-article150079681 

GEELONG RECREATIVE SOCIETY . . .
THIRD GRAND CONCERT For the People, at the MECHANICS' INSTITUTE, On Monday Evening, June 27, 1859,
PROGRAMME: PART I . . . Solo, Piano Forte - "Bells of the Monastery" - Mr. Plumstead . . .

[Advertisement], Geelong Advertiser (24 July 1860), 1

http://nla.gov.au/nla.news-article148884617 

PIANOFORTE AND SINGING. MR. HENRY PLUMSTEAD informs the public of Geelong that he intends forming Classes for instruction in the above accomplishments, at his private residence Malop-street, and also at his music warehouse, Ryrie-street.
Terms - Two guineas per quarter. Further particulars may be obtained at the Music Warehouse, Ryrie-street west.

[Advertisement], Geelong Advertiser (24 September 1860), 3

http://nla.gov.au/nla.news-article148886356 

MECHANICS' INSTITUTE. THIS EVENING . . . GRAND CONCERT . . .
In Aid of the Building Fund of the Institute.
PRINCIPALS: MADAME CARANDINI; MRS. HANCOCK; MR. FARQUHARSON, MR. WINTERBOTTOM, MR. HINCHCLIFF; MR. ALEXANDER, R.A.M.,
Pianoforte - Mr. Plumstead. Flute - Mr. Stoneham. Violin - Mr. Gabb . . .
PROGRAMME. PART I . . . Duet Concertante (Violin and Pianoforte) - F. Kuhlau - Messrs. Gabb and Plumstead . . .

ASSOCIATIONS: Maria Carandini (vocalist); Mary Ellen Hancock (vocalist); Robert Farquharson (vocalist); John Hinchcliff (vocalist); Albert Alexander (pianist)

MUSIC: Perhaps one of the Duos brillants, op. 110 (Kuhlau)

[Advertisement], Geelong Advertiser (7 January 1861), 1

http://nla.gov.au/nla.news-article148695265 

MR. HENRY PLUMSTEAD, PROFESSOR OF MUSIC, Music Warehouse, Ryrie-street west. Pianofortes Tuned. Terms greatly Reduced.

"CURRENT TOPICS", Geelong Advertiser (5 March 1861), 2

http://nla.gov.au/nla.news-article148696749 

The lecture season of the Mechanics' Institute will be inaugurated to-night by a musical entertainment given by the members of the Institute Music Class. Mr. I'Erson will conduct, and Mr. Plumstead will preside at the pianoforte.

[Advertisement], Geelong Advertiser (5 April 1861), 4

http://nla.gov.au/nla.news-article148697533 

"CURRENT TOPICS", Geelong Advertiser (6 April 1861), 3

http://nla.gov.au/nla.news-article148697555 

McKillop-street Congregational Church, - capable of containing nearly 600 persons, was last evening well filled on the occasion of the grand opening of the New Organ. For nearly two hours the organ discoursed music of the highest class, culled from the works of Haydn, Handel, Rossini and Mozart. The organists were Mr. Russell from Melbourne, and Messrs. Downing, Moore, Plumstead, Hobday and Meeson of Geelong. The masterly execution of the pieces entrusted to each of these gentlemen "whose praise is known in all the churches," merited the highest encomiums. There is not yet a regular choir connected with this church, but from appearances last night we have no doubt there soon will be. We observed several members of the choirs of other churches assisting in the anthems. The performance was highly appreciated by the audience. Between the pieces, Mr. Russell, who has had much experience in England, delivered an interesting address on the advantages of church music. In the course of his remarks Mr. Russell gave a short account of the advancement of sacred music during the last twenty years, and threw out some valuable suggestions for its improvement in the colony, so as to make it attractive in itself and of greater good to the public than secular music. The organ was made by John Courcelle, of London. It possesses two rows of keys and two octaves of pedals. It has a remarkably fine tone Its cost in England was £190, freight £30, erection and tuning £15 . . .

ASSOCIATIONS: John Russell (organist); Bartholomew Downing (organist); Henry Byron Moore (organist); Joseph Hobday (organist); John Meeson (organist)

"THE CONVENT CELL", Mount Alexander Mail (6 September 1861), 7

http://nla.gov.au/nla.news-article197096301 

The following extraordinary letter appears in the Church of England Record for September. It is dated Geelong, August 27. If our clerical contemporary could be thought capable of admitting a joke into his columns, we might suspect "H. Plumstead" of poking fun at somebody or something; but of course that cannot be the case.

"Sir, - I perceive in the C. E. Record an extract from some ultra-Protestant organ, containing, a song from Balfe's Opera of the "Rose of Castile," entitled "The Convent Cell;" the words are by E. Falconer. I am sorry to confess it, but I have some copies of the song in question; it is very pretty, but does not sell well. I would be happy to let them be destroyed, upon payment of less than their marked value, and I have no doubt but that the music-sellers in Melbourne have many more copies, which they would willingly sacrifice to the cause of Protestantism (and L. S. D.) upon similar terms. I am, Sir, your obedient servant;
H. Plumstead.
P.S.- I hope the glorious example of that grocer was followed by the music-sellers of the old country, and that Messrs. Cramer and Co. and all parties concerned in the circulation of such a gross attempt to pervert the minds of all true Protestants, met with a just retribution."

MUSIC: The convent cell (Balfe, from The rose of Castile)

"CURRENT TOPICS", Geelong Advertiser (12 September 1861), 2

http://nla.gov.au/nla.news-article150307971 

The Harmonic Society's concert last night consisting of Haydn's "Creation" was a very successful affair and one feature reflecting additional credit on the members was the very little external aid required. Beyond Miss Bailey, Mr. Hailes, Mr. Plumstead, Mr. Stoneham, and Mr. Gover everything was done by amateur members of the society, which is now stronger both in voices and instruments than at any former period. Miss Bailey has never been heard to better advantage and if we refrain from saying all we think of her merits it is from fear of making her less careful. A slight inequality was at times perceptible; her voice is a splendid one, and with so young a lady will no doubt yet acquire further strength and flexibility. It is long since any lady from the choir has mustered confidence enough to step forth on the platform to sing solo parts, but last night Miss Slaughter did so in "On Thee each living soul awaits," and drew down such unmistakeably warm plaudits as to show how successful was the attempt and how much the effort was esteemed. Mr. Hinchcliff, Mr. Meeson, and Mr. Turner sang their several solos, duets, and trios in a very effective manner. Mr. H. B. Moore conducted with his usual tact and evident thorough knowledge of what he was about. A conductor like a poet is born, not made. Many professors of music capable of doing every thing else in the divine art and yet cannot conduct well. Mr. Gabb led admirably. Mr. Hailes, an amateur from Melbourne, played first violoncello. Mr. Plumstead on the organ, Mr. Stoneham on the flute, and Mr. Gover on the double bass, all contributed essentially to the evening's success. The hall was quite filled . . .

ASSOCIATIONS: Amelia Bailey (vocalist); George Hailes (cello); Henry Gover (double bass)

[Advertisement], Geelong Advertiser (21 December 1861), 4

http://nla.gov.au/nla.news-article149718838 

GEELONG HARMONIC SOCIETY. GRAND CHRISTMAS FESTIVAL.
"THE MESSIAH." ON MONDAY, 23RD DECEMBER, IN THE MECHANICS' HALL.
PRINCIPALS. - MISS BAILEY; MASTER COOK; MR. BEAUMONT; MR. HINCHCLIFF.
Leader - Mr. Gabb.
Conductor - Mr. H. B. Moore.
Organist - Mr. Plumstead.
Violoncello - H. B. Gover.
Band and Chorus of 100 Performers.
ADMISSION : ONE SHILLING.
Body of Hall, 2s; Chairs (numbered and reserved), 5s.
W. H. C. WATT, Honorary Secretary.

ASSOCIATIONS: Charles Cook (alto vocalist); Armes Beaumont (tenor vocalist)

"GEELONG GRAMMAR SCHOOL", Geelong Advertiser (16 August 1862), 3

http://nla.gov.au/nla.news-article149830616 

A meeting of the creditors of the above establishment was held yesterday afternoon . . . The full list of the debts was then read over . . . Plumstead, per I'Erson - [pound] 10 10 0 . . .

[Advertisement], The Star [Ballarat, VIC] (30 October 1862), 3

http://nla.gov.au/nla.news-article66328279 

WEDNESDAY, 5th NOVEMBER, At Twelve o'clock.
To Concert Room Proprietors, Schools. &c.
Musical Instruments, Music, &c.
J. S. CARVER has been favored with instructions from Mr. Plumstead, who is leaving Ballarat, to sell by auction, on the premises, Sturt-street, next Mr. Vale's, bookseller, on Wednesday, 5th November, at 12 o'clock, The whole of the Stock-in-Trade, consisting of
2 superior grand pianos
4 cottage pianos, in walnut and rosewood
Large quantity of new music
2 superior water-color paintings
Glass cases, Counters, &c.
On the following Friday, the HOUSEHOLD FURNITURE. at his residence, Mair-street, near residence of Mr. Moore, consisting of three chests drawers, tables, chairs, pictures, valuable bedsteads; bedding, &c., &c., &c.
Terms Cash.

Adelaide, SA (1863-86):

[Advertisement], South Australian Register (27 April 1863), 1

http://nla.gov.au/nla.news-article50173902

MR. HENRY PLUMSTEAD, TEACHER of the PIANOFORTE, SINGING, and HARMONIUM, and PIANOFORTE TUNER, Margaret-street, North Adelaide, adjoining Mr. Veysey's.
Mr. Plumstead is open to engagement as a first class Organist.

"CONCERT BY THE ORPHEUS SOCIETY", South Australian Register (29 July 1865), 2

http://nla.gov.au/nla.news-article41027078 

. . . The concert took place on Friday evening, July 28. There was a very large and highly respectable audience. The conductor, Mr. H. Francis Price, wielded the baton, and Mr. Henry Plumstead presided at the piano . . .

ASSOCIATIONS: Henry Francis Price

"GENERAL NEWS", The Adelaide Express (10 August 1865), 2

http://nla.gov.au/nla.news-article207603221 

The favorite vocalist, Mrs. Wishart, held a benefit concert at the Temperance Hall, North Adelaide, on Wednesday, August 9. There was a very good, though not a crowded attendance. The proceedings commenced at 8 o'clock with an overture on the piano by Mr. H. Plumstead, which was very well played. The Choral Union, under the, direction of Mr. H. Pounsett, followed with the part song, "Dawn of day," which was loudly applauded . . .

ASSOCIATIONS: Susannah Wishart (vocalist); Henry Pounsett (junior) (conductor)

"POLICE COURT - ADELAIDE. THIS DAY, THURSDAY, JANUARY 24 . . . ASSAULT", The Express and Telegraph (24 January 1867), 2

http://nla.gov.au/nla.news-article207590959 

Henry Plumstead appeared to the information of his wife, Ellen Plumstead, charged with assaulting and beating her on the 22nd instant. Complainant gave evidence that on the day in question her husband came home drunk, and without any cause assaulted her by kicking her. A second information charged the same defendant with assaulting his wife on the 23rd inst. The evidence was that the defendant struck his wife with a broomstick without any provocation whatever. Defendant was fined £5 for each assault, and ordered to find two sureties in £25 each and himself in £50, to keep the peace towards his wife for six months. Defendant - I will have to go to gaol, then, for I have not five pence in my pocket.

"ANGASTON", The South Australian Advertiser (22 November 1869), 5

http://nla.gov.au/nla.news-article31995199

An entertainment in aid of the funds for the Institute was given on Friday evening [14 November] - the room was well filled. Mr. E. Salter was in the chair, and called first on Mr. Plumstead, who played with great spirit a prelude on the pianoforte . . .

"POPULAR CONCERT AT PORT ADELAIDE", South Australian Register (18 July 1882), 5

http://nla.gov.au/nla.news-article43334456

The second of Mr. Henry Plumstead's popular concerts was given at the Port Adelaide Town Hall on Monday night, July 17. There was a fair attendance. The programme, which was well appreciated, was rendered by well-known amateurs. Mr. Henry Plumstead and Mrs. T. A. O'Brien manipulated the piano to great advantage, and Mrs. G. Crocker Smith, Misses Shugg and Richardson, and Messrs. Craigie ana Fleetwood ably contributed the vocal parts. The pieces were of a pleasing character.

"DEATHS", South Australian Register (28 August 1886), 4

http://nla.gov.au/nla.news-article44571363

PLUMSTEAD. - On the 27th August, at his residence, Harriss-street, Norwood, of cancer, Henry Plumstead, in his 68th year.

Bibliography and resources:

Maria Louisa Plumstead, Find a grave

https://www.findagrave.com/memorial/161809943/maria-louisa-plumstead 

PLUNKET, Charles Thomas (Charles Thomas PLUNKET; C. T. PLUNKET; Mr. PLUNKET; also Charles T. PLUNKETT)

Amateur musician, church organist, chemist and druggist, pharmacist

Born Waterford, Ireland, c. 1827/31 (or Southampton, Hampshire, England, 3 September 1828); son of Charles Cornelius PLUNKETT [sic] (c. 1776-1838) and Mary Josephine GREEN (1804-1879)
Arrived Melbourne, VIC, 7 February 1853 (per British Isle, from London, late 1852)
Married Mary Clara MULLALY (1825-1910), St. Patrick's College chapel, Melbourne, VIC 22 November 1858
Died Melbourne, VIC, 3 June 1902, aged 74

https://trove.nla.gov.au/search?l-publictag=Charles+Thomas+Plunket (TROVE tagged)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLUNKET-Charles (shareable link to this entry)

ASSOCIATIONS: Son of Mary Josephine Green (later Mrs. William Furlong); half-brother of William Romauld Furlong

Documentation:

England census, 30 March 1851, St. Faith, Middlesex; UK National Archives, HO 107 / 1529

https://www.ancestry.com.au/imageviewer/collections/8860/images/MDXHO107_1528_1529-0156 (PAYWALL)

4 Cheapside / John Thos. Harding / Head / 36 / Chemist & Druggist employing 8 men . . .
Charles [Harding] / Brother / 34 / Assistant . . .
Charles Plunket / Serv. / 24 / [Assistant] / [born] Hampshire

[Advertisement], The Age (13 July 1858), 1

http://nla.gov.au/nla.news-article154875662 

RE-OPENING OF THE ORGAN
In the CHURCH OF ST. FRANCIS'S, Lonsdale street.
A GRAND ORATORIO Will be given On Wednesday Evening, July 14th, By an
ORCHESTRA AND CHORUS OF 130 PERFORMERS!
The selections will be taken from the works of the great masters -
Mozart, Haydn, Handel, Bach, Mendelssohn, Rossini, Schubert, and Balfe.
Principal Vocalists: Miss Hamilton, Mrs. Wilkinson, Mr. Ewart, and Mr. Power.
Leader - Mr. King.
Conductor - Mr. Wilkinson.
Organist - Mr. Charles Plunket.
Programme - Part I.
Fugue - Organ, Mr. Wilkinson - Bach
"Kyrie" "Gloria" "Credo" (By the Full Chorus, Organ and Orchestra; Solos by Miss O. Hamilton, Mrs. Wilkinson, Mr. Ewart and Mr. Power) - Mozart, 12
"With Verdure clad" - Solo, Miss O. Hamilton - Haydn
"On Thee each Living Soul awaits," Trio, by Miss O. Hamilton, Mr. Ewart and Mr. Power - Haydn
"The Marvellous Works," Solo and Chorus, Miss O. Hamilton - Haydn
"In Splendor bright" - Solo (Tenor), Mr. Ewart - Haydn
"The Heavens are telling," Grand Chorus - Haydn
Interval of Ten Minutes.
Part II.
Sonata, No. 4 - Organ, Mr. Wilkinson - Mendelsohn
"Kyrie" "Gloria" "Credo" (Solos by Miss O. Hamilton, Mrs. Wilkinson, Mr. Ewart and Mr. Power) - Haydn, No. 3
"Ave Maria" Soprano Solo, Miss O. Hamilton - Schubert
"Dal tuo Stellato Soglio" (Mose in Egitto), Quartette, by Miss Hamilton, Mrs. Wilkinson, Mr. Ewart and Mr. Power - Rossini
"Qui Tollis" - Bass Solo, with Chorus, Mr. Power - Balfe
"Cujus Animam" - Tenor Solo, Mr. Ewart - Rossini
"Sancta Mater" (Stabat Mater), Quartetto, Miss O. Hamilton, Mrs. Wilkinson, Mr, Ewart, and Mr. Power - Rossini
"Hallelujah Chorus" - Messiah - Handel.
Doors open at half past six; performance to commence at half past seven o'clock.
N.B.- Omnibusses will ply between Collingwood and St. Kilda, at the termination of the Performance.
Reserved Seats, 7s 6d.; Unreserved, 3s 6d; Family Ticket, admitting Four, £1.
Tickets to be had at Mr. Wilkie's, Collins street; Mr. Chapman's, Swanston street; Mr. Gason's, Elizabeth street; Mr. Walsh, Elizabeth street.

ASSOCIATIONS: Octavia Hamilton (soprano vocalist); Ann Wilkinson (contralto); Thomas Ewart (tenor); William Power (bass); Edward King (violin, leader); William Wilkinson (conductor)

"ST. PATRICK'S CHURCH ORGAN", The Ballarat Star (11 March 1867), 1 supplement

http://nla.gov.au/nla.news-article112873425 

The opening of the organ recently erected in St. Patrick's Church, Ballarat, was celebrated on Sunday, 10th March, when the Roman Catholic Bishop of Melbourne performed a pontifical high mass, and Mozart's 12th Mass was sung by the choir. The church was crowded . . . The organ is a noble instrument, sweet and full, its voicing good, and its exterior an excellent ornament to the church. The gallery or organ-loft has been extended the full width of the nave, and the organ is built up on either side so that the great west window remains undarkened. The instrument was built by the eminent firm of Gray and Davison, London, according to a plan arranged by Mr. Charles Thomas Plunket, of Lonsdale street, Melbourne, who formerly was organist at St. Francis' Church, and to whom was entrusted the ordering of the organ from that firm. Every modern improvement that could be suggested has been applied in the construction of the instrument; and competent judges in London, who heard and also performed on the organ whilst in the factory, have pronounced it to be one of the most complete in detail, and combining great sweetness as well as fulness and richness of tone - a judgment we are disposed to endorse. The front pipes are richly decorated in grey, with gold and colors. The swell organ has been much admired, and is very effective, particularly as it is on the same scale as the great organ. The back and sides are double cased and filled in with sawdust, and contain all the reed stops. The organ has two manuals and pedal organ CCC to C, and contains the following stops: -
GREAT ORGAN, CC to G.
Double diapason, wood throughout - 16 feet
Open diapason, metal throughout - 8
Stop diapason, bass and clarabella do, wood - 8
Principal, metal throughout - 4
Dulciana, metal throughout - 8
Viol di Gamba, metal tenor C - 8
Flute, motal tenor C - 4
Twelfth, metal throughout - 3
Fifteenth, do do - 2
Sesquialtra, do do - 4 rank
Mixture, do do - 3
Furniture, do do - 2
SWELL ORGAN, CC to G.
Double diapason, wood throughout - 16 foot
Open diapason, metal throughout - 8
Stop diapason, wood throughout - 8
Keraulophon, metal tenor C - 8
Principal, metal throughout - 4
Twelfth, do do - 3
Fifteenth, do do - 2
Trumpet, do do - 8
Hautbois, do do - 8
Clarion, do do - 4
PEDAL ORGAN, CCC to C.
Open diapason, wood, CCC - 16
Bourdon, wood, CCC - 16
Principal, metal, CCC - 8
The ordinary church choir was assisted on this, occasion by Miss Julia Mathews, who has attained colonial eminence as an accomplished vocalist; Mrs. Testar, for many years principal soprano of the Melbourne Philharmonic Society's concerts; Mr. Madden and Mr. Plunkett from Melbourne - the latter gentleman being the designer of the organ. Mr. Fincham of Richmond, the erector, has won golden opinions for the success which has attended his work. To the musicians already named we should add the name of Mr. Millar, organist of St Patrick's, who presided at the instrument, Mr. Plunket assisting, however, by taking the "Kyrie" and the "Gloria" in the mass. Several ladies and gentlemen from the local musical societies also gave their aid in the choir. The beautiful vocalisation of Miss Mathews and Mrs. Testar, the massive volumes and soft passages which alternated from the organ, and the full force of choir and organ in the choruses, made up a rare treat to the musical ear. At thy conclusion of the service the " Hallelujah" with "And the glory of the Lord," from Messiah were performed. In the evening pontifical vespers were celebrated, and the church was again well filled . . .

ASSOCIATIONS: James Alipius Goold (bishop of Melbourne); Gray and Davison (organ builders, London); George Fincham (organ builder, Melbourne); Julia Mathews (vocalist); Elizabeth Testar (vocalist); John Millar (organist)

"CHURCH OF THE IMMACULATE CONCEPTION, ABBOTSFORD", Advocate [Melbourne, VIC] (6 May 1871), 5

http://nla.gov.au/nla.news-article170153379 

The solemn dedication and opening of the Church of the Immaculate Conception, in connection with the Convent of the Good Shepherd, at Abbotsford, and designed as a memorial of the deceased foundress and sisters of the order in Victoria, took place on Sunday last. His lordship, the Right Rev. Dr. Goold, Bishop of Melbourne, was the officiating prelate . . . There was an excellent choir, Mr. C. T. Plunket presiding at the harmonium, and that gentleman and Mrs. Testar singing the solo parts . . .

"THE LATE MR. C. T. PLUNKET, J.P.", Advocate (7 June 1902), 12

http://nla.gov.au/nla.news-article169735698 

It is with much regret that we have to announce the death of a very old and highly respected colonist - Mr. C. T. Plunket. J.P. The deceased gentleman came from the Old Land some fifty years ago, and entered into business as a chemist and druggist in Lonsdale-street, where he resided till the time of his death. For over a quarter of a century, he occupied a seat at the Melbourne Hospital board of management. The members of the board, on learning from their secretary, Mr. F. R. Godfrey, of the death of Mr. Plunket, expressed deep regret, and eulogised the deceased gentleman for the good work he had done as a member of the board. The board adjourned as a mark of respect, and instructed the secretary to forward a letter of condolence to the family of their late member. The Hospital flag was flying at half-mast during the day. On Wednesday a requiem Mass for the repose of his soul was celebrated in St. Francis' Church by the Rev. A. May, who subsequently pronounced the final absolutions (praesente corpore). The reverend gentleman, in asking the prayers of the congregation for the repose of the deceased gentleman's soul, said that the late Mr. Plunket had been an exemplary member of the parish for the past 40 years, and was of a very charitable disposition. For many years he had acted as organist at St. Francis'. He had done good work at the Melbourne Hospital. A friend of the late Mr. Plunket has furnished us with the following interesting particulars concerning the career of the deceased gentleman: -

Charles Thomas Plunket, J.P., was a native of Waterford, Ireland, and came to Melbourne February 7th, 1853, where he remained till his death. For some time he was manager for Messrs. E. and M. Keogh, chemists and druggists. Subsequently he bought their business in Lonsdale-street, where he built his present shop and dwelling-house. His father was Count Charles Plunket, an officer of the Royal Regiment of Malta, who served with distinction in the British and foreign service. His mother, who afterwards became Mrs. W. Furlong, was an accomplished musician, and from her he inherited his love for music, particularly that of a sacred character. On his arrival here he was appointed by the late Archbishop Goold organist of St. Francis' Church, where he played for many years till the late Miss Wilkinson took charge of the choir. Of late years he played for St. Francis vesper choir, in which he evinced intense interest.

He took no part in municipal or in political matters; but as regarded every movement for the general good, or the relief of the poor and the needy, the late Mr. Plunket was ever ready with a kind word and practical assistance. His uncle was Canon Thomas Green, C. chaplain to the Earl of Shrewsbury. The funeral cortege left St. Francis on Wednesday afternoon for the Melbourne General Cemetery. The members of the Hospital board were amongst those who followed the remains. The Archbishop marked his esteem for the deceased by sending his carriage to join in the funeral procession. Mr. Plunket was in his 74th year. The mortuary arrangements were carried out by Mr. John Daley. R.I.P.

Bibliography and resources:

David Rankin, The history of music at St. Francis' church 1839-79 (Melbourne: Society of Jeus, 1979), 26

John H. Byrne, Echoes of home, music at St. Francis' 1845-1995 (Melbourne; St. Francis' Choir, 1995), 20-21

PLUNKETT, John Hubert (John Hubert PLUNKETT; J. H. PLUNKETT)

Musical amateur, amateur musician, violinist, founder and president Sydney Philharmonic Society, lecturer on ancient Irish music, patron of music, attorney general

Born Mount Plunkett, county Roscommon, Ireland, June 1802
Married Maria Charlotte McDONOUGH, Ireland, c. 1831/32
Arrived Sydney, NSW, 14 June 1832 (per Southworth, from Cork, 6 February)
Died East Melbourne, VIC, 9 May 1869

https://trove.nla.gov.au/search?l-publictag=J+H+Plunkett+music (TROVE public tag)

http://nla.gov.au/nla.party-626012 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLUNKETT-John-Hubert (shareable link to this entry)

PLUNKETT, Maria Charlotte (Maria Charlotte McDONOUGH; Mrs. John Hubert PLUNKETT)

Pianist, vocalist, music teacher

Born Boyle, county Roscommon, Ireland, c. 1813
Married John Hubert PLUNKETT, Ireland, c. 1831/32
Arrived Sydney, NSW, 14 June 1832 (per Southworth, from Cork, 6 February)
Died Sydney, NSW, 12 August 1895, aged 82

https://trove.nla.gov.au/search?l-publictag=Maria+Charlotte+McDonough+Plunkett+c1813-1895 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PLUNKETT-Maria (shareable link to this entry)

John Hubert Plunkett, Heads of the people (3 July 1847) frontispiece

https://nla.gov.au/nla.obj-765595104/view?partId=nla.obj-765618335 (DIGITISED)

Summary:

Plunkett was a founder and president of the Sydney Philharmonic Society, and played violin in its orchestra.

His wife (and a Plunkett cousin), Maria, was a fine amateur singer and pianist; Edward Boulanger dedicated a Caprice sur Norma to her, printed in Boulanger's musical keepsake for 1856.

The Plunketts' niece, Georgina Keon dedicated her The Twofold Bay waltzes to them in 1864.

According to Molony 1973 (261, note 52) there is a manuscript book of music in Plunkett's hand, among his papers in the Makinson, Plunkett, D'Apice collection (State Library of New South Wales; on this collection, see Molony 1973, xii).

Documentation:

"MR. WALLACE'S CONCERT", The Sydney Gazette and New South Wales Advertiser (16 February 1836), 3

http://nla.gov.au/nla.news-article2202786 

On Friday evening, Mr. W. gave his first Concert at the Royal Hotel, and in spite of the inclemency of the weather, the room was crowded by much of the rank, beauty, talent, and fashion in the Colony. Among the visitors, we noticed His Excellency the Governor and family, Mr. Colonial Secretary McLeay and family, the Judges, Mr. Solicitor Plunkett and lady, and most of the principal civil and military officers . . .

ASSOCIATIONS: William Vincent Wallace (violinist, pianist, composer)

"THE ORATORIO", The Australian (23 September 1836), 2

http://nla.gov.au/nla.news-article36854491 

There was the most numerous assemblage of persons at the Oratorio, on Wednesday evening, that was ever convened under one roof in the Colony since its foundation. In the spacious area of St. Mary's Church seven hundred contributors to this festival were easily provided with suitable and pleasant accommodation . . . Among the company we observed . . . the Attorney General, Mrs. and Miss Plunkett . . .

"THE ORATORIO", The Sydney Gazette and New South Wales Advertiser (24 September 1836), 2

http://nla.gov.au/nla.news-article2206796 

. . . We cannot conclude without stating the high satisfaction the arrangements made by the Stewards, Messrs. Plunkett, Therry, and Wilson, &c., gave to the Company, who exerted themselves to the utmost, by paying the greatest possible attention to the arrangement of the seats, which prevented the confusion which must otherwise have taken place . . .

ASSOCIATIONS: Roger Therry (steward)

"DOMESTIC", The Australian (14 April 1837), 2

http://nla.gov.au/nla.news-article36858796 

Nothing can be a surer indication of the prosperity of the Colony than the number of costly and splendid pianofortes sold at Mr. Ellard's within the last month, which were lately imported by Mr. Wallace. Among the purchasers we find the names of Messrs. Deas Thomson, Edye Manning, Plunkett, Robert Scott, Colonel Wall, and many other highly respectable Colonists . . .

ASSOCIATIONS: Francis Ellard (musicseller)

"Concert", The Sydney Monitor (1 June 1838), 2

http://nla.gov.au/nla.news-article32160266 

On Wednesday evening, Mr. J. P. Deane's Concert, according to announcement, was held in the Saloon of the Royal Hotel, under the patronage of Lady Gipps . . . Among the company, we noticed His Excellency Sir George Gipps and lady . . . the Honorable E. Deas Thomson and lady, J. H. Plunkett Esq., and family, R. Therry, Eeq. and lady . . .

ASSOCIATIONS: John Philip Deane (violinist)

Abel du Petit-Thouars [12 December 1838], Voyage autour du monde sur la frégate la Vénus, pendant les années 1836-1839 . . . tome troisième (Paris: Gide, éditeur, 1841), 287-89

https://books.google.com.au/books?id=62lHAAAAYAAJ&pg=PA289 

Le 12 décembre [1838], il ne nous restait plus que quelques jours à passer à Sydney: j'en profitai pour aller faire un pélerinage au monument commémoratif de Lapérouse. M. Plunkett, attorney-général, magistrat d'une haute capacité, qui jouissait à Sydney d'une grande et juste considération, que l'esprit de parti et celui de secte même n'empêchaient pas de reconnaître, nous offrit de se joindre à nous pour ce pélerinage, ainsi que MM. Thomson, secrétaire-général de la colonie, et Therry, substitut du procureur-général; mesdames Plunkett, Thomson, Therry, voulurent aussi être de la partie, qui devint ainsi une véritable caravane. . . Madame Thomson, fille du général Bourke, précédent gouverneur de cette colonie, douée d'une voix étendue, fraîche et facile, avait un talent de musique trèsremarquable, qui ne pouvait être égalé que par sa complaisance. Quoique nous fussions en plein vent, et qu'elle n'eût pour accompagnement que le bruit de la mer, venant se briser au pied de la roche qui nous servait de salon, loin de se faire prier, elle chanta avec une bonne grâce charmante de délicieux morceaux de Rossini. Madame Plunkett, élevée dans le couvent des Oiseaux, à Paris, ne fut pas moins complaisante, et chanta aussi souvent qu'elle en fut priée.

ASSOCIATIONS: Abel Aubert du Petit-Thouars (commander of the Venus); Anna Maria Deas Thomson (vocalist)

[Advertisement], The Sydney Morning Herald (22 March 1854), 8

http://nla.gov.au/nla.news-article12951298 

SYDNEY PHILHARMONIC SOCIETY. PRESIDENT, The Hon. J. H. Plunkett.
VlCE-PRESIDENT, H. G. Douglass, Esq., M.L.C.; TREASURER, Mr. B. Mountcastle. HON. SECRETARY, Mons. E. Paris.
COMMITTEE - Messrs. G. Wright, F. Kellermann, C. Younger, F. Clarke, W. MacDonnell.
The object of the Society is the practice and cultivation of the most approved vocal and instrumental music, and is based on the principles of the London Philharmonic Society, and other amateur Musical Societies in England . . .

ASSOCIATIONS: Benjamin Mountcastle (treasurer); Eugene Paris (secretary); Gilbert Wright (committee); Frederick Kellerman (committee); Charles Younger (committee); Francis Clarke (committee); William Macdonnell (committee); Sydney Philharmonic Society

[Advertisement], The Sydney Morning Herald (16 October 1854), 1

http://nla.gov.au/nla.news-article12956602 

TESTIMONIAL to MISS CATHARINE HAYES.
At a meeting of gentlemen, held at the Fine Arts Exhibition Rooms, Lyons' Corner, George-street, on Friday last, to consider the propriety of presenting Miss Catharine Hayes with a testimonial or admiration of her talents, and respect for her many very estimable qualities; Mr. Justice Therry in the chair;
It was unanimously resolved, on the motion of the ATTORNEY-GENERAL, seconded by J. DOBIE, Esq., M.L.C., "That the following gentlemen be appointed a committee to receive subscriptions towards a suitable testimonial to be presented to Miss Hayes, (such subscription to be limited to one guinea), and to carry out the object of the meeting, His Honor Mr. Justice Therry; Hon. J. H. Plunkett . . . F. W. Meymott, Esq. . . .
J. R. CLARKE, Hon. Sec. and Treasurer.

"DEPARTURE OF MISS C. HAYES", Freeman's Journal (21 October 1854), 9

http://nla.gov.au/nla.news-article115557316 

The enthusiasm which greeted Miss Hayes on her first arrival was kept up to the last. It was announced that the fair songstress would leave the residence of Mr. Plunkett about half-past two on Wednesday, and before that time there was a large crowd assembled in front of the learned gentleman's house. About forty ladies and gentlemen, who have taken an interest in Miss Hayes during her sojourn among us, were invited to meet her at lunch, after which Mr. Plunkett proposed her health, observing that the pain of parting was alleviated by the reminiscences of her visit, which will long be remembered by thousands. Miss Hayes was too much affected, to do more than bow her acknowledgments. On her presenting herself on the balcony, she was loudly and repeatedly cheered, as was also M. Coulon . . .

"THE ENCHANTRESS: OR, THE BENCH AND BAR MUSIC MAD", The People's Advocate and New South Wales Vindicator (21 October 1854), 2-3

http://nla.gov.au/nla.news-article251543542 

PRINCIPAL CHARACTERS.
Miss CATHERINE HAYES - the Enchantress.
Monsieur COULIN - Grand Buffo.
JUDGES.
His Honor SIR ALFRED STEPHEN - Chief Maniac.
His Honor Mr. ROGER THERRY - Puny Maniac.
BARRISTERS.
The ATTORNEY-GENERAL - First Class Maniac.
FREDERICK W. M. MEYMOTT, Barrister - Terrific Maniac . . . [3] . . .
ACT 2nd and last.
Scene last. - The exterior of Mr. Attorney- General Plunkett's mansion. Meymott wanders up and down the balcony, like a discontented spirit, feeding the pet poodle of the Enchantress . . . The Enchantress makes her appearance supported by Plunkett . . . the Enchantress steps into her carriage to the tune of "off she goes." Plunkett falls hysterically upon the floor of the house; Alfred flies to his flute for relief; Roger's grief is dreadful to behold, and Meymott, the Maniac, rushes in the direction of Woolloomooloo, in the vain hope of finding another Kate to soothe his agonized feelings.
Grand Tableau by Everybody Present.
Assisted by The Weeping Cloud Spirits.
The Curtain also DROPS.

ASSOCIATIONS: Plunkett and his legal colleague and fellow Irish Catholic Roger Therry were both prominent local patrons of Catherine Hayes (Irish vocalist), as also noted by several satirists; Emile Coulon (vocalist, Hayes's touring partner); Frederick Meymott (lawyer, musical amateur); Alfred Stephen (judge, musical amateur); Jacob Richard Clarke (musicseller, publisher)

"REVIEW", The Sydney Morning Herald (11 February 1855), 5

http://nla.gov.au/nla.news-article12979227 

Boulanger's Musical Keepsake, for 1856. Sydney: F. MADER, 174, George-street.

. . . The first of the series, six in number, is graced by the tutelage of Lady Denison, and bears the title of "Serenade to Don Pasquale." "A Nocturne de Concert," dedicated to Lady Stephen, is the second in order, which is followed by a "Caprice sur Norma," under the auspices of Mrs. John H. Plunkett . . .

ASSOCIATIONS: Edward Boulanger (composer); Frederick Mader (publisher)

MUSIC: Caprice sur Norma (Boulanger)

"SYDNEY PHILHARMONIC SOCIETY", The Sydney Morning Herald (15 April 1856), 5

http://nla.gov.au/nla.news-article12979140 

We have been favoured with the second annual report of this excellent Society, by which it appears that the number of members and subscribers has more than doubled during the present year - evincing the correct principles on which the Society was formed . . . A well-merited acknowledgment of the kind assistance and close attention of the president, the Hon. J. H. Plunkett, to whose business habits and influence much of the progress of the Society may be fairly attributed . . .

John Hubert Plunkett, crayon sketch by Edmund Thomas, c. mid 1850s; State Library of New South Wales

https://trove.nla.gov.au/work/38831340 

ASSOCIATIONS: Edmund Thomas (artist)

[Advertisement], The Sydney Morning Herald (5 October 1858), 1

http://nla.gov.au/nla.news-article13020941 

THE ANCIENT MUSIC OF IRELAND - A LECTURE to be delivered THIS EVENING, at the LYCEUM THEATRE, in aid of the Donegal Relief Fund,
by J. H. PLUNKETT, Esq., Q.C., M.L.A, assisted by many ladies and gentlemen who have kindly volunteered their services for the occasion.
PROGRAMME OF LECTURE.
Preliminary observations on the advantages to be derived from the cultivation of music - A means of promoting temperance - The spread of music in the mother country - Vocal music - Instrumental music - Practical suggestions -
The origin of the bardic order in Ireland - History of the great palace of Tara -
Influence of the Bards before and after the Christian era - Ossianic music -
The Bards of the 12th century, also during the reign of Henry II. and subsequent reigns -
History of "The Coolin," "Alleen Aroon," and other ancient airs -
The persecution of the Bards, their depression, its causes and consequences -
Thomas Moore as an Irishman and Lyric Poet - Robert Emmett -
Miss Curran - Illustrations of the Irish Melodies - Song by J. P. Curran -
Music of the different Trades - Carolan, the Last of the Irish Bards - His Music - Music of Jackson -
Miscellaneous Remarks and Illustrations incidental to the foregoing topics: -
SONGS.
"The Harp that Once through Tara's Halls."
"Rich and Rare were the Gems She Wore."
"Coolin" - harmonized by Mr Cordner, for four voices.
"She is Far from the Land" - harmonized for three voices.
The Song of Fionnuala.
"O! Where is the Slave?"
"I saw from the Beach" - Duett.
"The Deserter" - harmonised for four voices, by Mr. Cordner.
"The Meeting of the Waters."
The Song of the Battle Eve - harmonized for four voices, by Mr. Cordner . . .

"ANCIENT MUSIC OF IRELAND", The Sydney Morning Herald (6 October 1858), 5

http://nla.gov.au/nla.news-article13020666 

THIS was the subject of a lecture, with illustrations, vocal and instrumental, delivered last evening by the Hon. J. H. Plunkett, Esq , M.L.A., at the Lyceum Theatre, York-street. The subject is one which at all times and under any circumstances would be sure to attract a large audience in this fair city, but when delivered by so popular a gentleman, and one so peculiarly qualified to deal with it, it might be expected that a large audience would assemble on the occasion. But it was a higher and nobler feeling than the mere gratification of listening to an interesting subject that brought together the numerous and fashionable assemblage which honoured Mr. Plunkett's debut as a lecturer last night. The proceeds of the lecture, as announced, are to go to the Donegal Relief Fund, now in course of collection in this colony. It was this charitable object which, despite the pelting of the "pitiless storm" which prevailed throughout the day and night, attracted so many of the gentler sex - the first in all acts of benevolence - to the lecture in aid of the Donegal Relief Fund. And, however apart from the principal object of their sympathies was the mere pleasure to be anticipated from a lecture treated by Mr. Plunkett, they must yet have felt themselves in that sense alone amply repaid for their attendance. It may be right to say that it was under the auspices of the Celtic Association of this city that the lecture was advertised, and at their request the worthy lecturer made his first appearance in this character.

Soon after half-past, seven, Mr. Plunkett, attended by several gentlemen who were to lend their assistance either as vocalists or by instrumental performances, in illustrating the subject to be dealt with, took his seat on the stage. Several ladies were also on the stage, which was very tastefully furnished. Indeed, the first look was calculated to impress one with the idea that he was witnessing some family reunion and this was strengthened by a communion of sympathies and a unison of feelings which pervaded and drew together the hearts of the lecturer and his audience.

Mr. DENIEHY, M.L.A., introduced the lecturer in a few remarks appropriate to the occasion, and the cause which had brought them together.

Mr. PLUNKETT, on coming forward, was received with a general burst of applause from all parts of the theatre. He said it was his first appearance in the character of a public lecturer, and for that reason he claimed, and he was quite certain they would extend it to him, that indulgence which was usually accorded to a first appearance. When first requested by the committee of the Donegal Relief Fund to give a public lecture in aid of the funds, he at once consented, though perhaps rashly; but he was anxious by so doing to shew his approval of the movement; for there could hardly be a case of privation and suffering more worthy of their sympathy and relief. The honorable gentleman than proceeded to speak of the advantages to a community that were to be derived from the cultivation of music, recommending it as a part of education, not only essential to the well being and happiness of the domestic circle, but calculated to improve the morals and habits of a whole people. He glanced at the history of the Philharmonic Society of Sydney, and spoke favourably of the proficiency of its members; but he regretted that in so large and wealthy a city there was no music hall. He spoke approvingly of the movements lately made in Maitland and Bathurst towards the establishment of philharmonic societies in those places, and he hoped to see other towns follow the example set by them.

After pointing out the success which had marked the spread and cultivation of music in England - and referring briefly to the works of the great German masters and their influence upon the taste and refinement of the present day, he passed to the more immediate subject of his lecture - the Ancient Music of Ireland.

He commenced by treating the origin of the Bardic order in Ireland, of which there were four classes. Of these, the first class always attended the King or chieftain to battle; they were also councillors to the king, and were held in the highest estimation. The Bardic order attained their highest distinction in the days Olla Fodla, which they retained during the reign of many successive monarchs, whose chief seat of power was at the Tara or "Tamar" - in the Irish language "The Palace of Music." The lecturer passed in review the various stages of Irish history in which the bards bore a prominent part until their influence began to wane after the invasion of the stranger. As in Wales the harpers were the most faithful and patriotic of the people, and, as their influence inspired their countrymen to oppose at every opportunity the incursions of their invaders, so that the whole wrath of of Edward the Second fell upon them, so in Ireland it was the policy of the English to extirpate and destroy the bards.

The honorable lecturer treated eloquently of the poetry also of Ireland - of Thomas Moore, &c. He illustrated each portion of his subject by instrumental performances on the violin, giving the original Irish airs in each case. But it would be impossible in a notice of this kind to do justice to a lecture which afforded so much instructive entertainment. The songs and melodies as laid down in the programme were sung with much taste and judgement by the gentlemen who volunteered their services for the purpose; the singing of a young lady in the beautiful ballad of "She is far from the land," was rapturously applauded. The lecturer's own instrumental performances on the violin, with which he illustrated the leading points of his remarks on the ancient Irish music and old airs were heard with every demonstration of pleasure and delight, and the attention and interest of the audience was kept alive to the last moment. On conclusion the honorable, gentleman, and the ladies and gentlemen who had assisted him were loudly applauded, and all departed gratified with the evening's entertainment.

ASSOCIATIONS: Daniel Henry Deniehy (chairman)

MUSIC: She is far from the land (Moore and Stevenson)

"OUR LYCEUM", Bell's Life in Sydney (9 October 1858), 2

http://nla.gov.au/nla.news-article59869395

The honorable and learned John Hubert Plunkett made his first bow on the stage last Tuesday evening as "The Ancient Bard of Ireland", the performances being in aid of the Fund for the distressed tenanthry at Donegal, in Ireland. The Muses greeted the honorable debutant in a terrible shower of rain, through which rushed young and old, and great numbers of the Sydney fair who disregarded such trifles as mud and wet in their laudable eagerness to support by their eighteenpences and their countenances, the debutant in his generous exertion to do good. Without pretending to compare the Hon. Mr. Plunkett either to Paganini or Miska Hauser, we award him the meed of being a "first fiddle", too good for such a place as Toogood's, for instance. Several ladies and gentlemen amateurs assisted the hon. debutant with both vocal and instrumental music; but we must confess to having sustained some disappointment at hearing no song from Mr. Plunkett himself, having attended with all our Staff for the express purpose of joining in the "coal-box". However, the entertainment elicited enthusiastic applause throughout, the house being crowded in every part.

ASSOCIATIONS: Miska Hauser (violinist)

"ADVANTAGES OF MUSIC", The Sydney Morning Herald (11 October 1858), 5

http://nla.gov.au/nla.news-article28631545 

The following are the preliminary observations made by J. H. Plunkett, Esq., M.P., on Tuesday evening last, in his lecture delivered at the Lyceum Theatre. -

Before I proceed to the particular subject of my lecture, namely, "The Ancient Music of Ireland," I will take the opportunity of making a few preliminary observations on the advantages to be derived from the general cultivation and encouragement of music among us. It is an observation that we hear very often made on different occasions, "That there are few men of leisure in this country;" and I admit the truth of the observation, in the sense in which it is usually made, for there are few, if any, amongst us who have not some business to attend to. The observation, however, can only have reference to business occupations, and to them during the hours of business; for, I venture to say, there is no country in which all classes (including men of business and working men) have more leisure to dedicate a large portion of the twenty-four hours to their intellectual, social, and moral improvement, than they have in this colony. 'Tis true, we all have our employments during certain hours of the day, and, during those hours, we find it inconvenient, if not wholly impossible, to give up any time to other and different matters than those we are engaged in; but when each of us returns home, after this business is over, there are not many whose duties keep them engaged in the evening. I rather think the great majority of the people feel at a loss for occupation, after the day's labour is over, and are often puzzled how to kill time in a rational or agreeable manner.

I am happy to say that, in many very important respects, we keep pace with the progress of the age; for instance, the Short Hours movement, the Early Closing movement, have both been very generally adopted in this city. But, unfortunately, we have not the corresponding improvements which ought to accompany them, to afford proper means for enjoying and profiting by their advantages to the full extent. Our resources in the way of intellectual institutions, or opportunities of intellectual improvement, are but scanty. The few public libraries we have are not sufficient. Our public amusements are also very limited, and our national customs and our domestic habits are not such as to keep the masses of the people from the public-houses, or from places of dissipation. I fear much the praiseworthy efforts of Teetotal and Temperance societies will never meet with general success, unless a foundation be laid in the way of public amusements and domestic enjoyments, to wean the people from those places of dissipation, and from having recourse to the glass and bottle as a resource. Without doing this, I am afraid they are working "against wind and tide;" but if rational and harmless public amusements, and home occupations and enjoyments in the hours of relaxation, were placed within their reach, there can be little doubt they would act as very powerful auxiliaries in the promotion of temperance.

The human mind is so constituted that it cannot be always on the stretch, neither can the body endure incessant labour. Rest is necessary to both, after a certain number of hours, and something is also requisite to refresh and invigorate the one and the other. Of all the arts and sciences, there is none so well calculated to accomplish this as music. The experience of all persons who can perform on an instrument, even in a tolerable way, will prove it. And even those who are only listeners to good music must admit it. If we exclaim with the poet:
"Whence art thou? - from what causes dost thou spring,
Oh, Music! thou divine, mysterious thing!"
we ask the question in vain, as we must ever do when we follow paths which lose themselves in the depths of our being. We only know that its science is an instinct of our nature, its subjects the emotions of our hearts; but further than this we shall never be able to account for till we are able to account for all things. Nothing proves more strongly the angelic purity of music than the very tender age at which the infant manifests the pleasure it imparts.

As a recreation, then, it must be regarded as one of the most delightful and spiritual in which the mind can indulge. It is the sister art of painting and poetry, and it is the handmaid of religion. The gradual extension of it among the industrial classes must be attended with an important moral effect, tending to soothe and harmonise, to impart a relish for domestic happiness, and a distaste for those haunts where the noise and the loathsomeness of dissipation and debauchery are heard. It has been well observed of music, that she can give us pleasures we cannot account for, and raise feelings we cannot reason upon. She can transport us into a sphere where selfishness and worldliness have no part to play. Her whole domain, in short, lies in that much-abused land of romance, the only objection to which in real life is, that mankind are too weak and too wicked to be trusted in it. This she offers unreservedly to our range, with her attendant spirits, the feelings and the fancy in every form of spiritual and earthly emotion, of fair and fantastic vision stationed at the portals to beckon and welcome us in. But, if she cannot captivate us by these means she tries no other. She appeals neither to our reason, our principles, nor our honour. She can as little paint a moral as she can paint a picture. She can be neither witty, satirical, or personal. There is no Hogarth in music. Mr. Punch can give her no place on his staff. She cannot reason and she cannot preach, but also (and I would beg particular attention to this) she cannot wound, and she cannot defile. She is the most innocent companion of the loves and graces. Music is not pure to the pure only she is pure to all; we can only make her a means of harm when we add speech to sound. It is only by a marriage with words that she can become a minister of evil. A musical instrument (piano, violin, or any other), which is music alone, enjoys the glorious disability of expressing a single vicious idea, or of inspiring a single corrupt thought.

The influence of music on all classes is immense, and, I venture to say, has been found to be uniformly favourable. If it sometimes seems to be the companion either of refined voluptuousness, or of low and vulgar debauch, the blame does not belong to it, but to its perversion, and abuse. Without it, the vices would still exist, probably in more debasing forms; while, properly applied, it can become a powerful agent in lessening the propensity to degrading pleasures.

Even to those of the learned and literary professions music may be highly recommended, for they often feel there are intervals to be filled up, there is a satiety of books, there is a fatigue of mind, against which a resource is wanted, and which I may with confidence assert is found in nothing so complete as in music. If men of letters and others engaged in intellectual occupations, who at certain times would gladly exchange their overworking thought for sensation, knew the complete relaxation and renovation of mind which music affords, they would all become performers on some instrument; they would assuredly have their children taught some instrument, and thus give them a never failing resource in this world of trials, in whatever walk of life their lot may be cast. Even Horace Walpole, who, with all his heartless superciliousness, wrote some very sensible things, said,

"If I had children my utmost endeavours would be to breed them musicians. Considering I have no ear, nor even a thought for music myself, the preference seems odd, and yet it is embraced on reflection. In short, my aim would be to make them happy. I think it is the most profitable method, - it is a resource which will last their lives, unless they grow deaf; it makes them depend on themselves not on others; always amuses and soothes, if not consoles; and of all fashionable pleasures it is the cheapest."

Until of late years music has been cultivated on principles too aristocratic; it should no longer be confined to the mansions of the rich, it should be made an inmate of the cottages of the humbler classes, and thus afford them a source of delight, which they vainly seek in the public-house, or any other of the places now open to them.

In the general search of improvement which is going on in the mother country, and tending to amalgamate classes; there is nothing more remarkable than the spread of music, amongst all ranks. There are few large towns in England that have not a choral society, a philharmonic, or other musical society.

As to Germany, which is peculiarly the land of eminent composers, and of instrumental music, I believe the smallest town there, possesses an orchestra, whose members are capable of executing the most difficult compositions. Music in Germany (from all I can learn) is not only a recreation, but an indispensable evening amusement after the toil of the ordinary pursuits of the day. Every place has its harmonic societies, whose professors and amateurs assemble promiscuously, all animated with the one feeling-the love of the art, ancient and modern, sacred and profane. The example of England, however, must very naturally be regarded by us in this colony with more influence. I have seen some Manchester newspapers, which speak of "the annual Choral Meeting of the Lancashire and Cheshire Working Men." They all agree in one opinion, that this annual meeting was eminently successful, whether it be looked upon as an evidence of the utility of music in improving the tastes and social habits of the people, or as an experiment and test of what may be done towards fostering the musical capabilities of the working classes. The chorus at this meeting was entirely composed of eight hundred and fifty (850) artisans, who had been trained by a Mr. Weston and others, according to the system introduced into England by Mr. Hullah. I will now read some extracts from these newspapers. The first gives an account of the annual choral meeting just alluded to -

There is no musical exhibition in the course or the year, in this eminently musical town, which is more calculated to interest the philanthropist, than these annual choral meetings of the associated workmen's singing classes. It is here that he finds music more directly used as a moral agent, in providing an ever delightful source of improving recreation for the leisure hours of the masses; and even if the performances were, in themselves, less effective than they are his satisfaction would hardly be less, because he would view them in their more important bearing, as furnishing beneficial occupation for that portion of the twenty-four hours which, scanty as it unfortunately is, is too often devoted to the most disastrous indulgences by our teeming and hard-working population. These exhibitions, however, are more pregnant with hopefulness and encouragement when we find the progressive improvement of the pupils so marked as in the present case; because herein we have not only evidence of past assiduity, but the best assurance of continued application; and so long as the human mind is so constituted that cheerful relaxation becomes as essential to its healthful existence as the active exercise of its functions - so long, we are persuaded, will the cultivation of music be esteemed as a chief means of securing such relaxation.

The classes mustered in great force on Saturday evening, having come hither from many of the principal towns within six or eight miles distance; railway trains having, through the solicitous foresight of the committee of management, been provided at a cheap rate for their especial accommodation. They were all ranged in the spacious orchestra of the Free Trade Hall, a decided improvement over the disposition of last year, when a large portion was accommodated in the body of the hall. The present arrangement had the double advantage of compactness, and of more united and powerful musical effect. The orchestra was crowded; so that there could hardly be less than from seven to eight hundred singers. The appearance of the humble vocalists, all clad in their best, and all apparently participating in the performances with intense enjoyment, was pleasing and interesting in the extreme.

The other extract which I will trouble you with relates to similar societies in Yorkshire and Derbyshire: -

In the densely peopled manufacturing districts of Yorkshire, Lancashire, and Derbyshire, music is cultivated among the working classes to an extent unparalleled in any other part of the kingdom. Every town has its choral society, supported by the amateurs of the place and its neighbourhood, where the sacred works of Handel, and the more modern masters, are performed with precision and effect, by a vocal and instrumental orchestra consisting of mechanics and work people; and every village church has its occasional holiday oratorio, where a well-chosen and well-performed selection of sacred music is listened to by a decent and attentive audience of the same class as the performers, mingled with their employers and their families. Hence the practice of this music is an ordinary domestic and social recreation among the working-classes of these districts, and its influence is of the most salutary kind. The people In their manners and usages retain much of the simplicity of the olden time; the spirit of industrious independence maintains its ground among them, and they preserve much of their religious feelings and domestic affections, in spite of the demoralising effects of a crowded population, fluctuating employment and pauperism. Their employers promote and encourage so salutary a recreation by countenancing and contributing to pay the expenses of the musical associations, and some great manufacturers provide regular musical instruction for such of their workpeople as show a taste for it. "It is earnestly to be wished," says a late writer, "that such an example were generally followed in establishments where great numbers of people are employed. Wherever the working-classes are taught to prefer the pleasures of intellect, and even of taste, to the gratification of sense, a great and favourable change takes place in their character and manners. They are no longer driven by mere vacuity of mind to the beershop; and a pastime, which opens their minds to the impressions produced by the strains of Handel and Haydn, combined with the inspired poetry of the Scriptures, becomes something infinitely better than the amusement of an idle hour. Sentiments are awakened which make them love their families and their homes; their wages are not squandered in intemperance, and they become happier as well as better."

The system alluded to, and known as Hullah's system of singing, has been generally adopted (as we perceive) in England, and also, I find, in Scotland. When I was last in Dublin myself, in 1843, I saw it in operation at many of the schools there. I also saw some of its workings in London. I happened to attend at one of the class-rooms in Exeter Hall, accompanied by Mrs. Plunkett, when a class of 500 got their first lesson. We were in a gallery which overlooked this large class seated below, and on witnessing the first lesson, we became interested in it, and attended pretty regularly every subsequent lesson to the twelfth, which was the last of the series. This class was a very curious one. It consisted, as I said before, of 500 persons, and by far the greater proportion consisted of old bald-headed men. I never saw so many bald-headed men together before. We were informed that they were old fathers and grandfathers, who were learning themselves in order to teach their children and grandchildren. The progress they made in the twelve lessons was truly surprising. They were able to read from the music any air that was put before them in score; and at the last lesson their harmony was excellent. Though very discordant at the beginning they gradually improved, and before the twelve lessons were ended they sent forth a fine volume of sound, which would have made a good chorus at either an oratorio or a musical festival.

Mr. Chizlett, Mr. Colley, and others teach the same system here, and it would be very desirable to see it practised more generally at our public and private schools.

ASSOCIATIONS: John Hullah (English musician and singing teacher); Charles Chizlett (singing master); Edwin Colley (singing master)

After a certain number of lessons the pupils would be able to read music in score, and take part in the choir of their respective houses of worship, and also join in duets, glees, quartettes, or choruses, in either sacred or profane music. I do not mean to say that for solo and drawing-room music they would not require other instruction; for it would of course be quite necessary for any one who is ambitious of excelling.

I need hardly observe that the human voice is the most natural, and the finest instrument that can be made use of. Indeed, the music of the human voice, when good, is universally acknowledged to be superior in its effects to that of any instrument. The tone is not only more natural, and therefore more gratifying in itself; but by the union of sense with sound, by means of words, the mind is entertained, while the ear is delighted. Singing is an acquirement which gives more general pleasure than any other accomplishment, since it affords gratification even to those who are ignorant of the art, and does not, like instrumental music, require a practical audience in order to be appreciated - nor like painting, a particular education in order to perceive its beauties. Music, I must repeat, and vocal music especially, forms a valuable addition to domestic enjoyments; and, as a female accomplishment, deserves cultivation, upon this ground - that women should possess as many rational resources as possible, both for their own happiness, and that of these who look to them for solace and amusement.

The learning of an instrument is certainly more difficult and more troublesome, in the beginning, than singing. The piano, the violin, violoncello, flute, or any orchestral instrument, requires a certain amount of industry and perseverance to overcome the first difficulty; but there is no young person so devoid of musical genius as not to be able to overcome that difficulty by ordinary attention and practice, and that in, comparatively, a short time. However, it is of great consequence that the first instructor should be competent to the task - one who will begin at the alphabet of music, and bring on the pupil only by proper and gradual steps.

I know there is a great, and perhaps it is a natural, desire on the part of some parents to hear their children play familiar tunes for them, very soon, and who think if the children do not play them, that they are not advancing at all. However, I will take on myself to assure those parents that it is much better to defer learning those familiar tunes until they learn the rudiments of music well, and until they can play the scales, which they must practice at, over and over again, to acquire a certain facility and command over the instrument (whatever it maybe). If they neglect this, and begin at the familiar tunes too soon, they will never make much advance. The old adage will be realised, "The more haste, the worse speed."

The cultivation of a taste for music, accompanied with a moderate degree of skill in the management of either the voice or of an instrument, may be considered, then, as within the reach of all whom nature has endowed with the requisite susceptibility. I am unwilling in these preliminary and cursory remarks to touch on the various kinds and degrees of cultivation in forming a correct taste for music; because, if the learning and teaching of music in any shape be generally practised, I have little doubt that the public taste will gradually improve, and that the best models will be appreciated, - I mean those models which are calculated to purify and exalt the public taste.

In music, as well as in architecture, there are certain forms of beauty and style which have an existence at all times and in all ages, independently of the caprices and fluctuations of fashion, and those are to be looked for alone in the efforts of highly-cultivated genius, which have commanded the admiration of the world and rendered the names of their authors immortal! With all our modern improvement?, Handel, Haydn, Sebastian, Bach, Mozart, and Beethoven can never be lost sight of. They are the great landmarks of the art. Variety and brilliancy of effect may have been, and no doubt have been superadded by more modern composers - Weber, Rossini, Bellini, Donizetti, Meyerbeer and others have tracked out unknown and unfrequented paths of modulation; Mendelssohn, Spohr, Chopin, and others, may have untwisted hidden chains and combinations of harmony; and the invention of new instruments, and the vast improvements made in the old, may have added largely to the capabilities of the orchestra; but the masterpieces of art, to which the eminent composers first mentioned have given birth, will find their way to the imagination and the heart, from generation to generation, and must always form the groundwork of every good system of musical instruction.

I am not one of those who condemn altogether the taste for Dance Music, (polkas, waltzes, quadrilles, mazurkas, and the old country dances and light music of that kind,) on the contrary, I know that such music contributes much, at the proper time and season, to social and domestic enjoyment; neither do I consider it inconsistent with the purest and loftiest taste, such as I have just alluded to, to indulge in them occasionally; but I would make this remark, any one who learns music on correct principles, and who aims at being able to read and execute the higher order of music, will be able to read and to play dance music without any trouble at all. But if they begin with dance music, they will acquire a vicious taste, and will not be likely to accomplish anything higher or better. Let me also make this further observation that no persons who cannot read music as they would a book, have any pretensions to be considered musicians, nor can they have themselves half the pleasure which music confers on its votaries, who can read what is put before them. It may be conceived how much greater pleasure will be felt by one who can join his voice with others in a duet or glee, or who can take part in a trio or quartette.

I know there are a great many gentlemen and ladies, too, who enjoy their rubber of whist vastly; that is, a kind of gambling quartette; and it affords to those ladies and gentlemen a great deal of pleasure, but it is nothing in comparison to the real enjoyment and delight felt by those who can join in a glee, or an instrumental quartette. (I can speak from experience only of the latter.)

There is one class of persons in this country to whom a knowledge of music, so as to be able to sing; and play some instrument, would be particularly valuable; I mean those whose occupations in the bush remove them from society, and throw them on their own resources. Now amongst all persons who can play, it is almost a proverb, "That one can never feel alone who has his musical instrument to, play on;" and I venture to say, those persons in the bush, to whom I have alluded, would find music a much more agreeable, and certainly a much safer companion, than either the eternal cigar, or the brandy and water. Even the common shepherds would never feel very lonely if they could, like Tityrus, in the Eclogues of Virgil, play upon a "slender pipe" (or any other instrument) "beneath the shade of a spreading gum tree."

I am happy to say the Philharmonic Society of this city is in a flourishing state. The large attendances at our concerts are a good proof of its popularity. The want of a Music Hall is our greatest obstacle. I am also glad to find that similar societies exist in other parts of the colony. Maitland has its Philharmonic Society; and I have read, with great pleasure, an excellent leading article last week, in the Bathurst newspaper, announcing the establishment of a Philharmonic Society there. These movements give high hope that this colony will soon be deserving of being called a musical community. We have all the materials among us to study it as a science, and to advance it as an art; there are some professors and artistes, both male and female, now settled among us, who would be considered eminent in their profession in any part of the world. On what vantage ground do we stand in comparison with the ancients?

Dr. Burney in his history of music, in remarking on the disadvantages under which the ancients laboured, says:

The Egyptian flute was only a cow's horn with three or four holes in it, and their harp or lyre had only three strings; the Grecian lyre had only seven strings, and was very small, being held in one hand; the Jewish trumpets that made the walls of Jericho fall down, were only rams' horns; their flute was the same as the Egyptians; they had no other instrumental music but by percussion, of which the greatest boast made was the psaltery, a small triangular harp or lyre with wire strings, and struck with an iron needle or stick; their Sacbut was something like a bagpipe, the timbrel was a tambourine, and the dulcimer was a horizontal harp, with wire strings, and struck with a stick like the psaltery. They had no written music; had scarcely a vowel in their language; and yet (according to Josephus) had two hundred thousand musicians playing at the dedication of the temple of Solomon. Mozart would have died in such a concert in the greatest agonies.

We have here in Sydney every kind of instrument that is worth playing on; we have them with all the modern improvements; we have instructors of all grades - some of whom, however, I must say, I have no great respect for, as I have never admired, quack doctors, or quack teachers of any kind, neither can I sympathise much with quack musicians, because they do more harm than good; for young persons who are taught by these quack musicians, have (when they get into the hands of a teacher competent to instruct on right principles) to unlearn bad methods, improper fingering, and other vicious habits, before they can make any progress in what is worthy to be called music. I have to apologise for detaining you so long by making these preliminary remarks, but as in Ireland we often hear of persons going the round, by way of a short cut, I hope this Irish way of getting at the principal subject of my lecture may be excused. I will now proceed to Auld Ireland, and ask you to accompany me for the rest of the evening.

The lecturer then proceeded to "The Ancient Music of Ireland," with illustrations, given by himself on the violin, and by several amateurs, whose singing was excellent, and whose voices harmonised well together.

"SYDNEY PHILHARMONIC SOCIETY", The Sydney Morning Herald (14 April 1859), 5

http://nla.gov.au/nla.news-article13023728 

The annual meeting of this society, whose periodical concerts in the Exchange Hall form such an agreeable and fashionable entertainment, was held on Tuesday evening, the 12th instant, at Mr. Aldis' house, in George-street. The Hon. J. H. Plunkett, the President of the Society, took the chair at eight o'clock. The report of the committee on the proceedings of the past year was read by the secretary, Mr. H. R. Webb . . . The usual formal business of electing officers for the ensuing year then took place. The Hon. J. H. Plunkett was elected President with much demonstration of enthusiasm. The Honorable F. L. S. Merewether was elected vice president with scarcely less acceptance. Mr. Aldis, to whom the society has been much indebted for many years for active personal exertions . . . was elected honorary treasurer by acclamation. A committee of ten members was elected by ballot, and votes of thanks having been passed to those amateurs and professional musicians (including, especially among the latter, Madame Rawack and Madame Sara Flower), who had exerted themselves for the benefit of the society, at the concerts, the meeting, which was well attended, broke up about half-past ten o'clock.

ASSOCIATIONS: Henry Webb (secretary); Francis Merewether (vice-president); William Henry Aldis (treasurer); Amalia Rawack (pianist); Sara Flower (vocalist)

[Advertisement], Empire (18 July 1859), 8

http://nla.gov.au/nla.news-article60405158 

SYDNEY UNIVERSITY MUSICAL FESTIVAL.
On TUESDAY, July 19th, and THREE FOLLOWING DAYS, a series of
GRAND MUSICAL PERFORMANCES Will be held, to celebrate the opening of the
HALL of the Sydney University in which the performances will take place.
The following gentlemen form the General Committee of direction: -
Sir Charles Nicholson, Bart, D.C.L., Provost; The Hon. Francis L. S. Merewether, B.A., Vice-Provost;
His Grace Archbishop Polding, Fellow of the Senate; The Hon. E. Deas Thomson, C.B., ditto;
The Hon. H. G. Douglass, ditto; The Hon. J. H. Plunkett, B.A., ditto . . .
CONDUCTOR - Mr. L. H. LAVENU . . .

ASSOCIATIONS: Lewis Henry Lavenu (conductor)

"THE DRAMATIC RECESS", Empire (4 August 1861), 8

http://nla.gov.au/nla.news-article60414380 

We have received numerous letters since the recess, inquiring what the Macquarie-street mountebanks are about - how they are managing to kill time and keep themselves in practice, now that Sir William has shut them out . . . Plunkett hasn't made up his mind what to do or where to go. He longs to have a peep at old Ireland, taking Rome in his way, but considers that his mission isn't ended while Cowper is in. He consoles himself with dreary tunes on the violin - the favourite one being "The Light of Days," which he believes to apply to himself . . .

ASSOCIATIONS: William Dennison (governor); Charles Cowper (premier)

MUSIC: The light of other days (Balfe)

"ANCIENT IRISH MUSIC", Empire (11 March 1861), 4

http://nla.gov.au/nla.news-article60494155 

A lecture on this very interesting subject will be delivered by J. H. Plunkett, Esq., in St. Patrick's Hall, tonight, assisted by Mrs. Bridson, Mrs. Cordner, Miss Ryan, Mr. Cordner, and an efficient chorus. It may be remembered that Mr. Plunkett delivered a lecture on the same subject some time ago, at the Lyceum, and the reception it met with was so enthusiastic, that it was a matter of regret that he did not repeat it at that time. Mr. Plunkett is an accomplished musician, and thoroughly acquainted with the subject on which he has undertaken to lecture. Our readers are probably aware that the ancient Irish airs are the most beautiful in existence; and when delivered by a singer who thoroughly enters into their spirit, the effect is indescribably affecting. It is to those beautiful airs that Moore has wedded his immortal verse, and although his voice was not powerful, he is described to have sung them with such exquisite taste and pathos that the effect was magical on those who had the good fortune to hear him. He has well described the character of the Irish music in the address to his harp on the melodies : -
"The soft lay of love and the light tone of gladdness
Have wakened thy fondest, thy liveliest thrill;
But so oft hast thou echoed the deep sigh of sadness,
That, even in thy mirth, it will steal from thee still."
A few years ago, Madame Bosio, ono of the finest singers of the Italian stage, created such an extraordinary sensation by singing the "Last rose of summer," in an opera, in the most simple, unaffected, and yet touching style, that the house was literally besieged to hear that song alone, and it immediately became the rage in all the theatres and concert rooms in London. We trust our readers will not neglect this opportunity of hearing some of the finest national music in the world, and we refer them to our advertising columns for the full particulars of the concert.

"LECTURE ON ANCIENT IRISH MUSIC", Empire (12 March 1861), 5

http://nla.gov.au/nla.news-article60492901

A LECTURE on ancient Irish music, with vocal and instrumental illustrations, was delivered by J. H. Plunkett, Esq., at St. Patrick's Hall, last night, assisted by Mrs. Bridson, Mrs. Cordner, Miss Ryan, MR. Cordner, and some of the gentlemen of St. Patrick's choir. Mr. T. Bridson presided at the piano. Mr. Plunkett, at the commencement of his lecture, explained that the reason of his appearing before them that night was on account of a promise he had made to Father Newman, to deliver a lecture for the benefit of the presbytery; but as that revered gentleman had left the parish, Archdeacon McEncroe had considered the promise as a legacy, and, a short time ago, had called upon him to redeem his promise, which he was then about to do.

This learned gentlemen then entered into a history of Irish music stating that it had been introduced by the Milesians, in their invasion of the country 500, or, according to some authorities, 700 years before the Christian era. He then described the estimation in which the bards were held by the ancient Irish kings, and of the different grades into which they were divided the chiefs of them occupying the places of ministers and persons of distinction about the Court. He then spoke of the reign of Ollamh Fodlah and of the assembly of all the estates of the realm, at the Hill of Tara, the nearest approach to representative Government of which we have any record in those early times. At that time there was a magnificent palace at Tara, in which apartments were especially set apart for the bards, and those who played the elbow music. Christianity entirely changed the character of the national music, the compositions of the old bards were committed to the flames and a new school founded, in which Saint Columbia and other ecclesiastics were conspicuous as composers. The Welsh acknowledged that they were indebted to the Irish for their national music, and the Italians derived their knowledge of the harp from Ireland. He then gave a history of the national music until the time of Carolan: after whose death the old airs were in danger of being lost altogether, until Mr. Bunting, in 1796, made a collection of them and published them. It was from the airs in Bunting's collection that Moore learned to appreciate the music of his country, and used to rouse the enthusiasm of his unfortunate friends by playing them to him. To Moore Ireland was chiefly indebted for the preservation of the music he had adorned with those beautiful melodies which would last as long as music and poetry would be heard and appreciated. So wide was the fame of the melodies that they had been translated into nearly every European language, and Dr. MacHale, the bishop of Tuam, had translated them into the tongue of his native country. Up to his time the national airs were disfigured by the most nonsensical words, the beautiful address to Wellington in the Irish melodies was formerly sung to words commencing with -
Paddy my honey, take care of your money,
For London, arragh, is the devil's own ship.
The great beauty in these national airs was their great simplicity, and Harrison had found fault with Stevenson for the manner in which he had composed the symphonies and accompaniments which were totally out of character with the style of the original airs. It was Moore's custom in singing the airs to harmonise them as he went on, and as he did not consider himself sufficiently skilled in the harmony to give them to the public as he performed them he placed them in the hands of professed musicians who succeeded admirably in spoiling them.

In the vocal part of the entertainment Mrs. Bridson sang the "Harp that once through Tara's Halls" with her accustomed ability, after which Mrs. Cordner sung "Rich and rare were the gems she wore" very charmingly. This was followed by "Erin, the tear and the smile in thine eyes," and "She is far from the land," harmonised for four and three voices respectively; but although very nicely sung, we could not help feeling that the harmonies were generally out of character with the original airs. "The last Rose of summer," probably the most popular of all Moore's melodies, was then sung by Mrs. Bridson. "Go where glory waits thee," by Mrs. Bridson and Miss Ryan. "The young may moon," as a quartet, by Mrs. Bridson and Miss Ryan, Mr. Cordner, and a gentleman. "I saw from the beach," by Mrs. Bridson and a tenor, in which the tenor part has as much to do with the air as the King of the Cannibal Islands would have, and the vocal part was brought to a termination by the "Meeting of the waters," by Mrs. Cordner, which if encores had been allowed certainly deserved one.

Mr. Plunkett also greatly delighted his audience by the performance of several airs on the violin - indeed the enthusiasm of one gentleman was raised to such a pitch that he could not restrain himself from calling down blessings on the head of the performer. Mr. Plunkett, at the commencement of the lecture, said that he could not allow of encores - an example we should like to see more generally followed at concerts. At the conclusion of the entertainment a vote of thanks to the lecturer was moved by Dr. Forrest and seconded by Dean Lynch, and of course carried by acclamation Mr. Plunkett then returned thanks, and Archdeacon McEnroe made a short address, after which the assembly broke up, highly delighted with the evening's amusement. The hall was densely crowded, and among the company we noticed Dr. Forrest, Dean Lynch, and numerous other priests, the Honorable the Speaker, Mr. Parks, M.P., Mr. Walsh, M.P., Mr. O'Brien &c.

"LECTURE ON ANCIENT IRISH MUSIC", Freeman's Journal (13 March 1861), 6

http://nla.gov.au/nla.news-article115762065 

St. Patrick's Hall on Monday night, on the occasion of the delivery of the lecture on Ancient Irish Music by Mr. Plunkett, was the scene of proceedings which, in several points of interest, were never surpassed in this city. Whether we regard the subject, the capacity of the lecturer to deal with it, the object for which the lecture was given, the numerous and brilliant assemblage, or the ardent feelings of delight and gratification which pervaded that assemblage during the entertainment (for that it was in its highest sense) the affair at St. Patrick's on Monday evening, was the most brilliant success of the kind which it has been our good fortune to have witnessed for some years. The large hall was crowded to inconvenience by our most respectable citizens; Protestants as well as Catholics being present in numbers. There was also a numerous attendance of the Catholic clergymen. It is impossible, owing to the crowded state of the hall to mention even a tithe of those deserving of notice. Amongst the clergy we observed- the Ven. Archdeacon McEncroe, who presided; the Very Rev. J. Forrest, D.D. , the Very Rev. Dean Lynch; the Rev. Father Sheridan; Rev. Father O'Shea; Rev. Father Ford; Rev. Father Scully; Rev. Father Walsh, and Rev. Father Cook; besides several others whom we could not distinguish. The Speaker of the Legislative Assembly; Mr. H. Parkes, M.L.A.; Mr. O'Brien, M.L.A.; Mr. Walsh, M.L.A.; Mr. Loughnan, &c. &c, were also amongst those present. The Ven. Archdeacon having made a few observations -

Mr. Plunkett came forward, and was received with the most marked enthusiasm. The learned gentleman made some introductory remarks relating to the occasion of his having promised to deliver a lecture on "Ancient Irish Music," in aid of the funds of St. Patrick's Presbytery. He then proceeded to treat on the nature of music, which, unlike the sister arts of sculpture, painting, or poetry, did not admit of the co-operation of the eye in its illustration. It was only through the chambers of the ear that an idea of music could be conveyed; and to do this with effect required skilful interpreters; but, above all varieties of music it was impossible, without illustration, to give an idea of Irish Music. The lecturer here entered into a beautiful and interesting description of Irish Music, dwelling into the subject with all that ardour which distinguishes the votaries of the Divine Art when treating on their favourite subject; particularly when that subject happens to be Irish Music, and the speaker an Irishman. Mr. Plunkett also glanced occasionally at the kindred art of poetry; and it became immediately evident that his heart was in his subject. The audience became correspondingly affected; and the remarks of the learned lecturer continued to be listened to with breathless attention.

A chronological record of the rise and progress of Irish Music was next given, with unscrupulous minuteness as to date and fact which showed the loving fondness with which the lecturer had dwelt upon and appropriated to his own mind each detail of these bardic annals. Starting many centuries before the Christian era in the time of the Milesians, he showed that the bards had high rank in the courts of Irish princes. The records were more explicit of the time of Odlam Foelah - the law giver, or, as he is sometimes called, the Solon of Ireland, whose court was held at Tara. The name was Timaur, but it has been anglicised to Tara - Timaur siguifies "The Palace of Music." The description read by the learned gentleman from the book of Ballimote of the ancient glories of Tara in the time of Foelah - of its magnificent palace, with its Hall of Legislature, where met the first representative institution the world ever saw - its banqueting halls, its compartments for princes, and nobles, and bards, and druids - its unbounded hospitality and unexhaustible stores - when the learned gentleman read this description of the regal splendours or Tara, the lines of Moore, "Let Erin remember the days of old," must have recurred to every one of her sons who were listening. The avocation of a bard in those days, his duties in the court of the prince or feudal chief; the nature also of the music of old before it had been softened and toned down by the influences of religion were next passed in review; and right well did Mr. Plunkett interpret the different phases of primitive song.

Descending from the strains of war, and lyrics of chieftains praise, the learned lecturer came to the second stage of Irish national music, arising with the advent of Christianity. But as some degree commemorative of the time to which he was alluding, he would now beg leave to call Mrs. Bridson, who would sing the beautiful words of Moore "The harp that once through Tara Halls." The ladies and gentlemen assisting Mr. Plunkett we should observe, were Mr. and Mrs. Bridson, Mr. and Mrs. Cordner, Miss Ryan, and two gentleman amateurs. And as we do not propose giving any thing like a full or consecutive notice of the remarks of Mr. Plunkett, we may as well notice at once the several performances (which however, were introduced at appropriate intervals during the discourse.) Having heard Mrs. Bridson but a few evenings before at the Concert of the Harmonic Society, in the "Last Judgment," when she certainly was superb, we must confess to disappointment at the manner in which she sang Tara's Halls. She certainly sang with a spirit and freshness that only the lark could rival; but after all, warbling is not the music of the human voice. There is music in the carol of birds, in the roaring sea, in the sighing winds, in swinging bells, and the bray of trumpets; but the music of the human voice is superior to all, when duly cultivated in accordance with its natural intonations. We fancied a want of expression in Mrs. Bridson's rendering of this song; and also that she did not think such a ditty worthy of her best efforts. But it was impossible to retain this feeling as the lady arose to give song after song with a heart and a will evidently desirous to please, and we believe the true cause of her singing not having been effective was the unsuitability of the hall for her expanding and flexible voice. The Last Rose of Summer Mrs. Bridson gave with a good deal of feeling and elegance.

"Rich and Rare were the Gems She Wore" was rendered by Mrs. Cordner in a manner that called forth deserved plaudits at the termination of each verse. And here we beg to remark we have never observed an audience bestow tokens of approval with more discrimination. We had not listened many minutes to Mrs. Cordner when we concluded that she was an Irishwoman, or had been to Ireland, or at least had been learned to sing by an Irishwoman. With a rich contralto voice, the lower tones of exquisite melody, Mrs. Cordner sang this song precisely as it is sung in Ireland. Her delivery of the words "they love honour and virtue more!" was a study, and the last verse was as spirited and as musical annunciation as we have heard for many a day. "The Meeting of the Waters," in which she was equally felicitous, was the only other solo from this lady. "Erin the Tear and the Smile in Thy Eye," harmonised for four voices, and "She is Far from the Land" for three voices, "Go where Glory waits Thee" a duet. "The Young May Moon," a quartett were produced with very good effect. "I saw from the Beach," a duet, by Mrs. Bridson and Mr. Cordner, as tenor, was one of the treats of the evening; Mrs. Bridson's thrilling notes having been relieved in a great degree by the accompaniment.

We regret that want of space prevents us for the present from reverting to Mr. Plunkett's further remarks; as there were some points to which we desired to call attention, particularly where he animadverted upon the practice amongst Irishmen of encouraging Irish buffoonery on the stage, and the singing of low Irish slang songs of the Larry O'Gaff style amongst themselves. At the conclusion a vote of thanks to the lecturer was moved by Dr. Forrest and seconded by Dean Lynch, and carried by acclamation. Mr. Plunkett returned thanks, after which the assembly broke up.

"MUSIC AND DRAMA", Sydney Mail (16 March 1861), 1

http://nla.gov.au/nla.news-article166694671 

Oh Monday evening last, Mr. J. H. Plunkett, Q.C., delivered a very interesting lecture on the "Ancient Music of Ireland," in St. Patrick's Hall, before a large and highly respectable auditory. The Venerable Archdeacon McEncroe presided on the occasion. The lecturer traced the origin of the bards, the first originators of music in Ireland, to the time when the first Milesian bands took possession of the island, they being accompanied with their bard. This had been variously dated back so far as 200 and 300 years B.C. He then described the duties of the bards, and drew from old records vivid pictures of the esteem in which these sons of song were held, and of the munificence with which they were treated. Tara was the great seat of learning and of bardic influence, whilst its magnificence and the great hospitality there kept up had been unparalleled in later times. When Druidism was succeeded by Christianity, the rude and warlike lays of the bards were changed to more ennobling, though softer subjects and many of the higher ecclesiastics were not only patrons of the art, but were themselves poets and musicians. St. Colombo was a great patron of the bards, and on one occasion saved the race from extinction. Tracing them down to Carolan, the last of the Irish bards, the lecturer dwelt upon the beauty of some of the more ancient pieces of music, as handed down from generation to generation of the bardic race, illustrating on the violin some of the rarer morsels. Moore - whose Irish melodies, so beautiful in themselves, were yet the more endeared to Irishmen from the fact that they were all written to ancient Irish music, collected by the poet - might be said to have been one of the preservers of the remnants of Irish minstrelsy, making popular what some two or three writers who had gone before him had, however, to some extent, managed to secure. From Moore, then, as the national poet of Ireland, the principal illustrations of the lecture were drawn, they being, with only three exceptions, set as duetts, trios, or quartettes, and most exquisitely rendered by Mrs. Bridson, Mrs. Cordner, and a young lady and two gentlemen amateurs. The songs were all loudly applauded, and at the conclusion the thanks of the meeting were given by acclamation to Mr. Plunkett. The proceeds of the lecture are to be applied to the completion of St. Patrick's Presbytery.

"PUBLIC AMUSEMENTS", Empire (21 March 1861), 2

http://nla.gov.au/nla.news-article60489546 

. . . A most interesting lecture on Ancient Irish Music, was delivered in St. Patricks Hall, by J. H. Plunkett, Esq.; illustrated by selections of some of the most beautiful of Moore's melodies. The musical portion of the entertainment was very effectually rendered by Mrs. Bridson, Mrs. Cordner, and Miss Ryan. Mr. Plunkett himself, played several solos on the violin . . .

ASSOCIATIONS (performers): Sarah and Thomas Bridson (vocalist, pianist); Ellen and William Cordner (vocalists); Miss Ryan (vocalist)

ASSOCIATIONS (attendees): John Forrest (priest, chairman); John McEncroe (priest); John Thomas Lynch (priest); Henry Parkes (parliamentarian)

ASSOCIATIONS (mentioned in lecture): Edward Bunting (collector, editor); Thomas Moore (colelctor, editor); John Stevenson (arranger)

"LECTURE ON IRISH MUSIC", Goulburn Herald (28 September 1861), 2

http://nla.gov.au/nla.news-article102585218 

On Thursday evening the Hon. J. H. Plunkett, Esq., Q. C., delivered a lecture on Irish Music, in the Catholic school-room, Clifford-street. The attendance was numerous. On the motion of the Rev. Mr. McAlroy, the chair was taken by the Rev. Dr. Forest, rector of St. John's College, who briefly introduced the lecturer. Mr. Plunkett commenced by saying that he was no stranger to the people of Goulburn, having been often in the town before, and having once had the honor of representing it in parliament. He should therefore be glad to do anything either to promote its prosperity, or to afford amusement to its inhabitants. He feared that the lecture might not be so interesting as could be wished, owing to the absence of any assistance, which would confine his illustrations to his own performances on the violin.

The lecturer then proceeded to point out the importance of directing our youth to the study of music. The more the native music of Ireland was kept before them, the more would its beauties be appreciated, and the more would their tastes become refined. The ancient music of their country was the most noble relic of the past; and it was to be regretted that it was not more noticed and more appreciated. Referring to Moore's Melodies the lecturer said they had been translated into most languages, even into Russian and Polish, and he was glad to add that Dr. McHale has rendered them into the native Irish tongue. The lecturer proceeded to describe the efforts of Mr. Edward Bunting to rescue the ancient Irish airs from utter forgetfulness. When, on the death of Carolan the last of the bards, the old airs of the country were fading from rememberance, and it was a source of lamentation to the old harpers and others that "the dear old tunes" would die with them, Mr. Bunting went among the peasantry and took down the airs which had been preserved among them, his first collection of which he published in 1796. It was entirely owing to this book that Moore became acquainted with the native music of his country.

There were, however, a great many airs that had never reached Moore, which were quite as beautiful as any of those to which he had adapted his own verses. Perhaps the earliest known air was the Coolun, which dated back as early as the reign of Henry VIII [sic], and was thus nearly six hundred years old. It was strange that the beautiful music of this air should have been transmitted from father to son without notes during so long a period. Probably the next in point of antiquity was the air to which the well known words commencing "Rich and rare were the gems she wore" had been adapted, and it was remarkable that this was the first air ever noted in score in England. It was given by Dr. Burney under the name of "Summer is coming" but it was clearly proved that it was an Irish air. The next was that to which Moore had adapted the words "O blame not the Bard." The lecturer proceeded to refer them to The Pretty Girl milking her Cow, "Drimindhu, or why did you die," and Erin go Bragh. Although the latter had been attributed to the Scottish poet Campbell from the fact of his having written the Exile of Erin to the air, yet it was really the composition of Mr. George Nugent Reynolds. He had nearly forgotten to refer to Aileen Aroon, which was of very ancient origin, dating so far back it was said, as the reign of Henry II, and the beauty of which was such, that the great composer Handel considered it superior to any of his own magnificent compositions.

Many of the old Irish airs had been associated with the worst of words, as instance in the case of Paddy Whack. To this air Moore had adapted these beautiful stanzas in praise of Wellington commencing "While history's muse", which he could not do better than read. Then there was the song which Moore of all others himself sung with the greatest effect, "When first I met thee warm and young," and which was addressed to George IV when he deserted his old friends, and particularly the Irish, by whom he had been well supported. Byron said that this was the most successful song Moore ever wrote.

The lecturer proceeded to give some details of Carolan the last of the bards, and made a passing reference to the music of Mr. Jackson. In the course of his lecture Mr. Plunkett played the following airs on his violin: -

The Coolun, O blame not the Bard, the Pretty Girl milking her Cow, Drimindhu, Erin go Bragh, Aileen Aroon, Paddy O'Rafferty, Carolan's Receipt for Drinking Whisky, Gramachree is a cup of good Drink, One Bottle More, Money in both Pockets, and the Nurse's, Mason's, Carpenter's, Jolly Ploughman's, and Spinner's songs, ending with God Save the Queen and Patrick's Day.

Mr. W. Trenery then moved and Mr. John Passmore seconded a vote of thanks to the lecturer, which was unanimously carried and appropriately acknowledged. - The Rev. W. Lanigan then moved a vote of thanks to the chairman, expressing a hope that they might on some future occasion have the pleasure of listening to a lecture from him. - Mr. Plunkett seconded the motion which was unanimously carried. - In acknowledging the vote, the Rev. Dr. Forest promised that on the occasion of his next visit to Goulburn he would deliver a lecture.

"LECTURE ON IRISH MUSIC (From a Goulburn Correspondent)", Freeman's Journal (2 October 1861), 4

http://nla.gov.au/nla.news-article115761392 

The lecture by Mr. Plunkett on "Irish Music," which was so deservedly attractive when given in Sydney, was delivered on Thursday evening, the 26th ult., in the schoolroom, Clifton-street. The room was literally crammed with one of the most respectable audiences I have ever seen in Goulburn; and the chair was occupied by Dr. Forrest, who is spending part of the vacation among us, supported by Father McAlroy and Father Lanigan. The effect produced by the lecture on the Goulburn folks fully accounts for the enthusiasm with which it was received in Sydney; and great numbers of persons have expressed a wish to hear it again, so delighted has every one been with it. At the conclusion of the lecture, votes of thanks were passed to Mr. Plunkett and Dr. Forrest; and the audience broke up quite charmed with an entertainment whose only fault consisted in its being too short.

[Advertisement], The Sydney Morning Herald (20 March 1862), 1

http://nla.gov.au/nla.news-article13226052

IF THE GENTLEMAN who, on the 9th or 10th of February last, wrote to Mr. J. H. PLUNKETT on musical topics, and signed his name so indistinctly that it cannot be deciphered, will kindly call at the Sydney General Post Office, he will find a letter for him addressed "H. B., Sydney." Melbourne, 13th March.

"SYDNEY PHILHARMONIC SOCIETY", Empire (25 July 1862), 8

http://nla.gov.au/nla.news-article60478697 

THE annual meeting of the above Society took place last evening at St. James's School, Castlereagh-street. In consequence of the inability to attend of the Hon. J. H. Plunkett, president of the society, the chair was taken by F. L. S. Merewether, Esq., M.L.C. C. B. EBSWORTH, Esq., acting for the secretary, who was indisposed, read the following REPORT -

"In presenting their annual report, your committee would briefly trace the progress of the society since its establishment in the month of February, 1854. At that time a few gentlemen, believing that there were a sufficient number of amateur musicians in the colony to support a society having for its object their mutual improvement and gratification in the performance of the most approved vocal and instrumental music, established this society. Although at first their number was small, yet there were among them some zealous workers who sustained the operations of the society amid many difficulties and discouragements, and some of whom now remain to witness the expanded growth of the association they formed. Among these deserve to be mentioned the names of J. H. Plunkett, Esq., who has ever since maintained the office of president, and Messrs. Mountcastle and Aldis who have from the first exerted themselves in the most unwearied manner in the promotion of its objects . . .

"MUSIC AND DRAMA", The Sydney Morning Herald (21 September 1863), 8

http://nla.gov.au/nla.news-article13093772 

he Philharmonic Society has for some time past exhibited that want of vigour which characterised it for so many years. It is the parent musical society of Australia, and many of those members to whose activity is chiefly owing the fact of its existence at the present time, have made another effort to place the affairs of the society in a more satisfactory condition. At the annual meeting held on the 31st ultimo, it was determined to give greater attention to vocal music, and limit the instrumentation to concerted pieces for six or seven instruments. It is also intended to make the concerts more exclusively of an amateur character, and thus diffuse a practical knowledge among the members of the music of the best masters. Mr. Plunkett, M.L.C. , was elected president, and Mr. Aldis vice president. The arrangements thus made it is confidently anticipated will prove successful.

"THE TWOFOLD BAY WALTZES", The Sydney Morning Herald (29 November 1864), 4

http://nla.gov.au/nla.news-article13105342 

A set of waltzes, bearing the above title, have been published by Anderson, of George-street. They are the composition of Miss Georgina Keon, a young lady possessing considerable musical talent. The waltzes are not pretentious, though very pretty, and are rich in harmony, the result of a plentiful use of full chords in the bass, with octaves for the da capo or repeat. The keys alternate between B flat, A flat, C natural, and F. This composition is dedicated to the Hon. J. H. Plunkett and Mrs. Plunkett, both of whom are known to take more than ordinary interest in the progress of music in this colony. The waltzes are beautifully printed, and the title-page contains a view of Twofold Bay taken from Boyd Town. A better view, however, might have been obtained from the Eden side of the Bay, and the beautiful peak of Mount Imley thus introduced.

"COMPLEMENTARY CONCERT TO MR. AND MRS. HEINE", Empire (5 September 1865), 5

http://nla.gov.au/nla.news-article64143543 

[News], The Brisbane Courier (23 October 1865), 2

http://nla.gov.au/nla.news-article1280794

We understand that the hon. John Hubert Plunkett, of Sydney, has presented to Mr. Joseph Heine a magnificent violin, nearly 250 years old, having been made in the year 1616, by Galpard Duippo [sic], an Italian. On the sides is a Latin inscription: "When I was alive I was silent; now I am dead I speak." The back of the violin is beautifully inlaid with choice woods, representing a township in Italy; and a carved head surmounts the scroll.

[News], The Brisbane Courier (24 October 1865), 2

http://nla.gov.au/nla.news-article1280868 

Mr. and Mrs. Heine's performance, we are glad to say, was very well patronised last night. There was a very large and fashionable audience, including Lady Bowen and others of our notabilities. In addition to the usual programme, to which we have had occasion several times to refer, there were some glees very ably sung by gentlemen amateurs, and Mr. Heine played several popular airs on the violin presented to him by the Attorney-General of New South Wales (the hon. J. H. Plunkett) . . .

ASSOCIATIONS: Joseph Heine (violinist); the violin "maker" named is probably rightly Gasparo Duiffopruggar (Italianised form of Tieffenbrucker) active in the mid-1500s as a viol maker. Most instruments bearing his "label" mid and late 19th-century Parisian reproductions.

"Irish Music", Illawarra Mercury [Wollongong, NSW] (9 October 1866), 2

http://nla.gov.au/nla.news-article135809562 

The hall of the School of Arts was well filled last evening on the occasion of a lecture on the above subject by the honorable J. H. Plunkett. After stating that he appeared before those present, to redeem a promise made several years ago, Mr. Plunkett proceeded to give a brief outline of the history of Irish Music and gave illustrations of the various descriptions of Irish Airs on the violin, which were highly appreciated by the audience. Perhaps the lovers of harmony have seldom had a more delicious treat than that afforded by the lecturer. In the course of the evening two ladies played several airs and sang several Irish songs with much taste and sweetness. It is needless to say that a warm vote of thanks was accorded both to Mr. Plunkett and the young ladies for their kindness in affording those present so great a treat.

"ST. MARY'S CHORAL SOCIETY", Freeman's Journal (5 October 1867), 7

http://nla.gov.au/nla.news-article119439473 

This well known Catholic musical society which has been the means of providing the highest Classical music for the Cathedral services, and furnishing members for the other Catholic Churches in Sydney, has had a new set of rules framed for its good government and for the other purposes contemplated by its founders, of which we entirely approve. One of the rules very properly provides that his Grace the Archbishop shall be the Patron. Another, which states that a Committee, and other officers shall be appointed, was carried into effect on the evening of Wednesday, the 18th instant, when the following gentlemen were elected to the offices set against their respective names, viz : - President, the Hon. J. H Plunkett, M.L.C.; Managing Vice-President, Gerard Phillips, Esq.; Vice President, James Mullins, Esq.; Secretary, Mr. P- Callachor; Treasurer, Mr. J. Magney; Librarian, Mr. Edward Darvall. Committee : - The Rev. M. J. Dwyer, Messrs. John Donelan, J. F. Henessy, Henry Joseph, E. Fitzgerald, W. Lardner, J. Keane, and J. McCormack. The newly elected members immediately held a meeting, when Mr. W. J. Cordner was re-elected to the position of Musical Conductor without a dissentient voice; indeed, so much is Mr. Cordner respected by the members, that a complimentary concert has been tendered to him by the Committee, the particulars of which will be shortly announced . . .

[Editorial], The Sydney Morning Herald (15 May 1869), 6

http://nla.gov.au/nla.news-article13183742 

THE mortal part of one of our oldest and most beloved fellow-colonists will be committed to the dust to-day. Mr. PLUNKETT, as our readers are aware, was in Melbourne at the time of his death. Domestic reasons, much against his predilections, forced him to be commonly resident in that country. His sense of duty, however, bound him to this, as well as the habit of a long public life. Here was the scene of his former labours. Here were the associates of his official career . . . n his address Mr. PLUNKETT was remarkable for simplicity and candour. Notwithstanding a severe domestic calamity, he was commonly cheerful. He delighted in music, and was able to contribute to the harmony of sweet sounds. In social intercourse his manner was courteous and pleasant, and his friendships cordial and lasting . . .

[Advertisement], The Sydney Morning Herald (2 March 1871), 1

http://nla.gov.au/nla.news-article13222554 

MRS. JOHN HUBERT PLUNKETT is compelled by painful necessity to try to support herself, and is most anxious to receive PUPILS in Music and French. Mrs. J. H. Plunkett is well known to the people of Sydney from her youth, and now earnestly solicits their patronage in her unfortunate circumstances. Address 3, Lady Young-terrace, Bridge-street.

[Advertisement], Freeman's Journal (6 January 1872), 1

http://nla.gov.au/nla.news-article120727316 

[As above]

[Advertisement], The Sydney Morning Herald (22 January 1877), 2

http://nla.gov.au/nla.news-article13389253 

MUSIC, FRENCH LESSONS given by Mrs. JOHN HUBERT PLUNKETT, at pupils' residences. Preparatory Lessons given in Italian. Address Mr. SANDON, Bookseller, George-street.

ASSOCIATIONS: Charles Sandon (bookseller)

"DEATH OF MRS. PLUNKETT", Freeman's Journal (17 August 1895), 15

http://nla.gov.au/nla.news-article111107679 

Bibliography and resources:

T. L. Suttor, "Plunkett, John Hubert (1802-1869)", Australian dictionary of biography 2 (1967)

http://adb.anu.edu.au/biography/plunkett-john-hubert-2556

John Molony, An architect of freedom: John Hubert Plunkett in New South Wales, 1832-1869 (Canberra: Australian National University Press, 1973)

http://hdl.handle.net/1885/115070 

POHL, Emil (Emil POHL; Mr. POHL)

Amateur pianist, vocalist

Born Mayence, Germany, c. 1830/31
Arrived Melbourne, VIC, 4 November 1852 (per Marlborough, from London)
Active Melbourne, VIC, until 1862

https://trove.nla.gov.au/search?l-publictag=Emil+Pohl (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POHL-Emil (shareable link to this entry)

Summary:

Emil Pohl, a native of Mayence, Germany, born c. 1830/31, arrived in Melbourne from London on the Marlborough on 4 November 1852 (aged "22"), He was naturalised on 7 February 1856. An agent and broker, Pohl was a leading figure in the German community in Ballarat in the later 1850s, and was last heard of in Melbourne as an insolvent in 1862.

At the time of the 1881 England census he was living with his wife and daughter in Clapham.

Documentation:

"CONCERT AT THE VICTORIA HOTEL MUSIC-ROOM", Mount Alexander Mail [Castlemaine, VIC] (29 July 1854), 5

http://nla.gov.au/nla.news-article202632037 

On Monday evening last a most interesting concert was given in the Music-room of this establishment. The room was splendidly illuminated, and tastefully fitted up for the occasion, the passages being furnished with powerful reflectors, and the curtains skilfully arranged to produce effect. A large and respectable company assembled at an early hour, including a considerable proportion of ladies, government officers, and many of the principal inhabitants of the township. Miss Davis elicited great applause in the song, "I'm a merry Zingara;" the duet, "Mira a Norma," in which she was associated with Mrs. Gill reflected great credit on the musical taste and talent of both those ladies; Mr. Percy's songs received the approbation of the audience, and Mr. Gill, favored the company with "The Pilot," in which song he acquitted himself with his accustomed ability. Mr. Novello's comic songs met with an enthusiastic encore, but on future occasions we would recommend a little more refinement in his selection considering that ladies are present. We only however, allude to one of his songs. Mr. Thatcher taxed the risibility of his audience to its highest pitch of endurance in his "Green New Chum," in which he inadvertently pointed to the youngest commissioner present; the song "Where's your License?" illustrative of the various "dodges" practised on the "traps," and' his "Paris Exhibition," to which he purposes to send a "civil post-office clerk," a "trap" who has been sober on duty for two consecutive days, and a "Diggings Homily on Teetotalism," all of which elicited roars of laughter. Mrs. Gill and Mr. Pohl alternately presided at the piano-forte, which is one of Broadwood's best construction. The greatest satisfaction was expressed at the decorum and respectability which characterised the meeting, of which the name of the proprietor of the Victoria is a sufficient guarantee. The concert was a miniature fac simile of some of our best conducted English concerts. "God save the Queen" concluded the musical entertainments of the evening.

ASSOCIATIONS: Janet Gill (piano); Charles Thatcher (vocalist, flute)

"TARRANGOWER . . . German Concert", Mount Alexander Mail (23 October 1857), 4

http://nla.gov.au/nla.news-article197084195 

The concert for the benefit of Professor Neuermeyer's magnetic observatory went off with great eclat on Wednesday evening. The stars of the evening were Herren Siede and Iverson, the former on the flute and the latter on the violin. Herr Julius Siede has been too long known as a first class performer to need any praise. Suffice it to say that on Tarrangower he proved that his reputation was well deserved. Herr Iverson, though an amateur, performed solos on the violin in a manner to be equalled, but not excelled, only by Miska Hauser, with whom he was a fellow pupil. Indeed many persons preferred his playing to that of his more celebrated confrere. Several English songs were excellently sung by Herr Emil Pohl, who arrived here from Ballarat expressly for the purpose of assisting (as an amateur) in this entertainment. Several first-rate songs were sung by Dr. Kupferbarg, among them the Marsellaise, which was sung in a most spirited style. The full choruses were excellent. The entertainment, by far the most perfect we have yet had, terminated with "Rule Britannia," in full chorus. The room was then cleared for dancing, which continued till past 5 next morning, when the company separated, well pleased with the bill of fare presented to them.

ASSOCIATIONS: Julius Siede (flute); Louis Iverson (violin); Miska Hauser (violin); Florian Kupferberg (amateur vocalist)

[Advertisement], The Argus (17 January 1861), 8

http://nla.gov.au/nla.news-article5696737 

WANTED, to SELL, a first-class Erard cottage PIANO. Apply to Emil Pohl, 50 Collins-street west.

POHLMAN, Edward (Edward POHLMAN)

Pianoforte tuner, repairer, and regulator

Active Melbourne, VIC, 1852

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POHLMAN-Edward (shareable link to this entry)

Documentation:

[Advertisement], The Argus (22 November 1852), 5

http://nla.gov.au/nla.news-article4788240 

PIANOFORTES. Tuned, repaired, and regulated by
MR. EDWARD POHLMAN, from Allison and Allison's patent pianoforte manufactory, London.
Orders left at the shop of Mr. Clark, No, 67, Collins-street, west, will be punctually attended to.

ASSOCIATIONS: William Clarke (musicseller)

POINGDESTRE, Mary Eleanor (Mary Eleanor AGNEW; Mrs. Lyndon Philip POINGDESTRE; Mrs. POINGDESTRE)

Harpist, teacher of the harp

Born Saint Barthélemy, Channel Islands, 22 July 1810; daughter of James AGNEW (1783-1847) and Mary Eleanor BOWES (d. 1839)
Married Lyndon Philip POINGDESTRE (d. Yass, NSW, 1861), St. Helier, Jersey, 1 July 1834
Arrived Melbourne, VIC, 20 July 1849 (per Hydaspes, from Liverpool, 31 March)
Died Bowen, QLD, 7 March 1880

https://trove.nla.gov.au/search?l-publictag=Mary+Eleanor+Agnew+Poingdestre+1810-1880 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POINGDESTRE-Mary-Eleanor (shareable link to this entry)

Documentation:

Marriages solemnized in the parish of St. Helier, Island of Jersey, A.D. 1834; register, 1830-41, page 245; Jersey Heritage

https://www.ancestry.com.au/imageviewer/collections/61219/images/45219_1831109388_0459-00268 (PAYWALL)

No. 980 / Lyndon Philip Poingdestre, eldest son of John Poingdestre, Esq're, senior, Advocate of the Royal Court of this Island, and Mary Eleanor, only daughter of James Agnew, Esq're, late Major in His Majesty's 48th Regiment of Foot, were married on the first day of July [1834] . . .

"ARRIVED", The Argus (21 July 1849), 2

http://nla.gov.au/nla.news-article4766871

July 20. - Hydaspes, barque, 595 tons, Hugh Stewart, commander, from Liverpool, 31st March. Passengers - (cabin) Mrs. Taylor and 2 children, Mrs. Wilkie and 2 children, Mr. Poigndestre [sic], Mrs. Poigndestre and family . . .

[Advertisement], The Argus (1 January 1850), 3

http://nla.gov.au/nla.news-article4767649 

Education. MRS. POINGDESTRE undertakes the Education of a limited number of Young Ladies, and has vacancies for a few as Boarders or Day Pupils. Mrs. Poingdestre will give lessons at her house in different styles of Drawing as also lessons on the Harp. References kindly permitted to the Lord Bishop of Melbourne, and Messrs. H. G. Ashurst, and G. S. Brodie. Collingwood, next door to the Sheriff.

"THE HARP", The Argus (1 January 1850), 2

http://nla.gov.au/nla.news-article4767650 

We are assured upon good authority that Mrs. Poingdestre, of Collingwood, adds to the other accomplishments she teaches, a very considerable proficiency upon the harp. We trust that our fair young friends will thank us for the hint, and insist upon their stingy papas relenting so far as to allow them a few lessons on an instrument, which the dear creatures know to present great advantages in the exhibition of an elegant figure, as well as the usual graces of musical taste and execution.

"DIED", Goulburn Herald [NSW] (15 June 1861), 2

http://nla.gov.au/nla.news-article105778421 

At the residence of his son-in-law, Charles Cutcliffe, B.A., clerk, Yass, P. POINGDESTRE, Esq., aged 51 years.

[Advertisement], The Sydney Morning Herald (7 January 1862), 8

http://nla.gov.au/nla.news-article13068573 

MRS. POINGDESTRE, of Ormonde Lodge, Paddington, has vacancies for two young lady pupils - English, French, Italian, Music, Binging, and drawing, &c. Highest references.

[Advertisement], The Sydney Morning Herald (12 July 1865), 6

http://nla.gov.au/nla.news-article13115887 

PRIVATE TUITION. - Mrs. POINGDESTRE resumed her duties on the 10th instant. Has vacancies for boarders and day pupils. 1, Woodstock-terrace, Paddington.

"DEATHS", The Brisbane Courier (22 March 1880), 2

http://nla.gov.au/nla.news-article902317 

POINGDESTRE. - On the 7th March, at the residence of her son-in-law (A. C. Macmillan, Lornsleigh, Bowen, Queensland), in the 69th year of her age, Mary Elinor, widow of the late Lyndon Philippe Poingdestre, of Monteprate, Jersey, only daughter of Major Agnew (for some time Colonial Secretary of Dominica) and cousin of Sir Andrew Agnew, of Lochnaw Castle, Scotland.

ASSOCIATIONS: Andrew Agnew (cousin)

Bibliography and resources:

Agnew, James, and Mary Eleanor; The peerage

http://www.thepeerage.com/p12202.htm 

http://www.thepeerage.com/p68724.htm#i687232 

Mary Eleanor Poingdestre, Find a grave

https://www.findagrave.com/memorial/176757492/mary-eleanor-poingdestre 

Perhaps related by marriage to "Poingdestre, Henry", TE ARA / Encyclopedia of New Zealand

http://www.teara.govt.nz/en/biographies/1p17/1

POLDING, John Bede (John Bede POLDING)

Catholic bishop, archbishop, musical amateur

http://nla.gov.au/nla.party-584141 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLDING-John-Bede (shareable link to this entry)

Documentation:

Letter, John Bede Polding, Sydney, NSW, 19 June 1849, to Thomas Heptonstall; Australian Joint Copying Project

https://nla.gov.au/nla.obj-1088210398 (DIGITISED)

. . . Do you recollect Jesson's Brass Band? Well, we have one, first rate, I assure you, but we want music proper for it. Be so good as to send two or three copies of Music arranged for Brass Band by Cocks which comes out monthly, I think. I saw it advertised in [? Jerrold] . . .

POLHILL, Sophia Louisa (Sophia Louisa POLHILL)

Music teacher

Born Plymouth, Devon, c. 1831
Arrived Adelaide, SA, 4 February 1853 (per Calcutta, from Plymouth, 3 October 1852)
Died Thebarton, SA, 9 February 1856

https://trove.nla.gov.au/search?l-publictag=Sophia+Louisa+Polhill+c1831-1856 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLHILL-Sophia-Louisa (shareable link to this entry)

POLHILL, Victoria (Victoria POLHILL; Miss POLHILL; Mrs. Pearce BARTON)

Musician, pianist

Born Plymouth, Devon, England, 1837 (3rd quarter); daughter of Baker POLHILL (d. 1853) and Sarah Tomlin CASTLE (c. 1803-1872)
Arrived Adelaide, SA, 4 February 1853 (per Calcutta, from Plymouth, 3 October 1852)
Married Pearce BARTON, Mount Barker, SA, 22 November 1860
Died Mount Victoria, NSW, 25 September 1899

https://trove.nla.gov.au/search?l-publictag=Victoria+Polhill+Barton+d1899 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLHILL-Victoria (shareable link to this entry)

Summary:

Six members of the Polhill family reportedly arrived in South Australia early in 1853. From one slightly garbled newspaper report, we can probably identify them as Sarah, second wife (and soon to be widow) of Baker Polhill of Plymouth, 4 daughters and a son (Baker junior).

In March "Mrs. Polhill and daughters" advertised that, having "conducted a Ladies' School" in England, they were now seeking pupils locally. The eldest Polhill daughter (Sarah's stepdaughter), Helen, died in December 1853, aged 29. Another daughter, Sophia Louisa, described as a music teacher in the 1851 England census, died in February 1856. Charlotte had married Horace Dean in 1853; leaving the youngest, Victoria, to marry Pearce Barton, of Mount Barker, in November 1860.

By a process of elimination, Victoria, then, was Miss Polhill the pianist, active in Adelaide concerts in 1859 and early 1860.

Evidently a highly capable pianist, Polhill appeared in public only three times, as accompanist to her close contemporary, the violinist Richard Baxter White. Twice in July 1859 they performed the Nabucco fantasie by Jean Delphin Alard (1815-1888), and once in February 1860 in the Sonnambula duo brilliant by Julius Benedict and Charles De Beriot.

Documentation:

England census, 30 March 1851, St. Andrew, Plymouth, Devon; UK National Archives, HO 107 / 1879

https://www.ancestry.com.au/imageviewer/collections/8860/images/DEVHO107_1879_1879-0901 (PAYWALL)

16 Hoe St / Sarah G. Polhill / Head / 48 / Teacher School /[born] Kent Techam
Helen [Polhill] / Step Dau'r / 27 / - / [born] France
Charlotte [Polhill] / Dau'r / 21 / Drawing general accountant / [born] Middlesex Rottenchite
Sophia L. [Polhill] / Dau'r / 19 / Music Teacher / [born] Devon Plymouth
Victoria [Polhill] / Dau'r / 13 / Scholar / [born] [Devon Plymouth]
Baker [Polhill] / Son / 9 / [Scholar] / [born] [Devon Plymouth] . . .

"ARRIVED", Adelaide Times (5 February 1853), 3

http://nla.gov.au/nla.news-article207010407 

. . . Misses [recte Mrs.] Sarah, [? Misses] Helen, Charlotte, Sophia, Victoria, and Mr. Baker Polhill . . .

[Advertisement], South Australian Register (24 March 1853), 2

http://nla.gov.au/nla.news-article38464213 

[Advertisement], South Australian Register (28 December 1853), 2

http://nla.gov.au/nla.news-article48548648 

LADIES' BOARDING AND DAY-SCHOOL. THEBARTON.
MRS. POLHILL has vacancies for four ladies as BOARDERS at her Establishment, where the health and improvement of the pupils are always studied. Miss Polhill has a drawing Class on Wednesdays and Saturdays; she also gives lessons in Music, Painting on Glass, Leather Work for frames, etc. Terms and references may be had on application at their residence.

"DIED", South Australian Register (14 February 1856), 2

http://nla.gov.au/nla.news-article49752700 

On the 9th instant, at Thebarton, of consumption, Sophia Louisa Polhill, aged 24 years, late of Plymouth, Devon, England.

[Advertisement], South Australian Register (14 July 1859), 1

http://nla.gov.au/nla.news-article49825795 

WHITE'S ASSEMBLY ROOMS.
MISS TOZER has the honour to announce that she will give a Grand
CONCERT of VOCAL and INSTRUMENTAL MUSIC on Thursday evening, the 14th July,
under the immediate patronage of His Excellency the Governor-in-Chief.
Principal Performers - Miss Tozer, Miss C. A. Tozer, Miss Polhill,
Master Watson, Mr. R. B. White, Herr Ignaz Roitzsch (Pupil of the Leipzig Conservatorium), Mr. H. Christen. Conductor - Mr. J. W. Daniel . . .
PROGRAMME . . . 7. Solo, violin, Fantasie - "Nabucodonoso" - Mr. R. B. White, R.A. - Alard . . .

[Advertisement], The South Australian Advertiser (15 July 1859), 1

http://nla.gov.au/nla.news-article1195085 

SOUTH AUSTRALIAN INSTITUTE. SOIREE. . .
the Quarterly Soiree will take place in White's Assembly Room This Evening, FRIDAY, July 15th, 1859 . . .
The DEUTSCHE LIEDERTAFEL (under the conductorship of Herr Linger) have kindly given their assistance; the other portion of the Musical Entertainment will be conducted by Mr. J. W. Daniel. PROGRAMME . . . Solo - Violin - Mr. R. B. White, R.A., accompanied by Miss Polhill - Alard . . .

"MISS TOZER'S CONCERT", Adelaide Observer (16 July 1859), 5

http://nla.gov.au/nla.news-article158128642 

On Thursday last, Miss Tozer gave a grand concert at White's Rooms, under the immediate patronage of His Excellency the Governor-in-Chief. Coming on the evening between the Tradesmen's Ball and the Quarterly Soiree of the South Australian Institute, it might have been safely predicted that the attendance would not be large, and when the evening turned out to be showery a thin audience became a positive certainty. The room was not more than a third full - a circumstance calculated to throw a damp upon both singers and audience. We must, however, do the former the justice to say that they exerted themselves to the utmost to please, and rendered the several pieces with great spirit and effect . . . Mr. White was in good bow in the violin solo . . . eliciting frequent applause, and, being warmly encored at its close, Mr. White must have felt himself somewhat indebted for the success of his solo to the judicious and tasteful manner in which the pianoforte accompaniment to it was executed by Miss Polhill . . .

"SOUTH AUSTRALIAN INSTITUTE", South Australian Register (16 July 1859), 2

http://nla.gov.au/nla.news-article49824665 

The quarterly soiree of the above Institute was held at White's Room, on Friday, the 15th inst. His Excellency the Governor-in-Chief presided upon the occasion. The room was filled as usual to the doors, and the entertainment, both as to lecture and music, was a decided success . . . Mr. White, very nicely accompanied on the pianoforte by Miss Polhill, whose unobtrusive but accurate playing gave great satisfaction, gave a charming solo upon the violin by Alard, and subsequently a delightful solo on the piano by Prudent, for both of which he was enthusiastically recalled, substituting in the former instance a portion of the same air, and in the latter introducing a totally new piece, in which the songs of birds were most distinctly indicated. . . .

"SOUTH AUSTRALIAN INSTITUTE", The South Australian Advertiser (16 July 1859), 3

http://nla.gov.au/nla.news-article1195111 

. . . A solo on the violin by Mr, White, accompanied by Miss Polhill on the pianoforte, immediately succeeded. Of Mr. White's performances it will be unnecessary to speak, as he has acquired an eminence in his profession which places him beyond the rivalry of any other performer on the violin in the colony. Miss Polhill, who took the pianoforte accompaniment, although a comparative stranger to the audience, acquitted herself very admirably, and won the approval of the audience. Mr. White's performance on this occasion was marked by extraordinarily rapid manipulation, and the production of some of those beautiful and almost vocal tones which the violin only in skilful hands can produce . . .

ASSOCIATIONS: Elizabeth and Caroline Tozer (vocalists); Richard Baxter White (violinist and piano soloist); Josiah Wyke Daniel (conductor)

MUSIC: Fantaisie sur Nabucco (Alard)

[Advertisement], The South Australian Advertiser (29 February 1860), 1

http://nla.gov.au/nla.news-article1202731 

MR. R. B. WHITE'S GRAND CONCERT . . .
On WEDNESDAY, FEBRUARY 29, 1860, At WHITE'S ASSEMBLY ROOMS,
Assisted by Miss Bryan, Miss Tozer, Miss Polhill, Mr. Christen, and Mr. Schrader.
PROGRAMME . . . PART II . . . Duo Brilliant - "La Somnambula" Piano and Violin, Miss Polhill and Mr. White - Benedict and De Beriot . . .

"MR. R. B. WHITE'S CONCERT", Adelaide Observer (3 March 1860), 2 supplement

http://nla.gov.au/nla.news-article158173747 

On Wednesday evening Mr. R. B. White gave a concert of miscellaneous music, under the patronage of His Excellency, in White's Assembly Room. The attendance was not very great. Our talented and accomplished young townsman was assisted by Miss Bryan, Miss Tozer (sister of Mrs. Peryman), Miss Polhill, Mr. Christen, and Mr. Schrader, each of whom fully sustained their previous reputation . . . Mr. White's performance, both on the violin and the piano, elicited the most enthusiastic applause . . . Miss Polhill gave evidence of great skill as a pianist . . .

MUSIC: Duo brillant sur La somnambula (Benedict and De Beriot)

"MARRIAGE", South Australian Register (23 November 1860), 2

http://nla.gov.au/nla.news-article50030126 

BARTON - POLHILL - On the 22nd November, at Mount Barker, by the Rev. J. Gordon, Pearce, second son of Edmund Barton, Esq. of Brownhill Creek, to Victoria, youngest daughter of the late Baker Polhill, Esq., of Plymouth.

"Deaths", The Sydney Morning Herald (28 September 1899), 1

http://nla.gov.au/nla.news-article14256656 

BARTON. - September 25, at her residence, Mount Victoria, Victoria, the dearly beloved wife of Pearce Barton, in her 62nd year. (Adelaide Observer please copy.)

POLLARD, George (George POLLARD)

Singer, labourer

Born Ireland, c. 1826; son of John POLLARD and Jane COLLINS (1803-1868)
Arrived Fremantle, WA, 1 October 1841 (per Ganges, with parents, "15 years farm boy")
Died (murdered) Dandalup, WA, 21 February 1844, aged "17"

https://trove.nla.gov.au/search?l-publictag=George+Pollard+c1826-1844 (TROVE tagged)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLLARD-George (shareable link to this entry)

Documentation:

"QUARTER SESSIONS", The Perth Gazette and Western Australian Journal (6 April 1844), 2

http://nla.gov.au/nla.news-article644987 

John Gaven was indicted for the wilful murder of George Pollard of the Dandalup River, laborer. This case excited considerable interest and the court was crowded. The prisoner was about 15 years of age, and the deceased seventeen . . .

Jane Pollard, mother of the deceased: I remember Ash Wednesday, 21st Feb. last. About the middle of that day, between 12 and 1 o'clock, prisoner came in to dinner, and my son, the deceased, sent him for a gimblet to the carpenter's shop . . .

. . . I then tried to sleep again, but was disturbed by the deceased beginning to sing; he was then in his room, a lean-to, next to my bedroom, and the partition wall has not been filled so that I could hear partly what he said, but not all. The last words I heard him sing were -

"And when we close these gates again
We will be all true blue."

The sound of singing then suddenly ceased. I lay a little longer, but I was aroused by some feeling I could not account for, and I leapt out of bed . . .

. . . I know that deceased had borrowed a book of songs. I found the book of songs in the deceased's bed at the time I went to his bedside. The next day I looked into the book to find the words I had heard him singing, but could not. Afterwards my daughter found the words in a page glued to another page by blood, I did not see any stains of blood on prisoner's clothes . . .

I never saw the prisoner reading out of the book produced. I have heard him humming a tune at different times, but I never remember to have heard him sing any words. The tunes prisoner hummed were not psalm tunes to my knowledge . . .

Thomas Pollard. I am a son of last witness. I recollect the day my brother was killed . . . I never heard prisoner sing or read out of the book produced. I have heard deceased sing songs out of it in prisoner's hearing, who did not appear at all annoyed at the songs, but continued with whatever he was about . . .

The chairman after recapitulating the evidence commented upon the legal points in the case . . . His painful duly now was to pass the sentence of the law, that he should be taken to the prison from whence he came, and from thence be conveyed on Saturday next to some convenient spot, where he should be hanged by the neck until he was dead, and then suspended in chains, and might Almighty God for Jesus Christ's sake have mercy on his sinful soul.

"CONFESSION OF THE MURDER OF GEORGE POLLARD", The Perth Gazette and Western Australian Journal (6 April 1844), 3

http://nla.gov.au/nla.news-article644989

"QUARTER SESSIONS", Inquirer (10 April 1844), 2

http://nla.gov.au/nla.news-article65583189

John Gavin, one of the lads recently sent out from the Parkhurst establishment, was indicted for the wilful murder of George Pollard, the son of a highly respectable settler on the Murray, to whom, he was apprenticed, by striking him with an adze . . .

Music and text concordances:

THE CHARTER SONG OF LONDONDERRY . . . ", The gentleman's magazine (February 1827), 163

https://babel.hathitrust.org/cgi/pt?id=mdp.39015027525545&view=1up&seq=181 (DIGITISED)

Written for the Celebration of the Shutting of the Gates of that City against King James's Army on the 7th of December, 1688. By the Rev. JOHN GRAHAM, M.A. Rector of Tamlaghtard. A Freeman and Freeholder of that City. (Air - Auld Lang Syne.)

FULL many a long wild winter's night.
And sultry summer's day,
Are pass'd and gone, since James took flight
From Derry walls away;
Cold are the hands that closed that gate
Against the wily foe,
But here to Time's remotest date
Their spirit still shall glow

CHORUS.
These walls still helf by valiant men,
No slave shall e'er subdue -
And when we close our gates again
We'll all be found TRUE BLUE . . .

ASSOCIATIONS: John Graham (1774-1844)

On other sources of this "Orange song", see also:

https://www.vwml.org/roudnumber/V11050 

Bibliography and resources:

Harry Mann, "CASE OF THE KILLER WHO WANTED A MOTHER'S LOVE", Mirror (16 February 1953), 8

http://nla.gov.au/nla.news-article75778203 

George Pollard, Find a grave

https://www.findagrave.com/memorial/142916936/george-pollard 

POLLARD, Joseph Henry (Joseph Henry POLLARD; Mr. J. H. POLLARD; J. Henry POLLARD, R.A.M.; A.R.A.M.)

Musician, pianist, baritone vocalist, professor of Italian and English singing, pianoforte, and composition, music class instructor, choral conductor, music retailer, songwriter, composer

Born Crediton, Devon, England, c. 1826/27; baptised Crediton, 17 January 1827; son of Jonas POLLARD (d. 1835) and Dorothy BURRIDGE (d. 1830)
Arrived Melbourne, VIC, 19 March 1857 (per Columbian, from Southampton, 14 January)
Departed Melbourne, VIC, January 1864 (per Great Britain, for England, aged "35")
Married Elise Emily CHANTRELL (d. 1898), Kent, England, 1876 (aged "47")
Died Mentone, France, 15 January 1903, aged "74"

https://trove.nla.gov.au/search?l-publictag=Joseph+Henry+Pollard+c1827-1903 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLLARD-Joseph-Henry (shareable link to this entry)

Summary:

Pollard, composer of several small works published in London in the early 1850s, and formerly of the Royal Academy of Music, made his first appearance in Melbourne on 30 March 1857 as co-artist to Anna Bishop, and with fellow Royal Academician, Laura Baxter, who had also arrived on the Columbian.

By May, Pollard was in Bendigo, where he appeared for the Sandhurst Philharmonic Society early in June, and later in the month in the Shamrock concert rooms with Charles Thatcher, soprano Julia Harland's opera company, and Miska Hauser. He settled there, took up a post a singing master to the Denominational schools board, and spent the next six years in the town as performer, conductor, and music retailer.

He composed and introduced several new compositions in the colony, including a song on the fate of the Burke and Wills expedition, and a partsong first performed by the Melbourne Philharmonic Society in 1862. Sadly, none of these are known to have survived.

Towards the end of 1863 Pollard sold up property he had acquired in central Bendigo, and in January 1864 sailed from Melbourne for England on the Great Britain.

Documentation:

England census, 6 June 1841, Crediton, Devon; UK National Archives, HO 107 / 215 / 5

https://www.ancestry.com.au/imageviewer/collections/8978/images/DEVHO107_214_216-0279 (PAYWALL)

High Street / John Pollard / 24 / Ironmonger / [born Devon]
James [Pollard] / 20 / Ironmonger / [born Devon]
Susan / 25 // William / 18 // Emma / 16 // [all born Devon]
Joseph / 14 / [born Devon]

"ROYAL ACADEMY OF MUSIC", The musical world (26 June 1847), 413-14

https://books.google.com.au/books?id=FJMPAAAAYAAJ&pg=PA414 (DIGITISED)

The third concert, held on Saturday, the 12th instant, in the Hanover Square Rooms, presented the same peculiarities and the same defects as the two previous ones of the season, 1847, and of the majority of the concerts for some years past. Out of a programme of fifteen pieces there was but one little song . . . the trio and chorus, "Behold on high he mounts," from Haydn's Seasons (solos by Miss Solomon, Messrs. Gardner and J. H. Pollard), concluded the concert. Mr. Lucas and M. Sainton sustained their usual posts of conductor and principal violin, with their accustomed ability and experience. The room was well attended.

ASSOCIATIONS: Charles Lucas (conductor, composer); Prosper Sainton (professor of violin)

"CREDITON", Western Times [Devon] (3 March 1849), 6

Mr. J. H. Pollard, late of this town, and formerly a pupil of Mr. Hayes, has been unanimously appointed organist of St. Anne's Church, Wandsworth, London.

ASSOCIATIONS: St. Anne's church, Wandsworth; William Hayes (music master and organist of Crediton parish church)

"ROYAL ACADEMY OF MUSIC", Morning Post [London] (7 June 1849), 5

The third concert took place yesterday morning, and, we regret to say, reflected but scant credit on the institution. There appears to be an utter absence of a proper system, and, though the vocal powers of the students are in many instances admirable, the method adopted and general execution are anything but satisfactory. With rare exceptions, there seems to be no regular practice, and the delivery of the voices is especially defective . . . It will be seen by the programme that much was attempted; how it was performed may be gathered by the opinion we have enunciated . . .
PART II . . . Song (M.S.) "Lonely I wander," Miss Taylor - J. H. Pollard . . .
The only original composition by a student of the Royal Academy was a song composed by J. H. Pollard, "Lonely I wander." It has a flowing melody, but is not signalised by any originality. It was agreeably sung by Miss Taylor . . .

"MUSIC. CONCERTS", Illustrated London News (9 June 1849), 10

At the third Concert of the Royal Academy of Music, on Wednesday . . . Mr. J. H. Pollard's MS. song, "Lonely I wander," sung by Miss Taylor, has merit. Sainton led the band, and Lucas conducted.

"NEW MUSIC", Exeter and Plymouth Gazette [Devon] (30 November 1850), 6

Viola Mazurka. Valse L'Adele. London: Addison.
Two new pieces dance music, composed by Mr. J. H. Pollard, of Crediton, and possessing more than ordinary claims to the patronage of those who delight in this phase of the divine art. The first is really a brilliant production, and will be cordially welcomed; the other is exceedingly pretty, and as the season is now approaching when balls will become general, we cannot do better than recommend these emanations from a Devon genius to the attention of our Terpsichorean friends.

[Advertisement], Illustrated London News (14 February 1852), 16

NEW SONG. - VALENTINE'S DAY.
Composed by J. H. POLLARD. Price 2s (sent postage free). -
"'Valentine's Day' is one of the best songs that has appeared for some time, being of a descriptive character. It will suit either male or female singers, and only requires a limited compass of voice. Those who sing 'Philip the Falconer' or the 'Fairy's Well' will find 'Valentine's Day' a most effective and amusing composition." - Musical Review. -
DUFF and HODGSON, 65, Oxford-Street.

"MRS. ALEXANDER NEWTON'S ANNUAL MATINEE MUSICALE", The era [London] (3 July 1853), 10

. . . Mrs. A. Newton's meeting took place at her own residence in Percy-street, Bedford-square, on Tuesday [28 June] . . . Madame Lablache, in a Scotch ballad, "Matie Jamieson," gained an encore . . . Signor F. Lablache and Mrs. Newton were also great in the "Quanto amore" . . . The concert was fully attended; Conductors, Mr. J. H. Pollard and Herr Gantz.

ASSOCIATIONS: Frederick and Fanny Lablache (vocalists)

"UNITY FIRE INSURANCE ASSOCIATION [BIRMINGHAM] . . . THE DINNER", The era (14 August 1853), 15

. . . A new song, entitled "Our Unity Brigade," the words of which are by Hry. J. Burbidge, and the music by Mr. J. H. Pollard, was then sung by Mr. Pursall, and received with considerable applause . . .

"REVIEWS . . . MUSIC", Liverpool Mercury (31 December 1855), 2

France and England: A new national duet.
The words by W. H. Bellamy; music by J. H. Pollard. London: Addison and Hollier . . .

"UNITY JOINT STOCK MUTUAL BANKING ASSOCIATION", Morning Chronicle [London] (5 May 1856), 3

The opening of this bank was celebrated on Friday evening last [2 May] by a sumptuous banquet at the London tavern, Bishopsgate-street . . . in the course of the evening several airs, duets, and glees were beautifully sung by Miss Stabbach, Miss Eyles, Mr. Young, Mr. Wilbye Cooper, Mr. H. Buckland, and Mr. George Buckland, the instrumentalists being Mr. J. H. Pollard and Mr. George Lake . . .

Melbourne VIC (March to May 1857):

"SHIPPING INTELLIGENCE. ARRIVED (HOBSON'S BAY)", The Argus (20 March 1857), 4

http://nla.gov.au/nla.news-article7146541 

March 19. - Columbian, E. and A.R.M. Co.'s s.s., 2,500 tons, William Pender, from Southampton 14th January, via St. Vincent 22nd January, and Cape Town 22nd February. Passengers - saloon: . . . Mr. and Mrs. Thomas H. Baylis, Mrs. and Miss Baxter, Misses Ellen and Flora, Master Edward Baylis, and servants . . . Messrs. Pollard . . .

ASSOCIATIONS: Laura Baxter (Mrs. Baylis) (vocalist)

[Advertisement], The Age (25 March 1857), 1

http://nla.gov.au/nla.news-article154824924 

EXHIBITION BUILDING.
MADAME ANNA BISHOP'S GRAND CONCERT In aid of the MELBOURNE HOSPITAL.
MONDAY EVENING, March 30th, 1857 . . .
Upon which occasion, Madame Anna Bishop has much pleasure in announcing the first appearance of the following artistes, who arrived in the last mail steamer from England: -
MISS LAURA BAXTER, Professor of singing at Royal Academy of Music, London, and Principal Contralto at Exeter Hall and Hanover Square Rooms Concerts.
MR. J. HENRY POLLARD, Of the Royal Academy of Music, London.
MR. JULIUS SIEDE, The celebrated Flautist.
And the Gentlemen members of the GERMAN LIEDERTAFEL, Who have on this occasion tendered their valuable services.
A Grand and efficient Orchestra, composed of the first artistes in the Colony,
complete in every respect, under the direction of Mr. GEORGE LODER . . .

"NEW VOCAL CELEBRITIES", The Age (25 March 1857), 5

http://nla.gov.au/nla.news-article154824908 

We are glad to notice that among our most recent arrivals are included Miss Laura Baxter, professor of singing at the Royal Academy of Music, and principal contralto at the Exeter Hall and Hanover Square Rooms concerts, and Mr. J. Henry Pollard (bass), of the Royal Academy of Music. Both possess voices of the finest quality, and are to appear for the first time at Madame Bishop's concert for the benefit of the Hospital, on Monday evening . . .

[Advertisement], The Age (30 March 1857), 1

http://nla.gov.au/nla.news-article154823719 

. . . MONDAY EVENING, March 30th, 1857.
MADAME ANNA BISHOP'S GRAND CONCERT . . .
PROGRAMME. PART I . . . Aria, from Mozart's Figaro - "Non piu andrai" - Mr. J. Henry Pollard, (his first appearance.) . . .
PART II . . . New English Ballad - "Martin, the Man-at-Arms", E. J. Loder - Mr. J. Henry Pollard . . .
Musical Director and Conductor - MR. GEORGE LODER . . .

"GRAND CONCERT IN AID OF THE FUNDS OF THE MELBOURNE HOSPITAL", The Argus (31 March 1857), 4

http://nla.gov.au/nla.news-article7147155

Yesterday evening, Madame Bishop gave her grand concert . . . and obtained for it the immediate patronage of his Excellency the Governor and Lady Barkly, who honoured it with their piesonce. Though the weather throughout the day had been of an unpromising character, the Exhibition Building was filled with an audience consisting of not fewer than 1,600 persons. To the attractions offered by a good programme, an efficient orchestra, and the humane and charitable ends to be served by the concert - to say nothing of the attractions always possessed by Madame Bishop herself - were added the introduction of two Royal Academicians, just fresh from the English schools of first-class music. Miss Laura Baxter was introduced . . . and Mr. J. Henry Pollard as a vocalist possessing that range of voice - by many pronounced the most useful - a baritone . . . Of Mr. J. Henry Pollard we can only say that we are sorry he did not receive so cordial a reception as might have been wished; but he has evidently a good ballad voice - though of limited range - and, doubtless, will improve upon acquaintance. He was warmly applauded in singing a new English ballad, "Martin, the Man-at-Arms" . . .

"MADAME BISHOP'S CONCERT FOR THE HOSPITAL", The Age (31 March 1857), 5

http://nla.gov.au/nla.news-article154824404 

. . . Mr. Pollard is evidently a good musician, and possesses a fine rich bass voice, but it wants power, and was evidently sorely tasked by the requirements of "Non piu Andrai," which, though given with great care, failed to impress us very favorably. His ballad "Martin, the man at Arms," was more successful, but he was evidently unaccustomed to his audience - a matter which may soon be remedied . . .

ASSOCIATIONS: Anna Bishop (vocalist); Julius Siede (flute); George Loder (pianist, conductor)

MUSIC: Martin, the man-at-arms (words only)

"THE HOSPITAL CONCERT", Bell's Life in Victoria and Sporting Chronicle (4 April 1857), 2

http://nla.gov.au/nla.news-article201380157 

. . . A debutant in Victoria, but no novice in her art, Miss Laura Baxter, achieved on unqualified success . . . She made a most favourable impression, and we predict for her a successful career in these colonies. Another bran new singer was Mr. Pollard, who sang as if a quantity of the commodity bearing the same name as himself had stuck in his throat . . .

[Advertisement], The Argus (4 April 1857), 6

http://nla.gov.au/nla.news-article7147441 

MR. J. HENRY POLLARD, of the Royal Academy of Music, London, Professor of Italian and English Singing, the Pianoforte, and Composition, most respectfully announces to the inhabitants of Melbourne and vicinity that he gives instruction in the above branches. Terms may be obtained at his residence, 97 Collins-street east.

[Advertisement], The Age (14 April 1857), 1

http://nla.gov.au/nla.news-article154823607 

MRS. TESTAR . . . her FAREWELL CONCERT
Will take place on TUESDAY, 14th APRIL, 1857, In THE EXHIBITION BUILDING . . .
On which occasion she will make HER LAST APPEARANCE IN PUBLIC.
PART FIRST . . . Recit. and Aria - From II Trovatore, "Il Ballen del tuo Sorriso" - Verdi. - Mr. J. H. POLLARD . . .
PART THE SECOND. Trio - "Blow, gentle Gales" - Bishop - Mrs. TESTAR, Miss LAURA BAXTER, and Mr. POLLARD . . .
New Ballad - "Martin, the Man at Arms" - E. J. Loder. - Mr. J. H. POLLARD . . .

"MRS. TESTAR'S FAREWELL CONCERT", The Age (15 April 1867), 5

http://nla.gov.au/nla.news-article154822934 

. . . Mr. J. H. Pollard sang with considerable spirit an air from Verdi's "Il Trovatore," and Loder's "Man at Arms;" but he failed in rousing the enthusiasm of the audience. He is, however, evidently an accomplished musician, and a most skilful performer on the piano-forte . . .

"MRS. TESTAR'S FAREWELL CONCERT", The Argus (15 April 1857), 6

http://nla.gov.au/nla.news-article7147948 

. . . Mr. Pollard, whom we have also mentioned before, again appeared last evening. He sang a capital bass in the trio, "Blow, Gentle Gales," to Mrs. Testar's soprano, and Miss Baxter's contralto; in fact, we incline to the opinion that he appeared to greater advantage here than elsewhere . . .

ASSOCIATIONS: Elizabeth Testar (vocalist)

"PHILHARMONIC SOCIETY'S CONCERT", The Age (29 April 1857), 4

http://nla.gov.au/nla.news-article154825054 

The second concert for the year came off yesterday evening, at the Exhibition Building, before a numerous and brilliant audience . . . The pianoforte accompaniments were ably given by Messrs. Gould [sic] and Pollard, and the whole conducted by Mr. Russell, whose skilful leadership was conspicuous in every department . . .

ASSOCIATIONS: the soloists included Laura Baxter, Emma Daniel (vocalist); Octavia Hamilton (vocalist); Robert Farquharson (vocalist), and Samuel Chapman (double bass); Thomas Green Goold (pianist); John Russell (conductor); Melbourne Philharmonic Society

Bendigo (Sandhurst), VIC (May 1857 to January 1864):

[Advertisement], Bendigo Advertiser (2 June 1857), 3

http://nla.gov.au/nla.news-article87999510 

GRAND CONCERT, In Aid of the Library Fund of the Mechanics' Institute.
To be given by the Members of the Sandhurst Philharmonic Society,
ON THURSDAY. JUNE 4, In the Hall of the Institute.
PROGRAMME. PART I.
March - Mendelssohn - Mr. J. H. Pollard
Glee, Hail, Smiling Morn - Phil. Society
Song - The Muleteer - Mr. J. H. Pollard
Duet, Music and her Sister, Song - Lizzie Lonsdale and Mr. Bolger
Glee, The Red Cross Knight - Phil. Society
Song, Poor Bessy was a Sailor's Wife - Lizzie Lonsdale
Quartette, Homo, Sweet Home - Phil. Society
Song, Hearts and Homes - Mr. W. M. Laurie
Duet, What are the Wild Waves saying? - Lizzie Lonsdale and Mr. Laurie.
An Interval of Fifteen Minutes.
PART II.
March - Le Prophete - Mr. J. H. Pollard
Glee, Life's a Bumper - Phil. Society
Song, Land of my deepest, happiest feelings - Lizzie Lonsdale
Song, Philip the Falconer - Mr. J. H. Pollard
Duet, We come to thee, Savoy - Lizzie Lonsdale and Mr. Bolger
Quartette, The Boatie Rows - Phil. Society
Duet, A Voice from the Waves - Lizzie Lonsdale
Glee. The Gipsies' Tent - Phil. Society
ANTHEM.
Mr. J. Henry Pollard, R. A. M., (from the principal Melbourne Concerts,) will preside at the Piano
Conductor - Mr. W. M. Laurie . . .

ASSOCIATIONS: William Muir Laurie (conductor); Sandhurst Philharmonic Society

"MECHANICS' INSTITUTE. PHILHARMONIC SOCIETY'S CONCERT", Bendigo Advertiser (5 June 1857), 3

http://nla.gov.au/nla.news-article87999591 

. . . The choruses were good, and the services of the pianist, Mr. Pollard, invaluable . . .

"CONCERT HALL, ADMIRAL HOTEL, LONG GULLY", Bendigo Advertiser, (17 June 1857), 3

http://nla.gov.au/nla.news-article87999830 

This place of amusement is well deserving of notice, both on account of the appearance of the room and its acoustic properties, which last are scarcely inferior even to the "Shamrock." We hope Mr. Roberts, the spirited proprietor, will meet with the encouragement and success he deserves . . . The chief thing worthy of notice was a "local" song, sung by Mr. J. H. Pollard, entitled "The Reefer," music and words being his own; it deservedly received an encore, and we trust to hear more of this gentleman's compositions, as the one in question shows decided talent. Mr. Barwick presided at the piano in his usual able manner.

[2 advertisements], Bendigo Advertiser (24 June 1857), 3

http://nla.gov.au/nla.news-article8799996 

SHAMROCK CONCERT HALL. MISS JULIA HARLAND . . . her BENEFIT
Will take place ON MONDAY, 29th JUNE, 1857. On which occasion
Mr. THATCHER will sing a new local Comic Song; a new local Comic Duet with Miss URIE, composed expressly for this occasion.
MISS JULIA HARLAND Will sing a New Song, composed expressly for her by Mr. J. H. Pollard;
AND MISKA HAUSER WILL Perform a New Solo, composed by him FOR HER BENEFIT . . .

EPSOM. SHAMROCK CONCERT HALL. GRAND CONCERT, This Evening, 24th June,
On which occasion Miska Hauser, Mrs. Hancock, Mr. Pollard, Mr. Hancock, Will appear.
Pianist and Conductor - Mr. Pollard.

ASSOCIATIONS: Julia Harland (vocalist); Charles Thatcher (vocalist, flute); Louisa Urie (vocalist); ; Miska Hauser (violin); Mary and Edward Hancock (vocalists)

"SHAMKOCK CONCERT HALL. MR. LINLY NORMAN'S BENEFIT", Bendigo Advertiser (25 July 1857), 3

http://nla.gov.au/nla.news-article88000631 

Last evening this gentleman took his farewell of Bendigo . . . His duet with Mr. Pollard, from the overture of "La Gazza Ladra," was inimitably executed and duly appreciated by the audience . . .

[Advertisement], Bendigo Advertiser (3 August 1857), 3

http://nla.gov.au/nla.news-article88000832 

LAND LEAGUE CONCERT . . .
In Aid of the League, will be held on WEDNESDAY Next, August 5th, when the whole Professional Corps of the Shamrock will appear.
PROGRAMME. PART I. Overture - William Tell. Messrs. Lavenu and Pollard - Rossini . . .
PART II. The celebrated "Angelus," from the Opera of "Maritana." - Mesdames Carandini, Swannell, Urie, Messrs. Leaman, Dixon, and Pollard.
Song - The Muleteers - Mr. Pollard . . .
PART III. Waltz - The Gipsy Queen - Messrs. Lavenu and Pollard . . .

[Advertisement], Bendigo Advertiser (8 September 1857), 3

http://nla.gov.au/nla.news-article88001577

NEW EPSOM PROSPECTING ASSOCIATION.
A GRAND CONCERT will be given in aid of the funds of this Association, in the
SHAMROCK CONCERT HALL, SANDHURST, ON WEDNESDAY, SEPT. 9th, 1857.
PROGRAMME. PART I. Overture - Pianoforte Messrs. Pollard and Lavenu . . .
PART 2. Grand Overture, performed by Messrs. Miska Hauser, Thatcher, Pollard, and Lavenu . . .
Song - "When the Winter Log is Burning" - Pollard - MR. POLLARD . . .
Quartett - "The Fox Jumped over the Parson's Gate." - "Guy Mannering." - Madame Carandini, Miss Swannell, Messrs. Dixon, Pollard, and Leeman . . .
PART 3. Grand Overture - "Semiramide," performed by Messrs. Hauser, Thatcher, Pollard, and Lavenu . . .

"SACRED AND SECULAR CONCERT", Bendigo Advertiser (2 October 1857), 2-3

http://nla.gov.au/nla.news-article87975967 

. . . [3] . . . Mr. Pollard's voice is not so attractive as is his piano-forte playing, at which he is an adept, only inferior to M. Lavenu himself . . .

ASSOCIATIONS: Lewis Henry Lavenu (conductor, pianist, cello); Maria Carandini (vocalist); Louisa Swannell (vocalist); Frederick Leeman (vocalist); Frederick Dixon (vocalist)

"PRESTBYTERIAN [sic] SCHOOLS", Bendigo Advertiser (5 October 1857), 3

http://nla.gov.au/nla.news-article87976021 

The usual quarterly examination of the above schools on Wednesday last was fairly attended by the parents and friends of the pupils . . . the Rev. Mr. Nish, the examiner, expressed himself highly satisfied . . . notwithstanding' the rush to Ararat and the general depression of business affairs, the schools of the township still keep up their numbers, 150 being present at this examination, whilst the roll allowed the number of 231 in actual connection with the school during the past quarter. The singing class had the able assistance of Mr. Pollard, the newly-appointed Professor of Singing to the Denominational School Board.

ASSOCIATIONS: James Nish (Presbyterian minister)

"THE ROMAN CATHOLIC CHURCH", Bendigo Advertiser (7 December 1857), 3

http://nla.gov.au/nla.news-article87977304

Yesterday morning this church was opened for the first time for Divine service, the Right Rev. the Bishop and the Very Rev. the Dean of Melbourne being present with other clergymen. The service commenced with the blessing of the walls, the consecration being withheld until the debt is fully liquidated. After the blessing, mass was celebrated by the Bishop, and the accompanying music and singing by the choir, under the superintendence of Mr. Pollard, assisted in giving the solemnity so characteristic of the service of this church. The church was named after St. Kilian . . .

"THE NEWS OF THE DAY", The Age [Melbourne, VIC] (19 May 1858), 5

http://nla.gov.au/nla.news-article154856743 

Mr. J. H. Pollard, singing master to the Denominational School Board of Victoria, at Sandhurst, is about to open a singing class for the study of choral singing, at the Church of England School Rooms, View-place. The system will be that of Wilhelm [sic].

ASSOCIATIONS: Guillaume Louis Bocquillon Wilhem (singing instructor); system as also adapted by John Hullah

"KANGAROO FLAT CHORAL SINGING CLASS", Bendigo Advertiser (29 July 1858), 3

http://nla.gov.au/nla.news-article87982178 

The complete success of the inaugural concert improvised by Mr. Pollard last evening, in connection with the above class, is an evidence of the warm interest excited in this district in the cause of choral music. Several glees and part songs, executed by amateurs of Bendigo, reflected great credit upon their musical taste and talent. We may especially notice "Luizow's Wild Hunt," and "Strike the Lyre," which were vociferously applauded. Miss Louisa Swannell delighted the audience with several of her favorite songs. Mr. Macord produced a perfect furore with the popular song of "Dog Tray," and his comic songs, and Mr. Pollard, as pianist and vocalist, received several encores. An address was delivered by that gentleman upon Choral Singing, which seemed to be fully appreciated, and we understand a considerable addition to the class is anticipated, and we may safely predict that ere long the amateurs of Kangaroo Flat will vie with those of Sandhurst in the exercise of their musical talent. The house was crowded.

ASSOCIATIONS: Samuel Macord (amateur vocalist)

"CHURCH OF ENGLAND SCHOOL", Bendigo Advertiser (30 September 1858), 2

http://nla.gov.au/nla.news-article87983738 

Last evening the scholars of the Church of England School were given their customary half yearly treat . . . There were, we should say, over 200 children present . . . Mr. Pollard, the singing master to the school, was in attendance, and the children led by him, executed some most difficult pieces in a manner that would not have done injustice to an assemblage of older persons than that of last evening . . .

"MR. POLLARD'S CHORAL REUNION", Bendigo Advertiser (11 December 1858), 2

http://nla.gov.au/nla.news-article87985487 

The members of Mr. Pollard's singing classes made their second bow to the Sandhurst public on Thursday evening, at the Presbyterian School room. There were about forty lady and gentlemen amateurs present, who executed the glees, etc., sung during the evening with marked ability, and we really think that Mr. Pollard has great cause for congratulation on the progress the majority of his pupils have made. The room was densely crowded.

Our space will not permit us to dwell upon the merits of each one of the songs, glees, chorusses, etc., which were rendered during the evening, we will therefore content ourselves with mentioning a few of the most prominent features of the entertainment. Mrs. Barker and Miss Warden sang the duet, "Yesterday," so well that they almost made us believe we were listening to professionals - the sweet, well-modulated tones of the former lady telling with great effect. "Hearts and Homes," a song rendered familiar to the people of Sandhurst by Miss Swannell, was given by Miss Emmett, who really sang this most difficult piece in a manner at once creditable to herself and Mr. Pollard. The Misses Warden, Lee, and Robson followed with "Let us to the fields repair," which they sang so as to give complete satisfaction to the audience. As to the gentlemen, they were all so perfect, and sang so well, that we really hardly like to particularise any. We must, however, notice the singing of Mr. Newton and the two Messrs. Watson. The former gentleman has a voice, which, with proper culture, would make him in time a really first-class singer. He sung during the evening a charming ballad called "Eulalie," and was most rapturously encored. Mr. Macord, gave "Alonzo ye brave and ye fayre Imogene" and "Umbrella Courtship" in his usual happy style.

Prior to the commencement of the second part of the programme, Mr. Pollard took occasion to make a few remarks on the subject of choral singing, and in so doing, he complimented the members of his class on the assiduity and attention they had paid to their studies during the past quarter. He explained his method of teaching, and in conclusion expressed a hope that ere long the Sandhurst Philharmonic Society would be able to vie with those of Melbourne and Geelong. The entertainment was varied by solos by Mr. Pollard on a splendid piano which had been kindly lent for the occasion by Dr. Hutchinson . . .

ASSOCIATIONS: Agnes Warden (vocalist)

"THE CHORAL SOCIETY", Bendigo Advertiser (18 December 1858), 3

http://nla.gov.au/nla.news-article87985672 

On Thursday evening a rehearsal previous to the oratorio which is announced to take place at the Haymarket Theatre, on Thursday next, was given by the members of the Choral Society. On this occasion the whole of the Opera Company will give their services, and will be assisted by Mr. Pollard's class, whom we must congratulate on the progress they have made in that divine art. The audience on this occasion may, judging from the efforts of the Choral Society on Thursday evening, expect a musical treat not frequently to be met with on the diggings, or even in the colonies. Two or three of the pieces rehearsed on that night would have done no discredit to professional singers. Those two magnificent pieces "The Heavens are telling" and "The Marvellous Works" were given by Mr. Pollard's pupils in a manner which speaks volumes for the assiduity of the instructor . . .

"THE GRAND ORATORIO", Bendigo Advertiser (24 December 1858), 3

http://nla.gov.au/nla.news-article87985801 

Last evening the grand Oratorio came off at the Haymarket Theatre. The only part of the house that was not well filled was the pit; boxes, private boxes, and stalls having an excellent complement. Such a musical programme has seldom, if ever, before been presented to the Bendigo public, and it says something for the taste of the place that the whole of the more expensive seats in the house were taken up. The programme consisted of selections from some of the most popular oratorios, including Handel's "Messiah," and Haydn's "Creation." Of course it was impossible to give, within the limits of one performance, the entire oratorios throughout, but we can compliment those who arranged the programme in having made selection of some of the sublimest pieces of sacred music ever given to the world. There was a fine muster of professional talent among the performers, including the whole of the present opera company, with several other professionals. The chorus being chiefly composed of amateurs, viz, Mr. Pollard's choral class.

The Oratorio commenced with selections from the "Creation," the orchestra performing a magnificent introductory piece. Mr. Leeman then sang a recitative, in which his fine bass voice told with splendid effect. The solos and chorus, "And God made," and "The marvellous works," were sung by the whole company, the solos by Mrs. Hancock and Mr. Gregg being done full justico to, though containing some most difficult music. The "With verdure clad" of Miss Harland was sung with true musical taste, and called for rapturous applause. The first part of the programme wound up with the sublime chorus "The Heavens are telling," in which the whole of the company showed themselves highly proficient.

In the second part, the "Comfort ye my people" of Mr. Sherwin was finely sung, and of course encored. Mons. E. Coulon was encored several times, his splendid voice and masterly performance, carrying the audience away in rapture. We have never heard Mrs. Hancock, and may safely say that her forte lies in sacred music. Mrs. Moore did not sing any complete solo, though her voice was very clearly distinguishable throughout in the part singing. Mr. Gregg's "For behold shall, &c.," was most rapturously encored. The chorus, "For unto us," which followed received a like token of respect.

Mr. Newton [sic] and Mrs. Hancock sang two or three solos extremely well in the second part: among which was the sweet aria "He shall feed his flock" by Mrs. Hancock. The "Hallelujah" Chorus concluded one of the most delightful evenings that a lover of really fine music could have desired. It was finely performed by the company throughout, both vocally and instrumentally, and met with a unanimous encore. We have before remarked that the entire performance reflects great credit upon both professionals and amateurs, and especially on the conductors, Messrs. Linley Norman and Pollard, on whom the labor of getting up the rehearsals fell. We were, however, sorry to see that the lady members of Mr. Pollard's class did not show up in quite such large numbers as we expected. All honor be to those who did.

ASSOCIATIONS: John Gregg (vocalist); Newton Clapham (tenor vocalist); Linly Norman (pianist, musical director of touring opera company)

[Advertisement], Bendigo Advertiser (25 May 1859), 1

http://nla.gov.au/nla.news-article87989338 

PIANO-FORTE AND MUSIC SALOON, WILLIAMSON-STREET.
MR. J. H. POLLARD respectfully announces that he has opened the above spacious establishment with a selection of the finest
PIANO-FORTES, By the best London manufacturers, and a stock of First-class
HARMONIUM'S, CONCERTINAS, FLUTINAS, ACCORDIANS, &c. &c.
STRINGS for every Instrument. The Newest and most Popular MUSIC, In every style, and for every capacity. Instructors for all Instruments.

"THE HAYMARKET THEATRE", Bendigo Advertiser (17 June 1859), 3

http://nla.gov.au/nla.news-article87989873 

The burlesque burletta of "Fra Diavolo" was reproduced last evening, and drew down immense applause from a crowded house . . . An Assaut D'Armes succeeded, in which Professor Parker, Mons. Lissignol, and a number of amateurs took part, each combat giving great amusement to the audience . . . A musical entertainment by Messrs. Lissignol, Pollard, and Burgess, concluded the performances. The pieces consisted of concerted pieces from the opera of "Les Hugenots," "Ah Che La Morte," from "II Trovatore," and the "March," from "Le Prophete." The several pieces wore undoubtedly very beautifully performed, and elicited considerable applause.

ASSOCIATIONS: George Parker (swordsman, d. 1871); Eugene Lissignol (swordsman and musician); Joseph Bird Burgess (musician)

"THE CHORAL SOCIETY'S CONCERT", Bendigo Advertiser (5 July 1859), 2-3

http://nla.gov.au/nla.news-article87990333

Last evening the fourth public concert given by the members of Mr. Pollard's Choral Singing Class was held at the Presbyterian Schoolroom. Notwithstanding the counter attractions at the Theatre and elsewhere, the room was completely filled with a most respectable audience. The first two parts of the evening's entertainment were devoted entirely to the singing of selections from the oratorios of the "Messiah" and the "Creation. the choruses chosen for the occasion being rendered with great effect by the members of the class; the "Glory of the Lord," from the Messiah being by far the most successful of the evening. Although in a performance of this sort, where those who appear are all amateurs, it is hardly fair to particularise individuals, still there were some who so far excelled in the business of the evening, as to be deserving of notice. First then, the solos leading into the choruses, as sung by Mr. Newton, were really given in a style which stamps that gentleman as a musician of no common order, his voice, which is a most powerful tenor, being specially adapted to the class of music sang last evening. Miss Warden's solo, "He was despised," [3] was well sung by that young lady, although there were signs of an evident want of study on her part, and it would be well if, on her next appearance in public, she would endeavor more fully to bring out those musical talents of which, there is no doubt, she is possessed. The most difficult piece given during the evening was the trio of "Most beautiful appear," which was sung by Miss Collier, Mr. Watson, and Mr. Pollard himself, all of whom, it is needless to say, did full justice to their several parts.

The second part of the concert was devoted to secular music. In it Messrs. Bucknall, Newton, W. Watson, and Macord, together with Miss Warden, who, by the way, was the only lady who ventured on a solo during the evening, sang a selection of the latest songs, which were all most vociferously applauded. We must not forgot to mention the names of Mrs. Baker and Miss Robson, who, although they took no prominent parts during the evening, still rendered "good service to the state" in the numerous choruses and concerted pieces which were given during the evening.

We must again congratulate Mr. Pollard on the success which has hitherto attended his efforts to establish a Choral Society here, and it is certain that all who attended the concert last evening will agree in saying that it was by far the most successful, whether considered in a monetary point of view or otherwise, that his pupils have yet given in Sandhurst. It has been proposed, and, in fact, it is almost decided that a repetition of last evening's concert shall be given during the ensuing week at the White Hills, where last quarter Mr. Pollard inaugurated a new class. It is to be hoped, if this idea is carried out, there will be as large and as enthusiastic an audience present as there was last evening.

"PHILHARMONIC SOCIETY", Bendigo Advertiser (17 September 1859), 3

http://nla.gov.au/nla.news-article87992204 

A meeting, attended by about forty persons, was held last night in the Town Hall, for the purpose of establishing a Philharmonic Society on Bendigo . . . Mr. Pollard said the formation of such a society was a desideratum long wished for by the amateur vocal and instrumental performers who were here in considerable numbers. There was scarcely a town in the colony which had not its Philharmonic Society, and he saw no reason why a place like Bendigo should be without one . . . The formation of such a society would be the means of developing the musical talent of the district, and he had no doubt if the members worked, harmoniously together, Bendigo would, in time, produce a Philharmonic Society which would equal, if it did not surpass, any other in the colony. (Cheers.) Mr. Linden made a few remarks endorsing the opinion of Mr. Pollard that there was plenty of musical ability, vocal as well as instrumental, in the district; and spoke of the success which had attended the formation of similar societies in Castlemaine and Ballarat, and he believed that there were materials on Bendigo sufficient to beat both of those places . . .

"THE FIRE IN WILLIAMSON-STREET", Bendigo Advertiser (8 December 1859), 2

http://nla.gov.au/nla.news-article87994047 

. . . The following is as near an estimate as can be gathered of the loss: - . . . Mr. Pollard, musical instrument vendor, stock damaged by careless removal, estimated loss from L.75 to L.100 . . .

[Advertisement], Bendigo Advertiser (2 January 1860), 3

http://nla.gov.au/nla.news-article87940733 

POLLARD'S MUSIC SALOON, WILLIAMSON-STREET, Six Doors from the Shamrock.
WANTED an Inspection of the largest and most carefully selected stock of
MUSIC AND MUSICAL INSTRUMENTS On the Goldfields, consisting of
PIANOFORTES, HARMONIUMS, Organines, Organ Accordeons, Concertinas, Flutinas,
VIOLINS, FLUTES, PICCOLOS, Banjos, Flageolets, Cornopeans, and Every Other WIND AND STRING INSTRUMENT.
STRINGS for every Instrument.
The newest and most popular MUSIC In every style and for Every Capacity at the Lowest Possible Prices.
Instruments Tuned and Repaired.

"HAYMARKET THEATRE", Bendigo Advertiser (20 January 1860), 2

http://nla.gov.au/nla.news-article87941166 

Another evening's entertainment, of a very superior character, was given last night at the Haymarket Theatre, by the Shamrock company of performers . . . we cannot help thinking that the musical tastes of the people here are of a very little refined order, plainly evinced by the lukewarm patronage which has been bestowed on these entertainments, including as they do the singing of Madame Carandini, Sherwin, and Gregg. We had almost forgot to mention that a new ballad, called "Sweet Jessie," the music being the composition of Mr. Pollard of Sandhurst, was sung last night by Mr. Sherwin, and was deservedly encored.

ASSOCIATIONS: Walter Sherwin (tenor vocalist)

"POLLARD'S SCHOOL REUNION", Bendigo Advertiser (3 February 1860), 2

http://nla.gov.au/nla.news-article87941464 

The sixth Choral Reunion Concert of Mr. Pollard's pupils look place last evening at the Presbyterian Schoolhouse. The attendance was very large, not less than three hundred persons being present. The entertainment, which was given in aid of the Royal Charter Relief Fund, was, taken as a whole, very successful, although in some instances a want of practice was evidently discernable. The principal feature in the programme was the Macbeth Music, which, though brought out under somewhat disadvantageous circumstances, (Mr. Watson who was to have taken Hecate's part being compelled through a domestic bereavement to absent himself, and Mr. Fowler having at very short notice volunteered his services,) was tolerably rendered . . .

ASSOCIATIONS: Wreck of the Royal Charter; onboard were several Bendigonians

MUSIC: Locke's music in Macbeth (probably actually by Richard Leveridge)

"THE PHILHARMONIC CONCERT", Bendigo Advertiser (7 March 1860), 3

http://nla.gov.au/nla.news-article87942206 

The second subscription concert of the Bendigo Philharmonic Society was held last evening, at the Presbyterian Schoolhouse. Neither the attendance nor the entertainment came up to. that of the last concert . . . The falling off in the musical portion of the entertainment is clearly attributable to one cause; the society have attempted too much. In bringing out Schiller's Lay of the Bell, set to Romberg's music, they evidently overrated their own powers. From the first chorus to the last, it was evident that few of the singers were really up in their parts; and although one or two of the choruses went very well, still as a whole, the performance was not successful . . . Despite the faults of the vocal part of the entertainment, the orchestra was all that could be wished; in fact, it appeared at times far too strong for the volume of voice opposed to it. Too much praise cannot be given to Mr. Pollard for the able manner in which he wielded the baton of conductor, and for the assiduous attention he has paid to the duties of his office during the past three months . . .

MUSIC: The lay of the bell (Romberg)

"THE PHILHARMONIC ONCE MORE (To the Editor of the . . .)", Bendigo Advertiser (12 March 1860), 3

http://nla.gov.au/nla.news-article87942305

Sir, - Although I am most undesirous of continuing the already lengthened discussion induced by your late critique on the Philharmonic Society's last performance, I feel compelled to do so in order to remove uneasy impressions which seemingly exist in the minds of many respecting my position as conductor. Were I to remain silent, it might be inferred that I covet for myself the honor which others should share. Let me then explain that when the Philharmonic Society was first propounded, Mr. Linden and myself were fully prepared to be prominent workers in its formation; to accept whatever office the Society might allot to each of us; and to advance, by our mutual exertions, the efficiency of its members, and the cultivation of a high class of music. And as we were both fully aware that this mutual exertion was most essential to the success of our undertaking, I will leave the Society to decide whether or not their conductor and leader, have endeavoured to carry out the spirit of their original intention.

I now repeat what I have already stated, and, do assure Mr. Linden's friends and the musical public that I consider Mr. Linden a clever and painstaking musician, and one who has worked industriously and ably for the Philharmonic Society, and far be it from me to rob him of that share of credit to which he is justly entitled; I am glad also to have the opportunity of stating that there are others beside the leader and conductor to whom a large amount of credit is due, viz., our very efficient violinist, Mr. Hid, and those professional brethren who have so kindly assisted us by their gratuitous services; and, let it also be spoken to their honor, several of our members actually sacrificed much of their valuable time in completing the general arrangements of the room, thereby materially furthering the success of our concert and economy of our expenditure. And when, Sir, I conclude by stating that the punctuality of attendance at rehearsals, the diligence and the perseverance of our lady members have equalled, if not exceeded, that of the gentlemen, I think that you will consider that success must attend our future.

Let only the public, and particularly our worthy Municipal body, extend to us that support and indulgence so indispensable at this youthful and critical epoch of our existence, and the Bendigo Philharmonic Society will prove a source of social and elevating enjoyment, and eventually an important support to our various local charities. Apologising for the length of my letter, I beg to remain, Sir, yoar obedient servant,
J. H. POLLARD.
Sandhurst, 10th March, 1860.

ASSOCIATIONS: Otto Linden (pianist); Mr. Hid (violinist)

1860 'HAYMARKET THEATRE.', Bendigo Advertiser (17 November 1860), 2

http://nla.gov.au/nla.news-article87948045

The crowded state of the Haymarket Theatre last evening is sufficient evidence that when a first class musical entertainment is brought within the reach of the Bendigo public they know how to appreciate it . . . It is a work of some labor for a body of vocalists, consisting of amateurs, with but one exception, that of Mrs. Ellis, to produce even respectably as heavy an oratorio as is "The Creation" and that the concert of last evening was more than respectable, none will deny. The principal soprano parts were sustained by Mrs. Ellis and Miss Lee . . . Mr. Newton Clapham cannot, be too highly complimented for the really superior manner in which he gave the whole of the tenor solos . . . The bassos, Messrs. Von Ende, Fowler, and Nelson were not quite up to the mark, although for amateurs they acquitted themselves tolerably. The choruses were got through, in nearly every instance with spirit, that of "The marvellous work" bein, perhaps, as well relished by the audience as any. The society were assisted by several lady and gentlemen amateurs from Castlemaine, who were of material assistance in the choruses. The band - which was as good a one as any which ever played in Sandhurst together - consisted of the following gentlemen, most of whom, we believe, volunteered their services; - Messrs Linden, Hallas, Burgess, Brown, Middleton, Hid, Bower, Sayers, Richter, Hunter (Castlemaine amateur), and another amateur whose name we could not ascertain. Mr. Pollard conducted, and it is mainly to his exertions, together with those of Messrs. Fowler and Von Ende, that the unparalleled success of the present concert may be attributed . . .

ASSOCIATIONS: Eliza Stewart Ellis (vocalist); Charles William Von Ende (amateur vocalist); Nathaniel Hallas (musician)

"ANNUAL GRAND MUSICAL FESTIVAL", Bendigo Advertiser (20 December 1860), 2

http://nla.gov.au/nla.news-article87948838 

The Annual Grand Musical Festival of the children of the various Denominational Schools in and around Sandhurst, was held yesterday in the Town Hall, under the direction of Mr. J. H. Pollard. The children, to the number of about 300, who were present yesterday, have been for some time under the musical tuition of Mr. Pollard in their several schools, and from the manner in which they executed the different songs and choruses, it is no exaggeration to say that the pupils were in every way worthy of their tutor . . . To particularise those portions of their performance which most deserves mention would be to speak of the "Rounds," "The Merry Bells are Ringing" (in four parts), and "Good Night to you all" (in three parts) . . . The songs of the "Wild White Flowers," and the carol of "Christmas Day," were also sung by the little performers iu a very creditable manner. By far, however, to the listeners was the enthusiastic and loyal manner in which they sang "Rule Britannia" and "God Save the Queen." The instrumental accompaniment was given by Mr. Pollard, and Messrs. Usher and Brown, who kindly volunteered their aid for the occasion . . .

[Advertisement], Bendigo Advertiser (26 July 1861), 1

http://nla.gov.au/nla.news-article87376124 

BENDIGO PHILHARMONIC SOCIETY.
SECOND SUBSCRIPTION CONCERT for the YEAR at the TEMPERANCE HALL, TIHS EVENING, at Eight o'Clock.
Principal Vocalists: Mrs. Stewart Ellis, Madame Leon Naej, Messrs. Miell and Von Ende.
MOZART'S TWELFTH MASS, AND A SELECTION of MISCELLANEOUS MUSIC,
Including "Mon Etoile," nocturno par Ch. Voss, on the Piano-forte by Herr Muench.
Organist - Mr. Barwick.
Conductor - Mr. J. H. Pollard.
For particulars see Programme.

ASSOCIATIONS: Madame Leon Naej (vocalist); Augustus Miell (vocalist); Thomas Barwick (organist); Robert Muench (pianist)

"BENDIGO PHILHARMONIC SOCIETY", Bendigo Advertiser (2 September 1861), 2

http://nla.gov.au/nla.news-article87376949 

. . . The meeting was informed by letter that owing to his numerous engagements, Mr. Pollard would not stand for re-election to the office of conductor; he, however, stated his willingness to assist the Society by every means in his power, and received a cordial vote of thanks for his past valuable services . . .

"MR. POLLARD'S CHORAL RE-UNION . . .", Bendigo Advertiser (20 September 1861), 2

http://nla.gov.au/nla.news-article87377322

. . . at the Temperance Hall, last evening, was attended by a numerous and respectable audience. The programme, which included every variety of vocal music, was successfully got through, the singing of Misses Regan and Fawcett, and Messrs. Stewart and Smith, being quite up to the standard of amateur vocalization. The former young lady has wonderfully improved since her last appearance in public, and the marked progress she, in common with the other scholars, has made, speaks well for Mr. Pollard's system of imparting instruction. A sonata (violin and pianoforte)- Messrs. Usher and Pollard - by Beethoven, was a very superior performance, and as it was evidently relished by those present, clearly demonstrates that a taste for the compositions of the great masters, when properly executed, does exist in Sandhurst. The Glee Club gave their valuable assistance, and, as usual, their efforts were most acceptable to the audience.

ASSOCIATIONS: Alfred Usher (violin)

"AT HOME I'D BREATHE MY LAST", Bendigo Advertiser (27 November 1861), 3

http://nla.gov.au/nla.news-article87378721 

To the memory of those noble and brave men who have sacrificed their lives in their exploration of the Australian Continent. -
(Arranged and set to music by J. H. Pollard.)

Let me go - the night is falling -
Shadows beckoning, spirits calling,
Wiling me away;
Stranger voices float around me -
Stranger faces still surround me -
I cannot longer stay.

I'm pining for my own loved land
I long for a friend s familiar hand
To rest upon my brow;
I feel the coming of the foe -
That last dread conqueror mortals know
Is hovering o'er me now !

I long to hear the mountain breeze;
Come whispering thro' the old oak trees,
As in the days long past ;
I long to feel the fresh pure air
Raise the damp masses of my hair.
At home I'd breathe my last!

"Nobly went a phalanx' forth,"
To brave the terrors of the north,
Thro' desert wilds to roam;
Lone-but proud-their hour of death!
For victory crown'd their latest breath,
And brought their chaplet home.

ASSOCIATIONS: Concerning the unknown fate of the Burke and Wills expedition

[Advertisement], The Argus (7 July 1862), 8

http://nla.gov.au/nla.news-article5717806

MELBOURNE PHILHARMONIC SOCIETY . . . Conductor, Mr. C. E. Horsley.
The SECOND SUBSCRIPTION CONCERT For the year will be held in the
EXHIBITION BUILDING, On TUESDAY EVENING, JULY 8, 1862 . . .
PROGRAMME . . . PART II . . . 7. Quartett, "The Violet " (first time) J. H Pollard - Miss Hamilton, Miss Liddle, Mr. Beaumont, Mr. Angus . . .

"THE NEWS OF THE DAY", The Age (9 July 1862), 5

http://nla.gov.au/nla.news-article155008303 

. . . The part song, "Stars of the Summer Night," by G. O. Rutter, is a pleasing melody, linked to pretty words. It was rendered with much delicacy of expression by the chorus, and was honored with an encore. Mr. J. P. [sic] Pollard's quartette, "The Violet," given by Miss Hamilton, Miss Liddle, Mr. Beaumont, and Mr. Angus, was likewise favorably received. It speaks well for the character of the musical community of Melbourne that its ranks include gentlemen capable of producing such meritorious compositions as these, and that their labors should receive so flattering a recognition . . .

ASSOCIATIONS: Charles Edward Horsley (conductor); Octavia Hamilton (soprano); Maggie Liddle (contralto); Armes Beaumont (tenor); Silvanus Angus (bass); Melbourne Philharmonic Society

"NEWS AND NOTES", The Star [Ballarat, VIC] (17 November 1862), 2

http://nla.gov.au/nla.news-article66328758 

On Saturday evening, at the Mechanics' Institute, Mr. J. R. Black gave a farewell entertainment, the proceeds on this occasion being devoted to the Explorers' Monument Fund, the vocalist having liberally acceded to the request of the committee that he would, before leaving Ballarat, aid in advancing so meritorious an object. The entertainment consisted of a number of English, Scotch, and Irish songs, and included "At Home I'd breathe my last" - composed by Mr. J. H. Pollard, of Sandhurst, written to words having allusion to the sufferings of the explorers, Burke and Wills. The music is evidently the work of an accomplished musician, and was sung by Mr. Black with much feeling. We may safely say that, on leaving Ballarat, Mr. Black carries away with him everyone's good wishes.

ASSOCIATIONS: John Reddie Black (vocalist)

[Advertisement], Bendigo Advertiser (2 May 1863), 1

http://nla.gov.au/nla.news-article87936003 

THE FOURTEENTH RE-UNION AND CONCERT of the SANDHURST CHORAL SOCIETY Will take place at THE TEMPERANCE HALL, TUESDAY EVENING, MAY 5th. Several Vocal and Instrumental Novelties and Selections from Wallace's Opera, Maritana, will be produced. Conductor - Mr. J. H. Pollard.

"MR. POLLARD'S CONCERT", Bendigo Advertiser (2 September 1863), 2

http://nla.gov.au/nla.news-article87938436 

The concert at the Temperance Hall last night, though attended by a large number of persons, did not compare favorably with the previous efforts of Mr. Pollard and his pupils. The chorus was very unsteady, and would evidently have been greatly improved by another rehearsal or two. It is true that there are some difficulties to contend with, and the most formidable was the absence of Herr Schmitt, solo violin, for whom an apology was made on the ground that he was suffering from a severely sprained arm. The overture was succeeded by Sir H. Bishop's glee, "How by day's retiring lamp;" and the next trio, "The magic wove scarce," was omitted, and another (a composition of Mr. Saloman's, some years since a resident on Bendigo), "Sweet is the breath of morning," substituted for it, and very fairly rendered by Miss Haynes, and Messrs. Stewart and Gilbert.

A canzonet, said to have been written expressly for the occasion by Mr. Pollard, with flute obligato, followed, and was very nicely sang by Miss Regan, her full mellow voice harmonising with Mr. Haines' flute, produced a beautiful effect, and was without doubt the gem of the vocal performances of the evening. After several other songs, Mr. Harvie played a solo on the flute, "Du Du." As an amateur instrumentalist he ranks very high : his execution is very ornate, and at the same time very distinct. Another song by Miss Fawcett, followed by Verdi's "O'er the calm and sparkling Waters" by the full choir, brought the first part of the entertainment to a close.

Part two consisted of selections from Donizetti's opera of " Lucrezia Borgia," and here the same remarks apply again as to the unsteadiness of the chorus; but the duet, "Thinking love must pay such kindness," by Miss Regan and Mr. Stewart, was performed very creditably. After the selections from "Lucrezia Borgia" were concluded, Mr. Harvie again delighted the audience with another solo on the flute, and then the Danish National Hymn and God Save the Queen brought the evening's entertainment to a close. Before concluding, it would be as well to point out to the conductor that it is extremely unpleasant to hear the beat of his foot continually.

"MR. POLLARD'S CONCERT (To the Editor of the . . .)", Bendigo Advertiser (3 September 1863), 3

http://nla.gov.au/nla.news-article87938472 

Sir, - I shall feel obliged by your kindly correcting an error which appeared in your report of the Choral Society's concert last evening. The name of Mr. Harvie should have been mentioned as the executant of the Flute Obligato part to the canzonet, "Go Youth Beloved," sung by Miss Regan. This canzonet was composed by me a short time since expressly for my friend, Mr. Harvie, and with in eye to the peculiar beauties and capabilities of the newly-invented cylinder flute. Whether in the production of a subdued quality of tone, or in the execution of rapid scale passages and trills, this instrument is eminently adapted to accompany the voice.
Your obedient servant,
J. H. POLLARD.

ASSOCIATIONS: Montague Harvie (flute); Carl Schmitt (violin)

[Advertisement], Bendigo Advertiser (24 October 1863), 4

http://nla.gov.au/nla.news-article87939434 

TUESDAY, 27th OCTOBER.DESIRABLE FREEHOLDS AND COTTAGE, OVERLOOKING ROSALIND PARK. For Positive Sale, on Easy Terms. BUCKNALL, BROWN and CO. are favored with instructions from Mr. J. H. Pollard to Sell by Auction, on Tuesday, 27th October, Five Superior Building Allotments, all situate in a most favorable locality for cottage residences, and commanding extensive frontages to Barkly Place. On one allotment is erected a commodious Three-roomed Cottage, newly built . . .

"POLLARD'S MUSICAL ART UNION", Bendigo Advertiser (31 December 1863), 2

http://nla.gov.au/nla.news-article87940727 

The drawing for the three grand pianos took place last evening at the Metropolitan Hotel. Owing to the rain there was not such a large attendance as might have been, had the weather been dry . . . The winner of the first prize is Mr. Glen, a Melbourne gentleman; of the second Mr. Peel, the cordial manufacturer, on Sandhurst; and of the third Mr. Webb, the National School teacher.

ASSOCIATIONS: William Henderson Glen

"SHIPPING INTELLIGENCE . . . CLEARED OUT, JAN. 27", The Argus (28 January 1864), 4

http://nla.gov.au/nla.news-article5743203 

Great Britain, s., 1794 tons, J. Gray, for Liverpool, with 440 passengers. Passengers - cabin . . . Mr. J. H. Pollard . . .

[Advertisement], Bendigo Advertiser (15 July 1864), 3

http://nla.gov.au/nla.news-article88002511 

. . . J. Fairchild, Piano-forte Maker. Music Saloon, Williamson-street, late J. H. Pollard.

ASSOCIATIONS: Joseph Fairchild

Kent, England (1864-1903):

"NEW MUSIC", Exeter and Plymouth Gazette [England] (6 March 1868), 3

"Moonlight Musings by the Sea." A reverie, by J. Henry Pollard. London, Lamborn Cock, Addison and Co., 62 and 63, New Bond-street. This is graceful and attractive if not a highly original pianoforte piece. It is well constructed, carefully written, and has melodious theme underlying the light but not too elaborate accompaniment. In the hands of a moderate performer with a cultivated taste and a delicate touch "Moonlight Musings" would be an effective and elegant bagatelle.

[Advertisement], Thanet Advertiser [England] (6 June 1868), 2

MR. J. HENRY POLLARD, PROFESSOR of Italian and English Singing, and the Pianoforte, begs to announce that he visits Broadstairs and Margate weekly. All communications addressed to his residence, 15, Albion Place, Ramsgate.

"Organ News. RAMSGATE", The musical standard (11 July 1868), 12

https://books.google.com.au/books?id=-KMaAQAAMAAJ&pg=PA12 (DIGITISED)

Tt is not known who was the builder of the organ in St. George's Church, Ramsgate. It was enlarged and repaired by Gray and Davison about ten years ago . . . The services are partly choral, and there is a good voluntary choir, under the direction of the organist, whose voluntary playing on the occasion of our visit was as excellent as his accompaniments were judicious and tasteful. - (Communicated.)

[Advertisement], The musical times and singing class circular (1 August 1869), 163

https://books.google.com.au/books?id=-lZGAQAAMAAJ&pg=PA163 (DIGITISED)

ROYAL ACADEMY OF MUSIC. It is proposed to perpetuate the memory of the late Mr. CHARLES LUCAS, and the valuable services he rendered to the above Institution in his various offices of Principal, Conductor, Professor of Composition and Violoncello, by instituting a Prize of a GOLD MEDAL, to be given annually to the best Student in Composition. The following SUBSCRIPTIONS have been received . . . J. H. Pollard, Esq. (Ramsgate) - £1 1 0 . . .

England census, 1881, Ramsgate, Kent; UK National Archives, RG 11 / 988

https://www.ancestry.com.au/imageviewer/collections/7572/images/KENRG11_987_990-0339 (PAYWALL)

Elms, 2, Elms Park Terrace / Joseph H. Pollard / Head / 52 / Professor of Music / [born] Devonshire Crediton
Elise E. [Pollard] / Wife / 49 / - / [born] Belgium Bruges

"DEATHS", Kent & Sussex Courier (8 June 1898),

POLLARD. May 22nd, at Ramsgate, Elsie Emily, the wife of J. Henry Pollard, A.R A.M., and eldest daughter of the late W. D. Chantrell, of Bruges, Belgium.

Extrait des registres des actes de décès de la ville de Menton; décès de Joseph Henry Pollard

Du [15 Janury 1903] à cing heures du soir, acte de décès de Joseph Henry Pollard, veuf de Eliza Emily Chantrell décèdé à Hotel Britannia . . . [66 years, sic]

"THE DEATH OF MR. J. HENRY POLLARD", Thanet Advertiser [England] (24 January 1903), 5

Many Ramsgate people will learn with deep regret of the death of Mr. J. Henry Pollard, which occurred recently at Mentone. For many years the deceased gentleman resided at 3, Elms Park-terrace, The Elms, Ramsgate. He was a musician of considerable talent, and was well known in musical circles as a clever pianist and organist. He was also responsible for several compositions. Some thirty years since Mr. Pollard received the appointment of choirmaster and organist of St. George's Church, and during the time he filled that office he was very popular among all with whom his duties brought him into contact. Mr. Pollard was succeeded by Dr. Prior, but he and Mrs. Pollard continued to worship at the church. In politics the deceased gentleman was a Conservative, and he took an active interest in the work of the local habitation of the Primrose League. For some time past Mr. Pollard had not enjoyed good health, and in order to avoid the effects of the English winter he went to Mentone. He was seventy-four years of age.

Musical works:

St. Valentine's day, words by J. Burbidge; music by J. H. Pollard (London: Duff & Hodgson, [1852])

https://trove.nla.gov.au/work/5801092 

POLLARD FAMILY - see also Weippert family

POLLARD, James (James POLLARD; Mr. J. POLLARD)

Pianoforte maker (from Collard and Collard, London), organ builder

Born London, England, 14 August 1808; baptised St. Marylebone, 11 September 1808; son of James POLLARD and Jane MALPAS
Married Elizabeth Clara Theresa HICKS (d. 1881), St. George, Hanover Square, 22 July 1832
Arrived Hobart Town, TAS, 17 March 1857 (per Mercia, from London, 13 December 1856)
Died Hotham, VIC, 9 December 1896, aged "87"

https://trove.nla.gov.au/search?l-publictag=James+Pollard+1808-1896 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLLARD-James (shareable link to this entry)

POLLARD, James Joseph (James Joseph POLLARD; Mr. J. J. POLLARD)

Pianoforte maker, musical instrument maker, teacher of music

Born London, England, 10 June 1833; baptised St. Pancras, Camden, 4 August 1833; son of James POLLARD and Elizabeth HICKS (d. VIC, 1881)
Married (1) Mary Eleanor WEIPPERT (1831/32-1874), St. Andrew's by the Wardrobe, Blackfriars, City of London, 24 September 1853
Arrived Hobart Town, TAS, 27 October 1854 (per Columbus, from Plymouth, 4 July)
Married (2) Corunna Elizabeth WEIPPERT (1846-1906), 27 January 1876
Died Townsville, QLD, 1 May 1884

https://trove.nla.gov.au/search?l-publictag=James+Joseph+Pollard+1833-1884 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLLARD-James-Joseph (shareable link to this entry)

POLLARD, Mary Eleanor (= Mary Eleanor WEIPPERT; Mrs. James Joseph POLLARD [1])

Vocalist

Born London, England, c. 1833; daughter of William WEIPPERT (1809-1857) and Corunna BRADFORD (1810-1889)
Married (1) James Joseph POLLARD, St. Andrew's by the Wardrobe, Blackfriar's, London, 24 September 1853
Active Tasmania, by 1855
Died Launceston, TAS, 7 July 1874, aged 41 years

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLLARD-Mary-Eleanor-WEIPPERT (shareable link to this entry)

POLLARD, Corunna Elizabeth (= Corunna Elizabeth WEIPPERT; Mrs. James Joseph POLLARD [2])

"Originator of Pollard's Lilliputian Opera Company"

Born London, England, c. 1846; daughter of William WEIPPERT (1809-1857) and Corunna BRADFORD (1810-1889)
Arrived Melbourne, VIC, 14 March 1864 (per Coldstream, age "16", with mother and sister)
Married James Joseph POLLARD, Launceston, TAS, 27 January 1876
Died Melbourne, VIC, 17 August 1906

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLLARD-Corunna-Elizabeth-WEIPPERT (shareable link to this entry)

ASSOCIATIONS: The grandfather of the sisters Mary and Corunna was John Michael Weippert (1775/6-1831), a harpist, was a younger brother of the famous composer and bandmaster John Erhradt Weippert (1766-1823); their mother, Corunna WEIPPERT (born c. 1809), came to Australia, and died at South Melbourne, 29 March 1899; see also in this resource Albert Francis Weippert and Emma Weippert

Surviving children of James Joseph POLLARD and Mary Eleanor WEIPPERT:

POLLARD, Mary Elizabeth (Mary Elizabeth POLLARD; Mrs. EDWARDS)

Born at sea (per Columbus), 6 July 1854
Arrived Hobart, TAS, 27 October 1854 (per Columbus, from Plymouth, 4 July)
Died NSW, 1921

POLLARD, James (junior) (James Henry William POLLARD; "J. J. POLLARD junior")

Musician, conductor and musical director (Pollard's Lilliputian Opera Company)

Born Hobart, TAS, 15 July 1856
Died Rangoon, India, 15 September 1883, aged 27

POLLARD, Henry John (Henry John POLLARD)

Musician, double-bass player, conductor (Brisbane Liedertafel), mining engineer

Born Hobart, TAS, 15 July 1857
Died Sydney, NSW, 27 October 1931, aged 74

POLLARD, Charles Albert (Charles Albert POLLARD)

Violinist

Born Hobart, TAS, 4 August 1858
Died Sydney, NSW, 28 February 1942

POLLARD, Corunna Louisa (Corunna Louisa POLLARD; Mrs. Carlos Henrique NORONHA)

Born Launceston, TAS, 1 February 1860
Died West Virginia, USA, 5 July 1936

POLLARD, Eleanor Jane (Eleanor Jane POLLARD; Mrs. Daniel Patrick CHESTER)

Born Launceston, TAS, 7 August 1861
Died California, USA, 18 May 1944

POLLARD, Alice M. (Alice M. POLLARD; Mrs. LANDESHUT; Mrs. MACKIRDY)

Born Launceston, TAS, 19 May 1863
Died Brighton, VIC, 19 August 1950

POLLARD, Frederick Nelson (Frederick Nelson POLLARD)

Vocalist, flautist

Born Launceston, TAS, 30 August 1864
Died Sydney, NSW, 9 July 1933, in his 69th year

POLLARD, Emily Albertina (Emily Albertina POLLARD; Mrs. Thomas John O'SULLIVAN; "Mrs. Tom POLLARD")

Born Launceston, TAS, 9 September 1865
Died Christchurch, NZ, 3 September 1937

POLLARD, Tom (Thomas John O'SULLIVAN; alias POLLARD)

Opera company director

Born Launceston, TAS, 28 April 1857
Died Christchurch, NZ, 10 August 1922

POLLARD, Violet Maud (Violet Maud POLLARD; Mrs. JUDD; Mrs. CONROY)

Born Launceston, TAS, 8 January 1867
Died Melbourne, VIC, August 1937

POLLARD, May Charlotte (May Charlotte POLLARD)

Vocalist

Born Launceston, TAS, 1 August 1868
Died Sydney, NSW, 26 March 1970

POLLARD, Olive Pauline (Olive Pauline POLLARD; Mrs. Jose Pedro BRAGA)

Born Launceston, TAS, 18 January 1870
Died Hong Kong, 13 February 1952

POLLARD, William Thomas (William Thomas POLLARD)

Born Launceston, TAS, 17 July 1871
Died Johannesburg, South Africa, 15 February 1945

POLLARD, Arthur Hayden Robert (Arthur Hayden Robert POLLARD)

Born Launceston, TAS, 16 October 1873
Died Auckland, NZ, 6 October 1940

POLLARD, Ernest James Mozart (Ernest James Mozart POLLARD)

Born Launceston, TAS, 18 November 1873
Died Caulfield, VIC, 1 January 1936

POLLARD, Lillian Florence Elsie (1882-1975); daughter of James Joseph POLLARD and Corunna WEIPPERT

Summary:

The entry (1) documents James Joseph Pollard's musical activities in detail up to around 1861 and selectively to around 1870; and (2) registers basic birth, marriage, and death documentation for his surviving children.

However, the entry does not attempt to document or summarise the later performing activities of the Pollard and his talented family, by the mid 1870s in Pollard's juvenile string band, and towards the end of the decade in the Pollard juvenile opera company, which fall in a period after this resource's main chronological focus.

Documentation:

London, England (1808-54):

Baptisms solemnized in the parish of St. Marylebone, Westminster, September 1808; register 1793-1810; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1624/images/31280_194652-00540 (PAYWALL)

[September] 11 / James Pollard of James & Jane / B. 14 Aug.

Marriages solemnized in the parish of St. George Hanover Square in the county of Middlesex, in the year 1832; register 1800-11, page 143; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1623/images/31547_212694-00175 (PAYWALL)

No. 508 / James Pollard of this Parish and Elizabeth Clara Theresa Hicks of this Parish were married in this Church by Banns this [22 July 1832] . . .

Baptisms solemnized in the parish of Saint Pancras, in the county of Middlesex, in the year [1833]; register, 1832-34, page 324; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_194993-00201 (PAYWALL)

No. 1278 / [August] 4th / James Joseph / [son of] James & Elizabeth / Pollard / Charlton Street / Cabinet Maker . . .

Baptisms solemnized in the parish of Christ Church St Pancras . . . in the year 1840; register, 1837-73, page 63; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1558/images/31280_197818-00044 (PAYWALL)

Nos. 499-503 / 1840 Feb'y 12 / James Christian son of / William & Coruna / Weippert / 22 Clarence Gardens / Musician
[same date and details] Mary Eleanor dau'r of // William son of // Louisa dau'r of // Henry Nelson son of

1853, marriage solemnized at the church . . . of St. Andrew by the Wardrobe in the City of London; register, 1852-78, page 13; London Metropolitan Archives

https://www.ancestry.com.au/imageviewer/collections/1623/images/31281_a100897-0001 (PAYWALL)

[No.] 25 / September 24th 1853 / James Joseph Pollard / Full / Bachelor / Carpenter / Marmion Street / [son of] James Pollard / Carpenter
Mary Eleanor Weippert / Full / Spinster / - / - / [daughter of] William Weippert / Pianist . . .

Hobart, TAS (1854-59):

Descriptive list of immigrants by the Columbus, James and Mary Pollard; Tasmanian names index; NAME_INDEXES:1512056

https://stors.tas.gov.au/NI/1512056 

https://stors.tas.gov.au/CB7-12-1-2$init=CB7-12-1-2P46 (DIGITISED)

Pollard James / 20 / [born] Middlesex / Carpenter
[Pollard] Mary / 21 / [born] London / Dress maker

https://stors.tas.gov.au/CB7-12-1-2$init=CB7-12-1-2P44 (DIGITISED)

LIST OF BIRTHS ONBOARD / Pollard / Mary / 1854 / July 6 / Female

There is also a local Hobart birth record, registered in Hobart on 7 November by the master of the Columbus

https://stors.tas.gov.au/NI/958865 

https://stors.tas.gov.au/RGD33-1-5$init=RGD33-1-5-P108 

Baptisms solemnized in the parish of St. David's in the county of Buckingham in the year 1855; Tasmanian names index; NAME_INDEXES:1091446; RGD32/1/3/ no 4601

https://stors.tas.gov.au/NI/1091446 

https://stors.tas.gov.au/RGD32-1-3$init=RGD32-1-3-P703 (DIGITISED)

No. 933 / [baptised] 26th August 1855 / [born] 6th July 1855 [sic, recte 1854] / Mary Elizabeth / [daughter of] James and Mary / Pollard / Murray Street / Pianoforte maker . . .

[Advertisement], The Tasmanian Daily News (28 September 1855), 5

http://nla.gov.au/nla.news-article203388362 

J. J. POLLARD, (From Collard and Collard, London),
PIANOFORTE AND ORGAN MAKER, And General Repairer of Musical Instruments,
112, MURRAY STREET, Corner of Bathurst-street.

[Advertisement], Colonial Times (17 March 1856), 3

http://nla.gov.au/nla.news-article8787828

J. J. POLLARD,
FROM Collard and Collard, Pianoforte and Organ Makers,
112, Murray-street, corner of Bathurst street.
Pianofortes tuned and thoroughly repaired, polished, packed, and moved.
N.B.- Every description of Musical Instruments tuned and repaired.

1856, births in the district of Hobart; Tasmanian names index; NAME_INDEXES:960975; RGD33/1/6/ no 1451

https://stors.tas.gov.au/NI/960975 

https://stors.tas.gov.au/RGD33-1-6$init=RGD33-1-6-P344 (DIGITISED)

[No.] 1451 / July 15th / Male] / [father] James Pollard / [mother] Mary Eleanor Wieppert [sic] / Piano Forte maker / James Pollard Father Murray Street

[Advertisement], The Courier (20 August 1856), 1

http://nla.gov.au/nla.news-article2505340 

MUSICAL. J. J. POLLARD, 112, Murray Street, (From COLLARD and COLLARD, London.)
PIANOFORTES Thoroughly Repaired, Polished, Silked, Packed and Moved.
ORGANS TUNED AND REPAIRED.
HARMONIUMS, SERAPHINES, BARREL-ORGANS, Guitars, Harps, Flutinas, Musical Boxes, Concertinas and every description of Musical Instruments TUNED, REPAIRED, BOUGHT, SOLD or EXCHANGED.
Instruments kept in Tune by the Year or Quarter. An Apprentice Wanted. July 31.

[Advertisement], The Courier (4 August 1856), 4

http://nla.gov.au/nla.news-article2505061 

MUSICAL. J. J. POLLARD, PIANOFORTE AND ORGAN MAKER, 112, Murray-street, (Corner of Bathurst-street), from Collard and Collard, London . . .
J. J. P. begs to inform his Friends and the Public that, from the increase of his business, he has engaged with several London and German Practical Musical Instrument Makers, Tuners, &c. . . .

[Advertisement], Colonial Times (14 November 1856), 4

http://nla.gov.au/nla.news-article8781859 

MUSICAL. J. J. POLLARD, 112, Murray-street . . .
Mr. P.. at the suggestion of several of the elite of Hobarton, has completed his arrangements for the punctual attendance of a most efficient and respectable STRING QUADRILLE BAND, at the private parties and assemblies of those who may honor him with their patronage. Punctuality may be depended upon. AN APPRENTICE WANTED.

"MUSICAL", Colonial Times (21 March 1857), 3

http://nla.gov.au/nla.news-article8783749 

We understand that Mr. Pollard, of Murray-street, has received the assistance he expected from England, by the "Mercia," and is now prepared to execute orders for tuning and repairing musical instruments of all descriptions. Mr. Pollard has imported some novelties in musical instruments by the same opportunity. We are glad to learn that the sassafras, and other colonial woods, are so well adapted for the purpose that Mr. Pollard proposes to construct pianos and organs of colonial wood alone, and is confident that they will present many advantages over those made in England.

Descriptive list of immigrants per Mercia from London 13 December 1856, arrived Hobart Town, 17 March 1857; Tasmanian names index; NAME_INDEXES:1512058; CB7/12/1/7 p142

https://stors.tas.gov.au/NI/1512058 

https://stors.tas.gov.au/CB7-12-1-7$init=CB7-12-1-7P100 (DIGITISED)

Pollard James / 44 [sic] // Elizabeth / 38 // Elizabeth / 8 // Emma / 7 // Charlotte / 5 // Edwin Keilor / 1

[Advertisement], The Courier (12 June 1857), 1

http://nla.gov.au/nla.news-article2459796 

NOTICE. THE Undersigned having transferred the TUNING of PIANOS to Messrs. POLLARD, SON & LOVEDAY, Elizabeth-street, three doors from Patrick-street, request that all orders will in future be sent to them.
H. & D. have arranged with P. S. & L. to complete all annual tunings that have been contracted by them. HUXTABLE & DEAKIN, Hobart Town, June 5.

ASSOCIATIONS: Henry William Loveday (pianoforte tuner and repairer)

1857, births in the district of Hobart Town; Tasmanian names index; NAME_INDEXES:962233; RGD33/1/7 no 715

https://stors.tas.gov.au/NI/962233 

https://stors.tas.gov.au/RGD33-1-7$init=RGD33-1-7P02 (DIGITISED)

[No.] 715 / July 15 / [Male] / [father] James Joseph Pollard / Eleanor Mary Pollard formerly Weippert / Piano Forte maker / . . .

[Advertisement], Colonial Times (1 August 1857), 3

http://nla.gov.au/nla.news-article8786186 

NOTICE. H. W. LOVEDAY . . . BEGS to inform the inhabitants of Tasmania that he has no connection whatever with the firm of Messrs. Pollard & Son, Elizabeth-street, from this date . . . July 30th, 1857.

"COURT OF REQUESTS.THURSDAY, SEPTEMBER 3RD, 1857 . . . POLLARD v. SCREEN", The Hobart Town Advertiser (7 September 1857), 2

http://nla.gov.au/nla.news-article264650248 

Mr. McMinn for plaintiff. Mr. Crisp for defendant. An action for £8 for repairs to a pianoforte.
J. J. Pollard deposed that he agreed to put the piano in thorough repair for £10 and to allow him the use of a piano while the repair was being done. It was put into a complete state of repair, and was returned in five months.
Cross-examined - I have performed the contract. When I delivered the piano it was in a better state of repair than when I got it.
Mr. Pollard, plaintiff's father, deposed that he had been a pianoforte maker twenty-six years. The piano (a square) was at his son's house in March last, when he arrived in this colony. It was out of repair in every part. The case and the action. From the number of insects inside, witness judged it had been out of repair some time. It had also been in the hands of some one who did not understand it. (A laugh.) The instrument was in as good repair when it went home as an instrument of that kind could be, £8 was paid on account, but upon applying for the balance, complaint was made, and permission was refused to see it, or to do anything to it that was necessary. Witness had worked for Messrs. Collard and Collard twenty years. Mr. Crisp stated the defence to be that the instrument had not been put in thorough repair, and therefore the plaintiff was not entitled to recover.
J. M. Stanley a pianoforte tuner, deposed that he had seen the piano before it was repaired, and he saw it after it was returned. The work was not done in a workmanlike manner, and it was not in a thorough state of repair.
Cross-examined by the plaintiff (Mr. McMinn having withdrawn from the case, not being able to cross-examine according to the technical phraseology) - I have been a tuner nine years. I am a gardener also, and I believe I am a judge. I have not been brought up to the trade. As a tuner I work in the finisher's shop.
Re-examined - I served my apprenticeship in London and had 3000 pianos through my hands.
By the Commissioner - I am not with Messrs. Pollard now; there have been collisions between us.
H. W. Loveday, (a professional tuner of musical instruments) deposed that he saw the piano twice before Messrs. Pollard had it; I saw it when it was returned; it was in a worse state then. The sounding board was put in by screws and nails, which was wrong.
By the court - I came out months ago from Messrs. Broadwood's. I came to Messrs. Huxtable and Deakin. The Commissioner reproved the witness for importing aspersions into evidence.
Continued - I did not assist in putting the sounding board in. I tuned it, I never passed it as being perfectly fit to go home.
Plaintiff - Did you ever embezzle monies belonging to us?
Witness - That's a matter for the Supreme Court.
Commissioner - I shall blow this case out of court, if it goes on like this.
By Mr McMinn - I did not send for Messrs. Pollard to go and examine it. I was asked to look at the piano, and gave my opinion on it.
The Commissioner reprehended the witness for being a pert boy, and said this court should not be made a thorough bear-garden.
Albert Weber, pianoforte maker and organ builder, deposed that he had examined the piano. It is not in the best state, it could be better. It wants covers to the hammers. It is not in a state like a piano that is repaired. The leather is not new leather.
By the court - I know Messrs. Pollard I have had no quarrel. I put up the new organ at the Cathedral. Putting a piano in repair, does not mean putting every thing new. I would rather make a new piano. (Laughter).
By the plaintiff - This is a square piano, and it is different, I only looked at the action. I have been many years in the business. My father had a manufactory before me.
Re-examined - If I contracted to put a piano in repair, I should not put in such leathers.
Mr. Screen the defendant, proved that he had one piano in the house; his daughter played on it and no one else, except the professional gentlemen: the contract was to put it into thorough repair.
Cross-examined - I have had several persons to look at it. Mrs. Screen first called my attention to the instrument being harsh. Your father did not ask me to let him see the instrument. He said whatever wanted doing to it should be done, and he would take it back. I said I would not allow it to go out of my possession.
Mr. Pollard sen. was recalled to give further evidence as to the leather. He said no leathers were deficient, and they were new leather.
Mr. Pollard jun. the plaintiff, now addressed the Commissioner in reply to the whole case.
The Commissioner made some enquiries of Mr. Pollard sen respecting the instrument, which he answered, when the Commissioner observed that he was sorry the case was left to him.
Mr. Crisp made some further remarks, and stated that if the instrument was not thoroughly repaired the defendant must have the verdict.

ASSOCIATIONS: John Millwood Stanley (pianoforte tuner); Albert Weber (piano maker)

[Advertisement], The Hobart Town Mercury (11 November 1857), 1

http://nla.gov.au/nla.news-article3245579 

Musical Repository. PIANOFORTE & ORGAN MANUFACTORY.
138, Elizabeth-street, three doors from Patrick-street.
POLLARD & CO, FROM the Eminent firms of Messrs. Broadwood's, Collard, and Collard, and also of Gray and Davidson's, Organ Builders, London.
J. Pollard and Co , are ready to undertake the Building of Church or Chamber Organs, Harmoniums, or the repairing and tuning the same for which satisfactory reference will be given.
Seraphine, Harps, Barrel Organs, Flutinas, Concertinas, Musical Boxes, Violins, and every description of Musical Instruments tuned, repaired, bought, sold or exchanged, and by commission.
Pianos repaired, silked, polished, packed, and removed at the London prices.
Selection of the newest music. An apprentice wanted.
PIANOFORTE TUNING. To meet the exigencies of the times J. P. & Co., have determined to adopt the LONDON PRICES until further notice, namely, 3s., for a SINGLE TUNED, ANNUAL 15s, in town; a proportionate low charge for the country which J. P. and Co. intend visiting at regular periods.
To the inhabitants of NEW NORFOLK and the surrounding districts -
J. P. will visit the above Township on the 2nd proximo, and remain a few days, will be happy to receive any orders he may be favoured with at the "Bush Inn." Oct. 29.

"INSOLVENT COURT. WEDNESDAY, MARCH 3RD, 1858", Tasmanian Weekly News (6 March 1858), 74-75

http://nla.gov.au/nla.news-article232507776 

http://nla.gov.au/nla.news-article232507800 

IN RE JAMES JOSEPH POLLARD. First meeting. Mr. McMinn for insolvent, handed in the usual papers and affidavits.
The following debts were proved: Effir Macquarie for £5 2s. 6d., for wages. Order made for payment.
Westbrook and Butler £39 19s. 10d., upon a judgment recovered in the Supreme Court.
John Davies for £39 2s., not admitted, - except as to £8.
Insolvent was examined by Mr. Crisp, on behalf of Mr. Heblewhite; - I am a piano forte tuner and [75] have been carrying that business for some time. I received a piano from Mr. Hebblewhite about 2 1/2 years ago, to repair in the first instance. Afterwards I had it for sale. The arrangement for this sale was about two months after I first received it. Mr. Hebblewhite authorised me to see it in the presence of George Mason, whom I believe to be in Hobart Town. Secondly, the wife of George Mason, and thirdly a person named Nathaniel Pierce, then in my employment. Mr. Hebblewhite told me I was to sell it for £12, or do anything with it which would bring in that money. Six months ago I sold a portion of the instrument, namely a portion of the sounding board, the ends, checks, plinth, breast-plank bridge, top, legs, keylocks, standard, two outer linings, stickers. There remain the bottom block, key bottom, great portion of the keys, part of the key nails, a portion of the hoppers, levers, hammers, strings, breast pin. Mr. Hebblewhite did not authorise me to divide the instrument in that way. He told me I might do what ever I thought proper. I said the portions of the instrument named to Mr. Wedge, of Oatlands. I got paid with a bill for £33, at three or six months, I forget which. I got it discounted, at Mr. Knight's on the Wharf. I gave no part of the money to Mr. Hebblewhite. It is about five months ago since I got it discounted.

By Mr. McMinn: In the first instance the bargain was that I was to repair it for £5. I had not then seen the interior of the instrument. After I saw the interior of it I sent for Mr. Hebblewhite. The whole of the action of it through the stuff of which it was made being green and of rough material, was cracked and split all to pieces. It was impossible to repair it without putting the whole of those parts in new. The strings were all odd and I had to find a new set entirely. I then told Mr. Hebblewhite that it was impossible to perform the contract for £6, owing to the state the instrument was in. It was at that time he authorised me to sell it. He offered it to me for a bill at three months for £10. The same that he gave for it. Then for a bill for £12 at six months, which I would not accept. I put a great deal of new material into it before I sold it. I looked upon it as mine, for purposes of sale on Mr. Hebblewhite's behalf. The new material placed into the instrument made it worth £20 or £25. The packing case would be worth £4.

Insolvent was examined by Mr. R. W. Butler, on his own behalf, and deposed - I have been in business in Hobart Town a little better than three years. I never had any stock. I have been doing some work at Clarence Plains church lately. I have received payment by an organ, which I have sold for £13 4s. I paid my rent with this money. I discovered I was insolvent when I paid the rent, that was two days previous to the declaration. There are debts due to me of about £120, or £130, but I can't say how much of these are good.
Mr. Butler then applied for twelve months accounts. His Honor made the order.

Insolvent examined by Mr. Davies, and said when your account was sent to me I did not offer you a bill for £25 at 3 months. The admission of £25 in my schedule of debts is an error. I dispute every individual item in your account, as to the amounts. The first general meeting, and for discharge, were fixed for the 17th March.

"INSOLVENT COURT", The Courier (30 April 1858), 3

http://nla.gov.au/nla.news-article2462363 

At an Insolvent Court holden on Wednesday . . . An adjourned meeting was holden for hearing the application for an order of discharge of James Joseph Pollard . . . Mr. McMinn then applied for an order for the insolvent's discharge, which was granted.

1858, births in the district of Hobart Town; Tasmanian names index; NAME_INDEXES:963320; RGD33/1/7 no 1802

https://stors.tas.gov.au/NI/963320 

https://stors.tas.gov.au/RGD33-1-7$init=RGD33-1-7P124 (DIGITISED)

[No.] 1802] / August 4th / Male / [father] James Joseph Pollard / Mary Eleanor Pollard formerly Weippert / Organ Builder / James Joseph Pollard, father, Murray Street . . .

[Advertisement], The Courier (3 November 1858), 3

http://nla.gov.au/nla.news-article2464937 

NOTICE TO COUNTRY RESIDENTS. THE Undersigned begs to inform his late friends and patrons in the interior that MR. J. J POLLARD (from Collard & Collard) is the only authorised person to collect monies or tune and repair pianos, organs, &c. &c., on my behalf.
H. W. LOVEDAY, November 3.

Launceston, TAS (from mid 1859):

[Advertisement], Launceston Examiner (4 August 1859), 3

http://nla.gov.au/nla.news-article38996840 

"MUSICAL", Launceston Examiner (4 August 1859), 3

http://nla.gov.au/nla.news-article38996843 

It will be seen by advertisement that Mr. Loveday having engaged the services of Mr. J. J. Pollard, recently of Hobart Town, he is enabled to extend his business very materially; and he is now prepared to undertake the repair, tuning, &c., of organs, harmoniums, piano-fortes, &c. Mr. Loveday has testimonials from Broadwood and Son, by whom he was employed for some time as tuner; and Mr. Pollard has testimonials of efficiency from Collard and Collard, with whom he served his apprenticeship; from Lady Young, Mr. Packer, Mr. Elliston, and others.

ASSOCIATIONS: Augusta Young (wife of Henry Young, governor); Frederick Alexander Packer (musician); William Gore Elliston (amateur musician)

1860, births in the district of Launceston; Tasmanian names index; NAME_INDEXES:1007272; RGD33/1/38 no 96

https://stors.tas.gov.au/NI/1007272 

https://stors.tas.gov.au/RGD33-1-38$init=RGD33-1-38P623 (DIGITISED)

[No.] 1587 / 1 February / - / Female / [father] James Joseph Pollard / Mary Pollard formerly Wippert [sic] / Piano Forte tuner . . .

Baptisms Wesleyan Church Launceston 1860 (4 June 1860); Tasmanian names index; NAME_INDEXES:1092422; RGD32/1/4 no 5576

https://stors.tas.gov.au/NI/1092422 

https://stors.tas.gov.au/RGD32-1-4$init=RGD32-1-4P15 (DIGITISED)

[No.] 1133 / [baptised] 12th June 1860 / [born] 2 August 1860 ("1859") [sic, recte 1858] / Charles Albert / [son of] James Joseph and Mary Eleanor / Pollard / Pianoforte tuner . . .

[Advertisement], The Cornwall Chronicle [Launceston, TAS] (10 November 1860), 7

http://nla.gov.au/nla.news-article65990121 

MUSICAL, PIANOFORTES, Organs, Harmoniums, Flutinas, Musical Boxes, thoroughly tuned and repaired by J. J. Pollard, nine years in the firm of Collard and Collard, London. Orders received by Mr. Hudson, stationer, Brisbane-street, or opposite the Club Hotel. J. J. Pollard will visit the country districts three times in the year.

"TOWN TALK AND TABLE CHAT", The Cornwall Chronicle (14 December 1861), 4

http://nla.gov.au/nla.news-article65570112 

We visited Mr. J. J. Pollard's Pianoforte maker, of Brisbane Street, and had much pleasure in examining several pianofortes in different stages of repair, but our purpose was to inspect one in particular. A pianoforte, constructed on the most approved and scientific principle of acoustic, the scale being the same as now used in the firm where J. J. P. served his time, viz., Collard & Collard. The sounding board, rest plank, bridges, bars, sweep-side, blocks, butments, springs, parts, &c., are made of Colonial woods, - viz, Huon pine, cedar, blackwood, and sassafras. The piano proves a full and sonorous sound, the touch extremely light. The manufacturer assures us that some of the woods of this Colony are superior to any now used in Europe for the production of sound. Mr. P's. connection with the above firm, and this specimen of his handiwork must convince every one who hears or examines it that he is a thorough master of the many branches of his profession, and we have no doubt that when the fact becomes generally known the advantages of the Colonial wood over the wood now used for sounding boards in Europe, and the possibility of obtaining a pianoforte made to order in this Colony, a profusion of orders will reward Mr. Pollard for his perseverance and skill, and induce him to devote himself entirely to the manufacture of Colonial pianofortes. The instrument will be on view for a week. On looking over the many testimonials of efficiency presented to Mr. J. J. P. we notice the following names: - Lady Young, Mr. Hanchett, (Professor of Music), Dr. Boyd, L L.D., the late Commissary Walker, Mr. F. A. Packer, (Professor of Music), Dr. Grant, Mr. E. F. Sharland, Mr. J. Gibson, Dr. Maddox, Mr. Grubb, Mr. Tuckfield, (Wesleyan Minister), Rev. J. Norman, Mr. F. Falls, Dr. Moore, Rev. H. V. Murray, Rev. W. Brickwood, Mr. Barnett, (Clifton House), Mr. S. Tapfield, (Professor of Music), Mr. Gore Elliston, Miss Cowie, (Brooksted), Mr. Phelps, Mr. Kimis, (Keniton Place), and Collard and Collard.

ASSOCIATIONS: John Hanchette (musician); Samuel Tapfield (musician)

[Advertisement], Launceston Examiner (14 November 1865), 5

http://nla.gov.au/nla.news-article38663470

In the matter of the Insolvency of James Joseph Pollard, of St. John-street, Launceston, in Tasmania, musical instrument maker . . .

"INSOLVENT COURT. TUESDAY, DECEMBER 14", Launceston Examiner (16 December 1865), 3

http://nla.gov.au/nla.news-article38664095

In re JAMES JOSEPH POLLARD, of Launceston, pianoforte maker.
Second meeting and on application for discharge. Mr. Butler appeared for insolvent.
Insolvent, examined by Mr. Campion - I know Mr. Patrick Kearney of Campbell Town. I received from him about 14th or 15th Nov., 1864, a harp to repair; I was to receive £7 for the repairs . . .
I think I told you the harp was worth £15; on the following Saturday it was taken to Mr. Tucker's auction rooms and sold; it was not advertised; a man named Weippert, a brother-in-law of mine, took away the harp for sale; I attended the sale; my brother-in-law bought the harp for Mr. Wadham for 30s. Mr. Wadham paid for it in my presence. The ordinary price of a modern harp is from £2 to £500. This harp is about a hundred years old. That would not make it more valuable a than a modern harp, for it is only single action. Modern harps are double action . . .

ASSOCIATIONS: Albert Francis Weippert

"POLICE COURT . . . MONDAY, AUGUST 8 . . . PERJURY", Launceston Examiner (9 August 1870), 5

http://nla.gov.au/nla.news-article39676599

John Garr appeared to answer a charge preferred against him by James Joseph Pollard of having committed wilful and corrupt perjury on the 2nd August during the hearing of a case at the Court of Requests, in which he gave evidence as a witness. Mr. Rocher appeared on behalf of Mr. Pollard, and Mr. Campion for the defence. Mr. Rocher opened the case by stating that on the 22nd July last, Mr. Garr filed a plaint against Mr. Pollard for £18 4s 4d, the case being heard at the Court of Requests on Tuesday last, when a verdict was given against Mr. Pollard. During the hearing of the case one of the principal questions which arose was whether a certain pianoforte was sold or merely let on hire to Mr. Gurr. He (Gurr) swore it was sold to him by Pollard, who on the other hand swore it was only let on hire . . .

"POLLARD'S LILLIPUTIAN OPERA COMPANY", The Mercury (15 May 1880), 2

http://nla.gov.au/nla.news-article226508507 

We understand that Mr. J. J. Pollard has taken the theatre for the 25th inst., when his Lilliputian Opera Company, comprising over sixty performers, whose ages vary from four to fifteen years, will make a first appearance here.

"POLLARD'S LILLIPUTIAN OPERA COMPANY", Launceston Examiner (11 March 1881), 2

http://nla.gov.au/nla.news-article38220334

The announcement in our Hobart telegram that Mr. J. J. Pollard and his Juvenile Opera Company had left by the Rotomahana yesterday for New Zealand, may surprise some of our readers, but the fact is that Mr. Pollard completed arrangements long before leaving Launceston with Mr. Walter Reynolds to join his company in a New Zealand tour with "Juvenile Pinafore." Mr. Pollard takes besides his own family (comprising orchestra, and actors and actresses), the Melbourne juveniles who recently appeared here with the company, and other youngsters, there being about thirty in his party. The company will open at Invercargill on 19th inst., and will afterwards visit all the principal towns in the Middle Island round to the West Coast.

"A FATAL ACCIDENT", The Mercury (3 November 1883), 2

http://nla.gov.au/nla.news-article9024419

Under this heading the Rangoon Times of the 15th September last, gives the following account of the death of a well-known Tasmanian: The good folks of Rangoon received a very painful and startling shock yesterday morning. Just about 2 o'clock the report of a pistol was heard in the British Burma Hotel, and on the inmates of the building turning out to see what was the matter, they found Mr. James Joseph Pollard, the musical director of Pollards Lilliputian Opera Company lying on his face at the head of one of the back staircases, with a revolver shot wound through his head, and a newly discharged revolver with two chambers still loaded, lying underneath him. The unfortunate man, who was quite insensible, was at once removed to his bed . . . the sufferer lingered till 10 minutes past 7, when he died, not having ever once recovered consciousness in the interval. The unfortunate man's death is believed to have been purely accidental. He was somewhat addicted to toying with firearms . . . Mr. Pollard was only 27 years of age. R.I.P.

"LOCAL NEWS", Maryborough Chronicle, Wide Bay and Burnett Advertiser (5 May 1884), 2

http://nla.gov.au/nla.news-article146681797 

Death has played havoc in the ranks of the Pollard family since the amusing Liliputians visited Maryborough. Mr. James Pollard, Jun., the musical conductor, was accidentally killed at Singapore [sic], and now we learn that Mr. Pollard, senior, the head of the organisation, died on Saturday at Charters Towers. The deceased gentleman was father of eighteen children, all of whom are musical in a remarkable degree.

"DEATH OF MR. J. POLLARD", Launceston Examiner (6 May 1884), 2

http://nla.gov.au/nla.news-article90549303 

Yesterday afternoon Mr. Sub-Inspector Sullivan received a telegram from his son, Mr. T. Sullivan, who has been the business manager for a long time past of Pollard's Liliputian [sic] Opera Troupe, stating that Mr. J. J. Pollard had died at Charters Towers, Queensland, where the company have recently been appearing. Mr. Pollard was, in failing health for some time prior to leaving India, and the death at Rangoon of his eldest son was a great blow to him. Mr. Pollard was widely known in Tasmania as he had been a resident of Launceston for some thirty years, carrying on his profession as piano forte tuner and teacher of music prior to entering into the operatic line of business. He had a very large family, some sixteen in all, whom he brought up creditably; and as a musical family we suppose they could not be equalled in the colonies. His success in the production of "Pinafore" in Launceston, with a company almost entirely composed of amateurs, led to his repeating this popular opera with a company of local juveniles with equal success, and he afterwards organised the juvenile company with which he has travelled through most of the Australian colonies, and visited India, Burmah, and Singapore, and he was returning home through Queensland at the time of his death.

"DEATH OF MR. J. POLLARD", Daily Telegraph [Launceston, TAS] (6 May 1884), 2

http://nla.gov.au/nla.news-article149429607 

A private telegram was received in town yesterday from Rockhampton, conveying the intelligence that Mr. J. J. Pollard died their [sic] yesterday morning. We regret to hear that another old familiar face familiar to Launceston for more than a quarter of a century, has gone for ever. Mr. James Joseph Pollard followed the business of pianoforte and organ tuner for many years, and as his son grew up he organised a capital string band, which performed at festivities public and private in town and country until Mr. Pollard took up a new line of business. He trained and organised here the Liliputian Opera Troupe, which has become so famous throughout these colonies and India. Those who have been delighted with their exquisite rendering of Pinafore, and Les Cloches de Corneville are in a position to appreciate the musical and dramatic skill of Mr. and Mrs. Pollard, and the tact and quiet perseverance they, with the Messrs. Pollard junior, and the Messrs. Pollard, put forth in training such young people to vie in ability in their impersonations with veteran adult artists. A social storm was raised in Melbourne against Mr. Pollard for taking the juvenile company to India, but after close enquiry as to the treatment of the children by Mr. and Mrs. Pollard, the storm lulled without serious damage to any one. We learnt last month that Mr. Pollard was very ill at Calcutta, and not likely to recover. He had, it appears, left India and reached Rockhampton, on his return probably to Launceston, when he sank and died at Rockhampton yesterday morning.

[News], Australian Town and Country Journal (5 July 1884), 18

http://nla.gov.au/nla.news-article71014297

Messrs. Malleson, England, and Stewart have accepted, on behalf of the Melbourne ARGUS, service of a writ for £5000 damages, issued by Mrs. Corunna Pollard, in consequence of an article in that journal animadverting on the conduct of the managers of the Pollard Juvenile Opera Troupe. Actions will also be instituted against another Melbourne paper and a member of Parliament who made himself prominent in connection with the return of the children from India.

"DEATHS", The Argus (30 March 1889), 1

http://nla.gov.au/nla.news-article6235160

WEIPPERT.- On the 29th inst., at South Melbourne, Corunna Gootch Weippert, relict of the late William Weippert, of London, professor of music, and quadrille bandmaster to the Royal Family, mother of Mrs. B. R. Patey, of North Melbourne, and Mrs. J. J. Pollard, of Northcote, aged 81 years. At rest.

"DEATHS", The Age (10 December 1896), 1

http://nla.gov.au/nla.news-article193456459 

POLLARD. - On the 9th December, at Melbourne, James Pollard, the dearly beloved father of Mrs. Yates, Mr. Thorn and Mrs. Woll, aged 87 years. An old colonist of 37 years.

"PERSONAL", The Advertiser [Adelaide, SA] (22 August 1906), 6

http://nla.gov.au/nla.news-article5094379

Mrs. Corunna Elizabeth Roberts, the originator of Pollard's Lilliputian Opera Company which played in Adelaide some years ago, died last week at the age of 59 years.

"DEATHS", The Sydney Morning Herald (10 July 1933), 8

http://nla.gov.au/nla.news-article16989793

POLLARD. - July 9, 1933, at a hospital, Frederick Nelson Pollard, dearly loved husband of Louisa Pollard and fond father of Mrs. H. L. Armati, F. W. Pollard and Reginald Pollard. in his 69th year.

"THE LATE F. N. POLLARD", The Sydney Morning Herald (15 July 1933), 8

http://nla.gov.au/nla.news-article16991367

The death has occurred of Mr. Frederick Nelson Pollard, a member of the well-known Australian theatrical family of that name. Mr. Pollard's father, the late Mr. J. J. Pollard, of Launceston, established Pollard's Lilliputian Opera Company, which, in the eighteen eighties, roused great enthusiasm on its tours of Australia, New Zealand, and the East. The company was a training-ground for many artists, who subsequently won distinction on the stage. From the age of 12, Mr. Pollard showed exceptional brlllinnce as a flautist. Mr. John Lemmone, writing to Miss May Pollard, says: "I always looked upon him as a very accomplished musician, whom I anticipated would become a famous artist. Had he not divided his talents in other directions, he most certainly would have gained a high position." When Miss Pollard, at the age of 17, came to Sydney to play Phyllis in the first production of "Dorothy," under the Williamson, Garner, and Musgrove management, Mr. Pollard accompanied his sister, and played in the orchestra . . .

Bibliography and resources:

Peter Downes, The Pollards: a family and its child and adult opera companies in New Zealand and Australia, 1880-1910 (Wellington NZ: Steele Roberts, 2002)

https://trove.nla.gov.au/work/22293240

"Pollard, Tom", The Encyclopedia of New Zealand

http://www.teara.govt.nz/en/biographies/2p23/pollard-tom

Pollard's Lilliputian Opera Company

https://heritage.darebinlibraries.vic.gov.au/article/463

May Pollard collection of photographs of Australian and overseas actors and theatre personalities - chiefly, approximately 1870-1900; State Library of New South Wales

http://archival.sl.nsw.gov.au/Details/archive/110077014

Pollard's Lilliputian Opera Company, Wikipedia

https://en.wikipedia.org/wiki/Pollard'silliputian_Opera_Company 

Peter Downes and Charles Pitt, "Pollard", Grove music online

https://doi.org/10.1093/gmo/9781561592630.article.O005769 (PAYWALL)

POLLITT, William (William POLLITT)

Pianist

Active Williamstown, VIC, 1859-60

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POLLITT-William (shareable link to this entry)

Documentation:

[Advertisement], Williamstown Chronicle (24 December 1859), 1

http://nla.gov.au/nla.news-article68569480 

RAILWAY-HOTEL (Late Rainbow Hotel,) - CECIL STREET, WILLIAMSTOWN. CHRISTMAS HOLIDAYS!
THE Proprietor of the above hotel begs to inform his friends and the public that have kindly patronised his establishment for the last two years, that on account of his desire to afford them Amusement during the ensuing Holidays, that he intends giving a SERIES of CONCERTS every evening in the week; and for his friends' amusement he has engaged first-class talent, hoping he will have the pleasure of seeing them, in order that he may have the happiness of wishing them A MERRY CHRISTMAS AND A HAPPY NEW YEAR.
MR. AND MRS. PENDLETON Will will introduce some of the most Celebrated Comic and Sentimental Duets, for which they have obtained Australian renown.
The Celebrated Tenor Singer MR. HENDERSON, from Sydney, Will introduce some of the most Popular Songs of the day.
Will conclude the Evening's Entertainment with his inimitable Performances on the Bone Castinets and Three Tamborines, a feat never achieved by any other performer in the Colonies.
Musical Director and Pianist, Mr. W. POLLITT . . .

ASSOCIATIONS: John and Emma Pendleton (entertainers, vocalists)

[Advertisement], Williamstown Chronicle (21 January 1860), 1

http://nla.gov.au/nla.news-article68569568 

FREE CONCERT TO-NIGHT, At the Railway Hotel, Cecil Street, Williamstown Entire Change of Entertainments. Mr. and Mrs. Gardiner will have the honour of appearing at the above hotel Every Night This Week, introducing some of the most Popular and Comic Sentimental Duets of the Day. Mr. GARDINER will also introduce some of his celebrated Burlesques on Hamlet, Macbeth, and Richard the Third; &c., &c. Mr. WILLIAM POLLITT Will Preside at the Pianoforte.

POND, Christopher (Christopher POND)

Theatre and entertainment venue proprietor, cafe owner

https://trove.nla.gov.au/search?l-publictag=Christopher+Pond+1826-1881 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POND-Christopher (shareable link to this entry)

POOLE, Mr. (Mr. POOLE)

Amateur musician, cellist, violoncello / bass viol player, vocalist

Active Adelaide, SA, 1842-44

https://trove.nla.gov.au/search?l-publictag=Mr+Poole+violoncello+1840s (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POOLE-Mr-1840s (shareable link to this entry)

Summary:

It has not yet been possible to identify Poole, who disappears from musical record after January 1844. Of two possible contenders, perhaps the less likely is the surveyor James Poole, who perished on Charles Sturt's expedition in 1845. The other, George Herbert Poole (1806-1869), a schoolmaster and adherent of the Swedenborgian "New Church", had arrived in South Australia by c. 1840, and left the colony for Mauritius c. 1845 (on Poole, see Theresa Walker = Mrs. G. H. Poole)

Documentation:

[Advertisement], Southern Australian (28 September 1841), 2

http://nla.gov.au/nla.news-article71615405 

CONCERT. MESSRS. EDWARDS AND BENNETT beg to announce their intention of giving a Concert of Miscellaneous Music, on Thursday next, the 30th instant, in the Large Room of the South Australian Company's New Buildings, Rundle-street.
Programme: PART I.
OVERTURE - Otello - ROSSINI.
DUETT - Messrs. Edwards & Ewens - Sound the Trumpet boldly - I PURITANI - BELLINI
DUETT - Violin and Violoncello - Messrs. Bennett & Poole - REINAGLE
SONG - Lady Amateur - When crown'd with Summer Roses - HOBBS
GBAND VARIATIONS - Flute - On Malbrook - Gent. Amateur - BUCHER
SONG - Mr. Edwards - Friend of the Brave - CALLCOTT
GLEE - A Lady, Messrs. Edwards, Ewens and Poole - If this delicious grateful Flower - HAWES
PART II.
GRAND TRIO - Piano, Violin, and Violoncello - A Lady, Messrs. Bennett and Poole - HUMMELL
SONG - Mr. Ewens - The Land of the West - LOVER
GRAND DIVERTIMENTO - Violoncello - Mr. Poole - MAYSEDER
POLACCA - I Puritani - A Lady - Son Virgin - BELLINI
SONG - Mr. Edwards - Ye Mariners of England - NEUKOMM
DUETT - A Lady and Mr. Ewens, The Butterfly - SALE
FINALE- God Save the Queen.
Tickets 6s. each - to be had at Edward's Hotel, Stephens Place.
MOONLIGHT.

ASSOCIATIONS: William Povall Edwards (vocalist); George Bennett (musician); William Ewens (vocalist)

NOTE: For an essay prompted by this advertisement, see "THE CONCERT", The South Australian magazine [second number] (August 1841), 66-68

https://nla.gov.au/nla.obj-1971536005/view?partId=nla.obj-1971571525#page/n35/mode/1up 

"AMATEUR CONCERT", South Australian Register (25 June 1842), 2

http://nla.gov.au/nla.news-article27443437 

The Amateur Concert, for the benefit of the Adelaide Infant School (not the Trinity Church Sunday School as erroneously stated in our last), took place on Tuesday evening. The room was crowded by a highly respectable assembly, and the whole concert "went off" most creditably for a first attempt. The overtures to Zampa and Fra Diavolo, in particular, were played with much spirit. Some disappointment, as well as considerable disadvantage to the vocal harmony, accrued from the desertion of the ladies who had promised their valuable assistance on the occasion. Notwithstanding their defection, however, the fine glees "Hark the Lark," "Bragela," and " Here in-coot grot," were sung with great sweetness. Dr. Kent and Dr. Knott were both most successful in their solos, and applauded to the "very echo." Among the amateurs, to whom the orchestral effect was principally owing, we may mention Mr. F. S. Dutton, who presided at the piano forte, Mr. Newland, Mr. McGill (96th Regt.), Mr. Wyatt, Dr. Kent, and Mr. Barnard. Messrs. Bennett, Poole, and Ewens also contributed their valuable assistance on the occasion; Mr. Charles Campbell good-naturedly complied with a request made to him in the room, and sung an Irish song in a style which reminded us of poor Jack Johnstone. The whole concert, in short, spoke highly of the musical talent of Adelaide, and is calculated, we hope, to lead to many similar agreeable entertainments. The proceeds to the benefit of the Infants' Schools amounted, we believe, to about twenty-five pounds.

ASSOCIATIONS: Benjamin Archer Kent (amateur musician); John Knott (amateur musician); William Wyatt (amateur musician); John Napier Magill (amateur musician); Francis Stacker Dutton (amateur pianist)

"RE-OPENING OF THE WESLEYAN CHAPEL, GAWLER PLACE", Southern Australian (8 September 1843), 2

http://nla.gov.au/nla.news-article71617891 

THIS place of public worship, which for the last few weeks had been undergoing repairs, was opened again for Divine service on Sunday last . . . On Tuesday evening, a public tea meeting and concert of sacred music was held in the same building. About four hundred persons sat down to tea . . . The following is a copy of the programme which was circulated amongst the company:
HAYDN'S HYMN. - "Lord of Heaven and Earth and Ocean."
DUETT AND CHORUS - (Fawcett) - "Far Beyond."
CHORUS - "Worthy is the Lamb that was Slain, &c."
SOLO - (Haydn) - "In Native Worth."
SOLO AND CHORUS - "The Marvelous Work Behold Amazed."
QUARTETT - (Mozart) - "Judge me O Lord, &c."
CHORUS - (Mozart) - "I will give Thanks unto Thee O Lord."
RECITATIVE - (Handel) - "Comfort Ye my People, &c."
SOLO - (Handel) - "Every Valley shall be Exalted."
CHORUS - (Handel) - "And the Glory of the Lord shall be Revealed."
SOLO AND CHORUS - (Handel) - "O Thou that Teilest Good Tidings."
CHORUS - (Handel) - "For unto us a Child is Born."
SOLO - (Handel) - "But Thou Didst not Leave his Soul in Hell."
CHORUS - (Handel) - "Lift up Your Heads, &c."
GRAND CHORUS - (Handel) - "Hallelujah."
The first four pieces of the music having been sung, the Rev. Mr. Stow addressed the meeting . . . We have not been able to obtain a correct list, or we should give the name of each performer. We cannot, however, avoid to mention the superior execution of Mr. Bennett, who led on the violin, and Mr. Poole's performance on the violoncello. Both of these gentlemen are masters of their instruments, and on the present occasion they played admirably . . .

[Advertisement], South Australian (7 November 1843), 3

http://nla.gov.au/nla.news-article71618376

THE AMATEUR CONCERT, FOR the liquidation of the debt incurred on Trinity Church School, will take place in Messrs Lambert and Son's new Auction Room, THIS EVENING, at seven o'clock, P.M.
PROGRAMME. PART 1. Overture - "Masaniello" - Auber . . .
Overture - "Tancredi" - Rossini
PART 2. Overture - "La Cenerentola" - Rossini . . .
Overture - "L'Italiana" - Rossini . . .

"AMATEUR CONCERT", South Australian Register (11 November 1843), 3

http://nla.gov.au/nla.news-article27445887

On Tuesday a vocal and instrumental concert, of which we had a short notice in our last, was given by several amateurs in Messrs Lambert's new auction-rooms. The doors were opened at half-past seven, and nearly the whole of the seats were occupied by eight o'clock, at which time his Excellency the Governor and Mrs. Grey arrived. They were received with every demonstration of respect, and the concert almost immediately commenced with Auber's Overture to Masaniello. Mr. Bennett took the pianoforte, Dr. Kent, Dr. Wyatt, and Lieut. Magill had their flutes, and Mr. Poole his bass-viol. The music of this piece is too well known to require comment, and, if we may judge from the applause of the audience, the performers did it full justice . . .

ASSOCIATIONS: George Grey (governor)

"MR. BENNETT'S CONCERT", South Australian Register (5 January 1844), 3

http://nla.gov.au/nla.news-article71627957

On Wednesday evening we had the pleasure of attending a concert given by the above gentleman. To our agreeable surprise, we found that Drs. Kent and Wyatt had given their valuable aid, and they, of course, contributed in no small degree to the harmony of the evening. Several excellent overtures and glees were performed in a manner which gave great satisfaction, and it was remarked that there was a decided improvement as the performances proceeded. "The Breath of the Briar," by Mrs. Murray, Messrs. Ewens, Harward, and Poole, was beautifully executed; and, in the second part, "Mary of Argyle," a very sweet song was sweetly sung by Mrs. Murray, and deservedly encored. The Glee, "The Merriest Time of all the Year," also elicited universal applause . . . Altogether, this, we should say was one of the best concerts we have had in Adelaide. His Excellency the Governor and Mrs. Grey were present. The attendance was pretty good, consisting of about 100 ladies and gentlemen, and will, we trust, encourage Mr. Bennett again to favor the public with a similar gratification at no distant period.

"LOCAL AND PROVINCIAL INTELLIGENCE", Adelaide Observer (6 January 1844), 4

http://nla.gov.au/nla.news-article158918101 

Mr. Bennett's concert took place on Wednesday evening, under the auspices of the Governor, who was present with his suite; the audience consisted of upwards of 80 persons. The best instrumental effort of the evening was the Overture to William Tell. Considering the few instruments at command the effect was superior to anything ever produced in the Colony; the only blemish was, that, instead of its joyous marchlike character, the quick movement had a "roystering rollicking" manner, which however is not unknown at concerts of greater pretension than this. The worst performance was a Trio of Mozart's. Mr. Poole played out of tune, Mr. Lee out of time, and Mr. Bennett without tone; the latter however redeemed himself in a Concertante by Herz and Lafont. In this Mrs. Murray's brilliant execution shone to advantage . . .

"MR. BENNETT'S CONCERT", South Australian Register (6 January 1844), 2

http://nla.gov.au/nla.news-article27446310 

On Wednesday evening last, Mr. Bennett gave his concert of vocal and instrumental music at the Company's Rooms, Rundle-street, and of which the following is the programme:-
PART I - Overture (Fra Diavolo) - Auber.
Round, by Messrs. Ewens, Harward, and Bennett, "Yes, Brothers, yes" - Rodwell.
Trio - Violin, tenor, and violoncello (Mozart), by Messrs. Bennett, Lee, and Poole.
Glee, by Mrs. Murray and Messrs. Ewens, Harward, and Bennett, "Boatie rows" - Bishop.
Song, by Mr. Ewens, "Cossack's Adieu" - Bennett.
Glee, by Mrs. Murray, and Messrs. Ewens, Harward, and Poole, "Breath of the Briar" - Whitaker.
Duet Concertante, piano and violin (Herz and Lafont), by Mrs. Murray and Mr. Bennett.
PART II. Overture (Guillaume Tell) - Rossini.
Glee, by Mrs. Murray and Messrs. Ewens and Harward, " Hark! Apollo strikes the Lyre" - Bishop.
Song, by Mrs. Murray, "Mary of Argyle" - Nelson.
Glee, by Messrs. Ewens, Harward, and Bennett, " Mynbeer Van Dunck."
Glee, by Mrs. Murray and Messrs. Ewens, Harward, and Poole, "The merriest time of of the Year" - Aldridge.
Catch, by Messrs. Ewens, Harward, and Bennett, "Ah! how, Sophia" - Callcott.
Finale (solos by Mrs. Murray and Mr. Ewens), "God save the Queen."
This performance reflected great credit upon our Adelaide Musicians. The selection was new, and of that dramatic kind which is best calculated to please a mixed audience - principally from the works of composers who belong to no school exclusively, but who have a pleasing style of their own in sentimental subjects or any requiring simplicity of character. For the higher order of intellectual music, where the effect is dependent upon the niceties of the consummate execution, where a delicately beautiful and pathetic attenuation of sound should sometimes, alternate with an awfully bursting volume of harmony, the absence of superior instruments disqualifies Mr. Bennett and his coadjutors. Nor do the Adelaide dilettanti maintain the conventional stillness of a classical concert-room, and we suspect that the majority have little taste for the musical alchymy of Mozart's Symphonies, or of Rossini's chef d'oeuvre . . . . Above one hundred persons were present, including most of the higher and many of the middle classes . . . The room was not all that could have been wished for the purpose, but there is perhaps no better in an eligible situation.

ASSOCIATIONS: Georgiana Murray (vocalist, pianist); Thomas Harward (vocalist)

POOLE, Charles (Charles POOLE)

Theatrical manager, lessee, proprietor

Born London, England, c. 1812/14; ? 1817
Married (1) Amelia Elizabeth DAVIDSON, St. Saviour's church, Jersey, Channel Islands, 4 June 1851 (aged "37")
Arrived (1) Melbourne, VIC, 23 December 1854 (per Stebonheath, from London, 9 September)
Departed (1) Melbourne, VIC, 19 December 1860 (per Ocean Chief, for Liverpool, England)
Arrived (2) Melbourne, VIC, 10 May 1862 (per Caribbean, from London, 18 January)
Departed (2) Sydney, by May 1866 (for New Zealand)
Died Boston, USA, 1 December 1871

https://trove.nla.gov.au/search?l-publictag=Charles+Poole+1817-1871 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POOLE-Charles (shareable link to this entry)

POOLE, Amelia Elizabeth (Amelia Elizabeth DAVIDSON; Mrs. Charles POOLE; Mrs. William Henry STEPHENS)

Actor

Born c. 1827; daughter of James DAVIDSON
Married (1) Charles POOLE, St. Saviour's church, Jersey, Channel Islands, 4 June 1851 (aged "24") Arrived (1) Melbourne, VIC, 23 December 1854 (per Stebonheath, from London, 9 September)
Departed (1) Melbourne, VIC, 19 December 1860 (per Ocean Chief, for Liverpool, England)
Arrived (2) Melbourne, VIC, 10 May 1862 (per Caribbean, from London, 18 January)
Departed (2) Sydney, by May 1866 (for New Zealand)
Married (2) William Henry STEPHENS (d. 1888), St. John's church, Brixton, England, 21 February 1888
Died Wandsworth, Surrey, England, 21 March 1899

https://trove.nla.gov.au/search?l-publictag=Amelia+Elizabeth+Davidson+Poole+Stephens+c1827-1899 (TROVE tagged by Australharmony)

http://nla.gov.au/nla.party-1636784 (NLA persistent identifier)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POOLE-Amelia-Elizabeth (shareable link to this entry)

Summary:

Charles Poole, comedian, aged "39", born London, was living in a boarding house at St. Helier, Jersey, on 30 March, the night of the 1851 Channel Islands census. At St. Saviour's, Jersey, three months later, but stating then to be 37 years old, he married Amelia Elizabeth Davidson, aged 24, a daughter of James Davidson, an army officer. It thus seems unlikely that he was born as late as 1817, but most probably c. 1814. However, no birth record has been identified, and the birth year of 1817 is widely reported.

Documentation:

"SHIPPING INTELLIGENCE", The Argus (26 December 1854), 4

http://nla.gov.au/nla.news-article4802230 

December 23. - Stebonheath, ship, 1014 tons, J. Sargent, from London 9th September . . . Mr. and Mrs. Charles Poole, of the London and provincial theatres, have arrived in the Stebonheath.

"THEATRICALS", Empire (10 April 1855), 4

http://nla.gov.au/nla.news-article60176101 

Amongst the passengers by the city of Sydney (s.), from Melbourne, we omitted to mention Mrs. Charles Poole, and Mr. Joseph Rayner, Juvenile Tragedian, late of the National Standard Theatre, London; both of whom are engaged at the Victoria Theatre; Mr. Crosby, the Stage Manager was also omitted in the steamer's list.

"THE NELSON FAMILY", The People's Advocate and New South Wales Vindicator (5 May 1855), 3

http://nla.gov.au/nla.news-article251547356 

On Tuesday the Messrs. Nelsons had their benefit at the Victoria Theatre, and we were happy to perceive a crowded house on the occasion. The programme commenced with the SERIOUS FAMILY, which was excellent performed by Messrs. Craven, and Stevens, Mrs. Poole, Mrs. Lambert, &c., &c., a Concert followed, in which there were sung some very beautiful quartettes, arias, and songs . . .

"THEATRICAL AND MUSICAL", The Argus (24 December 1855), 6

http://nla.gov.au/nla.news-article4826439 

. . . Miss Catherine Hayes has just concluded an engagement at the Theatre Royal, which has been successful in the highest degree . . . the production of Operas in a more complete style than had previously been the case in the colonies has created a perfect furore for that species of entertainment; and as the materiel we possess here is as perfect as we could reasonably expect, the operatic representations which have taken place have really merited the extensive patronage which has been bestowed upon them. Five full operas have been played, with Catherine Hayes for prima donna, supported by Mesdames Sara Flower and Carandini . . . the Sonnambula, Lucia di Lammermoor, Norma, the Bohemian Girl, and Lucrecia Borgia; and although the public had to be contented with the transposition of the music of the tenor roles to suit either Madame Flower or Madame Carandini, the vocal market being without an efficient tenor, the whole of the works represented were well received . . . The company at the Theatre Royal is rather thin just now, the prolongation of the operatic season having enabled the management to dispense with several of the troupe . . . Mrs. Charles Poole, the wife of the stage manager of the Theatre Royal, and an actress of high merit, leads the business at that establishment . . . Mr. George Rogers is still a member of the same company, and his admirable impersonations in the tole of "old man" have been one of the prime attractions on the off nights of the opera . . .

"DEATH OF MR. CHARLES POOLE, THE ACTOR", The Australasian (24 February 1872), 18

http://nla.gov.au/nla.news-article138088646 

[News], The Era [London, England] (8 April 1899), 12

THE death is announced, at the age of seventy-two, of the widow of W. H. Stephens, an actor well known in London, particularly in connection with the production of Albery's Two Roses. As Mrs. Charles Poole she played the Marquise, in Caste. Her first husband was in the fifties associated in the management of the Prince of Wales's Theatre, Sydney, with Mr. Frank Howson, father of Mr. Charles E. Howson, of the Lyceum Theatre.

"Theatrical Talks", Referee [Sydney, NSW] (17 May 1899), 10

http://nla.gov.au/nla.news-article121812632 

The death is announced at the age of 72 of Mrs. W. H. Stephens, widow of the actor who gained fame as the creator of Mr. Furnivall in "Two Roses," writes a London correspondent. Mrs. Stephens was herself very successful in "old woman" parts, and as Mrs. Charles Poole was the first Marquise in "Caste." Her first husband was in the fifties, associated in the management of "the Prince of Wales" Theatre, Sydney, with Mr. Frank Howson (father of Mr. Charles E. Howson, of the Lyceum Theatre, London), and it was during that time Lola Montez, Mme. Anna Bishop, and Miss Catherine Hayes were introduced to the Australian public.

[Joseph Michael Forde], "MUMMER MEMOIRS", Sydney Sportsman (14 June 1905), 3

http://nla.gov.au/nla.news-article167203760 

. . . Mrs. Charles Poole's uncertain appearances before the curtain must have been occasioned by her husband's ill-health. He was always a delicate man, whose stage appearances were intermittent. He died on December 3, 1871, at his residence, East Canon-street, Boston, Mass. He was born in England in 1817, and made his first appearance in the City of London Theatre, in Norton Folgate, in the character of Jerry Sneak, in Foote's comedy, "The Mayor of Garratt." He subsequently became a provincial manager, and met with the usual ups and downs attendant on such a career. After a long tour in Great Britain and Ireland Mr. and Mrs. Charles Poole took ship for the Australian colonies in the mid fifties. His connection with management in Melbourne and his business relations were, it was said, pecuniarily successful for all parties.

On the close of his Victorian career, he and Mrs. Poole came to Sydney, and had the credit of being the first to introduce Italian opera in this city. From here the husband and wife went to New Zealand, where they starred with considerable success. Mr. Poole was a great favorite with the Maorilanders, and could boast of receiving from them many handsome testimonials. On concluding their engagements in New Zealand they left for San Francisco, and on arrival there, Mrs. Poole got an engagement at Maguire's Opera House, where she met with but indifferent success. Subsequently, in conjunction with his brother, Mr. Poole became lessee of the Metropolitan Theatre, and was very lucky in the speculation, the great feature during their management being the production of the "Great Bloviator," George Francis Train. By the engagement of Mr. Train they netted 1000 dollars each. Mr. Poole was greatly respected in Australia, and his death at the age of 54 years caused pain and regret to the many who knew him. He was a cultivated man, and though not a great actor, he was a conscientious one. His wife, of whom I have not heard for years, was a most estimable lady, and at the tune of her husband's death was fulfilling an engagement at Booth's Theatre, Boston . . .

POOLE, George Frederick (George Frederick POOLE; Mr. G. F. POOLE; George POOLE, junior)

Lecturer on music

Born NSW, c. 1822/23
Married Mary (? Sarah) Ann ROPER, North Brisbane, NSW (QLD), 24 May 1849
Died Moggill, Brisbane, NSW (QLD), 6 May 1853

https://trove.nla.gov.au/search?l-publictag=George+Frederick+Poole+d1853 (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POOLE-George-Frederick (shareable link to this entry)

Summary:

Poole, a chemist and druggist, who had been based in Sydney in the late 1840s, was in Brisbane by May 1848. Also a musical enthusiast, he lectured on the "Pleasures and Advantages of Music" at the Brisbane School of Arts in 1852, assisted by John Humby and an Indigenous performer known as Jemmy Alexander, or Tetaree.

Documentation:

[Advertisement], The Moreton Bay Courier (27 May 1848), 3

http://nla.gov.au/nla.news-article3709819 

G. F. POOLE, CHEMIST, DRUGGIST, & FAMILY GROCER; LATE OF GEORGE-STREET, SYDNEY, BEGS to inform the inhabitants of the towns and district of Moreton Bay, that he purposes shortly to open the premises at present in the occupation of Mr. Grenier, next door to Cairncross, Baker, North Brisbane . . .

"MARRIED", The Moreton Bay Courier (26 May 1849), 3

http://nla.gov.au/nla.news-article3711643 

On Thursday, the 24th instant, by the Rev. G. Poole, at the Wesleyan Chapel, North Brisbane, Mr. G. F. Poole, Druggist, of Brisbane, to Sarah Ann, second daughter of Mr. James Roper, Bentley Cottage, Brisbane.

[Advertisement], The Moreton Bay Courier (23 October 1852), 3

http://nla.gov.au/nla.news-article3708606

BRISBANE SCHOOL OF ARTS.
A LECTURE on the PLEASURES AND ADVANTAGES OF MUSIC, will be delivered in the Hall of the above Institution
By Mr. G. F. POOLE, On THURSDAY EVENING NEXT, the 28th instant, at half-past Seven o'clock.
Vocal Illustrations, with Pianoforte accompaniments, by Mr. Humby, &c.
N.B. - Members and their families admitted free, and Non-Subscribers on paying 1s. each.
JOHN INNES, Secretary, School of Arts.

"LECTURE AT THE SCHOOL OF ARTS", The Moreton Bay Courier (30 October 1852), 2

http://nla.gov.au/nla.news-article3715414

On Thursday evening Mr. G. F. Poole delivered at the School of Arts a lecture on the pleasures and advantages of music. The hall was crowded at an early hour, and the audience, which comprised a large portion of the beauty and fashion of Brisbane, manifested by repeated applause the satisfaction which the entertainment gave. Mr. Poole was ably supported by vocal illustrations, with piano-forte accompaniment, by Mr. Humby. At the conclusion of the lecture a vote of thanks to Mr. Poole was carried by acclamation, and a similar acknowledgment was subsequently made to Mr. Humby for his assistance.

"To the editor of . . .", The Moreton Bay Courier (6 November 1852), 2

http://nla.gov.au/nla.news-article3715514 

SIR,- It is not long since I was equally surprised and amused by a strange piece of candid impudence on the part of a new arrival amongst us . . . Accordingly, I was much' less surprised at his violent and scurrilous attack, last Tuesday, upon Mr. G. F. Poole, a gentleman well known to yourself and your readers as one of the most useful, active, and public spirited of the inhabitants of Brisbane. But such an offensive paragraph should not be allowed to pass without observation, and shall not, if I may be heard. Mr. Poole was amongst the most zealous and energetic of the founders of the Brisbane School of Arts; and when, through difficulties and struggles of no ordinary kind that institution was firmly established, he never relaxed his efforts, by pecuniary aid and personal exertion, for its maintenance. Having been earnestly solicited, by a large number of the members, to deliver a lecture last week, he consented . . .

"To the editor of . . .", The Moreton Bay Courier (6 November 1852), 2

http://nla.gov.au/nla.news-article3715516 

SIR, - The Moreton Bay Free Press cuts up Mr. Poole's lecture in a most merciless manner . . . The writer says, in substance, that Mr. Poole's discourse was poor, in bad taste, and not even in good English; but yet he acknowledges that there was a very large company present, and that everybody but himself appeared well pleased . . .

"A REPLICATION", The Moreton Bay Courier (13 November 1852), 3

http://nla.gov.au/nla.news-article3709436 

Our Brisbane contemporary appears to think that we have done him injustice in publishing certain strictures upon his criticism of Mr. Poole's lecture . . .

"MUSICAL ENTERTAINMENT", The Moreton Bay Courier (22 January 1853), 2

http://nla.gov.au/nla.news-article3712167 

On Monday evening next, Mr. Poole intends to give another musical entertainment at the Brisbane School of Arts, assisted by persons who have kindly consented to give their gratuitous services on the occasion. As the object is twofold - namely to afford rational amusement where such things are exceedingly scarce, and to augment the funds of a very useful institution, we have no doubt but that there will be a large audience on the occasion. Mr. Poole deserves much credit for showing himself superior to the personalities and ribaldry which have recently been directed against him, and which, though they may make the vulgar laugh, cannot but cause the judicious to grieve at such a misapplication of the power of the Press.

[Advertisement], The Moreton Bay Courier (22 January 1853), 1

http://nla.gov.au/nla.news-article3712177 

SCHOOL OF ARTS. MR. GEORGE POOLE will deliver a
LECTURE ON MUSIC, On MONDAY, 24TH INSTANT, in the Hall of the above Institution.
Mr. HUMBY, and other friends of the Institution, have kindly consented to enliven the evening with Vocal and instrumental Illustrations.
Admission One Shilling each.
JOHN INNES, Secretary.

"MUSICAL ENTERTAINMENT", The Moreton Bay Courier (29 January 1853), 3

http://nla.gov.au/nla.news-article3709112 

On Monday evening last a musical entertainment, under the direction of Mr. G. F. Poole, was given at the Brisbane School of Arts. The attendance on the occasion was the most numerous that had ever been witnessed there, amounting to about three hundred and twenty persons, comprising most of the principal families of Brisbane. The planking which before separated the library from the hall, had been taken down, with a view to putting up a railing, and the space thus opened afforded accommodation for about seventy persons. Mr. Poole, who was received in a most complimentary manner, opened the entertainment with some appropriate remarks upon the origin and power of music, and then introduced his assistants to the audience. Mr. Humby, who had given his services gratuitously, presided at the Pianoforte, and was assisted by two young ladies, his pupils. The pieces sung, and which were interspersed with occasional observations by Mr. Poole, were as follow;-

"The Angels Whisper," Mr. Humby; "I'm afloat" same; "Jenny Lane," same; "Poor Bessie," Miss Skyring; "Life's a bumper," Mr. Humby and Misses Skyring; "The Red Cross Knights," same; "The Alderman's Thumb," same; "Lady of Beauty," same; "Rosalie, (Ethiopian melody;) same; "When thy bosom heaves a sigh," Mr. Humby and Miss Skyring; Finale - "God save the Queen," Mr. Humby and Misses Skyring, assisted by the audience

In the course of the evening, "James Alexander," a travelled aboriginal, whose case we mentioned in a former issue of this journal, was introduced, and created much amusement by his musical imitations on the walking stick, and his attempts to sing some of the popular Ethiopian airs. Altogether the entertainment passed off with the utmost success whether with respect to the satisfaction of the company or the augmentation of the funds. Many of the songs and glees were loudly and deservedly applauded; and in some the encore was insisted upon. "The Red Cross Knights," and "Lady of Beauty" particularly elicited applause. At the conclusion of the entertainment a vote of thanks to Mr. Poole and the performers, particularly to the ladies who had given their services - was carried by acclamation.

"DIED", The Moreton Bay Courier (7 May 1853), 3

http://nla.gov.au/nla.news-article3710102

At Hopeful Hill, Moggill, on the 6th instant, George Poole, Junior.

"THE LATE MR. GEORGE POOLE", The Moreton Bay Courier (14 May 1853), 2

http://nla.gov.au/nla.news-article3716299 

ON Sunday last the remains of the late Mr. George Poole, junr., of this town, were conveyed to the grave, attended by the largest number of people that ever followed a funeral in Brisbane. The Rev. J. G. Millard performed the funeral service, and afterwards delivered an eloquent and impressive address, suitable to the occasion. The funeral sermon will be preached by the same gentleman, in the Rev. C. Stewart's chapel, to-morrow evening. The late Mr. Poole arrived in Brisbane in the early part of the year 1848, and throughout the whole period from that time to the date of his premature and lamented death, had distinguished himself as a most useful and public spirited member of this community. No object of general interest lacked his valuable aid, and useful enterprise found him behind. His death has created a void which will long be visible in Brisbane.

POOLE, William Ebenezer (Ebenezer William POOLE; William Ebenezer POOLE)

Horn player, bandsman (99th Regiment)

Born UK, c. 1825
Arrived Sydney, NSW, 19 February 1843 (per Earl Grey, via Hobart Town, with regiment)
Departed Hobart, TAS, 10 January 1856 (per Windsor, via Fremantle, WA, 11 February, for London)

https://trove.nla.gov.au/search?l-publictag=William+Ebenezer+Poole+99th+Regiment (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POOLE-William-Ebenezer (shareable link to this entry)

ASSOCIATIONS: Band of the 99th Regiment

Summary:

Ebenezer Poole, aged 18, appears in the sick list in the surgeon's journal of the Earl Grey (arrived 1843).

Documentation:

List of . . . the 99th Regiment of Foot from the 1st of April to the 30th of June 1843; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1687794331/view (DIGITISED)

Privates . . . 1836 / Pool E. Will'm . . .

List of . . . the 99th Regiment of Foot from the 1st of April to the 30th of June 1844; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1688199447/view (DIGITISED)

Privates . . . 1836 / Poole Ebenezer Wm. . . .

[Advertisement], The Australian (29 November 1845), 1

http://nla.gov.au/nla.news-article37154101

. . . Horns - Messrs. McCullum, Thompson, Hamilton, and Poole . . .

List of . . . the 99th Regiment of Foot from the 1st of April to the 30th of June 1851; Australian Joint Copying Project, from Records of the UK War Office

https://nla.gov.au/nla.obj-1680875004/view (DIGITISED)

Privates . . . 1836 / Poole Wm. Ebenezer . . . .

"MISCELLANEA", The Courier [Hobart, TAS] (8 November 1851), 2

http://nla.gov.au/nla.news-article2959941

The final concert of a series was given at the Military Barracks by Messrs T. Martin, A. Hill, W. Bromley, and W. Poole, of the band of the 99th Regiment, on Thursday evening, before a numerous company. In front of the stage we noticed Capt. Pratt and other officers of the garrison, Mr. and Mrs. Balfe, and many ladies. The musical performance, as must be the case with military bandsmen, was very good, especially the opening piece, the overture to "Guy Mannering" . . .

"ROYAL VICTORIA THEATRE", The Courier (2 July 1853), 3

http://nla.gov.au/nla.news-article2246121 

TOWNSEND'S DRAMA of "Mary's Dream" was performed for the second time at this Theatre last evening, and the characters wore tolerably well sustained. Then followed the Concert, of which the following was the Programme:
Overture, La Gazza Ladra - Band
Glee, Chough and Crow - Mrs. Dawson, McGeorge, Hill and Poole.
Song, Then You'll Remember Me - Mr. McGeorge - BALFE.
Ballad, FRANKLIN'S FATE (by desire) - Mrs. Dawson.
Solo, Violoncello - Mr. Thompson.
Song, The Cavalier - Miss Sinclair
Song, Oh! Erin, My Country - Mr. McGeorge
Trio, My Bonnie Bark - Mr. McGeorge, Mr. Hill, and Mr. Poole.
PART II.
Sunshine Galop - Mr. Hill.
Quartette, Sleep, Gentle Lady - Mrs. Dawson, Messrs. McGeorge, Hill and Poole - BISHOP.
Song, Ben Bolt's Reply - Mr. McGeorge
Ballad, Thou art Gone from My Gaze - Mrs. Dawson
Fantasia, Flute - Mr. Hill - NICHOLSON
Song, Number One - Mrs. Gardiner
Song, The Anchor's Weighed - Mr. McGeorge.
Ballad, The Old Arm Chair - Mrs. Dawson.
Glee, Mynheer Van Dunck - Mr. Hill, Mr. Poole, and Mr. McGeorge.
The first glee was given in pretty good style, though somewhat marred in general effect by the singing of Mr. Poole, whose voice almost thoroughly overcame that of Mrs. Dawson . . . The fantasia on the flute, by Mr. Hill, was received with a manifestation of approbation similar to that he constantly calls forth upon every repetition of the piece; and he rendered some of the most difficult passages with remarkable celerity and precision of style . . . As may be gathered, however, the Musical Melange was the choicest entertainment of the evening, and it was with pleasure we noticed that there was a most fashionable audience in attendance, among whom were the Hon. Colonel Butterworth, Governor of Singapore, and his lady, and a tolerable sprinkling of the officers of the garrison . . .

[Advertisement], The Courier (5 August 1853), 1

http://nla.gov.au/nla.news-article2247940 

Theatre Royal, Campbell Street.
UNDER THE DISTINGUISHED PATRONAGE OF The Honourable Colonel Despard
AND THE OFFICERS OF THE 99TH REGIMENT . . . THIS EVENING, FRIDAY, 5TH AUGUST, 1853.
THE TALENTED BAND OF H. M. NINETY-NINTH REGIMENT Will be in attendance, and perform the Overtures to HAIDEE and BETLY . . .
GRAND MUSICAL MELANGE.
OVERTURE (Haydee) - MILITARY BAND.
SONG - "Lo! hear the Gentle Lark" (Bishop) - MRS. DAWSON.
with Flute accompaniment. MR. HILL.
BALLAD - "Happy Land" - MISS SINCLAIR.
BALLAD - "Terence's Farewell to Kathleen" - MRS. DAWSON.
GLEE - "Oh! Lady" - MESSRS. HILL, POOLE, and LEE
DUET - "My Sufferings and Sorrow," (Opera Lucia di Lammermoor)- - MRS. DAWSON and MR. POOLE.
SONG - "Franklin's Fate"(by desire) - MRS. DAWSON . . .

[Advertisement], The Courier [Hobart, TAS] (31 October 1855), 3

http://nla.gov.au/nla.news-article2493172

RE-APPEARANCE OF MISKA HAUSER.
MISKA HAUSER . . . will give a GRAND CONCERT At the Royal Victoria Theatre,
under the patronage of Colonel Jackson and the Officers of the 99th Regiment,
TO-MORROW EVENING, 1ST NOVEMBER.
Miska Hauser will be assisted by Messrs.
BUDDEE, BIAL, HILL, POOLE and LEE,
and the BAND of the 99th REGIMENT . . .

POPE, Mr. (Mr. POPE; ? James POPE)

Actor, vocalist, Irish delineator, Irish comedian

Active Geelong, VIC, 1853-54

https://trove.nla.gov.au/search?l-publictag=Mr+Pope+Irish+comedian (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POPE-Mr (shareable link to this entry)

Documentation:

[Advertisement], Geelong Advertiser and Intelligencer (7 December 1853), 5

http://nla.gov.au/nla.news-article86415401 

THEATRE ROYAL.
MR. POPE, the Irish Comedian, has the honor to announce that his Complimantary Benefit takes place on THURSDAY Evening next, under the immediate patronage of Captain Hovell, the first discoverer of Geelong.
Mr. Pope will appear in two of his most celebrated pieces and sing two of his most popular songs.

"THE THEATRE", Geelong Advertiser and Intelligencer (9 December 1853), 4

http://nla.gov.au/nla.news-article86412629 

A full house greeted Mr. Pope last night, on the occasion of his benefit. Curran remarked of one of his countrymen that he was so thoroughly Irish as to have the brogue in his shoulders; but, of Mr. Pope it may be said that the brogue can be seen in every joint of his body from the toes upwards. His personation of the happy devil-may-care shirtless paddy, in the afterpiece, was particularly happy, and brought down roars of laughter. The performances this evening are for the benefit of Mr. Spencer, one of the oldest, if not the very oldest, of Victorian players.

ASSOCIATIONS: George Coppin (priprietor, Theatre Royal, Geelong); William Hovell (explorer); Albert Spencer (actor)

[Advertisement], Geelong Advertiser and Intelligencer (30 December 1853), 5

http://nla.gov.au/nla.news-article86415725 

NEW YEAR'S GIFT AT THE MASONIC HALL. LIGHTS AND SHADES OF IRISH LIFE.
MR. POPE, the great Delineator of Irish Character, has the honor to announce to the citizens of Geelong, that he will be "AT HOME" for an hour in Ould Ireland, on MONDAY EVENING NEXT, January 2, at half-past eight o'clock precisely, when he will give one of his celebrated Irish Evenings entitled "The SHAMROCK," emblematic of LOVE, VALOR, and WIT, introducing several favourite Songs, &c.

Oh! Erin my Country, although thy Harp slumbers,
And is laid in oblivion in Tara's old Hall,
Whilst there still lives a hand to awaken its numbers,
We'll sound the loud dirge of the Sons of Fingall.

The trophies or war may lay there neglected,
For dead are the warriors to whom they were shown,
But the Harp of Old Erin shall still be respected,
If there lived but this hand to awaken its tone.

PROGRAMME.
PART FIRST. - INTRODUCTION.
The Mute of Blarney [?? awle]
SONG - "Oh, did you n'er hear of the Blarney,
Of you ?? is, they say,
From that talented day,
You may kiss whom you choose with your Blarney." S. LOVER
The Shamrock taken to pieces Leaf by leaf.
The first leaf - "Love of Country" - too well known to need more than one illustration.
SONG - "Cushlamachree.
Thy lakes and thy mountains I never may see,
Yet fondly as ever my heart turns to thee." - N. CROUCH.
Other species of Love - Paddy's Admiration - extraordinary generosity of the "Man at the Turnpike Bar."
SONG - "The low-back'd Car.
I'd rather own that car, Sir, with Peggy by my side,
Than a coach and four, and gold galore, and a lady for my bride. - S. LOVER.
The wealthy widow of Calcutta - rivalry between the English, Scotch, and Irish aspirants - Paddy came last - his specimen of the "Camelia Amorosa" - declaration of the Ayah.
SONG - "Widow Malone, och hone!
If for widows you'd die, Para to kiss, not to try
For they're ALL like sweet Widow Malone, och hone!" - LEVER.
PART SECOND.
The Second leaf - difference between Pugnacity and Valor [?] - days of the hair trigger Fighting for Love's sake - the Phoenix Park - "any money for a row" - Valor illustrated - Regions of Fiction - Micky Free, Mrs. McGrath, and the Duke of Wellington.
SONG - "Mickey free.
What stories I'll tell when my sogering's o'er,
And the galant 14th is disbanded." - DR. LEVER.
Recorded story of Waterloo - Noble conduct of a gallant Scotchman - Grave of Graham.
SONG - "The Bowld Soger Boy.
Whilst up the street, each girl we meet,
With look so sly, will cry my eye,
Oh! isn't he a darling, the bowld soger boy," - S. LOVER.
PART THIRD.
Swift, Curran, Norbury, and Vicar-General Head - Sir Walter Scott and his doctor.
The Difference between Plain Dew and Mountain Dew, Rudeness in a Theatre cured - The Irish Laborer; or, The Light of other Days.
Clarence Dick - Paddy's opinion of a Broker's value.
Bulls and Blunders - Paddy in the West of England - Paddy's argument on the number of Bulls in the Town.
Conclusion - The Three Leaves put together.
SONG - "Oh! the Shamrock.
May Valor ne'er his standard read
Against the cause of Freedom.
Chosen leaf of band and chief
Old Erin's native Shamrock," - TOM MOORE
MR. CREED ROYAL will preside at the Piano-Forte.
Tickets, 6s. each, to be had at the different Hotels and the Door.

ASSOCIATIONS: Creed Royal (pianist)

POPE, James Henry (James Henry POPE; J. H. POPE; Mr. POPE)

Amateur musician, harmonium player, organist, violinist, vocalist, school teacher, public lecturer

Born St. Helier, Jersey, 11 September 1837; son of James POPE and Jane DANCOMB
Arrived Melbourne, VIC, 3 August 1852 (per Castle Eden, from Plymouth, 27 April)
Married Helen G. RATTRAY (c. 1845-1927), Ballarat, VIC, 22 December 1862
Departed Melbourne, VIC, 1863 (for New Zealand)
Died Wellington, NZ, 3 August 1913

https://trove.nla.gov.au/search?l-publictag=James+Henry+Pope+1837-1913 (TROVE tagged by Australharmony)

https://en.wikipedia.org/wiki/James_Pope_(educationalist) (Wikipedia)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#POPE-James-Henry (shareable link to this entry)

Documentation:

England census, 30 March 1851, St. Helier, Jersey; UK National Archives, HO107/2527/517/6

https://www.ancestry.com.au/imageviewer/collections/8862/images/JERHO107_2527_2527-0964?pId=16449528 (PAYWALL)

38 Hackett Place / James Pope / Head / Mar. / 40 / Master Confectioner empl'g 7 men / [born] England
Jane [Pope] / Wife / Mar. / 38 / - / [born England]
James Henry [Pope] / Son / - / 13 / Scholar / [born] Jersey St. Helier . . .

Names and descriptions of passengers per Castle Eden from Plymouth, 27 April 1852, for Port Phillip; Public Record Office Victoria

https://prov.vic.gov.au/archive/33FC5616-F96C-11E9-AE98-D185E5E909BF?image=196 (DIGITISED)

Pope James / 22 [sic] // Jane / 29 [sic]
James / 15 // Mary Jane / 13 // Emily / 12 // Georgina / 10 // Rosina / 5

[Advertisement], The Star [Ballarat, VIC] (29 December 1859), 3

http://nla.gov.au/nla.news-article72464025 

Ballarat Philharmonic Society. "THE MESSIAH."
THE Committee, having bam unable to obtain the necessary professional assistance for the due rendering of the above Oratorio, during the Christmas holidays, have reluctantly postponed its production until the end of January, when its performance will constitute the first of a series of Oratorios, to be given by the Society at the Subscription Concerts of the Society for the ensuing year.
J. H. POPE, Hon. Sec.
Subscribers tickets for the year 1860 may be obtained of Mr. A. OLIVER,

ASSOCIATIONS: Albert Oliver (member); Ballarat Philharmonic Society (association)

"News and Notes", The Star (22 August 1860), 2

http://nla.gov.au/nla.news-article66057808 

The erection of the organ in Wesley Church, Lydiard street, is so far advanced that a formal opening will take place on Friday, when Mr. Turner, the leader of the Philharmonic Society, will preside, accompanied by several ladies and gentlemen from the musical world of Ballarat. Addresses appropriate to the occasion will be delivered by the Rev. Messrs. Millard and Easton. The organist engaged for the ordinary Sabbath services is Mr. Pope, master of the Presbyterian School, Soldier's Hill, and a member of the Ballarat Philharmonic Society.

ASSOCIATIONS: Austin Theodore Turner (organist); Music in Wesleyan churches (general)

"NEWS AND NOTES", The Star (25 December 1860), 2

http://nla.gov.au/nla.news-article66336489 

On Sunday last at the Wesleyan Church, Lydiard street, a change occurred which was particularly visible, and which appeared eminently satisfactory to the congregation. The services in the morning and evening in the orchestra were, so far as the organ is concerned, presided over by Miss Cazaly, in place of Mr. Pope, who has another engagement. The young lady now presiding at the organ, and evidently of superior talents, renders her services gratuitously. As ladies frequently preside at the organ in our home churches, and the custom is now introduced here, it is to be hoped the present organist will be permanently retained.

ASSOCIATIONS: Catherine Cazaly (harmonium player)

"LETTERS TO THE EDITOR. WESLEY CHURCH ORGAN", The Star (2 January 1861), 3

http://nla.gov.au/nla.news-article66336600 

SIR, - Referring to the "News and Notes" of last Tuesday's Star, I observe you state that "on Sunday last, at the Wesleyan Church, Lydiard street, a change occurred . . . The young lady now presiding at the organ, and evidently of superior talents, renders her services gratuitously."
As the above statements are incorrect, I beg to ofter a few contradictory remarks lest your readers be under the impression that the choir and congregation were dissatisfied with the services of Mr. Pope, and that Miss Cazaly is not remunerated. With respect to the change being "particularly visible" and "eminently satisfactory," I beg to state that, while the orchestra highly appreciates the talents of Miss Cazaly, it also highly estimates those of Mr. Pope, whose gratuitous services were completely satisfactory to them and the congregation. The orchestra entertains a lively recollection of Mr. Pope's past services, and it expressed deep regret at his resignation. With respect to Miss Cazaly playing gratuitously, I beg to contradict, as it was arranged by the orchestra to pay her for her services.
WM. LITTLE, Secretary to the Wesley Church Choir.

ASSOCIATIONS: William Little (Catherine Cazaly's future husband)

"PRESBYTERIAN CHURCH, BALLARAT EAST", The Star (26 November 1862), 3

http://nla.gov.au/nla.news-article66328998 

A soiree to celebrate the formation of a new Presbyterian congregation in Ballarat, and the induction of a minister thereto, was held on Tuesday evening, in the Town Hall of Ballarat East . . . At intervals, during the evening, Mr. J. H. Pope, Mr. and Mrs. Turner, and other ladies and gentlemen, gratified the audience with several exceedingly well performed pieces of music sacred and secular - in solo and chorus . . .

ASSOCIATIONS: Charlotte Ann Turner (vocalist)

"NEWS AND NOTES", The Star (11 August 1863), 2

http://nla.gov.au/nla.news-article72516369 

The exhibition at the Mechanics' Institute last evening was crowded almost as soon as the doors were open, and what with the singing and playing, the crowds promenading in the hall, and the brilliant hall itself, with its host of exhibits the scene was very gay. The "Mourir pour la Patrie," by Mr. Pope was encored, and he gave next "Simon the Cellarer," accompanying himself in both on the harmonium. Miss Binder and other soloists were similarly greeted, and the programme generally formed a very prominent attraction. The young serenaders acquitted themselves famously, and it was evident that they had had careful training, and that their precursors, the Amateur Serenaders proper, must look to their laurels. The following was the musical programme last night: -
. . . Song, "Mourir pour la Patrie," Mr. J. H. Pope . . .
song, "Marseillaise," Mr. J. H. Pope . . .
Duet, "Der Zauberflote," Miss Binder and Mr. J. H. Pope . .
. Song, "The last man," Mr. J. Pope . . .

ASSOCIATIONS: Marion Binder (vocalist)

"NEWS AND NOTES", The Star (13 August 1863), 2

http://nla.gov.au/nla.news-article72516433 

The greatest crush of the season as yet took place at the Mechanics' Institute Exhibition last evening, when the receipts for the day were swollen to near £40. In fact the hall seems now to have fairly become a favorite rendezvous, and the nightly programmes of amusement to be already an established and popular series of entertainments. Miss Binder and Mr. Pope were heartily welcomed, and the sweet singing and ridiculous drolleries of the young Serenaders were received with even more demonstrative enthusiasm. The programme of music last night was as follows: . . .
Song - "Marseillaise," Mr. J. H. Pope . . .
Song - "The Last Man," (Calcott), Mr. J. H. Pope . . .

"NEWS AND NOTES", The Star (15 August 1863), 2

http://nla.gov.au/nla.news-article72516514 

The Exhibition at the Mechanics Institute was well patronised last evening, the receipts amounting to within a little of £30. The musical programme last night was as follows:- The band. Ethiopian Serenaders -
Part I . . . Song, "Down among the dead men" (old English bass song), Mr. J. H. Pope . . .
Song, "Mad Tom" (Purcell), Mr. J. H. Pope . . .
Song, "The Old Sexton," Mr J. H. Pope . . .
We had an opportunity of hearing Mr. Pope's "Mad Tom," the concertina solo by Pompey, and some selections by the band . . .
Mr J. H. Pope's lectures on "Stumps and Rags" and "OEdamatology" have been issued from the press, at the instance of the Brown Hill Literary Association. The author dedicates them to the h*****s of Victoria, and has added several notes to both lectures.

[Advertisement], The Star (27 August 1863), 3

http://nla.gov.au/nla.news-article72516792 

FRIDAY, 28th AUGUST. SALE BY AUCTION OF HOUSEHOLD FURNITURE.
Harmonium - 8 stops, Splendid Library of about 1000 volumes . . . Violins and other Effects, In great variety,
The Property of J. H. POPE, Esq., who is about to leave the colony. To Parties Furnishing, Musicians, Literary Men and Institutions, Students, and others . . .
HARMONIUM, by Alexandre, 8 stops, -
Also, A great quantity of Instrumental and Vocal Music, voluntaries and oratorios.
1 violin and 1 tenor do.
Catalogues may be had of the Auctioneers on Thursday, or morning of Sale.

"NEWS AND NOTES", The Star (16 February 1864), 2

http://nla.gov.au/nla.news-article72513647 

We are informed that Mr. J. H. Pope, late master of the Presbyterian School on Soldiers' Hill, has been appointed head master of the High School at Nelson, New Zealand.

"OBITUARY. MR. JAMES HENRY POPE. A NOTED EDUCATIONIST", Evening Post [Wellington, NZ] (4 August 1913), 10

https://paperspast.natlib.govt.nz/newspapers/EP19130804.2.112 

Yesterday afternoon, Mr. James Henry Pope, late Chief Instructor of Native Schools, died at his residence, Maarama-creseent, after a long illness, aged 76 . . . Prior to his assumption of official work Mr. Pope had devoted his life to scholastic work. Commencing as a young man in Victoria, he became head master of a primary school at Ballarat, and remained there until, in 1863, on the establishment of the Otago High Schools, he received the appointment of assistant master in the Boys' High School . . .

"DEATH OF MR J. H. POPE. FORMERLY OF THE BALLARAT COLLEGE. WELLINGTON, Monday", The Ballarat Star (5 August 1913), 6

http://nla.gov.au/nla.news-article217972922 

The death is announced of Mr. James Henry Pope, at the age of 76 years. The deceased was formerly chief inspector of the native schools, and a leading educationalist of New Zealand. At one time he was the principal of the Ballarat College.

Bibliography and resources:

Who's who in New Zealand and the western Pacific, 1908 (Wellington: Gordon & Gotch, 1908), 137

POPE, James henry; born Sept. 11, 1837, St. Helier, Jersey; married, 1862, Helen G. Rattray. Educated private schools in Jersey; emigrated with parents of Melbourne, Australia; 1852-58 gold digging mainly, but expended some time and effort on self education; headmaster of important school in Ballarat by end of 1858; gained highest attainable honours under Victorian Denominational Board of Education; removed to New Zealand next year; 1864-72 master of Dunedin High School . . .

William Renwick, "Pope, James Henry", Dictionary of New Zealand biography (1993) (online)

https://teara.govt.nz/en/biographies/2p25/pope-james-henry 

PORTBURY, Benjamin (Benjamin PORTBURY; Mr. PORTBURY; PARBURY)

Musician, violoncello player, double bass player, violinist

Born England, c. 1807/10
Married (1) Ann SMITH, St. Luke's, Finsbury, England, 25 December 1830
Arrived Adelaide, SA, 4 December 1837 (with wife, per Lady Emma from London, 3 August)
Arrived Sydney, NSW, by May 1840
Married (2) Mary A. E. RYAN, Sydney, NSW, June 1842 [not 1848 as also indexed]
Arrived Melbourne, VIC, 13 August 1845 (per Christina, from Sydney)
Active Melbourne, VIC, to 1853 or later

https://trove.nla.gov.au/search?l-publictag=Benjamin+Portbury (TROVE tagged by Australharmony)

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PORTBURY-Benjamin (shareable link to this entry)

PORTBURY, Mary (Mary A. E. RYAN; Mrs. Benjamin PORTBURY)

Vocalist

Married Benjamin PORTBURY, Sydney, NSW, 1842
Active Sydney, NSW, 1844
Active Melbourne, VIC, to 1856 or later

https://sydney.edu.au/paradisec/australharmony/register-P-2.php#PORTBURY-Mary (shareable link to this entry)

Summary:

Benjamin Portbury married Ann Smith, at St. Luke's, Finsbury, London, on 25 December 1830. Having "worked eight years at the West End of London" as an upholsterer and paper hanger, Portbury sailed, with his wife, for South Australia in August 1837.

Portbury was billed a "Leader of the Orchestra" at the Theatre Royal, Adelaide in June 1838, in succession to Philip Lee, having earlier advertised that "his present employment will enable him to devote a portion of his time" to his trade as a decorator.

He was also a printer, a collecting agent for the South Australian Gazette, and honorary secretary of the Adelaide Land Company. In June 1839, he held a subscription ball, but shortly afterward absconded with funds from the land company, as was long remembered.

Portbury was in Sydney by mid 1840, playing in the theatre orchestra, and in concerts for the Bushelles and Deanes, though apparently first going by the name of "Parbury", perhaps to evade detection.

By February 1841, with time and distance from Adelaide, he was again being listed under his own name. He also advertised again as an upholsterer in December 1841 (claiming now to have worked in the trade "for nearly twenty years in London and Paris"); and, again as an upholster, he was listed insolvent in November 1842. In the meantime having worked for Luigi Dalle Case, he told the court in December:

I ascribe my insolvency to the slackness of the times . . . I hope that in time I will be able to pay all my debts . . . I can earn from £5 to £6 per week if I had the work; I have 30s, per week for playing in the orchestra in the theatre; I was married last June by Dr. Lang.

In Sydney in 1842, he married Mary Ryan (not 1848 as also indexed).

Portbury narrowly avoided imprisonment, and went on during 1843 and 1844 playing with the theatrical band, and briefly, in June 1844, as a member of the band at George Coppin's saloon.

Portbury sailed for Melbourne in late July 1845, with the cellist John Charles Thompson, to play in Joseph Megson's orchestra for Coppin's season at the Queen's Theatre. He imported a new cello from London in October 1849.

In Melbourne in August 1852 he was playing violin in Megson's band, and was last listed playing cello for Megson in April 1853.

Documentation: